06th Oct2017

West Week Ever: Pop Culture In Review – 10/6/17

by Will

So, I guess I’ve got to start off by talking about Vegas, huh? Ya know, it’s been really hard writing this column in 2017. Like, I’m sure some of y’all are thinking, “Man, Will is slipping” or you’ve put me in the category with The Simpsons where “This isn’t as funny as it used to be.” Sadly, it’s just the state of the world, and all I can do is my best to mine the entertainment news that still manages to trickle out. That said, it is really hard talking about pop culture in 2017.

But anyway, Vegas. Unless you’ve been offworld fighting the Jem’Hadar or whatever, then you already know some dude (not gonna name him ’cause why should I?) shot up the Route 91 Harvest 3-day country music festival, killing 59 people, and injuring over 500, in the deadliest US gun attack in history. And while this was a horrific loss of life, I’m kind of numb to these things now. I mean, sure, you wonder “Is anywhere safe anymore?” but at the same time, this is America, and these sorts of things have become somewhat annual, if not more frequent. After all, this is only the deadliest gun attack since the Pulse shooting in Miami back in June of 2016. It’s saddening and exhausting, yet nothing seems to be changing.

I’m seeing a lot of sentiments, post-Vegas, about how we’re all Americans and should now unite and, basically, “cut the bullshit”. But what does that ultimately mean? I mean, around what ideal are we uniting? It sure as Hell ain’t gun control. Or mental health. There’s no “evil foreigner” trope for us to pursue. If anything, it seems to be a plea to stop protesting and kneeling and all that jazz, because it’s “divisive”. Nah, I’m good. I know these things teach us that life is precious and we shouldn’t waste time on squabbles, but the stuff folks are mad about isn’t menial. And I think it’s gonna take more than a “lone wolf” at a country festival to sweep all the issues under the rug, for the sake of “unity”.

Anyway, as you can imagine, Vegas cast a bit of a pall on pop culture this week, and this wasn’t more evident than with the return of MTV’s TRL.

Members of the N’SYNC pose with Carson Daly at MTV Studios in New York City’s Times Square on January, 26, 2000. (photo by Todd Plitt)

Originally Total Request Live, the video request countdown was a powerhouse on the pop music landscape at the turn of the century. It put Carson Daly on the map, and it was what everyone watched when they came home from school (unless they were watching 106 & Park). You weren’t shit if you didn’t stop by TRL to promote whatever new project you had coming up. It was THE place to be. Then the internet got bigger, and you could watch music videos whenever you want on YouTube (and later Vevo). So, the show packed its shit and left us in 2008.

Feeling a bit of nostalgia, I suppose, Viacom decided to revive the show this year with a team of hosts. With the internet being what it is now, surely it’d be more interactive than the original. What nobody told us, though, is that it wouldn’t have any videos!

Monday’s premiered chugged along, despite having to deal with a national tragedy and experiencing technical difficulties, and didn’t air a single video. Yeah, they still make videos. CMT plays ’em, so at least they’re still viable for country. Taylor Swift and Katy Perry still make them. There are videos out there, yet the show known for its video countdown ain’t got no videos! Exactly WHAT is the audience expected to request? Instead, the show featured live performances from Ed Sheeran and Migos, and displayed some awkward banter between the hosts as they tried to fill out the intermittent silences.

People have said “What’s the point of then showing videos if you can get them online?”, and while that’s true, I’d counter with “Then why bring back the show at all?” Imagine if VH1 revived Pop-Up Video, but didn’t actually do the pop-ups because “folks do that better on YouTube now”? That would be a useless show. And in an age where MTV seems to want to get back into the music business somewhat, and they still host an awards show for music videos you’d think they would see this TRL reboot as a golden opportunity. Anyway, maybe they’re just experiencing first week growing pains, but things certainly don’t look all that great for this incarnation at the moment.

Another way that Vegas affected pop culture is that Netflix pulled their Punisher panel that was planned for this weekend’s New York Comic Con. While some folks are asking “What’s that gonna change?”, I selfishly applaud the decision. I say selfishly because I don’t understand anyone who holds The Punisher as their favorite comic character. At least no one over the age of 13, that is. Why, in this day and age, is he still a thing? Sure, he has his roots in the whole Dirty Harry/Death Wish popularity of decades past, but let’s not forgot that comic are just power fantasies. So who does he appeal to?

If you’re not familiar with The Punisher, Frank Castle was originally a Vietnam vet whose family was murdered because they witnessed a killing in Central Park. He then begins his one-man war on crime. Sure, this was “cool” in the 89s, but now? Do you really wanna give a Vietnam vet with a screw loose a bunch of weapons? Shit, most of y’all wouldn’t even give him a dollar!

In recent years, they’ve tried to make him more “comic booky”, sending him after Hydra and having him somewhat idolize Captain America, but at the end of the day, he’s not a good dude. And it’s not like he does it in a funny way, like Deadpool (and I’ve got thoughts about that, too). He’s so “ripped from the headlines” that I’m surprised there aren’t Punisher copycats running around in the streets.

They say that every character is somebody’s favorite, but if yours is Punisher, not only do I want to know who hurt you, but I’m also afraid of you. We’ve got comic retailers pissed that Iron Man is currently a Black girl, or Captain America was a Black man, but don’t bat an eye that there’s this White dude who’s been on a killing spree since the mid 70s. I just don’t know if we need that character anymore.

Anyway, enough Vegas talk. Over at ABC, they finally locked their judges panel for the American Idol reboot and I’ve got problems with it.

The lineup on the judges panel will be Katy Perry, country star Luke Bryan, and 80s superstar Lionel Richie. And my problem is that these judges are current recording artists, so what’s to keep them from torpedoing the hopes of a contestant that they night see as competition? We already know Katy’s petty from her feud with Taylor Swift, so I wouldn’t put it past her.

When the original Idol aired, the judges were comprised of a producer, a hasbeen, and a pop music magic maker. None of them were active recording artists. The only show that has active recording artists as judges is The Voice, and notice how that show has yet to produce a household name after 13 seasons. Not even in the first season, where all eyes were on this newfangled show to see what it was all about, did the winner become a “star”. That show has always been, and will always be about the judges. You think Blake Shelton is gonna choose someone who might compete with him over a CMA? No the fuck not!

Katy’s experienced a lot of success, but I don’t know if she’s really anyone to be judging singing. Despite the fact that she’s the biggest star on the panel, and making the most money, Katy fills the Paula role, as she’s more of an entertainer than a vocalist. Luke, while he’s paid his dues in the country industry, is still a novice to stardom. Not really sure what advice he has to offer the next generation of stars. And Lionel is just there to fill that Randy Jackson, elder statesman role. If you’ll notice, the panel is missing a Simon. There’s no one there who truly understand the behind the scenes aspect of the industry. How to package an artist, how to match them with the right songs, etc. Katy has been packaged, and Lionel has written songs, but there’s no “godfather” on the panel, which I think will be to the show’s detriment.

In comic news, it was announced at NYCC yesterday that DC would be completely rebooting the “urban” Milestone properties, led by a new Static Shock series from Kyle Baker and Reginald Hudlin.

The minority pockets of comic fandom have been claiming for years that they’d support a Milestone reboot, so now it’s time for them to out their money where their mouth is. Frankly, I don’t believe them. It’s the “woke”, socially conscious thing to say, but when you’re faced with paying $3.99 a month for Static, your attitude is gonna change.

Several companies have tried to fill the void left by the Milestone books, and the only one that has come close to succeeding is Lion Forge’s current Catalyst Prime universe. While it’s still very early to tell where this imprint might go, they’ve delivered a quality product, with known creators, and even their footprint doesn’t seem to be that large. Retailers are ordering conservatively, as they, too, aren’t sure how things will shake our. Sure, Milestone will have DC Comics money behind it, but is DC giving then just enough rope with which to hang themselves? I guess time will tell, but I’m not overly optimistic about their chances. Plus, there have been so many bait & switch Milestone announcements over the years that I’ll believe it when I see the books on shelves.

Speaking of DC, there are reports that they’re backing away from their shared DC Extended Universe films, as they’ll downplay the interconnectedness going forward. While I, for one, applaud this decision, money talks, so the success or failure of Justice League will most likely dictate the future of their film universe. It’s increasingly seeming like the Flash movie will be Flashpoint, which is odd because we’re not even invested enough in the characters yet to go through a universe-changing event like that.

If you’re unfamiliar, Flashpoint was the DC Comics event that changed the DC timeline and resulted in the New 52 relaunch a few years back. Most of the DC heroes started with a clean slate, and the books picked up early in the heroes’ careers. While a Flashpoint movie wouldn’t have to be so drastic, as they haven’t really established much of that universe yet, it is interesting that they would do a soft reboot of the films so soon. My feelings is that they’ll keep what works and throw out what doesn’t. Gal Gadot ain’t going anywhere. And Aquaman is probably safe, too.

I think the biggest wild card is Affleck. It was sort of dumb for them to build a film universe around an older Batman, where the most interesting stuff about him occurred before we even meet him. I know they wanted to go all The Dark Knight Returns with his battle against Superman, and that required an older, more skilled Batman. However, Affleck and the DCEU are like a couple who’s clearly unhappy, but neither is willing to pull the trigger on a break-up. Plus, it doesn’t help that Affleck’s most recent non-DC films have been flops, so he’d be a fool to walk away from a sure thing. The films might not be universally loved, but they do make money.

Anyway, we got some character posters for Justice League this week, which is something I guess. It comes out 2 weeks after Thor: Ragnarok, yet I’ve seen almost no promotion for it, while Thor has had TV spots since late August. In fact, the only time I even remember there’s a Justice League movie coming is when I’m in the toy aisle and see those uninspired basic figures on the pegs. They’re really gonna need to pump up the hype machine in the next few weeks. With the way DC’s acting, I almost feel like they’re ready to take the L and move on to the next phase of their movie-making.

Last weekend I went to TFCon 2017, which was a Transformers convention held locally. While I had a great time finally meeting Twitter pals @briantruitt and @brock626, and catching up with my bud @FakeEyes22, the show itself was meh. Like, I can’t believe that people actually travel for that show. Imagine paying for tickets to a music festival with big name acts, only to get their and they say “Psych! Most of these are cover bands!” That’s TFCon, ’cause about 40% of the “convention floor” (AKA hotel ballroom) was nothing but 3rd party knockoff toys and Reprolabels. After all, why buy a legitimate Optimus Prime when you can buy a $70 “Supreme Leader”? I know that 3rd party stuff is popular amongst Transformers fans, but I didn’t think you could prop up a convention with it, especially since it seemed like Hasbro was starting to crack down on those knockoff peddlers. Anyway, I bought my first 3rd party Transformer, KBBMP 21+ Beetle Wasp , who is really just a large G1 Bumblebee.

Song of the Week

You know why. My a cappella group used to sing this and it was one of my favorite arrangements to sing. I tried to find our version on YouTube, but the one that’s up is the quality of hot garbage, so you get the original instead.

