17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

09th Dec2016

West Week Ever: Pop Culture In Review – 12/9/16

by Will

 

 

In Marvel news, we got a new teaser trailer for Guardians of the Galaxy Vol. 2. Why are there so many teasers these days? We already got a short teaser that actually TEASED. Sure, this was only about 2 minutes long, but back in my day, that was the trailer! Anyway, enough old man ranting from me. It looks good. I love Baby Groot because he reminds me of my toddler. Other than that, I’ve got no real thoughts on it one way or another. I guess I’m looking forward to it? I mean, it’s not marked on my calendar like Logan, but I’ll get excited once it’s closer.

In movie news, it was announced that Amy Schumer was cast as Barbie in an upcoming live-action movie. Yup, that Barbie. And the universe laughed and laughed! Look, I’m probably being more cruel than I need to be, but there’s a reason for it: I discovered last week that she had blocked me on Twitter. Now, I can’t remember ever saying anything disparaging about her, and I say a lot of shit about a lot of people. I certainly don’t remember saying anything block-worthy. So, I’m a little butthurt about that, even though if I were a Black Twitter star, I’d put “Blocked by @amyschumer” in my Twitter bio like some sort of trifling badge of honor. I just don’t get this casting other than the fact that she’s blonde. It also doesn’t help that the movie is reportedly rated PG, so she can’t bring her typical brand of comedy to the mix. Wrong body type, wrong personality. Couldn’t they just put Amy Adams in a blonde wig? Isla Fisher? Is Heidi Klum too old? Katherine Heigl? This casting just seems uninspired. Schumer looks like Barbie after a lot of bad decisions – kinda like how Chelsea Handler looks like someone rode her hard and put her away wet. It’s more a case of Sony and Mattel trying to capitalize on her rising fame than actually trying to cast someone right for the role.

Also, the teaser trailer for The Rock’s Baywatch adaptation was released yesterday. As a lifelong Baywatch fan, I was already a lock for seeing it, but it seems like they’re using the 21 Jump Street formula, so now I’m definitely all-in. It’s basically “What if Ryan Lochte joined the Baywatch team?” I love everyone involved, from The Rock to Zac Efron to Alexandra Daddario. I can’t wait for Memorial Day weekend!

In the world of toys, unless you’ve been hiding under a rock, you know that the hot toys of the season are Hatchimals. Basically, it’s a real life Tamagotchi, as you buy an egg that eventually hatches into some electronic Furby-esque toy. They retail for about $70, but they’re being listed on the secondary market from $100-200. Earlier this week, I posted this article about author Sara Gruen who saw the popularity of the toy as an opportunity to raise money for a man serving a life sentence whom she feels has been wrongly accused of a crime. She won’t go into too much detail because there’s a documentary in the works about the whole thing, but she had contributed over $150,000 of her own money to his legal fees, and felt that reselling the popular toy might help put a dent in her debt (She fucking this dude? If I were her husband, I’d be asking a LOT of questions!). Anyway, she didn’t have any clue what she was doing, so she thought it was a good idea to pay 2X retail for 156 Hatchimals, putting her in about $20,000 of additional debt. She had the harebrained scheme to charge FOUR times retail to parents desperately searching for the toy in time for Christmas. OK, let’s look at where she went wrong.

To some, I might be considered a scalper. I, however, think of myself as more of a Collectibles Reallocation Specialist. I try to keep up with what’s hot and, if I come across any, I resell them at a premium. It sounds bad, but I did this to pay for my wedding and never really looked back. If you keep your finger on the pulse, and don’t risk too much money, you can do alright with it. The way I see it, you’re paying a premium for accelerated access. Most of the stuff I sell will become plentiful given time, but the desire to be the first person to post about it online/give your kid something to brag about at Show & Tell drives folks to pay crazy prices for things they could’ve waited on. I’m not a complete dick, though. Kids are my weak spot. You tell me it’s the only thing your kid wants for his birthday, and I cave. So, I’m pretty much just targeting adults because they’ve got the disposable income.

Anyway, I’ve monitored the Hatchimals thing, and considered picking one up if I ran across it. A friend of mine from college is looking for one for his daughter, and so far they’ve struck out. It feels really good to be that last minute Christmas Savior. Not Jesus, but something a few notches below Jesus, like Peter or Moses. Here’s how I would’ve played this whole thing. I would’ve bought 3 Hatchimals. One for my friend, one to definitely sell, and one to sit on. If the selling one went quickly, then the one I was sitting on would go in the chamber. And that’s it. It’s too close to Christmas to really move that many because your avenues are limited. If you were truly enterprising, I’d even say to buy a case. I’m not sure of the case quantity, but it’s probably about 6-8 in a case. With Craigslist, you could move that in time. Here’s where she messed up: she paid $140 for something that cost $70. There’s already no meat on that bone. Had she bought them at retail, she could’ve doubled her money. With what people have been willing to pay, that would’ve been a fine plan. But you NEVER pay more than retail in arbitrage! So, her plan was dead on arrival, mainly because too many people know the market. If the retail price of Hatchimals fluctuated, you’d have some wiggle room, but the MSRP is $69.99, and everyone knows it, so how do you expect someone to fork over a car payment of $280.00?

