01st Apr2016

West Week Ever: Pop Culture In Review – 4/1/16

by Will

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Welcome back to a brand new installment of West Week Ever! I’ve got a confession to make, though: I’m tired. Between writing all the Spring Break posts this week, and that fact that today is April Fool’s Day and nobody believes anything they read anyway, I’m gonna keep it short today.

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So, about those Spring Break posts. You may not know what I’m talking about. Remember how MTV used to have special programming during Spring Break? They’d set up in a beach house, and have a week full of special programming. Well, that’s what I tried to do here. Sure, there was no beach house, but I tried to cover some topics that don’t get discussed enough around here: forgotten/maligned television theme songs and bad comic books. In case you missed any of the posts, here’s what you missed:

Monday – The Most Underrated Television Theme Songs: Webster
Tuesday – The Most Underrated Television Theme Songs: California Dreams
Wednesday – Just Imagine Stan Lee Wrote The Worst Batman Story Ever Published
Thursday – The Most Underrated Television Theme Songs: Enterprise

Anyway, I had a lot of fun with those, so let know if you’d like to see any of that kind of stuff return in the future. Now, let’s get on with the pop culture news!

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In the world of comics, we finally got creative team announcements for DC’s Rebirth initiative. And it’s really nothing to write home about. Outside of the surprise of Scott Snyder getting a new series called All-Star Batman, and Jim Lee handling the art chores on Suicide Squad, the rest of the announcements simply feel like shuffling deck chairs on the Titanic. While DC might have a decent bench of up and comers, they don’t have any marquee names or exclusive creators to “bring all the boys to the yard”, so to speak. Most DC creator announcements can be met with a simple “Who?” There are some bright spots, though. For example, it appears that Terry McGuinness will be returning as Batman Beyond, but it also kinda pisses me off that we’ve wasted the past year or so with the Tim Drake incarnation of the character. David Finch as the Batman artist is pretty cool, but I’m not sure he ever mastered a timely, monthly schedule. There are also some questionable moves being made, though. Why bring back Nightwing when the Grayson book was such a fresh, and popular, take on the character? And why give Bryan Hitch a Justice League book that he’s not drawing, considering nobody really flocks to him for his writing? It all sounds interesting, but it doesn’t sound exciting. This isn’t the shot in the arm that DC Comics desperately needs, and the fan base is getting bored. I fear we’ll be right back here with Super Rebirth or Born Again or something in another year.

In comic movie news, the folks over at MCU Exchange really need to be hired by Marvel. The editing on this Civil War primer is better than most of the trailers we’ve gotten so far for the movie. I won’t say it gets me jazzed for the film, but it does a great job of summarizing everything that brought us to this point. It even ties in Jessica Jones and Agents of S.H.I.E.L.D. – something that Marvel couldn’t be bothered to do themselves. That’s really been bothering me lately: Marvel’s unwillingness to take advantage of their shard universe by sprinkling more references to the movies into the TV shows. Would it kill Agents of S.H.I.E.L.D. to put a Stark delivery truck in the background of a street scene? Couldn’t they have put Stark/Avengers Tower in the background of a scene of Jessica Jones? It’s the little things that add up to build a much richer universe. This week’s Agents of S.H.I.E.L.D. got major points in my book for not only referencing Stark and Sokovia, but for also sneaking in a Daredevil reference. More of that, please!

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In other comic movie news, there are reports that Suicide Squad is filming reshoots to make the film more “fun”. After all, that was a complaint that folks had about Dawn of Justice, but if it doesn’t fit tonally, don’t force it. Reshoots on a film of that caliber aren’t unusual, but folks seem to be falling over themselves trying to explain why these particular reshoots are any different than those for any other blockbuster film.

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So, here we are, at the end of this week’s post. This is the point at which I usually tell you who had the West Week Ever. Well, despite not liking the film myself, I’d be a fool to not acknowledge that Batman v Superman: Dawn of Justice had the best week. It made a shit ton of money, even though it still “fell short” of some box office expectations. Whatever. I don’t really have much more to say about the movie, though, because I’ve kind of taken myself out of the discussion. I’m not sure if you’ve been on social media over the past week, but the discourse is FAR from civil. On both sides. I’ve seen some critics forge past the bounds of professionalism just to get their jabs in on the movie, but I’ve also seen fans of the movie berate folks for being “not smart enough to understand the movie”. Yeah, well, I got it, but I still didn’t like it (*dusts off Ivy League degree on wall*). So, I’m kinda done talking about it as, like with politics, nobody’s gonna sway anyone to their side – nor should they try. It’s OK for people to have different opinions, and there’s nothing wrong with saying “Ya know, that just wasn’t for me”, without being berated by those who did enjoy it. I never said it was a “bad movie” in my thoughts last week. I just said that I didn’t like it, but there are still people out there who would like to tell me that I’m wrong. How am I wrong in my feeling? Anyway, I had the pleasure of joining The Chap Report this week, where we discussed the film at length. It was nice to be able to talk about it in a non-hostile environment, and I believe I got out everything I needed to say. So, if you really want to know how I felt, complete with story spoilers (which I avoided in last week’s post), take a listen. It is my definitive take on the film, and I see no reason to discuss it further. If anyone asks “What did you think of the film?”, I’m just gonna post the link to the podcast. So, in closing, giving credit where it’s due, Batman, Superman, Wonder Woman, and the Marthas of the world had the West Week Ever.

30th Mar2016

Just Imagine Stan Lee Wrote the Worst Batman Story Ever Published

by Will

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With all the talk about Batman v Superman over the past few days, it reminded me that it’s nowhere near the worst story told featuring the Caped Crusader. No, that honor belongs to Just Imagine Stan Lee’s Batman, published in September 2001 – making it the second worst thing to happen to America that month. If you’re unfamiliar with the book, let’s take a step back in time, shall we?

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In 2001, DC Comics thought they had scored a major coup by getting Marvel Chairman Emeritus Stan Lee to agree to reimagine their most iconic characters in the Just Imagine… miniseries. This was pre-social media, but I remember the Wizard Magazine articles losing their shit about “STAN LEE’S GOING TO DC!” It was basically the geek equivalent of when LeBron left Cleveland for Miami. Although, it kinda wasn’t that special in hindsight. You see, Stan has spent the past 20 or so years as something of a whore, and this was really just the beginning of it. He was coming off the disastrous venture known as Stan Lee Media, where his most notable creations were Pam Anderson’s Stripperella and the Backstreet Boys’ The Backstreet Project (whose Burger King Kids Club figures still pop up in thrift stores to this day). Since that company bottomed out (and is actually still being fought over in court to this day), Stan hasn’t said “no” to anything where money was involved. Some projects have held more promise than others but, at the time, the Just Imagine… series was seen as this historic happening that had been 40 years in the making.

The idea for the Just Imagine… series was that it would pair Stan with some of the greatest working comics artists, like Jim Lee and the legendary Joe Kubert. Each comic would be a one-shot story, yet all 13 issues would tell an overarching story when read together. The series kicked off with Just Imagine Stan Lee’s Batman, teaming Stan up with the aforementioned Kubert. The 48-page “prestige format” (square bound) comic is certainly nothing that you’ve ever read before in a Batman comic, but it is something you’ve seen before. You see, that’s the biggest failing of the Just Imagine… series: there are no original ideas. To Stan, the best way to reimagine Batman is to simply combine Luke Cage and Spider-Man, and call it a day.

Wayne Williams (there’s that classic Stan Lee alliteration!) is a young, Black street-smart guy whose policeman father has just been killed. While taking care of his mother, Williams makes an enemy of the local gang leader who, then, frames him for armed robbery. Sent to prison for a crime that he didn’t commit, Williams uses his quest for vengeance as a motivator to hone his body and his mind. Over an undetermined amount of time, Williams’s weight training takes him from scrawny to buff – just in time for him to use his new found strength to thwart a prison riot. Following me so far? Nothing too crazy, right? OK, let’s continue.

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This is when the story just stops working for me, as each development is more outlandish than the next. While in prison, Williams befriends a bat who comes to visit his cell night after night for crumbs and food scraps. Williams keeps telling the bat that he’s his best and only friend, kinda like that movie/Michael Jackson song “Ben” about that rat. Well, when he’s pardoned for stopping the prison riot, Williams leaves prison with the bat as his pet. As a free man, Williams realizes that he’s going to need to make some money, and one night while watching pro wrestling, he decides that will be his ticket to success (sound familiar?). After all, he’d beaten up a few toughs in prison, and he had also learned to sew, so he’d be able to make his own costume. So, while he admitted that wrestling was “a phony crock”, he proceeds to make his career by ACTUALLY BEATING THE SHIT OUT OF WRESTLERS as, you guessed it, “Batman”! And nobody calls him on it! He gets in the ring, and attacks these performers, and the crowd just eats it up. He starts on the local indie circuit, but eventually works his way up to the point where he’s the most popular wrestler in the world – all to build a financial foundation to use in his quest for revenge. Since he never unmasks, nobody knows who he truly is, which allows him to just get more and more mysterious and popular. Can you imagine if Rey Mysterio Jr was only wrestling so that he could finance his quest for revenge? Well, this is that, only Williams basically has the career of Hulk Hogan, The Rock, and John Cena put together.

While Williams was in prison, however, he did have one friend: a former physicist named Frederick Grant, who had been imprisoned for sabotaging the equipment of a former employer who was poisoning a water supply. After Williams saved him from a prison bully, Grant was the one who originally encouraged him to hone his body and mind. So, once he’s made his nut on the wrestling circuit, Williams seeks out the released Grant, and asks him to be his partner. Anyway, in the time that Williams was in prison, the gang leader who framed him, Handz Horgum (there’s that alliteration again), has risen in the ranks from local tough to crime boss. He controls all the crime in Los Angeles, so Williams plans his attack. He gets Grant to beef up his armor, giving him the “powers” of a bat, like night vision and the ability to soar on wind currents. Williams starts beating up local toughs, working his way up to Horgum. So, here we have the world’s greatest wrestler, initiating a war on crime in the middle of Los Angeles, and nobody bats an eye. The news isn’t like, “Hey, John Cena just put a gang in traction today.” Anyway, he eventually catches up to Handz, kicks him off the top of a building, and then steals his girl. Yes, the “hero” kills the crime boss and starts scheming on how he can put Handz’s girl on his payroll just to keep her close.

Given only 48 pages, there’s only so much space with which Stan had to work. That said, I have some major problems with the story – namely that nothing Batman does is *heroic*.  It’s a quest for revenge and not justice. I can’t say it’s “justice” because his heart isn’t really in the right place. Sure, he’d be ridding the streets of a pretty bad guy, but his reasons are pretty selfish. He doesn’t think of all the lives he’d be saving by taking Handz off the street, or how it’s even the “right thing to do”. No, Williams is only pissed that Handz caused him to lose all that time in prison, and that his mother died before he could clear his name. At no point does he ever have a change of heart that “Hey, this hero thing is a good idea.” For intents and purposes, he could pretty much quit after killing Handz because that was always the endgame. In fact, when the story ends, you’re led to believe that he’ll continue fighting, as he mentions hiring Handz’s girl as the secretary for his whole “operation”, but there’s no indication as to why he’d keep going. After all, at no point in the story did he ever think of anyone but himself. It would make more sense if he just returned to the ring, and continued to rack up wrestling money. I kept waiting for the *superhero* to show up, and that never happens.

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Well, I’ve clearly given more thought to this whole enterprise than it seems Stan did when he “wrote” it. I put that in quotes, because I wonder how much contribution he truly had to the story. After all, the credits list Batman film producer Michael Uslan as the one who was responsible for the plot of the story. That was surprising to me because, as the guy who’s written an autobiography called The Boy Who Loved Batman, you’d think Uslan would’ve delivered something with more respect for the character. Sure, this is a different take on things, and I’m not expecting Bruce Wayne here, but you’d still think Batman would be a little more heroic here. I don’t necessarily need him to inspire, as that’s more Superman’s bag. No, Batman operates out of the shadows, to rid the streets of crime and make the city a better place. Stan’s Batman operates out in the open, and his goal is only to get payback. But the major crime is how Stan basically just repurposed old ideas into something that came off like a polished turd. It’s kinda like if you submitted old homework to fulfill a new assignment, and still only managed to get a C. So, whenever you feel like you’ve experienced the worst Batman story ever, just imagine what Stan Lee’s Batman would look like, and you’ll instantly feel much better.

25th Mar2016

West Week Ever: Pop Culture In Review – 3/25/16 (“Do You Bleed?” Edition)

by Will

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This week, I decided to tackle the Marvel Netflix series that was on everyone’s lips…4 months ago. In order to catch up so that I could start Daredevil season 2, I finally finished Jessica Jones. If you remember, I had only gotten 3 episodes into the season, when technical difficulties sent me packing. Once everything was resolved, I just didn’t feel like getting back on that horse. Now that I’ve finished the season, however, I’m glad that I did. It truly was a great season, and I loved every minute of it. I’ve been a fan of the Jessica Jones character since the Alias comic debuted, and I’ve followed her development over the years from hard-edged private eye to doting wife and mother. She’s probably one of the rare characters to actually experience *growth* in comics, as she wasn’t looked upon to sell lunchboxes and Underoos, so Marvel let Bendis have a bit more control over her destiny.