Things You Might Have Missed This Week

  • Film sites are teasing that “big star” Kate Winslet is reteaming with James Cameron and joining the Avatar franchise. Sorry, but she hasn’t been a star since 1997.
  • Fast 9 has been given the release date of 4/10/20, while the Fast spin-off starring Dwayne “The Rock” Johnson and Jason Statham now has a release date of 7/26/19.
  • Grammy award-winning singer/songwriter/actress Jill Scott has been cast as the villain Lady Eve in The CW’s Black Lightning. I still feel like they’re dooming this show to fail by not connecting it to the preexisting Arrowverse.
  • OJ Simpson was released from prison last Sunday morning at midnight, after serving a 9-year term. He immediately resumed his hunt for the real killers. Just kidding. He’s reportedly staying on a golf course somewhere.

  • We got a trailer for Syfy’s Happy!, based on the Grant Morrison and Darick Robertson graphic novel of the same name. While this left me with a feeling of “What did I just watch?”, this feels like it’d be more at home on FX than Syfy.
  • It seems like Universal’s Dark Universe is falling apart, after The Bride of Frankenstein just lost its release date. The actors, including Javier Bardem and Angelina Jolie, are on hold until the script can be worked on.
  • Natalia Cordova-Buckley has been upped to series regular for season 5 of Agents of S.H.I.E.L.D., so expect to see her yo-yoing through space this year.
  • Black superhero series Raising Dion is being developed by, and will co-star, Michael B. Jordan. The show has received a 10-episode order from Netflix.
  • Apparently there’s a Bob’s Burgers movie coming in 2020. Just like the show, I’ll have no direct interest in seeing it, but I’m sure I’ll eventually catch it on FXX one day and enjoy every minute of it.
  • Gore Verbinski, of Pirates of the Caribbean and The Ring fame, will reportedly direct Channing Tatum’s Gambit film spin-off of the X-Men franchise. Man, what kind of blackmail material does Tatum have to keep this movie in production?! I’ll bet it’s some dirt from his days as a stripper!
  • Bruce Willis’s Death Wish reboot has been moved from later this year to March 2nd, 2018. They claim it’s because the Thanksgiving film corridor is crowded, but it’s more likely the fact that a movie about an old White guy shooting up people ain’t so kosher right now. But we’ll have forgotten all about this stuff by March, so it’s cool.
  • The future of Nickelodeon’s Nicky, Ricky, Dicky & Dawn is in question, as they ain’t got no Dicky! Actor Mace Coronel (are we sure he’s not a video game character with that name?) abruptly left the show over the summer, and announced his departure on Instagram this week.
  • TNT announced that the upcoming 6th season of Major Crimes would be its last, despite the fact that it’s the highest rated show on the network. This is like when CBS initiated the Rural Purge, where they cancelled all their high-rated “bumpkin” shows because they wanted to change their image.
  • Alyssa Milano is developing her comic series Hacktivist into a TV series for The CW
  • Freshman ABC drama The Good Doctor has scored a full season order after only airing 2 episodes.
  • The Sonic the Hedgehog film has jumped from Sony to Paramount, and announced director Tim Miller (Deadpool) will now produce, as Jeff Fowler will be making his theatrical directorial debut on the film.
  • After 15 seasons, Pauley Perrette is leaving NCIS at the end of this season. In other news, NCIS has somehow been on for 15 years…

  • CBS is adding Will Ferrell-produced comedy No Activity to the All Access streaming service, to debut by end of year. However, Tim Meadows just joined the cast as the co-lead, so the show is already cancelled.
  • Larry Wilmore and Viola Davis are developing the comedy Black Don’t Crack for ABC, which sounds like an older Girlfriends reboot
  • Co-head writers Chris Kelly and Sarah Schneider have left Saturday Night Live to work on a pilot for Comedy Central. Kelly also wrote for Broad City, while Schneider wrote for Master of None.

  • We also got a trailer for Hulu’s Future Man from Seth Rogen. It looks funny, but Hulu doesn’t seem like the right home for it, as it feels like a Fox show.
  • Glee‘s Mark Salling issued a plea in his child pornography case. One of the stipulations of sentencing means he’ll have to stay away from events frequented by minors, such as “video arcade facilities”. Here’s hoping he not a pedophile AND a time traveler!

So, this has been a Hell of a week. One great thing about it, though, is that today is my 5-year wedding anniversary. Yup, on October 6th, 2012, I married a girl I met on the Internet, and she hasn’t killed me yet. We’ve actually been together 9 years, but only 5 in the eyes of the District of Columbia. It has certainly been a ride. She got skinnier, I got fatter. We’ve had a kid together, which is pretty cool. Sometimes I feel like said kid gets the attention that I used to get, but I’m not supposed to be jealous of a toddler, right? RIGHT?

Anyway, when things like Vegas happen, you do realize that you’re lucky/blessed to be alive, and you look at the life you’ve built around yourself. I certainly could’ve done a lot worse, and probably not much better. Look, I was a lot better at writing this kind of stuff 9 years ago, when we were both still in the “OMG, you love breathing? I love breathing, too!” phase. Life comes along, and shit gets hard. I’m not even going to lie about that. But it’s a lot easier to handle when you’ve got a good person beside you to deal with it together. So, I think the West Family is having the West Week Ever. I love y’all!

07th Jul2017

West Week Ever: Pop Culture In Review – 7/7/17

by Will

I took last week off, but I hope y’all had a great 4th of July weekend. Life’s still kinda kicking my ass, so this’ll be an abridged edition this week.

I finally got around to watching a movie! It’s been on my list since I first heard it was in pre-production, and I’m amazed it took me this long to watch it, considering my love for the source material. The Founder stars Michael Keaton as Ray Kroc, the “founder” of McDonald’s who really just stole the concept from the McDonald Brothers. A down-on-his-luck shake machine salesman, Kroc happens upon the fledgling McDonald’s restaurant in Southern California. Knowing a good thing when he saw it, he pretty much insisted on becoming a part of the operation, mainly focused on franchising the business. And that’s when things get interesting. I LOVE McDonald’s. You can hate me all you want, but like Jim Gaffigan says, “Everyone has their own McDonald’s”. Mine just happens to be the actual company. I don’t know enough about the history of the company to know how factual an account the movie was, but it was sure damn entertaining. Keaton is amazing in it, and I feel like anyone would enjoy the movie even if they think they don’t give a rat’s ass about McDonald’s as a company. I highly recommend this film.

We finally got our first trailer for Marvel’s Inhumans, and now I realize why they were so hesitant to release it. MY GOD THIS LOOKS TERRIBLE! It looks like Into The Badlands – a show that I hate because people fawn over it when it looks like something that would’ve aired after Xena on Saturday afternoons 20 year ago. Yeah, I even told one of the Badlands creators that when he confronted me over my “appraisal” on Twitter. Badlands is a bad show, but it gets “diversity points”, so folks give it a pass. This show doesn’t even get diversity right, so it’s really just a shitshow in the making. I hate hate HATE that this is considered an official part of the MCU, even if it’s just a part of the never-referenced TV wing. Anyway, this trainwreck debuts in IMAX on September 1st, but will officially air on ABC beginning September 22nd.

Speaking of diversity points, CBS lost all of theirs when they let the Asians go from Hawaii Five-O last weekend. Daniel Dae Kim and Grace Park both left the show after salary negotiations broke down as they requested pay equal to their costars. I’ve never seen more than 15 minutes of that show, but I know the dude from Lost seemed pretty important to things. He was basically the White guys’ interpreter to all things native. CBS has claimed that they offered them sizable increases, which weren’t deemed acceptable to Park and Kim. Now the Five-O showrunner, Peter Lenkov, is now joining the side of the network, saying that CBS made “generous offers” to the stars, yet they decided not to renew their contracts.

This has turned into a discussion of race in Hollywood and how things still aren’t equal across the board. I’m a big fan of billing. Billing is important, and should go to the most well-known star. It’s the reason all the ’89 Batman posters say “Jack Nicholson” first. Dude was a bigger star. Now, I didn’t watch Lost and I didn’t watch Battlestar Galactica, but I still recognize Kim and Park from those shows. Maybe it’s just because I’m a geek and folks were always talking about those shows. The show’s star, Alex O’Loughlin? I can’t name a thing he’s been in. Don’t know that dude from Adam. And the other lead? James Caan’s kid? Whatever. Y’all mean you couldn’t pony up the cash to keep Lost Dude and Battlestar Girl? We’re not talking about big names here so, unless there was a favored nations clause where O’Loughlin would have to get a raise if they got raises, thereby thwarting the whole “equality” thing, I don’t see what the problem was. As has been pointed out, all O’Loughlin and Caan had to do was stand in solidarity with their costars and this would’ve been a non-issue. Word on the street it O’Loughlin is quitting at the end of the season anyway, so it’s not like we’re talking another 5 years here. He couldn’t keep his ego in check for a season? Nah, for too many folks, as long as they’ve got theirs, they don’t care if you’ve got yours.

We also got a trailer for Pitch Perfect 3, forcing me to reiterate that NOT EVERYTHING NEEDS TO BE A TRILOGY. I know everyone involved likes money, but sometimes there are natural, built-in ends to things. That thing was a 2-movie franchise and that’s it. Don’t forget – I lived that life. I was in the same competition the Bellas won in the first film (we came in 2nd), and I experienced the aca-graduation blues that the girls experienced in the second film. That’s pretty much it. There’s nowhere else to go. I mean, sure there are some random outlier outcomes. One of my groupmates is a hit producer in Asia now. Another is a pretty big pop star in Hong Kong. The rest of us? Dead-end jobs and bills. I used to occasionally do karaoke, but even that got to be too depressing. That shit is fun while it lasts, and then you’ve got to move on. So, in that vein, I can understand the plot of the 3rd movie, with the girls wanting to have one last hurrah, but I don’t really understand the concept of putting them on a USO tour. Is that something the troops wanna see? Has Pentatonix been dropped into the theater of war? It just seems kinda farfetched to me, and I was fine with how things were left in the last movie. Sure, I’ll see it, but it won’t be in a theater.

Things You Might Have Missed This Week

  • Hide grandma’s wallet – QVC is buying out Home Shopping Network.
  • After 3 seasons, The Carmichael Show has been canceled by NBC. I really wish someone else would snatch it up, as it’s a smart show
  • Netflix has renewed Dear, White People for a 2nd season. Meanwhile, they canceled Girlboss after one season. Reed Hastings giveth and he taketh away.
  • Speaking of Netflix, hearing the cries of fans, Sense8 will officially conclude with a 2-hour finale special
  • Netflix also renewed one of my favorite original shows, F is For Family, for a 3rd season.
  • Apparently a series based on the popular Step Up film series, called Step Up: High Water, will premiere on YouTube Red, where absolutely NOBODY is gonna watch it.
  • Fuller House season 3 will coincidentally premiere on the 30th anniversary of Full House, September 22nd.
  • Make your vacations weird again, as Cirque du Soleil has purchased Blue Man Group.
  • Patton Oswalt is engaged to 80s actress Meredith Salenger. Ya know, the same Patton whose wife died last year. I guess we all grieve in our own ways…
  • Lack of interest brought down The House, which bombed at the box office last weekend. It was reportedly Will Ferrell’s lowest live-action opening for a major studio.
  • Nick Fury will reportedly be making his MCU return in 2019’s Captain Marvel
  • HBO is reportedly getting the True Detective band back together, with a 3rd season to star Mahershala Ali
  • Nixing speculation that she was still up for the White House Press Secretary job, Kimberly Guilfoyle has reupped her contract with Fox News
  • Rob Lowe and his sons will chase the supernatural in The Lowe Files, and I literally cannot wait.
  • New game show, Snap Decision, premieres August 7th. Hosted by David Allen Grier, the show breaks precedent because it will debut on GSN and in syndication on the same date.

