Man, did this week suck! Work is kinda kicking my ass, so this might be a short one this week.
This seemed like the week of lost heroes. First up, Jared Fogle – Subway’s mascot for over a decade – pleaded guilty to possession of child pornography, as well as traveling to have sex with a minor. Apparently, he would call up local escort services, and offer a bounty if they could find him young girls. “The younger the better”, he apparently said. This all started a few weeks back, when his home was raided. It was originally thought that it was in relation to the child pornography charges against the former head of his charity, but it turns out that guy had shared the videos with Jared. So, now everyone’s making jokes about all the “footlongs” he’s gonna get in prison. While it’s laughable, I find the whole thing kinda sad. I always liked Jared, and I hate to know that he was such a creeper.
Another hero fell, as Brian Austin Green and Megan Fox called it quits after 11 years together. Now, every neckbeard across America is gonna think he’s got a shot with her, but think again! The Summer of Lost Love continues. Better luck next time, David Silver…
Over at ABC, it appears that Mockingbird spinoff isn’t dead after all. Now called Marvel’s Most Wanted (which sounds like a really bad comic reprint collection or something), the show will follow Bobbi Morse and ex husband Lance Hunter on their “continuing adventures”. They’re now saying, however, that it’s not a “spinoff” per se, so it’s not clear if they’ll be distancing it from Agents of S.H.I.E.L.D. Right now, it’s just at the pilot stage, so nothing may come from it, but only time will tell. I still think this is a bad idea, as those 2 are probably the most interesting members of the team. Unless they use time travel to make Agent Carter travel to the present and join the team, I really don’t see what could make that show interesting if Bobbi and Hunter leave. I wouldn’t say they’re carrying the show, but they would definitely be missed if they left.
So, I’ve been doing this Twitter thing for over 6 years, but never had a celebrity follower. There was that brief time I was followed by Ronda Rousey’s mom (or some chick pretending to be her), but I never had a gen-yoo-wine celebrity until Wednesday night. I was busy live-tweeting Catfish when I got an email: “Aaron Carter is now following you”. Aaron Carter?! “That’s How I Beat Shaq” Aaron Carter?! Backstreet Boy Nick Carter’s little brother, and former boyfriend of both Lindsay Lohan AND Hilary Duff Aaron Carter?! Surely this had to be a fake fan profile, right? Nope, look at that checkmark. Verified, baby! His career never really took off like his brother’s, but he was kind of a big deal in Europe before he hit puberty. What’s he doing now? Well, apparently he filed for bankruptcy back in 2013, so there’s that. And now he’s following a bunch of nobodies on Twitter. Huzzah! Actually, I really don’t know how I feel about this. I mean, what about me made him follow me? Sure, I talk a lot about boybands, but I don’t think I’ve ever discussed him or his career. How long will this last? Surely he’ll be gone by Labor Day, right? Maybe I should tweet him and see if he replies. So conflicted!
Things You Might Have Missed This Week
-Craig Robinson’s Mr. Robinson ended its 6-episode first season on NBC
-Josh Duggar, of 19 Kids and Oh God, My Vagina! fame, was outed in the Ashley Madison hack, resulting in his confession that he’d not only had an affair, but had also spent almost $1,000 on the site. First he touches his sisters, and then he pays to cheat on his wife. Dude’s got NO game.
-Disney revealed footage from Captain America: Civil War at last weekend’s D23 Expo. Since the footage isn’t online, I’m not gonna waste my time describing someone else’s description of what they saw. I’ll just wait for the trailer.
-Presidential candidate Deez Nuts is gaining on Donald Trump
Now, I don’t get into this too much, but I have a No Death policy for West Week Ever. It’s never happy, there are too many of them to mention every week, and I’m sure I’d end up missing someone who’s important to readers but not to me. So, I just stay away from death announcements. This week, however, I have to make an exception. You see, Leonard B. Robinson, also known as Route 29 Batman, was killed last Sunday while checking his engine on a business stretch of road. If you haven’t heard the story by now, Robinson went viral a few years ago when he was pulled over by Montgomery County police along Route 29. His story, it turns out, was that he had made a fortune in the cleaning business, so he decided to dress up like Batman and visit sick kids in hospitals. He had a souped up Lamborghini that served as his Batmobile, and it was this very car that he was driving when tragedy struck.
I’ve often wondered why no one has actually tried to be Batman. Sure, it’s fiction, but some rich guy could easily decide to become a vigilante and take matters into his own hands. Well, Robinson actually did that. No, he didn’t fight crime, but he was a hero to many, as he brought smiles to the faces of the kids he visited. He would dress up in a 35-pound costume, which took 45 minutes to put on, just to brighten up the lives of area sick kids. He would give anti-bullying speeches at local schools. He would give out Batman merchandise to kids, autographed by “Batman”.
Maryland isn’t Gotham City, but we’ve had quite the cast of characters running around. We’ve got a guy covered in question marks, screaming about how you can get free money from the government. We had a sniper, who was just shooting up random gas stations. And we had a man dressed like a bat, trying to brighten the world in which he lived. I never met Leonard, but I really wish that I had been given the chance. I always wondered why Batman wasn’t real, and it turns out he was here the whole time. This week’s West Week Ever is dedicated to the life of Leonard B. Robinson.
Last week, I said that the Deadpool trailer had the West Week Ever, even though I don’t really agree with how the movie’s being marketed. My friend Glenn, however, believes that everything is as it should be. In my attempt to be fair and balanced, I thought I’d share his thoughts on things. We had a lengthy Facebook conversation about the matter, and he pointed out that Deadpool is the “Merc with a Mouth” and is only censored in the comics because he has to be. This movie, however, will give him a chance to cut loose. He said that while there are always going to be things that are cross-marketed to kids and adults, this isn’t the kind of movie that he’d take his 5 year old daughter to see. Anyway, he made some good points, and then we trailed off into talking about how awesome Alamo Drafthouse Cinema is. Since we’ve had a week to think about it all, thoughts anyone?
It was announced this week that The Lion King would be getting another sequel. At first, I didn’t understand why this was big news. I mean, the thing had 2 straight-to-video sequels in The Lion King II: Simba’s Pride and The Lion King 1 1/2 (which was more of an inbetwequel). So, even though James Earl Jones is coming back as Mufassa, why is this big news? Well, it appears that the TV movie sequel, The Lion Guard: Return of the Roar is actually a pilot for a new television series called The Lion Guard. It’s being described by Disney as “The Lion King meets The Avengers”, and that sound you hear is all of the world’s cash registers ringing at once. The series follows Kion, the youngest son of Simba and Nala, as he assembles a team of animals to help protect the Pride Lands. Anyway, a sneak peak of the show is expected at this weekend’s Disney D23 Expo.
The rumor coming out of Warner Bros is that a private viewing of Batman v Superman: Dawn of Justice was held for the high up muckety-mucks, and they loved Affleck’s portrayal so much that he’s being offered his own standalone Batman trilogy. I think a standalone Batfleck film was announced at SDCC (it’s getting harder to tell the rumors from the confirmed news these days), but this is the first mention of an entire trilogy. Seems kinda odd, since this movie adapts parts of The Dark Knight Returns – a story that shows Batman at the end of his career. Still, I’d much rather have more Batman than Aquaman, Cyborg, and all the other DCU movies that have been announced.
In other DC news, it’s been announced that Matt Ryan will guest star on Arrow next season as John Constantine. This is pretty important because he starred as the character on the recently cancelled Constantine, and Stephen Amell had been lobbying to get him on the show. Now, I’ve never seen an episode of Constantine, so I’ll need some of y’all to chime in: does he fit into the world that Greg Berlanti has created in Arrow/The Flash/Legends of Tomorrow? I mean, tonally and thematically, is that going to work? I guess we’ll just have to wait and see.
Speaking of Berlanti, he mentioned during the Television Critics Association press tour this week that Supergirl wouldn’t be crossing over with any of his other shows for the time being. That sucks, seeing as how CBS owns half of The CW, so it’s not like it would be that hard logistically. I think, however, they want to focus on establishing her as her own hero. Plus, introducing her into that world is a whole different can of worms, because that, then, admits that Superman exists in that universe, and I don’t think I’m prepared for that. Especially if they do something like they’re doing with Constantine, and bring Tom Welling back to play Superman. Meanwhile, it was also announced that True Blood‘s Brit Morgan would be playing the villain Livewire.
In a surprising move, it was announced that the next 5 seasons of Sesame Street will now debut on HBO. The deal will allow them to create 35 episodes a year instead of the current output of 18 episodes a year. After the initial 9 month window, the episodes will then be available to air on PBS. Meanwhile, PBS will be airing recut versions of classic episodes. First of all, I’m kinda surprised they only produce 18 episodes a year. The show comes on every day, and while it has quite the video library under its belt, I really thought they were producing something like 60 a year. That’s the approximate number of other kids shows that air in strip, 5-day-a-week format. Something feels wrong to me, though, that the rich kids with HBO are getting these episodes first. As some folks on Twitter pointed out, it’s like we’re gentrifying education. Sesame Street used to be an important way that lower income students were able to learn, and now we’re giving them scraps after the kids whose parents can afford HBO have had their way with them. It just seems wrong somehow. Anyway, the deal also calls for a spinoff show starring the Sesame Street Muppets.
Back in the day, BET had its own version of Skinemax known as BET Uncut. Young Black kids used to tune in hoping to get a glimpse of boob while videos played the hip hop hits of the day. The show ended in 2006, but its legacy was never forgotten. So, imagine everyone’s surprise when BET suddenly announced that the show would be returning on August 11th. When viewers tuned in, however, they were met with a surprise: the whole thing was a ruse to promote the debut of BET’s version of Punk’d. If you remember, Punk’d was conceived by Ashton Kutcher and ran on MTV for a few years back in the mid ’00s. Well, this new version will be hosted by YouTube stars Andrew Bachelor and DeStorm Powers, and it debuts next Tuesday. Never watched the original, and I probably won’t be watching this one, either.
Things You Might Have Missed This Week
–Modern Family‘s Ariel Winter revealed that she’d had a breast reduction as she was tired of the unwanted attention her body was receiving
-Target created a shitstorm when it announced that the toy section would no longer have gender-based signage. These means that Barbie is no longer a “girl’s toy”, while action figures are no longer “boys’ toys”. Folks came out of the woodwork, acting like the sky was falling. It’s not like they’ll change the planogram, however, so you probably won’t see Barbie sitting next to Iron Man on shelves.
-A new Jem trailer was released this week, which made it look like the same bad movie, only now with an Earth to Echo spin, as they’ve added a tiny robot.
-The CW is reportedly developing series based on The Notebook and Friday The 13th
-Adult Swim renewed Rick and Morty for a 3rd season
-Bravo renewed Jill Kargman’s Odd Mom Out for a 2nd season.
–Kindergarten Cop 2 is currently filming, starring Dolph Lundgren. It’s slated to be a direct-to-video release.
–The Exes was cancelled on TV Land
-Shelly Fabares will not be returning for NBC’s Coach revival, as her character, Christine Armstrong, has been killed off.
-Google’s parent company changed its name to Alphabet.
I LOVE weeks when the thing that had the West Week Ever is controversial. Folks might disagree, but then I just remember, “Hey, Will – it’s your site!” and then I feel OK about it. So, in the immortal words of the bard Samuel L. Jackson, “Hold onto your butts!”
Last week, a friend and I made the impromptu decision to catch a late showing of Fant4stic Four. The reviews had been terrible, the rumors even worse, but I felt that I needed to see the movie for myself. I actually like the other 2 Fantastic Four films (I’ve never seen the Corman version), as I have a mancrush on Ioan Gruffudd who played Reed Richards. So, in my mind, the bar wasn’t set all that high, and I felt like I knew what I was walking into. AND BOY WAS IT HORRIBLE – is what you want me to say. But I can’t do that. As I said on social media, to listen to the online fanboys, Fant4stic Four ascended to the heavens, slapped Jesus, and pissed on your dead grandma. If you read anything about this movie on Twitter, it’s the worst thing since Hitler and New Coke. Fant4stic Four is not a great movie, but it’s also not horrible.
The most positive thing I’ve read about the movie is that it had a strong first 2/3rds, and then loses its way during the 3rd act, and I would completely agree with that. The early scenes with young Reed are great, and it’s touching to see the dawn of his friendship with Ben Grimm. Once Reed is recruited by the Baxter Foundation, they almost become star-crossed lovers, as Reed is too impressed by his new surroundings to realize what Ben realizes instantly: their bond can’t last. You’d think they would just naturally grow apart, but that doesn’t happen. Instead, Reed invites Ben on the journey that will end the research that they started together. No, it’s not being from 2 different worlds that will tear them apart. It’s that Reed accidentally turns Ben into a rock monster. This is the first time in my dealings with the Fantastic Four that I actually felt like Thing was a sympathetic character, and a lot of that was due to us seeing him before his transformation. I appreciated that. A lot of people have made a big deal about the origins of “It’s Clobberin’ Time!” (though it’s Thing’s signature catch phrase, in the movie it’s uttered by Ben’s abusive older brother before he assaults him), but that didn’t bother me so much. I kinda felt like it added another dimension to his character.
