02nd Dec2016

West Week Ever: Pop Culture In Review – 12/2/16

by Will

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Since I basically took off the month of November I guess this has got to be good, huh? Recently, some online friends were discussing taking breaks from blogging, and one of them said that you don’t need to offer an explanation as to where you’ve been. After all, the world doesn’t revolve around your blog, so it’s kind of egotistical to think anyone cares where you’ve been. I get that, but I don’t really agree with it. When people come to expect something regularly, you do kind of owe them an explanation as to why you broke your “promise”, so to speak. Plainly put, something inside me is broken. Yeah, I’m basically stealing Selena Gomez’s speech from the American Music Awards, but that doesn’t make it any less true.

When I started West Week Ever, it was to celebrate the week that was in pop culture. But can you honestly cite anything that had a great week over the past month? And I’m not even really going to delve into the political landscape of things. I’ll save that for a podcast, where it’ll be harder for someone to cut and paste my words without context. No, nothing had the West Week Ever for the past few weeks. I try to go by the whole “The show must go on” mentality, but I just couldn’t do it. Contrary to popular belief, I don’t go into these posts to be negative, but sometimes that’s what comes out. I couldn’t be positive lately, though, and I saw no reason to put that off on you. I wanted Fantastic Beasts to fail. I want Agents of S.H.I.E.L.D.’s cancellation to be announced. I guess I’m one of those men who wants to watch the world burn. But I’m back in the saddle, trying to fight the good fight. Sometimes you’ve just got to take a step back and look at things, so that’s where I’ve been. So, ready to talk about pop culture? Let’s go!

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Seeing as how I usually enjoy the CW DC show crossovers, I’m sure some folks probably figured this year’s “Heroes vs Aliens” featuring the Dominators would get the West Week Ever this week. Well, I’m sorry to disappoint you, but I really didn’t care much for this year’s crossover. To start, I always thought it was a bit of heavy lifting by spreading it across 4 shows. The Berlanti Dilution Effect is full force on this one. Oh, you’ve never heard of the Berlanti Dilution Effect? It’s probably because I just named it. Basically, whenever the Berlantiverse adds a new show, it dilutes the quality of the preexisting shows, as everyone just seems spread too thin. Folks loved Arrow until The Flash came along. All of a sudden, it was the new hit show, while Arrow’s quality dropped. Then, last season, Supergirl and Legends of Tomorrow were introduced, while fans felt Flash’s quality dropped, and Arrow was damn near unwatchable. Fans seem to love Supergirl, while Legends is just kinda off to the side, not bad, but not great. Well, since Supergirl is the new kid on the block, I felt like she could’ve sat on the bench for this year’s crossover. This year should’ve just been Flash/Arrow/Legends, as they at least occupy the same universe. Adding Supergirl was just overstuffing the thing, and her addition didn’t really add much to things.

I also had another issue with the crossover: I don’t think Team Arrow should be fighting aliens. They’re too street-level for that. Now, they’ve dipped their toe into the supernatural with Damien Darhk and Ragman, but I’ve also felt those were creative missteps for the series. They should only be concentrating on street level threats, as something extraterrestrial is out of their wheelhouse. Plus, it’s no secret that Arrow is basically TV Batman, as a lot of Batman’s rogues and tropes have been added to the show. I don’t think Green Arrow should be fighting aliens as much as I actually don’t like Batman as a member of the Justice League. Bear with me a minute here. Prior to the New 52, about 10 years ago, the Bat books were united in the fact that they approached Batman as urban legend. He has more power as a mysterious being, whispered about amongst thugs and criminals than he does as a guy fighting next to Superman in broad daylight. I’m fine if Batman lends his support from the Watchtower, but he shouldn’t be a public face of the Justice League, as he really shouldn’t “exist” as far as the Man on the Street is concerned. I feel the same about the Green Arrow. That hero loses his clout if he’s seen running around with Flash and Supergirl, fighting aliens. He needs to stick to what he does best.

Now, for the crossover itself. I skipped the Supergirl episode because I really have no desire to get into that show, and the pertinent parts of the crossover were repeated in the next night’s Flash episode. Flash was just a little too cutesy for me, as everyone got acquainted, learning each other’s names and power sets, but they didn’t seem to be taking the threat seriously. Sure, there was some Flash stuff going on that didn’t make a ton of sense to folks, like me, who are still basically on season one of the show. They did a pretty good job, though, explaining Flashpoint and how it had affected things. They even threw in some development for the Legends crew, following up on Professor Stein’s visions. Outside of that, though, most of that episode was fluff. I mean, aliens KILL the president, and even it’s kinda treated as an afterthought. Then we got to the Arrow episode which was one big dream sequence. Sadly, this was also the show’s 100th episode, so I felt bad that it was “squandered” on a crossover. And of course I didn’t like the episode, as it featured all the non-metas on a friggin’ spaceship, IN SPACE! The Legends finale was just more of the same. Kara acting too cutesy, Team Arrow being USELESS against aliens, and there were too many characters without a use for most of them. There was just WAY too much going on, with a threat that wasn’t entirely credible, vanquished in a manner that also wasn’t too credible. I realize I’ve gotta suspend disbelief a bit, but COME ON! And the episode ends with a private press conference with Green Arrow, front and center, meeting the new goddamn President! THE PRESIDENT SHOULD NOT BE PUBLICLY ASSOCIATING WITH A VIGILANTE! It’s like Flashpoint has got them living in Trump’s America or some shit! Anyway, there was a pretty clever Brandon Routh/Superman Returns joke near the end, so I’ll give them credit for that one.

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In television news, it was announced that the long-gestating Inhumans film had been demoted to a television series to debut on ABC in 2017. In fact, the first 2 episodes will debut in IMAX in theaters. This whole thing is laughable to me, but not surprising if you understand the nuances of Marvel. The Inhumans were a pet project of Marvel CEO Ike Perlmutter, as Marvel didn’t have the film rights to the X-Men, so he saw the Inhumans as plug and play “freaks with powers” that Marvel Studios could exploit. And he basically forced this idea on Marvel Studios head Kevin Feige, who really wanted nothing to do with the project. That’s why it was put on Marvel’s film schedule, but kept getting shuffled further and further into the future. Well, after the somewhat ugly divorce between Marvel Studios and Marvel Television last year, Marvel Studios now reports directly to Disney, while Marvel Television is still under the Marvel umbrella. This also dissolved the “brain trust” of comic pros who had given input on the movies up to that point. So, this means there’s even less hope of Agents of S.H.I.E.L.D. ever truly aligning with the movies, but it also allowed Feige to get The Inhumans off his plate and pass the buck on to the TV division.

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Anyway, the show is supposed to focus on the Inhuman royal family, such as Black Bolt and Medusa, and I can’t think of anything I’d rather see less of. That franchise has never interested me, and the idea of it on a TV budget isn’t too impressive, either. In its defense, the season will only be 8 episodes long, so they can hopefully apply 22 episodes worth of budget to those 8 episodes. The unofficial cancellation of Conviction, however, has me hoping Marvel might start conversations with Hayley Atwell to bring Agent Carter back for one more season. Adding Ghost Rider to Agents of S.H.I.E.L.D. might’ve been a creative shot in the arm for the show, but it hasn’t moved the needle much in terms of ratings. So, the idea of a 5th season isn’t a guarantee at this point, despite the fact that ABC/Disney own the show. If it were up to me, I’d opt for more Agent Carter as a companion show to Inhumans and say adios to Agents of S.H.I.E.L.D.

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In other TV news, three cast members were announced for Star Trek Discovery. Most people are gonna say Crouching Tiger, Hidden Dragon’s Michelle Yeoh, but I’m gonna say Supercop 2’s Michelle Yeoh has been cast as Captain Georgiou of the starship Shenzhou. Meanwhile, Anthony Rapp of Rent fame will portray the Discovery’s science officer Lt. Stamets. Motion capture veteran Doug Jones will play science officer Lt. Saru, who will be a member of an alien species new to the Trek franchise. And none of these announcements do anything for me. Where’s the obligatory former Benson cast member? Plus, people mistakenly took the news of Yeoh’s casting to mean that she’s the lead, but she’s not, as it was already announced that the lead would not be a captain, and would be a member of the Discovery crew. So, Yeoh is really just more of a high profile guest star. Still, for a show that’s supposed to debut in May (formerly January), they sure seem to be dragging their feet with this casting process.

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In comic news, the rosters were revealed for the upcoming X-Men Gold and X-Men Blue series. Now, for fans of the 90s X-Men, those divisions were important because the adventures of the Gold team were featured in Uncanny X-Men, while the exploits of the Blue team were featured in the X-Men cartoon, as well as the “Adjectiveless” X-Men comic. Fans thought this would be a return to those days, but this week’s announcement dashed those hopes. X-Men Blue will focus on the time-displaced original teen X-Men, led by Magneto – a nod back to the 80s New Mutants era when Magneto served as their mentor. Meanwhile, the Gold team will be comprised of Storm, Old Man Logan, Rachel Grey, Nightcrawler, Colossus, and Kitty Pryde as leader. In a lot of ways, the current Gold team isn’t too different from the old one, as Storm and Colossus were on that team, while Nightcrawler, Rachel, and Kitty were in Excalibur at the time. I’ll probably grab the Gold book, as it seems the closest to the Extraordinary X-Men team – a book I’m already reading – plus I couldn’t give two shits about that time-displaced team. The Gold team also has the distinction of being written by Arrow co-creator Marc Guggenheim, whose work I like, while the Blue team is written by Cullen Bunn, whose indie leanings have left me somewhat disappointed. The biggest issue with the team division is that it leaves a LOT of mutants on the table without homes. Back in the day, while it could be argued that the Blue team was the more popular of the two, both had heavy hitters on their rosters. The “wealth” was spread evenly, so to speak. That doesn’t seem to be the case here. If anything, the Blue team is just a continuation of All-New X-Men, while the Gold team seems to be taking Extraordinary’s place. But where’s Magik? Beast? Am I missing their fates since I’m not reading Death of X or Inhumans vs X-Men? The whole thing just feels kind of lopsided, without a real “A” team in the mix. The Gold folks are classic characters, but lack a “wow factor”, while the Blue team just still feels like a gimmick all these years later.

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In movie news, we got the concept art of how Zordon’s assistant Alpha 5 may look in the upcoming Power Rangers movie. This is the stuff of nightmares, kids! Why does he have those floodlight eyeballs? Was his scanner not enough? And why do his arms go down to the floor? I hate everything I’ve seen about this film, but I’m hoping it succeeds just so they can hopefully build off of this for the sequel and make something good. Look, I understand the need to update things for a new audience, but this thing seems almost ashamed of its source material. So, that alienates the built-in fan base, while offering almost nothing to entice a new one. I really don’t know what this movie is doing.

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While we’re on the topic of Power Rangers, one aspect of the franchise that’s getting it right is the Mighty Morphin Power Rangers comic series from BOOM! There have been several Power Rangers comics over the past 20 years, and they all sucked. I know because I read the vast majority of them (One day I should write about the terrible Hamilton series where the Rangers and Zords just randomly change in the middle of the story). Anyway, for anyone who’ll listen, I’ve been telling them that the current series is better than it has any right to be. Between it and the Kimberly-centric Power Rangers: Pink spinoff, the creators are really mining the property without telling meaningless stories that “dance between the raindrops of continuity”. For example, we found out that Rita actually approached Zack to wield the green power coin before Tommy even came to town. And we also found out that Zordon reenlisted the help of the original Rangers even after they had officially left the team. But this week was this biggest shocker: in #9 of the comic series, we were introduced to a mysterious Ranger who seems to be drawing both green and white power from the Morphing Grid. Oh, and he’s evil and working with Rita. I used to be the guy who said “If it wasn’t in the show, it didn’t count”, but BOOM! is finding ways to tell interesting compelling stories while still honoring the continuity that we already know. If you’re a comic and Power Rangers fan, you should definitely be reading this series.

Things You Might Have Missed This Week

  • The season finale of HBO’s Insecure had many Black males joining #TeamLawrence and #LawrenceHive, sparking quite the divide on Black Twitter
  • Speaking of premium cable channels, Showtime announced that Masters of Sex would not be coming back for a 5th season. I guess they, uh, mastered the sex.
  • Full House creator Jeff Franklin actually purchased the San Francisco house that served as the exterior of the Tanner home
  • Billy Dee Williams will be the voice of Harvey Dent/Two-Face in The Lego Batman Movie, reprising his role from 1989’s Batman.
  • Quantico showrunner Josh Safran has said that the show will never feature a Muslim terrorist. That snickering you hear is coming from the producers of 24.
  • While promoting his new book, Saved By The Bell executive producer Peter Engel said that Zack and Kelly “weren’t built to last” and are probably divorced by now.
  • Good girls finish last, as Amazon has decided against a second season for Mad Men clone Good Girls Revolt

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When I first saw the ads for Search Party, I thought “What a dumb idea for a show.” It looked too hipster, and it starred the Great Value Ilana Glazer, Alia Shawkat, who you probably remember as Maeby from Arrested Development. I remembered reading about it, and wondered how exactly they could make a show out of that premise. Well, I can admit when I’m wrong, and BOY was I wrong!