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First up, I’ve got to admit that I was wrong. I didn’t like Krysten Ritter’s casting because I felt like the role would’ve been better with someone a bit older, like Yancy Butler. Well, Ritter handled herself well in the role, and by the end of the season, I pretty much believed that she was Jessica. The rest of the cast members were great, too, like Power Rangers RPM‘s own Eka Darville as Malcolm.

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And the world-building was great, as they introduced characters that seamlessly fit into their world, even if you wouldn’t initially think it would work (I’m looking at you, Nuke!). I will say, however, that it really bothers me how Marvel treats the television shows in relation to their films. I mean, they Netflix shows are better at showing links than the ABC shows. At least Netflix refers to “The New York Incident” and “the big green guy”, but that’s about it. Would it KILL them to put Stark Tower in the background of a scene? If there’s a delivery truck driving down a street, couldn’t it have “Stark” plastered along the side? It’s the little things that help to remind us that everything’s connected. Marvel does the shared universe concept like no one else, but they do it a lot better in the comics than in the live action. Oh, and the Netflix series sure do love killing off kindly, old, retirement-ready Black men. What’s that all about?

Anyway, now that I’m caught up, I’m ready to dive into Daredevil‘s second season. I’m currently on Spring Break, so I should be done with that in the next day or so. Tune in next week for my thoughts on it.

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So, let’s talk about the elephant in the universe: Batman v Superman: Dawn of Justice. I was talking to a friend recently, who said that even saying “I loved it/I hated it” constituted a spoiler. I’m not sure I agree with that, but if you’re of that mindset, you should stop reading now. I mean, I already got your click, so we’re pretty much done here. I promise not to post any story spoilers, but I am gonna tell you what I thought.

Dawn of Justice suffers from the crime of trying to do too much. It wants to introduce Batman, redeem Man of Steel, introduce Wonder Woman, establish Lex Luthor, and set up the Justice League film all at once. And it really only succeeds at one of these. At 2 and a half hours, you’d think they had mastered the pacing to accomplish all this, but you’d be wrong. This is 2-3 movies all crammed into one.

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Ultimately, I don’t feel like Warner Bros understands their own characters. For instance, it seems like they can’t seem to get away from the Christ allegory of Superman. This has been a theme in the films since Superman Returns, and it has never worked. It’s too obvious of a comparison, so when they go there, it just feels hamfisted and lazy. I mean, just look at how he hovers, reaching out to his believers. And if you look closely in some of the debris, you’ll see crucifixes haphazardly made out of detritus. This is not a coincidence, and I feel like there are other facets of Superman, even as an outsider, that don’t take him in the Jesus direction. I really felt like they didn’t have a grasp on the characters during the main fight between the titular heroes. It seemed like the desired effect was for fans to take a side, and to root for the hero of their choosing. I, however, found the whole enterprise made me uncomfortable. If making the audience uneasy was the goal, then the film succeeded. The fight should’ve been amazing, but Out for Blood Batman vs Just Trying to Save a Loved One Superman didn’t work for me. Is this how they want their characters to be seen? As the start of their film initiative, is this how they wanted to introduce this world to the audience?

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I hate to go into the Marvel vs DC aspect of the matter, but it’s got to be done. Like them or hate them, there’s still a sense of humor to Marvel films. Even the darker ones, like The Winter Soldier, still have lighthearted moments. I appreciate that about those films. This world that Snyder has built, however, is just so goddamn bleak. There’s no hope and no humor. In fact, there’s a really bad joke that doesn’t land because it doesn’t fit the tone of the movie at all. Taking a step back from things, I would probably be fine with that if this were a one-off movie. The problem, however, is that this is essentially the foundation of DC’s Cinematic Universe. Everything that comes after will be based on this world, and I HATE that. Why am I to root for any of these characters? Batman isn’t necessarily a Batman we’ve seen before, nor am I sure he’s a character I like (which is hard for me to say, as a die-hard Batman fan). Superman basically deals with his own Benghazi in the movie, and you’ve kinda got to question his motives. Lex Luthor is so over the top that he makes Cesar Romero’s Joker look like Heath Ledger’s Joker. Seriously, Jesse Eisenberg debuted in one of my favorite movies of all time (Roger Dodger), and I know he’s got range, but here it’s like he heard someone say “comic book”, and he decided to go balls to the wall insane. There have been many Lex Luthors over the years: mad scientist, businessman, president of the United States, etc. This is none of those, and that wouldn’t be a bad thing if it felt like he even knew anything about the character whatsoever. At the end of the day, this is not the movie that DC needed. These are trying times for the company, as they’re trying to get their publishing house in order via the Rebirth initiative, at the same time as trying to build a cinematic universe. I don’t, however, feel like they put their best foot forward with this effort.

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Then, Wonder Woman showed up (that’s not a spoiler, as it’s been in every trailer and on every magazine cover). And SHE was a delight. I never really cared much for that character, and I wasn’t supportive of the casting of Gal Gadot, but she stole every scene that she was in. I will say that it goes kinda overboard when she joins the fight, as the movie briefly seems to turn into Sucker Punch (Cue rock music! Flying fighting females!), but you don’t mind because she injects life into some of the most boring scenes. And there are some boring scenes. After all, the thing is almost 3 hours. There were moments I’d look up and think “Man, this fucker’s still going?” The movie succeeds in not only introducing the character as a badass, but also really makes you look forward to her solo film.  Anyway, it pretty much wasn’t even a contest, but Wonder Woman had the West Week Ever.

 

18th Mar2016

West Week Ever: Pop Culture In Review – 3/18/16

by Will

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So, I didn’t watch any movies this week, but I did watch a TON of television, so that’s what we’ll be rambling about today.

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First up, I watched Flophouse on Viceland. First of all, why does Vice have a channel at all? If you’re not familiar with the brand, Vice began as a Canadian hipster culture magazine in the early 90s but eventually branched out into other media, including news specials on HBO. Well, at the end of February, Viceland took over what was formerly H2 in the United States, and is programmed under the creative direction of Spike Jonze. I ask why there’s a channel, though, because it seems like their target is specifically the audience that DOESN’T watch television. After all, they’re catering to hipster Millennials, who don’t own TVs, ’cause they’re poor and stuff.

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Anyway, Flophouse. It’s a show where hipster, Millennial, “alternative” comics host stand-up shows in their houses. It might sound “intimate”, but it’s pretty grody, as these places look like crack dens. There are known comics in the audience, but the ones performing are basically up and comers. The brand of comedy, though, isn’t that funny. It’s observational. It’s hipstery. But I didn’t bust a gut or anything. If this is the future of stand-up, then comedy is pretty much doomed. For one thing, I’m a big fan of Comedy Central’s The Half Hour (formerly known as Comedy Central Presents), so I feel like 30 minutes is a good amount of time to let a comic shine. Still, since there are multiple comics per show, you don’t get that here. That’s fine. You can still have a solid 10-15 minute set. I didn’t see anyone on this show who had that. They pretty much show you one joke, and then you basically get a tour of how shitty the conditions are in the house.

It also doesn’t help matters that everything is censored on the show. I expect Vice productions to be edgy and all, so it’s kind of a pussy move when they can’t even say “shit” during a comedy show that airs at 10:30 PM (you can do this on TBS, Comedy Central, Adult Swim, and so on and so on). It just felt like the Vice brand was being neutered. Maybe this is a network thing from A&E, but it just feels like Vice should’ve found a broadcasting partner that would allow Vice to be Vice.

From what I’ve seen of their programming, I don’t see bright things ahead for the network, but we also live in a world where there’s a channel pretty much dedicated to a Vegas pawnbroker who gets shows for all of his friends, so what do I know?

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Speaking of comedy that wasn’t that funny, Party Over Here premiered Saturday night on Fox. I was excited about the show when I originally heard about it, as it was created by Paul Scheer and The Lonely Island. I actually didn’t even realize it was coming so soon, as it was just announced a few weeks back, so I figured it was coming in the Fall. Maybe they should’ve taken their time and waited on debuting it. Party Over Here is a sketch show, featuring an all female cast comprised of only 3 women, and it really wants to be the next Key & Peele. It’s got a long way to go. It’s packaged really well, with a lot of cool bumpers and interstitials, but there’s just nothing there. No substance. Remember how the original SNL cast were the Not Ready for Prime Time Players? These 3 women are the Not Ready for Late Night Saturday Players. Or the You’re Better Off Watching 1st Look Players. It was just the premiere, so maybe it needs time to bloom, but I don’t really see myself coming back. You see, it was designed to not compete with Saturday Night Live, as it airs 30 minutes before SNL since most Fox affiliates have a 10 PM broadcast. In the DC market, however, we have some News Edge garbage at 11, bumping Party Over Here to 11:30. When put up against SNL, it isn’t even a question as to which show I’m choosing. So, apparently, there’s a party over there, but I think I’m partied out.

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NBC is slowly trying to regain some footing in the world of the situation comedy, but they’re pretty hit or miss these days. Superstore has been renewed for a second season, but I don’t see that happening for Telenovela. One of last season’s surprise hits came back this week in the form of The Carmichael Show. Created by, and starring, stand-up comedian Jerrod Carmichael, it’s a multicamera family sitcom dealing with the issues of the times. And that’s probably my issue with the show: it’s always so damn heavy, as every episode seems like A Very Special Episode. Every episode tackles something controversial, be it whether or not you should still enjoy Bill Cosby’s work or whether or not cheating is tied to income level. There are still laughs to be had, but I find myself laughing at the stellar supporting cast including Loretta Devine and David Alan Grier. My least favorite character is probably Carmichael himself, as he comes across as this know-it-all, and I find myself wanting to see him get his comeuppance. I would love to have been in some focus groups for the show, as there had to be some notes about how unlikable he can be at times. But, it’s his show, so I don’t expect that aspect to change anytime soon. Still, if you long for the days of Fox’s Roc, where a Black family can still laugh amongst the tears, then you should probably check this out.

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They’re not all winners at NBC, however, as Crowded had a 2-episode “sneak preview” this week. Starring Patrick Warburton, the show is about a married couple who try to keep their relationship strong when their Millennial kids move back in with them. I said it on Twitter, but I’ll say it again here: Somewhere around the mid-2000s, Patrick Warburton became king of the “Fuck It! Something’s Gotta Air In This Timeslot” sitcom. It means that there’s nothing really bad about the shows, but they’re just not that great, either. The best part about them is that they provide work to the many crew members behind the scenes, but they’re not really doing anything groundbreaking for the medium, either. At the same time, these shows tend to be able to fly under the radar. Their ratings are just high enough for them to regularly be renewed as midseason replacements, and then they somehow find their way into syndication. I mean, Rules of Engagement lasted SEVEN seasons, and you’re probably like “What’s that?” Exactly. If we were talking about 2007 CBS here, I’d say this show has a long life ahead of it. But NBC can’t really afford a show like this. Schedule space is too valuable (it and The Carmichael Show have been dumped off on Sunday night), and they’re looking for a quick turnaround. The show was created by Suzanne Martin, who also created Hot In Cleveland, making me think this show would probably be a better fit for TV Land. And while it’s always nice to see iCarly, Miranda Cosgrove’s role in this show is…strange. It’s like they’re trying to create a female Sheldon from The Big Bang Theory, and I’m not sure it works. To be honest, I find her whole “I’m really smart, but it keeps me from being able to relate to people in normal ways” shtick WAY more offensive than anything I’ve seen folks pull out the pitchforks for TBBT, but I digress. This is the kind of show that you leave on in the background, ’cause Dateline‘s coming up, but you’ll never actually learn any of the characters’ names.

In movie news, Sally Field has been making the rounds, talking about how she didn’t like the Amazing Spider-Man movies. Primarily, she’s saying that her character, Aunt May, wasn’t very three-dimensional, and that “you can’t put 10 lbs of shit in a 5 lb bag”. A lot of people are focusing on the “shit” in the phrase, and not the overall meaning. She’s saying that you can only work with what you’ve got, and if there’s no capacity for more depth, you can’t just shove it in there. She says that the only reason she took the role is because it was being produced by her friend Laura Ziskin who was battling cancer. They knew it would be Ziskin’s last movie, and since she had been Field’s first producing partner, Field wanted to be a part of her friend’s final production. Look, I get it. Personally, I don’t hate those movies. I don’t know what folks wanted, but apparently it wasn’t that. Fine. But I do have a problem when actors start shitting on past roles. The way it comes out is always on some platform, like Stern (which is where this interview took place), and it comes across like they’re trying to gain acceptance by saying “Look, I hate this thing you hate, too!” It’s somewhat cloying. But at the end of the day, they cashed a check. I get that people can change their minds, but the professional thing to do is to just keep it moving. You did a job, it may not have been your best job, but it (hopefully) won’t be your last. Learn from it, and move on.