I also felt the family dynamic between the Storms. No matter what you think of this movie, you can’t deny that Reg S. Cathy as Dr. Franklin Richards was one of the strongest aspects of the film. You really felt that he just wanted his son to do something productive with himself. You could also feel the tension between Johnny and Sue, where it was clear that Johnny felt that Sue was dad’s favorite, which caused him to act out. People always say that the Fantastic Four concept revolves around family, and that was pretty evident in the first 2/3rds of the movie. Their families didn’t understand them, so Reed and Ben had become their own support system. As strained as it might’ve been, the Storms were also trying to hold on to the family that they had. Meanwhile, Victor Von Doom (formerly known as mad blogger Victor Domashev before the Internet had a field day with that news) is probably the character in the film with the most personality. Just as Sinestro was the true hero in Green Lantern, there’s very little here that makes Doom a villain, per se. In the context of family, he’s on the outside looking in, as he doesn’t have what Reed and Ben have, or what the Storms have, but he knows it’s lacking and he resents it.
It felt like they were laying the groundwork for some grand thing that would bring them all together. In the comic, that was the cosmic event that gave them their powers. Well, that’s not what happened here. Instead, the arrival of their powers drives them further apart. And this is where the problems begin.
Once Reed, with his newly-acquired powers, escapes from the secret facility, there’s a title card that says “One Year Later”. Time jumps are rarely good things, as they’re usually an excuse to keep from explaining something. Well, it can be said that everything after that title card is when things go downhill. At this point, it clearly plays like a movie “made by committee” as certain things don’t make sense anymore. And it’s also where you’d expect to see all those action scenes from the trailer. Welp, you’d be disappointed. Better sites than mine have made comprehensive lists, but you can immediately see that a LOT of editing went down on this film. Remember the shot of Thing falling out of the plane onto a tank? It’s in every trailer and TV spot? Well, it ain’t in this movie.
Let’s talk about Thing for a minute. The government has convinced him to be an operative for them, with the weak promise that they’ll help turn him back to his human form. So, he gets dropped into these countries as this killing machine. In one scene, you see that he has 43 confirmed kills. KILLS! He’s not Wolverine! Now, I know he’s upset by the transformation and all. Anyone would be. I also know that he comes from an abusive past. But I don’t think all of that would make him a killer. And he’s not overly patriotic, so it’s not like he’s doing his duty for Uncle Sam. No, he selfishly decides to kill in order to get things back to the way they were. That doesn’t sit right with me.
Sue is wasted, as she just becomes the Token Girl. If people weren’t spending so much time talking about how terrible the movie is, I’m sure The Mary Sue or someone would’ve written an article about how marginalized she is in the film. Hell, she doesn’t even get to go on the trip that gives them their powers! She got hit by some kind of aftershock, and ended up being able to turn invisible. All the powers, with none of the risk. Were they afraid to send a woman into that dangerous environment? If that’s the case, they certainly don’t discuss it. In fact, Reed goes through the trouble of calling Ben in the middle of the night, to get him to come down to the Baxter building and travel to the other dimension, but at no point does he, or anyone else, say, “Hey, shouldn’t we let Sue in on this?” And it’s not like she had built up this reputation as a hard-to-work-with bitch or anything, so it’s kinda bad that she’s just an afterthought to them. However, they never would’ve made it back alive had it not been for her. I don’t feel like she’s ever appreciated enough in this film.
Johnny’s kinda brash, but not the joking ladies man he appears to be in the comics. Somewhat like Sue, he doesn’t really get to develop much. He seems to hate being in the shadow of his sister and father, so he acts out. Once they get their powers, he’s all about doing the government dirty work because he feels like he might finally have a purpose. He doesn’t care about right or wrong – he’s just a gun waiting for someone to aim him at the bad guys.
And Reed. Where to begin with Reed? I like Miles Teller now. I used to want to punch him in the face, because he just had one of those faces. Then I saw Two Night Stand and Whiplash, and now all is forgiven. As much as I like him now, I don’t think he was right for this role. I can see why he was cast: rising star, he’s quickly becoming a “name”, etc. But he wasn’t Reed Richards. He’s capable enough in the role, but you don’t leave the theater saying “THAT was Reed Richards” the way you did when you first saw RDJ as Tony Stark. My biggest problem with Reed is that he’s not very smart – the thing that he’s primarily known for. Sure, he’s smart enough to want to try to build a matter transporter in middle school, but it seems like he peaked at that age. I’ve always been fascinated by the fact that Reed’s able to stretch his brain, effectively making him smarter. He doesn’t display the capacity for that in this film. And no, I didn’t expect to see his head stretch or anything to signify that it was happening, but he just doesn’t do anything that would make you say “He’s smart!” I mean, something as simple as rattling off a calculation. He doesn’t really do it. And in the final battle against Doom, he doesn’t outsmart him. No, it’s instead a physical, hand-to-hand battle. Reed Richard is not a fighter, and he would’ve found an intelligent solution other than a simple Hail Mary play.
Let’s circle back around to Doom. In the first 2/3rds of the movie, he’s just antisocial. Sure, they end up having to leave him in the Negative Zone, but he didn’t HATE them. He just kinda resented them. So, when he pops back up a year later, with his environmental suit fused to his body, you’d think he’d want revenge on them for leaving him over there. I mean, surely he’d find them responsible for ruining his life, right? NO! Instead, he LOVED it over there, as he experienced true power. And all he wants to do is go back. That’s it. He wants to go back to his world and his power, and the Four are all, “No, you can’t go back”, like they actually give a shit about him. If they’d have just let the man have his wish, nothing bad would’ve happened. In what was clearly the result of reshoots, Doom walks through the corridor, making everyone’s head explode – even people who aren’t in his way. It’s like there’s a clearance sale going on for head explosions, and he just can’t get enough. So, in their refusal to let him go back, the Four actually set into motion the thing that makes him a “villain”: the portal back to the Negative Zone created a sort of backdraft that was pulling Earth into a black hole. The reason I say the head explosion scenes were reshoots is because someone at the studio must’ve known that something else was needed in order to make Doom appear evil. Otherwise, without that scene, the Four actually look worse than Doom does.
And that final battle. It just didn’t add up. Doom supposedly had all this power, but we never saw much of it except in his creation of the portal. The Four defeat him in combat when they never should’ve been able to get close to him. As I said before, Reed should’ve defeated him by out-thinking him and not punching him. And he goes down too easily, but not in the ambiguous “We’re trying to keep him around for a sequel” kind of way. I mean, they could bring him back, but the movie doesn’t really end setting up a sequel. All that happens is the team is officially formed. Yet, the viewer still has no real reason to care about the characters, as none of the relatable stuff from the first 2 acts is even relevant anymore. It’s like these are 4 different characters; it’s not like they’re showing growth, either – they’re just 4 people who look like and have the same names as their counterparts from the first 2/3rds of the movie. And they’re not especially likable, nor are you particularly rooting for them. I mean, the movie’s named after them, so they must be the heroes, but that’s really as far as it goes.
And one little problem lingering from adapting the comic: the lack of Thing’s pants. This might seem petty, but it’s actually pretty important. I mean, up until this point, we all just assumed he still had a penis, only it was probably rocky now, too. It’s the kind thing 12 year olds sit around and talk about. Instead, he now no longer even has a penis. My God, no wonder he hates Reed so much!
Anyway, at the end of the day, it’s a movie with problems, but it’s hardly the abomination that some are making it out to be. The odd thing, however, is Fox’s involvement in the whole thing. As I wrote about last week, the director, Josh Trank, posted a tweet that alluded to the fact that there was studio interference in his original vision. That tweet was quickly deleted. Over the weekend, the rumors started to fly. It was rumored that Fox was considering giving Fant4stic Four 2‘s 2017 release date to Deadpool 2, assuming that Deadpool will do better than FF did. On Monday, however, Fox announced that they are “still committed to the characters”, but nobody knows if that means they’ll push ahead with the same cast or reboot AGAIN. Good or bad, Fant4stic Four was on everybody’s lips the past week, even if folks didn’t see it. In fact, it only pulled in around $25 million, making it a worse box office than even Daredevil. Still, I think once the dust settles, and folks start seeing the stuff I was talking about in the first 2 acts, we may look back on it more fondly. And if Trank’s ever allowed to release a Director’s Cut, then it may be redeemed just as much as the Director’s Cut has seemingly redeemed Daredevil. In my mind, nothing had a week like Fant4stic Four, and that’s why I’m saying it had the West Week Ever.
This week, Joel McHale confirmed what most of us already knew – that Community is over. He explained that Yahoo wanted another season for their Yahoo Screen portal, but they simply couldn’t afford the cast since their asking quotes have gone up since the show began. Because of that stupid #sixseasonsandamovie thing, they’re still saying they’d like to do a movie. Honestly, I don’t even know what that would entail. How do you translate a sitcom into a theatrical feature? Has that been done before? I mean, it works the other way around. Movies get TV adaptations all the time, but not vice versa. I can’t think of a Community storyline that would even be worth a theatrical release. Keep in mind, I have the same reservations about an Arrested Development movie. Just let these things die, so they can be fondly remembered. Show creator Dan Harmon has said that he’d be interested in writing the script once he’s gotten to a place where he misses the characters. So, we’re at the whim of his sense of nostalgia.
In other TV news, there were a lot of casting reveals for the DC shows on The CW. First up, Casper Crump has been cast as season one big bad Vandal Savage for Legends of Tomorrow. Also, Falk Henstchel has been cast as Hawkman in the series. Meanwhile, The Flash has cast Wally West, who will be played by Keiynan Lonsdale. I haven’t heard of any of these weird-named dudes. Lonsdale’s Australian, so he’s probably done a stint on Neighbours or something – that’s like a rite of passage down there. Anyway, a lot of people not familiar with DC’s New 52 reboot didn’t realize that the new Wally West is Black, so of course the usual complaints spread across social media: “Why make him Black when he’s always been White?” As my pal Tim would call it, #rabblerabble.
Even I’ll say that New 52 Wally seems like diversity solely for the sake of diversity. Then again, I guess his race never really had an impact on who he was, so he could be anything. The problem, however, is that Wally had quite the legacy. He’s one of the few heroes who replaced his mentor and it STUCK. Most of my generation grew up with a Wally West Flash and NOT a Barry Allen Flash. Barry was boring and DEAD by the time we started reading comics. So, to just randomly introduce him in the New 52 universe like, “Hey, here’s Wally – only he’s not the dude you remember, and he’s Black now” kinda seems disingenuous. My problem with introducing him on the show, however, is that it just seems too soon. They couldn’t wait for season 3? I mean, we’ve just gotten used to Barry, and we like him, so why dilute that with Kid Flash or whatever Wally’s going to become on the show? My biggest issue with the Greg Berlanti DC shows is that I fear he spreads himself too thin. Arrow was great until The Flash came along, and then it started to suffer creatively. This season, he’s adding Supergirl and Legends of Tomorrow to the docket. One can only imagine what that’s going to do to The Flash, and I shudder to wonder how much lower Arrow can go.
You know who almost had the West Week Ever? Hollywood divorce lawyers! This week alone saw the announcement of splits between Gavin Rossdale and Gwen Stefani, Reba McEntire and Narvel Blackstock, and Kermit the Frog and Miss Piggy. Plus, the week kicked off with the annual, yet erroneous, announcement that Will and Jada were calling it quits. In the words of Carrie Underwood, “There must be something in the water.” The Gavin/Gwen split wasn’t a total surprise, as I recall hearing that things had been rocky ever since the paternity test revealed that he was the father of model Daisy Lowe. The Reba divorce is pretty sad, as they had been married for 26 years! That’s my biggest fear: to get old and divorced. Young divorce is fine, but divorce after you’re all used up? No siree, Bob! And I’m pretty sure that the Kermit and Piggy thing is just publicity for that The Office-inspired Muppets show coming to ABC this Fall. They break up all the time, so who really cares? I mean, they were broken up in Jason Segel’s The Muppetsback in 2011. Did everyone just forget that? Anyway, I can’t even think of a celebrity couple I’m rooting for at this point. You’re just courting disappointment with that game.