If you’re not familiar, Search Party kicks off with the disappearance of a young woman. Dory (Shawkat) and her group of Millennial hipster friends kinda knew the girl in college, but they wouldn’t necessarily call her a “friend”. Then, she disappears, and they milk it for all it’s worth. They post updates on social media about how a piece of them is now missing, and they even attend a vigil for her upstate. Meanwhile, Dory is sort of lost in life, and she gloms onto the case with an unexpected fervor. Things really kick into high gear when she randomly sees the missing girl in a Chinese restaurant, yet no one will believe that she really saw her. Like they’ve been doing, Dory’s friends just believe she’s milking the whole thing for attention. Then crazy people come out of the woodwork, a private investigator appears, and a cult is even involved. I never saw any of this coming, but enjoyed every minute of it. It’s like a hipster Nancy Drew.

Airing on TBS, Search Party was sort of burned off at a pace of two episodes a night in Conan’s timeslot all last week. In addition to that, immediately following the premiere on Monday, all the episodes were made available On Demand. So, I can’t figure out if TBS was extremely proud of the show OR if they couldn’t be done with it fast enough. I’m not sure how these tactics helped ratings, but critics seemed to love the show. As some critics pointed out, it’s basically what Girls could’ve been, but wasn’t. The problem with Girls is that is filled with such unsympathetic characters who all suck at life. With Search Party, however, you can kind of relate to those characters and, if not, you at least know someone like them. You understand their insecurities and the ways in which they cope with them. Sure, they kinda suck at life, but they know it, and they want to NOT suck. That can’t be said for Hannah Horvath and her friends.

In many ways, it was a major coup for TBS to get this show. It probably would’ve been more at home on something like Netflix, and probably would’ve gotten more promotion. It’s SO bingeable, and you’re going to want to blow through the 10-episode series in one sitting. It’s that good. I didn’t even see some of the twists coming that it throws at you. And the ending was nothing like you’d expect. Oh, man do I wanna talk about that ending. I don’t know how they’d get a second season out of it, but I’d love to see that cast back together. If it’s just a one and done series, it does the job there, as well. It’s the perfect miniseries. And that’s why Search Party had the West Week Ever.

26th Oct2016

Comical Thoughts – IDW Presents A Revolution You Can Skip

by Will

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For some time now, IDW has been the comic home of Hasbro’s biggest properties, including G.I. Joe and Transformers. They recently added MicronautsRom: SpaceKnight and UK import Action Man to the mix. So, it seems like as good a time as any to gather them all under the same umbrella in a shared universe. The mechanism for doing this is the miniseries Revolution, which will also result in a long awaited M.A.S.K. spinoff series. While this all might sound good on paper, the execution of it has been horrible. The story runs in a 5-issue miniseries, combined with various one-shots for each property involved. So far, the first 3 issues have been released, as well as the one-shots for Rom, M.A.S.K., and Micronauts. By this point, I feel justified in saying that the story is confusing, ugly, and not well planned. Let’s take a closer look, shall we?

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In the first issue, we learn that the Transformers depend on a mineral called Ore-13, which has recently become unstable and is exploding. The new Action Man is investigating a stockpile of it in Mt Olympus, where he discovers former G.I. Joe member Big Ben who’s not long for the world. Big Ben tells him that he was running a mission when he was ambushed by some Joes. He doesn’t know why his former teammates would attack him, but he managed to grab one of their dog tags before the rest of his crew was slaughtered. He says it seems like they were after the Ore-13, but Action Man is snatched away before the mountain explodes with Big Ben and the rest of the Ore-13. Well, apparently, the Transformers recently proclaimed that Earth would be joining the Cybertronian community, and the humans aren’t too pleased about that, as they see the Transfomers establishing themselves as our overlords. Enter G.I. Joe, who decide to attack the Transformers during a humanitarian mission. Things are pretty much at a stalemate until Rom the SpaceKnight comes out of nowhere and kills 4 Joes, including team founder Joe Colton. Since Rom looks more Cybertronian than human, the Joes assume he’s on the Transformers’ side. So, they take this as a declaration of war. We also get a back-story from Revolution #0, which introduces M.A.S.K.’s Miles “Mayhem” Manheim. They actually do something clever here by saying that he was a member of the original Action Team with Joe Colton. It appears he’s actually got Transformer Blitzwing in captivity, who he’s harvesting for parts and technology.

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In the second issue, it’s the Transformers vs Rom, as they’re pissed at him for “blowing up their spot”. They had formed something of an uneasy alliance with the humans, and Rom’s actions had just undone that by murdering those Joes. Rom, however, insists that he murdered no humans. Rom tells them that he is hunting the Dire Wraiths, who have managed to infiltrate world governments. Meanwhile, we’re introduced to the M.A.S.K. team, and the new Black Matt Trakker. Aileron and Kup face off against the M.A.S.K. team, whose vehicles were built using Cybertronian technology, resulting in Kup being captured. Trakker, however, has second thoughts about what they’ve done when he realizes the Transformers are sentient, and more than mere machines. At the end, we find out that Micronauts’ Baron Karza is behind the unstable Ore-13, as he’s been stealing it via a transdimensional space bridge in order to save the Microspace. Um, OK.

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The third issue brings a whole bunch of confusing Micronauts stuff, ’cause I know nothing about that franchise. It seems like the “heroes” of that world have formed an uneasy alliance with the villain Karza in order to save their universe. It’s Optimus Prime vs Rom because Rom’s mission is to defeat the Dire Wraiths, while Prime insists that Earth must be their primary concern. At the end of the day, Prime determines that, while Earth is important, the Microspace must also be preserved. Meanwhile, the autopsy results are in and the Joes realize their fallen friends weren’t human after all. Since they don’t know who they can trust, Scarlett puts in a call to “somebody we haven’t talked to in a while.” I think we all know who she means. Karza does some shit. Rom does some shit. And the issue ends with an entrance by Snake-Eyes.

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Revolution M.A.S.K.: Mobile Armored Strike Kommand #1 is the only one-shot I’ve bought from the series. It introduces us to the rest of the M.A.S.K. team, as we watch as they’re recruited and how they handle basic training. We also get hints that some of them aren’t as virtuous as they should be, yet those personalities align with team leader Miles “Mayhem” Manheim. Nothing here is original. Some recruits die in training, as “collateral damage”. The team is tasked with an impossible rescue mission. You’ve seen all of this before. Yet, it’s a serviceable introduction to the team and franchise. That said, I think all of this could’ve been possible without it taking place within the clunky Revolution storyline, as nothing in the special ties into present events – it’s a prequel story.

So, what are my problems with the series? Well, first of all, it’s a terrible jumping-on point for new readers. There’s WAY too much backstory with the Transformers and G.I. Joe books for this to go smoothly. Now, IDW did release a The Road to Revolution discount trade paperback with 5 stories that they felt were crucial to making the story a richer experience, but there shouldn’t have been required reading. A successful crossover like this should be accessible to all. To give you an idea of the problems here, IDW has had the Transformers license for ELEVEN YEARS. They’ve had the G.I. Joe license for EIGHT YEARS. In that span of time, the G.I. Joe comic has been rebooted four times, while most of the early Transformers comics were just a series of miniseries. I was IDW’s Diamond brand manager at the time of the early Transformers books, and even I didn’t really know what was going on. For folks with a cursory knowledge of the brands, this series opens with a ton of questions: Why’s Soundwave with the good guys? Where’s Bumblebee? Why is Scarlett the team leader? Where’s Flint and Duke and the Joes people care about? What about Cobra?

Something like this seems like it would be better served by a reboot of the existing brands instead of trying to get them to mesh with the newcomers. It doesn’t feel like they’re bringing their truest, core representations to the party. G.I. Joe isn’t just the military, as it’s used here. Their primary mission was to fight Cobra. Without Cobra, what are they? Here, they’re a shoot first, ask questions later sort of organization, which doesn’t really line up with what we’ve known them to be. If they’d been the least bit diplomatic, then this whole battle wouldn’t have even taken place. Like, why is Scarlett so pissed? And Snake-Eyes is a lot less cool/mysterious when he’s TEXTING! What happened before this miniseries to make her like this? As a new-ish reader, I can’t help but feel that I’m missing a lot. This miniseries might be a rich experience for those who’ve been following the series recently, but it’s just not a fulfilling experience for casual readers.

Another problem is that it seems actual story is taking place in the one-shots, which isn’t how these things are done. One-shots in an “event series” are supplemental material, stories going at the periphery of the action. Here, though, you open up Revolution #3, and Rom is suddenly just chilling with the Transformers like the events of the past issue never happened, and there’s an editor’s note of “See Rom : Revolution #1.” NO! That’s not how you do this. Major team shifts, side switches, etc don’t happen in the one-shots. You leave the meat and potatoes for the main series.

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Finally, the art’s just ugly. I’m not sure if IDW has a stable of “exclusive” artists, but you’d want the best on something this high profile. They do a capable job of handling the tech, such as the Transformers and the M.A.S.K. vehicles, but the humans are rough and inconsistent from panel to panel. They also look a bit cartoony for the subject matter. I realize all of these properties are toylines, but they’re being introduced in a story with some pretty high stakes. Imagine if Marvel’s Civil War had been drawn by an Archie artist. That’s what you’ve got here.

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After saying all that, I’ll probably stick with it since there are only 2 core issues left. That said, it hasn’t been an enjoyable experience. If this had just been a one-off thing, I’d probably give it a pass. It’s not, though. This miniseries is meant to set up the future of the Hasbro properties at IDW, and that just doesn’t seem like a good thing at this point. This series is a mess, so it doesn’t make me too optimistic about the future. If you’re a die-hard Transformers or Joe fan, I guess you’ve got to read it, but if you’ve just got casual interest, this is a revolution you can skip.

 

23rd Sep2016

West Week Ever: Pop Culture In Review – 9/23/16

by Will

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So I started a new job last week, and it has drastically changed my life. I used to roll into work whenever I wanted, blog, tweet, the works! Now everything is blocked and they are kicking my ass. I feel like I’m gradually losing my grasp on pop culture, but I’m doing my best to hang on. So, let’s see if I’ve still got it, huh?

I had no time to watch movies this week because in the world of television it was PREMIERE WEEK! New shows! Returning shows! Bad shows! Good shows!

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On Monday, I caught Kevin Can Wait on CBS. Yeah, yeah, I know it’s not the cool kid thing to do, but I actually really liked The King of Queens, and I think I’m the only person, besides Adam Sandler, still championing James’s career. In the show, James is a retired cop who’s trying to get used to civilian life. It follows the fat schlub/hot wife sitcom formula, with Childrens Hospital‘s Erinn Hayes as his wife. In the pilot, James meets his daughter’s effeminate fiance and can’t deal. Oh, and there’s a role for his real life brother, Gary Valentine, who happens to be in most Kevin James productions. At the end of the day, it’s serviceable, but not great. It’s basically Kevin James starring in Last Man Standing. Swap out James for Tim Allen, and this easily could’ve been a spec script for that show. There’s not a lot on Monday nights, so I might stick with it, but I won’t enjoy it. It might end up like Rules of Engagement: not very good, but kinda manages to be decent background noise for 7 seasons.

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Tuesday night gave us the return of Marvel’s Agents of S.H.I.E.L.D., which had been heavily promoted because they were introducing the latest incarnation of Marvel antihero Ghost Rider. This version, with the alter ego of Robbie Reyes, drives a supercharged Charger powered by the Spirit of Vengeance. So, he’s really more like Ghost Driver than Ghost Rider. Ah, semantics. A lot of folks thought it was a great episode. I, however, did not. I actually loved the Robbie Reyes Ghost Rider in the comics, but seeing him onscreen did nothing to energize a show as weak as Agents. I just don’t think that he fits tonally. They spent all this time facing Inhumans and now they’re fighting demons? I guess they’ve got to diversify their portfolio, but it just seems like a leap to me. I also hate the whole “We’ve gotta eventually get the band back together” vibe of the season, since they’ve been scattered across the organization. Some folks online remarked that it felt like an entirely new show, but I’m not sure that’s a good thing. Based on the ratings, which were about 1.5 million viewers lower than last season’s premiere, I wouldn’t be surprised if this is the final season. Still, the show has way outlasted my initial projections.

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Wednesday brought 2 delightful new treats: Lethal Weapon and Designated Survivor. Now, I have a confession to make: I’ve never seen Lethal Weapon. In fact, I think I’ve only seen the 4th one. That’s the one from that week Jet Li was famous, right? Yeah, DVDs were just hitting the scene, and my freshman year roommate bought it. So, I’ve seen that one. Never seen the original recipe, though. So, I can’t tell if they nailed the characters or not in the TV adaptation. What I will say is that I loved what they did with them. In my mind, this show was just Fastlane: 15 Years Later. If you’re not familiar, Fastlane was a one-hour action comedy on Fox back in 2002, created by McG of the Charlie’s Angels reboot fame. Starring Bill Bellamy and Peter Facinelli as undercover cops who took orders from Tiffani-Amber Theissen, it was hot women, fast cars, and a hot soundtrack. It was the Foxiest Fox show of the early ’00s. It only lasted one season, and I loved the HELL out of it. I have the whole show on both legal and illegal DVDs. I loved it that much. Anyway, if they had been allowed to age naturally, I feel like they would’ve evolved into Damon Wayans’s Murtaugh and Clayne Crawford’s Riggs. Anyway, Murtaugh’s coming back on the job following a heart attack and he’s paired with recently widowed Riggs, who clearly has a deathwish. Can they get along? Will hilarity ensue? Well, you’ll have to tune in to see, but I thoroughly enjoyed what I watched. I will be back next week.