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We got another trailer for X-Men: Apocalypse yesterday. When did Three Trailers Per Movie become a thing? I remember, back in the day, seeing A trailer. That was it. Anyway, I thought that trailers were supposed to get better as they go along. Not this one. I’ve got to say that the last trailer for Apocalypse was much better than what we got yesterday. And it simply reminded me that casting Jennifer Lawrence was the worst thing to happen to the X-Men film franchise. Yup, even worse than Brett Ratner. I say that because they had no clue her star power was gonna rise the way it has, and that they’d have to accommodate her. She hates the blue paint, so now they keep her in her human form most of the time, even though HER CHARACTER RAILS AGAINST THE NOTION THAT MUTANTS SHOULD HAVE TO HIDE TO MAKE HUMANS COMFORTABLE. Plus, Mystique ain’t that important. She just isn’t. I’m so sick and tired of every movie being a dance of “Here’s Mystique and Magneto. Whose side are they on THIS time?” THERE ARE OTHER CHARACTERS. Personally, I don’t need Magneto in every film. I don’t care how charismatic you may feel his actor is (McKellan OR Fassbender). And I sure as Hell don’t need to see Mystique each time. The rest of the cast suffers as these “prequel” movies just push everyone to the side for the sake of the Erik/Raven/Charles Show. We finally get a movie with Apocalypse – something I never thought they’d be able to pull off since the first few movies were focused on “grounded” threats – and what does he do? He makes Magneto a Horseman. WHAT?! FOR WHY? I kinda want these movies to end. Singer seems pretty comfortable at the moment, and has basically said he’ll keep making them as long as Fox lets him, but I no longer look forward to an X-Men movie. You pretty much know what you’re gonna get. Same tone. Basically the same actors. You can set your watch to it. “There’s a new X-Men movie? Huh, it’s been two years already?” I’d love for someone to come in and shake up that franchise.

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On the DC side of the aisle, it’s been reported that Wonder Woman screenwriter Jason Fuchs has been hired to write a script for Lobo. THIS IS A TERRIBLE IDEA! The only reason I can see for Warner Bros pushing this back into development is that they probably see the Lobo character as their own Deadpool, so they want some of that R-rated comic movie money. If you’re not familiar with the character, Lobo is a Czarnian bounty hunter who’s so badass that he killed the rest of his race. He’s really strong, he can regenerate body parts, and – due to the Comics Code Authority – called people “bastiches” a lot. He’s so 90s it hurts. His own creator, Keith Giffen, doesn’t understand why the character grew popular:
“I have no idea why Lobo took off… I came up with him as an indictment of the Punisher, Wolverine hero prototype, and somehow he caught on as the high violence poster boy. Go figure.”

I think I rubbed some folks the wrong way on Twitter when I said that most Lobo fans “rode the short bus”, but I don’t think I’m far off. IN MY EXPERIENCE, Lobo was the ultimate White juvenile delinquent power fantasy. He’s just a dude with an attitude problem who liked to destroy shit. Everyone I ever knew who called themselves “Lobo fans” were the kinda kids you needed to keep an eye on, ’cause they were torturing pets or bringing weapons to school. I don’t think this is what the DC Cinematic Universe needs, but hopefully it’ll be some kinda of offshoot that won’t be in the proper DCCU.

Things You Might Have Missed This Week

  • The trailer was released for Now You See Me 2. While I still haven’t seen the first one, I’m upset that this installment isn’t called Now You Don’t.
  • Fox has renewed Gotham for a third season. Next season, Not Batman will continue to be Not Batman by Not Batmanning. Meanwhile, his whole frickin’ rogues gallery is showing up early to the party.
  • The CW renewed ALL 11 regular series that they currently air (including DC’s Legends of Tomorrow) for next season, proving they did NOT have a deep bench when it came to pilots.
  • Marvel and Netflix announced that Luke Cage will premiere September 30th, 2016
  • Apparently, Indiana Jones and the Quest for the Last Depend is happening, with a 77 year old Harrison Ford. He clearly doesn’t enjoy working, so he must fucking HATE sitting at home with Calista Flockhart.
  • Pop TV has ordered a season of Hollywood Darlings, which will follow Full House‘s Jodie Sweetin, 7th Heaven‘s Beverly Mitchell, and Step By Step‘s Christine Lakin in a reality show as they juggle career, motherhood, and more. And considering it’s Pop, they’ll probably show up on TNA at some point.
  • After 2 episodes, ABC has cancelled Of Kings and Prophets. I called this almost a year ago. When are broadcast networks gonna learn they can’t have their own Game of Thrones due to standards and budget?

dead 7

I don’t like zombie movies and I don’t really like Westerns. But then I heard about Dead 7, and my mind started to change. It’s a zombie western starring 90s boyband members! Just watch!

I’ve known about this thing for a year, and I still don’t really even know what it’s about. Here’s what I do know:

  • It’s from Asylum, who also gave us Sharknado
  • It features members of Backstreet Boys, *NSYNC, one dude from 98 Degrees, and the 4 guys who’re still willing to admit they’re in O-Town
  • It premieres April 1st. Oh, PLEASE don’t be a cruel April Fool’s Day prank!

I will say that I’m kinda bummed it doesn’t include ALL the members of the groups (except Justin, ’cause, c’mon). Out of the Backstreet Boys, Kevin and Brian are the uber Christian ones, so I wonder if they didn’t want to be in something they wouldn’t show their kids. And from *NSYNC, I knew not to expect JC, but Lance didn’t wanna partake in the festivities? I mean, The Meredith Vieira Show just got canceled, so he basically just lost a job and gained some free time. Kinda surprised he passed on it. And while I didn’t expect the weird one from 98 Degrees (you know the one I’m talking about), the Lachey brothers ain’t really doing shit these days. And I’m ready for Ashley Parker Angel to finally just give in and return to O-Town. I mean, he really hasn’t done anything since his stint in Hairspray a decade ago.

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Anyway, I love crap like this. It reminds me of Longshot, which was this really, REALLY bad movie thrown together by boyband mogul and Ponzi Scheme architect Lou Pearlman. The movie went by many names, including Jack of All Trades, but it featured cameos by anyone who was anyone in pop in 2001. You can still find it in FYE dollar bins to this day.

So, we’re at the end of this week’s post, so does that mean that the Dead 7 trailer actually had the West Week Ever? Could it be? No. It was a slow week for big news, but it wasn’t that slow. We got nothing from the trailer but a tease. If it’s anything close to Sharknado, it could be an instant cult classic, but we’ll just have to wait and see. For now, however, nothing had the West Week Ever *sad trombone*. It’s probably Daredevil season 2, but there’s no way I was staying up til 3 to watch that, so it’ll have to wait til next week, when it goes head to head with Batman v Superman: Dawn of Justice. Who will win?! Tune in next week to find out!

19th Feb2016

West Week Ever: Pop Culture In Review – 2/19/16

by Will

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In the movie world, I finally caught San Andreas. It’s about what you’d expect it to be. It’s got a lot of plotholes, and I was amazed certain people survived, but it was still enjoyable. If you haven’t seen it, Dwayne “The Rock” Johnson plays an LA Fire & Rescue pilot who strikes out to save his estranged wife and daughter when The Big One hits. A series of big ass earthquakes occur along the San Andreas fault, wrecking the shit out of California.  Every time Alexandra Daddario was onscreen, playing a college kid no less, I kept thinking “I’ve seen you naked! I’ve seen you naked!” I’m normally not a disaster movie type of person, but this one didn’t disappoint. When the movie ends, The Rock is all “We rebuild.” Whatever. I think we’d just condemn California and keep it moving, No Man’s Land style. Anyway, I’d recommend it.

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In the toy world, the past week saw Toy Fair hitting New York City. I’ve been in the past, but haven’t been able to make the trip the past couple of years. It seems like NECA was the belle of the ball, as they debuted things like figures based on the Contra NES game. Mattel showed off a lot of figures from the upcoming Suicide Squad film as parts of their Multiverse line. My favorite debuts, however, had to be the new Marvel Legends from Hasbro. Since it’s a line that I actively collect, I’m excited about all the movie based figures that are on the way, including Scarlet Witch and the Walmart-exclusive (ugh) Falcon figure. For full coverage of the show, check out AwesomeToyBlog.

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In the world of television, Channing Dungey was named the new president of entertainment at ABC, making her the first Black network president. This is interesting because it was the result of the ouster of president Paul Lee, who brought diversity to the network with Black-ish and Fresh Off the Boat, and also helped brand the TGIT Thursday night lineup. Dungey has the backing of Shonda Rhimes, meaning we can probably expect more shows like Grey’s Anatomy, making me wonder what might be the future for Marvel shows at the network.

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In the world of pop culture, everything old is new again this week. First up, an eBay listing has revealed that Ecto-Cooler is most likely making a comeback. Created in the late 80s to tie into The Real Ghostbusters/Ghostbusters II, the fabled drink hasn’t been in stores since it was renamed to Shoutin’ Orange Tangergreen in 2001. People have been CLAMORING for its return for years, and it seems like the new Ghostbusters movie was just what was needed for Coca-Cola to pull the trigger. I’ve gotta be honest – I never really liked Ecto-Cooler. I really only wanted it because I was a huge Ghostbusters fan and Slimer was on the box. As far as flavor goes, however, it was not my favorite beverage. Still, I know this makes a lot of my friends happy, so more power to ’em.

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Meanwhile, I grew up LOVING the Brit-com Are You Being Served?, so imagine my trepidation when the BBC revealed that the series would get getting a one-off special this summer, to serve as something like a backdoor pilot for a new series. Not much is known about the special, but the network has said it will have an “all-star cast” – necessary, seeing as how 90% of the original cast members (and the creators) are dead. If you’ve never seen it, it’s set in the fictional, Harrod’s-esque Grace Brothers department store, and focuses on the staff of the Ladies’ and Men’s departments of the store. It was a bawdy show, with a lot of double entendres and class humor. I’m not really sure it would work today, as that style of humor is a bit played out. Then again, I thought Airplane humor was dead, and here we have Angie Tribeca using it, so maybe I’m wrong. Anyway, no fan that I know of is excited about this news. We’re all just a bit scared of what this might be. All I know is that it better have jokes about Mrs. Slocombe’s pussy or I’m out. And I am unanimous in that!

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Speaking of revivals of long-canceled shows, the surviving cast members of Good Times have a Kickstarter going to produce a reunion movie to catch us up on where their characters are now. This is particularly interesting because John Amos is involved, and his character was killed off in the fourth season of the show. So, I take it his character is still dead, right? Welp, looks like we’re all caught up! Anyway, they’re calling it a “docu-dramedy-comedy”, so Lord only knows what this thing is gonna be. I expect it’s just gonna have them talking to the camera, like Modern Family or something. Anyway, there are 14 days left, and they’ve only raised about $5,000 of the $1 million they’re asking for, so I don’t think this is gonna happen. Damn, damn, DAMN!

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In the world of comics, we finally have more information on the DC Comics “Rebirth” plans. Basically, it’s a relaunch, with several books going on a bi-weekly schedule. They say that it’s their attempt to show they’re a legacy publisher. One way they’re doing this is by returning Action Comics and Detective Comics to their original numbering, which was lost when The New 52 rebooted everything. This means that we’ll see Action Comics #1000 in about two years. There are some interesting changes, such as Scott Snyder leaving Batman (Thank the sweet Lord in Heaven!), the cancellation of Bat books Robin: Son of Batman and We Are Robin, and I’m curious to know the fate of Bryan Hitch’s Justice League of America, seeing as how it’s in the middle of what I believed to be a 12-issue arc. There are also some switcheroos, as we lose a Black Canary book, but gain Batgirl and the Birds of Prey. We lose Starfire, but we get back Red Hood and the Outlaws. We lose Grayson (which I’ve heard was great), and we end up back with Nightwing. The last thing is disappointing to me, as I didn’t read Grayson, but I was impressed that they were willing to try something so different with the character. For him to just end up back as Nightwing again seems like a waste. It’s hard for me to get excited about DC these days because it feels like they’re constantly chasing their own OR Marvel’s tail. I…I don’t feel good about all this, and I wonder if other DC fans feel just as fatigued by all of these stunts.