This week saw the Television Critics Association’s Summer press tour, where TV critics were introduced to the stars of the upcoming new network shows. Yesterday was Fox’s day, where three things happened. First off, it appears that critics were shown a clip from the X-Files reboot, and the consensus was not good. I’ve heard that it almost played like parody, and it wasn’t clear if that was the intention of the scene. Second, they announced that Prison Break was returning for a 10-episode event, similar to last year’s 24: Live Another Day miniseries. Apparently, the original stars are on board (interesting, since they’re both attached to Legends of Tomorrow, so I guess they’ll film this while they’re on break?), and some of the deaths from the original series seem like they’re being retconned in order to make this work. I watched the first episode of Prison Break, but I just couldn’t get on board for that series. I didn’t feel like it would last long enough for a resolution. I was wrong, but I still don’t feel like I missed out on anything. Finally, Fox also updated the status of bringing back 24. They said that Kiefer Sutherland isn’t interested in returning right now, so a new 24 would probably feature new characters. It’s just not 24 without Jack Bauer! If I wanted to watch an entirely new ensemble, I’d just tune into ABC’s Quantico (Sundays this Fall!).
Oh yeah, Fox also did something else: they confirmed plans for an television spinoff of the X-Men films. They said that they’re close to a deal, but they’re waiting to see if Marvel will approve it. Since Fox only owns the X-Men rights, don’t look for any crossovers with Daredevil or Agents of S.H.I.E.L.D. The big question, though is what does Marvel get out of the deal? Right now, Fox has already lined up writers and showrunners, so this will happen sooner rather than later. I’m OK with this idea if they’re really allowed to run with it. Maybe focus on some mutants who don’t get any movie screentime. I mean, I’m pretty sick of the Xavier/Magneto dynamic. WE GET IT ALREADY! There are other characters. Hell, some of the X-Men’s best adventures occurred when Xavier wasn’t even around. I don’t see why they have to be in all the movies. I’m scared however, this will be some watered down thing, so as not to step on the toes of the film division. Remember what happened the last time we got a watered down X-Mentelevision show? It was called Mutant X…
The box art was revealed for this Winter’s LEGO Avengers. I have SO many comic-based LEGO games to get through, but I’m a sucker, so I’ll probably get this one, too. It helps that they’re releasing it on “older” systems like Xbox 360 and Playstation 3, as not all of us have graduated to the next generation. I really wish Rocksteady had done this with Batman: Arkham Knight. I mean, it kinda sucks that there’s a trilogy of games that can’t all be played on the same friggin’ system!
*Sigh* So, I guess I’ve gotta talk about Fantastic Four, huh? The movie officially comes out today, but the review embargo was lifted on Wednesday and it wasn’t pretty. I’ve heard everything from that fact that it had a strong 2/3 but tanked the 3rd act to the whole thing was just a disaster. You know comic folk can be a passionate bunch, so I’m not really sure who to believe. I’ll see it, but I’m easy to please when it comes to comic book movies. To date, out of all the ones I’ve seen (no, I still haven’t seen Catwoman), I only hated Elektra and The Dark Knight Rises. I was actually fine with the two Fantastic Fourfilms that we already got. It probably helps that I’ve never really liked the comic version of the team, so I didn’t have high expectations. Anyway, they say that this version borrows heavily from the Ultimate Fantastic Four comic, which should be a good thing, since I love the Ultimate Marvel Universe. Sadly, I found that book to be so boring that I still have about 20 issues I haven’t read, and the book’s been cancelled since 2009. Then, things took a real bad turn last night when the movie’s director, Josh Trank, tweeted this:
So, Trank’s basically blaming the studio. Not a great move from the guy who was pushed out of his Star Wars directing gig due to his erratic behavior. So far, the only hit he has under his belt is Chronicle, and I’m not sure how long he’s going to be able to coast on that. Is there any coming back from this? Is the movie so bad that it’ll sink his career?
No links this week, as I’m behind on my blogs, so let’s get to the meat and potatoes: Who had the West Week Ever?
On Tuesday night, Conan O’Brien probably saw his biggest ratings since his move to cable. No, it wasn’t because of a guest, but rather the fact that the Deadpool trailer was slated to premiere during the episode. In fact, the episode’s rating was TV-MA because they would be showing the red band, not safe for work version of the trailer. Welp, once the trailer debuted, it seemed there was a huge divide between those who loved it and those who just weren’t feeling it. I fell into the latter camp.
First, let me explain that I consider myself a Deadpool fan. I haven’t been there since his debut in X-Force, but I’ve been reading his book for the past 8 years or so. I’ve also gone back and read the older stuff, so I think I have a pretty good handle on the character. He’s not a top-tier character, so you might not be familiar with him. Deadpool is Wade Wilson, a mercenary who underwent an experimental procedure to cure his terminal cancer. As a result, he emerged with a healing factor, and it might’ve done something to his brain – making him think he’s a character in a comic book, and resulting in his breaking the 4th wall to interact with the reader. He’s like a cartoon character, and though violent, it tends to be a cartoony violence. Think Roadrunner cartoons. If you saw him, you’d probably ask “Why does Spider-Man have all those swords and machine guns?” That’s basically his look. He’s not someone to be taken seriously, especially in recent years where he’s been trying to be accepted by the hero community.
So, imagine my surprise when they created a movie not about cartoony wacky Deadpool, but sadistically violent Deadpool. This is a far departure from the way he’s been presented in recent years. The violence and language are so amped up that it’s going to be rated R. So, all that said, I really don’t know who this movie is for. My main issue is the R-rating. While his video game was rated Mature, I think they’re cutting out a big swath of the potential audience by making it 17 and up. Parents like to take their kids to comic book movies. Not this one. Add in the fact that he’s not a hero. He’s a mercenary. He kills for money. He’s not saving the world, or fighting aliens. He kills mobsters for other mobsters. I don’t know if you’ve read the recent Deadpool book by Gerry Duggan, but Deadpool really doesn’t kill all that much anymore. He’s kinda gained a conscience, and even has a daughter. If you’re a fan of that Deadpool – ya know, the one currently making money for Marvel – this movie ain’t for you. My pal Carlin brought up the fact that Deadpool’s recently been featured in the Ultimate Spider-Man cartoon, which his son loved. Unfortunately, this is not a movie that he’ll be able to share with his son.
I’m not saying that a PG-13 rating would make the movie a success, but an R will certainly keep it from being one. There are only 2 R-rated comic book movies that have been successful: Blade and Kick-Ass. Blade’s success has more to do with folks’ love of vampires (and then-love of Wesley Snipes) than the character of Blade. And Kick-Ass was just a fluke, as seen by the failure of its sequel. Even Spawn, a movie about a soldier for THE DEVIL, managed to get a PG-13 rating when it probably should’ve been an R to be “faithful” to the source material. Marvel really needs to rethink how they want to allow Deadpool to be used. He can’t be their Mickey Mouse AND their Terminator. I think this movie is a thematic misfire, but we’ll just have to wait and see.
Anyway, everyone was talking about the trailer Wednesday morning, and it sparked some of the best online discussions I’ve had. So, for all of that, the Deadpool trailer had the West Week Ever.
It’s been so long since I’ve done one of these that I’m gonna have to kick the dust off everything. Basically, brace yourself for a whole lot of “This Is What Will’s Been Watching”.
A few years ago, I read Shopgirl, by Steve Martin (Yep, that Steve Martin). I remember it because we had lost power due to an intense heat wave, and I really had nothing else to do. Plus, as a novella, it was short. I remembered enjoying it, but feeling that it was a bit of a sad story. So, last week, when I saw that the movie was on (also starring Steve Martin), I thought, “Well, I remember liking this. Let’s watch!” I have to say that I don’t remember reading most of what was in that movie. I’m not sure if there was that much of a departure, or if my memory is just that bad. I watched that thing like I had never even encountered the story before, as everything felt new to me.
If you’ve never heard of Shopgirl before, it’s about a girl who works in a department store (Claire Danes), who begins an affair with one of her customers (Martin). He’s not looking for love, but she is. Meanwhile, Jason Schwartzman is there, being Jason Schwartzman – trying to get Danes to notice him. It’s a typical love triangle, and ends like you’d expect. Would I recommend it? Um, sure? I dunno. I seem to say this a lot, but there are worse ways to kill 90 minutes. If you’ve ever wanted to see Claire Danes’s ass, this is the film for you. Other than that, I’m not sure I like Steve Martin in a dramatic role. I know everyone’s doing it, from Robin Williams (RIP) to Bill Murray, and he’s certainly capable at it. I just prefer the Steve Martin who “was born a poor Black child.”
The next movie I watched was the unnecessary sequel, Horrible Bosses 2. I enjoyed the first movie, as it has a likable cast. Bateman, Sudeikis, and Day? Hilarious! Throw in Jamie Foxx as “Motherfucker” Jones, the ex-con who’s gonna help the guys do in their overbearing bosses? Priceless! I can understand the desire to get the band back together, but there was no real reason for a sequel. The plot is really flimsy, and the antagonist isn’t even technically their “boss”, so the title is a misnomer. This time around, the guys have invented a product to revolutionize the way people take showers, when their investor decides to screw them over by forcing them into foreclosure and taking the product for himself. So, to get back at him, they decide to kidnap his son and ransom him to get back the money they need to pay off their loan. Only the son WANTS to be kidnapped, to stick it to his dad. And then I just stopped paying attention. It got way too convoluted for a comedy. This ain’t Oceans 11! Do not watch!
On the TV front, there are a couple of new shows I’ve been checking out. First up is HUMANS, on AMC. In the near future, people can buy “Synths” – synthetic humans designed to make their owners’ lives easier. The duties performed by the Synths range from cooking and cleaning to more…sensual matters. The show really sort of focuses on how people react to having the Synths in their lives. Meanwhile, there seems to be a group of Synths who have gained autonomy, and they’re being hunted down because of what they might mean for the future of Synths and humanity. It’s a really interesting show, and if you’ve watched any British shows in recent years (it’s a joint venture between England’s Channel 4 and AMC), you’ll recognize some of the actors – like Katherine Parkinson, from The IT Crowd. It’s an 8-episode season, and AMC has only shown the first 3 episodes so far, so it’s not too late to jump in.
Meanwhile on USA, I’m watching Mr. Robot. It’s a show about a hacker who gets recruited by a hacker collective known as f society, who plan to take down an evil corporation. To be perfectly honest, the whole take down plot is completely lost on me, but I enjoy the show because I like the characters. I haven’t watched a show with such a morally-ambiguous cast since Nip/Tuck. Now, I didn’t end up finishing that show, as boredom eventually kicked in (some cable network should really be showing reruns of that show. Get on that, somebody!). I hope the same thing doesn’t happen here, as I could feel boredom creeping in during this week’s episode. I’ll still watch for now, though, as the lead looks like SNL‘s Pete Davidson, so it’s fun to imagine that the show is just a really long, elaborate sketch.
Over on Bravo, I fell in love with the scripted comedy Odd Mom Out. Starring Jill Kargman (and based on her 2007 novel Momzillas), the show focuses on a fictionalized version of Kargman as she has to navigate the excess and affluence of New York’s Upper East Side. When I first watched the show, I thought that everyone sucked at life. Then, I realized you had to get into the mindset of the show. The primary Bravo audience is tuning in for Real Housewives shows, so how would they receive the show? Now that I’ve seen the 6 episodes that have aired so far this season, I love the show. Kargman has this cool vibe to her where I’d really love to be best friends with her. Plus, it doesn’t hurt that she always favorites my tweets when I write about the show. Abby Elliott costars as Jill’s sister-in-law, while The Office‘s David Wallace (Andy Buckley) plays Jill’s husband. It’s not for everyone – especially not the geek crowd that tends to read this post every week – but I think a few of you out there may really enjoy it.
Finally, over on Fox, I discovered Wayward Pines. I originally meant to watch this show back when I wrote my Fox Upfronts post last year. Then, it debuted and I just kinda forgot about it. Well, I started watching it Monday night and ended up watching the first 5 episodes in one night. I thought it would just be a Twin Peaks ripoff, but it’s so much more, and it’s SOO GOOOD! Matt Dillon wakes up after a car accident and finds himself in a small Idaho town, called Wayward Pines. The townsfolk seem to be filled with fear, hidden behind forced smiles, and everyone’s under surveillance. Dillon tries to leave the town, but finds that he can’t because it’s walled off from the rest of the world. And that’s when shit REALLY gets weird. In Episode 5, you learn the truth about the town, and it will BLOW. YOUR. MIND. The show is executive produced by M. Night Shyamalan, so you really shouldn’t be surprised that there’s a twist. Still, Shymalan’s career has taken a beating in recent years, which is probably why they’re trying to downplay his involvement here. It’s a shame, because this could be seen as his comeback vehicle. The series finale is next Thursday, and I’m filled with questions. Also, I’m kinda surprised that Fox is sticking to this being a one-time limited series, since it seems to be a summer hit. I just can’t imagine they wouldn’t try to somehow develop a second season out of it. Anyway, you’ve got a week to catch up On Demand, so you can watch the finale along with me.