  • The world’s leading (and only) bar scientist favorited my tweet this week

We’re gonna do something different here this week. Usually, if you’ve been paying attention to the week’s news, you can at least try to figure out who or what had the best week. Some weeks it’s harder to choose something than others. Then I remembered, “Will, this is YOUR site.” After all, this is all pop culture through my lens, so it’s my rules. So, sometimes I might choose something that meant a lot to me that week, while you were none the wiser. But I bring it up on the site so that we’re all on the same page. And that’s the kind of pick I have this week.

After watching The Founder, I was left thinking, “Michael Keaton is a goddamn national treasure”. After watching Spider-Man: Homecoming last night (yeah, we’ll talk about it next week, when more of y’all have had a chance to see it), I was thinking “Why have we been sleeping on Keaton the past 20 years?” I mean, with the exception of The Other Guys, I honestly hadn’t seen a Michael Keaton movie since probably Batman Returns, and yet Birdman is the one considered his “comeback vehicle”. In The Founder, he really made you feel for a traveling salesman who was at the end of his rope. After a string of laughable failures, he finally found something to which he could hitch his wagon: McDonald’s. And while he also had to prove this to everyone in his sphere of orbit, most importantly he had to prove this to himself. He really needed a win, and Keaton did such a great job conveying that.

In Homecoming, Keaton plays Adrian Toomes, better known as the Vulture (though he’s never called that by name in the film). Not unlike Alfred Molina’s Dr. Octopus, he’s something of a sympathetic villain. Were it not for the fact that comic book franchises deal in the good/bad binary, you could almost relate to him and understand where he’s coming from. He’s a modern-day working class guy who feels ignored by the fat cats up on high. He doesn’t have evil goals. He simply wants to provide for his family, and he has a code of honor that dictates he must do whatever it takes to make good on that promise. I felt that Keaton did a great job expressing the plight of the working man. Sure, he got to utter some cheesy villain dialogue, but that simply comes with the territory. If you stopped for a minute, and ignored the fact that Spider-Man HAS to win, you realize that Toomes is actually kind of on to something. Again, though, I’ll get into more Homecoming thoughts next week.

My pal Chad pretty much swears by Michael Keaton as his favorite actor – a lot of that having to do with his immense love of 1989’s Batman. I’ve gotta say, I was never a huge fan of Keaton’s Batman, and when Chad would laud Keaton’s praises, I wasn’t really seeing it. I see it now, though. I have seen the light and I am healed! Dear Hollywood, more Michael Keaton, please! He pretty much impressed me on two different cinematic fronts this week, and that’s why Michael Keaton had the West Week Ever.

19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

28th Apr2017

West Week Ever: Pop Culture In Review – 4/28/17

by Will

So the big media news this week was the announcement of the DC Comics streaming service, which will be the home of the long-delayed live action Titans series, as well as the third season of the Young Justice cartoon. Other than that, very little else is known about the service. Most fans suspect that it’ll have the entire DC library, including animated films, older cartoons like Justice League, and live action series not currently on The CW/Fox. That’s a bit ambitious, though.

I’m reminded of how the concept of UPN was introduced to the public, with ads that touted all of the classic television that Paramount had given us over the years: Family Ties, Cheers, Star Trek – did this mean that this new network would become the exclusive home for those shows? No, it instead meant we were to brace ourselves for Love Boat: The Next Wave and Shasta McNasty. I get that same feeling here. DC has a great slate of animated films, and some classic animated series, but I think this might end up the hub for newer, untested properties. Take the Titans show for instance. TNT passed on that thing. TNT! They know drama! Sure, it’s produced by Greg Berlanti, but I feel like if it had any real promise, it wouldn’t be relegated to a digital platform that’s not Hulu or Netflix. Same with Young Justice. Sure, it had a following, and the reasons for its cancellation vary depending on who you ask, but expecting the fans to shell out for yet another streaming service isn’t exactly a gesture of goodwill. I’m not paying CBS to watch Star Trek, and I ain’t paying DC for this until I get some more details. Right now, though, it’s a typical DC announcement, where they rushed to announce before a lot of key aspects were in place.

Speaking of DC, NBC basically cancelled Powerless this week by removing all upcoming episodes from their schedule. It’s not a big surprise, as the entire cast deserved better than that show had to offer. In all honesty, I feel like the ties to the DC Universe actually hurt it. If they wanted to do the whole Workplace Comedy Set In A Comic Universe thing, then it probably would’ve worked better with generic superheroes and villains created just for the show. Sure, they mentioned Batman, and the Wayne family plays a pivotal role (which I also had problems with), but they showed Crimson Fox TWICE. CRIMSON FOX! Just mentioning Superman or Wonder Woman isn’t enough. Hell, they can mention those characters on The Middle and it wouldn’t violate any rights or copyright laws. No, this was a big case of Show, Don’t Tell and the show never really had a strong hand when all the cards were on the table. At least this frees up Ron Funches and Danny Pudi for bigger and better things.

I loved Kingsman: The Secret Service, so I am ALL IN for Kingsman: The Golden Circle. To be honest, I’m probably looking more forward to this than Star Wars Episode 8. Apparently, Kingsman is forced to team up with their American counterpart, Statesman, so it should be interesting to see how the teams play off each other. And I’m really hoping for some extreme American stereotypes. Based on Channing Tatum’s cowboy agent, I don’t think I’ll be disappointed.

In other movie news, Seth Rogen and Billy Eichner are rumored to be up for the roles of Pumbaa and Timon in Disney’s live action adaptation of The Lion King. I like both of these guys, but I really don’t even know why this movie is being made. I mean, sure, putting The Lion King on something is basically the same as printing money, but the recent debut of  the lackluster The Lion Guard showed that there’s a limit to how much you can mine from the property. I haven’t seen the live action adaptation of The Jungle Book, but I guess this will be like that? I mean, the whole thing is animals. How are they gonna do this? Maybe I’m overthinking it, but it just feels like Disney is out of ideas for the moment.

We got a trilogy, y’all! In a surprise move, M. Night Shyamalan tweeted that Glass would be released on January 18th, 2019, serving as the sequel to both Unbreakable and Split. I really enjoyed both of these movies, and it feels like M’s finally got his groove back, so this should be good.

In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters have been kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags. When people think of a cappella, they always think of lame kids who probably did show choir in high school. And, in most cases, they’d be correct. The Waiters, however, were cut from different cloth. Originally a subset of the Cornell University Glee Club, they were basically a lewd fraternity that occasionally sang songs. Around 25 years ago, one of them wrote “We Didn’t Go To Harvard”, a parody of Billy Joel’s “We Didn’t Start The Fire”, and they’ve pretty much been coasting on that ever since. Their offstage behavior rivaled that of actual rock stars. For example, they got kicked out of a charity concert when one of their members reportedly peed in the corner of the stage. And while there were a few good guys in that group, the core members were THE WORST. They were basically a singing Duke rape scandal waiting to happen. According to news reports, the hazing included making new members take naked ice baths and having them rub IcyHot on each others’ balls. Considering they got shut down, I’m thinking there was more serious stuff that the paper couldn’t print, like elephant walks or something. Anyway, good riddance to bad rubbish. Bet they wish they’d gone to Harvard now!

Things You Might Have Missed This Week

  • Captain America: The First Avenger director Joe Johnston will direct The Chronicles of Narnia: The Silver Chair
  • Sony has given the Masters of the Universe film a December 18th, 2019 release date, but McG is no longer attached to direct. None of this matters, though, ‘cause this movie is never getting made.
  • Speaking of Sony, they’ve reportedly fired Dr Luke, and I HAVE SO MANY THOUGHTS ABOUT THIS! But there’s no way I’m putting them in a blog post, for them to be dissected and taken out of context.
  • One of the former Bachelors killed a dude. Nah, I don’t know his name or care enough to look it up. Bachelors are just as replaceable as Duggar kids. He will be forgotten again soon enough
  • Jeff Goldblum will reportedly return to the land of dinosaurs in the Jurassic World sequel.
  • Riverdale’s Reggie Mantle will be recast prior to season 2, as actor Ross Butler is committed to Netflix’s 13 Reasons Why, which is close to being renewed for a second season
  • Star Wars Episode IX’s release date has been revealed as May 23rd, 2019, which shifts the franchise’s releases out of the month of December

  • Darius “Eddie Winslow” McCrary posted the above pic, asking folks if they’d want a Family Matters reunion. Considering they both look like shit here, I’m leaning towards “no”

  • Speaking of TGIF reunions, Perfect Strangers stars Bronson Pinchot and Mark Linn-Baker reunited for Chiller Theatre Expo last weekend in New Jersey. Cousin Larry has aged appropriately, but Balki clearly discovered Crossfit/discount mail-order steroids.
  • Jeb Bush and Derek Jeter are in a group trying to buy the Miami Marlins. Hey, it’s better than ending up on Dancing with the Stars!
  • Next fall, Steve Harvey’s TV talk show, Steve Harvey, will move to Los Angeles, and will take on a new format as Steve.
  • With this week’s series finale of Bates Motel, A&E announced they’re abandoning scripted television and moving to a reality show model.

Maybe it’s just the mood I’m in this week, but nothing really had the West Week Ever. Try harder next week, America!

17th Jun2016

West Week Ever: Pop Culture In Review – 6/17/16

by Will

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On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.

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Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.

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Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.

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In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”

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Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.

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In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!

Things You Might Have Missed This Week

  • Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
  • Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
  • After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
  • Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
  • John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
  • Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
  • Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.

MAD TV New Cast

  • This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.

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There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.

Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.

08th Apr2016

West Week Ever: Pop Culture In Review – 4/8/16

by Will

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First up, I watched Dead 7 last Friday night. If y’all remember, it’s the zombie western starring former boyband members. Written by Backstreet Boys’ Nick Carter, it also starred Howie Dorough (BSB), AJ McLean (BSB), Joey Fatone (*NSYNC), Chris Kirkpatrick (*NSYNC), and Jeff Timmons (98 Degrees). This movie was a MESS. Now, I do have a confession to make: I forgot it was coming on until some folks tweeted me about it, so I missed the first 25 minutes. So, once I turned it on, I was LOST! I don’t know why people were zombies or “copperheads”, I’m still not clear why copperhead teeth are used as currency, and I don’t get why they were so hellbent on killing MadTV‘s Debra Wilson. All I know is that the acting was HORRIBLE (UPDATE: After writing this, I went back and watched the first half hour. Yup, still lost). This being an Asylum film, I expected something “so bad it’s good”, like the tongue in cheek Sharknado franchise. Instead, they played this pretty straight, which was to its detriment. Sure, Fatone’s Whiskey Joe was basically comic relief, but he really didn’t fit the tone of the rest of the movie. The best part of the movie was the end, where everyone was dead except Nick Carter’s wife (What? You weren’t gonna watch it!). So, hopefully that means they can’t try to make a sequel. At the end of the day, it just felt like a bad April Fool’s joke. Still, we did get a decent collaboration track out of it:

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Next up, I watched the DC Animated feature Justice League vs Teen Titans and I must say that it’s my favorite DC “vs” movie that I’ve seen this year. Basically a sequel to both Batman: Bad Blood and Justice League: Throne of Atlantis, it brings together the Batman and Justice League goings on of the DC Animated Original Movie universe. Fresh off the events of Bad Blood, Batman feels Damian needs to learn to be a team player, so he has Nightwing take him to join the Teen Titans. In this incarnation, the team is Raven, Beast Boy, and Blue Beetle, mentored by Starfire. Of course, Damian doesn’t really take to being on a team, but when Raven’s father Trigon possesses members of the Justice League, the team comes together. I didn’t like this as much as I did the Batman films, as I don’t know much about the DCAO Justice League, never having seen War or Throne of Atlantis. I don’t know much about that incarnation of the team, so I don’t care that much about them. I’m invested in the development of Damian, and it was great to see something of a crush develop between him and Raven (something we haven’t seen before), so I probably would’ve liked it more had it just been a Teen Titans movie.  I did like how they managed to get Cyborg on the team even though he’s technically a Justice Leaguer. To be honest, I fell asleep on it, but that’s probably because I was really tired. The same thing happened when I watched Superman/Batman: Public Enemies. So, I had to watch it twice. Still, that might’ve been one time too many. It’s not bad, but it’s certainly not as exciting or action packed as the other Damian-centric Batman animated films. There’s also a post-credits stinger that makes me interested in what’s coming next. It’s not the best DC animated movie, but there are worse ways to kill 80 minutes.