Things You Might Have Missed This Week

  • Quantico‘s Priyanka Chopra has been cast as the villain in the Baywatch film
  • Kanye West is reportedly $53 million in debt and still losing his mind
  • Actress Casey Wilson reported that some rich guy has expressed interest in financing a Happy Endings movie

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I saw it last week and didn’t really like it. The world saw it and thought it was the best thing ever. So, I guess I’m the odd one. Yeah, I’m talking about Deadpool. Surprising everyone, the movie opened to $150 million in the US, despite Fox doing everything they could to bury it. They cut the budget at the last minute and they used an unproven director.  I don’t get it, really. I mean, were folks clamoring for an R-rated comic book movie that badly? Whatever. Anyway, they’re already talking about the sequel, with buff, old guys lining up for the chance to play Deadpool’s sometimes partner and straight man, Cable. I’m scared of the precedent this might set, as now they’re talking about an R-rated Wolverine for Hugh Jackman’s last outing as the character. Now, if he’s truly going to cut loose, I could see an R-rated Wolverine film, but I don’t think we really need it. I’ve talked about Jackman’s portrayal before, and I don’t think his characterization lends itself to the Berserker Rage that we’ve seen in the comics. Still, the race is on for the next, mainstream R-rated comic movie. Folks seem to have forgotten that Blade, The Crow, Kick-Ass, and others have already gone down this road. I think it’s safe to say that the rating works for some properties, while it doesn’t work for others. That said, the R rating sure as Hell didn’t hurt Deadpool, as it’s more revered than any of the X-Men films we’ve gotten so far. So, to give credit where credit is due, Deadpool had the West Week Ever.

12th Feb2016

West Week Ever: Pop Culture In Review – 2/12/16

by Will

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First up, I watched Tomorrowland. It’s really a shame that it bombed, as I enjoyed it immensely. It was the first movie I’ve seen in a while that felt “cinematic”, as in the story could only be told in a movie. It’s sort of hard to describe, though. Imagine there’s a secret, futuristic world that’s made especially for the dreamers and the thinkers. And that world has been cut off to the rest of humanity. Until now. Starring George Clooney, his character, Frank Walker, was invited to Tomorrowland as a young boy, but was kicked out during young adulthood. Now, a young woman has started seeing visions of Tomorrowland, and she seeks out Walker for answers. It starts out all futury, but then it gets kinda preachy about the power of human potential, and the fact that we’re spiraling toward Armageddon is our own fault. I’m simply AMAZED it got a PG rating, as there’s some pretty gratuitous violence against robots. Sure, they’re robots, but they look like humans, and they’re being decapitated and shit. I think part of the problem with the movie was its marketing, as it was shrouded in secrecy. Had they made it a bit more known that there was a female protagonist, they probably could’ve tapped into the Hunger Games/Divergent market. Anyway, I liked it so much that I watched it twice. I highly recommend it.

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Then, last night, I watched Deadpool. Where to even begin? I didn’t love it, but I liked it. But I honestly didn’t even really like it until the 3rd act. It’s an R-rated movie, and it completely earns that R. I’ve argued that a Deadpool movie doesn’t have to be R-rated, but the folks clamoring for an R-rated Deadpool won’t be disappointed.

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I was a little late to the Deadpool party, as the character was created in 1991, but I didn’t really start reading him until the end of the middle of the ’00s. While created by Rob Liefeld, most of the character that we know now was fleshed out by writers Fabian Nicieza and Joe Kelly. When I picked up the book, it was during the character’s resurgence for the Secret Invasion storyline. A new solo book was launched in 2008, where Deadpool fancied himself a hero. No longer truly a mercenary, he was trying to be accepted by the heroes of the Marvel Universe. And when he did take a job, it was usually against an alien or something. All of this is to say that, within his own solo title, Deadpool hasn’t killed in YEARS. So, it’s kinda jarring to see a character who’s most recently resorted to cartoony violence actually blowing the brains out of folks. Did he ever really do this in the comics, or is this what fans wanted him to do? Like, is this movie just cinematic wish fulfillment?

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I had a lot of problems with the film. Most of the action scenes were already shown in the trailers. Deadpool’s pop culture references are hella dated. And I really didn’t feel like he was ugly enough. That said, I enjoyed the fact that he broke the fourth wall (probably my favorite aspect of the character), and I liked the addition of Colossus and Negasonic Teenage Warhead. Deadpool’s just as quippy as you’d expect him to be, which is kinda exhausting. Someone on Twitter remarked that not all of the jokes hit their mark, but they’re fired so rapidly that a funny one will come along before you know it. I didn’t laugh very much. In fact, the only part that was genuinely funny to me was a discussion between Deadpool and Blind Al about IKEA furniture.

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At the end of the day, this wasn’t my Deadpool. I love the character, but I love him as he’s currently, and most recently been, depicted in the comics. “Deadpool fans” seem to be clamoring for a murdering mercenary Deadpool that I haven’t really experienced. This movie was for them, but it wasn’t for me. It’ll make a ton of money, and folks will believe that Deadpool is this one-dimensional when I feel like recent writers Daniel Way and Gerry Duggan have shown you can do more with the character than simply have him slice off folks’ heads. There’s a sadness to Deadpool that I never really felt come across in the movie. He laughs to keep from crying. He’s really a tragic character, but I feel like a lot of that gets lost in the love story that the movie’s built around. He doesn’t have time for self-pity when he’s trying to win back his girl, but current Deadpool spends a lot of time in his own head. That may not sound like the most exciting comic, but it makes for some great reading. Anyway, enjoy your movie, you savages!

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Speaking of Marvel movies, we got a new trailer during the Super Bowl for Captain America: Civil War. At the end, they introduced hashtags for you to proclaim whether you’re #TeamIronMan or #TeamCap. I’m surprised I’m seeing so many people are #TeamCap seeing as how everything in that TV spot showed them as the aggressor in this whole thing. That was the beauty of the comic – it’s polarizing. I happen to think Tony was right, and didn’t appreciate that he was written as the bad guy. You’re supposed to rally around Cap because he’s the underdog and he’s CAP, but he was wrong. And he was breaking the law. Anyway, I wish this story had been Avengers 3 instead of a Cap movie, as I feel it unfairly skews things Caps way, without being fair and balanced.

While we’re on the subject of comic book movies, we finally got a Batman v. Superman: Dawn of Justice trailer that makes me want to see this movie. It debuted yesterday, and it’s a thing of beauty. THIS is what the original trailer should’ve been. Instead, it took them 3 tries to get to this. We finally get to see Batfleck in action, dispelling any fears we might’ve had of him taking on the role. We get a taste of Wonder Woman, without getting too much, and we kinda get to see the whole matter from Batman’s perspective. Maybe that’s what’s got me biased, but I think it’s an A+ trailer all around.

Things You Might Have Missed This Week

    • Hayley Atwell has been cast as the lead in ABC’s pilot Conviction, leaving the future of Agent Carter in doubt. Based on the ratings, however, a third season was going to be a long shot at this point.
    • Full Frontal with Samantha Bee debuted on TBS on Monday, and was simulcast on Adult Swim. The show is basically Last Week Tonight with a female host. TBS doesn’t understand comedy, though, so don’t expect it to last long.

  • In Fuller House news, we finally got a trailer with actual footage in it. Did they say “damn” on the original show? Me thinks not. Anyway, here’s hoping we get a FuckYeahJodieSweetin Tumblr out of this.
  • Beyoncé did some shit and everybody was talking about it. Whatever.

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This week was the Super Bowl, which meant nothing but celebrities in commercials. On, and there was a football game, too. The matchup between the Carolina Panthers and the Denver Broncos was not a particularly exciting one, as neither team was playing their best. Still, the Broncos’ defense helped them to win the game, 24-10. Not only was it special for being the 50th Super Bowl, but it was also speculated to be Peyton Manning’s final game. Having played the game since 1998, you couldn’t have written a better storybook ending on which to go out. Or could you? A lot of folks have been insinuating that the game was rigged – simply to give Peyton that ending so many felt he deserved. It also didn’t look good to some when Manning kissed Papa John Schnatter after the win, and then proceeded to shill for Budweiser. These folks forget, however, that that is exactly what Budweiser PAYS him to do. Anyway, we’re a Broncos family, as my lovely wife hails from the Mile High City, so there was nothing but joy in our household. So, it’s for that reason that the Denver Broncos had the West Week Ever.

29th Jan2016

West Week Ever: Pop Culture In Review – 1/29/16

by Will

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We had Winter Storm Jonas come through last weekend, which resulted in over 3 feet of snow. It wasn’t all bad news, though, as I didn’t have to go to work until yesterday – which meant I watched a LOT of stuff. So, let’s talk about some of it, shall we?

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First up, I watched The Martian, starring Matt Damon as astronaut Mark Watney who’s presumed dead and left behind during a mission on Mars. But Watney’s not dead, so he has to survive on the uninhabited planet until help can arrive. It’s a great movie about the power of the human spirit and all that. Still, after watching this and Gravity, y’all can have space. I want NO part of it. Lindsay read the book and said that they cut some stuff (probably for time), but said that the movie was a pretty faithful adaptation. Also, like Gravity, I don’t feel like I ever need to see this again. I wasn’t on the edge of my seat as much as I was with Gravity, though, as Sandra Bullock’s whole ordeal was kinda condensed. Watney is on Mars for months so, while still a tale about survival, the whole struggle has peaks and valleys. Don’t get me wrong – stuff still goes horribly wrong for Watney, but after a while you don’t feel like he’s in that much danger. At least I didn’t. Great movie, though.

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I also watched Pixar’s hit, Inside Out. I’ve got a complicated relationship with this movie. You see, we rented it from Redbox about a month ago and the disc was so scratched that we could only get about 30 minutes into it before it stopped working. So, while snowed it, we tried watching it again, picking up where we left off, and I fell asleep during parts of it. That’s not to say anything about the quality – I was just really sleepy. Still, I didn’t see in this movie what others saw. Just like Mad Max: Fury Road, I thought it was enjoyable, but it didn’t resonate with me like it did with other folks. I’ve heard people call Inside Out the best Pixar movie ever. Really? REALLY? Then again, these are probably the same people who cried at Toy Story 3 (I still don’t get that). I may be a cold, heartless man, but I feel like the last time I agreed with anyone on a Pixar film was concerning the emotional opening to Up. I loved the characters, especially Anger – which is funny, seeing as how I typically think Lewis Black is just a Baby Boomer Sam Kinison whose shtick gets old fast (I start out calm AND THEN I’M YELLING! ‘CAUSE I WANT YOU TO KNOW I’M MAD!!!!). And it was easy to relate to Riley and the stuff she was going through. Still, I think I just expected MORE. Maybe I need to watch it all the way through from the beginning and stay awake this time.

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Next up, we watched Sisters, starring Tina Fey and Amy Poehler. In a flip of their last foray together, Baby Mama, this time Tina played the screw-up, while Amy played the straightlaced one. I’ve often said that Tina Fey tends to suck in comedies she doesn’t write (the aforementioned Baby Mama and Date Night), but this one broke that curse. With a screenplay by Saturday Night Live/30 Rock writer Paula Pell, it played to the strengths of everyone involved as Pell was already familiar with all of them. When Tina and Amy find out their parents have sold their childhood home, they decide to throw one final rager before the new owners move in. The movie was hilarious, and even included a great cameo by John Cena. Plus all your favorites are there: Maya Rudolph, Bobby Moynihan, Samantha Bee, and more. I’m still kinda wondering how Ike Barinholtz got cast as the Cute Guy Love Interest. I mean, was EVERYONE else in Hollywood busy? Don’t get me wrong – he’s capable in the role, but he’s probably the last person I would’ve thought to cast in that role.

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Then, I really wanted to watch Trainwreck, but the version I got was in French for some reason. Undeterred, I decided to watch something else instead. I settled on a new animated release called Batman: Bad Blood. I used to buy all of those DC straight-to-DVD movies that came out, but then they just started cranking them out too quickly. Well, it turns out I’ve missed a lot. You see this movie was a sequel to Batman vs. Robin, which itself was a sequel to Son of Batman. So I had just jumped into the third part of a who-knows-how-many-parts series. It wasn’t as jarring as I thought it would be, though, as you could tell that some stuff had occurred before, but it was pretty easy to figure out what was going on. When Batman disappears after an explosion in a factory, Nightwing and Robin team up with Batwoman and new hero Batwing to figure out what happened. At first, I was thrown off by the animation style, as it was a little too “anime” for me. I should’ve been used to it, as Batman: Gotham Knight had the same style going for it, but I guess I’m just a sucker for the traditional Bruce Timm designs. The other thing that struck me was the fact that this is probably the most mature Batman depiction seen onscreen. There’s blood, they deal with Batwoman’s lesbian relationship, they call each other “bitch” a lot, and a second-tier Bat villain straight up dies in a pretty gruesome way. This was a HARD PG-13. The thing I liked about the movie, however, was the fact that it’s not really based on anything. I used to hate the runtime of the DC animated films, as they tend to clock in around 72 minutes, which isn’t enough time to faithfully adapt a storyline. For example, Superman: Doomsday is so short that it’s basically like Superman takes a nap instead of *dying*. Since this didn’t need to be faithful to any source material, the runtime felt organic and was definitely long enough. The ending seemed somewhat open ended, so I’m hesitant to say that it’s the end of a trilogy. If you like your Batman cold and distant, this is the film for you. The thing to remember is that the movie is more about how Batman affects and influences those around him than about Batman himself.

