17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

10th Feb2017

West Week Ever: Pop Culture In Review – 2/10/17

by Will

Last night, my friend Mike and I went to check out The Lego Batman Movie. Seeing as how we were the only two people in the theater, I’m not quite sure what its weekend box office is gonna look like. I bet John Wick: Chapter 2 takes #1, since that’s where everyone seemed to be heading. Anyway, I LOVED the film. First up, it considers EVERYTHING canon. If you saw it onscreen, then it happened in that universe. The whole thing is kind of surreal, as the movie focuses on Batman’s loner status, while also confronting his complicated relationship with The Joker. On the Batman Beyond cartoon, there’s an episode where old Bruce Wayne and his protege, Terry McGinnis, go to a Batman-themed musical. Bruce can’t get over how goofy the whole thing seems, but I feel like this film is the movie version of that musical. It doesn’t have the camp of the ’66 show, but it’s a movie that never really takes itself seriously. I loved the liberties they took, like making Jim and Barbara Gordon people of color (voiced by Hector Elizondo and Rosario Dawson). It doesn’t hurt the story any, while bringing some diversity to the Lego world. I also liked how it tied in concepts from The Lego Movie, such as the fact that Batman is a Master Builder. I’m not going to spoil the movie for you, but I feel like it’s strong until the middle of the second act, at which point it switches from a Lego Batman movie to a Lego Dimensions movie. Trust me, you’ll understand when you see it, and I think you’ll agree that the story gets a bit weaker at that point. In any case, I can’t wait for it to hit Blu Ray, so I can rewatch it a thousand times to catch all the Easter eggs.

This week, we got a trailer for a new season of Arrow. Wait, what? That was actually for Iron Fist? Huh. Yeah, I was really underwhelmed by that trailer. Finn Jones doesn’t seem like a great actor, there’s not a lot of Kung Fu on display, and it seems like it’s more focused on corporate takeover, as Danny Rand tries to reclaim his family’s business. Since it’s a Netflix Marvel show, there’s also Rosario Dawson and another damn hallway fight. I welcome the former, but I’m SO over the latter. I’ll get around to watching it, but the days of me binge-watching a Marvel season the weekend of its release are long gone. Considering I still need to watch Daredevil season 2 and Luke Cage, I’ll be lucky to get around to it in 2017. That said, I know a lot of y’all will binge it that day, and will tell me if it sucks or not.

In other TV news, it’s rumored that NBC wants to spin Saturday Night Live‘s Weekend Update segment into a weekly 30-minute show. I guess they looked at John Oliver and Samantha Bee, and realized they might be leaving money on the table. Still, Jost and Che as “polarizing”, at best, and I’m not sure if that segment has the legs to air 30 minutes every week, in the same format. Plus, would it also remain a part of SNL, or would it be excised completely? I think this would’ve been a good idea in an election year, as there’s just so much news to cover, but now that all that is behind us, I’m just not sure this is going to work. And then what happens? If it does leave SNL, would it come crawling back next season, with its tail between its legs? The difference between Last Week Tonight/Full Frontal and Weekend Update is that those cable shows are actually smart, with smart hosts. Plus, they can get away with a bit more because cable. Weekend Update has gotten a lot more biting since Trump was elected, but is it too little, too late? Are the SNL writers up to the task of this project? I just feel like it’s a bad idea that will dilute the Weekend Update and SNL brands.

It was also announced that Viacom will be rebranding Spike TV as the Paramount Network. In my lifetime, I don’t think I’ve witnessed a network go through as many format changes as that one. As far back as I can remember, it was The Nashville Network. Then, to appeal to a wider audience, it became The National Network. Then, to appeal to dudebros, it became Spike TV. Now, I don’t even know who they’re targeting. I also don’t know why they chose this particular name. It’s like they have short memories or something. After all, there’s already been a Paramount Network. Sure, most of us referred to it as UPN and not the United Paramount Network, but that’s what those letters stood for. And it was the definition of “failed experiment”. Sure, it hobbled along for about 10 years, but its legacy is basically Star Trek: Voyager, America’s Next Top Model and Girlfriends. Outside of that, it gave us such critical darlings as Shasta McNasty, Homeboys In Outer Space, and The Secret Diary of Desmond Pfeiffer. Hey, let’s see how many shitty (that means all of them) UPN shows I can list without looking them up: DiResta, Legend, Platypus Man, Hitz, Good News, SparksDilbert, Marker, The Watcher, The Sentinel…yeah,that’s enough to make my point, which is you probably don’t remember any of these. UPN did NOTHING for the Paramount brand, and its effects are still being felt 11 years after its demise. So why, WHY would Viacom want to go down this road again? Anyway, the early plans for the rebranding call for the network to be a warehouse for hit Viacom programming from their other networks. It’s basically just gonna be the Now That’s What I Call Viacom Channel, posting the highlights from MTV, Nick, Nick Jr, etc. In fact, there are no concrete plans for the future of other Viacom networks, such as VH1, CMT, and TVLand, but reports say that there’s no immediate push to shut them down.

It was also rumored that there are already talks of an American Idol revival, but this time on NBC. Now, keep in mind the show just ended its run on Fox last year. The idea is that The Voice would be reduced to one cycle a year, and then they would slot Idol in one of its old slots. I feel like NBC sees the value in that show in that it actually creates household names – something The Voice has failed to do after 11 seasons. The focus is too much on the judges, and the winners have gone nowhere. Quick, name a winner of The Voice without looking it up. Hell, I watched the first season, and I can’t even remember that guy (I looked it up: Javier Colon. Who? Right). So, there’s definitely something to be gained from acquiring the franchise. That said, though, I also feel like a network only gets one of those shows. Fox had Idol, NBC had The Voice, ABC had Rising Star, and CBS had some show that got canceled that I forgot. Fox hurt Idol by double-dipping and picking up The X-Factor. That show never caught on in the US, and it hurt the Fox singing competition brand. If NBC picks up Idol, it’s going to do the same to The Voice. I mean, how much longer does America want to see Blake Shelton and Adam Levine bicker at each other? Sure, there’s a new dynamic now that Blake and Gwen Stefani are dating and both judges, but unless the show breaks them up, I don’t know how engaging that’s gonna be. And Miley Cyrus as a coach? Now, let me say that Bangerz was a great album. I’ve written about how awesome it was. But I don’t think Miley is established enough as a singer to be coaching anyone. She’s more known for her antics than her music. Then again, Paula Abdul was a has been, judging the talent of tomorrow, but that was intrinsic to the formula. Ultimately, America chose the Idol, and the show brought in established stars as coaches. The Voice has an unnecessary layer. They have talented judges, but then they also have the coaches, and then America. As Idol showed us, ANYBODY cane a judge, which is going to be an important thing for NBC to remember once it comes to for contracts to be renegotiated. Anyway, I think Idol needs to rest a few more years before they dust it off. It was once a powerhouse, but television AND music changed over time. Let the industry figure out its next steps before trying to reenter it.

I don’t know about you, but I grew up with women, which meant I did a tour of duty with soap operas. I started with Days of Our Lives back in the late 80s, then shifted to The Young and the Restless, and then shifted back to Days in the 00s. And besides Victor Newman, there is no soap villain quite as diabolical as Stefano DiMera. Well, the actor who portrayed him, Joseph Mascolo, died back in December, but his final filmed episode aired yesterday.  Although Mascolo had been battling Alzheimers for the past few years, he had portrayed the character for around 30 years. For some reason (I haven’t watched in a while), he was in prison (he’s killed/led to the death of a lot of folks. But they typically come back after contract negotiations), and at the end of the episode, he escapes! What a beautiful ending, knowing that he will be forever “in the wind”, as they can’t really catch him again unless they recast him. Seeing as how the rumor is Days is coming to an end this year, they won’t even have time to do that, with scripts written about 6 months in advance. So, here’s a toast to one of the greatest villains to ever grace the television set. You will be missed, you evil son of a bitch.

Let’s get a little controversial, shall we? This week, comedian George Lopez got in hot water for kicking a woman out of one of his shows when she objected to a racially-charged joke he told. Basically he said, “There are only two rules in the Latino family: Don’t marry somebody black and don’t park in front of our house.” Apparently, a woman gave him the finger after that joke, to which he began to tell her to “sit [her] fucking ass down or get the fuck out.” Now, comedians are on his side because they say he was just shutting down a heckler. Meanwhile, the general public is on her side because they’re offended by the joke, and don’t see why he had to kick her out for objecting. Here’s my take: First of all, he’s told variations of this joke for years. He used to joke about how his grandmother wouldn’t even want President Obama in her house. If you’re familiar with his material, then his joke the other night shouldn’t surprise you. Now, for the folks offended by the joke: was he wrong? All I know is my own life experience. I dated a Cuban, and as polite and Ivy League-educated as I could be, I was still the Black guy who could only illicit grunts from her father. And I don’t know anyone named Esmeralda Jenkins or Manuela Johnson. Growing up where I did, Black guys didn’t get Latinas or Asian girls. Those girls’ families weren’t gonna stand for that! So, this is one of those jokes that’s grounded in truth. It might rub some folks the wrong way, but it’s not necessarily untrue. Where I stand, I don’t think he really did anything wrong. After all, that’s how comedians handle folks who they feel are interrupting their show, and the joke itself was par for the Lopez course. I wouldn’t say it was “haha funny”, but it wasn’t wrong.

Things You Might Have Missed This Week

  • An animated series based on the Castlevania video game is coming to Netflix later this year. Hopefully it will star gay Simon Belmont from Captain N: The Game Master.
  • Kate McKinnon will voice Ms. Frizzle in Netflix’s reboot of The Magic School Bus
  • Speaking of Netflix, Love, The OA, and Trollhunters have all been renewed by the streaming service.
  • Queen of Soul, Aretha Franklin, announced that she’s retiring after her next album is released.
  • After 25 years over covering the Olympics, Bob Costas announced he’s handing the reins over to Mike Tirico
  • Entertainment newsmagazine show The Insider has been canceled after 13 seasons.
  • Formerly of USA’s Satisfaction, Blair Redford has been cast as the first mutant in Fox’s X-Men TV series
  • Not to be outdone by Beyoncé, it was announced that George and Amal Clooney are expecting twins. Those Hollywood In Vitro clinics are working overtime these days!
  • Speaking of babies, Jason Statham proved he’s the Transporter of Sperm, as he announced he’s expecting a baby with girlfriend Rosie Huntington-Whiteley

I don’t like Tom Brady. Don’t like a thing about him. I find it odd that you can be suspended for cheating AND win the Super Bowl in the same damn season. That said, that was a Hell of a comeback during Sunday’s Super Bowl LI. Somehow, the Atlanta Falcons blew a 25-point lead, allowing the New England Patriots to mount an amazing comeback and win their 5th Super Bowl title. It was the first Super Bowl to go into overtime. There was Edelman’s amazing catch. Some are calling it the most exciting game of football ever. But in the end there can only be one winner, and that was the Patriots. So, with that in mind, the New England Patriots had the West Week Ever.

03rd Feb2017

West Week Ever: Pop Culture In Review – 2/3/17

by Will

I saw my first movie of 2017 in the form of M. Night Shyamalan’s Split. A lot of people feel like Shyamalan’s coming off a string of bombs, but I’ve enjoyed the projects he’s been involved with, including Wayward Pines and After Earth. Still, this movie seems to be the one bringing all the boys back to the yard, and for good reason. I really enjoyed it, and feel like I need to watch it again just to catch certain things. If you’re not familiar, three teenage girls are kidnapped by James McAvoy, who suffers from dissociative identity disorders and has multiple personalities running around in his head. You never quite know which identity is in the driver’s seat, and over time you come to realize why, exactly, he kidnapped those particular girls. I don’t know if the movie had that patented Shyamalanian twist ending, but the very end of the movie did make my jaw drop. I’m not going to spoil it here, but I definitely think you should check out this film.