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Next, ABC gave us Kiefer Sutherland in Designated Survivor. Basically, during the State of the Union, one cabinet member is designated to stay behind in case something drastic happens. Well, it does, as the Capitol blows up (Man, between BvS and this show, Hollywood REALLY hates the Capitol this year), killing EVERYONE. So Kiefer, who had just that morning been fired as the head of the Department of Housing and Urban Development, finds himself thrust into the role of President of the United States. Nobody thinks he’s qualified for the job, Kiefer included. Meanwhile, there are a few subplots. Who is FBI agent Maggie Q looking for in the rubble? Why is Kiefer’s son selling drugs in da clurb? Was this whole thing orchestrated by some unseen force? It’s funny to watch because we spent 8 years getting to know Kiefer as Impossible White Man Jack Bauer. There was nothing he couldn’t do, so it’s kinda strange to watch him be such a pussy. Right now, I’m pretending that Jack has amnesia and that he’ll regain his memory and skills by season’s end. There are glimpses of Jack that sneak out, such as Kiefer’s confrontation with the Iranian (?) leader who seems to be trying to take advantage of the situation. He threatened the dude, and it was like Jack was back with us in the flesh. But it was not to be, as he returned to his meek self following the meeting. Still, it’s a suspenseful hour, and Kiefer has been the king of TV suspense for the past 15 years, so I’m all in for this.

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Finally, last night gave us the premiere of Pitch on Fox, focusing on Ginny Baker, who will be the first woman to play major league baseball. In the series, Baker gets called up from the minors to start for the Padres and she BOMBS. Meanwhile, we get flashbacks to how she came to be where she is. Her discovery of baseball, her refining her skills – all while her overbearing father was behind her. Apparently his major league dreams flamed out and, when he saw that his son wasn’t going to follow in his footsteps, he focused on his more talented daughter. It’s funny to me that after 30 years, there’s still something that could be considered a “Fox show”. Like, it’s an ingredient that can’t be shaken. I’m not saying it’s a bad thing, but there are some projects that would only work on Fox, and this is one of them. It was a good hour, and it ended with quite the twist (seriously, between this and NBC’s This Is Us, it appears that weird twists are en vogue this season), but I don’t know how long it could last. If they went into it as a Done In One, I could really embrace it. But if they’re trying to build a franchise out of this show, I just don’t think there’s much there. Still, I enjoyed Mark-Paul Gosselaar acting like the asshole we always knew Zack Morris would grow up to be. I’ve got nothing else going on Thursdays at 9, so I’ll stick with it for now.

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In movie news, we got our first glimpse of the Power Rangers movie Zords in these new character posters. I have no clue what I’m looking at. Seriously, are they even still dinosaurs? I can make out the Mastodon’s tusks and that’s about it. The rest is just so…”Bayformers”. It was also announced that Bill Hader would be voicing Zordon’s assistant Alpha 5. Wow, this movie is the surprise that keeps on surprising. The trailer will debut next month at New York Comic-Con.

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Speaking of Power Rangers, the Yellow Ranger was mysteriously recast for Power Rangers Ninja Steel. Though the entire cast was introduced last month at Power Morphicon, it appears that Chantz Simpson (that CAN’T be his real name!) has left the production. His role has been recast with Nico Greetham. I find this casting interesting because a lot of folks had pointed out that this would be the first season without a single White member of the team. It was basically the Diversity Rangers, which was unprecedented. But with the casting of Greetham, we’ve got a White guy again. I wonder if there was some pressure for them to do that. Anyway, this follows a long tradition of recast Yellow Rangers, as it happened in Mighty Morphin (Trini was originally Latina), it happened in Lost Galaxy, and it supposedly happened in RPM.

Recently I’ve been talking a lot about country music on here, but that’s really because it’s the only music I keep up with these days. I can’t tell you anything about the pop charts, but I can name Maren Morris’s latest song (“80s Mercedes”) and I listen to Bobby Bones every morning. I’ve always loved pop, but I’ve also always loved country. When I was a baby, I used to have WMZQ playing next to my crib and it stuck with me. In fact, my migration to pop was a slow one. It started with soft rock, “at work radio”, and then made its way to boybands and Britney. But it wasn’t always like that. When I started dating Lindsay, the country came roaring back, as that’s pretty much all she listened to. For a while, I could juggle the pop and the country, but lately it’s pretty much all country these days. Anyway, this is a long intro for me to say that I’ve got a LOT of thoughts on “Forever Country”, the mash-up song released to celebrate the 50th anniversary of the Country Music Association.

The video for “Forever Country” was released this week, and it’s a medley of John Denver’s “Take Me Home, Country Roads”, Willie Nelson’s “On The Road Again”, and Dolly Parton’s “I Will Always Love You”. The song is sung by 30 of country’s hottest stars, like Tim McGraw, Faith Hill, Luke Bryan, Miranda Lambert, and more. I also appreciated that they included Darius Rucker and Charley Pride to add some diversity. There are, however, some glaring omissions: Where’s Kenny Rogers? Where’s GARTH?! That last one is even more odd, as Garth’s wife Trisha is present on the track. I thought maybe it was a scheduling conflict, but I’ve read that he’s against the platforms where the song will be released, such as YouTube, iTunes, and Spotify (his songs aren’t on any of those services). I’ve got a confession to make: I’ve never really liked Garth, so it’s not a huge loss to me. I missed the Garth Brooks era the same way I missed the WWE Attitude Era. By that point, I was knee deep in Ace of Base. The only reason I even know “Friends in Low Places” is because drunk White people love to sing it once “Don’t Stop Believin'” goes off. But if you’re tackling the biggest stars of the past 50 years, you’ve GOTTA have Garth. It’s just incomplete without him.

Now, the video itself is a frenetic mess. It moves too quickly. There’s not enough focus on each contributor. It honestly makes me dizzy. Plus, it’s obvious it was just some green screen thrown together for whenever the artists were free to come in and film their parts. I mean, there’s no way Blake and Miranda were in the same room together. So, I like the idea of the song, especially since it allows Dolly to reclaim her song; it always kinda bothered me that everyone thought of it as a Whitney Houston song, but Dolly cashed all those royalty checks, so I’m sure she’s cool with it. They do a good job mixing the three songs, and it’s not something treacly like “We Are The World” or “Let The Music Heal Your Soul”. The video could’ve been a lot better, though.

Things You Might’ve Missed This Week

  • Season THIRTY-THREE of Survivor premiered. You did this, America. You only have yourselves to blame.
  • Brangelina powered down into its divided forms of “Brad” and “Angelina”, as Jolie filed for divorce from Pitt.
  • 80s heart throb Corey Feldman had an emotional breakdown after the internet had a field day with his performance on The Today Show.
  • On Empire, they killed off the White girl. Poor Rhonda never really had a chance.
  • The Big Bang Theory kicked off what is likely its final season. And the “real nerds” rejoiced.
  • Buckle up, Puddin’ – Margot Robbie will host the season premiere of Saturday Night Live on October 1st
  • Two of my recent favorites – Better Late Than Never and Odd Mom Out – scored renewals this week. (Thanks for the tip, @jrwells82!)
  • CBS’s The Case of JonBenet Ramsey proposed that her older brother was her killer, and it was covered up by the parents

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So, I don’t talk about her on here, mainly because I basically have to beg her to read this thing, but today we’re gonna talk about my wife.

When we first met, I was much skinnier and used to run. The running started in college, when my friend Eric and I used to take midnight jogs to Wegmans (What? It was Ithaca and nothing else was open). I kept running even when I came home, but it decreased somewhat. I had an ex who did marathons (though you wouldn’t know it to look at her. Bada-bing!), and I would run with her to help her train. After awhile, though, the running tapered off. I met Lindsay and she was the type of person who would only run if being chased, and even then it was a crapshoot.

So, fast forward 8 years later. I have gained…some pounds, and now Lindsay runs. She started about a year ago, just starting out with a Couch to 5K program. She had done one in the past, as we ran the Color in Motion 5K Run some years ago. Still, she hadn’t really stuck with it after that, so she was giving it another shot. Well, Couch to 5K turned into actual 5Ks, and then 10Ks, and then 10 milers. She gets up every morning at a time when I’m usually going to bed (we’re on two completely different schedules), and goes for her runs. She’s only missed running due to illness. Other than that, she forces herself to get up and puts in the work. Well, last Sunday, after months of training, she ran (and completed) her first half marathon! This from a woman who would’ve probably let her attacker overtake her just a mere year ago. This my long drawn out way to say that I’m proud of her, and watching her complete that half was the most impressive thing I witnessed this week. So, with that in mind, Lindsay West had the West Week Ever.

02nd Sep2016

West Week Ever: Pop Culture In Review – 9/2/16

by Will

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WWE Edit

It’s a holiday weekend and y’all never read this thing when that happens, so let’s keep it short and sweet today, shall we?

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In comic news, the Diamond Retailer Summit is currently happening, so some news is trickling out of there. In the Marvel camp, they revealed a Monsters Unleashed series. Whatever. They’d been teasing something called MU for weeks, first revealing Cullen Bunn was involved and then slowly revealed artists, such as Leinil Yu, Adam Kubert, and Greg Land. Well, today it was announced it was this monster shit. I know some people are into all that, but I’m not one of them, nor do I feel like such an announcement deserved all that fanfare. It’s making me think that Marvel’s cried “Wolf!” one too many times. It’s also odd to me that a monster series is coming out in January instead of October. Also, they announced that the follow-up to Death of X and Inhumans vs X-Men would be called ResurreXion. Yeah, you read that right. I’ll bet someone in Marvel’s marketing department got an erecXion when they came up with that one.

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Meanwhile, DC announced their first major Rebirth crossover in the form of Justice League vs. Suicide Squad. I can’t help but feel like this would’ve been better timed to coincide with the release of the film, but maybe its release will bolster the Blu Ray sales, while getting folks primed for Justice League. In the story, Batman decides to take down Amanda Waller’s Task Force X – much like *SPOILER ALERT* Batfleck threatened to do in the post-credits sequence of Suicide Squad. And like all comic book fights, I’m sure they’ll be forced to team up against a greater threat. Anyway, it’s expected that a new Justice League of America series will spin out of this event.

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Speaking of Batfleck, this week Ben Affleck “leaked” some footage of Deathstroke the Terminator. Originally a Teen Titans villain, it seems that Mr. Stroke has been promoted to the big leagues. At first, it was believed this might be Justice League footage, but now the word on the street is that Deathstroke will be the main villain of Affleck’s standalone Batman movie. Oh, and it’s rumored that Joe Manganiello will be playing Deathstroke. Not really excited about it at the moment, but I probably will be as we learn more.

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In TV news, it’s reported that Marvel is shopping around a comedy based on the New Warriors – but featuring Squirrel Girl. Now, this bothers me because Squirrel Girl was never in the New Warriors. Sure, I can understand creative liberties, but it seems like Marvel’s just desperate to create a Squirrel Girl vehicle and this is what they’ve come up with. First off, I don’t know if I like the Superhero Comedy genre for television. I think they should wait and see how DC’s Powerless (which looks horrid) does on NBC. Second, I’ve never really understood the whole Squirrel Girl thing. I get that she’s cutesy and all, but I’ve yet to read a comic where I’m like, “Wow! That Squirrel Girl!” Lately there’s been this movement to get Anna Kendrick cast as the character in the Marvel Cinematic Universe. Yeah, that’s nice and all, but I think that casting’s wrong. And there’s no way Kendrick is gonna do TV at this stage of her career. No, I think The Middle‘s Eden Sher is a much better choice. It was reported that she was having meetings with Marvel years ago, trying to figure out ways to get her into the MCU. Sadly, I think that ship might’ve sailed, as nobody expected The Middle to still be on at this point. At the moment, though, I’m hoping this project ends up with the same fate as Marvel’s Most Wanted.

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Meanwhile, in DC television world, Greg Berlanti is developing a Black Lightning show with the creators of Girlfriends/The Game, Mara Brock Akil and Salim Akil. I’m all for the Berlantiverse becoming more robust, but I always feel like the older shows suffer when he introduces a new one. I’d much rather they try to make Legends of Tomorrow a better show, and maybe add the character over there first. Black Lightning is an inner city teacher who has lightning powers, hailing from an age when all Black heroes had to have “Black” in their name. If this show gets off the ground, I’m sure it’ll end up being called something like Lightning. The funny thing is that he’s supposedly shopping it around to networks, like we all don’t already know it’s gonna end up on The CW.

 

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You know what really grinds my gears? Country radio (yes, some of us still listen to the radio) does this thing where they play a new single from an album, and then they ask listeners to call in and tell them what they thought of the song. Supposedly, if the response is predominantly negative, the song won’t be played anymore. Um, THAT’S NOT HOW THE INDUSTRY WORKS! If a song has been released as an official single, they pretty much HAVE to play it. Radio doesn’t have the power to make or break an artist anymore. There are people selling albums and touring who’ve never even been on the radio. The days of “If I spin your record, it’ll make you a star” are over. So I guess I wish country stations would cut the shit and stop making the audience think they have some power they don’t really have.

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Another thing I don’t like? An Adult Swim show called Million Dollar Extreme Presents: World Peace. I’ve tweeted before about how I don’t really like the show, but last week I found I’d attracted the wrong attention: fans of the show. Now, first let me explain who’s behind it: Million Dollar Extreme is a sketch comedy group comprised of Sam Hyde, Charls Carroll, and Nick Rochefort who specialize in making you uncomfortable. Just Google Sam Hyde. I’ll wait. Especially look up his TED Talk. Basically they’ve made a name for themselves as part of the alt-right movement that despises political correctness. So, they go completely in the opposite direction. They do shit in blackface, they mock the handicapped. It’s pretty bad. So, last week, I tweeted this to a friend:

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And then I went to sleep. When I woke up, a bunch of their fans had sarcastically favorited the tweet, and were replying to us, saying stuff like “Yeah, but you’ll watch it and LIKE it”. I looked at these folks’ profiles, and they are NOT nice people. I thought I was gonna end up doxxed or something. Anyway, bottom line: don’t watch World Peace.