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Since I stumbled into a saga in media res, I decided to go back and check out Son of Batman to see how it all began. Man, if I thought Bad Blood was dark, they clearly toned things down from when this saga first began. SO MUCH BLOOD! And hookers! Batman is referred to as a “sperm donor”! And Nightwing’s about to tell Robin to go fuck himself! Like, ALL of that is in this film. And even though she’s a cartoon character, Talia’s titties are “on fleek”, as the kids would say. If you’re not familiar with the story, Batman discovers that he has a child with Talia Al Ghul, the daughter of his adversary Ra’s Al Ghul (in the comic Batman: Son of the Demon, Batman sexes her with his cowl on!). The child, Damien, is now 10 years old and comes to Gotham to find his grandfather’s murderer. The movie is a loose adaptation of Grant Morrison’s “Batman & Son” storyline, but I found myself enjoying this movie much more than I enjoyed the source material (not much of a Morrison fan). When I was watching Bad Blood, I found Robin’s voice to be pretty annoying, but it grew on me in this installment. I know a lot of folks hate the Damien character, but I think he’s a breath of fresh air. I really enjoy his “arrogance in a small package” routine, and it definitely comes across in this movie.

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To round out the series, I watched the second movie, Batman vs. Robin. Oh my God, it was SO good! It was definitely my favorite of the three. There are some amazing fight scenes, and it’s REALLY violent. Since Batman is basically fighting what amounts to zombies, he blows them up and cuts their heads off. It’s intense! Loosely based on Scott Snyder’s “The Court of Owls” storyline, it’s about a secret society of rich muckety mucks who have controlled Gotham for years. They decide to recruit Bruce Wayne, but when he refuses, they go after Robin instead. Their army is comprised of reanimated hundred year old corpses, which is why Batman can cut loose on them. My favorite line was probably “Now I’m only gonna say this once, you sons of bitches: Get the HELL OUT OF MY CAVE!” As you can see, that mature tone is still holding steady, but it also gets the players in place for the beginning of Bad Blood. If the movies are viewed as a trilogy, however, this installment hurts the building momentum. After all, the first movie, Son of Batman, is a Talia story and Bad Blood is a Talia story. Having watched them out of order, I assumed that Talia would play some role here, building up to the events of Bad Blood. Instead, the events of Bad Blood kinda come out of nowhere. At the end of Son of Batman, Talia and Batman part ways with an uneasy alliance. In Bad Blood, however, she’s out for Batman’s blood. It almost feels like there’s an installment missing. In any case, I LOVE this Batman continuity. I’d watch a whole season of this if Warner Bros had the balls to produce a series with this tone (they do not). The next DC movie is Justice League vs. Teen Titans, and it appears to be set in this same universe, as Damien is the Robin on the Titans. If that movie is anything like this, I cannot wait!

Last week, everyone was talking about #OscarsSoWhite because no one of color had been nominated in the major categories of the Academy Awards. This week, then, everyone seemed to do a 180 and everything was coming up Black!

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First up, it was announced that Delroy Lindo has been cast as Dominic Fortune in the Mockingbird-centric Marvel’s Most Wanted. This is pretty important because Fortune, created by Howard Chaykin, was originally a White character in the comics. So, it looks like Marvel’s Nick Furying all over again (the character played by Samuel L. Jackson in the movies was also originally a White character in the comics). Dominic Fortune isn’t a huge character, so this colorblind casting won’t affect his characterization, but I’m sure it’ll get someone’s Underoos in a bunch. Most Wanted is still in the pilot stage, however, so there’s no guarantee it’ll be ordered to series at this point.

Corey hawkins

Next up, it was announced that Corey Hawkins from Straight Outta Compton would play the lead, Eric Carter, in the 24 spinoff, 24: Legacy. The series, sadly, will not feature Jack Bauer, but instead will focus on Carter, who’s a military hero who returns home and suddenly needs the help of CTU. I honestly don’t know how CTU hasn’t been absorbed by some other agency, as they’re rife with moles and they tend to be more reactionary than proactive. They never stop the attacks, but they’re always there after they happen. I mean, the poor citizens of Valencia, CA probably wish CTU had been a little more on the ball. It’ll be interesting to see how this plays out, though. A Jack-less 24? I have my doubts.

whittle

Finally, it was announced that The 100‘s Ricky Whittle had been cast in the lead role of Shadow Moon in the Starz adaptation of Neil Gaiman’s American Gods. I have no clue what this thing is about because just hearing the name “Neil Gaiman” gives me a headache. From what I’ve gathered, the book was about the fact that gods only exist as long as people believe in them, and the old gods are now being replaced by new gods, like celebrities and social media. That idea doesn’t sound all that original to me, but it’s Gaiman, so I’m sure there are a bajillion Tumblrs out there dying to prove me wrong. Anyway, the character in the book was somewhat racially ambiguous, so it’s being considered a big deal that they went with a Black actor given Hollywood’s tendency to Whitewash.

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It wasn’t all sunshine and roses for Black characters this week, though, as Arrow bid farewell to a particular recurring character. Usually, the deaths on that show serve to move the story along, but this one just seemed kinda…nonchalant. This has led folks to believe that it was mandated by corporate interests. Since this character will appear in an upcoming DC film (albeit played by a different actor), they are no longer allowed to appear on the TV shows. After all, this is reportedly the same reason that there are no plans for the Deadshot character (who will be portrayed by Will Smith in Suicide Squad) to return to Arrow. It is believed that corporate feels it might confuse audiences to have the same character in two different mediums, played by different people. I think people are smarter than that, but stranger things have happened. I mean, we live in a world where Marvel is deliberately burying Fantastic Four and mutants because Marvel Studios doesn’t own the TV/film rights to those properties. So, it would make sense for DC to be doing something similar. I just feel like this is going to be to the detriment of the shows. Arrow is pretty much the best Batman adaptation on television (let’s face it – that’s what they’re doing with that character), but he’s gonna be severely neutered if all the best characters are slated for film. And what does this mean for The Flash, seeing as how that movie is just over the horizon? The CW’s DC shows have been so good that I’d hate to think that this is the beginning of the end of their quality.

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Speaking of Arrow, it was announced that Stephen Amell will be portraying a future version of his character in the 6th episode of DC’s Legends of Tomorrow. Reminiscent of his depiction in the classic The Dark Knight Returns, this Oliver Queen resides in the year 2046, and is missing his left arm. The episode will also introduce Connor Hawke – Queen’s son and the future Green Arrow.

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In comics news, DC Comics stayed on folks’ lips this week. Right after last week’s West Week Ever went up, Bleeding Cool posted a rumor that DC plans to relaunch later this summer. Apparently, once the main books (Batman, Superman, Action Comics, etc) reach #52 of their current runs, the series will relaunch at #1, with the publishing line mirroring DC’s TV and film offerings. Shortly after this story went up, DC’s co-publishers Dan Didio and Jim Lee tweeted out a cryptic image that only said “Rebirth”. It’s important to note that this is being reported as a relaunch and not a reboot. What’s the difference? Well, a relaunch really just means that you’re restarting the series with new numbering, but the core of the books stays the same. A reboot, however, means you’re starting everything over from scratch. A relaunch is what Marvel does all the time – cancels Uncanny X-Men only for it to reappear with a new #1 a few months later. This is done because companies believe that #1s bring in new readers, as they serve as fresh “jump on points”. That’s somewhat true, but the audience erodes between issues 1 and 2. And the more you relaunch, the more than audience erodes. A reboot is what DC did a few years ago when they introduced The New 52, which was a new universe where (almost) everything was changed and restarted at square one. This is a riskier move because it eliminates everything that came before it, and it squanders a lot of goodwill and faith from longtime fans. The universe they’d grown to love is no longer. It’s DC basically saying they’re willing to risk their dedicated audience if it means they can attract a new one. Now, “Rebirth” seems to be taking a page from Marvel’s playbook, but DC has done so much timey-wimey garbage lately, with The New 52 and Convergence, that I’m not sure DC’s fanbase is strong enough to handle this.

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And the superheroes aren’t the only things DC is revamping. It was revealed yesterday that they’re updating several Hanna-Barbera properties for modern comic books. Above is the Jim Lee-designed Scooby Doo. And I hate it. I hate the hipster douche vibe I get off the guys. Shaggy’s facial hair? Hate it. Fred’s tat? Hate it. Daphne’s just Caitlin Fairchild from Gen13. And I’m so used to Velma being sexualized through cosplay that I’m broken and don’t even know what to make of her design. The line will also include updated versions of The Flintstones, Wacky Races and Jonny Quest. The beauty of this whole thing is that I don’t really have any connection to the source material, so this initiative doesn’t offend me as much as it might others. At the end of the day, these books clearly aren’t for me, and I don’t have to buy them. That’s, like, the most mature reaction I’ve had to something in a long time.

Things You Might Have Missed This Week

  • Reportedly, Paramount and Nickelodeon are planning a film that would feature a crossover of many of their NickToons properties. I never had cable growing up, so this means almost nothing to me.

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  • Mattel just revealed that Barbie will now feature 3 new body types: petite, tall, and curvy. The dolls will also feature new skin tones and hair textures. The one on the right would be referred to by some as Thick’ums Barbie.
  • Joseph Fiennes is in talks to play Michael Jackson in a UK special about a road trip that MJ, Elizabeth Taylor, and Marlon Brando supposedly took after 9/11. Sadly, there’s no #MJSoWhite hashtag.

NerdLunch2015-websitePodcast

Last week, I had the pleasure of joining the guys over at The Nerd Lunch Podcast to discuss shows that we felt deserved the Fuller House/Girl Meets World revival treatment. I think our choices will surprise you! Trust me, you REALLY don’t wanna miss this episode, which you can listen to right here.

xfiles

The X-Files came back to Fox this week for a 6-episode “event” series. What that means is that if the ratings are good and they can hammer out new deals, the show will be back. If not, however, they can pretend that it was always meant to be a One and Done series and save face. I was never the most hardcore X-Files fan, as I didn’t even really start watching until season 5. And while a lot of people love the Monster of the Week episodes, I preferred the ones that dealt with the mythology and conspiracy aspects. So, I was pleased that the first episode back was a straight mythology episode. What I was not pleased about, however, is that they’re basically saying everything we’ve known for the past 20 years has been a lie. Now, it shouldn’t be a surprise for a show like The X-Files to throw out a twist or two, but it’s pretty brazen for them to basically say SPOILER ALERT (highlight for text): “Yeah, there are no aliens”. On the one hand, it sets up a new kind of mythology, but it also makes me feel like I wasted a LOT of hours of my life to get to an answer that doesn’t exist. That “revelation” basically turned the entire audience into Mulder. If that was the plan all along, nice work, Chris Carter. Anyway, it’s also interesting that the episodes are airing out of order. While the first and sixth episodes were always meant to be the mythology episodes, they’ve shuffled the order of the middle episodes. The episode that aired in the place of #2 was actually #5, while #4 will air in the place of #5. Episode 3 is only one airing in its originally scheduled order. Carter said that this was done to tell the best story possible, and was achieved by removing some dialogue here and there. That’s why it seemed so jarring in Monday’s episode that Mulder and Scully were just automatically back in the FBI like nothing happened – that was actually the next to last episode instead of the second. Here’s hoping this shuffle pays off in the end. In any case, it seems off to a pretty strong start, and I feel like the only reason it wouldn’t get renewed for another season would be if they couldn’t come to a contractual agreement. So, for those reasons, The X-Files had the West Week Ever.

22nd Jan2016

West Week Ever: Pop Culture In Review – 1/22/16

by Will

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Happy Friday! Everybody around West Week Ever HQ is hunkering down for snow. We’re expected to get up to 24 inches, so this may be my final transmission.

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In the movie department, the first thing I watched this week was Gone Girl. HOLY SHIT! Starring Ben Affleck and Rosamund Pike as a perfect yuppie couple that relocates to the Midwest after they both lose their jobs, Affleck becomes the prime suspect when Pike just mysteriously disappears. That’s when we find out their lives weren’t as perfect as they had seemed. And then there’s a TWIST (and I’m not talking about the fact that Tyler Perry actually does a good job in this film)! I’m not going into details because I don’t want to spoil anything, but this movie is worth watching. It’ll make you question everything about your life. Please watch this film ’cause I really wanna talk about it.

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At the complete other end of the spectrum, I watched Cloudy With A Chance of Meatballs 2. I really liked the first one, but God this thing was boring. I can’t imagine fidgety kids were able to sit still in theaters during this thing. In the first movie, amateur scientist Flint Lockwood created a machine that turned water into food. And then, of course, the machine went crazy and had to be destroyed. Well, in this sequel, a famous scientist wants to find Flint’s original machine so that he can use it for his own plans. Meanwhile, the machine is now creating sentient food creatures instead of just turning water into food. So, when Flint and his friends return to Swallow Falls, they find it’s been colonized by these fruit beasts. I only half paid attention to it because I was coloring at the time (yes, I’m a 5 year old in my spare time), but it really didn’t hold my focus. The things that made the first one special were gone this time. For example, in the first movie, Flint’s father, voiced by James Caan, was a man of few words who didn’t know how to express his emotions. This time around, he talked TOO much. Now, there’s an argument to be made that maybe this is an example of character growth, but I didn’t like it. I also didn’t like that Terry Crews replaced Mr. T as Officer Earl. Anyway, the film did pretty well, so there’ll probably be a 3rd one. And if it ends up on TV, I’ll probably watch it. Because I never learn from my mistakes.