Yesterday on social media, everyone (and I mean EVERYONE) made the same Ivan Ooze joke about the depiction of Apocalypse in the next X-Men movie (I didn’t even know that many people had seen Mighty Morphin Power Rangers: The Movie!). It does, however, lead back to an apprehension I’ve had since the X-Men movie franchise began. While it’s nowhere near as grounded as something like the Netflix Daredevil series, the X-Men movies have been grounded enough in their own version of reality that it was going to be hard to shift into some of the more “exotic” villains like Apocalypse and Mr. Sinister. Based on the world that Bryan Singer created, there would never be an option to go against something like Mojo or The Brood. Luckily for them, they’ve wasted all their movies telling yet another iteration of the Xavier vs. Magneto sparring match. I just think there’s a wealth of characters that could be mined for an X-Men film, but they painted themselves into a corner. Now, they finally decide to go for one of the more outlandish X-Men villains, and this is how it’s received. Apocalypse just doesn’t fit in the world that they’ve crafted. Let’s hope he looks better when they slather him with effects.
Speaking of comic book movies, the trailers for 3 anticipated films debuted last weekend at San Diego Comic-Con. These included the latest one for Batman v. Superman: Dawn of Justice, as well as Suicide Squad, and Deadpool. Of course, bootleg versions of the latter two leaked online, as these things are wont to do, and Warner Bros were none too happy about it. They decided to officially release the Suicide Squad trailer, but only because their hand had been forced by “piracy”. And they made sure to address this while releasing the clip. Fans contrasted this with Marvel’s reaction to leaked Avengers: Age of Ultron trailer, where the company simply tweeted a jocular “Dammit, HYDRA!” Basically, the tone of the Warner Bros message was basically “We had no intention of showing this to you, but thanks to a few bad apples, we decided to show you the trailer as it was originally intended, and not in the low quality version that’s making the rounds.” They seemed to think they were getting in front of the issue, but seemed like such a bunch of crotchety old fogies while doing so.
Anyway, my thoughts on the trailers:
Batman v. Superman: Dawn of Justice – I’m no more excited about this movie than I was before. That’s to say, I’m really not excited about it. At all. I don’t really like the Snyderverse, as I didn’t hate Man of Steel, but I didn’t love it, either. I’m also not sure about Affleck’s Batman. I saw Man of Steel On Demand, and that just might be the case here. The only reason I’d see it in theaters is because Batman’s in it, but I’m not sure this is my Batman.
Suicide Squad – Again, not very excited. I’ve seen people losing their shit, talking about how awesome it looks. I’m happy for them, but I don’t share that sentiment. I can’t get out of my head how someone said that the promotional image of the team made them look like those Homiesfigures you get out of vending machines. That was SPOT ON! I’m not a big Will Smith fan, I don’t really like this version of Harley, and I don’t even know what to think of Leto’s Joker. Again, the only thing that might get me to see this in theaters is the fact that Batman’s in it.
Deadpool – looks fun, but Ryan Reynolds is box office poison right now. He’s got a string of flops behind him, from Green Lantern to R.I.P.D. to Self/Less. I’ve been a fan since Two Guys, A Girl, and A Pizza Place, but times are not great for him lately. Reynolds aside, I think the biggest problem is the R-rating. I’ve said it before, but I don’t see anything about Deadpool that deserves an R-rated movie. His comic isn’t a MAX title, so it’s not Mature Readers. That means there’s no sex and no cursing. While it could be pretty violent, it’s a cartoon violence, and nothing on par with, say, Punisher. I think they’re really cutting out a big chunk of their potential audience by making it rated R, as parents like to take their kids to superhero movies. The only 2 R-rated comic movies that have been successful are Blade and Kick-Ass. I still say that Blade did well because it drew in the vampire fans moreso than the comic people (Comic fans don’t really love Blade, as he’s never had a series to last more than 13 issues). I got nothing for Kick-Ass. Also, people will debate me on this, but I don’t think Deadpool’s a household name. Sure, comic fans know who he is, but if you showed him to the man on the street, he’d ask “How come Spider-Man has swords now?” I guess we’ll just have to wait and see how this all turns out. Don’t get me wrong – I WANT it to be a hit, but I’m just skeptical right now.
Things You Might Have Missed This Week
– 50 Cent filed for Chapter 11 bankruptcy protection. Where’d all that Vitamin Water money go?
– Brandy sang on the New York subway, and was shocked when nobody gave a shit
– I watched the ending to Batman: Arkham Knight on YouTube (way to not release it on the 360, Rocksteady!) THAT’s how you tell a Final Batman Story!
My pals, Zac and Adam, co-host the No Topic Required podcast, and this week’s episode was very special, as it was the FINAL episode. Luckily, I was invited to take part, and it was a pretty fun time. I’m always sad to see one of my favorite podcasts go (looking at you, Cold Slither Podcast), but I’m sure that Zac will be back with something new once he recharges his batteries. In any case, you should go give the episode a listen!
You know what didn’t have the West Week Ever? San Diego Comic-Con. Usually an informational mecca for the pop culture set, nothing really came out of there this year, outside the trailers I already mentioned. Marvel and Image had already revealed their big plans, so it was really DC’s con to lose. And lose they did. They announced the Milestone characters would be returning as Earth-M in the Multiverse (meh), Adam Kubert and Klaus Janson would be the artists for Frank Miller’s The Dark Knight III: The Master Race (meh), and Ben Affleck and Geoff Johns would be teaming up for a standalone Batman film (I’m listening…).
Since I skipped 2 weeks, and left you all without a true WWE in that post, I didn’t want to come back and say that nobody had the West Week Ever. So, you know what had it? Go Set A Watchman, by Harper Lee.
Have I read it? Nope. Have I heard good things about it? Nope. In fact, it’s probably just a cash grab, resulting from Lee’s manipulating caregivers. Still, its release this week is pretty important to the literary world, as it’s the sequel that no one thought they’d ever see. It’s the Ghostbusters 3, Who Discovered Roger Rabbit?, and Goonies II of literature. And that’s gotta count for something, right? I mean, Lee retreated from the fame generated from the release of To Kill A Mockingbird, and vowed to never release another book. Yet, here it is. It almost doesn’t even matter if it’s good or not. The most important thing is that it exists. And as of this past Tuesday, you can own it and read it for yourself. I definitely plan to read it, so I’ll share my thoughts once I do, but for now, Go Set A Watchman had the West Week Ever.
I watched absolutely nothing this week, so I’ve got nothing for this part of the post. Oh wait – I did watch The Briefcase on CBS. Have any of you seen it? It was pretty controversial when it first aired, and the season finale is already airing tonight. Basically, they present a briefcase filled with $100,000 to two different poor families. The families, then, have to decide whether to keep the money for themselves, or to share some of it with the other family. So, they’re demanding poor people make a Sophie’s Choice over this windfall that could be seen as a gift from Heaven. I mean, they all could use the money, but they don’t wanna look like assholes by keeping it all to themselves. Later in the show, once the families meet, they realize that there were TWO briefcases, and not just the one that was presented to them, so there’s $200,000 up for grabs. On the episode that I watched, one family gave $20,000 to the other family, while the second family gave $11,000 to the first family. So, they both ended up with the bulk of the money. For each of them, the amount given was such a drop in the bucket that I would’ve been offended, but they at least pretended to be thankful. They both owed so much money that the full $100K still wouldn’t have solved all their problems. I really hope there’s a “Where Are They Now” episode next season if the show gets renewed.
Lots of news in the world of Spider-Man this week. First off, it was reported that Miles Morales, formerly the Ultimate Spider-Man, will be the MAIN Spider-Man in the regular Marvel Universe following the Secret Wars event. The new series, Spider-Man, will be handled by the Miles Morales: The Ultimate Spider-Man team of Brian Michael Bendis and Sarah Pichelli, and it also appears that a retired Peter Parker will serve as his mentor. I’ve written about my love for Miles in the past, and I’ve also written about how an association with Peter could only be a good thing for Miles. This is a pretty big deal, as Miles will also be one of the New Avengers as that team rebuilds following the event. I’m really excited for this, but part of me is wondering “How long is this really gonna last?” Comics have tricked us with “cowl rental” in the past, and the original wearer always comes back. I’m drinking the Kool-Aid, and I really want this to be a permanent thing, but I just know better than to get too excited about it yet.
Meanwhile, in the Marvel Cinematic Universe, Marvel and Sony decided on Tom Holland, and not Asa Butterfield, as the next actor to portray Peter Parker/Spider-Man. A moment of silence for Andrew Garfield. Not only will Holland star in the 2017 Spider-Man film, but he has been confirmed to debut in next Spring’s Captain America: Civil War. In fact, they say that he has already been sent to the set to start filming his scenes. Meanwhile, Jon Watts has been tapped to direct the next Spidey film, which will only be his third feature film.
Also this week in the Marvel Cinematic Universe, it was rumored that Selma‘s Ava Duvernay had been hired to direct Marvel’s Black Panther. While Marvel Studios President Kevin Feige has confirmed that they’ve had talks with DuVernay, her hiring is still just speculation at this point. While I know she’d bring a certain amount of, I guess, “legitimacy” to the movie, I don’t really know if that’s what her career needs. Sure, Kenneth Branagh directed Thor, but I kinda hate that we live in a period where it’s assumed that EVERY director needs to have a superhero film under his/her belt. I mean, other than the fact that they both feature Black casts, why would you think the director of Selma would automatically be the best person to showcase the king and world of Wakanda? To me, that’s just as dumb as the marriage between Storm and Black Panther which seemed based solely on the fact that they’re both African. It’s just sort of stupid that once you’re on everyone’s radar these days, it’s assumed your next move will be a superhero film.
Also in movies this week, Rotten Tomatoes held a Q&A livestream with the cast of the Independence Day sequel, Independence Day: Resurgence. I guess the importance of the event was to showcase the new title, but it just seemed kinda like a sad affair. Instead of being excited about the movie (which is a year away), I was more sad for these actors that they didn’t have anything else lined up. I mean, even secondary characters like Vivica Fox, Brent Spiner and Judd Hirsch are back. Hell, if Harvey Fierstein hadn’t died in the first one, they probably would’ve gotten him back, too. But there is one glaring omission: Will Smith, who reportedly wanted $50 million to do the two planned sequels. So, instead of having him, they cast actor Jessie Usher (who?) as Smith’s character’s son. Anyway, since filming just started a month ago, they really didn’t have much info to share. I’m not sure whose idea it was to schedule this thing so early, but it was just an awkward, uncomfortable mess.
Photographer Dennis Stylist Lin
Some San Diego Comic-Con exclusives are starting to trickle out (you can get up-to-the-minute coverage over at Awesome Toy Blog), but my favorite is probably this Toys “R” Us exclusive Batgirl figure. I was a pretty devoted collector of the Batman ’66 line, and I’ve been waiting for this figure since it was announced over a year ago. I really kinda hate that it’s an exclusive (especially since it’s a TRU exclusive, exclusively for SDCC – it’s an exclusive inception!), as that means it’ll be harder to get than just walking into your local TRU store. It seems that TRU actually posts these for sale on their website during the convention, so I’ll try my luck at getting one that way. I’ll need two – one to open and one to put in storage. Yes, I’m that guy. Sometimes.
It was quite a week for fallen child stars. First off, young Anakin Skywalker, Jake Lloyd, who apparently suffers from schizophrenia, attacked his mom before setting off a high speed police chase. Then, Saved By The Bell‘s Dustin Diamond was ordered to serve 4 months in jail for stabbing a guy back in December.
In the world of music, Taylor Swift surprisingly became the voice for artists’ rights when she declined to allow her album 1989 to be offered via Apple Music’s streaming service. This is nothing new for Taylor, as she also yanked all of her albums off Spotify a few months ago. Still, she wrote an open letter to her fans, saying that she couldn’t go along with Apple, seeing as how they weren’t going to be paying artists royalties for the first three months of the service. Well, she cried and Apple listened. Responding to her on Twitter, Apple senior vice president of internet software and services, Eddie Cue, said, “Apple will always make sure that artist are paid,” tweeted Cue. “#AppleMusic will pay artist for streaming, even during customer’s free trial period. We hear you @taylorswift13 and indie artists. Love, Apple.” Now if she could only squash that beef with Katy Perry that easily…
I don’t usually get too political on here, but this has been some kind of week. As I’m sure you know, there’s been a lot of movement to get the Confederate flag taken down at southern government buildings. Then things really shifted into turbo, as Wal-Mart, Amazon and more announced that they would no longer be selling items bearing the flag. Then Warner Bros announced that they wouldn’t sell any more Dukes of Hazzard merchandise with the flag on it. When all of this stuff was happening, I jokingly tweeted that I was fine with the flag being on the General Lee. And then they pulled it. Finally, Apple kinda screwed the pooch by removing Civil War games from the App Store because they depicted the flag. I say “screwed the pooch”, as this is almost like pulling a textbook because the flag was in it. It’s a part of history, but that’s where it should remain. If it’s a game or book about history, then it seems kinda fitting for it to be in there. It just probably shouldn’t be flying high like we’re still all in 1861.