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In other areas of nerddom, I finally watched Pacific Rim. My pal Keith came to town and insisted we watch it when he saw it had been on my DVR for the past year. Overall, I liked it a lot. I do have some questions, though. For example, why do they all keep saying “nucular”? I can’t trust my protection in the hands of someone who gets that wrong. Also, did they really think a WALL was gonna stop the Kaiju? The same Kaiju who routinely fuck up buildings made of WALLS?! Was Trump behind that plan? And something about Jaegers seems inefficient. I’m not sure if it’s the walking mechanism or what, but it seems like the pilots expend way too much energy to get those things going. Also, do you think the Chinese Jaeger was modified with the 3rd arm once a set of triplets was chosen to pilot it OR did they seek out a set of triplets to pilot their 3-armed Jaeger? Hated the post-credits scene, but overall, I really enjoyed the film. It’s something of a shame that a sequel is off the table for now, but maybe it’ll end up like Independence Day where we get a sequel in 20 years.

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On TV, I watched the premiere of Wynonna Earp on Syfy and BOY was I disappointed! To be honest, I didn’t even know they were making a show until I saw the commercial during Dead 7. Though I’m familiar with the comic of the same name, the development of this show really flew under the radar. Anyway, starring Canadian actress Melanie Scrofano, it’s about a rebellious chick who happens to be a descendant of legendary sheriff Wyatt Earp. She returns home when her uncle dies under mysterious circumstances, and has to retrieve Earp’s gun which, legend has it, can kill demons or something. The show was VERY Canadian – like, it’s not the kind of thing that deserves a prime timeslot, but would’ve been just fine as a Saturday afternoon syndicated series in the late 90s. While I grew to love Krysten Ritter’s portrayal of Jessica Jones, Scrofano’s Earp is closer to what I had in mind for the look and feel of that character. So, she’s basically Jessica Jones in a shitty vampire show. Or better yet, it’s Witchblade with a mystical pistol. Either way, I don’t think I’ll be tuning in again.

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I also caught the final 5 minutes of The Walking Dead. Now, let me be clear: I don’t watch the show, and I quit reading the comic at #50. To me, something like that needs an endgame, and interviews with creator Robert Kirkman made it clear that the thing is gonna run as long as he feels like it, with no real blueprint in mind. Ain’t nobody got time for that. Still, somebody was supposed to die, and I’m a sucker for those kinds of season finales. So, I turned off Girls and tuned into the end of the episode. Evil villain Negan was due to kill someone important, and I needed to see if he chose the same character he chose in the comics. I was kinda hoping he’d kill that Boondock Saints dude ’cause maybe he’ll stop being able to charge $300 for a picture at shitty comic cons. Well, the episode ended up not telling us who died. Nope, viewers have to wait until October to find out. And they lost their shit! I kinda thought it was funny, as it harkens back to the days of “Who Shot JR?” but viewers seem to feel like they’re owed something. Look, when a show cuts its teeth on dragging shit out (Glenn under the dumpster), then it doesn’t care about you. It’s doing what it’s doing for the sake of drama. I’m curious to see what the ratings will be like for the season premiere. Will they go up because folks want to find out who died, or will they go down because folks feel betrayed by the finale? I’m not gonna watch, ’cause I don’t care, and I’m sure someone will spoil it on Twitter so it’s not like I won’t be “in the know”.

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Arrow tugged at the heartstrings this week by killing off a main cast member (don’t worry – I’m not gonna spoil who it was). This season has really been aimless, and the death didn’t really help things. We knew that one was coming, due to the flash forward cemetery scene from the season premiere. The funny thing, though, is that the writers basically backed themselves into a corner. They knew that someone would die, but they hadn’t decided exactly who would die by the time the season began. They were just going to let the story dictate who would meet their fate. Well, lucky for them, drama erupted behind the scenes. According to rumors (I could’ve said “sources”, but who are we kidding?), this actor reportedly had some disagreements with star, Stephen Amell – which is supposedly the real reason Colton Haynes left the show. So, how long can Arrow survive if Amell is this difficult to work with? The show’s already been renewed for season 5, but they’re really going to need to work hard to return it to the quality that it once had. I never really liked the character who died, so I don’t think it’s gonna hurt the show much. In fact, it might be the first step on the road to making things better. Only time will tell.

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I also caught “Tran Dimensional Turtles”, which was an episode of the Teenage Mutant Ninja Turtles cartoon where the current incarnation of the team meets the original 80s team. It was…interesting. I haven’t watched the show since the first season, so I didn’t know all the stuff about Earth being devoured by a black hole or something and that the Turtles are now space faring. The whole episode featured the different teams bouncing between 2D and 3D, but the trick got old fast. Apparently, 80s Krang is the cousin of the Kraang Subprime from the new series – who wears Irma’s head on a pike? I’ve clearly missed a lot. Anyway, I liked this idea better when the 4Kids Turtles show did it as “Turtles Forever”.  Something this monumental needs to take place outside a standard 22 minute episode, and this should’ve been a bigger event.

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In the comic world, Black Panther #1 hit stores on Wednesday to rave reviews and critical acclaim. Written by noted author Ta-Nehisi Coates, with art by Brian Stelfreeze, the book focused on a king without a people. T’Challa, king of the African nation of Wakanda, and Black Panther to the hero set, is trying to unify his people after a string of disasters nearly tore the nation apart. A supernatural force, however, seems to be amplifying the citizens’ feelings of hate and fear, making T’Challa’s job much harder. I…didn’t enjoy this book. Let me say that I was initially looking for a quick, fun read and this was the wrong choice. I really didn’t know what was going on half the time. I think I need to give it another shot, but it didn’t immediately grab me. They do a decent enough job explaining all of the plights that Wakanda had experienced recently, but I still felt like I needed to come into the story with some prerequisite reading of which I was unaware. I actually recently read Coates’s Between the World and Me, so I’m familiar with his style, but I don’t know if I’m a fan yet. For this one, I may just wait for the trade. If I read it at all.

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In Marvel news, it was announced that Alfre Woodard will have a role in Captain America: Civil War, as the mother of a civilian who died during Avengers: Age of Ultron. So, basically she’s playing Miriam Sharpe. In the Civil War comic miniseries, the whole thing was kicked off after The New Warriors inadvertently caused an explosion at a Stamford, CT school, resulting in the deaths of several children. The mother of one of the children, Miriam Sharpe, became the face of the movement to require more regulation for super powered beings. So, it seems like Woodard may be playing the same role here, as I doubt they’d cast her as just a throwaway character. Here’s where things get interesting, though: She’s already been cast as Black Mariah in the Luke Cage Netflix series. So, we’ve got one actress playing two different characters in the MCU. I know the film division isn’t really paying attention to what the TV division is doing, but this is a bit much. Couldn’t they have cast Angela Bassett in one of those roles? They’re basically the same chick (Yes, I know she’s currently Amanda Waller, but my point stands)!

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In other Marvel news, it’s reported that a Cloak & Dagger series is being prepared for ABC’s Freeform (formerly ABC Family) network. So far, there’s no script, showrunner, actors, or anything attached, but the show is being developed to focus on a teenage Cloak & Dagger, as they deal with their powers and relationship. Freeform is the perfect place for show like this. I just hope it doesn’t have strong ties to the greater MCU because I really don’t want to have to watch it. I’ve never really been down with Cloak & Dagger, and I pretty much despise everything that comes on that channel. Speaking of Freeform, the same press release announced they have a late night show in development called Later Bitches. $20 says that name doesn’t make it to air.

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In DC news, Warner Bros announced a shift in their DC Cinematic Universe slate, as Wonder Woman has been moved up from June 23rd to June 2nd 2017. They also added two untitled DC films to the schedule for October 5th, 2018 and November 1st, 2019. One of these is probably the standalone Batman film that’s been rumored since before Dawn of Justice even premiered. The shift also bumped Andy Serkis’s The Jungle Book adaptation to 2018, which reminds me that it’s kinda foolish for there to be TWO Jungle Book adaptations released within two years of each other (Disney’s comes out next month). Unless one of these serves as the lead-in to the events of Tale Spin, I’m not interested.

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The Star Wars: Rogue One teaser debuted yesterday. It looked interesting. Female protagonist again. I’m not gonna “raise cane” about it, because representation is good. I am, however, still mad I got “bamboozled” out of my Black Jedi. I remarked that it kinda looks like “The Hunger Games In Space”, and that’s somewhat of the vibe I got from it. It’s not that it’s a young adult dystopia, but I feel like I’ve seen this Jyn character before in other movies. Anyway, I can’t say I’m jazzed about the film ’cause I’m just not a Star Wars person by default, but I might see it. I didn’t initially realize this was a prequel to A New Hope, so it’ll be interesting to see things from that frame of time. Still, it’s another movie with a Death Star. Take that however you will.

Remember Weekend At Bernies? Didn’t you wish Bernie had been used as a machine gun or a jet ski? Well, here’s Swiss Army Man! I can’t believe this is a real movie.

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In social media, I got a tweet favorited by the co-creator of Girls last Sunday. all I did was tweet a line of dialogue (with an errant comma), so it’s nothing to really write home about.

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So, last night saw the end of an institution, as American Idol signed off for the last time. After 15 seasons, and the creation of a handful of stars, the show is finally taking a rest. I think it’ll be back one day, but America simply isn’t as interested as it once was. After all, they’ve got Blake Shelton and Christina Aguilera spinning around in chairs to worry about. Even if you hate the show, you can’t deny the impact it has had on pop culture, for good or for bad. Kelly Clarkson has sold 25 million albums and won 3 Grammys. Carrie Underwood has sold 65 millions albums and has won 7 Grammys. And even “losers”, like Jennifer Hudson (won an Oscar and a Grammy) and Chris Daughtry (sold over 8 million albums), have done well for themselves. It made Simon Cowell and Ryan Seacrest (who unleashed the Kardashians on the world) household names, while it rejuvenated the career of Paula Abdul. Idol always struck that balance of making it about the contestants, while still making it about the judges (something The Voice has never pulled off). And there was a time when the Idol name meant something. People bought the CDs, and packed stadiums for the tours. Those days are long gone, but the show helped the music industry at a time when it desperately needed a shot in the arm. It made the consumer feel like she had power in the industry by putting success up to a vote. Sure, shows like Star Search had done this in the past, but that show never had as many eyes on it as American Idol. It was the number one show on television for the coveted 18-49 demographic for 8 consecutive years.