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After promoting it for months, TBS finally debuted the Steve and Nancy Carell-produced comedy Angie Tribeca via a 25-hour marathon. Starring Rashida Jones, the show is a parody of police procedural dramas. I had a few problems with this show. First of all, the marathon approach. Some shows are built for bingeing, but Angie Tribeca is not one of those shows, as the pacing didn’t really work. Not only was TBS running the entire 10-episode season every 5 hrs, but they also did it without commercial interruption. Luckily, the episodes were also On Demand so I watched them that way, so that I could pace them out on my terms. The other problem I had was the style of humor. If you loved Police Squad!/Naked Gun/Airplane!, you’ll LOVE the first 4 episodes of this show. It’s that quip a minute, farcical humor that, to me, wears thin quickly. I felt that the show really hit its stride by episode 5 (which is quite a long time to stick with a show that’s not really doing it for you initially), as the humor style is toned down a bit. Think of 30 Rock at its most absurd, and then crank it up about two notches. That’s what the show becomes and I enjoyed it so much more at that point. While the marathon seemed like a really crazy gimmick, it probably played to the show’s strengths (or lack thereof). As I said, I didn’t enjoy it until around the 5th episode. If this had been rolled out as a weekly show, I’d have probably bailed by then. At least now I’m willing to give the second season a chance.

Koechner

Speaking of Angie Tribeca‘s quality 5th episode, it features a guest appearance by Champ Kind himself, David Koechner. I tweeted about it and he favorited it. WHAMMY!

75 heroic years

Over on TV, Marvel and DC had a dick measuring contest Tuesday night as they scheduled specials opposite the other’s premiere. While The CW premiered The Flash returning from its Winter hiatus, ABC ran Marvel’s Captain America: 75 Heroic Years. If you have read/watched anything about the formation of Timely/Marvel Comics, then you’re familiar with most of what was presented in the special. They did, however, slide in the news that Steve Rogers would be returning to the role of Captain America this Spring – which isn’t a surprise to anyone who realized there was a movie coming out. If you’re not a comic fan, for over the past year, Steve Rogers’s former sidekick, Sam Wilson/The Falcon, took over the Cap role when Steve was drained of the Super Soldier Serum that gave him his powers and kept him young. It was clear, though, that there was little chance Wilson would remain Cap once the Captain America: Civil War film rolled around. Well, Marvel plans to have their cake and eat it, too, as it appears Wilson will remain as Captain America even while Rogers returns. There will be TWO Captain Americas, which I feel is one Cap too many. While I’ve enjoyed the Wilson adventures, I don’t know if the comic audience is still going to want to support “Not the REAL Cap” once Rogers returns. Anyway, this is comics, where there’s no real change – only the illusion of change – so nobody should be surprised by any of this.

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Once 9 PM rolled around, ABC premiered the second season of Agent Carter, while The CW debuted specials about DC’s Legends of Tomorrow and their upcoming movies. I didn’t watch the Legends of Tomorrow one, as I thought it was kinda stupid to watch a 30 minute special about a 60 minute show that was premiering in 48 hours. If this special had come out earlier, I’d have given it a shot. At this point however, I was already as excited for the show as I was going to get. I did watch the one about the movies, DC Films Presents: Dawn of the Justice League. Hosted by Kevin Smith (who was acting like a drugged up Billy Mays) and Geoff Johns, they rushed through a bunch of Dawn of Justice footage, and then gave us about a minute of a Wonder Woman footage (this was also the day they debuted the logo and Twitter account for the Wonder Woman film). Then, we got snippets of interviews with the rest of the Justice League actors, like Jason Momoa (Aquaman), Ezra Miller (Flash), and Cyborg (Ray Fisher). It all seems interesting, but it also seems so far away to me. I mean, the Cyborg movie isn’t out until 2020! I get that it’s 2016, but do you know how many movies will come out between now and then? Hell, I could be dead by then!

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I came to the realization this week that I’m not sure I can be objective about DC’s movies. I always considered myself a DC kid, but upon closer inspection, I’m much more of a Marvel Zombie these days. I love the Marvel movies. They have their flaws, but I enjoy them. I don’t like the DC stuff I’ve seen in recent years (The Dark Knight Rises and Man of Steel). If these are more of the same (which, dark in tone, they seem to be), I’m just not interested. So, for the folks excited about these movies, more power to you. I envy you. But I just don’t feel anything when DC’s films are brought up. That includes the Suicide Squad trailer that was released this week. I’ll probably Redbox it, but it doesn’t strike me as something I need to see in the theater.

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Meanwhile, Agent Carter premiered and it was as great as you’d expect it to be. I’m constantly amazed that I like this show considering I didn’t think she was “worthy” of a series when it was first announced. I especially like this season, as its subtitle could be “Peggy Gets Jungle Fever”. There’s a Black scientist who’s introduced as a love interest…kinda. I liked that the show finally tackled the race issue that was absent in the first season, as it wasn’t all sunshine and roses for everyone in the 40s in the Marvel Universe. Anyway, I won’t spoil what happens to him in case you haven’t gotten around to watching the episode yet. The interesting thing is that there seem to be all of these ties to Agents of S.H.I.E.L.D. yet the showrunners are saying that they aren’t. For example, the lapel pins worn by The Council look like the original HYDRA symbol we saw on AoS, but a recent interview with them said that it’s not the same symbol. Also, this Darkforce matter is a tie-in to the Doctor Strange movie, and not the same material that leads to Maveth. It’ll be interesting to see if they were just trying to mislead us. Anyway, the 2-hour premiere was the lowest rated presentation of the series, so unless things improve, there won’t be a season 3. Now’s the time to start watching!

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So, DC’s Legends of Tomorrow. Where to begin? I liked this show. I liked it a lot. I will say, however, that I’m unfamiliar with half the characters since I’ve only seen a handful of episodes from season 1 of The Flash (and only 1 from season 2). So, I’ve got a lot of questions. Like, who is this Jefferson Jackson character? I mean, I Googled him and the character existed in comics, but only as a friend of original Firestorm, Ronnie Raymond. If they wanted a Black Firestorm, the character already exists, and he’s Jason Rusch. Did they not want to pay royalties to creator Dan Jolley, like when they created Black Vulcan so they wouldn’t have to pay Black Lightning’s creator Tony Isabella? Anyway, since Professor Stein isn’t linked to Robbie anymore, I take it something happened to him in one of those Flash episodes I haven’t seen yet. Is Wentworth Miller’s Captain Cold always so…theatrical? If anything, it showed me that I need to catch up on The Flash, as that’s where the more fantastical DC stuff seems to be happening.  Sure, Oliver Queen went up against Ra’s Al Ghul, but he’s still pretty much dealing with street crime, while Barry Allen’s dealing with time travel and the Multiverse. That mindset is needed to fully get into Legends. Anyway, this show could really beat Marvel at its own game, as it’s giving us a superhero team, on a weekly TV budget, that’s actually making moves, and doesn’t have to adhere to movie tie-ins and studio plans. It might end up being a better Agents of S.H.I.E.L.D. than Marvel’s show. Also, the fact that it’s potentially a One and Done series (it’s an expensive show, and another season would probably be comprised of a different team, according to reports), they can make some pretty bold decisions if necessary. Let’s just say that I’m really excited to see where this show is going.

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Has anyone been watching Shades of Blue? It’s surprisingly good, and you’ve only missed 3 episodes, so there’s time to catch up. Jennifer Lopez plays a pseudo-dirty cop who’s forced to work with the feds to take down the rest of her unit. Ray Liotta is her commanding officer who knows there’s a mole in the unit, but doesn’t know it’s JLo. Or does he? It’s a tense hour of television and, based on the nature of the plot, it’s probably just going to be a One and Done series. Along with Undateable Live and Superstore, it’s one of the few bright spots on NBC’s schedule these days (Thursdays at 10 ET).

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I can’t wait to see Disney’s damage control on this one, but Girl Meets World star Rowan Blanchard announced on Twitter that she identifies as queer. She tweeted:

“In my life – only ever liked boys however i personally don’t wanna label myself as straight gay or whateva so i am not gonna give myself labels to stick with – just existing :)”

Rowan Tweet

Considering she’s 14, I’m not sure what to think of all this. I mean, it’s brave of her to come out in such a forum, but at the same time, I don’t even remember being sure of anything at 14. Maybe girls are just more mature than boys. I dunno…

Things You Might Have Missed This Week

  • News sites were reporting that Darkwing Duck was being revived by DisneyXD in 2018. This was a lie. A cruel lie.
  • Due to the tepid release of Terminator: Genisys, the planned sequel has been removed from Paramount’s schedule. The May 19, 2017 release date will now go to The Rock’s Baywatch movie.
  • Vin Diesel tweeted out a pic, revealing that Fast 8 will take place in NYC
  • The red band trailer was released for Key & Peele’s Keanu, and it looks hilarious! I can’t wait to Redbox this thing!

eclectic mayhem

A few weeks back, I had the pleasure of joining the folks over at the Eclectic Mayhem Podcast to talk about thrifting. I’ve been friends with these guys online for a long time, but it was great to finally get to speak with them. You should already be following @TheGoodwillGeek, @iRoberts3, @DorketteTweets, and @ItsTrashCulture, but if you’re not, then get to it! Anyway, be sure to check out the episode here.

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I don’t think they’ve ever had the honor of a West Week Ever, but I like to give credit where it’s due. Sure, I may consider myself more in the Marvel camp these days, but you can’t deny that DC Entertainment was on everyone’s lips this week. Whether it was folks talking about how much they loved the Suicide Squad trailer, to speculation about the Justice League movie, to simply eagerly awaiting the premiere of Legends of Tomorrow, DC Entertainment was the cock of the walk this week. There are reports that the comics aren’t doing so well, sales-wise, for both Marvel and DC, but DC seems to finally be making a name for itself in the world of live action entertainment. This is something that fanboys have been waiting for ever since Marvel revealed their plan for a cinematic universe. Immediately, everyone wondered “What’s DC gonna do?” Well, not only has DC conquered the live action TV game, with Arrow, The Flash, Supergirl, Gotham, and Legends of Tomorrow (not to mention the shows based on DC’s Vertigo imprint, including iZombie, Lucifer, and the upcoming Preacher), but they’re finally about to make their move in the movie realm. With all the previews and premieres, this was a great week to be a DC fan, so that’s why DC Entertainment had the West Week Ever.

15th Jan2016

West Week Ever: Pop Culture In Review – 1/15/16

by Will

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DOFP

So, on the movie front, I watched X-Men: Days of Future Past (The Rogue Cut). Now, I’d already seen the movie in theaters, but I really wanted to know what this edit was about, seeing as how it has been called the “definitive” version of the movie. Well, for starters, Rogue doesn’t appear until an hour and a half into the movie. I didn’t even notice that the opening scenes had been shuffled to the middle of the movie, but they were. As for Rogue’s inclusion, it’s pretty ambitious that it’s called “The Rogue Cut”, seeing as how her addition adds nothing to the movie outside of pleasing a few True Blood fans. Oh, and Iceman dies twice instead of once. Other than that, the movie is pretty much the same. I still enjoyed it, but some of the editing tricks were a little jarring (flashing back and forth between Magneto’s past plan and his future heist). I did notice a few things this time around, though. For example, the future Sentinels are pretty sadistic, in that they actually got creative with their killing. And there’s a mid credit stinger in this version, with Trask in Magneto’s cell. Now, why would they put him in that expensive ass cell when he ain’t got no powers? Anyway, I think I prefer the theatrical cut, but seeing as how everyone seems to think this is Singer’s true vision, it’s probably the one that’s gonna go the distance (after all, it was airing on Cinemax instead of the theatrical version).

we dont

Next, I watched the drama We Don’t Live Here Anymore. Starring Mark Ruffalo, Laura Dern, Naomi Watts, and Peter Krause, the film’s about two couples experiencing marital woes in a small town. So, they pretty much just start cheating on their spouses…with each other. It’s a really powerful and emotional film, and I’ve got nothing snarky to say. I’m not sure I recommend it, as it can be uncomfortable to watch at times, but everyone in it gives a great performance.