In movie news, it was announced that Ben Affleck is out of the director’s chair for The Batman. Reports say that he didn’t think he could handle being in front of and behind the camera on such a film, but it could be that Warner Bros got a bit gun shy after the box office failure of his recent release, Live By Night, which he wrote, directed, produced, and starred in. It only made $19 million on a budget of $65 million. As far as rumors go, there’s also talk that he may bow out of the film entirely, which would make for quite the awkward press tour for this fall’s Justice League. I kinda don’t think this movie is ever gonna happen. Even if it does, my level of excitement is basically at Star Trek Discovery level, which isn’t very high.

We got out final post for the upcoming Power Rangers film. It’s…something. It’s a serviceable poster, but I’m still not sold on the Bayformers zords. This poster not only showcases them, but also serves to point out their visual weaknesses. They’re just colored beasts, but there’s no real Wow Factor to them. I’m hoping they translate better onscreen, but right now it just looks like a Photoshopped CGI mess.

In TV news, Marvel announced the cast for the upcoming Runaways series on Hulu. I’ve gotta say I kinda forgot about this, and I’m surprised it’s actually happening. I’d name the stars, but you’ve never heard of any of them. They all seem to look the part, except for Molly Haynes – a young White girl who’s now Molly Hernandez, a teenage Latina. I have no problem with the ethnicity switch, but I do have issues with her being aged up, as part of Molly’s charm is that she’s a sweet girl who’s about 11 years old. I don’t want her to lose that aspect of her personality. Oh, and she’s a mutant, which they’ll probably have to change and say she’s an Inhuman now or some shit. I don’t have Hulu, don’t plan to get Hulu, nor does this news make me want Hulu, but it’s still nice to see the Marvel Universe expanding. Maybe I’ll change my tune about the show once we’re closer to its release.

 

Speaking of Marvel TV, they announced the cast for Freeform’s Cloak & Dagger series, and it was neither of the folks I mentioned last week. Instead of Debby Ryan, Dagger will be played by former Disney Channel star Olivia Holt. Meanwhile, Cloak will be played by Aubrey Joseph, from The Night Of. If I remember correctly, Cloak & Dagger are an interracial couple of runaways who take an experimental drug and get powers? I’m too lazy to look it up, so somebody correct me if I’m wrong.  If there are strong ties to the MCU, I might give it a chance. Then again, Agents of S.H.I.E.L.D. has basically shown us the limits of how much they can tie into the MCU, so I’m not optimistic. I don’t really mess with Freeform, as I’m not a 14 year old White girl, but maybe this won’t suck. Maybe.

Peter Capaldi announced that this will be his last season starring in Doctor Who. What is it about that show that they can’t keep an actor more than 3 seasons? It’s an interesting little franchise, and there’s no real American equivalent to it. If you’re an up and coming actor, it’s a great stepping stone, but if you’re established, it’s a nice way to be a part of an institution. That said, why is the role such a revolving door? Are the working conditions grueling? Bad pay? Annoying fanboys? Sure, the story allows for steady recasting, what with the regenerations and all, but just because they’re there doesn’t mean they have to burn through them. Anyway, folks are saying that this would be a great time for the franchise to cast a person of color or a woman in the role of The Doctor. Right now, folks are rallying behing Agent Carter‘s Hayley Atwell and The I.T. Crowd‘s Richard Ayoade. I’d be fine with either of those, and that would actually make me finally check out the show.

In other TV news, it was announced that OWN has picked up a House of Payne spinoff, called The Paynes. Let me school ya a little about television. About ten years ago, a new creature popped onto the scene called a 10/90 deal. Basically, a show would get a 10-episode test run, and if the ratings were good, they’d get an order for 90 additional episodes, instantly taking them directly into syndication. With the exception of Charlie Sheen’s Anger Management and Ice Cube’s Are We There Yet?, the only other shows to successfully navigate this model were the Tyler Perry sitcoms House of Payne, For Better or Worse, and Meet The Browns. The model has since been retired, as too many shows failed after the initial 10-episode order, but Perry is basically king of the 10/90. It’s probably because he works the shit out of his casts. I mean, House of Payne filmed 254 episodes in 8 seasons. Anyway, I was a big fan of House of Payne because it was ALWAYS on, especially on former UPN stations that were then being branded as MyNetworkTV stations. The show is about the Payne family, led by patriarch and retired firefighter Curtis Payne and his wife Ella. It dealt with all sorts of hot button issues, but it stressed the importance of family. I’m a harsh critic of series finales, but the series finale of House of Payne is one of the worst episodes of television I’ve ever seen (I feel like they didn’t know they were getting canceled), so I’m glad the show is coming back in some form to somewhat redeem itself. So far, it’s been greenlit for 38 episodes, but it’s not clear as to who will be showing up besides Curtis and Ella. It’s set in Florida, where the Paynes are trying to enjoy their retirement until a real estate deal goes wrong. Yeah, I’ll watch it.

I’m the furthest thing from a foodie, as I eat like a 5 year old: if it looks “yucky”, I won’t eat it. So, I eat a lot of fast food. And I’m fat. Anyway, I tried the Grand Mac this week, as I have been lusting over it ever since I learned of its existence. If you don’t have it where you live, the Grand Mac is a bigger Big Mac. I thought it was just a Big Mac with thicker Quarter Pounder patties, but I was wrong. Turns out it clocks in around 1/3 of a pound, and the patties aren’t thicker, but wider in diameter. It’s a LOT of burger, and I ain’t no bitch. It was a nice excursion, but I’m not sure I can handle a Grand Mac on a regular basis. For now, they’re saying it’s only for a limited time, but maybe it’ll stick around like that Bacon Clubhouse that nobody seems to like. At the same time, they also introduced the Mac Jr, which I’d like to go on record and say that I created this sandwich. Of course, I simply called it The Mac, but I tweeted it to the McDonalds Twitter account a few years back, after they retired the Mac Snack Wraps. It’s a Big Mac with one patty, and a standard bun instead of the usual triple decker format. I remember they sent me some kind of dismissive reply, but now, here they are, selling my damn sandwich. I want my credit, McDonalds!

 

If you’re “woke”, then you realize that it’s currently Black History Month. Now, if you’ve followed me online for the past few years, you know that I used to tweet funny faux facts (well, I guess they’re “Alternative Facts” now) every day for the whole month. Well, last year I kinda had my Dave Chappelle moment, as I noticed some folks retweeting them who were laughing at me and not with me. You know the type. We call them “deplorables” now. Anyway, it was kinda eye opening for me, so I’m taking the year off. Don’t get me wrong – there are a few of those that were comedy gold, and I’ll probably tweet them as they pop up, but I’m not doing the full-on campaign this year. I think it needs to be rebranded.

Last night, I had the honor of joining The Kliqnation’s Comic Book Chronicles for their 200th episode. They are definitely my favorite comics podcast (Hell, they’re the only comic podcast I even care to listen to these days), and I’m really proud of them for doing the good work week in and week out for all these years. I remember their first episode like it was yesterday. Anyway, we had a great time discussing the latest releases of the past 2 weeks, so check it out!

Things You Might Have Missed This Week 

  • Tamron Hall left NBC this week, after it was announced that her hour of The Today Show with Al Roker would be eliminated to make room for Megyn Kelly.
  • The Oxygen network will rebrand itself as a crime destination channel for women. So, if you ever wanted to know how to get away with killing your husband, Oxygen’s got you covered.
  • Sharknado 5 was announced, with Ian Ziering and Tara Reid returning. This installment will feature them fighting sharks across Europe. Personally, I think this franchise is beyond done, but I know I’ll watch it.
  • The seventh seal is broken, as Queen Beyoncé announced she’s expecting twins.
  • The Get Down‘s Yahya Abdul-Mateen II has been cast as Black Manta in the Aquaman film, while Nicole Kidman is being eyed to play Aquaman’s mother. Ooh, she’s entered that phase of her career…
  • Fox has passed on producing the Black Lightning pilot, so now the show is being shopped to The CW to join the other Berlantiverse series.

Nobody had a week like Winona Ryder at the Screen Actors Guild Awards last Sunday. Her show, Stranger Things, won Outstanding Performance By An Ensemble In A Drama Series, and Winona’s facial expressions were all over the place. It’s all folks could talk about when they weren’t talking about politics, so I think Winona Ryder had the West Week Ever.

18th Jan2017

West YEAR Ever: Pop Culture In Review – 2016

by Will

Thank 8 pound, 6 ounce newborn Baby Jesus that 2016 is over! I mean, I guess there was some good stuff peppered in there, but it was an overall rough year for a lot of people. I tried to keep my sanity here on the blog, but even I checked out for the month of November. Like Kenny Rogers told us, sometimes you’ve gotta know when to walk away. But I did make a return in December just to kick the year in the ass on its way out. So, besides celebrity deaths, what did 2016 bring us? Well, there was that week we were all mesmerized by Pokemon Go! Those were fun times. We got new X-Files episodes. Peyton Manning retired after winning the Super Bowl with the Denver Broncos. Atlanta and Luke Cage came along and entertained us on television. And things weren’t too shabby here on the blog either.

During Spring Break Week, I discussed several of the most underrated TV theme songs, including Webster, California Dreams, and Enterprise.

I also covered the worst Batman comic ever written, in the form of Just Imagine Stan Lee’s Batman

I did my annual Fall TV Upfronts post, where I discussed the upcoming fall lineups of the major broadcast networks.

A post that was several years in the making, I ranked the Hot Moms of Teen Shows over on The Robot’s Pajamas

I also did a guest post ranking the hottest Power Rangers Villains

It wasn’t all fun and games, though. The country was going through some dark stuff, and I’m particularly proud of this West Week Ever where I discussed the racial problems in the country.

I also experience my first live wrestling event as I attended a taping of WWE Monday Night Raw.

I brought back my graphic novel review column, Adventures West Coast, where I covered Wonder Woman: Earth One.

I also brushed off my Comical Thoughts column, where I discussed IDW’s disappointing Hasbro-centric Revolution event.

Finally, I closed out the year with a post that I’m particularly proud of, discussing the greatest problems facing comic retailers.

I saw about 13 fewer movies in 2016 than in 2015. It wasn’t for lack of trying, but there are only so many hours in the day. As you know, I’m not necessarily Mr. Movie, so I’m not even going to try to rank them. Here they are, simply in the order that I saw them. Wanna know my thoughts? Plug the title into the search box up on the top righthand corner!