Things You Might Have Missed This Week

  • Image Comics will reportedly relocate from Berkeley, CA to Portland, OR
  • Netflix announced a second season of the show you’re all raving about, That’s Still So Raven. No, I kid. You’re getting more Stranger Things.
  • Jon Favreau will reprise his Happy Hogan role from the Iron Man movies in Spider-Man: Homecoming
  • Though I don’t know anyone who watches it, someone’s bound to be upset that Grimm will end after its next, abbreviated season
  • Pretty Little Liars will also end after its next season. Unless, you know, they’re lying about that…
  • The next season of Dancing with the Stars will feature Vanilla Ice, Babyface, Gov Rick Perry, Amber Rose and more. Still no word on which *stars* will be on the show
  • Chris Brown almost got killed by a SWAT team after pulling a gun on some chick who tried to steal his jewelry.
  • Disney Interactive shut down the Marvel: Avengers Alliance mobile game, which won’t be playable by the end of the month
  • Britney Spears released her 3rd “comeback” album, Glory. I’ve heard it, and I don’t think she’s back yet
  • Alison Brie and Marc Maron have been cast as the leads in Netflix’s series GLOW, based on the Gorgeous Ladies of Wrestling

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So, the only thing I really watched this week was the BBC Are You Being Served? special. Sure, it was a UK thing, but luckily I was able to find it on YouTube. I grew up watching the original show, so this was something that I HAD to see.

If you’re not familiar with it, Are You Being Served? was a Britcom set in a high end department store called Grace Brothers. The show particularly focused on the employees of the Men’s and Ladies’ departments, including Mr. Humphries, Mrs. Slocombe, and Captain Peacock. It had a very rigid class structure, where everyone was supposed to know their place and follow a certain chain of command. Captain Peacock was the snobbish “floor walker”, who kept everyone in line. Mr. Humphries was the butt of gay jokes because he was effeminate and lived with his mother. And Mrs. Slocombe was always talking about her pussy (Get your mind out of the gutter! It’s her cat!). The show ran for 13 years, but only has 70 episodes because, well, England. Once it ended, they even tried to “Golden Palace” it by moving the cast to a manor in which their pensions had been invested.

Anyway, in a celebration of British comedy, The BBC “revived” several shows by casting current actors in one-episode specials. This was especially necessary for AYBS?, seeing as how the entire cast is dead now (well, except for Mr. Spooner, but nobody gives a shit about him). Surprisingly, I didn’t know a single actor they cast in this thing. I always joke that there are only about 11 British actors, but I guess there are only 11 who’ve crossed over the pond. None of them, however, made it to this special. I felt the casting for everyone was pretty spot-on, though, especially Mr. Grainger and Mrs. Slocombe. I did, however, feel like they overdid it with Mr. Humphries. While he was effeminate in the original show, there was always a question of “Is he or isn’t he?” but here they just pretty much played him as humorously gay, which sort of took something away from the character.

When the episode starts, a young Black man named Richard Conway shows up for his first day as a member of the Men’s department staff. One thing I’m always curious about is race relations in other countries. While the episode was set in 1988, I was surprised that they never once referred to or joked about his race. Is this just not done in the UK? Or was it felt like that wasn’t the kind of humor you would expect from AYBS? I’d really love to know more about how they came to that decision, because an American show would’ve been ALL ABOUT the fact that he was this Black guy in a prim and proper establishment. It’d be called Homeboy In Knickers, and would air on UPN after Shasta McNasty.

Anyway, at the end of the day, it felt like a genuine “lost” episode of the show. It completely retconned the spinoff Grace & Favour, and it did some clever tinkering to get Mr. Grainger back in the mix. Basically 3 years have passed since the final episode, but things are pretty much like you remember them. There’s a Downton Abbey aspect to the show where it’s mired in class humor in a world that’s quickly changing. The crux of the episode is that the new Mr. Grace is determined to drag the store into the 20th century. It’s an interesting idea, and I’d actually love to see more of it. From what I’ve read, the special wasn’t well-received by the Brits, but I couldn’t have really asked for more. It didn’t swing for the fences by killing a major character, nor did it go for shock value. It tried to give you more of what you loved about the original show, and in that respect, I think it succeeded. That’s why the Are You Being Served? one-off special had the West Week Ever.

 

08th Jul2016

West Week Ever: Pop Culture In Review – 7/8/16

by Will

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WWE Edit

I really thought about skipping this week. I mean, a lot of y’all missed last week’s post (based on my stats), so it’d be “new to you”! The main reason I thought about skipping is that I just didn’t know if I could do this. I’ve always liked when, after a tragedy, late night comedy shows would “break kayfabe” and actually address the matter at hand. It’s funny because I recently tweeted that folks needed to stay in their lanes. For example, if you’re a retro pop culture blogger, it’s kinda jarring when you start screaming “BENGHAZI!” Well, I’m gonna veer out of my lane for a bit. You might hate it, or you might agree with it. At the end of the day I still got your click. No, this needs to be said.

There’s something wrong in this country. Honestly, there’s a lot wrong with this world, but I’m trying to localize it somewhat. It strikes me as odd that in the same week we celebrate “freedom” and “independence”, a lot of people out there are still in danger. They’re being hunted. When these police shootings really started booming, it was always argued that “Well, he did X to deserve this.” As none of us were there, we don’t know WHAT happened, but I find it hard to believe that he needed to be KILLED. The part that really gets to me is that this is being done by the people who are supposed to be protecting us. I mean, if we can’t trust them, then who can we trust?

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I don’t like to talk about race. Hell, I don’t like to even think about it. Call me naive but it boggles my mind that there’s a disparity between people based on the color of their skin! I mean, that’s so asinine, but it’s been going on since before I was born, and will probably continue after I’m gone. As I sit here, with my White wife and halfy baby (What? Don’t like “halfy”? Would “zebra cake” be better?), I tend to feel isolated from some stuff, while other times race is very obvious to me. I’ve had folks tell me I only got into Cornell because I was Black. I’ve had an ex-girlfriend’s grandfather proceed to wash his hands in front of me after shaking mine. I’ve had a racist call me a “nigger” MANY times and challenge me to a fight at a traffic light. I’ve had some “in your face” kinds of stuff, but I try to carry on. Still,  I’m tired. I’m tired and scared.

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I like to drive around a lot. I drive just to waste gas. Sure, it’s usually for a toy hunt or something, but at the end of the day, I’m just wasting gas. I drive at all times of day or night. Why? Because I’m weird. But now I’m scared. Last night, after the news of the Philando Castile murder at the hands of police, I was at my mother’s house because I go over there every week to take her trash and recyclables to the curb. Well, I tend to also fall asleep when I’m there, waking up around 2 or so in the morning. And for the first time, I was scared to go home. I didn’t want to drive the 10 minutes home, risking my life in the process. I mean, here I am, driving my wife’s car, in the middle of the night. I could hear the pundits now “Why was he out that late?” and “Well, why was he in someone else’s car?” Do White people have to premeditately justify their murders? For all I know, maybe they do. Maybe it’s the fault of the “media”. All I do know is that I ain’t hearing about Conner and Troy getting shot by police, and when they do something wrong, I’m told of all their accolades and shown pictures of them in prep school blazers. I often think about which picture they’d use or which social media post will be taken out of context should I end up dead. That’s not how life’s supposed to be, right? Or is this just the sign of the times?

I’m so glad I don’t have a son right now. Like, really glad. I mean, I’d always wanted “one of each”, but I honestly don’t know how to raise a son in this world. I read Ta-Nehisi Coates’ Between the World and Me, hoping I would get some sort of insight on how that process goes. Sadly, he hadn’t really figured it out either. Sure, I’ve got a daughter but, at the moment, society just sees her as something to eventually fuck but not to kill. Yay?

I don’t want to live like this anymore. People say “Black Lives Matter”, and they’re immediately met with “All Lives Matter”. If that were true, we wouldn’t have had to drill it down to just Black people. I don’t doubt there’s shit you don’t wanna deal with while being White. You probably feel like we ask for too much, and other -isms are constantly trying to change your way of life. I can understand that. But can’t we just agree that Blacks don’t deserve to be MURDERED? BY THE FUCKING POLICE? Can’t we just do that?

What really scares me is how many of my White friends get silent on the matter. It’s like we’re cool until the shit goes down. I tend to live online, so I have a lot of friends that others would just consider “friends”. What I mean is that I don’t see these people often (in some cases we’ve never met), but I actually consider them important in my life. But what’s going to happen when/if something happens to me? Will they join the chorus of “Well, he shouldn’t have done X”? Really? You’ve known me on here for how many years, and you think I’d start shit with a cop? And that’s the problem: a lot of folks aren’t doing ANYTHING confrontational. They’re complying and cooperative, and they’re STILL getting killed. But to the All Lives Matter crowd, surely I had to have done something wrong, right?

We DESERVE to live and be protected. Our kids DESERVE to live and be protected. I DESERVE to live and be protected. But who’s watching out for us?

So, I guess you came here for some pop culture stuff, and “the show must go on”, so let’s get to it.

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In comic news, Marvel announced that recently introduced character Riri Williams will be replacing Tony Stark as Iron Man at the end of Civil War 2. The character is a 15 year old accepted to MIT who manages to build her own War Machine armor. Oh, and she’s Black. So, you can guess where the comments sections went on this one.

The Invincible Iron Man comic is currently written by Brian Michael Bendis, whose writing I enjoy despite the fact that he was a douchenozzle to me one time. I do have a problem, however, as Bendis will be writing Riri, as well as Miles Morales. This means that two up and coming Black Marvel characters will be written by the same White guy. Now, I’m not saying that Black characters have to be written by people of color. I think everyone has experiences that can influence how they approach different characters (All Writers Matter. Heh). That said, it does occur to me that both characters are basically in their formative years, as both are around the same age. Adolescence is a challenging time, and when you add in minority identity development, it becomes even more complex. I think I’d feel better if a character who’s not quite sure where he/she fits into the world was written by someone who has known how it felt to not really know where they fit into the world. G. Willow Wilson, a Muslim, writes Ms. Marvel, and it seems like such a natural fit. Even though a convert, she has an understanding of what Kamala Khan’s life must be like. One day, however, some writer will come along who isn’t Muslim, but by then the groundwork will have been laid. I think I want a writer of color to lay the groundwork, and for Bendis to come along later. But she’s his creation, and he’s earned his place with Marvel, so I don’t see that happening.

I could very well be wrong, and I’m willing to admit that, but I just feel like Bendis has a monopoly on the young, cool Black characters at Marvel right now. He’s already created Riri, so it’s got that Bendis stamp on it, but maybe pass it off to David Walker or one of the few others that exist but I’m clearly forgetting. And where are the Black women writers? This would be a great book for them, as they’d bring different experiences to Riri. Anyway, I’ll be buying the book, as I like where it’s been going, but I won’t stop wondering what might’ve been.

In TV news, it was announced yesterday morning that Uncle Buck was cancelled by ABC. It’s not all that surprising because the show was clearly experiencing a Summer Burn Off, but I can’t help but feel that it might’ve had a shot at another season had it been named something else. At the end of the day, the nostalgia folks don’t like to have their properties co-opted, no matter how 3rd-tier they might be. We’re already seeing this with the upcoming Ghostbusters film, but I’m also reminded of the race-flipped Honeymooners that NOBODY went to see. And then they come along and do this to Uncle Buck. I think part of the issue is that White people had no real desire to see a race-flipped Uncle Buck because John Candy. Meanwhile, Black people don’t really have any affinity for the Uncle Buck “brand”. To us, John Candy was, and will always be, the dude from Cool Runnings. So, there really wasn’t an audience clamoring for it packaged this way. Had it been named any other thing, maybe it would’ve had a chance? Then again, it costarred James Lesure, who’s basically the Black Ted McGinley. Farewell, Uncle Buck. We hardly knew ye.

sulu

In movie news, it was announced that John Cho’s Hikaru Sulu will be the Star Trek franchise’s first gay character in the upcoming Star Trek Beyond. Sulu will also have a husband and a daughter. It’s reported that writer Simon Pegg and director Justin Lin made the decision as a nod to original Sulu actor George Takei who’s become quite the LGBT activist over the years. Now, I’ve got the same questions I had when Marvel did this with Iceman. If the Kelvin Timeline Sulu is gay, does that mean the “regular” timeline Sulu is also gay? I mean, we already met his daughter in Star Trek Generations, but we never got into his sexuality. I guess I’ll let the fanfic kids work that out. Anyway, in an interesting development, Takei has said that he’s actually disappointed in the move, as it’s not what Trek creator Gene Roddenberry originally intended. Reportedly, when Takei learned that Pegg and Lin wanted to reveal that Sulu was gay, he pleaded with them to create a new character instead. I get what he’s saying, but I’m pretty sure that very little of the Kelvin Timeline is what Roddenberry originally intended, so I think they get a pass here. Still, I’m not the This Is OK police, so it doesn’t really matter what I think.