madtv 20th anniversary

On the TV front, I caught the MADtv 20th Anniversary Special on The CW. That sentence should say it all: Fox, the network on which MADtv aired, didn’t even care enough about the show to air the special. The rumor’s been that Fox was always somewhat hard on the show because they didn’t own it, but it still carried their late night division for FOURTEEN YEARS, and garnered 35 Emmy nominations. If we’re being honest, though, this anniversary special never would’ve happened without the success of Key & Peele. After all, the duo was introduced to viewers on the show (even though it was when MADtv was at its weakest). With that in mind, it was pretty glaring that Jordan Peele did not participate in the special (Keegan Michael Key recorded a pretaped segment). The special was basically a clip show in the guise of an awards ceremony. At the end, fans were going to vote for their favorite character, and that actor would have to recreate the character onstage. Surely, a classic character like Miss Swan or Stuart would win, right? Nope, it was Bon Qui Qui – a forgettable ghetto caricature from the later seasons. Still, it was nice seeing some of the core cast members again, like Nicole Sullivan, Will Sasso, Michael McDonald, and Debra Wilson. MADtv never really gets enough credit, as it was in the shadow of Saturday Night Live, but there were a few seasons where it gave SNL a run for its money. I’m not really sure it has aged as well as SNL, though. They tried to show some clips, but they weren’t exactly funny. And it’s harder to see MADtv archives, as the only way to see episodes is to watch the 75 that are available on the CW Seed streaming channel.

han-solo-pose

In movie news, the shortlist for the Star Wars Han Solo…solo film has been revealed, and it includes Miles Teller (Whiplash), Dave Franco (21 Jump Street), and Logan Lerman (Percy Jackson franchise). Apparently, there’s still a month left of shooting Star Wars: Rogue One, and it seems like they want this actor to make an appearance as Han in the film (similar to how Tom Holland was cast to appear in Captain America: Civil War prior to his solo film). Some folks feel like Teller lacks charisma, but he’s really grown on me and I think he’s kinda smug like Han. I’d actually LOVE Franco in the role, but that feels more like a Funny or Die sketch to me instead of a full-length film. And I enjoyed Lerman in Fury, but I don’t know if he’s “Han Solo”. Anyway, the Han movie is scheduled to be released May 25th, 2018.

amber_heard_mera

In other movie news, it’s reported that Amber Heard is in talks to portray Aquaman’s wife, Mera, in both the Aquaman film, as well as the Justice League film. At this point, all we know is that she’ll be playing opposite Jason Momoa’s Aquaman. At the rate Warner Bros is going, however, if they can lock up the deal soon, they’ll probably try to shove her into Batman v Superman: Dawn of Justice somehow. I mean, everyone else is in that damn film. The latest rumor is that the whole Justice League will show up, which is suspect seeing as how they haven’t even cast Green Lantern yet. Ya know, I used to consider myself a DC fan foremost, but nothing they announce about these movies gets me excited for them. On Twitter this week, I said that DC is the Republican Party of the comic industry: no matter what they do, they will never be seen as cool or hip. It has taken them so long to get their movies off the ground that they can’t help but be in Marvel’s shadow, at a time when folks are starting to tire of the superhero movie. DC stays losing.

Cloverfield

Somehow, JJ Abrams managed to film the sequel to Cloverfield without anyone knowing. A bootleg trailer went online last night for 10 Cloverfield Lane, which appears to star John Goodman and Mary Elizabeth Winstead. They appear to be in some sort of bunker and Goodman doesn’t want Winstead trying to get outside. Abrams has implied the movie is in the same universe as Cloverfield without being a direct sequel. And to make things even more exciting? It comes out March 11th! How this was kept a secret this long is pretty amazing in the Internet Age. Anyway, it looks really good and I can’t wait to Redbox it. What? You thought I was actually going to the theater?

FRIENDS -- Season 2 -- Pictured: (l-r) Matthew Perry as Chandler Bing, Jennifer Aniston as Rachel Green, David Schwimmer as Ross Geller, Courteney Cox as Monica Geller, Matt LeBlanc as Joey Tribbiani, Lisa Kudrow as Phoebe Buffay (Photo by NBC/NBCU Photo Bank via Getty Images)

In television news, every media outlet was running around, screaming about a FRIENDS reunion. That was a bit misleading, however. You see, NBC is planning a two-hour special to honor legendary director James Burrows who recently shot his 1,000th episode of television. Since FRIENDS was one of his shows, it’s natural that the cast would show up to honor him, right? Well, NBC isn’t even sure how they’re going to pull it off. They seemed to have secured the involvement of all 6 cast members, but they’re not sure they can get them all physically in one place, so expect some pretaped segments. Also, this clearly isn’t the “reunion” that folks were expecting. Still, it made for good clickbait this week.

rachel-bloom

In other TV news, a bunch of shows nobody watches won Golden Globes last Sunday. First up was Mozart in the Jungle from Amazon. Despite its name, it apparently is not about Mozart trying to survive in the jungle while teaching music to animals. I really have no clue what it’s about, but it’s got that guy from Y Tu Mama Tambien. Remember that movie? A 17 yr old and his friend have sex with an older woman? Coming of age tale? Just me? OK. Anyway, the real surprise was that Rachel Bloom won Best Actress in a Musical or Comedy for Crazy Ex-Girlfriend. Anyone familiar with Bloom knows that she already has two golden globes (hey-o!) but this win pretty much means that The CW can’t just outright cancel the struggling series. That reminds me that I still have about 5 episodes to catch up on…

sesame-street-set-redesign-oscar

The new Sesame Street will debut on HBO this weekend, and some of the changes are coming to light. For example, Oscar the Grouch still lives in a trash can, but that can is now ensconced in a recycling and compost bin. Friggin gentrification! A lot of folks are worried about the show’s transition to HBO, but insiders are saying that this was the only long-term plan for the show’s survival. The show will still air on PBS 6 months after episodes air on HBO.

LAS VEGAS, NV - MAY 17: (L-R) Singers Liam Payne, Louis Tomlinson, Niall Horan and Harry Styles of One Direction attend the 2015 Billboard Music Awards at MGM Grand Garden Arena on May 17, 2015 in Las Vegas, Nevada. (Photo by Jeff Kravitz/BMA2015/FilmMagic)

In music news, sources are saying that One Direction’s recently announced “hiatus” is a permanent split. Whoop-dee-doo! Anyone surprised by this is a moron. After all, *NSYNC has been on “hiatus” since 2002. This is pretty common in the pop world. They don’t really know how their solo careers are gonna do, so they leave the door open for a return. Anyway, Harry Styles will probably get in the studio with some known producers, and he won’t even look back at those other guys. That’s right, Directioners – the end is now.

poe

Yesterday, Marvel announced an ongoing Poe Dameron comic by writer Charles Soule and artist Phil Noto. Ugh. I don’t CARE about Poe Dameron, but I LOVE Phil Noto. I’m sure Disney will have oversight, but don’t folks realize that nothing can really *happen* in this Poe comic? That’s the problem with licensed comics. Nothing can happen. They just give you a bunch of filler stories that fit within movie events. The thinking of “I really loved Poe Dameron, so I can’t wait to learn more about him” isn’t really gonna pay off with a comic. The writer might write in Poe’s “style”, but it’ll ultimately be a throwaway story, dancing between the raindrops of continuity. The Lando comic was pitch perfect. Fully captured who he was. Was great seeing him again. But did it “matter”? At the end of the day, it was like spending time with an old friend. I didn’t learn anything new. Just more of the same.

chrono

In other comic news, my pal @TimDogg98 runs the site The Kliqnation, so imagine my surprise when I looked at the back of the Chrononauts trade paperback at my local shop, and saw that his five-star rating had made it to print. Congrats, Tim!

Things You Might Have Missed This Week

  • The Al Jazeera America news network is shutting down in April. USA! USA! USA!
  • NBC is in early talks to develop Chicago Law, to join the existing Chicago Fire, Chicago PD, and Chicago Med.
  • Speaking of NBC, there will be no season 2 for Heroes Reborn
  • Creed director Ryan Coogler has officially signed on to helm Black Panther – which, being a superhero film, automatically gets a snub from the Academy unless it’s for Sound Editing or some shit
  • Tuesday was the 50th anniversary of the 60s Batman TV series. Nobody did anything special for it, though, so that’s pretty much all there is to say…
  • Jonah Hex will appear on Legends of Tomorrow, which means WESTERN EPISODE! Not sure why I typed that like I was excited about it. I’m not really a western fan…
  • Weeks after finishing its run on The CW, America’s Next Top Model has been revived by VH-1.

Links I Loved

Finding Rey: #WheresRey, Really? – Idiot Nerd Girl

The Forgotten Way African Americans Stayed Safe in a Racist America – The Washington Post

Tom Brevoort Confirms “No More 616” – And It’s The Last Fantastic Four Story – Bleeding Cool

nininger

It was quite the week for the Power Rangers franchise. At the beginning of the week, it was announced that Saban is in fact skipping a season of the Japanese source material, and is instead adapting Shuriken Sentai Ninninger as Power Rangers Ninja Steel. For those not in the know, the skipped season was train-based, and The Powers That Be decided that “kids don’t like trains”. So, Ressha Sentai ToQger was thrown out, and the ninja-based series was subbed in. By Wednesday, we even had the official synopsis for the series:

“Saban’s Power Rangers Ninja Steel starts deep in space, where Zircon is the reigning champion of the most popular intergalactic game show in the universe, and monsters battle to prove who is the mightiest warrior. Zircon is determined to become invincible by controlling the mythical Spirit Crystal, which contains six supernatural Ninja Power Throwing Stars. The only thing standing in his way is a new team of heroic teenage Power Rangers who possess the Spirit Crystal. The evil Zircon sends his warrior contestants down to Earth to steal the Crystal, where each epic battle against the Rangers is broadcast throughout the universe. Together, the Rangers must master their arsenal of Throwing Stars, Zords and Megazords, each made of legendary ninja steel, in order to stop this evil threat and save our planet from destruction.”

Yeah, it doesn’t make a lot of sense to me, either. Basically, it’s a game show where the regular Power Rangers tropes take place. Colorful spandex kicking the shit out of aliens, who eventually get big, and get the shit kicked out of them by robots. The end. The show will debut in 2017, and continue to air on Nickelodeon. I’m not in love with the suit designs, but I like them a Hell of a lot more than that train series. Plus, this one includes a 6th Ranger who’s a space cowboy with an electric guitar sword and a ninja star cheeseburger phone! How Japanese is THAT?!

MightyMorphinPowerRangers 0 Red

Meanwhile, the Mighty Morphin Power Rangers #0 comic was released by BOOM! on Wednesday to rave reviews. Focusing on the events following the “Green With Evil” miniseries, it focuses on Green Ranger, Tommy, as he learns to be accepted by the team of heroes. On the show, they were basically like “We know you were possessed, so welcome to the team.” In actuality, though, something like that wouldn’t be such a smooth transition. The comic even shipped with 1:50 (Green Ranger) and 1:100 (White Ranger) incentive variant covers, and the sales reports from retailers have been positive. The ongoing series will launch in March.

pr

It wasn’t all good news for the Rangers, though. Remember when I wrote about Ricardo Medina Jr murdering his roommate? While he was released shortly afterward, it seems he’s being formally charged for murder. He’s currently being held on $1 million bond, and he could face 26 years in prison. Medina portrayed Cole, the Red Ranger in the 2002 iteration of the series, Power Rangers Wild Force.

As you can see, the Power Rangers have been on everyone’s lips in some form or fashion this week. Sure, there was the unfortunate Medina situation, but two out of three ain’t bad. So, Power Rangers had the West Week Ever.

08th Jan2016

West Week Ever: Pop Culture In Review – 1/8/16

by Will

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oie_922142seDasWF9

Welcome to the first West Week Ever of 2016! Thanks to everyone who checked out West YEAR Ever earlier this week, and brace yourself because we’ve got a lot to discuss today!