Movies I Watched This Year

  1. Lucy
  2. Beauty Shop
  3. Bikini Spring Break
  4. Fifty Shades of Grey
  5. X-Men: Days of Future Past (The Rogue Cut)
  6. We Don’t Live Here Anymore
  7. Gone Girl
  8. Cloudy With A Chance of Meatballs 2
  9. The Martian
  10. Inside Out
  11. Sisters
  12. Batman: Bad Blood
  13. Son of Batman
  14. Batman vs. Robin
  15. The Hundred-Foot Journey
  16. Tomorrowland
  17. Deadpool
  18. San Andreas
  19. Diary of a Wimpy Kid: Rodrick Rules
  20. Autism In Love
  21. Cop Car
  22. Batman v. Superman: Dawn of Justice
  23. Dead 7
  24. Justice League vs. Teen Titans
  25. Pacific Rim
  26. All Things Must Pass: The Rise and Fall of Tower Records
  27. CHAPPiE
  28. Unhung Hero
  29. Trainwreck
  30. Confirmation
  31. The Boss
  32. Captain America: Civil War
  33. They Live
  34. Ted 2
  35. Creed
  36. Zoolander 2
  37. The Ladykillers
  38. 10 Cloverfield Lane
  39. X-Men: Apocalypse
  40. The Intern
  41. You’re F@#k’n Dead!
  42. LEGO DC Comics: Batman Be-Leaguered
  43. LEGO DC Comics Superheroes: Justice League: Attack of the Legion of Doom
  44. Focus
  45. The Good Dinosaur
  46. Sleeping with Other People
  47. Big Hero 6
  48. Keanu
  49. Southpaw
  50. The Night Before
  51. The Equalizer
  52. The Bronze
  53. Popstar: Never Stop Never Stopping
  54. Batman: The Killing Joke
  55. Sharknado: The 4th Awakens
  56. Suicide Squad
  57. The Day
  58. Kingsman: The Secret Service
  59. Independence Day: Resurgence
  60. Miss Peregrine’s Home for Peculiar Children
  61. Meet The Hitlers
  62. Mike and Dave Need Wedding Dates
  63. Neighbors 2: Sorority Rising
  64. Doctor Strange
  65. Rogue One: A Star Wars Story

 

West Week Ever Recipients of 2016 (with commentary)

1/8/16 – Fall Out Boy’s “Irresistible” video

I’m a huge boyband fan, so the news that one of my favorite bands (Fall Out Boy) had reimagined the It’s Gonna Be Me video by one of my favorite boybands (*NSYNC) definitely made my week. The sheer fact that it didn’t really move the world of pop culture, however, shows you how slow of a news week it was. There would be many weeks like this in 2016.

1/15/16 – Power Rangers

This was quite the week for the Power Rangers franchise. First off, it was revealed that Saban would be skipping the train-centric sentai series Ressha Sentai ToQger, and instead adapt Shuriken Sentai Ninninger as Power Rangers Ninja Steel. This announcement was almost a year to the date of the premiere of the show (scheduled to debut next Saturday), and we spent the next few months getting casting and toy news about the show. Meanwhile, the #0 issue of the Mighty Morphin Power Rangers comic was released by Boom! that week, setting up a series that is so much better than it has any right to be. I’ve written about it several times over the year, as I’m a big fan. And finally, former Wild Force Red Ranger actor Ricardo Medina was formally charged that week for killing his roommate with a sword. All in all, I think Power Rangers truly earned the West Week Ever that week.

1/22/16 – DC Entertainment

The Suicide Squad trailer was released this week, as well as the series premiere of Legends of Tomorrow. The Suicide Squad promotion machine would see its ups and downs over the year, the Legends premiere was fairly strong, even with a bunch of useless characters (I’m looking at you, Hawks). The show would get stronger in its second season, but this is where it all started. We also got a DC movie special hosted by Kevin Smith, giving us some Wonder Woman and Justice League footage. Marvel usually dominates the news cycle, but DC showed that they can also step up to the plate.

1/29/16 – The X-Files

When news of an X-Files revival hit, it was pretty big news. Then it launched, and it wasn’t exactly what folks were expecting. Clocking in at 6 episodes, only half of them focused on the conspiracy aspect of the show, plus they were aired out of order.  I went from really liking the premiere to completely forgetting it existed, in a very short amount of time. If it was going to get the WWE, it would had to have been this week of the premiere, as it ended with more of a whimper than a bang.

2/5/16 – UnderScoopFire Podcast

I appeared on the UnderScoopFire Podcast 8 times over the years, and had a great time on every one of them. Those guys are some of my good friends that I’ve met online, so of course I was sad to see it go. After 150 shows (give or take a few. Yeah, I’m not letting that go!), I think their swan song deserved the West Week Ever.

2/12/16 – Denver Broncos

I couldn’t give two shits about sports, but Lindsay’s from Denver, so we’re a Broncos household. So, everything was coming up Milhouse this week, as the Broncos won Super Bowl 50. Not only was it a nice, round, milestone number, but it also served as future Hall of Famer Peyton Manning’s final game. It was the perfect storybook ending that sports fans seem to love so much. So, yeah, they totally deserved the West Week Ever.

2/19/16 – Deadpool

Deadpool came out and blew away everyone’s expectations. I mean, this thing is getting nominated for awards. And not Razzies, too! Personally, I thought it was too gratuitous. I’ve gone over my reasoning before, so I won’t rehash that here. Still, it went on to become the second highest grossing superhero film of the year, just behind Captain America: Civil War. Totally deserved.

3/4/16 – Fuller House

After Girl Meets World came along, the runway was cleared for any and every nostalgic reboot to come along. And along came Fuller House. Every fan of TGIF awaited it with bated breath, hoping for the same mindless entertainment they got from the original show. And it did not disappoint! The second season just debuted a few weeks ago, and it’s already been picked up for a 3rd on Netflix. This show not only showed the power of Netflix as a home for original comedies, but also showed that old dogs still have some fight left in them. I think this was definitely the high point of that week.

3/11/16 – Jay Pharaoh

This was a slow week. Sure, Pharaoh did an amazing impersonation spree during that week’s Saturday Night Live Weekend Update. Like, it was AMAZING. And to pay him back, the show fired him at the end of the season. He’s OK, as he immediately booked a Showtime pilot, but the fact that this was the most noteworthy thing of the week shows how slow things were.

3/18/16 – Nothing

Some weeks you’ve just gotta call a spade a spade. Instead of insulting anyone’s intelligence, nothing had the West Week Ever.

3/25/16 – Wonder Woman

Like a lot of people, I did not like Batman v. Superman: Dawn of Justice. Like a lot of people, I also felt that Wonder Woman was the brightest spot in that dark film. Totally deserved

4/1/16 – Batman v. Superman: Dawn of Justice 

I may not have liked it. A lot of folks may not have liked it. But it made some money. A lot of money. And it was the true springboard to DC’s cinematic universe. So, for its money-making and its importance, I think it earned the West Week Ever. Just because I don’t like something doesn’t mean that it’s bad. It just wasn’t for me.

4/8/16 – American Idol

Idol‘s series finale aired that week, marking the end of a pop culture juggernaut. Unlike The Voice, Idol actually created household names. It gave us Kelly Clarkson, Clay Aiken, Carrie Underwood, and Fantasia. On the flip side, it also gave us William Hung, Taylor Hicks, and Daughtry. It spawned so many copycats, but it was the original recipe. Its influence may have waned in later years, but no one can deny what it was in its heyday. I think it’ll eventually come back, but this was when we said “Ta ta, for now.”

4/15/16 – Marvel

That week, we found out Natalie Portman wasn’t coming back for Thor: Ragnarok, we got a teaser trailer for Doctor Strange, an we learned that the new Spider-Man movie would be called Spider-Man: Homecoming. Marvel definitely dominated the news cycle that week.

4/22/16 – Harriet Tubman

While it was pretty monumental that a woman (a Black woman, mind you) would be adorning American currency, it doesn’t really move the pop culture needle that much. So, I ended up giving the West Week Ever to a dead woman – in a column that has a pretty strict No Death policy. This was kind of a slow week…

4/29/16 – Beyoncé

The singer dropped the surprise album Lemonade following their airing of her HBO special. One of the songs alluded to the possibility that her husband, Jay-Z, might have cheated on her. For the next week, everyone was pondering the identity of “Becky, with the good hair”. This is the kind of thing the drives pop culture. Totally deserved.

5/6/16 – Captain America: Civil War

I had seen the movie, and thought it was excellent.

5/13/16 – Captain America: Civil War

Then the movie made a lot of money. I mean, a fuckton of money.

5/20/16 – Nothing

It was just one of those weeks

5/27/16 – DC Universe: Rebirth #1

DC Comics lost a lot of fans after the New 52 event, in which they rebooted their universe. So, the Rebirth event was something of a mea culpa to those fans. More like a “Please come back! We promise to make stuff you’ll like again!” And for the most part it has worked. This special not only brought fan favorite Wally West back into the fold, but it also sort of introduced the Watchmen comic into the mainstream DC universe. We don’t yet know how that’s all going to play out, but this move helped DC to dominate more market share than Marvel for most of the year.

6/3/16 – Ecto-Cooler

I never really liked Ecto-Cooler. I mean, it tasted kinda like tropical piss, but I loved the fact that Slimer was on the box. That’s about where my nostalgia ended. But a lot of y’all out there LOVED that shit! So, when it was announced that Coca Cola was bringing it back in conjunction with the Ghostbusters movie, y’all started assembling street teams to track it down. I swear, if the 2016 election had been run in a manner similar to the vim and vigor displayed trying to track down green sugar water, I might actually have some hope for tomorrow!

6/10/16 – Awesome Con 2016

Slow week. Cool show, great company, but slow week.

6/17/16 – Hamilton

I discovered the Hamilton soundtrack the same week that it won 11 of the 16 Tony Awards for which it was nominated. We’ll talk more about the show later, but the West Week Ever was deserved, even if the wins did fall short of the Tony Award record.

6/24/16 – Black actors in Hollywood

This was more of a joke, as every Black actor in Hollywood was being cast in the upcoming Black Panther film. That trend has continued since this post. Still, slow news week.

7/1/16 – The 683 New Members of the Oscar Academy

Another joke. Due to the #OscarsSoWhite hashtag, signifying that the Academy was lacking in diversity, 683 people were invited to be members, bolstering the number of women and minorities. Still, slow news week.

7/8/16 – TNA’s The Final Deletion

Oh, man! This thing was incredible. They went on to milk it for the rest of the year, andI missed all subsequent installments. Still, this got me to pay attention to a wrestling promotion not owned by Vince McMahon, and for a brief moment, all wrestling eyes were on TNA to see what Matt Hardy would do next. Completely deserved.

7/15/16 – Pokemon GO!

This game came along and took the world by STORM. To say it was a success would be an understatement. It was envisioned to promote fitness, as kids would have to walk around to find perks and to get their eggs to hatch, but there were workarounds. Hell, I drove around looking for Pokestops. For about 4 weeks, this was all anyone could talk about. It was the Tamagotchi of a new generation, and I think, outside of all the political stuff, it’s one of the things we’ll remember most about 2016.

7/22/16 – Ghostbusters

It was a slow week, but Ghostbusters and the Republican National Convention were the only newsworthy events of the week. As much as we want to pile on that movie, it did take in a respectable $46 million, and it set a record for Paul Feig/Melissa McCarthy movies. I know a lot of folks don’t feel the movie’s deserving of any kind of accolades. As you saw above, I didn’t watch it, but I still think it’s not as bad as people would like me to believe. I swear, though, had they named it anything other than Ghostbusters, we’d still be talking about it.

7/29/16 – DC Entertainment

DC, back with their SECOND West Week Ever of the year? The word on the street was that they “won” San Diego Comic Con, with their new footage of Justice League, as well as the debut of the Wonder Woman trailer. Considering Marvel usually dominates SDCC, this was a feat worth acknowledging.

8/12/16 – Suicide Squad

The movie made $160 million in 5 days, which is nothing to sneeze at. Plus, I actually enjoyed it. I didn’t like it as a component of DC’s cinematic world building, but I liked it as a standalone thing on its own.

8/19/16 – Ryan Lochte

He was an Olympian at the center of a fake robbery attempt in a foreign country, who then fled to let his teammates take the fall. It’s the stuff of a great Aaron Spelling show. He had the West Week Ever simply because he got away with it.

8/26/16 – Guardians trailer

Slow news week, even if the trailer is pretty awesome. Billed as “Russia’s Avengers”, the English version of Guardians trailer started making the rounds because of its crazy action and gun-wielding bear man. Yeah, you’ve gotta see it to believe it. The movie might not even be released over here, and if it is, it’ll never get higher than cult status. Still, if you want to know what everyone was talking about that week, it was Guardians.