As a Black man in America, it should be pretty clear where I stand on this matter. As someone whose relatives hail from the South, it has even more meaning to me. I’m conflicted, though, ’cause I grew up loving The Dukes of Hazzard. I guess you could say that I didn’t know any better, but I was an avid fan of the “Cars Jumping Over Shit” genre of television that ruled the early 80s. I was asked to write a guest post about my stance on this, and I really didn’t know how to approach it without coming off like some kind of race traitor. I hate the flag, but I love the General Lee. I’m not going to get into a debate about whether or not the flag represents racism or any of that. You already have your opinion, and some rando’s pop culture blog isn’t about to change that. I will say this, though: Nice work, America.
I say that sarcastically because this whole thing was NEVER about the flag to begin with. I have a pretty strict No Death policy for West Week Ever, but everyone knows that 9 people were killed in a church last week. And, as these things are prone to do, the debate about gun control was just about to start up and then all this flag shit happened. This is what they want. Instead of doing something about guns, they’ve diverted our attention to this other matter, hoping we’ll forget the first thing. And I don’t say this as some kind of “Nobody needs guns!” kind of person. I honestly haven’t fully fleshed out my views on the matter, but I do know that a church is supposed to be a safe place. Just like a school. Or a movie theater. And none of that is true anymore.
Keep the flag or get rid of it. That’s not what any of this is about. It’s about changing the conversation, and it’s been very successful. I guess we’ll revisit the original conversation after the next mass shooting. Or maybe we’ll finally change the Redskins’ name instead. End of soapbox rant.
Now this is typically the part where I tell you who had the West Week Ever, but I’m gonna try something different this week. You see, I’ve been working on a project that I kinda want to share with you.
After guesting on some 40+ podcasts, I always get the same question: When are you going to start your own podcast? Well, I never really wanted to because A) I’m lazy and B) I didn’t really think there was a demand. I mean, I already have to beg folks to read this thing every week, so why would I think they’d want to listen to me, too? It just didn’t seem worthwhile. Then, I had a conversation with my Twitter Sister, Brandi Brown. I call her that because we’re basically the same person, only she’s a stand-up comic in Minnesota, and I’m not. We started talking about Carmen Sandiego, and then we just fell down the rabbit hole trying to make sense of that whole franchise. We decided that it would probably be a good idea for a one-off podcast. As we kept talking, we realized that we had a few topics that deserved to be discussed – the only catch would be that this wouldn’t be a weekly show. Hell, it might not even be monthly. Think of it like a series of specials. If they do well, then we’ll figure out where to go next, but for now, we’re just thinking of this being an occasional sort of thing. Well, our good buddy Classick, over at the Cold Slither Podcast Network, invited us to be on the latest episode of his Classick Team-Up show. That episode was to serve as something of a “backdoor pilot” for the show that Brandi and I had devised. Oh, you don’t know what a backdoor pilot is? It’s when an episode of an existing show is used to spin off a new show. Got it? Good.
It was a lot of fun recording this, as we tackled topics such as Rachel Dolezal, paying it forward, and the conspiracy theories that we hold dear. The project is clearly a work in progress, so bear that in mind. We’ve got to figure out things like audio levels, podcast setup, mics, etc. Still, I think there’s a lot of potential here. So, I ask that you give it a listen and let me know what you think. Do you want more Brandi & Will? It’s all up to you. If not, I’ll be cool with that, too. Sure, I might cry a little, but I’ll get over it. So, in lieu of a West Week Ever, I give you Classick Team-Up #27 with Brandi & Will.
Oh, and there won’t be a post next week ’cause y’all never read it on a holiday weekend. So, unless something crazy happens and I write it on Thursday, we’re taking a week off.
I watched a LOT of stuff this week, so let’s get to it!
First on the docket was a documentary on Netflix called Hot Girls Wanted, about the “professional amateurs” or “pro-ams” of the porn industry. You know those sites like Bang Bus, where they pick up random girls off the street? Those aren’t really strangers! No, they’re newcomers to the industry who pretend to be randos. I’m shocked and appalled! Anyway, since California passed laws requiring condoms in pornography, a lot of the industry picked up and moved to Miami. The film follows a handful of girls who simply answered an ad on Craigslist, offering a free trip to Miami for some modeling work. It was really fascinating, as a lot of the girls answer the ad as they see it as the only way to get out of their podunk towns. You also get to meet the family of one of the girls, as she confesses to what she’s been doing in Miami. It’s cringe-inducing when, after her mom asks if she’s worried about getting pregnant, she explains that the guys finish on her and not in her. Yes, to her mother! Since the average career lifespan of a pro-am is about 6 months, most of the girls have left the industry by the time the film ends, and they’re back in those podunk towns, waiting tables or going to school. I learned a lot from this documentary, which was surprisingly produced by Rashida Jones. And for you puritans out there, it’s about porn, but they don’t really show anything, so don’t be afraid to check it out.
Next up, I watched Jersey Boys, which was nowhere near as interesting as I thought it’d be. Based on the Tony Award-winning musical of the same name, Jersey Boys follows the rise and fall of ’60s group Frankie Valli and The Four Seasons. Seeing as how I come from the school of The Temptations and The Five Heartbeats, I was expecting something juicy along those lines. The problem, however, is that there’s nothing inherently interesting about Frankie Valli. All of the action happens around him, but doesn’t really concern him. If anything, the real star of the movie is group founder Tommy DeVito, as he’s the one who keeps the action going. Plus, the movie included my least favorite part of the biopic: when they age up the young actors with really bad makeup to make them look like the current old versions of the characters. I swear, Frankie Valli’s old man makeup was so bad that he looked like a zombie. The interesting thing to me is that the Frankie from the Broadway show, John Lloyd Young, reprised his role in the movie, however I didn’t feel like he brought much to the role.
Then, I watched John Wick or, as I like to call it, Headshots For Everyone! Oh my God, this was an amazing movie. I’ve never been what you might call a Keanu Reeves “fan”, but I never disliked him. Nope, not even The Matrix made me board the Keanu bandwagon. After watching this movie, however, I’m a fan. This movie makes Taken look like an Afterschool Special. When the Russian mob kills his dog – a final gift from his deceased wife – retired hitman John Wick goes on a killing spree to get his revenge. It’s such a beautifully shot film, with an excellent soundtrack. I’d heard people raving over the film when it came out, but I never really thought it’d be my cup of tea. The more I heard, however, the more curious I got. Luckily, Lionsgate sees John Wick as a franchise, and a second movie is on the way. I can’t wait!
Finally, I watched Miles Teller and J.K. Simmons in Whiplash. I’ve been wanting to watch this since awards season, but I had no idea just what I was getting myself into. This movie is INTENSE, but excellent. I mentioned a few weeks back that Teller was growing on me, and this movie just sealed the deal. He was spectacular in his role as a first-year student at a music conservatory, determined to become one of the great jazz drummers. Simmons was similarly amazing, as the offensive and abusive band conductor who could make or break Teller’s career. The energy between the two actors is electrifying, and I found myself on the edge of my seat for most of the movie. Who knew a film about jazz could do that to a person? You should definitely see this movie.
So, this week, Marvel revealed that Iron Man is essentially going to be their flagship character following the events of Secret Wars. Launching out of the event will be a new Invincible Iron Man series, written by Brian Michael Bendis and drawn by David Marquez. Taking place 8 months after the end of Secret Wars, this Tony Stark isn’t as rich as he used to be, so he’s no longer funding the Avengers. However, he’s got a new armor that can become all of his other armors, and he’ll have a new supporting cast. While Bendis has written Tony as part of other books, such as New Avengers and Ultimate Spider-Man, this is the first time he’ll be taking a crack at him in his own title. In Kieron Gillen’s run on the character, he revealed that Tony Stark was adopted, so one big mystery during Bendis’s run will be “Who are Tony Stark’s biological parents?” I remember hearing about the adoption storyline, and thought it was kinda contrived, but Bendis seems to think he can do something with it, and I generally trust him. That said, this announcement makes me worry about Miles Morales, as I hope it doesn’t mean that Bendis is moving on from the character. I mean, in order for him to grow, Miles will need to be handled by other creators, with diverse voices, but there’s something to be said for being handled by your creator. I hope Bendis has the bandwidth to handle both characters.
Speaking of Marvel, it was announced that Jon Bernthal will be joining the Netflix Daredevil series next season, as Frank Castle, AKA The Punisher. Bernthal’s last big role was as Shane on The Walking Dead, but I’ve never watched an episode of that show, so I can’t really say anything about his performance. I do remember him as part of CBS’s The Class, with Lizzy Caplan and Jesse Tyler Ferguson. That show was a comedy, and he was kind of a meathead on there, but I think he’s got the look. The Walking Dead fans seemed to be pumped, so I guess this was great casting on Marvel’s part.
Meanwhile in the Marvel Netflixverse, A.K.A. Jessica Jones has dropped the A.K.A.It’s probably for the best, as the original title was kinda stupid. Still, I’m sure a lot of folks are wondering “Who’s Jessica Jones and why should we care about her?”, but they were asking that regardless of what the show was called.
It was announced this week that 90s CGI cartoon Reboot would be returning for 26 episodes, and the fans rejoiced. Seriously, people have been begging for a Reboot…reboot for years, so I guess they can chill for now. I, however, never watched more than one episode of that show. I HATE mid-90s CG, and that show just reeked of it. If anyone watched this season of Community, Reboot looked like the virtual reality machine that Elroy sold Greendale. Anyway, technology has come a long way in the last 20 years, and if they’re truly starting back at 0, then I might give this new iteration a chance.
Speaking of cartoons, there was uproar this week as two tidbits were released regarding the next season of The Simpsons. First of all, Sideshow Bob would finally kill Bart in the next Treehouse of Horror Halloween episode. That’s not really a big deal, since those thing are practically dream episodes and nothing in them matters anyway. Second, it was announced that Homer and Marge would undergo a legal separation next season. Since this is likely just the plot of one episode, it’s not like this is something that’s gonna stick (R.I.P. Maude Flanders). After almost 30 years on the air, it’s hard coming up with “fresh” ideas. A lot of folks are saying that these plots show it’s time for the show to pack it in, but it’s got people talking about an ancient show, so there’s no such thing as bad publicity.
Is this woman White or Black? That, my friends, is the question that fired up social media last night. The woman pictured is Rachel Dolezal, an activist and Africana studies professor from Washington state. According to her White parents, however, she has been passing herself off as Black for years. Turns out she’s just been doing her best George Hamilton/Tom Jones impression, and she’s not really Black – even though she’s the president of the Spokane, Washington chapter of the NAACP. You can read more about it here (I typically hate Buzzfeed, but they have the most comprehensive timeline of the whole thing), but her parents have put her on BLAST for some reason. If you met her, what would you think she is?
I’m just fascinated by the whole thing. If it’s true, wasn’t she scared of being found out eventually? What was it like, day in, and day out, wondering “Is today the day?” I’m always kinda impressed by people who manage to lead double lives, so this kinda goes in that pile. Is the story true? I guess time will tell, but the Twitter Sleuths are on the case.
I had the pleasure of joining Corey and Howie over on the UnderScoopFire Podcast last week, and the episode is now live. We discussed the up and coming television stars who are on the verge of making The Leap to the big screen. Did your favorite star make the cut? Hint: if they star on The CW, they probably did.
While we’re talking about me, I had an interesting week. First of all, I got my first cease & desist letter, from Lionsgate. If you remember, a few weeks back, I posted some concept art that may or may not be of the zords from the upcoming Power Rangers movie. A lot of sites had been asked to take the pics down, so I surmised I might be asked to do the same, should I ever end up on their radar. Well, I’m small potatoes, and that didn’t happen. So, the other day, I tweeted this:
Well, some Lionsgate intern clearly has a filter for their name on Tweetdeck, and caught that conversation. How do I know this? Not 3 hours after this conversation, I received an email from Lionsgate’s legal representation, with a whole bunch of gobbledegook about unauthorized usage of concept art, blah, blah, blah. They “request [my] assistance in the removal of the aforementioned artwork from [my] website.” OK. I’ll get around to it eventually. I’d just like to point out that I did your work for you, Lionsgate. Like I said, I’m small potatoes, but you gave me something to check off the vision board, so I thank you.