Remember how I said there were limited avenues? That’s because Amazon bans toy sellers during the holiday season unless they’re having their orders fulfilled by Amazon. Hell, I’ve been selling on Amazon for 4 years, and I still can’t sell during Christmas. So, that wasn’t gonna be an option for her. Then, she went to eBay, but they’re already onto the Hatchimal racket, so they’re now limiting people from listing more than one a week. At this rate, she can sell about 5 before Christmas (based on when she started), and the day after Christmas the other 151 are gonna be worthless because A) the big day is gone and/or B) stock will catch up with demand. She’s NEVER going to make her money back, so she needs to make peace with that now. If she doesn’t want to sit on these things, she needs to start charging MSRP and accept the fact that she’s going to lose half her investment. As we get closer to Christmas, she could even charge about $80-100, but she still has them listed on her site for the recently reduced price of $189. Plainly put, you’re not gonna make the kind of money she needs with TOYS, especially alone and without a distribution network. She would’ve been better off if she’d bought a house from a sheriff’s sale and flipped it. There have since been updates that she received death threats from people who feel like she’s responsible for ruining their kids’ Christmas, which is a bit extreme. Right now, rest in comfort with the fact that she’s in tremendous debt and a horrible businesswoman. She doesn’t need your death threats.

Things You Might Have Missed This Week

  • NBC aired Hairspray Live, or as I affectionately called it Kristin Chenoweth’s Titties Live. Anyway, nobody watched it compared to the other recent live play adaptations.

  • It was announced that Mariah Carey will host YouTube Red’s The Keys of Christmas special. Based on the poster, it should be called Mariah Carey’s Titties Wish You A Merry Christmas, featuring DJ Khaled and Some Dude
  • Reportedly Beyonce’s recording of “Daddy Lessons” with the Dixie Chicks was rejected by the Grammy Country Music Committee. They’ll rue this day when she summons the Phoenix Force to destroy their lives.
  • Candace Cameron Bure is leaving The View, as it has gotten too hectic filming in NYC, while filming Fuller House in LA.
  • Disney released a new teaser for the DuckTales reboot, announcing that it would debut on DisneyXD next summer.
  • The trailer for Spider-Man: Homecoming was released last night. It was OK. With the exception of Tony Stark, I didn’t see anything we haven’t seen before. I just hate how every time the franchise reboots, everyone’s like “They finally got it right!” Chill. They got it right in the past, too.

I have officially joined the Bourgeoisie! That’s right, kids – I’ve seen Hamilton. Before you get all excited for me, I didn’t actually go to Broadway and see the show. No, some intrepid soul decided to post a near perfect copy of the show on YouTube, which ended up being snatched down yesterday. Sure, it may lack the “theatre experience”, but if you’ve seen ticket prices AND know of the lack of availability for tickets to the show, then you realize this experience was just as good. In fact, based on the vantage point of the person who filmed it, it’s actually better than what you’d probably be able to afford. I mean, these were GOOD seats. I can imagine someone sneaking their phone in the show like Rerun when he was taping that Doobie Bros concert. Before I get into my thoughts on the show, however, let’s take a trip down memory lane for a minute, shall we?

Back when I was at Cornell, I was really obsessed with secret societies. There was one in particular that every Cornellian wanted to get into, and I made it a side project to get on their radar so I could be tapped. Well, senior year came, and the tap never did. I later found out that I’d been nominated for entry, but I guess I didn’t make the cut. Let me just say this: it was not an honor just to be nominated! Fast forward to some time later, when I was up there for an alumni function, and a friend of mine who had been tapped volunteered to give me a tour of their secret lair (apparently the society was OK with folks using their status to impress friends/troll for impressionable pussy). Tucked away in a Gothic tower, the meeting space he was allowed to show consisted of a stone room with a wooden table in the middle. No, nothing fancy like a Justice League table. This thing looked like it had been picked up off the side of the road. It looked like a Biblical jail or something. Needless to say, I was not impressed. Now, all of this isn’t to say that Hamilton disappointed me like that stone room did, but it is to point out that there’s power in mystery. Hamilton has the reputation that it does because people want to see it but can’t, which only makes them want to see it more. I can’t help but wonder if this YouTube leak was part of an alt-right revenge plot in conjunction with that whole Pence matter a few weeks back. They wanted folks to boycott the show, but seeing as how the vast majority of the population couldn’t get tickets anyway, I guess they decided the best revenge was to kill the mystique around the show, and disseminate it to the masses.

The mystique of not being able to see it certainly helps propel the Hamilton legend forward. I mean, as I was watching it, I spent the first 20 minutes vacillating between “I can’t believe I’m finally watching this!” and “Please, God – Don’t let YouTube snatch this down before I finish watching it!” I didn’t really get into the play until around the point of the song “You’ll Be Back”. I wonder if that’s the same way people feel in the actual audience these days, taken aback by the fact that they’re ACTUALLY seeing Hamilton.