9/2/16 – Are You Being Served? one-off special

Some might say this was a slow news week, but I think this applied the West Week Ever to an international stage when I typically just focus on the US. After all, this special didn’t even air in America (nor has it since, nor do there seem to be plans to do so in the future), and I had to resort watching it on YouTube. Still, I grew up with Are You Being Served? and I was more than curious to see how an update of it might hold up. With a few small exceptions, it was pitch perfect, and definitely in the spirit of the original series. This one might’ve been a bit personal for me, but I think it was the best part of this particular week.

9/9/16 – Atlanta

The show just won the Golden Globe for Best Comedy Series. I think I called this one correctly.

9/16/16 – Better Late Than Never

Another personal one for me, but it’s my site, so whatever. I’m more than certain none of my friends were watching this show, but I watched it weekly with my mom and we enjoyed it. I wrote about it to get folks to seek it out, but I doubt that happened. Still, in a week when nothing happens, things like this are allowed to shine.

9/23/16 – Lindsay West

Mah wife. Running your first half marathon is pretty impressive. And nothing happened in the overall pop culture world. If you’ve followed West Week Ever since the beginning, you know that every so often some random person gets the honor. Hell, last year, my kid had the West Year Ever, so you never know where I might play that card.

10/7/16 – Luke Cage

It broke Netflix! So many people tuned in that Netflix couldn’t handle it. I still haven’t seen it, but I haven’t heard a bad thing about it other than the fact that it kinda drags in the middle – like most Marvel Netflix shows.

10/14/16 – Will & Grace

Considering I think I was the only one impressed by this Will & Grace special that was designed to get folks to get out and vote, I’m sure a lot of folks disagreed with this choice. Still, if you were a Will & Grace fan, then you can’t deny how great it was to see those characters in a way that felt like they’d never left us.

10/21/16 – Logan trailer

Can’t say much more because the movie’s not out yet, but we were ALL talking about this after it dropped, and it’s on most folks’ most anticipated movies of 2017 lists. I don’t think it’s going to disappoint.

10/28/16 – The Walking Dead

I don’t watch it, but I did tune into this episode just to watch a man die. Or two men. Whatever. All folks could talk about this week was whether or not the show had gone too far. The Walking Dead dominated the discussion, so this West Week Ever was well-deserved.

11/4/16 – The Chicago Cubs

Um, the “cursed” team won their first championship after 108 years. Yeah, this was deserved.

12/2/16 – Search Party

I don’t feel like a lot of my readers had seen the show when I wrote this, but I know a few who checked it out because I’d written about it. That’s why I do this, kids! It was one of my favorite shows of 2017, and if you haven’t checked it out yet, I’m not quite sure what you’re waiting for.

12/9/16 – Hamilton

Hamilton for the second time this year. The last time was for its Tony wins, but this one was two-fold: The Hamilton Mixtape was released and a beautifully pirated copy of the play was uploaded to YouTube. I watched it during the 5 days that it was allowed to stay on the site, and I can now die saying that I saw Hamilton. This was on the heels of a controversy where the cast members took a moment to address Vice President-Elect Mike Pence while he was taking in the show. For the next week, the conversation was whether or not they should’ve done that. So, it’s safe to say that Hamilton was on everyone’s lips around that time.

12/16/16 – WWE’s New Day

Yeah, then they lost two days after I posted this. I guess that’s how the cookie crumbles. Still, they deserved the West Week Ever for all they had put in leading up to this point.

12/23/16 – Rogue One: A Star Wars Story

It was the last thing to make a dent in pop culture before the clock ran out on 2016. A lot of folks are saying it’s one of their favorite Star Wars movies. I don’t really get that, but I’m happy for them if that’s the case. I thought it was entertaining, but I didn’t really like it. It’s hard to explain, and I’ve tried. Still, there’s no way anything else is going to take center stage when there’s new Star Wars to be consumed.

So, who had the West Year Ever? In the past, I’ve added up who had the most West Week Ever wins and then it’s a runoff. If we’re being honest, Death had the West Year Ever. There were SO many celebrity deaths this year, that it would take another post just to do a proper In Memoriam for everyone we lost. And of course, you have those guys who wanna “Neil deGrasse Tyson” everything by pointing out that people die all the time, or that the year is an arbitrary number. Whatever, asshole. That doesn’t help anybody, and it’s why you don’t get invited to many parties. Anyway, I don’t like to focus on death in West Week Ever -not because it’s morbid, but more because I feel like I’d have to acknowledge every celebrity death, even when I didn’t personally give a shit about that person. Ain’t nobody got time for that!

Doing the math, it’s a three-way tie between DC Entertainment, Captain America: Civil War, and Hamilton. DC Entertainment really stepped up this year, taking a good chunk of the comics market share away from Marvel, as well as by launching their cinematic universe. After years of being the joke of the industry, DC finally started pushing back. And the Rebirth initiative didn’t hurt things, either. Meanwhile, not everyone loved Civil War. I did, but even I’ll admit that it’s basically “Dawn of Justice Done Right”. They’re both superhero slugfests that surround the concept of dead moms. Some called it “Civil Bore”, but I don’t agree with that. Still, I have to kind of acknowledge that there is a divide out there. Finally, there’s Hamilton. It had a big year, but I don’t know if we’ll look back and say “Hamilton really came into its own in 2016.” If anything, that’s more likely to happen at a time when the show can more easily be consumed by the masses. So, Hamilton’s year may actually be ahead of it, but it’s not 2016. So, I think it’s pretty clear. 2016 was the year where retailers stopped buying everything Marvel was selling, and so did the fans. The quality of Marvel’s output was in question more this year than it was in recent years, yet people still seemed to be able to find positive things about the DC Universe. Meanwhile, their movies might not be your cup of tea, but they made money, and the critics haven’t deterred them from forging ahead. So, with that, I believe I simply have to admit that DC Entertainment had the West Year Ever.

19th Dec2016

The Greatest Threat To the Direct Market Comic Retailer IS The Direct Market Comic Retailer

by Will

So, a few days ago, The Beat wrote the article “Why Are The Comics Retailers Worried About Mass Store Closings?“, which was your standard fear mongering about how the Direct Market is on its last legs. If you’re not familiar with the comic industry, here’s a crash course: the Direct Market is comprised of the comic shops who specialize in selling comics and related merch. If you buy the latest issue of Batman from Barnes & Noble, you’re not participating in the Direct Market. However, if you buy it from Jack’s Comics & Stuff, you’re a Direct Market consumer. Comics in the Direct Market are sold on a non-returnable basis, meaning that if retailers order too much of a book, they’re stuck with that stock, and can’t send unsolds back to the distributor unlike other periodicals.

The article posits a few different reasons retailers are afraid:

  • DC’s Prices Are Too Low – Um, $2.99 isn’t too low when most of those books are shipped biweekly. Simple math dictates that retailers will make more from selling two $2.99 books than one $3.99, even if it’s marginal. Sure, the retailer may want to make more money, but it’s a nice gesture of goodwill to the consumer – something Marvel could learn from, considering they keep releasing quarterly $9.99 Deadpool issues on top of the several spinoff series they have for the character that month.
  • Customers Are Disappearing – Well, duh. Minecraft and video games. Oh, and for the lucky older consumers, sex. Gotta pay for that sex!
  • Customers Are Switching To Collected Trade Paperback Format – Well, you get more bang for your buck that way. For example, each comic from Image has a cover price of $3.99, however each first volume of an Image series’ trade paperback collects approximately 6 issues for $9.99. Can you blame them?
  • Customers Don’t Like Marvel’s Output – When have customers liked Marvel’s output? No, when was the last time someone was like “Marvel’s really firing on all cylinders”? The first Civil War crossover? That was ten years ago. It’s not that Marvel’s necessarily worse these days. It’s that people are used to Marvel being better than DC, and now the gap between their quality is a lot smaller, due to Marvel trying to make lightning strike twice and DC getting a slight bump from Rebirth.
  • Rising Costs of Doing Business – Well, you can’t really fight that. Everything is more expensive.
  • Diamond Credit Crackdown – This is on the retailer. They knew they owed Diamond money, and kept letting it build up, not thinking Diamond was ever gonna come collect. It’s a business, not a charity.

A lot of comic shops are having a tough go of it, but the blame is being passed on to everyone from the distributor, Diamond Comic Distributors, to the Big 2 publishers, Marvel and DC. It’s always the same crap: “Diamond’s model is antiquated and comics should be returnable” or “Everything Marvel’s publishing is crap right now.” To read the comments on the post, however, you see a lot of folks railing against Marvel’s supposed “Social Justice Warrior” agenda, where they’re “forcing” diversity into all of their books. Really, if you wanna make a bunch of middle aged White men mad, start trying to diversify their funny books. Anyway, in a fit of anger, I wrote the following comment:

 

This is going to be a controversial opinion, but I see no overwhelming reason to support small businesses, and I don’t think I’m alone. Why am I paying more for something I can get cheaper elsewhere, especially with complaints of poor customer service, poor stocking of items, etc so pervasive these days? Now, call me an “ungrateful millennial” or whatever, but I don’t have fond memories of walking down by the crick, with a rolled up comic in my back pocket that I got from the local five and dime. It’s not an experience that I relate to. Same with comic shops. I have several I love, but the world would keep spinning if they shut down tomorrow.

The mentality that wants me to support Mom and Pop is the same one that wants Marvel to never change, and keep offering the same product it did 50 years ago. This is a common argument in the geek TV world. There are tons of adult fans angry at Power Rangers because it “sucks” compared to when they were kids, or hate Cartoon Network for showing nothing but Teen Titans Go – never stopping to realize they’re not the target audience. Thirty year olds wonder why today’s kids can’t love Snake-Eyes as much as they did, not realizing that maybe it’s time to give a new generation their OWN stories. There’s no shame in knowing when to walk away. I’ve seen folks say things like “I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!

 

What I said about small businesses is true. Just as I don’t really subscribe to the notion of “team spirit” (which is why I’m a terrible sports fan), I also never understood the push to support local mom and pop stores. I’m just fine with my big box retailers, with their affordable prices and decent customer service. These comic retailers chose to open their businesses, but now they approach them as if they’re victims. The distributor is out to get them because of the lengthy ordering window and lack of returnability. The publishers are out to get them because they keep publishing lackluster product. But it’s never “Ya know, I backed the wrong horse by buying into Marvel’s crossover hype.” It’s never “I made the wrong call”, but instead it’s phrased like “How dare Marvel make me order that tripe?!” That doesn’t even make sense. I think there’s a certain level of professionalism needed that’s not always there for small businesses. I don’t know what the CEO of Walmart thinks about the latest Hulk book, but you better believe Joe at Joe’s Comics & Stuff is gonna gripe to me about it. Not recommend it, or pivot to something better – GRIPE. That’s no way to run a business. Retailers are sitting there going “Man, Marvel sure is putting out a lot of shit”, but in the same breath asking, “Why won’t anyone buy books from me?” Maybe stop badmouthing your product and find a way to hype it! Even if it’s a turd, polish that turd and sell it because that’s your JOB.

There’s another unique thing about the comic industry that people never really think about: comics are the only industry where the consumer knows the distributor and is trained to hate them – trained, mind you, BY retailers! If a shipment gets messed up at Toys R Us, nobody blames Lash Tamaron, ’cause they don’t even know they exist. No, they blame TRU. In comics, however, retailers have this special ability to pass the blame on to Diamond when it’s their own decisions that got them in jeopardy. Didn’t order enough copies of a book, it’s easy to just say “Oh, Diamond shorted us”. Customer might mutter a “Fucking Diamond”, and both parties just kind of shake their heads together at the distributor’s ineptitude.