Next up, I got to appear in my third comic book this week (the others being Freddy vs. Jason vs. Ash and Zombie Proof), as my good friend, Keith Davidsen, is currently writing a Reanimator series for Dynamite Entertainment. Going into this, I knew NOTHING about the Reanimator movies and Dr. Herbert West, but the series is accessible enough that none of that matters. Anyway, Keith did me a solid by writing me into issue #3 (which shipped Wednesday) – where I’m brutally murdered. The likeness isn’t all that sharp, but apparently I own a hardware store and I give great customer service. R.I.P., Comic Will. The overall story’s great, and it’s been getting good reviews. You can still pick up issues 1 & 2 at your local comic shop and, like I said, #3 – with my death – came out this week.
Things You Might Have Missed This Week
–Degrassi, just cancelled by TeenNick, has been renewed by Netflix. It will return in 2016 as Degrassi: Next Class
–Pitch Perfect 3 is officially happening
–According to TVLine, Fuller House will feature Danny Tanner’s younger, BLACK wife! YES, Y’ALL! Apparently, they’re currently casting for an “attractive, vivacious, and youthful” actress to protray Danny’s 40 year old wife.
-Chris Hemsworth has been cast as the receptionist in Paul Feig’s female Ghostbusters film
-Raven-Symone has officially joined The View as a permanent co-host
-Chiwetel Ejiofor, or as I like to call him Chitlin Ejector, has been cast as Baron Mordo in the Doctor Strange film
So, Batman #41 came out this week, with Commissioner James Gordon as the new guy in the Batsuit. I’m still not entirely sold on the idea, but I’m curious to see where it goes. They’re going for a Team Batman approach, as he has a tactical team up in some kind of Bat Blimp that helps him out. Also, in Detective Comics #41, Detective Renee Montoya made her post-New 52 debut. Is she The Question? Is she still a lesbian? We’ll have to wait for answers to all of these questions. Still, as interesting as these books were, none of them knocked my socks off. In fact, nothing really blew me away this week, so I’m sorry to announce that no one had the West Week Ever. Try harder next week, America!
So, I did something that I haven’t done in a LONG time – I actually read all of my Wednesday comics on release day. For the past few months, I’ve been visiting the shop religiously, but really only keeping up with Miles Morales: Ultimate Spider-Man and Letter 44. Everything else was just stacking up in a pile. Well, I’ve done some reading, and I’ve got thoughts!
First up, I finally read the “Endgame” storyline that was recently running in the Batman series. I had actually read the first 3 issues as they were released, and then I just sort of stopped caring. So, I had to reread those issues before jumping into the second half of the storyline.
In case you’re not familiar with it, The Joker comes back to Gotham and wages what’s supposed to be his final fight against Batman. It starts out with so much promise, as a battle-suited Batman is forced to fight his Jokerized Justice League teammates. That battle takes all of 1.5 issues, and then it’s done away with. Sure, we’ve seen Batman vs. The Justice League battles before – most notably in JLA‘s “Tower of Babel” storyline, but this one just seemed like it was wrapped up too quickly. In fact, that’s the main problem with the entire story: pacing. It feels like so much happens and so little happens all at once. Certain story aspects were wrapped up too quicky (like the JL fight), while the story itself felt like it was too long at 6 issues. On top of those 6 issues, the Batman family titles also had “Endgame” specials that were tangentially related to the main storyline.
The story starts in a weird place because it’s leading out of the yearlong, weekly Batman Eternal series that only the most die-hard Batman fans even kept up with. I was not one of those fans. So, you’re left with a ton of questions as things open up: Why are they in a Bat base? What happened to the manor? Alfred has a daughter? And she’s Black?! SO MANY QUESTIONS! Before anything is answered, the fight with the Justice League starts. That’s the first issue, but we’re even cheated out of that, as we never get to see attacks from Green Lantern or Cyborg. It’s almost like “footage” was cut for time or space concerns.
As the story rolls along at a breakneck pace, a ton of stuff happens. The city gets Jokerized. We meet up with Duke Thomas – a character introduced during the horrid “Zero Year” story – who we’ve seen may become Robin in the future (due to the Future’s End one-shot). We find out that The Joker might be immortal. Then, bad stuff happens to Alfred. And then Batman needs the help of his villains to take down The Joker. Then, they fight. I won’t spoil the ending, but I thought it sucked. Then again, I’m just not a fan of Scott Snyder and Greg Capullo on this book. I feel like I’m alone in this, as everyone else acts like this is the definitive run on Batman, while I just find it to be kinda meh. Snyder has one trick, and it’s “dancing between the raindrops of continuity”. It’s all “I bet you didn’t know this happened!” And he’s been doing it since the beginning. Bruce Wayne has a secret brother. Dick Grayson was enlisted by the Court of Owls. The Court of Owls has been running Gotham for hundreds of years. He even dialed back the clock with Zero Year to create an entire storyline during a period that’s not even supposed to *exist* based on the standard Batman timeline. I mean, what the Hell is a “zero year” anyway?
On top of being disappointed by Snyder, I really don’t think Capullo’s a great artist. This may sound like sacrilege to some, but I feel like Tony Daniel was a better artist, even though his style just evolved into a Jim Lee clone. Capullo is not good with action scenes, as was proven by the fights in Endgame On top of that, he brings nothing to the table in terms of distinguishing the characters out of their suits. There’s a scene with Dick Grayson that might as well have been with Jason Todd or Tim Drake because there is nothing special about how he’s drawn. I noticed this back during “Court of Owls”, as there was a scene with all the Robins in their civilian garb, and it just looked like the same white guy, wearing the same tux, at three different heights. No distinction between any of them. Maybe it was meant to emphasize the fact that Bruce recruits the same type of kid for his Robins, but I don’t think it really accomplished that. Instead, it just looked lazy. I liked what Capullo brought to other series, like Image’s Haunt, but I’ve just found his Batman work has left me wanting.
Now that it’s been revealed that Commissioner Gordon is the new Batman, I’m just waiting to be disappointed again. Sure, I could stop buying, but I’m a Batman fan, and I keep hoping it’ll get better. One thing I wish Snyder would realize is that not every Batman story need to be an “event”. Just have him solve some shit. Francis Manapul over on Detective Comics seems to understand this, as he’s cranking out some good mysteries. Meanwhile, everything Snyder does is like he wants to reinvent the wheel. I once read an interview with him where he said that you never know how long you have to write Batman, so you have to get out all of your ideas while you have the chance. I kinda understand that, but I need him to really get to the core of the character, which is something I don’t think he’s ever really done. He uses Batman as a prop in his stories, rather than as an actual character.
Speaking of upcoming DC stories, DC has launched an initiative called DC You, implying that there’s something for everyone in their new mix of books coming out. They even released a trailer of the new storylines, which was very Marvel of them. That said, I’m more curious about the books that they’re just glossing over. Sure, they’re telling us about Starfire and Cyborg, but they’re saying nothing about Red Hood/Arsenal or Martian Manhunter. They’re boosting Batman Beyond and even Deathstroke, but there’s nothing about Dr. Fate or Green Lantern: The Lost Army. Are these the dogs of the bunch? Should we start taking bets on their cancellation already?
Since I mentioned Batman Beyond, let me just say that I HATE the new direction they’re going in with that character. If you’re not in the know, Batman Beyond followed Terry McGinnis who becomes Batman roughly 35 years in the future. He wasn’t Bruce Wayne’s initial choice as a successor, as Terry stole the Batsuit in order to bring his father’s murderer to justice. There was a whole 3-season cartoon about it. Well, a few years back, DC decided to bring Terry into comic continuity, though his adventures roughly followed what had been laid out in the cartoon. In the recent Future’s End series, however, they unceremoniously killed Terry and gave his suit to former Batman sidekick, Tim Drake. So now Tim is 35 years in the future, trying to carry the Batman mantle. However, due to the events of Future’s End, the future timeline isn’t what it was when Terry was there. So, in one fell swoop, DC wiped out Terry, wiped out most of his supporting cast, and apparently his rogues. See all those familiar folks in that cover image? Yeah, they’re not in the book. The future that Tim experiences isn’t the same as Terry’s world, as characters have been changed in drastic ways. On top of that, the entire plotline was basically lifted from Power Rangers: RPM, as an evil computer virus has taken over the whole world except for Gotham, which is somehow shielded from detection. I’ll keep reading for now, as I’m curious to see if anything is left of the old Batman Beyond world, but I feel this move is a slap in the face to the fans who had come to love Terry’s Gotham. Just the changes to Superman and Barbara Gordon alone are angering, as both characters had experienced a lot of growth in that world. Now, it’s like it just never happened. Due to the events of Convergence, I’d like to think that Terry’s world is still out there somewhere, but it doesn’t really matter if no one’s writing stories about it.
One book I read last night was Archie #666, which is the final issue of the long-running series. In July, it’ll be relaunched with a new #1 and an updated look. I haven’t really read Archie books since I first got into comics, but I felt like this was a great series finale. It’s somewhat brief, but it gets to the heart of what Archie’s all about: he’s a good-natured kid who really cares about his friends. As I’ve seen previews of the upcoming series, I’m curious to see if this spirit will still exist in the new books. They say that the “familiar” style will still exist in digest form (ya know, the kind you buy at the supermarket), but the New Look is the main comic going forward. I trust Mark Waid and Fiona Staples, so I’ll definitely be checking it out. I’m just glad it had a fitting final issue, especially after the travesty that’s the current Archie vs. Predator miniseries.
Not all cartoon characters can have great comics, however. A few weeks ago, children of the 80s had a fit when they saw the trailer of the upcoming Jem and the Holograms movie. What they saw bore no resemblance to the cartoon they watched as children. There were no Misfits, seemingly no powers, and it was just a teenybopper movie about a girl “trying to find her voice”. Meanwhile, IDW recently began publishing a Jem comic book, and I feel like it’s no more comforting than that trailer. At least the book involves hologram technology, and there are Misfits, but it seems like it’s just gearing up to be a battle of the bands. Now, I don’t remember a whole lot about Jem, but I felt like there was a lot more at stake than a simple battle of the bands, right? Was that what the cartoon was about? I mean, it’s been so long, and it’s not like I was a religious viewer anyway. I’m only 2 issues into the series (I still need to read the third), but this isn’t shaping up to be the exciting to me. Maybe it’s just not for me, and that’s OK.
Now for some quick shots-
Amazing Spider-Man: Renew Your Vows #1- This felt like a What If? comic. I mean, I guess all of the Secret Wars tie-in books kinda feel that way, but this really felt like one. It was interesting to see the modern storylines they allude to, such as the Rykers outbreak that caused the formation of the New Avengers, as well as the idea of MJ and Peter moving into Avengers Mansion. Still, despite those modern references, something about it felt very 90s. Oh, and Andy Kubert really phoned in that art. There’s a panel of Peter where he looks like a caveman. This really looked like a rush job.
Groot #1 – This was a cute read. Not something I’d normally pick up, but I was kinda speculating. I remember that Rocket Raccoon #1 became a sought after book, so I figured the same might be true of his partner in crime’s book. I might just wait until this is collected, as I’d like to see where it goes, but I don’t know if I wanna spend $3.99 a month on it.
Years of Future Past #1 – I had to choose between this and the X-Tinction Agenda book. Since I never read the original X-Tinction Agenda, I figured this was the safer bet. It’s an interesting premise: Colossus and Kitty have a teenage daughter, and we’re back in the somewhat familiar Days of Future Past reality (or a version of it), while incorporating the idea of assassinating President Kelly. It was interesting, but I’m not sure I’m gonna stick with it. There are simply too many Secret Wars tie-in books and, frankly, some of them look more exciting to me.
Secret Wars #3 – Well, this was much more interesting than #2. We got to meet God, as well as see a few familiar faces from before the final incursion. I’m really engaged by this story, and everything I learn just keeps me wanting more. I thought it was important that Doctor Strange pointed out that they had basically perfected how to get folks to acknowledge the merged timelines. I feel like this will be important for when they reshape things into the new Marvel Universe. Still, I can’t helped but feel like I’m missing out on certain characters’ motivations because I skipped Hickman’s runs on Avengers and New Avengers. And we find out that 8 years have passed since the Doom reshaped the world. I tend to hate time jumps, as they are a cop-out. Rarely are those missing time periods ever explained, but I guess enough time needed to have passed in order for the societies to be as stable as they are. Still, I hope we get some insight into those 8 years, as I’m already dreading the reported 8 month time jump that the characters will have experienced once Secret Wars is over.