Things You Might Have Missed This Week

  • Netflix has signed a deal to exclusively stream CW shows 8 days after the season finale airs.
  • Comic publisher Valiant racked up 50 Harvey Awards nominations, making some wonder if the system is broken. At the moment, nominations are voted on by comic industry professionals, but it seems odd that a company that hasn’t had an Eisner Award (basically the Oscars of comics) nomination in the past 2 years would rate so high at the Harveys. I tried to start the #HarveysSoValiant hashtag in protest, but it didn’t take.
  • BeFunky CollageTRHMTTMy pals over at The Robot’s Pajamas were kind enough to let me write about about the hottest moms on the shows that your kids love. I’m equal parts proud and ashamed of this post, so please validate me by checking it out!

  • Speaking of Robot’s PJs, Chris is at it again with a new Comics Tropes video. This time, he celebrates America by checking out a vintage Captain America comic, and setting off some kick ass fireworks!

I don’t write much about wrestling these days, and I really don’t write about TNA wrestling. If you don’t know much about wrestling, there are basically two big companies: World Wrestling Entertainment (WWE) and Total Nonstop Action (TNA) – they’re the Marvel and DC of pro wrestling. Just like with comics, there’s a market share disparity, as WWE is everywhere, while TNA changes networks more than its fans change their underwear (ooh, sick burn!). TNA is really unstable, with reports of its demise surfacing on an almost weekly basis. Still, when you’re not the big dog in the yard, you can make some interesting creative decisions. And that’s exactly what they’ve done with the war between Matt and Jeff Hardy.

If you were a fan of WWE back during the early ’00s, then you know Matt & Jeff better as the Hardy Boyz or Team Xtreme (with Lita). They were highflyers who loved to jump off shit. They were basically backyard wrestlers who’d finally made it to the big time. And they were AWESOME. I loved Team Xtreme and all their moves, like the Twist of Fate and the 450° splash. Then life happened. Matt was dating Lita, Lita was having an affair with another wrestler named Edge, and then the whole thing became part of the ongoing TV storyline. The Hardys kinda fell from grace, but eventually resurfaced at TNA.

Some years passed, and I became more of a fair weather wrestling fan, so I missed a LOT of stuff. Anyway, recently Matt Hardy adopted this new persona with a janky accent and this streak in his hair. He became obsessed with defeating his brother, Jeff. Matt referred to Jeff as “Brother Nero” and made it his mission to take him out. What’s funny about the whole thing is that the storyline very much adheres to cartoon guidelines from the 80s. Like, did Matt want to KILL Jeff? Not sure. But I do know that he wanted to “delete” him, whatever that means. So, this week on TNA Impact Wrestling, we finally saw The Final Deletion. It’s so great, guys! It’s like Sharknado in a So Bad It’s Good kind of way. It felt like porn without the sex, which can be quite entertaining due to the bad acting and production values. I posted the “director’s cut” of the whole saga above, and I implore you to take the 17 minutes and check it out. Everything is great, from Matt Hardy’s weird persona, to the hapless gardener, to the drones, to the chaos of the battlefield. It’s just…I mean, if this is what TNA is gonna do every week, I will happily turn in my WWE fan card. Three hours of RAW and two hours of Smackdown are too much WWE anyway. After watching that video, I hope you will agree with me that The Final Deletion had the West Week Ever.

27th May2016

West Week Ever: Pop Culture In Review – 5/27/16

by Will

 

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apocalypse

So, the main movie that I watched this week was X-Men: Apocalypse. Where to even begin with this film? When I reviewed Batman v Superman: Dawn of Justice, I tried to be diplomatic. I never said that was a *bad* movie, but I simply said that it didn’t work for me. I can’t do that here, though. This was a bad movie. At the end of the day, it suffers from a failure to launch. It never feels like it builds to anything worthwhile. It has a decent 1st act, but an almost non-existent 2nd act, finished off with a rushed 3rd act.

I’ve already mentioned that I’m tired of the Erik-Charles-Raven Show, and this is just more of that. The other characters are never fleshed out, and just serve as window dressing for that trio. They are their comic counterparts in name only. Psylocke? Useless. Storm? Really doesn’t improve much on the Halle Berry incarnation, but that’s not the actress’s fault. She did the best she could with what she had. I’ve never seen Game of Thrones (outside of a supercut of all the sex scenes from the first 4 seasons), but I don’t know what it was about Sophie Turner that made Fox think she was the one to play Jean Grey. Sure, Famke Janssen was no Oscar winner, but she at least had a personality. Oscar Isaac is wasted as Apocalypse, as that character could’ve been played by almost anyone. He brought nothing to that role. Apocalypse’s motives aren’t all that clear to anyone unfamiliar with the character. Someone on Twitter mentioned that Hive on Agents of S.H.I.E.L.D. actually did Apocalypse BETTER than the actual Apocalypse did in this film, and I can’t disagree. Hive had a purpose, he had his own kind of “horsemen”, and he capably swayed the Inhumans to his cause. Apocalypse just goes around giving folks makeovers and amping up their power levels, but there’s no real indication as to WHY. Quicksilver’s great, and I’d watch a whole spin-off about him, even though that sounds like a terrible idea on paper.

Plus, where’s the “world that fears and hates them”? Since the events of Days of Future Past, where Mystique saved the President, the public seems to actually appreciate mutants. That’s not how that’s supposed to work. They should be terrified at the display of power they witnessed in DC. I mean, Nightcrawler walks through a mall, with no image inducer, and no one bats an eye!

It’s surprising to me that this was directed by Bryan Singer, because it felt like it was made by a first-time director with no familiarity with the characters. This is Singer’s 4th time at bat with this franchise, and he fails colossally. It’s funny because the film even makes a joke about how the 3rd movie is always the worst. There was a lot riding on this film, as it’s basically the 3rd movie in a second trilogy. Unless you’re a hardcore X-Men fan, you can skip this. In fact, you probably should just skip this.

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Whew! So, what did I like this week? Well, I caught the Comedy Central stand-up special Dan Soder: Not Special. Formerly of MTV2’s Guy Code, I’m a big fan of Soder, as he’s the co-host of my favorite radio show, The Bonfire, on Comedy Central Radio. He had a great bit about how he used to think he was possessed by the Devil. It wasn’t a gut buster, but it was more of what I’ve come to expect from him. I enjoy listening to him and Big Jay Oakerson every Monday and Wednesday evening, and this was like a nice bonus episode of that. If you’re looking for a laugh, definitely check it out.

cap and bucky

To say it’s been quite a week for Captain America would be quite the understatement. When the week started, #GiveCaptainAmericaABoyfriend started trending on social media, as fans began to “ship” Captain America and Bucky. If you’re not familiar with shipping, it’s when fans desire that certain characters enter into a relationship. From how they were portrayed in Captain America: Civil War, some folks think there’s something between Steve and James that’s a bit more intense than mere friendship. Of course, everyone took a side in the matter. Even I was like, “No, that would change the character too much because he’s been depicted in relationships with women.” I’m all for representation when it makes sense, but this seemed like it was changing a character just for the sake of change. Why make Cap gay when there are actual gay Marvel characters who “get no shine”, as the young kids say? Then I read this. My pal Pete wrote a powerful piece on representation, and what a gay Cap would mean to him. And something happened that rarely happens: my mind was changed by something I read on the Internet. At the end of the day, I hate change. That’s something that I have to deal with, but I guess I can’t stand in the way of progress. I can understand what it would mean to LGBT folks to have a symbol like Cap on their side. And it doesn’t change anything he stands for. In fact, he would now stand for MORE. If he is gay, though, he can do a LOT better than Bucky! Anyway, I was dealing with my newfound enlightenment and then Wednesday morning happened.

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The news cycle was supposed to belong to DC (we’ll get to that later), but Marvel just couldn’t let someone else have the spotlight. For the past couple of years in the comics, Steve Rogers has been depowered and advanced to his rightful age. Well, recently, he regained his Super Soldier Serum and returned to his normal self, reclaiming the mantle of Captain America, while still allowing Sam Wilson to ALSO be Captain America (yeah, that’s not gonna be confusing!). The first issue of his new series, Steve Rogers: Captain America was released Wednesday morning, with a major twist on the final page: Steve says “Hail, Hydra”, revealing that he is, and apparently always has been, an agent for his supposed greatest enemy. AND PEOPLE LOST THEIR SHIT!

It got to the point where the former Captain America writer, Ed Brubaker, was getting hassled, while the current writer, Nick Spencer, started receiving death threats. The Internet was basically divided into two camps: A) “Apparently you’ve never read a comic before, ’cause nothing’s ever permanent in comics” and B) “How dare Marvel invoke Nazis, considering they were actual bad people, and Captain America was the creation of two Jewish creators?” And both sides have their merits.

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This storyline won’t matter in 2020, but maybe some new, cool supporting character will come out of it, like how we got the Winter Soldier a few years back during another storyline that could be considered a “gimmick”. I’ve always said that the current marketplace of licensing and lunchboxes kinda prevents major changes from happening to major characters, but some good can still come out of these stories.

At the same time, Nazis have been kinda neutered so much in pop culture that it’s easy to forget that these folks did some pretty fucked up shit. We live in a Call of Duty world, where you can log on and kill Nazis to your heart’s content, but that doesn’t change actual history. Just because the concept is toothless today doesn’t mean that it didn’t once carry some major weight. So, I can kinda see some folks getting offended by that. However, Cap’s been fighting Nazis for 75 years. Wasn’t it equally offensive that this comic book character was depicted fighting a real life foe that was out there eradicating people? I mean, if you’re really offended by the Nazi thing, then it seems like Cap just isn’t the right property for you. Nor is Call of Duty. Nor is The Producers. I get it. Nazis off limits.

Personally, I believe that we should wait and see where the story is going. I mean, it’s kinda hard to write it off from the first issue. If it wasn’t your cup of tea, that’s fine, too. Everything can’t appeal to everyone. I know people look to him as a symbol, and can’t understand why he would side with his enemies, but there’s clearly something bigger at play. And it doesn’t behoove anyone to waste outrage at this point in the game.

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Speaking of outrage, folks were up in arms in the toy community about a San Diego Comic-Con exclusive Teenage Mutant Ninja Turtles figure release. Created by NECA, there are 8 figures, split across 2 sets, designed after the classic TMNT video game. Based on the licensing rights, however, NECA is only allowed to sell these sets at SDCC; these will not be available in stores or at any other convention. Since not everyone can make it to the convention, fans are lamenting the fact that their only chance to get the figures will be by paying a markup on eBay. Or, as they’ve been saying, “The Scalp-Ors Win”. Maybe I feel this way because I’m not the biggest TMNT fan these days, but I kinda like that they’re exclusive to the con. Sure, it sucks for completists, but these things supposedly exist to make attending the con feel that much more special. It sorta takes away from the whole exclusivity when the items are sold on company sites a few weeks after the show. If I paid over $1,000 for an experience ($245 just for show admission), you better damn well believe I want to get something special out of it. And the way I see it, whatever fans end up paying on eBay is gonna seem like a steal compared to what it would actually cost to go to SDCC and get the figures themselves. All is not lost! Right now, NECA’s saying that these figures will be released in no other form, but it seems odd that they’d go to the trouble of new tooling for something that won’t hit mass market. Just doesn’t seem practical. Maybe they’re just saying this to hype up the exclusivity of the convention sets. I guess time will tell. Whatever. I feel like the fans who REALLY want the sets will find a way – even if they have to sell a kidney to do so.

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These days, I’m only an occasional wrestling fan in that I don’t watch any of the shows or PPVs, but I still keep track of who’s in and who’s out. Everyone’s injured and the fans hate Roman Reigns. That about sums it up, right? Anyway, this week the WWE announced that their TV show SmackDown would be moving to Tuesdays, and switching to a live format (for the past 16 years, the majority of the episodes were pre-taped). The reason for this is because WWE is going back to a “brand extension” model. Used in the past, but abandoned in 2011, the brand extension involves a wrestler draft, determining which wrestlers will end up on Raw and which ones will end up on SmackDown. Seeing as how Raw has been the flagship since about 1997, that’s where you really want to be. SmackDown, though originally created to be “The Rock’s Show”, has settled into an existence as the mousy little sister in the company. If you ask me, however, SmackDown has outlived its usefulness.

When SmackDown debuted, what made it special was that it was 2 hours of wrestling programming on broadcast television. Originally airing on UPN, it provided a free alternative to the pay cable Raw. Since the end of the syndicated WWF Superstars and WWF Challenge, there was a void of broadcast wrestling that needed to be filled. And SmackDown filled this void  for 11 years, even past the merger of UPN and The WB, eventually landing on Fox’s short-lived MyNetworkTV. At its peak, it was the #1 program in Spanish-speaking households. Sure, the major stuff happened on Raw, but you still got recaps and some action on SmackDown. Then, after failing to really fit into MyNetworkTV’s plans, the show ended up on Syfy. This meant that both of WWE’s major shows were now on cable, with nothing being provided to those broadcast TV fans (with the exception of the severely short-lived WWE Saturday Morning Slam on The CW). Like the MyNetworkTV move, the move to Syfy made little sense, and the show was eventually moved to USA Network – the same network that serves as the home of Raw. So, what makes SmackDown special now? It also doesn’t help that WWE now has a streaming network for its programming. The popular NXT program, featuring up and coming developmental talent, is solely on the WWE Network, yet SmackDown is presenting a not-as-good-as-Raw product on USA. Why not swap them? Everyone knows SmackDown is the lesser-than, so give its USA timeslot to NXT, differentiating the offerings on USA. That still doesn’t solve the problem of a lack of WWE programming on broadcast TV.