I might sound like a Diamond apologist, and in many ways I am. Full disclosure: about ten years ago (wow, has it been that long?), I was a purchasing brand manager in the print division of Diamond. That’s a big fancy way to say that I killed a lot of dreams. No, seriously, and I’m not proud of that. If Dave has had a lifelong dream of seeing his name on a comic sold in stores, I’m the guy who would have to work with him to make it happen. The problem, though, is that Dave has created some derivative superhero comic, and consumers have no reason to support his $3.99 black and white book when Marvel and DC have full-color superheroes covered. But I’d get him into the Previews catalog that all retailers use to place their orders, and I’d let the market decide. Then, for a variety of reasons that probably deserve their own post, I’d end up having a very difficult discussion with him about 6 months later. Why? Because a lot of creators aren’t business people. And a lot of comic shop owners aren’t, either. The successful ones have found ways to survive, but it’s the dinosaurs who were sitting pretty during the 90s bubble that don’t know what to do with themselves now.

Now, that’s not to say that Diamond isn’t without problems. It is antiquated. The men running that part of the industry have been doing so for the past 30 years, so there’s not a ton of new blood. There are problems at the warehouse. Back when the main warehouse was in Memphis, there was a UPS center across the street that paid more. The UPS center, however, required you to have at least a year’s experience in a warehouse environment. And guess where they’d get that experience: Diamond. So, the main warehouse is filled with a bunch of novices trying to pad a resume for a better position. No shame in the game, but it’s to Diamond’s detriment. And let’s not forget the publishing cycle: Diamond advertises books that will be available for sale two months from now, with no returnable cushion. So, a retailer does have to take a gamble when it comes to ordering the next month’s books, before they even have this month’s books in hand. But here’s the kicker: Diamond is so ensnared in the distribution process that it couldn’t extract itself if it tried.

Another quick history lesson: about 20 years ago, Marvel bought a distributor called Heroes World, which turned out to be a terrible idea, but I guess it seemed right at the time. In a mad dash for survival, Diamond signed everyone else to exclusive contracts for distribution. This drove a lot of smaller distributors out of business, lessening competition. Then, to make matters worse, Marvel declared bankruptcy and came crawling back to Diamond. This made Diamond king of the hill as the result of a flurry of activity needed for survival. In the years since, people have longed for a competitor to Diamond, but it just ain’t gonna happen. It’s the WWE of comic distribution, and there isn’t really even a TNA waiting in the wings. It’s an unintended monopoly, but a monopoly all the same. But as much as people clamor for the death of Evil Diamond, no one has stopped to consider what would happen if they went away. It’s not going to mean freedom for all the publishers. No, THAT will be the death of the Direct Market, because no one is equipped to take its place. And even if they somehow managed to do so, then they’d eventually become just as hated as Diamond. After all, “You either die a hero…”

The medium needs change, and those fighting that are part of the problem. My friend James once said that comics are for children, and that’s true. I’ve always felt that there’s a 20-year lifespan on comic fandom. If you stick around longer than that, everything becomes Been There, Done That. After 20 years, it’s time to move on. Start repairing old cars, or take your Harley for a three-day cruise. Comics are for the young, but the problem is that the young want nothing to do with them. Oddly enough, though, it’s a bunch of middle-aged armchair quarterbacks who think they know what today’s youth would like. “Spider-Man should be the same as he was when I was growing up!” they yell. Let’s see, kid whose parents are dead, lives with his old aunt in Queens, and he’s late all the time? Hate to break it to ya, but that’s a Black kid. They just didn’t have the social clout to do that back then. If they turned Peter Parker into a Black guy now, those fans would lose their shit. “Why can’t Marvel create NEW characters?” Marvel, then, creates Miles Morales, and then they cry, “Why are you forcing diversity down our throats?!” Is the mere existence of a minority the equivalent of “forcing diversity” on you? Well, I’m sorry the sight of me offends your eyes, Mr. White Man! I just think it’s time for certain fans to go. They don’t like what the industry is doing, and the industry is starting to realize that it can’t survive on mutton alone. There’s no shame in knowing when to walk away.

Anyway, this is all to say that the greatest threat to the comic retailer IS the comic retailer. Stop being a victim, and buckle down. You made this bed so now lie in it. But I also don’t believe in these crowdfunding attempts to keep shops open. The market has spoken, and you’re really just delaying the inevitable. Some shops need to go. That’s nothing personal. It’s business, and they simply lived out their usefulness. The more resourceful shops, however, will find a way. At the end of the day, Superman and Wolverine will outlive the Direct Market, so retailers can gripe all they want, but Disney and Warner Bros are gonna make that money with OR without them. Retailers need Marvel and DC, regardless of the quality of the output, but Marvel and DC don’t necessarily need retailers. The sooner Direct Market retailers realize this, the sooner they can start planning for the future.

And that’s where the post originally ended. And then I saw that I’d received a reply on my comment at the original post (I removed his name ’cause it’s not like I asked his permission to post this or anything):

 

@Will
“I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!

No, that`s a terrible attitude to show contempt at long-time customers who helped build Marvel. These long time fans deserve better than that!
Also be careful what you wish for as Marvel`s sales are in the tank, and they might be begging for those old time fans back one day!

 

I saw this and figured it was just another middle-aged White man, mad about change. His biggest mistake is that line about showing contempt for the customers “who helped build Marvel”. So, I had to address that:

 

See, that’s dangerous thinking, because Marvel doesn’t really owe you anything. You’re approaching this like a shareholder, when that’s not the nature of the arrangement.

As for the old-time fans, they’re gone. Plain and simple. Sure, catering to them might lead SOME of them back, but not enough to really make them the focus. The old time fan wants too much in order to come back. DC did Rebirth, basically as a “We’re sorry for what we did”, and a bunch of fans still wanted them to kiss the ring and do a little humiliating dance. The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.

 

And then he had to go and prove my assessment of him correct:

 

@Will.
The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.

Maybe my friend,but let`s sticky this post because I predict in less than a year Marvel will do a 180 with all their SJW theme comics and will please their old-time fans by bringing back the old school style. Marvel is going to have to go back to basics to stop their ship from sinking. It`s all about money, and Marvel`s old time loyal fans have the deep pockets that the majority of cosplay SJW fans don`t seem to have.

 

Ugh, he had to go and use a term like SJW. You can tell a lot about a person when they’re worried about the perceived Social Justice Warriors. He’s just another stick in the mud, resistant to change. So, of course, I couldn’t let that go:

And you just had to go and torpedo your argument with “SJW” nonsense. The injection of diversity is an attempt to get the dollars they’re not already getting, from audiences they’ve previously ignored. That, my friend, is the future. Any industry propped up by the buying habits of middle aged White men is an industry in trouble (unless you make Cialis or Rogaine), and they’ve finally come to realize that. What’s gonna happen when you die? Are you still going to be rallying from the grave “Put White Spider-Man back in high school!” to an audience base that clear couldn’t give two shits? The Marvel you grew up with is fine, but it’s done. I just don’t get why fans can’t grow up in their expectations.

I won’t exactly call it a “mic drop”, but I really don’t know what’s left to say after that.

02nd Dec2016

West Week Ever: Pop Culture In Review – 12/2/16

by Will

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WWE Edit

Since I basically took off the month of November I guess this has got to be good, huh? Recently, some online friends were discussing taking breaks from blogging, and one of them said that you don’t need to offer an explanation as to where you’ve been. After all, the world doesn’t revolve around your blog, so it’s kind of egotistical to think anyone cares where you’ve been. I get that, but I don’t really agree with it. When people come to expect something regularly, you do kind of owe them an explanation as to why you broke your “promise”, so to speak. Plainly put, something inside me is broken. Yeah, I’m basically stealing Selena Gomez’s speech from the American Music Awards, but that doesn’t make it any less true.

When I started West Week Ever, it was to celebrate the week that was in pop culture. But can you honestly cite anything that had a great week over the past month? And I’m not even really going to delve into the political landscape of things. I’ll save that for a podcast, where it’ll be harder for someone to cut and paste my words without context. No, nothing had the West Week Ever for the past few weeks. I try to go by the whole “The show must go on” mentality, but I just couldn’t do it. Contrary to popular belief, I don’t go into these posts to be negative, but sometimes that’s what comes out. I couldn’t be positive lately, though, and I saw no reason to put that off on you. I wanted Fantastic Beasts to fail. I want Agents of S.H.I.E.L.D.’s cancellation to be announced. I guess I’m one of those men who wants to watch the world burn. But I’m back in the saddle, trying to fight the good fight. Sometimes you’ve just got to take a step back and look at things, so that’s where I’ve been. So, ready to talk about pop culture? Let’s go!

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Seeing as how I usually enjoy the CW DC show crossovers, I’m sure some folks probably figured this year’s “Heroes vs Aliens” featuring the Dominators would get the West Week Ever this week. Well, I’m sorry to disappoint you, but I really didn’t care much for this year’s crossover. To start, I always thought it was a bit of heavy lifting by spreading it across 4 shows. The Berlanti Dilution Effect is full force on this one. Oh, you’ve never heard of the Berlanti Dilution Effect? It’s probably because I just named it. Basically, whenever the Berlantiverse adds a new show, it dilutes the quality of the preexisting shows, as everyone just seems spread too thin. Folks loved Arrow until The Flash came along. All of a sudden, it was the new hit show, while Arrow’s quality dropped. Then, last season, Supergirl and Legends of Tomorrow were introduced, while fans felt Flash’s quality dropped, and Arrow was damn near unwatchable. Fans seem to love Supergirl, while Legends is just kinda off to the side, not bad, but not great. Well, since Supergirl is the new kid on the block, I felt like she could’ve sat on the bench for this year’s crossover. This year should’ve just been Flash/Arrow/Legends, as they at least occupy the same universe. Adding Supergirl was just overstuffing the thing, and her addition didn’t really add much to things.

I also had another issue with the crossover: I don’t think Team Arrow should be fighting aliens. They’re too street-level for that. Now, they’ve dipped their toe into the supernatural with Damien Darhk and Ragman, but I’ve also felt those were creative missteps for the series. They should only be concentrating on street level threats, as something extraterrestrial is out of their wheelhouse. Plus, it’s no secret that Arrow is basically TV Batman, as a lot of Batman’s rogues and tropes have been added to the show. I don’t think Green Arrow should be fighting aliens as much as I actually don’t like Batman as a member of the Justice League. Bear with me a minute here. Prior to the New 52, about 10 years ago, the Bat books were united in the fact that they approached Batman as urban legend. He has more power as a mysterious being, whispered about amongst thugs and criminals than he does as a guy fighting next to Superman in broad daylight. I’m fine if Batman lends his support from the Watchtower, but he shouldn’t be a public face of the Justice League, as he really shouldn’t “exist” as far as the Man on the Street is concerned. I feel the same about the Green Arrow. That hero loses his clout if he’s seen running around with Flash and Supergirl, fighting aliens. He needs to stick to what he does best.