This past Saturday, I attended the 3rd annual Awesome Con in Washington, DC. I’d actually never been to the show in previous years, though I was aware of it. I kinda hated the name, plus I felt like Baltimore and New York Comic Con were superior to it, so I spent my time and money going to them instead. This year, however, I’m going to be missing both of those shows due to weddings, so I figured it was time to see what Awesome Con was all about. My verdict? It’s a pretty good show.
The layout, vendor selection, and guest list were reminiscent of Wizard World Richmond, which I attended last Fall. This show, however, seemed to have more vendors and bigger guests. While Wizard World Richmond had one Power Ranger (albeit arguably the greatest Ranger of all time), this show had four former Rangers. Plus, this show had marquee guests like William Shatner, George Takei, Sean Astin, and more. Still, you also had your sci fi cult stars like Dina Meyer, Casper Van Dien, James Marsters, and some of the Comic Book Men. So, there was something for everyone. As for vendor selection, most of the local comic shops were represented, as well as a few out of town shops – which certainly wasn’t the case for WW Richmond, which had about 3 comic vendors. While there didn’t seem to be a lot of current books up for sale, you could grab anything from discounted trade paperbacks to chainmail Jayne hats from Firefly. The show was very well-attended, but not overcrowded like NYCC and SDCC are these days. You could navigate freely without bumping into too many people. Like Wizard World, I still think the admission price was a bit steep; $42 for Saturday admission, compared to Baltimore Comic-Con’s $30. Since I didn’t buy a ton of stuff, I spent most of my time taking pictures.
For this post, instead of focusing on the plethora of Harley Quinns, Arrows, and Jokers that you always see at these shows, I thought I’d focus on the cosplay that featured women, minorities, crossplay (gender-switched cosplay), or was just something you just don’t see at every show. I was impressed by all of these costumes, and I hope you’ll enjoy taking a look at them.
Jedi Family. I love that little girl so much!
Scarlet Witch in an awesome Marvel dress
Bazooka from G.I. Joe
Faye Valentine from Cowboy Bebop
Static Shock and Arsenals
Modern-Day Luke Cage
Bob Ross and his happy little trees
Casey Jones and April O’Neil
Crossplay Star-Lord and Rocket Raccoon
Agents Scully and Carter
Crossplay Assassin’s Creed
I HAD to take a pic of this guy’s shirt. Bonus points if you know what movie it’s referencing.
Batman ’66. And the “POW!” was the icing on the cake!
Miles Morales: Ultimate Spider-Man
Power Couple Luke Cage and Jewel, AKA Jessica Jones
Captain America USO Girl
Big Hero 6’s Honey Lemon and Gogo Tamago
The Stalk from Saga
Squirrel Girl and Captain America USO Girl
Agent Phil Coulson
Power Rangers family
Captain America USO Girl/Crossplay Captain America?
Patriot from Young Avengers
Wasn’t that fun? At the end of the day, I had a great time, and I have to give Awesome Con the credit it deserves. Still hate the name, but I also hate clothes emblazoned with words to describe the wearer (you’re not a Cutie Pie, regardless of what that shirt says!). It just sounds so…grandiose, but you’ve gotta have goals, right? I know the Awesome Con brand got a bit tarnished when the Milwaukee edition was abruptly cancelled last year, but I think this show is on the road to being a force to be reckoned with. In the next few years, I wouldn’t be surprised if Marvel and DC had booth presences at the show. All I know is that I’ll definitely be checking it out next year.
Well, welcome back to Thrift Justice: Yard Sale Edition. If it’s your first time here, this is where I share my hauls from yard sales, as opposed to the regular Thrift Justice, which is where I showcase my thrift store hauls. Anyway, I had a pretty nice weekend, so I thought it was time to dust off this column and get down to business. There are tons of yard sale haul posts out there, but there’s only one Thrift Justice. Well, two Thrift Justices. You know what I mean.
The day started out slowly enough, as I found myself at a sale that looked promising on Cragislist. In the pics, I had seen a LEGO storage head and something that I was pretty sure was a Kenner The Real Ghostbusters Ghostzapper. I got there just in time to see a guy walk off with a Star Trek: The Next Generation Enterprise-D in the box. Curses! After looking around a bit, I realized that they weren’t exactly charging “yard sale prices”. I should’ve known when I saw a guy with a trailer set up in the driveway, selling antique dolls. Those never go cheap! The LEGO storage head was empty, and not much cheaper than retail. Oh, and the Ghostzapper was actually the Ghostpopper, but they wanted $8 for it without any of its foam ammo (which can’t really be replaced in 2015). They also had a bunch of Thermoses, but nothing too exciting. I didn’t want to leave emptyhanded, though, so I took a look at the books. That’s when I found this Marvel 75th Anniversary magazine. Apparently, it was free when it was originally released, but I’d never seen it before. I hate paying for things that were meant to be free. Still, I like a good anniversary book, so I forked over the dollar. Trust me, the day gets better after this.
Next, I found myself at a church sale, which can really go either way. I find that church sales really depend on the denomination. Baptist sales won’t sell anything that goes against their beliefs. I once went to one that had taken some dinosaurs off the sales table because, well, dinosaurs. Luckily, this was not a Baptist church. I found these G1 Transformers in a quarter box near the door. What we have here are Insecticons Shrapnel and Bombshell. I wonder if I could’ve found Kickback if I had gotten to the sale earlier. Anyway, this was a good sign that I had stumbled upon something special.
My latest thing is collecting really old games, especially board games. Even if the pieces aren’t all there, I’m fascinated by the box art. If you get them cheap enough, you can get a good pic of them and then donate them or something. This is Don’t Break The Ice, which was released by Schaper Manufacturing in 1970. The game is still being made, as part of Milton Bradley’s Cootie Games brand, but the box art isn’t nearly as groovy. I got it for a dollar, so it seemed worth it. Here’s something I find interesting: 45 years ago, this game was suggested for kids ages 5-10. Now, however, it’s recommended for kids ages 3-6. We’ve gotten smarter, America!
The church had quite the vintage game selection, so next I picked up Tip-iT. This is the 1965 edition from the Ideal Toy Company. This game is still being made by Mattel, but it doesn’t look anywhere near this cool. That little girl is enthralled by what she sees happening, while the little boy is tackling the game with the precision of a bomb squad member. There’s another boy who apparently never learned that you never turn your back to the audience. Meanwhile, Dad is just glad that Mom’s in the kitchen making his dinner. Hey, it was a different time!
I love games like this because I’m a glutton for punishment. This Manhunt game is described as “The Electric Computer Detective Game”, but that probably means that the batteries have corroded in the “computer”, or it’s missing a battery cover or something. I have no faith that this thing works, but it’s like the lottery: you’ve gotta be in it to win it. Plus, look at the lapels on the kid on the box! I like how the box art is split between actual gameplay and the fantasy of gameplay. The left side looks nowhere near as exciting as the right, but they’re hoping you won’t figure that out. Anyway, it, too, was a dollar.
This really isn’t all that special. I just kinda liked the 1970s idea of “wealth”. I mean, look at those skyscrapers! They were so state-of-the-art at the time, but so dated now. Again, I grabbed it because it was a dollar. I was making it RAIN up in that church!
This I had to have because the box was huge by board game standards. It’s basically Battleship, but with a 3D board. Again, I have no idea if it’s complete, but it was so 70s that I just had to have it. Again, like the Manhunt game, I like the splitscreen showing fantasy versus reality. As big as the set up game looks, however, it actually seems to be more interesting than the fantasy of the gameplay. This was three dollars, but so worth it. At least, that’s how I feel without having taken inventory of all the parts. Out of all the games I bought, it has the most value on the secondary market, so I’ll flip it if it’s complete enough.
I went hardcore on Saturday, going to nearly 20 yard sales once everything was said and done. As these things are wont to happen, my greatest item came near the end of the day. I found myself at a Knight of Columbus sale, where everything was being sold under tents. There was a little house on the property, which served as the “boutique”. Everything under the tents was some garbage, so I didn’t expect to find anything great inside. Looking around the little house, I was right. The most promising thing I found was the Double Dare home game, but the box was kinda busted up. So, I decided to take one last look around, and that’s when I found this high up on a shelf.
Yes, it’s the recently released complete DVD collection of the 1966 Batman television series. And it was still sealed. Of course, it had a $100 price tag on it, so they were going for close to retail. That just didn’t seem to fit with the general ambiance of the sale, so I grabbed it and held it tight as I contemplated my next move. The devil on my shoulder told me to just peel the tag off so they’d have to figure out a price on the fly. They had tons of stuff there, so surely they wouldn’t remember what they had on there, right? No, that wouldn’t have been right (and no, I’ve never done that before!). So, I decided to just check and see if it was their final offer.
I went up to the guy manning the cash register, and asked, “Is this really $100?” He said, “Well, that’s what they sell it for online. In fact, they ask $200 for it.” I pretended to be surprised. I’ve had my eye on the set for a few months, so I knew what it went for. As I was putting it back on the shelf, as he said, “You could make me an offer.” I said, “Nah, I trust ya.” That’s when he surprised me. He said, “I’ll tell ya what – I’ll sell it to ya for $20.” Yes, the bill that everyone wants to put Harriet Tubman on. TWENTY DOLLARS. Instead of ONE HUNDRED. That’s cheaper than one season of the series on DVD, and here he was offering me the whole series for $20! “SOLD,” I told him! I quickly fished a twenty out of my pocket, gave it to him, and shuffled to my car before he realized he’d made a mistake. My eyes darted both ways, as if I’d stolen something. I couldn’t believe it. I love me some Batman, and I’d pretty much resigned myself to never getting this set, since it was so expensive and I had a convention bootleg set I’d never finished watching. I drove off and met my wife and kid for some well-deserved Chipotle. I did the right thing, and I was rewarded for it. Or I kinda robbed that guy. I don’t know. I guess it depends on where you stand.
This is gonna be a long one, so strap in and get comfortable. Last year, I did daily posts about the network upfronts announcing their new shows and schedules. This year, we’re doing it all here. But first, some movie stuff.
I really put Redbox to work over the past few days, catching up on some films I’d missed in theaters. First up was St. Vincent. Starring Bill Murray and Melissa McCarthy, it’s basically about the friendship formed between McCarthy’s son and Murray’s curmudgeonly character. It’s one of those films where Murray actually kinda acted instead of just playing himself. It’s a cute film, and I recommend it – even to those folks who tend to hate McCarthy. Don’t worry, as she doesn’t tumble over anything in this movie.
Next up, I watched Chris Rock’s Top Five. At its core, it’s a Cinderella story. No, really. If you watch the film, you’ll know what I mean. Anyway, Rock plays Andre Allen, a comedic actor who’s at a point in his career where he wants to be taken seriously. He spends the day with reporter Rosario Dawson, as he does press to promote his new drama about a Haitian uprising. Over the course of the day, we find out about his drinking, his sham relationship with a reality star, and his fears about his own abilities. In terms of casting, it’s basically a modern-day Harlem Nights. You have never seen a collection of Black comedians of this caliber since that film. It’s a movie built on cameos, from Ben Vereen playing ANOTHER deadbeat dad to Seinfeld making it rain in a strip club. And there’s an AMAZING DMX cameo. Trust me. Anyway, I really liked this movie, and I’d definitely watch it again to see if there are any cameos that I missed.
Finally, I watched Birdman or (The Unexpected Virtue of Ignorance). For almost a year, I’ve been hearing about how great this movie was, and what a great job Michael Keaton did in the role. Now that I’ve seen it, I have to ask: did we watch the same movie? No me gusta! It was a little too artsy for me. Now, I have simple tastes, but I was a theatre kid so I got most of what was going on. It was the whole battle of “celebrity” vs “actor”, and Keaton’s character just wanted to leave behind a legacy outside of the fluff of the popular Birdman franchise. He was already a celebrity (something of a hasbeen), but he wanted to be taken seriously as an actor. I get that. But it was still kinda weird to me. Like, why did he have telekinesis? At times, it felt kinda Black Swan-y to me, but maybe that’s what they were going for. Part of my review isn’t even the movie’s fault; the first disc I got from Redbox was warped, so I was only able to watch 2/3 of the movie. I had to get a refund, get another disc, and give the movie another try before I was able to finish it. So, I didn’t feel the movie was good enough to warrant all that I had to go through to watch it. What did you all think of the film?