American Idol also has personal meaning for me, too. For example, I almost got to audition for the first season, but things got in the way. See, when my a cappella group performed at the ICCA Finals, we were invited to audition the next day. Nobody knew what the show was going to be, so there weren’t lines and folks camping out for auditions like they did in later seasons. They were approaching a cappella groups because they knew those folks had singing experience. The rest of my group, however, was all, “We have finals to study for.” Those guys had no ambition (which is exactly why they’re all successful doctors, lawyers, and engineers, but I digress…)! Later on in college, I was a finalist for Cornell Idol, which was our local campus take on the show. In recent years, I’ve gotten in my fair share of Twitter fights with former contestants, like Justin Guarini and Blake Lewis – not to mention all the grandma fans of Scotty McCreary and Taylor Hicks. You can say that Idol has orbited my extracurricular activities since it began.

Last night, Trent Harmon won the 15th and final season of American Idol and, based on recent years’ winners, you’ll probably never hear from him again. Still, the impact the Idol juggernaut has had can’t be denied. That’s why American Idol had the West Week Ever.

11th Dec2015

West Week Ever: Pop Culture In Review – 12/11/15

by Will

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Happy Hanukkah to our Jewish friends out there! A pal of mine from the ol’ a cappella days at Cornell put this together with his wife, and I thought I’d share it. I really hope it goes viral.

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On the movie front, you’re gonna hate me for this one. I mean, it was late, and I was bored, and…well I have no excuse. Yes, I watched Paul Blart: Mall Cop 2. Let me just say that I like Kevin James. Even though his movie career only exists because Chris Farley died, I still enjoyed him on The King of Queens. And, to be honest, I didn’t hate the first Paul Blart: Mall Cop. I mean, a hapless mall security guard foils a heist in a local mall. What’s not to like? Well, some movies don’t need sequels, and this is one of them. For 2/3 of the film, it feels like there are 2 different movies going on: one features Paul Blart as a mall security guard whose life just keeps getting worse and the other about Arrow‘s Damien Darhk trying to steal a bunch of priceless art from a casino. Yes, Neal McDonough is in the movie, and I swear he’s playing the same character he currently plays on Arrow. I’d hate to think someone watched this movie and thought to him/herself “This guy would be a perfect villain for Oliver Queen!” The movie actually moves pretty quickly, so it’s basically over before you know it. Both plots eventually overlap, but the resolution is kinda rushed. Plus, it kinda bothers me that Mall Cop is in the title, when there’s NO MALL! They couldn’t call it Paul Blart: Saves Art or Paul Blart: Casino Cop or something like that? Anyway, I watched this movie so that you don’t have to.

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And because I love Kevin James, but hate myself, I then watched Here Comes the Boom. Oddly enough, it was on another network at the same time as Paul Blart 2 (yeah, I DVRed it…). For a minute, I thought maybe James had died and that the cable networks were paying tribute to him. I had to Google it just to make sure. Anyway, if you’ve never seen it, it’s your standard “We gotta save the youth center!” movie. Kevin James is a former Teacher of the Year who’s now suffering from burn out. Meanwhile, the music teacher finds out his wife is pregnant just before it’s announced that all special programs – including the music department – will be cut due to budgetary constraints. Feeling bad for his colleague, James decides to raise the money to keep the music department going. And the way he decides to do this? Mixed martial arts. He finds out that he can make a tidy sum just by losing fights, so he gets good enough to qualify, but not really to win. You’ll never watch this movie, so I’ll spoil it for you: he saves the music department. There are a whole bunch of unnecessary twists, like a last minute embezzling subplot, but he saves the day and rekindles his love of teaching in the process.  It has all the staples of a Kevin James movie, including a small part for his brother, Gary Valentine. Surprisingly, he got in decent shape for this movie. I mean, he’s still Kevin James, but you could tell he at least did some training for the role. As formulaic as it was, I didn’t hate this movie, but there’s no need for you to watch it.

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Unfinished Business is not a very good movie. The trailer portrayed it as this European drug and sex romp, while the actual thing tried to have more purpose. It didn’t know if it wanted to be EuroTrip or Glengarry Glen Ross. Vince Vaughn plays himself, as he does in all of his movies. Only this time he’s a struggling salesman who strikes out on his own after a disagreement with his boss. So then it becomes a race between him and the former boss to lock up a prized account on a business trip to Germany. Meanwhile, he’s accompanied by an older sales exec and a dimwitted sales applicant played by Dave Franco. Many of the jokes are supposed to come from Franco, but most of his material falls flat. Meanwhile, the movie tries to add heart by focusing on the fact that Vaughn is only trying to get this deal so that he can put his bullied son into private school where he’ll be protected. I love Vaughn, but this wasn’t his best work.

the league

A lot went on in the world of television this week. First up, FXX’s The League aired its series finale, and it was TERRIBLE. To be honest, as much as I love the idea of the show, it should’ve ended about 3 seasons ago. It just hasn’t been funny, and watching it has felt like a chore. If you’ve never seen it, The League centers around a group of friends in Chicago, and the goings on in their fantasy football league. I don’t give a rat’s ass about sports, but the football kinda took a backseat. Sure, there were a lot of player cameos where I was left wondering “Who’s that guy?”, but none of that really hindered my enjoyment of the show. The creators used to work on Curb Your Enthusiasm, so it has that loosely improvised thing going for it. The finale, however, didn’t feel like a true finale. This is odd, considering they’ve known this was the final season since before they started filming. It’s not like FX canceled them midway through the episode order. They had time to wrap things up neatly, but instead they gave us an off-the-wall episode that really didn’t accomplish much. It even squandered a Larry David cameo. So, I don’t hate it as much as I hated the Seinfeld or How I Met Your Mother (which I watched again a few weeks ago, and may be coming around on) finales, but it’s up there. What a sad end to what was once a great show.

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On NBC, they showed a sneak preview of the comedy Superstore last week, and I caught the first 3 episodes On Demand. At first, I thought the concept sounded dreadful, even though the commercials made me laugh. I mean, who wants to watch a show set in a Walmart? That’s essentially what it is, as it follows the employees working in a branch of the Cloud 9 superstore. Reviews, however, have been kind and it’s being called one of the greatest workplace comedies. When I saw it was starring America Ferrera (Ugly Betty), that didn’t really do much for me. Then, I noticed it was also starring friend of a friend Ben Feldman (A to Z), and then I was all about it (he’s a good dude, and he really needs a win). Plus, after talking trash about it on Twitter, I started talking to one of the writers, who also wrote for Happy Endings. SOLD! Anyway, after watching, I can confirm that it’s really funny. I don’t know if it’ll last (the cast is FULL of folks from recently canceled shows, like Super Fun Night, so maybe they’re cursed), but I’ll watch it when it becomes a regular part of the schedule. That’s what scares me, though – it’ll be airing Mondays against Gotham, Supergirl, and whatever ABC’s running at the time. That’s some stiff competition, but it doesn’t take much to succeed on NBC right now, so we’ll just have to wait and see.

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It’s not all great news, however, as NBC also showed a sneak preview of Telenovela (originally called Hot & Bothered). Starring Eva Longoria as a Spanish soap opera star who doesn’t know Spanish, the show is DREADFUL. I’m sure its existence does wonders for the number of minorities on prime time television, but it would’ve been nice if they’d been given something quality to work with. Starting in January, Telenovela will air after Superstore on Monday night, but don’t be surprised if we’re getting back-to-back chunks of Superstore a few weeks in.

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Fox announced that Wayward Pines had been renewed for a second season. This is both good and bad news. It’s good because the first season was excellent. It’s bad, though, because the show worked so much better as a One and Done series. Sure, there’s material there for more story, but sometimes it’s best to leave something to the imagination. If you didn’t watch the first season, it starred Matt Dillon as a special agent who finds himself trapped in the mysterious town of Wayward Pines. And that is merely the tip of the iceberg. There is SO much going on in the show, but I loved every twist and turn. I fear a second season might be like Empire – a Fox show with a great first season, and a second season that feels like an incredible chore.

A few hours ago, the trailer was released for X-Men: Apocalypse. I have no real gripes with it, but I’m not especially excited for it, either. I feel like, at this point, you pretty much know what you’re gonna get with a Bryan Singer X-Men movie. There’s a specific tone to it, and that’s that. I’m not saying it’s a bad thing, but there aren’t really any surprises. I do hate that Mystique is on the team. That’s a big problem with Jennifer Lawrence’s star power: it’s like she refuses to take roles that may portray her in a bad light. I get it – she’s a big star now, and she needs a showcase. I just kinda preferred the “less is more” Mystique that we got from Rebecca Romijn instead of Lawrence’s “front and center” portrayal. This isn’t a Must See In Theaters movie for me right now, but I said the same thing about Days of Future Past, and ended up seeing it opening night. So, we’ll just have to wait and see.

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We’re less than a week away from the release of Star Wars: The Force Awakens, but it’s not without controversy. Apparently, some toys have hit shelves that weren’t supposed to be out yet. I won’t say what they are, so as not to spoil anything for anyone. Still, folks who’ve bought the figures have been showing them off online, only to be surprised that they’re hit with takedown orders from Hasbro. The toy company is threatening to sue these people for showing off unreleased product, but they really shouldn’t be going after the fans. Instead, they should be going after the stores that are ignoring the street dates. Anyway, some sites are calling for a boycott of Hasbro products for doing this, but that’s a pretty unrealistic request when Hasbro is about to make a kajillion dollars.

 

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It was quite an interesting week for me in the world of social media. You see, on Monday night, there was an attractive Jeopardy contestant named Liz Fritz. The thing I noticed about her, however, was that she was RACKTACULAR (I coined that term for someone back in college). So, I tweeted about it. Little did I know she’d actually search the #Jeopardy hashtag. I mean, isn’t she supposed to be smart? Smart people are busy, and they know better than to do that. So, anyway, here’s what transpired:

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I checked her timeline, and I was far from the worst offender, so I didn’t feel too bad.

Jeopardy Tweet Strangers

 

She apparently got 4 different marriage proposals, and a ton of dudes trying to chat her up. Oh, and she got about 300 new Twitter followers from the whole thing. She was cool about it, and gave as well as she got. I’m not proud of this. Sometimes I start tweeting, and just kinda lose my filter…

Meanwhile, it seems a bunch of huckleberries found my Storage Wars tweet from a few weeks back:

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For some reason, one of the Storage Wars stars, Rene, replied to me right after I tweeted it, but waited a week to retweet it. And then the replies started coming in:

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That last tweet, from “Strnbiker”, was even favorited by Casey Nezhoda herself. My favorite part, however, was “WhoreCuddler” calling Mary a “spinner” and then having the audacity to tag her in his tweet. I’m sure she loved that!