Now, for the crossover itself. I skipped the Supergirl episode because I really have no desire to get into that show, and the pertinent parts of the crossover were repeated in the next night’s Flash episode. Flash was just a little too cutesy for me, as everyone got acquainted, learning each other’s names and power sets, but they didn’t seem to be taking the threat seriously. Sure, there was some Flash stuff going on that didn’t make a ton of sense to folks, like me, who are still basically on season one of the show. They did a pretty good job, though, explaining Flashpoint and how it had affected things. They even threw in some development for the Legends crew, following up on Professor Stein’s visions. Outside of that, though, most of that episode was fluff. I mean, aliens KILL the president, and even it’s kinda treated as an afterthought. Then we got to the Arrow episode which was one big dream sequence. Sadly, this was also the show’s 100th episode, so I felt bad that it was “squandered” on a crossover. And of course I didn’t like the episode, as it featured all the non-metas on a friggin’ spaceship, IN SPACE! The Legends finale was just more of the same. Kara acting too cutesy, Team Arrow being USELESS against aliens, and there were too many characters without a use for most of them. There was just WAY too much going on, with a threat that wasn’t entirely credible, vanquished in a manner that also wasn’t too credible. I realize I’ve gotta suspend disbelief a bit, but COME ON! And the episode ends with a private press conference with Green Arrow, front and center, meeting the new goddamn President! THE PRESIDENT SHOULD NOT BE PUBLICLY ASSOCIATING WITH A VIGILANTE! It’s like Flashpoint has got them living in Trump’s America or some shit! Anyway, there was a pretty clever Brandon Routh/Superman Returns joke near the end, so I’ll give them credit for that one.

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In television news, it was announced that the long-gestating Inhumans film had been demoted to a television series to debut on ABC in 2017. In fact, the first 2 episodes will debut in IMAX in theaters. This whole thing is laughable to me, but not surprising if you understand the nuances of Marvel. The Inhumans were a pet project of Marvel CEO Ike Perlmutter, as Marvel didn’t have the film rights to the X-Men, so he saw the Inhumans as plug and play “freaks with powers” that Marvel Studios could exploit. And he basically forced this idea on Marvel Studios head Kevin Feige, who really wanted nothing to do with the project. That’s why it was put on Marvel’s film schedule, but kept getting shuffled further and further into the future. Well, after the somewhat ugly divorce between Marvel Studios and Marvel Television last year, Marvel Studios now reports directly to Disney, while Marvel Television is still under the Marvel umbrella. This also dissolved the “brain trust” of comic pros who had given input on the movies up to that point. So, this means there’s even less hope of Agents of S.H.I.E.L.D. ever truly aligning with the movies, but it also allowed Feige to get The Inhumans off his plate and pass the buck on to the TV division.

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Anyway, the show is supposed to focus on the Inhuman royal family, such as Black Bolt and Medusa, and I can’t think of anything I’d rather see less of. That franchise has never interested me, and the idea of it on a TV budget isn’t too impressive, either. In its defense, the season will only be 8 episodes long, so they can hopefully apply 22 episodes worth of budget to those 8 episodes. The unofficial cancellation of Conviction, however, has me hoping Marvel might start conversations with Hayley Atwell to bring Agent Carter back for one more season. Adding Ghost Rider to Agents of S.H.I.E.L.D. might’ve been a creative shot in the arm for the show, but it hasn’t moved the needle much in terms of ratings. So, the idea of a 5th season isn’t a guarantee at this point, despite the fact that ABC/Disney own the show. If it were up to me, I’d opt for more Agent Carter as a companion show to Inhumans and say adios to Agents of S.H.I.E.L.D.

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In other TV news, three cast members were announced for Star Trek Discovery. Most people are gonna say Crouching Tiger, Hidden Dragon’s Michelle Yeoh, but I’m gonna say Supercop 2’s Michelle Yeoh has been cast as Captain Georgiou of the starship Shenzhou. Meanwhile, Anthony Rapp of Rent fame will portray the Discovery’s science officer Lt. Stamets. Motion capture veteran Doug Jones will play science officer Lt. Saru, who will be a member of an alien species new to the Trek franchise. And none of these announcements do anything for me. Where’s the obligatory former Benson cast member? Plus, people mistakenly took the news of Yeoh’s casting to mean that she’s the lead, but she’s not, as it was already announced that the lead would not be a captain, and would be a member of the Discovery crew. So, Yeoh is really just more of a high profile guest star. Still, for a show that’s supposed to debut in May (formerly January), they sure seem to be dragging their feet with this casting process.

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In comic news, the rosters were revealed for the upcoming X-Men Gold and X-Men Blue series. Now, for fans of the 90s X-Men, those divisions were important because the adventures of the Gold team were featured in Uncanny X-Men, while the exploits of the Blue team were featured in the X-Men cartoon, as well as the “Adjectiveless” X-Men comic. Fans thought this would be a return to those days, but this week’s announcement dashed those hopes. X-Men Blue will focus on the time-displaced original teen X-Men, led by Magneto – a nod back to the 80s New Mutants era when Magneto served as their mentor. Meanwhile, the Gold team will be comprised of Storm, Old Man Logan, Rachel Grey, Nightcrawler, Colossus, and Kitty Pryde as leader. In a lot of ways, the current Gold team isn’t too different from the old one, as Storm and Colossus were on that team, while Nightcrawler, Rachel, and Kitty were in Excalibur at the time. I’ll probably grab the Gold book, as it seems the closest to the Extraordinary X-Men team – a book I’m already reading – plus I couldn’t give two shits about that time-displaced team. The Gold team also has the distinction of being written by Arrow co-creator Marc Guggenheim, whose work I like, while the Blue team is written by Cullen Bunn, whose indie leanings have left me somewhat disappointed. The biggest issue with the team division is that it leaves a LOT of mutants on the table without homes. Back in the day, while it could be argued that the Blue team was the more popular of the two, both had heavy hitters on their rosters. The “wealth” was spread evenly, so to speak. That doesn’t seem to be the case here. If anything, the Blue team is just a continuation of All-New X-Men, while the Gold team seems to be taking Extraordinary’s place. But where’s Magik? Beast? Am I missing their fates since I’m not reading Death of X or Inhumans vs X-Men? The whole thing just feels kind of lopsided, without a real “A” team in the mix. The Gold folks are classic characters, but lack a “wow factor”, while the Blue team just still feels like a gimmick all these years later.

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In movie news, we got the concept art of how Zordon’s assistant Alpha 5 may look in the upcoming Power Rangers movie. This is the stuff of nightmares, kids! Why does he have those floodlight eyeballs? Was his scanner not enough? And why do his arms go down to the floor? I hate everything I’ve seen about this film, but I’m hoping it succeeds just so they can hopefully build off of this for the sequel and make something good. Look, I understand the need to update things for a new audience, but this thing seems almost ashamed of its source material. So, that alienates the built-in fan base, while offering almost nothing to entice a new one. I really don’t know what this movie is doing.

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While we’re on the topic of Power Rangers, one aspect of the franchise that’s getting it right is the Mighty Morphin Power Rangers comic series from BOOM! There have been several Power Rangers comics over the past 20 years, and they all sucked. I know because I read the vast majority of them (One day I should write about the terrible Hamilton series where the Rangers and Zords just randomly change in the middle of the story). Anyway, for anyone who’ll listen, I’ve been telling them that the current series is better than it has any right to be. Between it and the Kimberly-centric Power Rangers: Pink spinoff, the creators are really mining the property without telling meaningless stories that “dance between the raindrops of continuity”. For example, we found out that Rita actually approached Zack to wield the green power coin before Tommy even came to town. And we also found out that Zordon reenlisted the help of the original Rangers even after they had officially left the team. But this week was this biggest shocker: in #9 of the comic series, we were introduced to a mysterious Ranger who seems to be drawing both green and white power from the Morphing Grid. Oh, and he’s evil and working with Rita. I used to be the guy who said “If it wasn’t in the show, it didn’t count”, but BOOM! is finding ways to tell interesting compelling stories while still honoring the continuity that we already know. If you’re a comic and Power Rangers fan, you should definitely be reading this series.

Things You Might Have Missed This Week

  • The season finale of HBO’s Insecure had many Black males joining #TeamLawrence and #LawrenceHive, sparking quite the divide on Black Twitter
  • Speaking of premium cable channels, Showtime announced that Masters of Sex would not be coming back for a 5th season. I guess they, uh, mastered the sex.
  • Full House creator Jeff Franklin actually purchased the San Francisco house that served as the exterior of the Tanner home
  • Billy Dee Williams will be the voice of Harvey Dent/Two-Face in The Lego Batman Movie, reprising his role from 1989’s Batman.
  • Quantico showrunner Josh Safran has said that the show will never feature a Muslim terrorist. That snickering you hear is coming from the producers of 24.
  • While promoting his new book, Saved By The Bell executive producer Peter Engel said that Zack and Kelly “weren’t built to last” and are probably divorced by now.
  • Good girls finish last, as Amazon has decided against a second season for Mad Men clone Good Girls Revolt

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When I first saw the ads for Search Party, I thought “What a dumb idea for a show.” It looked too hipster, and it starred the Great Value Ilana Glazer, Alia Shawkat, who you probably remember as Maeby from Arrested Development. I remembered reading about it, and wondered how exactly they could make a show out of that premise. Well, I can admit when I’m wrong, and BOY was I wrong!

If you’re not familiar, Search Party kicks off with the disappearance of a young woman. Dory (Shawkat) and her group of Millennial hipster friends kinda knew the girl in college, but they wouldn’t necessarily call her a “friend”. Then, she disappears, and they milk it for all it’s worth. They post updates on social media about how a piece of them is now missing, and they even attend a vigil for her upstate. Meanwhile, Dory is sort of lost in life, and she gloms onto the case with an unexpected fervor. Things really kick into high gear when she randomly sees the missing girl in a Chinese restaurant, yet no one will believe that she really saw her. Like they’ve been doing, Dory’s friends just believe she’s milking the whole thing for attention. Then crazy people come out of the woodwork, a private investigator appears, and a cult is even involved. I never saw any of this coming, but enjoyed every minute of it. It’s like a hipster Nancy Drew.

Airing on TBS, Search Party was sort of burned off at a pace of two episodes a night in Conan’s timeslot all last week. In addition to that, immediately following the premiere on Monday, all the episodes were made available On Demand. So, I can’t figure out if TBS was extremely proud of the show OR if they couldn’t be done with it fast enough. I’m not sure how these tactics helped ratings, but critics seemed to love the show. As some critics pointed out, it’s basically what Girls could’ve been, but wasn’t. The problem with Girls is that is filled with such unsympathetic characters who all suck at life. With Search Party, however, you can kind of relate to those characters and, if not, you at least know someone like them. You understand their insecurities and the ways in which they cope with them. Sure, they kinda suck at life, but they know it, and they want to NOT suck. That can’t be said for Hannah Horvath and her friends.

In many ways, it was a major coup for TBS to get this show. It probably would’ve been more at home on something like Netflix, and probably would’ve gotten more promotion. It’s SO bingeable, and you’re going to want to blow through the 10-episode series in one sitting. It’s that good. I didn’t even see some of the twists coming that it throws at you. And the ending was nothing like you’d expect. Oh, man do I wanna talk about that ending. I don’t know how they’d get a second season out of it, but I’d love to see that cast back together. If it’s just a one and done series, it does the job there, as well. It’s the perfect miniseries. And that’s why Search Party had the West Week Ever.

04th Nov2016

West Week Ever: Pop Culture In Review – 11/4/16

by Will

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WWE Edit

Earlier this week, I found myself having an impromptu Zac Efronathon, as I watched 2 of his comedies the same night. I used to think he was just some one-note himbo, but I think I really like that dude. He’s a funny guy, and he’s also beautiful (What? I have to give credit where it’s due!).