Now, for the upfront news. Let’s look at Fox’s offerings:
Grandfathered – Tuesdays at 8:00
I really like how this looks. It’s got a Raising Hope element to it, while everyone loves John Stamos. That said, he hasn’t had a ton of luck with his starring vehicles (Thieves, Jake In Progress). It kinda bothers me that it doesn’t have a lead-in, and is expected to kick off the night. More importantly, it’ll be going against The Muppets on ABC. I think those are different audiences, but I’d feel a lot better about it if it were placed after New Girl. The problem with that is that New Girl isn’t coming back until midseason because of Deschanel’s pregnancy. I really want this one to work.
The Grinder – Tuesdays 8:30
Who doesn’t love Rob Lowe? And Fred Savage is acting again! This looks very “Fox”, but I still like it. The potential problem is that it doesn’t have an established lead-in (Grandfathered), and it’ll be going against Fresh Off the Boat on ABC. FOTB experienced a ratings dive last season, so I honestly don’t see it as a threat. I just wonder how the freshman Fox comedies are going to do without help from established shows.
Minority Report – Mondays at 9:00
I never saw the movie, but I know the general gist: in the future, crimes are predicted before they’re committed. This is the kind of show that Fox LOVES to kill. They give it a chance and they kill it. It’s expensive sci fi, and the ratings are never high enough to warrant season 2 (see: Almost Human, Terra Nova). Fox should be given credit for giving these shows a chance, but instead they just have a rep for killing them. It’s got the plum post-Gotham timeslot (to the detriment of Sleepy Hollow, which moves to Thursday), but I don’t know if that’s going to be enough to save it. Speaking of Sleepy Hollow, Fox seems to love that White guy, Black female partner trope.
Rosewood – Wednesdays at 8:00
There’s quite a bit of an obsession with pathologists on TV lately. Pathologist obsessed with death becomes the go-to guy for the Miami police department. This feels a lot like Forever. It stars Morris Chestnut, so it helps the problem if the lack of primetime diversity. I’m just scared this might be 2015-2016’s Backstrom. I don’t think this one survives.
Lucifer – Midseason
I said this about Constantine, and I’ll say it again here: I don’t think the Bible Belt is ready to embrace a show about the Devil as the star. Not on network television. I don’t care how far we’ve come as a society. I don’t care if it’s a “smart” show. The same people who would like this show are the ones who hate The Big Bang Theory. You know who LOVES The Big Bang Theory? Middle America. It’s a midseason show, so I figure Fox is using that time to figure out just how to properly market it. NBC couldn’t call Constantine “Hellblazer”, likely for the same reasons. No matter what it was called, the show is now gone. I don’t think this one has a prayer (heh) either.
The Frankenstein Code – Midseason
Take everything I said about Minority Report, and multiply it times 2. This show will not last.
Bordertown – Midseason
Originally scheduled for the 2014-2015 television season, this show has been bumped to next season. And it STILL doesn’t have an airdate. Fox must have faith in it, since it’s executive produced by Seth MacFarlane, but it just doesn’t seem as good as his other shows. I also hate the animation style. I don’t like animation where you can’t tell if a character is supposed to be attractive or not (see Bob’s Burgers). Anyway, I say it gets one season (since animation has lead time), which will then end up being aired late Sunday night on Adult Swim (see Unsupervised).
Now for ABC’s shows
Dr. Ken – Fridays at 8:30
I like Ken Jeong, but this show isn’t exactly reinventing the sitcom wheel. Considering the edgier comedic films he’s done, I’m surprised that he went for such a cookie-cutter multi-cam family show. That said, it multiplies the Asian American representation in sitcoms by 100%, so it helps to diversify the shows on the air. I hate the Friday timeslot, as this ain’t TGIF. Last Man Standing isn’t that strong of a lead-in, so it won’t be of much help to this show. I just KNOW some executive recommended pairing this show with Fresh Off the Boat before someone shot him down.
The Muppets – Tuesdays at 8:00
I’ve never understood the Muppets, so I’m probably not the best one to cover this one. Sure, the Jason Segel movie did well, but the sequel did not. It seems like the success of the Muppets hinges on the presentation. This show is basically The Office with Muppets. I don’t really like what I see, but again, I’m not the target audience. It’s going against Fox’s Grandfathered, but I think they’ll have different audiences.
The Real O’Neals – Midseason
I really like what I see here. It’s like a better, single-cam almost-prequel to CBS’s cancelled The McCarthys. ABC only seems to really have two nights for comedy (Tuesday and Wednesday; I don’t really count Friday), so I’m not really sure where it would go at this point.
Uncle Buck – Midseason
This actually looks a lot better than I was expecting. We basically got the whole pilot in the trailer, but I would watch this. I could see ABC doing something like swapping it in for Black-ish for a few weeks, which would then result in an outcry that ABC refuses to have 2 Black shows on at once. Heh. Anyway, this might just work.
The Catch – Midseason
This looks good. It’s a Shonda Rhimes show, so I expect nothing less. I said I’d watch How To Get Away With Murder, and then I never got around to it. I’d say the same about this, but maybe I’ll just catch it on Netflix. This one’s a hit. Shonda can’t fail.
Of Kings and Prophets – Sundays at 10:00
STOP TRYING TO MAKE THE BIBLE “COOL”! This was clearly made in response to NBC’s A.D. The Bible Continues, only I’m pretty sure ABC probably thought that series was going to be more successful than it has been. Networks keep trying to make these shows because they want their own Game of Thrones. The problem is that you can’t make that show on a network television budget, with network standards and practices. You just end up with a neuter version, which no one wants. Fox learned this last season while making Hieroglyph, which they canceled before it even aired. This show will not succeed.
The Family – Midseason
I like this. A year ago, I probably wouldn’t have had a lot of faith in it, but ABC had a lot of success with Secrets & Lies, and this is in that vein. I can’t wait to watch this!
Quantico – Tuesdays at 10:00
ABC has had a problem with this timeslot for the past few seasons. Most recently occupied by Forever, it’s the hour where ABC dramas go to die. I like what I see, though. It’s basically 24 with a less experienced agent. It also helps that it’s led by a woman of color. It’ll be interesting to see what happens here.
Oil -Sundays at 9:00
Kinda cared more about this when it was called Dallas. ABC needs a soapy drama to replace Revenge, but that show never really did that well. Neither does Nashville. ABC wants to stay in the sudser game, but the numbers just aren’t there. Who knows, though? It might work.
Wicked City – Midseason
I don’t really even know what’s going on here. I don’t think it fully captures the 80s aesthetic for a “period piece”. I don’t see this one really getting off the ground.
I really only care about one thing on CBS:
Supergirl – Mondays at 8:00
Well, this has certainly gotten folks talking. From Greg Berlanti, who’s given us Arrow and The Flash, we get a show about Superman’s cousin, Kara Zor-El. First of all, why is it pronounced “CAHR-uh”? Anyway, I have a lot of issues with what I’ve seen in the trailer. Why does everyone know her identity? By the end of the trailer, everyone seems to know except her boss.
Also, I hate that they made her cousin such a big part of her identity. Why couldn’t they live in a world where there’s no Superman? The problem with this is the same problem I had with Birds of Prey: when you mention that someone bigger and more important exists, the audience is just waiting for him to appear. In BoP, we all wanted Batman on TV, and here we’re all going to want Superman. Now, Warner Bros had a show about Superman that ran for 10 years, yet he never really “showed up”. Why would they do anything differently here? Too much is predicated on making her cousin proud or “Your cousin sent you a gift”. Considering this show is supposed to take place in the “Berlantiverse” (has anyone coined that term yet?), I don’t like the idea that there’s a Superman out there in the same world as The Arrow. I liked that Arrow was kinda grounded, and this season sorta threw all of that out the window. I know there’s bigger threats and whatnot, but I wasn’t prepared to jump right to the House of El.
Anyway, I’m still not sure why this just didn’t get put on The CW. I mean, CBS owns half of that network, and it’s where the other Berlanti shows are. It’d make things more convenient for crossing over (which is something they’ve said they would like to eventually do) if they were on the same channel. If you’re not a show about the FBI or some other acronym, CBS doesn’t really know what to do with you. It’s also interesting that for the first time since 1949, CBS has no comedies on Monday night, instead giving a slot to Supergirl. And it’s going up against Gotham! If I had to choose between dark, nonsensical Gotham and bright, optimistic Supergirl, I know what I’ll be watching Monday nights.
As for NBC:
The Player – Thursdays at 10:00
I don’t even know what’s going on here. They bet on crime? Anyway, I don’t see this one making it, which is sad ’cause Wesley could use the money. They say that it’s by the executive producer of The Blacklist, but that’s not entirely a vote of confidence as that show’s been slowly dying since the move to Thursdays.
Blindspot – Mondays at 10:00
This trailer is just exhausting. It’s Memento with a hot chick. Again, this thing seems too steeped in its own mythology to be accessible. I don’t see a second season for it.
People Are Talking – Fridays at 8:30
I really want this to work, as I love Mark-Paul Gosselaar. Just like Fox makes expensive sci fi shows just to cancel them, NBC loves to make multicam sitcoms only to cancel them. It’s a miracle that Undateable is still around, really. And for some reason, they’ve decided to program Friday night with comedies like ABC. Maybe the DVR numbers will be decent? Anyway, it’ll be going against ABC’s Dr. Ken, which also has an uphill battle for that night and timeslot.
And of course, while I was writing this, the trailer dropped for The CW’s DC’s Legends of Tomorrow:
I’m so behind on Arrow and The Flash that I don’t really feel qualified to have an opinion on it. I like what I see, but I need to catch up before I can get really excited, as I know some of the groundwork had been laid over the past few episodes. It’s The CW, which kinda has a low bar for success anyway, so this show will do just fine.
Crazy Ex-Girlfriend – Mondays at 8:00
This is the only other CW show I’m looking forward to. It was originally created for Showtime, but got picked up for network instead. This chick seems insane, and I’m curious to see how they get a whole series out of this premise. That said, it’s got an Asian American love interest – how often do you see that?! And it’s half musical? Yeah, I’m already there. Anyway, it airs the same time as Supergirl, so I’ll be DVRing it. Or maybe I’ll just lose interest, like I did with Jane The Virgin.
Another week, another guest spot on The Mad Cast. I love talking Mad Men with Corey, and we discussed a pretty powerful episode this week. Give it a listen!
Things You Might Have Missed This Week
-Fox announced that the next and 15th season of American Idol would be its last. And there was much rejoicing. Not from me, however. It may have slowed in recent years, but Idol gave us Kelly Clarkson, Carrie Underwood, Clay Aiken, Fantasia Barrino, Adam Lambert, Chris Daughtry, Jennifer Hudson, and Scotty McCreary. The Voice, for all of its accolades and ratings, can’t say that about a single contestant. And I didn’t even list only winners. Being on Idol was enough exposure to launch a career. The Voice, however, has yet to create a household name. So, le roi est mort. Vive le roi!
-Contract negotiations broke down, so Harry Shearer is leaving The Simpsons. Last time that happened, they killed Maude Flanders. I doubt they’d kill Ned Flanders, Principal Skinner, Kent Brockman, and Mr. Burns, though, so I expect them to find replacement voices. The show’s been on for almost 30 years – it’s not like there aren’t other, cheaper folks who can do those voices now.
-Fox has greenlit a New Mutants film spinoff from the X-Men franchise. It’s to be directed by Josh Boone, who also did The Fault In Our Stars, so I expect it to have teen angst and all of that. I wonder if this is taking precedent over the X-Force film that was being discussed a few months back.
-Caity Lotz will be playing The White Canary on DC’s Legends of Tomorrow. In the comics, that minor character was originally Asian, so brace yourself for the “whitewashing” thinkpieces…
-The trailer for Jem and The Holograms was released, and the internet went crazy – in a bad way. It doesn’t seem to be about a rocker who uses hologram technology to save the world. Instead, it’s about a shy singer who’s trying to find the motivation to make her voice be heard. Instead of “Jem is truly outrageous”, the tagline should be “Jem, like, can’t even!” Some people have said that the haters aren’t embracing new ideas, but there’s nothing “Jem” about this. Why use the name and the franchise if you’re not going to do anything with it? That’s like if G.I. Joe were about a dude named George Indicott Joe, a former soldier who’s now a plumber in Queens. It’s just a waste.
-In comic news, the identity of “She Thor” was revealed in this week’s Thor #8. I thought it was just gonna be Lady Sif or something. I was wrong. Here’s a hint, though: she was in the movies. My pal Kevin over at Team Hellions has the scoop!
As you can see, there was a LOT of television news this week, and I didn’t even cover all of it. The week belonged to the networks as they rolled out their Fall schedules. There will be some winners and a LOT of losers, but it’ll be interesting to see how it all plays out. It may seem like a cop-out, but I feel like the major broadcast networks had the West Week Ever.