Stargate Atlantis Season 6

A friend of mine started a comic publisher, and one of his first books is going to be Stargate: Atlantis Season 6. The company, American Mythology, decided to go the Kickstarter route, which I wasn’t really sure about. Well, boy do I have pie on my face, as they hit their goal with days to spare! If you’re a Stargate fan, and want to get in on the action, you’ve still got 4 days to go. Check it out here.

Power Pinups

If you’ve still got some money left after supporting that Kickstarter, it appears some of the former Pink and Yellow Power Rangers got together to create a pinup calendar. I wish I could say proceeds were going to charity or something, but that doesn’t seem to be the case. Anyway, I’d post the video, but it autoplays, and I can’t post any pics because they watermarked the shit out of them. So, if you’re interested, just go here.

Links I Loved

The Day My Daughter Realized She Isn’t White – The Washington Post

Marvel Comics’ Secret Weapon Is A Woman Named Sana Amanat – Vox

The Origin Story of SNL’s Edgy Rival, MADtv – scpr.org

BREAKING: Friend Who Just Got Motorcycle Already Dead – The Onion

Opinion: I Don’t Want An Asian-American Iron Fist – Comic Book Resources

Why I Left Mormonism Behind for Judaism—and Couldn’t Be Happier – Fusion

An Oral History of The League – ESPN

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While I considered just giving the West Week Ever to the big boobed smart girl, something came along later in the week that I really enjoyed. You see, the trailer was released for Teenage Mutant Ninja Turtles: Out of the Shadows. And it had something for everyone: Arrow‘s Stephen Amell kicking ass as Casey Jones, Tyler Perry not dressed as an old woman, some Megan Fox fan service, and the best part of all – after nearly 30 years, we’re finally getting live action versions of Shredder’s cronies Rocksteady and Bebop.

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If you remember, I didn’t hate the last TMNT movie. Most people were up in arms because it was a Michael Bay production, and Megan Fox was seen as terrible casting for April and blah blah blah. I used to LOVE the Teenage Mutant Ninja Turtles and, while I didn’t warm up to the 2003 interpretation of the property, I still loved most versions of it I’ve seen. So I was looking forward to the movie. Like I said back in January, I didn’t love it, but I didn’t hate it. I thought there was a lot of workable material there, and it looks like they’re taking advantage of that in this sequel. Chris over at The Robot’s Pajamas had a great breakdown of the trailer, but I’ve got to say that I’m actually excited about this one. So, for finally giving us Rocksteady and Bebop (seriously, that’s all it took to get me to buy in), the Teenage Mutant Ninja Turtles: Out of the Shadows trailer had the West Week Ever.

27th Nov2015

West Week Ever: Pop Culture In Review – 11/27/15

by Will

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Happy Black Friday! Here’s my meager haul so far. Yes, I know I’ve said that I hate Gotham, but I’ll give anything a shot for $10. About half these things are on Netflix, but I tend to be in situations where I can’t stream, so I figured physical media would help me out with that. How did you all do?

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So, I’m a bad geek, as I haven’t finished Jessica Jones yet. It debuted a week ago on Netflix, and most people have binged it already, but I’m just not really in a binging mood right now. At the moment, I’m about 2.5 episodes into the series, and I like what I see so far. I doubted Ritter’s casting, but so far she’s convincing as the character. And the sex! Every time Luke and Jessica bang, I think, “Take THAT, racism!” Anyway, people seem to like it, so I guess Marvel and Netflix have another hit on their hands. I’ll have a better review when I finish the season.

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In addition to watching The Marine for the umpteenth time, I rented a few movies from Redbox. First up was Spy, starring Melissa McCarthy and Jason Statham. I know I seem to be in the minority in my circle, but I feel like Melissa McCarthy can do no wrong. She and Paul Feig are a winning team and, if it’s rated R, you’re especially in for a treat, as she can cuss with the best of them. If you haven’t seen it, Susan Cooper is a schlubby CIA analyst who finds herself in the field as an agent to avenge the death of her partner. Feig brought back some of his familiar folks, like Rose Byrne from Bridesmaids, and the result was hilarious. It was also really refreshing to see Statham in a comedic role, and I’d like to see more of that from him. It being Redbox, I was only able to rent the theatrical version, but I’d love to see the unrated version, as some of the jokes in the red band trailer didn’t seem to make it into the film.

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Next up, I watched Vacation, and man did that feel like a chore! I should probably admit that I’ve never seen the original. Sure, I saw European Vacation a couple of times, and I saw Christmas Vacation about 20 years ago, but I’ve never seen the original Chevy Chase goes to Walley World film. I like Ed Helms. I’ve liked him since he was Andy Bernard, as we were both obnoxious Cornell a cappella alums. So, I want to see him do well. I’m not sure he was right for this role, though. I remember Rusty Griswold, and I’d hate to think he grew up to be square Ed Helms. I guess the lesson is that we all grow up to be our fathers, but I didn’t think Rusty would’ve grown up to be so…boring. Anyway, the entire cast, from Helms to Christina Applegate, is wasted on a thin script. Basically, to bring his family closer together, Rusty Griswold decides to take his family on a vacation to the Walley World theme park, just like his father had done years before. Meanwhile, his marriage is shaky, as his wife is unfulfilled, and his one son is a nightmare of a bully, while the other is uber sensitive. The jokes really fell flat, and the only time the movie has any real life to it is when the Griswolds deliver a Bundy-style beatdown to another family. Unless you’re just a die-hard Vacation completist (which means you probably also liked the made-for-TV Christmas Vacation 2), you can go ahead and skip this film.

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Then, I watched Get Hard, starring Kevin Hart and Will Ferrell. On paper, this movie is perfect to me. Two of my favorite comedic actors in the same film. Sure, Kevin Hart pretty much always plays himself (“volatile little guy”), but you never really know what to expect from Ferrell. In execution, however, this movie left me wanting. In fact, for most of the film, it feels like Ferrell is woefully miscast – odd, considering it’s from his production company, Gary Sanchez films. Kevin Hart’s just fine, but Ferrell doesn’t really get comfortable until Act 3, when he can really get crazy. If you’re not familiar with it, Ferrell plays a successful money manager who finds himself framed for fraud. With 30 days before he’s sent to prison, he hires Kevin Hart to teach him how to survive in jail. He figures Hart’s been to jail since 1 in 3 Black men will be incarcerated at some point in their life so, naturally, Hart is that 1. Surprisingly, however, Hart hasn’t been to jail, so he has to fake it so that he can get Ferrell to pay him the $30,000 that he needs to move his family into a better neighborhood. The entire basis of the movie is kinda racist, and there’s something of a lesson to be taught about assumptions and cultural appropriation, but this isn’t the kind of movie you screen for your college sociology class. It pretty much begs you not to ask questions. At the end of the day, it was funny, but it could have been funnier. For this one, I think you can wait for it to come on TBS.

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Finally, I watched Miss Congeniality on TV. Yeah, this movie’s 15 years old, but there are a LOT of movies I haven’t seen yet. Sandy Bullock (yeah, we’re cool enough that I can call her Sandy) is just so cute, but I wonder if she’s tired of playing the slightly socially inept cop. I mean, her character in Miss Congeniality might as well be her character from The Heat, as there aren’t many differences between the two. Maybe that’s her sweet spot.  Haven’t seen it? It’s about a hot mess of a federal agent who finds herself undercover in the world of beauty pageants. Michael Caine works his magic and turns her into the belle of the ball. Anyway, that was a cute little movie. I enjoyed it enough that I DVRed the sequel.

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This week, it was announced that Star Wars: The Force Awakens will be rated PG-13. Well, duh! Ya know why? Because EVERYTHING is rated PG-13 these days. It’s not like it was gonna be rated R, ’cause they want the kids to see it, plus it’s not like the Jedi are cussing up a storm and having gratuitous sex. That’s my issue with trailers that say “This Film Has Not Yet Been Rated”. That’s basically the studio saying, “We’re still debating how many ‘shits’ we can get in the film and have the MPAA leave us alone.” It’s ALWAYS gonna be PG-13. In this day and age, it’s pretty much impossible to have a live action PG movie. That rating is reserved for Pixar and Universal animated films (Alexander and the Terrible, Horrible, No Good, Very Bad Day is the only recent live action example I can think of). Everything else is PG-13. Apparently, it and Revenge of the Sith are the only ones in the franchise to not have a PG rating, but the industry has changed a lot since the prequels.

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In other movie news, it’s reported that the next Men In Black movie will prominently feature a Woman In Black. That’s not really a big deal, as they’ve shown women in the organization, but since the movies are set to shift away from the J and K partnership, maybe she’ll be front and center. Also, it seems like they’re still committed to having it in a shared universe with the 21 Jump Street franchise (first revealed in the Sony email hack). Exactly how that’s gonna work remains to be seen. It’s also not clear if Will Smith is coming back. He seems to hate sequels lately (see Independence Day: Resurgence), so I wouldn’t be surprised if he bailed. Hell, I wouldn’t even be surprised if he somehow convinced the studio to hire Jayden or Willow instead.

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In music news, *NSYNC said “Bye bye bye” to their album sales record, as Adele broke it by selling 3 million copies of 25 during its first week. I really never thought that record had any chance of being broken in today’s music sales climate, but there we go. Meanwhile, Justin Bieber broke a record by The Beatles with most number of singles on the Hot 100 at once. The Beatles had 14, and Bieber has 17, but he kinda cheated. Usually, you release a single at a time, so as not to cannibalize your progress. Bieber, however, released videos for 17 of the 18 songs on Purpose simultaneously, so it was pretty easy for him to break that record. This is the new music industry, so I pretty much expect someone like One Direction to come along and do this with their next album, thereby breaking Bieber’s record. And so on and so on.

courtesy of hopeless-romance45.deviantart.com

courtesy of hopeless-romance45.deviantart.com

I don’t talk much about wrestling these days, mainly because I can’t stomach 3 hours of RAW every week. Still, my favorite wrestler of all time is The Undertaker. Sure, he kinda seems like a dated gimmick now, but that’s the point. He hearkens back to a bygone era when wrestlers had gimmicks and things that made them special. Nowawdays, they don’t even come with creative names. For example, if I were in the WWE, my name would probably be Bruce Williamson. Back in the day, that would’ve been the name of a “jobber” (the nobody who fights the superstar to make him look better). Now, however, Bruce Williamson could be the new heavyweight champion of the world. Now, some people might see that as “progress”, but I see it as the sport losing its mystique. So, as cheesy as he may seem, I ride or die for The Deadman.

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Well, this week we celebrated 25 years of The Undertaker, as he made his in-ring debut during Survivor Series in 1990. This is a big deal, as you will NEVER SEE THIS AGAIN. Sure, there are people who’ve been wrestling for longer, but they bounced from promotion to promotion. The Undertaker has never jumped ship to WCW (though he did a stint there prior to WWE) or TNA. Sure, he takes a LOT of breaks, but he always comes home to WWE. He’s apparently a major positive force in the locker room, and he’s been rewarded for it. A 21 year streak at Wrestlemania is what he’s most known for. Now, yes, it’s scripted entertainment, but I’m pretty sure they wouldn’t let The Streak happen for just anybody. No, Taker earned that, as he always performs…even when he probably shouldn’t. His days are numbered, and there may not be an Undertaker pretty soon. I certainly don’t think we’ll be celebrating 30 years of The Undertaker, but stranger things have happened. I have a feeling Vince McMahon will step in and tell him “it’s time”, just like he did when he decided it was time to end The Streak. When that time comes, I just may have to be there for his final match.