Lucy-Movie-Wide-Wallpaper

On the movie front, I finally watched Lucy, starring Scarlett Johansson. What the Hell did I watch?! I thought I’d heard good things about this movie, but no me gusta! It’s overly ambitious in that it can’t seem to figure out if it wants to be a full out action movie or an action-philosophical movie. Sorry, but not everyone can pull off a Matrix. In the film, Lucy ends up being a drug mule for a new synthetic drug, but the package ruptures inside her and causes her to change. That change involves her using more of her brain than most humans use. Apparently, when you’ve mastered control of your brain, you can change your hair color at will or control electronics. Hell, right before she hits 100% of brain use, she literally swipes left on the timeline. She finds herself all the way back at the moment of the Big Bang. There’s some substory about human potential and how we never truly die, and Morgan Freeman is there, I suppose, to lend a bit of “legitimacy” to the film. I don’t see how this movie made over $400 million.

beauty shop

Next I found myself watching Beauty Shop, Queen Latifah’s 2005 entry to the Barbershop franchise. I really liked the Barbershop movies, and I’d always wanted to see this but just never got around to it. Like the Barbershop movies, it focuses on how the beauty shop is the nexus of gossip and information in the Black community. It also features what might be my favorite Alicia Silverstone role – Lynn, the sweet, naive girl from backwoods Georgia. She starts out as a shampoo girl at the high end salon where she and Latifah work, but later comes to work in the beauty shop that Latifah opens after striking out on her own. The other women in the shop don’t like her because she’s White, and they really don’t understand why she’s there. Silverstone’s accent is over the top, and the character is overacted, but that’s kinda what makes her endearing. And she got the guy in the end – not because she was White but because she wasn’t a bitch like the other women in the shop (especially Golden Brooks’s character, Chanell). It also features the lovely Andie MacDowell, who ends up with a donk at the end of the movie because she ate too many collard greens. Yeah, that happened. When you think about it, the movie really tried to make the White folks into outsiders, but they end up not only being accepted at the end, but they also end up being the most likable characters (with the exception of Mena Suvari’s character. Man, where’s she been the past 10 years?). Anyway, it got me in the mood for the upcoming Barbershop 3.

bikini spring break

Then I watched a movie called Bikini Spring Break. I’m not proud of it, but I’m honor bound in my duty to report every movie I watch in full. I knew it couldn’t be too “porny” because one of the stars was Robert Carradine of Revenge of the Nerds fame. Basically, it’s about a female collegiate marching band whose van breaks down in Fort Lauderdale on the way to Miami for a competition. Oh, and it happens to be Spring Break. So, they end up doing random things to raise money to fix their van, like jello wrestling and riding mechanical bulls. Oh, yeah, there are boobs, but no sex. It was pretty bad. I probably should’ve just watched something on the DVR.

fifty-shades-of-grey-movie-title

Finally, I watched Fifty Shades of Grey. What? It was on HBO and I was curious. Anyway, this movie made Bikini Spring Break look like Citizen Kane. It’s a shame when a low budget titty comedy ends up being a better movie than one that’s based on a bestselling novel. It’s so, so bad. The dialogue…I mean, women actually like this shit? My favorite lines from the movie are “I don’t ‘make love’. I FUCK. HARD.” and “I would like to fuck you into the middle of next week”, said with no seduction or anything alluring. It was said during a business meeting – which brings up another issue: Christian Grey is a horrible businessman. He issues a contract to Anastasia for all of the kinky stuff that he wants to do to her, yet he “renders services” before she even signs the damn contract! I think I liked this movie better when it was called Secretary. At least that movie knew that it was a dark comedy, and James Spader and Maggie Gyllenhaal knew how to ACT. I can’t tell if Jamie Dornan is a bad actor or if it’s just a reflection on the material he was given. Dakota Johnson is OK, but her breasts sadden me.  Just looking at them makes me sad. Is that body-shaming? I mean, she was hired to be naked a good portion of the movie, so you’d think her chest wouldn’t remind me of a Sarah McLachlan commercial. Anyway, the ONE good thing I can say about this movie is that it has a great soundtrack. Other than that, I can’t believe they’re making more of these. Sure, the books are a trilogy, but they could just call it quits now, right? Right?

Grinder

On the TV front, I caught a marathon of The Grinder on FX. I’d seen a couple of episodes, and liked what I saw, but it was so much better as a binge-watch. That’s a really good show! It stars Rob Lowe as the former star of the court series The Grinder, who moves in with his brother’s family as he tries to figure out how to live a “normal” life. The brother, played by Fred Savage (yup, that Fred Savage), kinda resents Lowe’s character, as he has worked hard to become a real lawyer, while Lowe just played one on TV. The series really gets good, though, when Lowe is betrayed by friend Timothy Olyphant (playing himself), who agrees to star in the spinoff The Grinder: New Orleans. I can’t really think of a series to compare it to, but it’s so good. If you’re looking for a new single cam sitcom, definitely check it out.

cooper-barretts-guide-to-surviving-life

While Fox has a hit on its hands with The Grinder, it premiered 2 real duds on Sunday night. First up was the comedy Cooper Barrett’s Guide to Surviving Life, which was marketed almost like an update of the 90s series Parker Lewis Can’t Lose. I mean, both star a good looking kid who’s kinda smarmy and finds himself in weird situations, with a motley crew of friends tagging along. It was a serviceable pilot, jumping around the timeline instead of telling a linear story, but I still don’t feel it’s anywhere near as good as Brooklyn Nine-Nine – the series that previously occupied that timeslot. Following that night’s Family Guy, they finally premiered the Seth MacFarlane-produced Bordertown. This show has been in development for years, and now that it’s finally been released, I still don’t think it was ready. Set in “Mexifornia”, it focuses on a border agent and his family who live next door to an immigrant family. And hilarity ensues…or does it? No, it’s not a very good show. Even by MacFarlane standards. I know some people hate his shows, but I’m a big fan (though I can easily admit that Family Guy has been treading water the past 2 seasons). Remember how American Dad started out as a one-note response to 9/11? It’s like that, but much, much worse. And at least American Dad eventually became amazing. I don’t see that in the cards for Bordertown. Originally announced for the 2014-2015 television season, Fox didn’t even see fit to burn it off over the summer. Anyway, I wouldn’t be surprised if The Last Man On Earth returns a lot earlier than expected, even if they’re just reruns.

TitansTogether

In television news, a lot of stuff happened this week. First up, it was announced that the DC Titans show is no longer in production at TNT. Yay! I NEVER wanted this thing, and I’m glad it’s dead. I mean, they were putting Oracle/Barbara Gordon/former Batgirl on the team, for God’s sake! Based on the Teen Titans/Titans comic series, the show was to focus on an adult Dick Grayson as he led his own superteam. I may have been onboard the project had it not been focused on Grayson. I’m just tired of Batman projects orbiting the story they actually want to tell. Birds of PreyGotham, Titans – eventually the audience is going to ask “Where’s Batman?” which requires more complicated answers than they’re looking for (TV rights vs movie rights, the desire to not confuse the consumer, etc). Plus, I’m just tapped out on superhero shows right now. I already skipped Supergirl, despite everyone telling me how great it is. Titans probably would’ve been another one I’d skip, as I just don’t see it bringing anything desired to the table. I know some folks, like @Jordamus_Prime, LOVE the Titans, but I just never really saw TNT as the best home for such a project.

TFTC

Speaking of TNT, they’re rebooting Tales From The Crypt with M. Night Shyamalan. I enjoyed the original series, but I also watched it in syndication instead of the original HBO episodes. So, I’m sure I missed out on them as the Lord intended. Folks love to crap on Shyamalan, but I’ve actually enjoyed his recent projects. After Earth wasn’t that bad, and I raved about my love of Wayward Pines. Just like the HBO series, the new Crypt will use the original EC Comics line as inspiration for episodes, but it’s not clear if the Cryptkeeper character is coming back.

BTE

This is news from a few weeks back, but NBC officially canceled Best Time Ever with Neil Patrick Harris. And so goes my dream of being on a game show. I was so close, but I pretty much knew that if I didn’t get on that first season, then it wasn’t happening. Just like that American Idol audition…

Yahoo_Screen_white_logo

Yahoo announced they were discontinuing Yahoo Screen, which was the portal that was released in conjunction with Yahoo’s acquisition of Community. The service was plagued with ads and a shoddy player, so it’s not a huge surprise. Outside of Community, there weren’t any other success stories. There was a series called Sin City Saints about a basketball team in Vegas, and there was Other Space, which costarred Lily the AT&T Girl (Milana Vayntrub). Neither show really developed a fan base, though. The videos will still be online via the Yahoo site, but the Screen portal is gone, and it seems like Yahoo’s done with original programming.

Fuller-House-04

Now for your weekly Fuller House update. Apparently, show creator Jeff Franklin approached Elizabeth Olsen to play the role of Michelle when her sisters, the Olsen Twins, declined. According to John Stamos on Andy Cohen’s SiriusXM radio show, when the Olsens said they didn’t “think of [them]selves as actors anymore”, he said “Get the sister”. They even went as far as to call Elizabeth’s agent, but it didn’t get much further than that. Meanwhile, Entertainment Weekly released new set photos, like the one above.

Daredevil-season2-poster

Speaking of Netflix shows, a teaser was released yesterday announcing a premiere date of 3/18/16 for the second season of Daredevil. They also released the godawful poster that you see above. This is a rare misstep for Marvel stuff. I know they want us to see the Punisher skull, but there had to have been a better way to get there than this. Anyway, here’s hoping I’m done with Jessica Jones by then.

TMNT2

In toy AND movie news, a leaked image of the Teenage Mutant Ninja Turtles: Out of the Shadows toys revealed that Krang will be in the movie, as well as the Technodrome. With this, combined with Rocksteady and Bebop,  I fear that this movie is becoming such a love letter to fans of the original cartoon that today’s kids aren’t even gonna care about it. But, I guess we’ll just have to wait and see. And it would be kinda cool to see Krang on the big screen.

Batcave

Batcave2In other toy news, pics have leaked of the upcoming LEGO set based on the 1966 Batman Batcave. I don’t do large scale LEGO sets, but this thing looks beautiful. It also comes with the Batcopter, Batmobile (which I believe may be the one that was originally an SDCC exclusive), and Batcycle, as well as 9 minifigures. We still don’t have a piece count, but I’m hoping it doesn’t turn out to be as expensive as the S.H.I.E.L.D. Helicarrier or Ghostbusters Firehouse.

Ghostbusters

Speaking of Ghosbusters, Director Paul Feig tweeted out this pic last night of the prototype for the Ghostbusters 6″ movie figures. Look at that Leslie Jones! These look like they’ll have Movie Masters-level articulation, so the real trick will be if they can keep them under $19.99.

Things You Might Have Missed this Week

  • Michael Weatherly is leaving NCIS. Never seen it. I do, however, remember when he was banging Jessica Alba while they costarred on Dark Angel.
  • It was announced that HBO’s Girls will end after season 6. Yay, no more Lena Dunham nudity!
  • Model Kelly Rohrbach has been cast as Pamela Anderson’s character, C.J. Parker, in the Baywatch movie.
  • Broad City scored a 2-season renewal from Comedy Central. Yass, queen!
  • Twitter announced an increase in character limit from 140 to 10,000. This is McDonalds breakfast all over again. I never needed All Day Breakfast. I just needed Until 2 PM Breakfast. Sure, I could use a few more characters, but I’m not trying to write War and Peace here!
  • Pitch Perfect stars Skylar Astin and Anna Camp are engaged. Aca-gratulations!
  • After 2 seasons, The Meredith Vieira Show has been canceled. Wonder if they’ll let her come back to Who Wants To Be A Millionaire?
  • Michael Bay will direct Transformers 5. And as much as you say you hate him, you’ll still see it
  • Netflix and Dreamworks are rebooting Voltron. I really couldn’t give two shits, but I know some of you care.
  • For the sportsball fans, the St. Louis Rams, the San Diego Chargers, and the Oakland Raiders have all applied to relocate to Los Angeles.
  • Former Arrow costar Colton Haynes may have come out while responding to a Tumblr post about his “secret gay past”. His response: “Was it a secret? Let’s all just enjoy life and have no regrets.”

Links I Loved

Nik’s Piks (Pretend this is a regular feature!) – Top 10 Toys of 2015 – nik tumbls art and stuff

Why Do You Write? – Team Hellions

9 Former American Idol Contestants on What Viewers Don’t Know, Life After the Show, and Who Deserved to Win But Didn’t – Vulture

Sifting: Technology, Trash, & Digging for Memories – NEMMC

In 13 years of blogging, I finally made someone’s Top 10 list – and it wasn’t even for work on my own site. As I mentioned in West YEAR Ever, I wrote a piece for The Robot’s Pajamas about the current star power of some former Power Rangers actors. Well, it turns out that was one of their top posts of the year. You can check it out, as well as the other 9 posts, here.

AFB-logo-new

Also, I recorded my 49th podcast with @Engineernerd from Action Figure Blues and @ISeeRobots from The Toys “R” Us Report. We discussed the ins and outs of thrifting, and it was a great conversation. Now I know you’re saying, “But Will, last week you posted about your 50th podcast appearance, so how is this 49?” Well, 50 just got posted sooner. You’re not traveling through time or anything. Anyway, check it out here, on the most recent episode of the Action Figure Blues Podcast.

On the music front, I LOVE music video sequels. So, imagine my surprise when one my favorite bands, Fall Out Boy, filmed the video to “Irresistible” as a sequel to “It’s Gonna Be Me”, by another of my favorite bands, *NSYNC. Fifteen years ago, Wayne Isham directed the *NSYNC video where the guys portray marionettes who come to life in a toy store. Now, in 2016, Isham is back filming Fall Out Boy as bobbleheads in the same toy store. Demi Lovato’s also in the video, as well as original *NSYNC members Chris Kirkpatrick and Joey Fatone. I’d really love to see more artists do stuff like this.

Sure, there was a Daredevil teaser and some toy news, but this was probably my favorite thing to come out of the week. What can I say? I’m a sucker for boybands and nostalgia. So, Fall Out Boy’s “Irresistible” video had the West Week Ever.

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