I know a lot of folks have cable, but everyone doesn’t have cable – especially in the world of cord-cutting. What I propose is that WWE bring back WWE A.M. Raw, which was a Raw recap show that used to air late Saturday night/Sunday morning. It was an abridged version of that week’s Raw, focusing on the highlights. I say WWE should package that and sell it to CW affiliates to air on Saturday mornings/early afternoon – similar to when WWF Superstars used to air. It’s just editing existing footage, so there aren’t too many production costs involved, and I feel like there sorely needs to be wrestling on “UHF” channels like back in the old days. Sure, television is changing, but it wouldn’t hurt for WWE to have all their bases covered: cable, broadcast, and streaming.

Things You Might Have Missed This Week

  • In a conference call, Lionsgate CEO Jon Feltheimer announced that they may make up to seven Power Rangers films. Oy vey!
  • In other Power Rangers news, the new logo debuted for the upcoming Power Rangers Ninja Steel. I don’t know why these “reveals” are a big deal, seeing as how they’ve been using the same Power Rangers font since Zeo. The only thing that changes is the subtitle, and this one looks like bad Photoshop
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  • HBO insiders are implying that there probably won’t be a third season of True Detective. I missed the second season, but the first gave us a naked Alexandra Daddario, and for that I will always be grateful.
  • A new Star Trek Beyond trailer came out. It didn’t suck.
  • Michael Keaton has reportedly signed on to be the villain in Spider-Man: Homecoming. Most reports are saying he’s playing the Vulture, though I saw one mentioning Norman Osborn. I’d prefer Osborn.
  • Marvel announced that Creed‘s Tessa Thompson will be portraying Valkyrie in Thor: Ragnarok, and the Internet DIDN’T lose its collective mind! Jeff Goldblum, Karl Urban, and Cate Blanchett have also joined the cast
  • Amazon’s Man in the High Castle‘s production has been halted, as showrunner Frank Spotnitz suddenly left the project. It is NOT a good week for Nazis!
  • FX announced that The Americans will end after two more seasons. I really need to catch up on the show.
  • It’s rumored that Rob Lowe may be replacing Michael Strahan on Live! With Kelly and…I wanted NPH, but I don’t hate this idea.
  • Digital comics platform Comixology introduced Comixology Unlimited, which offers a limited “all you can read” service for non-Marvel and DC comics, at $5.99 a month. It’s unclear, however, how creators will be compensated. Right now, it seems like they’re just getting “exposure”.

No podcast appearances this week, but I did want to share some shows with you. First up, the No Topic Required Podcast is back up and running. They sort of took a break after episode #100, but it seems like Zack and Adam are back in the saddle. As the title suggests, there’s no specific topic for the podcast, but they cover everything from video games to movies to comic/toy controversies. I’ve been on a few times with them, and always have a great time. If you’re looking for a new show, check them out!

Also, one of my favorite discoveries is the Positively Nerdy Podcast. I can be kinda ornery on here, but I really do want the best from things. Ryan looks at all that’s good in geek culture, and he records so many different shows that he’s a podcasting machine! If you like comic reviews, he’s got them. If you like movies, he’s got the review show Ryan and Leah: At The Movies. If you want a quick listen, he’s got Nerdy Nuggets. He’s a great guy, and I really like everything he puts out. If you’re looking for the non-cynical side of fandom, I highly recommend that you check out Positively Nerdy.

Links I Loved

Ranking the Megazords – The Robot’s Pajamas

The Case Against Dan DiDio – The Savage Critics

How I Used Lies About a Cartoon to Prove History Is Meaningless on the Internet – Geek

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Despite the Captain America hubbub, I really believe the comic news cycle belonged to DC Comics and DC Universe: Rebirth #1. I’ve been covering the lead-up on this site, but we finally got to see what it’s all about. Released midnight Wednesday, the comic sets the DC Universe on a new path, to recapture something that it had lost: hope. As many DC fans will tell you, the New 52 reboot drove away a lot of long-time readers, and it created a universe that was bleak and somewhat hopeless. Basically, it was a Zack Snyder movie in print. So, this was an attempt to win back those old fans.

Where to begin? Well, (and in case you didn’t know, this part’s gonna contain mad spoilers, but nothing you haven’t already seen spoiled by the mainstream media), the story focuses on original Kid Flash, Wally West, as he’s unhinged in time. We haven’t seen this character since the 2011 Flashpoint event that spawned the New 52, so it was the welcome return of a fan favorite hero. Wally visits several characters, like Batman and the original Johnny Thunder, in an attempt to warn them that some outside force has been influencing the timeline, resulting in a loss of memories and a 10-year span of time. He’s unable to reach any of them, and is continually sucked back into the Speed Force – the energy pool from which all DC speedsters draw their powers. Finally, he reaches out to his former mentor, Barry Allen/The Flash, who eventually remembers Wally and helps to rescue him from the Speed Force. Over the course of the story, we find out more tidbits and revelations. Apparently, there have been THREE different Jokers, which seems odd ’cause wouldn’t Harley realize she’s obsessing over three different dudes? Wonder Woman has a twin brother. Jackson Hyde/Kaladur’ahm/Aqualad made his post-Flashpoint debut. And, to the joy of many, Ted Kord made his post-Flashpoint debut as a mentor to Blue Beetle, Jaime Reyes. And to cap it off, we got a doozy of an ending: Dr, Manhattan, of the classic 80s comic Watchmen, was revealed to be the force that had altered the DC Universe’s timeline. Huh.

That ending is important because it’s the first time that the Watchmen characters have been incorporated into the mainstream DC Universe. The story is largely seen as a contributing factor in comics becoming dark and gritty, so it sort of makes sense that in order to find what’s lost, you return to where you last saw it. The happy-go-lucky, “heroic” DC existed prior to Watchmen, prior to Crisis on Infinite Earths. So, this sort of brings everything full circle. But what does it really mean? Are they blaming Alan Moore for the state that DC eventually found itself in? What’s to be gained by reclaiming that story and incorporating it into the mainstream? Alan Moore has notoriously dismissed any association with the story after he was screwed out of ownership. I feel like he wouldn’t necessarily agree with how they’re being used now, as that wasn’t his original intent. Still, they’re technically DC’s toys, so they can do with them as they please.

I went to a midnight release for the book, and couldn’t wait to get home and crack it open. When I was done, all I could say was “huh”. I didn’t hate it, but I didn’t love. I was really just confused. Why was The Comedian’s button in the Batcave? Like, it’s a great visual, but how would it even get there? And sure, it was great seeing Ted Kord, considering the last time we saw him was pre-Flashpoint, with a bullet in his head. It seems like DC did everything right to cater to those lost fans. They brought back dead/forgotten heroes, they tied the story back to a seminal classic, and it set the stage for things to come. From a lot of the folks I’ve been following online, they love this book. And, to me, that’s a problem.

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The people who are really loving Rebirth #1 are in their 30s and 40s, and they’re saying “This reminds me of the DC I used to read.” That’s great for you, but bad for the industry. I’ve been reading comics for over 20 years, so I know the main tentpoles. The Dark Knight Returns, Watchmen, Crisis on Infinite Earths. I know what those did for the industry, and I know they’re basically revered, But I didn’t see anything about this comic that would necessarily appeal to a NEW reader.

Folks in their 30s and 40s have other priorities. They can’t be depended on to keep this hobby afloat. You need to reach out for NEW blood. Now, it can be argued that DC was trying that when they introduced the New 52 reboot, starting (most) books back at square one. At that point, Batman and Green Lantern were the only books that required prior knowledge in order to fully understand them. But for all their desire to start fresh, DC is consumed by this desire for “legacy”. Chief Creative Officer, and writer of Rebirth, Geoff Johns has said in interviews that this is what Rebirth is all about: regaining a sense of legacy. DC has a rich history, and I can understand the desire to capitalize on that, but they’re so busy reminding us of where they came from, that they don’t spend enough energy figuring out where they’re going.

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Rebirth #1 is nothing but another self-referential circle jerk by DC, tied to a 30 year old story – WHICH, by the way, generated a movie that was polarizing at best. Had the Watchmen film been a huge critical and financial success, then maybe I’d understand this. After all, it was just released 7 years ago, so it would be somewhat fresh in folks’ minds. Instead, this book holds no real meaning to new comic fans. I’m of the argument that Watchmen is very much a “you had to be there” sort of read. I’m sure it was groundbreaking when originally released, and it changed the industry in such a way that a lot of folks only know a comic industry painted by the influence of the book. They have no clue that things don’t HAVE to be dark and gritty. Rebirth seems like an opportunity to introduce that concept to new fans, but instead it’s like DC crawling back to old fans like, “Are you still mad at me?”  If anything, it feels like this move was really just to sell more copies of Watchmen, as now the new fans are gonna go seek out that story in order to try to figure out what they just read, or why that ending should be seen as significant. That’s great for DC’s backlist, but it doesn’t necessarily mean anything for its future.

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But I don’t want to sound like it’s all bad. I am eager to see where things go, and I would also like to see hope restored to the DC Universe. I can’t say I’ve really enjoyed the direction of the New 52, so if we can get back to a pre-Flashpoint tone, I’m all for it. When it comes to DC, though, I’m a ride or die bitch, so I’ll be with them if it succeeds, and I’ll be with them if it fails. I just wonder how many new fans are gonna be right there with me. In any case, it’s rare that DC Comics can dominate the news cycle, and also get folks excited about their product. So, with that in mind, DC Universe: Rebirth #1 had the West Week Ever.

 

20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

cloverfield

I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

jerrod

On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

bargatze

I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

the-order

It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

chap report

There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

13th May2016

West Week Ever: Pop Culture In Review – 5/13/16

by Will

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they live

On the movie front, I traveled back to 1988 and finally watched They Live. Yeah, I know it’s something of a cult classic, but I’d never gotten around to seeing the thing in its entirety. “Rowdy” Roddy Piper stars as a drifter who stumbles upon a pair of magic sunglasses that reveal the world has been overrun by aliens. They hide subliminal messages in marketing and advertising, convincing humans to “Obey” and “Consume”. In humanity’s quest to acquire more money and status, we ignore the conquest going on around us. Piper and his reluctant partner, in the form of Keith David, decide to stick it to the aliens and take back the night. Why am I even summarizing this film, when everyone reading this is probably more than familiar with it?  Anyway, I really liked it, but I feel like it was too short. Maybe it’s because we currently live in a 2.5 hour action movie society, and I’m spoiled. It’s probably great that the movie was made when it was, as it would’ve been completely different if made today. We would’ve gotten some drawn out origin of the aliens, and then we would be forced to believe that this manual laborer had the computer skills to hack them and take them down. For this film, all it took was a gun and a satellite dish. And what was up with Meg Foster’s eyes?! Was she blind? I’ve never seen eyes like that in nature before. Anyway, it’s a good 80s romp, but it’s just as poignant today as it was when it was released. Maybe even more so. Anyway, I’m sure there’s some unnecessary 21st century update sitting on some producer’s desk as we speak.

Ted 2

Next up, I watched Ted 2 and I really don’t get why it bombed so hard in theaters. I thought the film was just as hilarious as the first one, though not necessarily as good. In this film, teddy bear Ted and human Tami-Lynn decide to have a baby in order to repair their struggling marriage (’cause THAT works…), but their attempt at adoption fails when the courts decide that Ted is property and not a person. He loses his job, the marriage is annulled, and his credit cards are cancelled, so Ted and his Thunder Buddy, John, set out to prove that Ted is, in fact, human. The movie’s basically like a live action Family Guy, and even reuses a few gags from the show. Maybe America just needs a break from Seth MacFarlane. I mean, first A Million Ways To Die In The West bombed, and then this. MacFarlane just isn’t having a lot of luck at the box office, and the first Ted‘s success is starting to look like a fluke. The film’s got some fun in-jokes and cameos from folks like Michael Dorn, Patrick Warburton, and Nana Visitor. Which reminds me: is Michael Dorn OK? Like, has he been sick? ‘Cause he’s lost a LOT of weight, and not in a good way. Anyway, I think this is the first film to promote New York Comic-Con as a big deal. Sure, there are films that showcase SDCC, but this movie put NYCC on the national stage. Anyway, I feel kinda bad for the MacFarlane empire at the moment. This movie underperformed, and then we got the terrible Bordertown and an unmemorable season of Family Guy (which, conspicuously enough, hasn’t been renewed for next season yet). If you’re a MacFarlane fan, you’ve got to see this film. If not, then you should probably just keep moving.

creed

I also finally caught Creed. What a great film! Seriously, it was uplifting and inspiring in all the right ways. Apollo Creed’s illegitimate son seeks out Rocky Balboa to train him to become a fighter outside of his father’s shadow. Michael B. Jordan is just so cool, and great in the role. Director and writer Ryan Coogler did a great job capturing the underlying Rocky themes of redemption and perseverance. It was a great “passing the torch” film, and while I’d welcome a Creed sequel, I’m also fine with it being the coda to the Rocky franchise. I’ve got nothing snarky to say. Just see this movie!