Storage Wars

In the world of social media, I had the above exchange with Rene from Storage Wars. It was less an exchange and more of “he clearly had a filter on for Storage Wars mentions and decided to respond”. I didn’t really have anything to say back to him, though. I guess nice guys do win every now and then. But I’m scared of that Mavrick dude. Half his body is pure tattoo.

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In the world of comics, the first issue of The Dark Knight III: The Master Race came out this week. I tried to read it, and didn’t get past the first page. Part of the problem is that I’ve completely forgotten everything that occurred in that previous installment, The Dark Knight Strikes Again. I mean, c’mon, it was 12 years ago! I just remember it being really bad. If you’ve never read the original The Dark Knight, it’s about an older, grizzled Batman coming out of retirement to fight mutant gangs and a governmentally brainwashed Superman. It sounds kind of “out there”, but it’s a classic, and is rumored to be the basis of Ben Affleck’s portrayal in the upcoming Batman v Superman: Dawn of Justice. Anyway, in a surprisingly dick move, before the issue even came out, original writer Frank Miller announced that there will be a Dark Knight IV. From what I’ve gathered, it seems like Miller’s “cowriter” on DK III, Brian Azzarello, is actually steering the ship, and I don’t think ol’ Frank wants him to have the final say on The Dark Knight Saga. So, Miller has decided that he’ll just keep going as long as DC will let him. And since DK stories is like printing money, it’s not like DC’s gonna stop him anytime soon. Unless DK III is a colossal bomb. Which it could be…

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This is pretty much the most useless week in the calendar year, as nothing really gets accomplished before Thanksgiving. As such, no real news came out this week either. We were all set to just accept this and ready ourselves for turkey. Then, Chris Evans and Robert Downey Jr. showed up on Jimmy Kimmel Live with a surprise: they had the teaser trailer for Captain America: Civil War. After the show, the full trailer was uploaded to YouTube. Haven’t seen it? Here ya go:

Did you see Black Panther?! I’ve NEVER cared about that character, but they actually made him look cool. I may actually be looking forward to his solo movie now (seriously, most of Phase 3 is kinda “meh” to me right now). I’m probably more excited about this movie than Star Wars (yeah, I know, I know…), so May 6th can’t get here fast enough.

That said, I’m kinda disappointed that this was Cap 3 instead of Avengers 3. Considering the cast list, everyone jokes that it’s basically Avengers 2.5, but I feel that making it a Cap movie indicates that Cap is the hero, and I don’t feel the Civil War situation (at least as presented in the comic storyline) is that cut and dry. To be honest, I was Team Stark when that whole thing went down. Heroes DO need to be regulated, and it’s a natural reaction from a frightened populace. In the comics, they kinda portrayed Stark as the asshole, while Cap was the “hero”, even though Stark was the one upholding THE LAW. Now, there’s the whole argument of “Do you acknowledge laws that are wrong?”, which is pretty much what Cap’s stance was. The whole thing was marketed under the banner of “Whose Side Are You On?” Because this movie is about Cap sticking up for his friend, Bucky, I think it kinda adds a slant to the argument. It feels like they’ve already made up our minds about whose side we should be on, especially when you see things like the dual beatdown The Winter Solider and Cap give Iron Man in the trailer. I really hope things are presented a big more evenly in the film but, like I said, I’m not really expecting it. Anyway, for getting me excited for a movie I really didn’t have on my radar, the Captain America: Civil War trailer had the West Week Ever.

 

30th Oct2015

West Week Ever: Pop Culture In Review – 10/30/15

by Will

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I watched a LOT of stuff this week, so let’s get to it, shall we? First up, I watched The Inbetweeners 2 – a sequel to both The Inbetweeners Movie and The Inbetweeners television series. In case you’re not familiar, the UK series follows the teenage antics of friends Will, Simon, Neil, and Jay. Will’s the obnoxious one (with a hot mom), Simon’s the lovestruck one, Neil’s the dumb one, and Jay’s the horny one. It’s sort of like a British American Pie, but raunchier. In the last movie, they went on holiday to Crete before all going off to university. Well, this time around, Will, Simon and Neil decide to use their Easter break to go surprise Jay, who’s doing a gap year in Australia. And hilarity ensues. Will chases after a girl, while Simon finds himself accidentally engaged to his shrew of a girlfriend. Neil’s hoping to get a job as a dolphin trainer, while Jay’s true reason for being in Australia comes to light. Oh, and it includes the grossest water slide sequence you’ll ever see. Trust me. Anyway, when it comes to The Inbetweeners, I love the whole franchise (including the lackluster US version that aired on MTV a couple of years ago), so I highly recommend this movie. Both are on Netflix, so check them out!

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Sticking with comedies, I rented Pitch Perfect 2 from Redbox. Why did people hate this movie again? People I respect have said that this was one of the worst sequels to what was an amazing first movie. I actually disagree. Maybe it’s like me and Ghostbusters 2, where I think I liked this one better than the first. Sure, it doesn’t have the whole arc of Becca getting to college, joining the group, and turning it around. Sure, Skylar Astin was sorely underused. And sure, Hailee Steinfeld doesn’t really have a breakout moment to shine. I get all of that. But the core of the movie spoke to me. The Barden Bellas have been a hot commodity since the events of the first movie, and most of those girls are now seniors. As they get ready to go out into the world, a few of them are scared because they don’t know what the future holds. Sure, they were big shit in college, but will that mean anything in the “real world”? This whole thing spoke to me because I lived that life.

For those who’ve been here before, take a bathroom break. For those who are newish, here’s my backstory: in college, I was part of an all-male group at Cornell called Last Call. You know the competition that the Bellas won in the first Pitch Perfect? We came in second at that very competition. We performed on The Today Show, and were kind of a big deal – as far as early ’00s collegiate a cappella goes (i.e. not very far). If I were Al Bundy, that’s my “Four touchdowns in a single game”. I didn’t know what was gonna happen after graduation, and would I still be “Will West: Black Guy Who Sings Lean On Me”? I graduated and survived. I’ve got a wife and kid and the whole nine yards. But I’m not sure I’ve felt as *important* in the years since that all ended. Wow, that’s really sad…

Anyway, Pitch Perfect 2 deals with the Bellas as they get ready to embark on the same path. Will they still matter? What kind of legacy are they leaving behind? What did their time in the group even mean? I can understand that a lot of this is really “inside baseball” for folks who couldn’t give 2 shits about the laughable world of singing nonsense syllables, but I think writer Kay Cannon knows her shit, and did a good job getting all of that in the script. I thought the jokes were hilarious, and I’d pay for a commentary track of nothing by John Michael Higgins and Elizabeth Banks judging the whole movie. Surprisingly, as much as I know “laypeople” love the first movie, I’ve actually never discussed the franchise with any a cappella alumni. I’d be curious to know how they felt about everything conveyed by the movies – especially the stuff in this second installment. The folks who raved about the first movie seemed to have been universally let down by this movie, but it still did well enough for Universal to greenlight Pitch Perfect 3, and it was announced this week that Elizabeth Banks would be back to direct. Despite what you may have heard, I’d still really recommend this film.

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Speaking of Pitch Perfect, I got a tweet favorited by Kether Donohue, one of the Bellas from the first film. She’s now a costar on FXX’s You’re The Worst – a great show to check out if you’re not already watching it.

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While at Redbox, I picked up Mad Max: Fury Road. I’d heard nothing but praises about this movie, so I figured it was time for me to check it out. About 5 minutes into it, I started thinking “What the Hell did I just sign up for?” I was really lost with the intro with the Warboys and Valhalla and Immortan Joe. Then I gradually got into it. OK, Furiosa’s gone rogue. Got it. And she’s got Immortan Joe’s brides. Got it. And they’re on the Cannonball Run. Got it. In the end, I really enjoyed the film, but I’m not sure I get ALL the hype. It’s a visually stunning movie, and the plot was strong enough. I wasn’t blown away, though, which is what I’d expected from everything I heard. Plus, I’ve got a question: how many of those old bitches were there? I swear, when Furiosa met them in the desert, there were about 5. When the final battle took place, though, they were coming out of the woodwork. I swear, like, 14 old ladies got killed! Anyway, I enjoyed it, and I’d watch it again, but I don’t see why everyone just fell in love with it. Maybe I needed to see it on the big screen.

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On the Netflix front, I finally caught up with Arrow. I’d been watching it On Demand, but dropped it with about 9 episodes left in the season. I think it was because I was unhappy with the whole Ra’s Al Ghul arc. I mean, *SPOILER ALERT* if you’re going to kill Oliver, let him stay dead longer than ONE episode. Drag that shit out to get the emotional mileage out of it! *END SPOILER*. It’s too bad I bailed when I did, though, as the series got pretty good after that tomfoolery. When he was Superman, I never thought I’d like Brandon Routh, but he’s so good as Ray Palmer. I still can’t stand Laurel and those hands of hers (seriously, look at her hands sometime). The season finale would’ve made a pretty good series finale had it not only been season 3. You knew that happy ending couldn’t last, and that Oliver would be back. Sadly, though, I don’t like what he has become by the beginning of season 4. Oliver’s happy and living the domesticated life with Felicity in the suburbs. When he gets called back to Star City (it’s been rebranded now), he decides to pretend that The Arrow is dead, and that he’s a new hero taking his place, called Green Arrow. He even has something of a press conference to announce the change.

My problem with Arrow, however, is that Oliver doesn’t seem to know who he is anymore. At the end of the 3rd season, he basically said that he couldn’t be Oliver Queen OR The Arrow anymore. He had to figure how to be the changed person that he’d become. My problem, though, is that he’s happy now, and I think it’s throwing him off his game. I mean, this is the guy who defeated The Demon’s Head so, theoretically, he really shouldn’t be letting common street thugs get the jump on him anymore. Maybe it’s signalling a tonal shift, but I thought Oliver thrived in the darkness. It’s one of the Batman tropes that they’ve applied to the show since the beginning. Oliver can’t be happy, as that would get in the way of his mission. But right now, he seems to be a man without a mission. So, where does that leave him? Apparently that means announcing his candidacy for mayor of Star City. I’m somewhat surprised to see them adapt this storyline so soon (especially since Oliver wins the election in the comics), but if it somehow leads him back to the old Arrow that we know and love, then I’m all for it. We’ve seen Oliver evolve in the past. During the first season, he was a killer. During the second and third, he was a vigilante. Now, he wants to be a hero – one that inspires people. But at what cost?

It seems like they’re gonna have Oliver fighting more metas this season, as they added the McGuffin of a high speed train between Star and Central Cities. So now metas have a quick way to leave Flash territory and land on Green Arrow turf. Like I mentioned before, Oliver shouldn’t be able to be taken down by street toughs anymore, so they really are gonna need to amp up his rogues gallery. Looks like they’re borrowing more from Batman, as Anarky has joined the party. A lot of this just feels like setup for the midseason Legends of Tomorrow, but I hope Arrow becomes a bit more cohesive in upcoming episodes.