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Anyway, first up was Mike and Dave Need Wedding Dates. When I first heard about this movie, I was convinced I’d actually see it in the theater, but that didn’t come to pass. I was really looking forward to it, but was too lazy to actually go see it. Oh well, that’s what DVDs/streaming are for! Zac Efron and Adam Devine play the title characters, who have a reputation for ruining family gatherings. Since they’re known to rile each other up, their father insists that they bring dates to their sister’s destination wedding in Hawaii. It’s their father’s hope that they’ll bring “nice girls” who will keep them in check. Well, not knowing how to find these girls, they post an ad on Craigslist, which gets thousands of replies from folks who just want a free trip to Hawaii. Eventually they end up on The Wendy Williams Show, and their episode is seen by two slackers played by Aubrey Plaza and Anna Kendrick. They decide to pretend they’re nice girls so they can get the trip. And hilarity ensues. As an R-rated raunch comedy, it was about what I expected, though it could’ve been better. Plaza has this weird pseudo-ghetto accent that I’m never really sold on, though I do feel like she manages to do the impossible: outshine Kendrick. None of that Pitch Perfect Kendrick magic is on display here, as she pretty much plays The Dumb One opposite Plaza as The Schemer. I’m still not sure if I’m down with Adam Devine’s whole thing or not. He’s a lot like Eric Andre in that he’s not a bad looking dude, but he goes out of his way to make himself look as annoying/unattractive as possible. I guess it’s good he’s found a niche. I wouldn’t say this movie is worth owning, but it’s definitely worth seeing. And make sure you see the real thing, and don’t wait for it to get neutered on FX.

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The Efronathon continued with the sequel Neighbors 2: Sorority Rising. Now, I have to admit that I remember very little about the first movie, but I didn’t really think the world of Neighbors had a rich continuity to it. Basically, I remembered the airbag gag, and that’s about it. Totally forgot that Dave Franco came out in the last film, which probably would’ve made me less confused by the beginning of this installment. Did you see the first movie? If not, here’s how it went: New parents Seth Rogen and Rose Byrne learn that the Delta Psi Beta fraternity has moved next door to them. They just want a quiet life to raise their newborn, while the frat brothers wanna do what frat brothers do: PARTY. So, a war breaks out between Rogen and the frat, led by Zac Efron. By the end of the film, the college shuts down the house, and it seems like Rogen and Efron are friends. Well, based on the age of Rogen and Byrne’s daughter, this movie takes place roughly two years later. Byrne is expecting their second child, and they’re selling their house to move out to the suburbs. After the sale, however, they enter escrow – meaning that they basically have to cross their fingers that nothing goes wrong for the next 30 days, or the sale won’t go through. Well, everything’s going smoothly until a sorority decides to set up in the old Delta Psi Beta house. And you basically get the same movie as the first, only the guys are replaced with girls. This one, however, kinda has a heavyhanded message about feminism that it’s trying to get across, but I’m not quite sure it sticks the landing. It’s funny, but I’m having trouble accepting that Chloe Grace Moretz has grown up; she’ll always be little Hit Girl to me. I didn’t talk too much about Efron’s role this time around because I don’t wanna give away the whole movie, but he’s just as good here as he was in Mike and Dave. Again, probably not worth owning, but it’s worth checking out.

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Finally, I went to see Doctor Strange last night. For the first time in a long time, a comic book movie didn’t get the West Week Ever. You see, I liked it, but I didn’t love it. I don’t know if it’s the fault of the film, however. At the end of the day, I just don’t like Mystical Marvel or Cosmic Marvel. I’d probably rank this film with the first Thor. Don’t get me wrong – it’s visually stunning, and probably the first Marvel movie that you NEED to see in 3D. At the same time, I felt it was a little on the short side and some extra time could’ve been used for character development. For example, I don’t think we see enough of civilian Stephen Strange, before all the mystical stuff happens. Then, when the mystical stuff does happen, it happens too quickly. We never really see him struggle to master his power. So, it’s definitely got pacing issues. I actually liked Tilda Swinton as The Ancient One, despite the whitewashing. The cape, though…I hated the cape. Also, Marvel keeps telling us “It’s all connected”, but they miss golden opportunities to link in the stuff that they claim is difficult to do. I mean, part of it takes place in a hospital in NYC. Claire Temple (Rosario Dawson’s character from the Marvel Netflix shows) also works in a hospital in NYC, so… Still, it’s got some cool Easter eggs if you’re paying close attention, and Strange seems like a cool addition to the MCU. I can’t exactly put my finger on it, but I needed more of something from this film that I didn’t get. It’s definitely worth seeing, but this isn’t the film that’s gonna sway the crowd that’s never been fans of the Marvel films.

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On the standup front, I caught Pete Davidson: SMD on Comedy Central. By now, you probably know the general bulletpoints for Davidson: he’s the youngest current SNL cast member at 22, he’s a stoner, and his firefighter dad died in 9/11. There have been a lot of really good interviews with him going around lately, like him talking about how he pretty much hates his life, but he’s trying not to blow this great opportunity that’s been given to him. Well, this one-hour special is more of that. To be honest, he’s not ready for an hour yet. He’s a pretty good storyteller, but he could do the same thing in the interviews instead of doing it onstage. It’s almost like the stage is therapy for him, but he just happens to have an audience. He’s not especially charismatic, nor does he work the crowd. Still, it could’ve been a lot worse. It wasn’t a bad special by any means, but it wasn’t especially polished. The production values were pretty low, but I guess they fit his brand, so to speak. If you like what he does on SNL, it’s worth checking out, but it doesn’t reinvent the wheel or anything.

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On TV, this week saw the season finale of Donald Glover’s exceptional Atlanta, which capped off a near perfect season of television. I really liked how cyclical the whole thing was. The episode, titled “The Jacket”, has Earn retracing his steps from the night before in order to find his jacket. As the episode starts, he wakes up in the aftermath of a party, with the host telling him that he has to leave. The host tells him, “We boys, but we ain’t boys. See, I know you, but at the same time, I don’t know you.” He’s basically saying that no matter how much you think you know a person, you can’t ever fully know what’s going on with them. And that’s proven to us by the final scene of the episode, as we learn we don’t know Earn as well as we thought we did. I’m really looking forward to the next season, which I hope isn’t derailed by filming on the Han Solo film.

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In music, Beyonce decided she wanted a challenge, so she showed up at the 50th anniversary of the Country Music Association Awards. And the kids on social media lost their shit. “She needs to stay in her lane! She’s not country music!” Oh, and she didn’t come alone: she brought country music black sheep The Dixie Chicks along for the ride. She basically showed up to the door and said, “These are my Plus Three”. Now, I’m not the biggest Beyonce fan in the world (frankly, I prefer her Destinty’s Child stuff), but it was kinda cool for her to use her clout to usher the Chicks back into the world of country. After all, not everyone has forgiven them for their jab against W all those years ago. With the exception of an International Artist Achievement Award in 2006, the Dixie Chicks haven’t won a CMA since 2002. I’d have preferred it if they’d done a Beyonce take on a Dixie Chicks song, instead of them serving as the backing band for one of her Lemonade songs, but she’s the Queen. I’ve hit that age where pop music bewilders me, but I know everyone on the country charts. I guess the CMAs have become my Grammys, but I’ve got to say that I was disappointed with about 80% of the live performances, as it seemed like nobody had showed up to soundcheck. Levels were off, tempos were off, folks were pitchy. It was a mess, and didn’t feel like a worthy tribute to the 50th anniversary of that institution.

Things You Might Have Missed This Week

  • CBS announced that the CBS All Access spinoff of The Good Wife would be called The Good Fight
  • Johnny Depp not only has a cameo in Fantastic Beasts and Where To Find Them, but he’ll also star in the sequel.. This isn’t good news, however, to those in the Amber Heard camp…
  • Since it’s just gonna become a full-on Batman adaptation, it was announced that Ra’s Al Ghul’s other daughter (and mother of Batman’s son) Talia will be appearing on Arrow this season.
  • It was revealed that Taylor Swift wrote “Better Man”, the latest single from country group Little Big Town. It’s not clear if it’s about Calvin Harris or Tom Hiddleston, though.
  • Lindsay Lohan now speaks with a really bad Boris & Natasha accent.
  • John Wick director David Leitch is considered the frontrunner to direct Deadpool 2. Meanwhile, in a show of solidarity with former director Tim Miller, composer Junkie XL is leaving the sequel.
  • Speaking of Tim Miller, he’s reportedly developing a Sonic the Hedgehog movie at Sony
  • DC stays losing, as director Rick Famuyima has left the film adaptation of The Flash, citing “creative differences”
  • The Nerd Lunch Podcast celebrated its 250th episode, and yours truly makes a cameo appearance!
  • We got a new Wonder Woman trailer yesterday, and my pals over at The Robot’s Pajamas have a great frame by frame breakdown.

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I’m not a sports guy, so I don’t really have a ton to say here. After I finished watching the CMAs the other night, I decided to turn on Game 7 of the World Series. I haven’t cared about baseball since about 1992, when I was in the prime of my baseball card collecting career. I did, however, know that the Cubs and the Indians are some of the losingest teams out there, so it was pretty awesome that they had made it this far. Immediately, I was riveted by the game, as I watched everything happen that could happen. Fatigued pitchers, sloppy bunts, and a rain delay. But I stuck it out until 1 AM to see the Cubs break a 108 year “curse”, winning the series. I don’t think anything topped that this week, so that’s why the Chicago Cubs had the West Week Ever.

21st Oct2016

West Week Ever: Pop Culture In Review – 10/21/16

by Will

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WWE Edit

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On TV, I caught the HBO series Insecure. Everyone’s talking about Westworld, but nobody’s really talking about this. Created by and starring Issa Rae of Awkward Black Girl fame, it follows a young Black woman who’s trying to find her way in an unfulfilling job and a dead-end relationship. It’s a cute show, but I could see myself getting bored with it the same way I got bored with the Awkward Black Girl webseries. According to the ratings, the show’s not doing all that well on HBO, with fewer than a half million people tuning in. Rae’s had this development deal with HBO for years, but I can’t help but think this show would do better on another network. In fact, it would be the PERFECT companion for Atlanta over on FX. Both Rae and Glover have been thrown into that “You aren’t Black enough/Why do you talk White?” camp at some point in their careers, yet now they’re some of the leading voices of the Black Millennial. Hell, the show might even do better on Starz, scheduled after Power. What I’m saying is that Sarah Jessica Parker’s Divorce is NOT the right lead-in for the show, as I’m sure Insecure isn’t retaining much of that audience.

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In TV news, it was reported that Jason Segel is down for a How I Met Your Mother reunion. THIS is what’s known as a “slow news day”. I mean, the show basically JUST ended. Yes, I realize it’s been 3 years, but that’s still too early for us to be wondering where those characters ended up. I mean, I just got done being mad about that finale. I’m not ready to deal with Ted Mosby’s shit again this soon. Give it some time to settle. Maybe wait until you’ve got an idea that’s legen…wait for it… As for some HIMYM trivia, did you ever realize that Marshall and Lily don’t kiss that often? Apparently, Allyson Hannigan couldn’t stand Segel’s smoker breath, so she asked that they not kiss too much. I never realized that, but now I’ll be looking for it.

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In comics news, it was reported that Justice League/Mighty Morphin Power Rangers would be launching as a miniseries next year. Personally, I think this is a horrible idea. I think it boils down to the fact that I have never really seen the Power Rangers as “superheroes”. They’re more like “global peacekeepers”, which makes them more like galaxy cops. Then again, the Green Lanterns are space cops and they’re considered superheroes, so what do I know? Hell, Batman just teamed up with the Teenage Mutant Ninja Turtles so it’s not like these crossovers have to “make sense”. Someone on Twitter pointed out that it’s really more of a cash grab since both have movies coming out next year. Adult Rangers fans, God bless ‘em, are happy about the news because it sort of lends some legitimacy to the Power Rangers brand. Justice League fans, however, are pretty much in “WTF?” mode. Morbid curiosity dictates that I check out the first issue, but I can’t say I’m excited for this. I’m not even cautiously optimistic about it.