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Sadly, I also saw Zoolander 2. I LOVED the first Zoolander, but this movie joins Anchorman 2 in the disappointing “Too Little, Too Late” bin. Seriously, 15 years for a sequel?! The movie is pretty dreadful, and doesn’t really gain any sort of spark until Will Ferrell’s Mugatu reappears halfway into the film. The film kicks off with a break-neck montage to show us what Zoolander’s been up to since 2001. The Center for Kids Who Can’t Read Good and Wanna Learn To Do Other Stuff suffered a structural catastrophe, collapsing into the ocean, killing Zoolander’s wife, Matilda. Derek, then a widower and single parent, has his son taken away from him by Child Protective Services, and he decides to live life as a “hermit crab”. Derek’s brought out of retirement when his son is kidnapped by Mugatu in order to sacrifice him for some mystical fashion ritual. It’s a really crazy plot, but that’s kinda par for the course when it comes to Zoolander films. It’s got a lot of fun cameos, and it features SNL‘s Kyle Mooney in a role where I don’t totally hate him. Like Anchorman 2, it was nice to see the gang back together, but the magic just isn’t there anymore. It had a very lackluster start, but it just barely sticks the landing. You can skip this one.

glaser

On TV, I caught the Comedy Central stand-up special Nikki Glaser: Perfect. She talks a lot about sex. A LOT. It’s not that that’s a bad thing. She does it in a funny, self-deprecating kind of way. The problem, though, is the same problem I had with Tosh’s last special: I didn’t watch it when it premiered, so I’d already heard all the jokes on Comedy Central Radio by the time I got around to watching it. Not Glaser’s fault, by any means.

powerlessheader

In television news, NBC has officially picked up the DC/Warner Bros series Powerless, which stars Vanessa Hudgens as an insurance agent who handles claims after superhero battles. It’s a workplace comedy set in the DC Universe, and is set to showcase some lower-rung DC heroes. NBC had success with The Office, so they’re going back to the well, but this sounds like a terrible show. Also, I feel it’s way too similar to Damage Control, which is the company in the Marvel Universe that handles repairs after superhero battles. Not coincidentally, a Damage Control show has been rumored to be in development at ABC, but DC and NBC beat them to the punch. Anyway, the show also features Danny Pudi and Alan Tudyk. To me, Tudyk is something of a modern-day Ted McGinley, so I’m not sure that bodes well for this series.

RIP Shows

There was a LOT of TV news last night, as the culling began in preparation for the network upfronts next week. On the ABC front, Marvel’s Agent Carter has been cancelled, as well as 8-season stalwart Castle. Meanwhile, the Agents of S.H.I.E.L.D. spin-off Marvel’s Most Wanted will not be going ahead at the network. The Muppets has also been canceled after a lackluster first season that required a midseason retooling. Musical Galavant has also been canceled after 2 seasons. In a somewhat surprising move, ABC also canceled the cult favorite Nashville, as well as freshman drama The Family. Over at Fox, Second Chance has been canceled, meaning it won’t be getting, well, a second chance. As a dagger through my heart, Fox also canceled comedies The Grinder and Grandfathered. I kinda bailed on the former (even though I really enjoyed it), but I really felt the latter had grown into something special, with a lot of heart. Oh well, I guess it means Stamos will be more of a presence in season 2 of Fuller House now. Seth MacFarlane’s Bordertown also got the axe. Meanwhile, it’s official, as Supergirl will be moving to The CW in the fall. The Archie series Riverdale has been ordered to series, while Containment has been canceled. Also, NBC has ordered Chicago Justice to series, therefore basically handing their network to Dick Wolf.

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If you watched last night’s Legends of Tomorrow, then you’ll understand why Wentworth Miller won’t be a series regular next season. Instead, he’s entered into an interesting deal with Warner Bros TV that essentially makes him a regular in the “Berlantiverse”, not tied to one particular show. His talents will primarily be spread across Flash and Legends next year, but he could even appear on Arrow or Supergirl. I guess WB realized they had something special on their hands with that character and, while I’m sad to see he won’t be part of the Waverider crew next year, I am glad to see it’s not the end of the road for Leonard Snart.


On the music front, Justin Timberlake released his first song since 2013 last Friday. Called “Can’t Stop The Feeling”, it’s from the soundtrack to the upcoming DreamWorks animated film Trolls. It’s already being called “the song of the summer”, but it’s only May so let’s not get carried away. Still, any chance to see Ron Funches and Anna Kendrick dance (for different reasons, of course!), is a good thing. It’s a fun little ditty, so check it out.

infinity

In the world of video games, Disney Infinity has been discontinued, and Disney is exiting the game publishing industry. Reportedly, they’re taking a $147 million loss, which is surprising considering the platform featured Star Wars and Marvel characters in addition to Disney ones. I mean, if you can’t make money with Marvel and Star Wars right now, you’re doing business wrong. Anyway, I never trusted any of those “figurine switcheroo” games because they just seem like cash grabs. Skylanders seemed kinda groundbreaking, but then we ended up with Infinity, LEGO Dimensions, and amiibo – not to mention Hasbro’s own failed Playmation platform. Are they in the game industry or the collectible figure industry? Because it doesn’t seem like you can successfully be in both for long.

Things You Might Have Missed This Week

  • It was reported that Alden Ehrenreich has been cast as Han Solo in the Star Wars character’s solo film. Never heard of him, but good for him!
  • Ben Affleck was named an executive producer on the Justice League film, amid rumors that Zack Snyder and Warner Bros are currently fighting over the project.
  • Sharon and Ozzy Osbourne split up after 33 years together, after Sharon allegedly caught Ozzy having an affair with a celebrity hairstylist
  • Victoria “Posh Spice” Beckham admitted that her mic was never on during Spice Girls performances
  • The Superman prequel Krypton has been ordered to pilot at SyFy. Seriously, though – who gives a shit about Krypton?
  • After 30 years with the company, Steve Lombardi, also know as the Brooklyn Brawler, was released by WWE.
  • Gentlemen, start your engines! Topanga’s back on the market! Danielle Fishel has divorced her husband after 2 years of marriage
  • Chris Evans is reportedly dating Jenny Slate. I’m not sure which one I’m more jealous of!
  • CSI: Cyber was cancelled by CBS, ending the CSI franchise for the foreseeable future

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I had the pleasure of joining @TimDogg98, @ClassickMateria, @Agent_70, @Roddykat, and @blackastronaut1 for a special treasury edition of The Comic Book Chronicles, as we discussed Captain America: Civil War. It was a fun chat, so be sure to check it out.

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It’s currently the #1 movie in the WORLD. It opened in the US to $179 million last weekend. It introduced the man on the street to Black Panther. It’s loved by almost everyone. And I’ve gotten 2 podcast appearances out of the whole thing. I won’t get into story beats, as not everyone’s seen it, plus I’ve already discussed it ad nauseam on the aforementioned podcasts. So, I think it’s fair to say that, for the second week in a row, Captain America: Civil War had the West Week Ever.

06th May2016

West Week Ever: Pop Culture In Review – 5/6/16

by Will

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I watched quite a few things this week, so let’s get to it!

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I’ve been in a stand-up comedy mood lately, and Comedy Central has been celebrating a month of new specials. First up, I caught Daniel Tosh: People Pleaser. If you’re familiar with Tosh, then you already know what you’re in for. His onstage persona is basically that of an asshole, and he brought that in full force here. It was mostly new material, though he did rework an old joke about Nadya Suleman (“Octomom”) into a joke about the 19 Kids and Counting Duggars. My biggest issue, I guess, is that I didn’t watch it when it premiered, so it was all kinda old for me. You see, I listen to Comedy Central Radio on SiriusXM in the car, and they’ve been playing clips from the special for about a month now (the special actually premiered at the beginning of April), so by the time I got around to watching the whole special I realized that I’d already heard all of the jokes. Even though Tosh’s humor isn’t for everyone, I think he’s a lot better at the Asshole Comic thing than, say, Anthony Jeselnik. If that’s your cup of tea, then check it out.

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Next up, I watched Chris Hardwick: FUNcomfortable. This isn’t a popular opinion amongst the geek set, but I do not like Chris Hardwick. I had no problem with Singled Out/Shipmates game show host Hardwick, but I don’t like Hardwick 2.0 of the Nerdist empire. Something about him just rubs me the wrong way. The folks who listen to his podcasts tell me that his biggest flaw is that he makes everything about himself. I’ve never listened to a Nerdist podcast, so I don’t know about that, but I do know that I just don’t like his vibe. So, if I already knew I didn’t like him, why did I watch his special? Well, Comedy Central Radio had a town hall interview with him, moderated by Wil Wheaton, that aired several times over the weekend. I did a lot of driving, and ended up listening to parts of it 4 different times. And I came to realize that I actually had a lot in common with him, in terms of depression and anxiety. And it was interesting hearing about his alcoholism and how he decided to get sober. I think I didn’t like him because he just seems like he tries too hard, but the interview made me realize why. I kinda felt like I needed to cut the guy a break after that. I’m still not interested in his podcast, but I was willing to give an hour of my time to watch his special. And it was good. I’m glad I watched it. If you’re a fan of all the Nerdist stuff, you’ll probably love it. If you want to know more about Hardwick himself, though, I recommend checking out that town hall interview, which is probably on demand on the SiriusXM site. He seems like he’s in a good place now, and I’m happy for him for that. His comeback story is kind of amazing, going from TV host to producing mogul, so I’ve got to give him credit for what he’s achieved in this second phase of his career.

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On the movie front, I watched The Boss, starring Melissa McCarthy. I already know that there are people predisposed to hating her and her movies, so you should probably just skip to the next paragraph. I, however, happen to be an unabashed fan of her films. I even liked Tammy. So, I was kinda surprised that I was disappointed by this one. In the film, McCarthy plays a Martha Stewart analogue who’s sent to prison for insider trading. Once she gets out, she partners with her former assistant to create a brownie empire. It’s not bad, by any stretch, but it wasn’t hilarious. I loved The Heat. Spy was incredible. This, not so much. It suffered from the fact that the funniest parts were spoiled in the red band trailer. Plus, and I had this same problem with Deadpool, I didn’t really feel like it had to be an R-rated film. Over the years, McCarthy has kinda become the queen of the R-rated comedy, so I guess the studio just said, “Well, let’s make another R-rated comedy for her”. That said, most of the “fucks” seemed forced (like they were just there to justify the rating), as well as all the other material that guaranteed the rating. She implies a tween is a lesbian, Tyler Labine is supposed to perform oral sex on a security guard. All the “edgy” stuff just felt out of place. Don’t get me wrong – I laughed, but it was at stuff I’d already seen in the trailer. Outside of that, the movie didn’t have much more to offer.

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On “television”, I watched the Netflix series Love, on recommendation from my pal Chris Piers from over at The Robot’s Pajamas. Geeky Gus meets trainwreck Micky in a convenience store after they both get out of bad relationships. Over the course of 10 episodes, we try to find out if two damaged people can truly find love. The show starts Paul Rust (who’s also the co-creator) and Gillian Jacobs (Community), and is produced by Judd Apatow. In true Apatow fashion, the characters occupy this state of arrested development, where they’re in their 30s, but not quite “adults” because they’re just trying to figure their shit out. Gus has always been the nice guy, so he pretty much ends up in the “friend zone” when he meets Micky. Meanwhile, Micky’s a pretty, yet slovenly, woman who’s got an addictive personality. She’s addicted to alcohol, she’s addicted to sex, and she may be addicted to love. So, is Gus what she really needs right now? Can Gus handle a woman like her? Meanwhile, Gus kinda becomes my hero, as in the course of the series he sleeps with both Milana Vayntrub (Lily from the AT&T commercials) and Briga Heelan (Ground Floor, Undateable). It’s a great show, and I ended up watching the majority of the series in one night. I simply couldn’t put it down. I highly recommend it!

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In movie news, we got our first look at the new Power Rangers movie suits, thanks to Entertainment Weekly. I don’t…hate them. Seriously, I actually kinda like them. They’ve not been without controversy online, though. First up, people don’t understand why the female Rangers’ breasts are molded into the suits. Or why the female Rangers’ boots have wedged heels. That said, I’m finding that most of the people with the biggest issues with them are folks who checked out of Power Rangers during the Mighty Morphin incarnation. We’re talking about a 20+ year franchise, being judged on its first 3 years. That’s not exactly fair. To me, these suits are a natural progression from the original movie suits from ’95. This is just an ’00s update of what we got back then. People are saying that they look like Iron Man, and I see that, but I think it makes sense. It’s not like they were going to be able to go the spandex route for the big screen, so folks should’ve expected some kind of armored form. The thing I like most, though, is that the Rita suit is starting to make more sense. Hers is clearly a damaged version of their suits, so was she the Green Ranger? They also look reminiscent of Lord Zedd’s design, so will he factor into things, too? You’ll see a lot of hatred about the suits online, but you won’t see any of that from me.

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In TV news, it was revealed this week that Star Trek fans won’t be able to initially bingewatch the new Trek series when it premieres, as the episodes will be released weekly. I understand the reasoning behind this, as CBS probably doesn’t want people signing up for All Access for a month and then leaving once they’re done watching the show. That said, I’ve never been one to keep up with weekly streaming shows. I don’t know what it is about the platform, as I’ll watch weekly shows on “real” TV. Back when Yahoo Screen released Community on a weekly basis, I pretty much just waited til the end of the season and then binged all the episodes I’d missed. That’s probably what I’ll do with this show, if I watch it at all. I love Star Trek, but everything I’m hearing about this show’s distribution makes me sad. Creatively, it sounds like they’ve got a great team on the project (it was also announced this week that it’ll begin filming in Toronto in this fall), but it’s almost like CBS is hellbent on screwing up its distribution. It was also revealed why the show is debuting in 2017, and not this year to celebrate the 50th anniversary of the franchise. Apparently, during the 2006 split between CBS and Viacom, CBS got the Trek TV rights, while Viacom retained the Trek film rights. As part of that deal, Viacom insisted that the new show couldn’t debut until 6 months after the film premieres, in order to avoid confusion in the marketplace. Now, in a world where DC Comics has a “Batman” show on TV, and batman in films, it’s clear that the audience isn’t that dumb, but I guess Viacom wanted to protect their investment in Star Trek Beyond.