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We’re almost 2 months into the new television season, yet we still haven’t witnessed that first heralded cancellation. No network seems to want to be first, so they’re “unofficially” canceling their shows by cutting their episode orders. Once those eps are done, that’s it. At that point, there’s no need to really announce a cancellation, as the ep order had already been made known. At the moment, Fox has cut the episode order for Minority Report, ABC has cut the order for Blood & Oil, and NBC has cut the order for The Player and Truth Be Told. TV critic Daniel Feinberg likes to talk about The Mulaney Line, which was the low ratings point at which Fox’s Mulaney hovered until it was cancelled. If a show’s ratings fall below the Mulaney Line, then everyone involved should be worried. For Fox, that would include Minority Report and Sleepy Hollow. For CBS, that’s CSI:Cyber. ABC actually doesn’t have any, but Blood & Oil‘s close. NBC’s are the ones for which they’re already cut the episode orders. Oddly enough, every show on The CW is under the line except for The Flash and Arrow. The other CW shows don’t have to worry, though, ’cause there seem to be different rules for that network. I still think the first official cancellation will come from NBC, especially since Truth Be Told had one of the lowest-rated in-season premieres in history.

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After I posted last week’s West Week Ever, the official Power Rangers Twitter account announced that RJ Cyler had been cast as the Blue Ranger in the upcoming Power Rangers movie. Well, this week, it was revealed why the characters have been referred to by the Ranger colors and not character names. Originally, it had been reported that they would retain the civilian names used in Mighty Morphin Power Rangers, but it now appears that they will have new names. The new names are as follows:

– Callum Oliver – The Red Ranger/Tyrannosaurus
– Priya Patel – The Pink Ranger/Pterodactyl
– Brian Olson – The Blue Ranger/Triceratops
– Oscar Fernandez – The Black Ranger/Mastodon
– Teyana Jones – The Yellow Ranger/Sabretooth Tiger

That’s four, count ’em, FOUR Rangers of color! Plus, I find it interesting that the Red Ranger’s last name is that same one as Tommy, the former Green/White/Red/Black Ranger. Also, the movie will now be called Saban’s Power Rangers. Yeah, that’s terrible. I can hear it now: “What the Hell is a Say-ban?!” I understand wanting to put your brand on something, but that’s just not the time or the place. The budget is reported to be around $35 million. The movie will be released in 2017.

On the music front, Adele released “Hello”, her first single since 2012’s “Skyfall”. The track did not disappoint, and the video broke Taylor Swift’s record for the most views (27.7 million, to be exact) in a 24-hour period. Her third album, 25, will be released next month, and she’ll also be the musical guest on the November 21st episode of Saturday Night Live.

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The biggest debut of the week, however, had to be CBS’s Supergirl. As the highest rated superhero premiere since 2000, and tying NBC’s Blindspot as the highest-rated debut of the season, everyone was talking about Kara Zor-El. I’ve heard nothing but great things about the show, and folks are very optimistic about its future. I didn’t see it, however. I already outlined my reasons why last week. Still, I’m glad to see it’s a success, as that can only mean more good things down the pipeline.

Links I Loved

Halloween Web – Kevin Hellions – AEIOU…and Sometimes Why

8 Mysterious Facts About Ghostwriter – Mental Floss

May The Force Friday Toys Be With You – The Nerds of Color

What Happens When Actors Leave High-School-TV Shows? – Vulture

Horror Month 2015, Day 20: Scream – The Robot’s Pajamas

This Swedish DJ Created the Template for Modern Pop. Why Have You Never Heard of Him? – Slate

A Wild Weekend In Florida – Storify

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Some folks will probably think this honor should’ve gone to Supergirl, but I just couldn’t do it. After all, I didn’t watch it, so I couldn’t really weigh in for myself. The hype was definitely there, but it didn’t quite make the cut for the *best* thing of the week. No, that credit goes to something that sort of came out of left field. Yes, I’m talking about Agents of S.H.I.E.L.D. I think part of my surprise is due to the fact that I used to think nothing could save this show. I figured it would teeter along the line of mediocrity and somehow eke out about 3 or 4 seasons before Disney finally pulled the plug. Then, this season began. I mean, it actually started getting better after the Agent Carter break last winter, but it really got good this season. Focusing on the Inhumans – a race of aliens about whom I’ve never given a shit – I was preparing for the worst. Ugh, I’d be forced to continue watching this show because I’m a Marvel Zombie, and I don’t know how to quit anything. That’s what I was thinking, at least. And then, as I watched the episodes, I started to really get into the show. It’s come so far from what it was during its first season, and I almost can’t believe how good it’s gotten. The final proof, however, came during this week’s episode.

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At the end of last season’s finale, Agent Simmons was swallowed up by a Kree monolith and was presumed M.I.A. Well, this season we learned that the monolith was actually a portal to another planet. They spent the first couple of episodes this season trying to figure out how to get her back, and once they succeeded, something was noticeably wrong with her. This week’s episode finally showed us what happened to her during the 6 months that she’d been gone. It was an intimate episode with only 2 actors. Elizabeth Henstridge gave an amazing performance as a castaway trying to survive on an alien world. I won’t spoil the episode for anyone who hasn’t seen it, but it is, without a doubt, my favorite episode of the entire series. When you see it, you’ll see what I’m talking about. So, for blowing me away with how much it has improved, and for delivering one of the best hours of television I’ve seen in a long time, Marvel’s Agents of S.H.I.E.L.D. had the West Week Ever.

02nd Oct2015

West Week Ever – 10/2/15

by Will

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This has been a bit of a slow week, so bear with me here. Let’s see what pop culture goodness I was able to dredge from the pond of mediocrity that was this week.

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The Fall television season got into full swing this week, as the shows that didn’t debut last week finally made their appearance. First up was Grandfathered from Fox. Starring John Stamos, it’s about a restaurateur who finds out that he’s a father and a grandfather on the same day. It appears he had a fling with Paget Brewster (I LOVE her) 25 years ago, which yielded a son that he didn’t know about. Now, said son (formerly fat Josh Peck) has his own child (a daughter), who was the result of a one-night fling with his friend (Christina Milian). So, son seeks out dad to get pointers on how to woo girl and get out of the Friend Zone. There’s a LOT going on here, but it’s still a cute show with a lot of heart. I don’t know if it’ll last, but I’ll watch it for as long as it’s around – especially since it’s on opposite The Muppets, which I don’t plan to watch again.

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Also on Tuesday night, Marvel’s Agents of S.H.I.E.L.D. returned for its third season, and it didn’t skimp on the action. I still, however, don’t really find the team members that likable, but it at least feels like they’re trying now. It was also nice to get Sokovia references and an appearance by the President from Iron Man 3 to reinforce that this is a shared universe. If they can’t get the big guns, I appreciate them getting the little guys. Still don’t care about The Inhumans, so it’ll be interesting to see if it holds my attention for the full season. I do like that they’re competing with Constance Zimmer (LOVE her, too), who seems to be running some sort of shadow agency for the government, rounding up Inhumans.

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Meanwhile in TV land, it’s rumored that Zack Snyder might be developing a Watchmen TV series for HBO. Why, I do not know. That ship has sailed. I was OK with the movie. Didn’t hate it, but didn’t love it. It had too many parts that were like an film student’s final project (all the music video stuff), and lots of blue dong. Still, it told its story rather well, and was pretty accurate except for the lack of the blue squid. This is the type of project that I hope falls apart in pre-production.

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Also, for you Whovians, there’s a new Doctor Who spinoff called Class, which will focus on some kids dealing with the paranormal at a school. If you ask me, it sounds a lot like Strange Days at Blake Holsey High – a Canadian show that aired on NBC Saturday mornings during their Discovery Kids block. That show dealt with a very similar premise, as the school was located next to a wormhole. I really enjoyed that show, but never saw the finale, as it got canceled in the US before it ended. Still, I’m not a Doctor Who fan, so this ain’t for me. In fact, it doesn’t seem like it’s for most adult Who fans. If anything, it seems like this might be designed to take the place of The Sarah Jane Adventures, which used to serve as the gateway show for kids to get into the Doctor Who franchise. I really kind of admire how the Doctor Who franchise caters to different demographics. You’ve got Class for the kids, while the mothership is for the sci fi heads. Meanwhile, Torchwood was the sexier, mature show. The latter is over for now, but I wouldn’t be surprised if something came along to fill that void soon.

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New The Daily Show host Trevor Noah debuted his incarnation of the show this week. I missed it, but I’m hearing good things online. Of course folks will always compare him to Jon Stewart, but that’s to be expected. To me, I hope he’s the exact opposite of Stewart, whom I never really liked. If that’s the case, I might actually start watching that show – as long as it’s not on against one of my favorite episodes of Family Guy

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In the world of movies, there’s a rumor that Ivan Reitman and Dan Aykroyd might be working on a Ghostbusters animated film. Man, Sony is really milking that son of a bitch dry, aren’t they? I get that they need a new franchise, as the Men In Black thing sort of petered out for them, but this might be too much Ghostbusters at once. For the moment, we’ve already got the Paul Feig film coming, and then a rumored all-male version. Now, this? I guess if it gets them to finally re-release Ecto-Cooler, then it was worth it, but I just feel like they’re doing too much with this property at once.

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Pitch Perfect 3 has received the release date that was originally slated for Pacific Rim 2. I don’t have any strong feelings about this. I loved Pitch Perfect, but still haven’t seen the second one. Meanwhile, Pacific Rim has been sitting on my DVR for over a year. Can we talk about how Anna Kendrick looks like a sexy rat? Like, she’s the personification of Gadget from Chip ‘N Dale Rescue Rangers. Am I the only one who sees this?

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Speaking of movies, when did the new DVD release day move to Friday? I knew that music was moving, but I didn’t know all physical disc media was moving. That kinda sucks, as it means that any sale on a new release will now probably last 2 days (Friday and Saturday) before the next week’s sale kicks in. Anyway, this is a drawn-out way of saying that Avengers: Age of Ultron comes out on DVD and Blu-Ray today.

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In comic news, it was announced that the Daredevil team of Mark Waid and Chris Samnee will be relaunching Black Widow for Marvel following Secret Wars. I’ve got to be honest: I only read the last Black Widow series because I love the art of Phil Noto. I’m not quite sure if I ever really enjoyed the story or the character – it was just beautiful to look at. So, with that in mind, I’m probably not gonna be on board for this new series.

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In the podcasting world, this week saw us celebrating Podcast Day. I’m not sure how long this has been a thing, but it’s a great opportunity for you to check out the latest 2-part season premiere of Classick Team-up, where Classick and I discuss everything from the new TV season to the upcoming Black Panther comic series. You should check it out here and here.

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In a week where nothing really happened, Power Rangers stands when the dust settles. After 22 seasons, tomorrow will see the 800th episode of the franchise. EIGHT HUNDRED EPISODES. Can you believe that?! When I saw the premiere, that Saturday morning back in 1993, I thought it was some cheesy shit. I had no clue that it would span 2 decades, countless incarnations, and even more action figures and playsets. It was the #1 boy’s toy for the first ten years of its existence. And in a “snake eating its tale” fashion, now our adapted Power Rangers episodes are being re-dubbed and aired in Japan and Korea. I’ve written way too much about the franchise to go through all of that again (seriously, there’s a Power Rangers tag over to the right. Just click that). It’s safe to say that the franchise has meant a lot to me over the years, so I’m proud of this unbelievable accomplishment. 800 episodes! Man. Anyway, with that in mind, Power Rangers had the West Week Ever.

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