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There was also some drama in the art camp as J. Scott Campbell came under fire for a variant cover he did for Midtown Comics of upcoming Tony Stark replacement, Riri Williams. The biggest complaint is that he basically sexualized a 15 year old girl. Now, Campbell and I have had our differences – to the point that he’s blocked me on Twitter. Still, I have to give credit where it’s due, and I don’t see anything wrong here. He drew her based on how she’d been previously depicted: same hair, same shirt, same bare midriff, etc. Have you looked at a 15 year old lately? This is how a lot of them look. I see the curvature of the hip, but I’m not seeing Campbell’s version as “sexy”, per se. If anything, I’m more surprised that he drew a convincingly Black face. My biggest complaint about him is that he’s built a career on basically drawing the same female face and only changing the hair. In this case, I would’ve expected him to draw that same face and let the colorist handle the fact that it’s a Black character. No, he actually drew a serviceable Black teenager, so I’ll give him credit there. Some blame has to go to Marvel, as they knew what you get with a Campbell cover, but he’s nowhere near as brazen as, say, Frank Cho. Riri has some big shoes to fill, so Marvel’s going to have to be careful with how they handle her – especially with so many eyes on her debut. Anyway, last night Marvel and Midtown mutually agreed to kill the cover, with Campbell blaming “faux outrage” for the decision.

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In toy news, Hasbro announced the creation of HasCon, which will be their own convention devoted to their brands, to be held in Rhode Island next fall. This had been rumored for some time, but now it’s a real thing. I understand branding and all, but “HasCon” is a terrible name. It’s not something that evokes fun. It sounds like something you’d hear in a disaster situation. “Mr. President, alert HasCon that the virus has gone airborne!” Anyway, some fans are upset because Star Wars and Marvel won’t be represented, but that shouldn’t come as much of a surprise since Hasbro doesn’t own those properties. I still think this could spell a resurgence for G.I. Joe, and maybe we’ll finally get that M.A.S.K. toyline reboot.

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In wrestling news, everyone’s crush, British wrestler Paige, proposed to her boyfriend Alberto Del Rio. This is a dumb, dumb girl. I say “girl” because she’s 24, and I don’t really trust the judgment of anyone under the age of 25 – especially when they jump off shit for a living. The dude’s not even divorced yet, as his wife is claiming that he cheated on her WITH Paige, and then Paige went and did the dumbest thing you can do at her age – got his name tattooed under breast. This is all just a midlife crisis for Del Rio, but I really feel like Paige doesn’t realize how she’s squandering her opportunity with the WWE. Del Rio already left abruptly, and she’s on a suspension for violating the Wellness Policy, as well as claiming she needs neck surgery that WWE doesn’t think she needs. She’s even been removed from Raw’s opening sequence. She is NOT in good standing with WWE, so she should really be focusing on her career instead of this high school, lovey dovey shit. But hey, it’s her life.

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In video game news, Nintendo announced the Nintendo Switch console. The benefit of the system is that you can take the home gaming experience with you, as the console undocks to become portable. The trailer shows people in a lot of public settings where you wouldn’t typically be playing video games anyway. So, it’s like, “thanks but no thanks”. I already think it’s weird when socially awkward folks whip out a DS in the middle of a party or while standing in line, but now they’re gonna have a whole, damn full-fledged console? Anyway, it looks cool in theory, but I don’t plan on buying one. Based on the trailer, it looks like it’s designed to make you anti-social in social environments.

Things You Might Have Missed This Week

  • Leo DiCaprio is producing a Captain Planet movie that picks up years after the show, where a washed-up Captain Planet needs the Planeteers more than ever. OK, whatever…
  • The Walking Dead was renewed for season 8, so there’s no end in sight for it or the comic it’s based on
  • CBS granted full season orders to freshman shows Bull, MacGyver, and Kevin Can Wait. They also canceled summer series BrainDead and American Gothic
  • Speaking of CBS, they’re developing popular app Candy Crush into a game show. Personally, I’d rather have a Fruit Ninja show, but I bet Asian groups would lose their shit
  • Max Steel became one of the biggest bombs ever, taking in just over half a million dollars on opening day
  • Billy Bush and NBC parted ways, with Bush receiving a $10 million payout. Man, NBC sure has a funny idea of what “punishment” is…
  • After 30 years, MetLife is dumping Snoopy and the rest of the Peanuts characters from its marketing campaign.
  • Bob Dylan won the Nobel Prize, but won’t answer his phone for them to get it to him.

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Programming Note: If you notice, I never really talk about comics or graphic novels that I’ve read in West Week Ever – mainly because I’ve got separate columns for that. Yup, Adventures West Coast is my graphic novel review column, while Comical Thoughts is where I discuss monthly comics that I’ve read. They’ve been gathering dust for over a year or so, but I dusted off Adventures West Coast this week with my review of Grant Morrison’s Wonder Woman: Earth One Vol 1 (check it out if you missed it the other day). My goal is to have a comic post every Wednesday – either an AWC or a CT post, but I can’t do that if you’re not reading them. So, if you’re interested and like what you see, click and click often. AND SHARE!


The X-Men movies get a bad rap as a franchise. Despite creative high points like X2: X-Men United and X-Men: Days of Future Past, fans choose to remember the low points, such as X-Men: The Last Stand and X-Men Origins: Wolverine. When you break down the 9 movies that comprise the franchise, it’s about a 50/50 when it comes to whether or not they were “good” movies. Then the Marvel Cinematic Universe came along and changed folks’ idea of what a shared comic book universe is supposed to look like. Suddenly, X2 was no longer good enough and Fox needed to “give the X-Men back to Marvel!”

I’ve never thought the situation was that dire when it came to the X-Men movies. I like that there’s some MCU competition out there, as the Fox movies basically have a different tone to them. You actually feel like things are at stake in X-Men movies, not sure if they are going to be able to save the day at the end. The audience loves RDJ and Chris Evans, so you know Cap and Iron Man aren’t ever in any real danger, but Anna Paquin? She could easily die. In Avengers, we never really saw what would happen to Earth if they had failed to defeat the Chitauri, since that would never happen. In Days of Future Past, however, we saw what happens when the X-Men lose, and it ain’t pretty. Well, yesterday we got the trailer for the third and final Wolverine movie, titled Logan, and we see that the future can be bleak in more ways than one.

In the trailer, we see the near future, where mutants aren’t as prevalent, and Logan’s healing factor isn’t working so well anymore. A young girl needs saving, and Professor X, now old and sickly, believes that Logan is the man to do the saving. Set to the Johnny Cash version of “Hurt”, the trailer is evocative of similar media like The Road or The Last of Us. It’s just Wolverine and a young girl trying to survive. Hell, I don’t even know if Professor X is really even there or if he’s just something that Logan sees. I wouldn’t put it past them. What we get, though, is a story that seems like it has weight. It has finality to it. Jackman may come back in future X-Men movies, but this sure doesn’t feel like it. This is it. And the thing at stake is the reputation of the X-Men movie franchise. Following the success of Deadpool, the movie is rated R, so hopefully Wolverine can finally cut loose like we’ve been expecting for the past 17 years. I think this is gonna be good. I think it’s gonna be really good. And that’s why the Logan trailer had the West Week Ever.

19th Oct2016

Adventures West Coast – Wonder Woman: Earth One Vol 1

by Will

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Wonder Woman: Earth One is the least “Grant Morrison” project I’ve ever read from Morrison, and I’m not sure if that’s a good thing or a bad thing. I’ve come to expect a bunch of “over my head” stuff from Morrison’s work, as I rarely even understand most of it. So, when he actually brings a fairly grounded approach to Wonder Woman, I’m almost disappointed that he didn’t bring his patented magic to the book.

If you’re not familiar with the Earth One books, they’re reimaginings of the popular DC Comics heroes, with the stories taking place on a “real world” Earth much like our own. The series started a few years ago, focusing on Superman (I reviewed the second volume of that book), followed by Batman, Teen Titans, and now Wonder Woman.

Now, I have to go on record that I’ve never been the biggest Wonder Woman fan. Sure, she’s part of DC’s “Trinity”, but her greatest strength is just the longevity of her publication history. She’s got no rogues gallery, and there are very few “iconic” Wonder Woman stories. Since her film debut in Batman v Superman: Dawn of Justice, however, I’ve developed a newfound respect for the character, and I’ve been searching for a comic that really gets to her core. As the first volume of an Earth One series, this was bound to be an origin story, so I thought it would be a great place to start. Despite the fact that I don’t necessarily “get” a lot of Grant Morrison’s work, he has a reputation for getting to the core of characters, and here he is teamed with Yanick Paquette, with whom he worked on The Seven Soldiers of Victory, which I enjoyed.

The story opens to a flashback of Hercules and his crew trying to subjugate the Amazons. After Hippolyta, Queen of the Amazons, kills Hercules, she frees the other Amazons from captivity, and they proceed to murder their would-be captors. At this point, they decide to retreat from Man’s World , and we are then taken to present day Paradise Island – an idyllic utopia established by the Amazons, untouched by men. They’re flying around on hovercycles and in invisible jets, and my chauvinism came out: my first thought was “What man created those for them?” Yeah, I know I suck, but admitting it is the first step to recovery, right?

Anyway, Diana, daughter of Hippolyta, is being brought back to Paradise Island in chains, on trial for breaking Amazon law and going to Man’s World. Through various testimonies, we learn how Diana discovered an injured pilot named Steve Trevor, who had crash landed on the island. Knowing that he would be killed simply for being a man, she devises a scheme to get him back to the US for the medical help that he needs. Along the way, she finds herself bewildered by the state of women in Man’s World, and she ends up getting a makeover from a sorority. Yeah, that happened.

The book does take some interesting liberties with the story, however. For example, Steve Trevor is a Black man in this version, which works just fine. After all, there’s nothing that says he had to be White other than the time period in which he was created. Another thing is that the story confirms Wonder Woman as a queer character, as its her lover’s invisible jet that she steals in order to get Trevor to safety. I just find it interesting that the latest news cycle revolved around the fact that the current Wonder Woman writer, Greg Rucka, had identified her as queer when this story predated his run. So, either nobody read this thing OR they figured it “didn’t count” since it takes place on another Earth.

The art is beautiful, yet flat. There’s no real action, and the characters look like Colorforms just creatively placed around the page. It almost felt like Paquette took a page from the Greg Land playbook, where the model images come from different sources so they don’t necessarily mesh well when placed together. As pretty as the art may be, I’m not sure it really complements the story being told.

I’m not going to spoil the whole thing, as most of the story is told through flashbacks, and would make more sense if you read it. At the end of the day, though, Morrison basically just gives us an update of The Little Mermaid. Diana has everything she could want, but she knows there’s more out in the world and she wants to experience it, much to the chagrin of her royal parent. There’s little depth to Diana, and it’s odd seeing Morrison tackle a character who’s so brazenly optimistic. There’s typically a darkness to his subjects, which probably lends to their complexity. It’s a cute story – the kind of thing you could read to your young daughter before she goes to sleep. But it’s not a Morrison Story, which is synonymous with layers and crazy, wacky shit. I guess I should appreciate the fact that he wrote something I can actually grasp, but part of me feels like he just phoned it in. I’ve found that a lot of the heroes’ depiction in the Earth One books leaves a lot to be desired, so maybe this follows that pattern. Their Superman is a quiet loner. Their Batman is kind of a doofus who’s a shitty detective. So, I guess it makes sense that their Wonder Woman would be a peppy cheerleader. It just feels like such a wasted opportunity, though. Here, Morrison seems out of his element, and has little to offer a story that’s been told better by others before him.

14th Oct2016

West Week Ever: Pop Culture In Review – 10/14/16

by Will

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