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In other CBS TV news, it’s really coming down to the wire on Supergirl‘s renewal, as CBS is scheduled to announce their fall schedule at the network upfronts in two weeks. Apparently, the show costs about $3 million per episode, and the network really wants to cut down that license fee. CBS doesn’t feel that the ratings justify the amount they’re paying to Warner Bros to air the show. So, now the rumor of the show moving to sister network The CW is picking up steam. The pro of the move means that the show would be on the same network as the other Berlantiverse shows Arrow, The Flash, and Legends of Tomorrow. The con, however, is that The CW doesn’t pay high licensing fees, so that means some budget cuts would probably have to happen. For example, Calista Flockhart probably makes a nice piece of change on that show, so she’d probably be out. That’s just my speculation, though. In any case, CBS needs to make a deal quickly.

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Over on NBC, Natalie Morales is out at the New York offices of The Today Show, and is moving out west to be the West Coast anchor of the show. She’ll also be the new host of Access Hollywood and Access Hollywood Live. Meanwhile, current Access Hollywood host Billy Bush is headed to New York to join The Today Show. This switcheroo is the beginning of some more ongoing structural changes coming to The Today Show over the next few months.

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In comics news, USA Today announced that IDW Publishing will be releasing a comic based on the 80s cartoon M.A.S.K. Following the members of Mobile Armored Strike Kommand as they fight the evil agents of Vicious Evil Network of Mayhem (V.E.N.O.M.), it was basically G.I. Joe with transforming vehicles, and enjoyed a cartoon series and toyline. Since IDW seems to be in Hasbro’s good graces, having published years of G.I. Joe and Transformers comics, it makes sense that this series would end up there. Writer Brandon Easton and artist Tony Vargas are reportedly “putting a Fast and Furious spin” on the property. I’m not sure what to think about that. From what the creators say in the interview, it doesn’t really sound like M.A.S.K. Plus, I think fellow kids of the 80s would rather have a M.A.S.K. toyline than a comic, but maybe that will come from Hasbro’s Cinematic Universe.

Things You Might Have Missed This Week

  • The Russo Bros revealed that Avengers: Infinity War Parts 1 & 2 would be renamed before their release, as they’re both 2 very different movies.
  • Batman: The Killing Joke will be released digitally on July 23rd, followed by the Blu-Ray and DVD on August 2nd
  • sharknado-4-posterSharknado: The 4th Awakens will premiere July 31st, featuring appearances by Baywatch‘s Alexandra Paul, David Faustino, Dog the Bounty Hunter, and Stacey Dash.
  • The Flash film lost its director when Seth Grahame-Smith stepped down. Now there are rumblings that James Wan might leave his directing post on Aquaman.
  • Hulu renewed The Mindy Project for a 5th season
  • Netflix announced a spinoff series for The Punisher, starring Jon Bernthal

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The other night, I had the pleasure of joining Classick, and CJ from 3 Black Geeks, to do a Civil War preshow podcast. It was a great time where we talked about recent comic book movies, as the recent deaths of some celebrities. You should definitely check it out here.

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I saw it last night, and I can say that Captain America: Civil War definitely had the West Week Ever. If you want to know why, then go see the film. I’m not gonna spoil anything here. Let’s just say that I went in Team Iron Man, and I left Team Iron Man. I’d love to know how you felt after you saw it. Sure, there are some similarities to Batman v Superman: Dawn of Justice, so folks are gonna make some comparisons, but I’m not gonna do that here. I’m not sure if I’m ready to say it was the greatest comic book movie of all time, but I thoroughly enjoyed every minute. Seriously, go see this movie this weekend!

22nd Apr2016

West Week Ever: Pop Culture In Review – 4/22/16

by Will

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I finally caught the comedic hit Trainwreck, and I thought it was…decent. Written by and starring Amy Schumer, Amy knows how to screw, but she doesn’t know how to love (that really should’ve been the tagline). Raised by her father to believe that monogamy isn’t realistic, adult Amy tries to avoid any sort of commitment or intimacy in her relationships. That is, until she meets a particular sports doctor, played by Bill Hader. Since last summer, I’ve heard how laugh-out-loud funny this film was, but I’m not sure I saw the same movie. It has some great moments, especially any scenes containing John Cena and Lebron James (who’s a surprisingly good actor for an athlete. Those guys are usually wooden onscreen). Directed by Judd Apatow, it follows several Apatow tropes, in that it’s slightly too long, and the message is basically “Grow the fuck up!” I don’t really see what it is about Hader’s character that makes Amy think he’s The One. He’s a nice enough guy, but he’s not charismatic or all that interesting. He’s a bit of a square, so when Amy chooses him, it’s almost like she’s settling. I wasn’t fully paying attention, though, so I’ll probably watch it again to see if I’m being unfair. At the moment, though, I don’t really get the hype behind the movie, other than the fact that it was written by a popular female comedian whose star is on the rise. Outside of that, it’s a pretty formulaic, by the numbers romcom.

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On HBO, I caught the Clarence Thomas/Anita Hill drama Confirmation. Focusing mainly on Thomas’ confirmation hearings for the Supreme Court, it followed all the parties involved after Anita Hill came forward with allegations that Thomas had been sexually inappropriate with her ten years prior. I think everyone went into the film with their biases intact, but even though I believe Hill, I felt the movie was really skewed towards Thomas. The entire time, he maintained that these were baseless allegations, and there were scenes where it felt like he was to be seen as the victim here. One thing I did learn was that Thomas’ wife looks like a Shoney’s night manager – ya know, the kind who won’t accept your coupons? Yeah, that one. Anyway, when women come forward with these sorts of allegations, there are people who don’t believe them, and that was definitely covered here. Also, Joe Biden, portrayed by Greg Kinnear, didn’t come away from the film looking like the best guy. In the end, as anyone who knows history already knows, Thomas was confirmed, though the damage to his reputation had been done. 25 years later, and he’s still sitting pretty on the Supreme Court, while Hill is a footnote in American history. So, who really won here? The movie seems to imply that Hill won by coming forward, and opening the doors for more women in Congress and other high ranking positions. It seems like a last minute Hail Mary play, however, by a film that didn’t feel like it was on her side for most of the time. I’d love to know how other folks felt who watched it.

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On TV, I finally finished Fuller House, and I LOVED it. Sure, critics hated it, but the original wasn’t really beloved by critics, either. There were times I tried to watch it stoically, and then felt a smile creep across my face. Sure, it’s cheesy, but it’s a type of humor that’s missing from most modern sitcoms (especially considering most modern sitcoms are single cam, with a faux documentary being filmed). I loved seeing the old cast, I love the new kids, I love the crazy love triangle. To me, season 2 can’t come fast enough.

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This week also saw the season finales of two shows about hipster girls in NYC. First up, Girls wrapped up its fifth season, and I thoroughly enjoyed the two episodes that capped off the season. I tend to like Hannah the least of all of the titular girls on the show, but I really kinda felt for her in the finale. I started to really understand where she’s coming from, and didn’t hate her guts. She’s just a twenty-something, trying to do the best that she can. In the past, I thought she represented this sort of dangerous, arrested development. She wasn’t an adult, but rather just a big girl (which could be said for most twenty-somethings). The problem, though, was that she was OK with that. She never really seemed to be aspiring to anything greater. She was just a quitter at everything she tried, because she didn’t like the rules or whatever. The season ended with her in a different sort of place, though, so I’m interested to see where she goes in the sixth, and final, season of the show.

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Meanwhile, Broad City wrapped up its third season with the girls taking a Birthright trip to Israel. I never thought I’d say this, but out of the two female-centric Millennial shows on cable, I think I enjoyed Girls more than I enjoyed Broad City this year. It used to be that Broad City was kinda quirky, but it still boiled down to the friendship between Abbi and Ilana. This season, though, Ilana turned into a cartoon character, and her “lesbianic” undertones toward Abbi got cranked up to 11. In the past, it was implied that Ilana had a crush on Abbi, but this year she wanted to be her full on wife, getting threatened whenever a dude came into the picture who might affect what they have. Ilana went from a delightful character to an annoyance for me. I figure we’ve probably only got another 2 or so seasons of Broad City left, as the girls’ other projects, like Time Traveling Bong, are getting off the ground. Here’s hoping they make the most of the time they’ve got left.

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In movie news, there are talks that New Line is trying to acquire the rights to Three’s Company. Right now, the writers of He’s Just Not That Into You are attached, so this thing will probably be TURRIBLE. If you’re not familiar with it, Three’s Company was an ABC hit that ran from 1977-1984, starring John Ritter as an aspiring chef who lives with two girls. Since that was frowned up during that era, they told the landlord that he was gay so that he’d be OK with the living arrangement. It’s one of my favorite TV shows, but this sounds like a bad idea. I do, however, think it’d work as a rebooted television series, which I wrote about a few years ago. Here’s hoping this reboot talk gets me some website hits!

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In other movie news, it was reported that author Michael Chabon (The Adventures of Kavalier and Clay) and comic writer Brian K. Vaughan (Y: The Last Man) have joined the writers room for Hasbro’s shared cinematic universe. Damn, talk about a waste of talent! These guys are the real deal, and they’re being used to figure out how G.I. Joe is gonna mesh with ROM: The Space Knight?! Hasbro must’ve REALLY backed up a Brink’s truck.

I can’t wait for The Founder, starring Michael Keaton as Ray Kroc – the founder of McDonald’s. Though, the story isn’t so cut and dried, as this movie explores. After all, Kroc was just a milkshake machine salesman, while the McDonald brothers created the brand. And then Kroc stole it from them by franchising it. As a lifelong fat kid, McDonald’s means a lot to me, so this is basically my The Social Network.

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In TV drama, it was announced that Michael Strahan would be leaving Live! with Kelly and Michael and joining Good Morning America full time. This seems like a network decision, as both shows are owned by Disney and they wanted more for Strahan, but Kelly Ripa is PISSED! She feels like Strahan betrayed her, and she’s now refusing to show up for work until he’s gone. This is going to be somewhat hard, as he’s not scheduled to leave until September. *Looks at calendar* It’s now APRIL. I feel like the lawyers are gonna get involved before this goes on too long, but I imagine it’s going to get uglier before it gets better. I feel like this is a great opportunity, though, because they can now just hire Neil Patrick Harris to be Kelly’s cohost. The word on the street is that he was one of the favorites for the job the last time that it was available, but he was still doing How I Met Your Mother, and couldn’t do that commute. Now that HIMYM has ended, and Best Time Ever got canceled, the timing is perfect.

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In Power Rangers news, we got our first look at Elizabeth Banks as villain Rita Repulsa. I’m not so sure about this. On the one hand, it looks like a combination of Mighty Morphin Power Rangers henchwoman Scorpina, mixed with Power Rangers Turbo villain Divatox. I can see those influences. And the green color kinda makes sense as to why she’ll be so obsessed with the Green Ranger once he’s inevitably introduced. Still, it’s odd to me that there are no callbacks to the original design. No pointy boobs, no headdress, nothing. She’s just Generic Space Villainess. If anything, it just makes me nervous about what the Ranger suits are gonna look like. To me, it’s pretty risky because if you deviate too much from the pattern, then they look like those bootleg action figures you’ve been finding in dollar stores for the past 20 years. I get this is something of a “reboot”, but there still needs to be ties to the original property, for both casual and hardcore fans. Is it enough that it’s a bunch of teens fighting an evil space alien? It might as well be Tattooed Teenage Alien Fighters From Beverly Hills: The Movie. Or Superhuman Samurai Syber-Squad: The Movie. There are things that make Power Rangers special, and I’m not seeing them yet in what we’ve seen from this adaptation.

Things You Might Have Missed This Week

  • Season 2 of Mr. Robot premieres July 13th on USA
  • Carrie-Anne Moss is joining season 2 of AMC’s HUMANS
  • After 30 years, Dr. Drew Pinsky is leaving the Loveline radio show. It’s unclear if the show will continue with a new host
  • Robert Downey Jr. will appear as Iron Man in Spider-Man: Homecoming

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I guess, looking back on the week, Harriet Tubman was cock of the walk. Who’da thunk an abolitionist would be making news in 2016? Anyway, it was announced that Tubman will soon adorn the $20 bill, moving Andrew Jackson to the back of the bill. Originally, the plan was to remove Alexander Hamilton from the $10 bill, but the popularity of the Broadway (and Pulitzer prize winning) show, Hamilton, stopped that plan in its tracks. Now, Millennials will be even more insufferable about that show, AND tickets will be even harder to get, but I digress…According to history, Jackson was a bad man, sending the Native Americans off on the Trail of Tears. Why? Because he wanted their land for plantations. Way to go, dude! Anyway, the idea of putting a woman on some paper American currency gained steam last year when a young girl named Sofia sent a letter to President Obama urging him to do so. Well, this week, little Sofia got a birthday surprise when it was announced that the design will be made public in 2020. Tubman will be the first Black person on American currency, and the first woman in over a century. So, in light of this development, Harriet Tubman had the West Week Ever.

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