First of all, let’s deal with the pros. It’s really good. I mean, really good. Way better than it has any right to be. On paper, it’s a lame idea from that teacher you used to have who tried to hard to look “cool” to his students. You know the one: “No, ‘Mr. Smith’ was my father. You guys can call me Mark. Anyway, today we’re going to discuss our founding fathers through the medium of rap!” Seriously, it sounds like a trainwreck waiting to happen. But Miranda pulls it off, amazingly so.

Next up is the music. It’s great and it gets in your head and won’t leave. Even before you know the words, you’ll still be humming the melodies. That’s, like, the main goal of any musical composition: for it to make a lasting mark, have an impact. Hamilton certainly succeeds here.

Finally, my favorite character is a foppish King George III played by Jonathan Groff. If you’ve heard the soundtrack, then you already know his songs are funny, but his portrayal is just so great. It has to be seen to get the full effect.

Now for the cons. A friend of mine online pointed out that he didn’t care if he never saw the show, as the whole thing is on the album, and he’s right. A lot of musicals are dialogue-dialogue-BREAK INTO SONG-dialogue, but this entire play is sung or rapped. There’s nothing that isn’t on the soundtrack. That’s good for those who’ll never see the show, but it seems like you’re almost losing out by attending the play, as it has nothing more to offer other than the “Experience!”

I hate to disappoint the lot of you, but this really isn’t a show that needs to be SEEN. It’s not a visually stunning show. I can’t decide if the choreography is understated or just lazy, but I was somewhat unimpressed. By this point, you already know what Lin-Manuel Miranda looks like, so if you just play the soundtrack, close your eyes, and picture him in Colonial Williamsburg, you’ve got the gist of the imagery. The only thing I actually enjoyed seeing was Groff’s King George dancing along in the background of songs.

At the end of the day, it’s an amazing feat of theatre, and I’m glad I saw it. I’m also glad I didn’t have to sell a kidney in order to do so. Considering that the rap approach to Hamilton has made theatre interesting to those who may not typically care for the medium, it’s shame that the show hasn’t been made more accessible. I mean, I understand the idea of wanting to remain the hot girl of the Great White Way, but there are a lot of folks who’d really appreciate it who aren’t going to get to see it. Last time I checked, the YouTube file had already been viewed over 300,000 times. That’s almost better than the ratings for Crazy Ex-Girlfriend (I kid, but they’re not much different!). Clearly there is an interested audience out there who simply can’t afford to see the show. Sure, they throw scraps to the proletariat, like the PBS special and The Hamilton Mixtape, but there is a clear class divide between those who can see the show and those who can’t. I think that’s part of the problem I’ve had with the Hamilton phenomenon: it takes the hip hop vehicle and uses it to entertain an audience outside the typical socioeconomic status that actually created hip hop. I don’t quite want to call it “cultural appropriation”, but it’s close. It’s a relatable story about life and legacy, and I think a lot of people would get something out of it. Anyway, if you ever get the chance to see the show, be it online or live, then definitely don’t miss out on the opportunity. Just don’t take out a second mortgage on your house or anything in order to do so. It just ain’t THAT deep.

Meanwhile, all the Hamiltonians were sitting by their iTunes last Thursday night, realizing they’d received volume 1 of The Hamilton Mixtape. Featuring covers and songs inspired by the show, fans are eating it up. I’ve only heard a few of the songs that leaked early, such as Kelly Clarkson’s version of “It’s Quiet Uptown”. I felt she took an emotional ballad and turned it into an overproduced mess that lacks nuance or dynamics. I can only hope the rest of the album is better than that example. Still, like I said, as with all thing Hamilton, fans are loving it. There was no better week to be a Hamilton fan, and that’s why they had the West Week Ever.

04th Nov2016

West Week Ever: Pop Culture In Review – 11/4/16

by Will

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Earlier this week, I found myself having an impromptu Zac Efronathon, as I watched 2 of his comedies the same night. I used to think he was just some one-note himbo, but I think I really like that dude. He’s a funny guy, and he’s also beautiful (What? I have to give credit where it’s due!).

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Anyway, first up was Mike and Dave Need Wedding Dates. When I first heard about this movie, I was convinced I’d actually see it in the theater, but that didn’t come to pass. I was really looking forward to it, but was too lazy to actually go see it. Oh well, that’s what DVDs/streaming are for! Zac Efron and Adam Devine play the title characters, who have a reputation for ruining family gatherings. Since they’re known to rile each other up, their father insists that they bring dates to their sister’s destination wedding in Hawaii. It’s their father’s hope that they’ll bring “nice girls” who will keep them in check. Well, not knowing how to find these girls, they post an ad on Craigslist, which gets thousands of replies from folks who just want a free trip to Hawaii. Eventually they end up on The Wendy Williams Show, and their episode is seen by two slackers played by Aubrey Plaza and Anna Kendrick. They decide to pretend they’re nice girls so they can get the trip. And hilarity ensues. As an R-rated raunch comedy, it was about what I expected, though it could’ve been better. Plaza has this weird pseudo-ghetto accent that I’m never really sold on, though I do feel like she manages to do the impossible: outshine Kendrick. None of that Pitch Perfect Kendrick magic is on display here, as she pretty much plays The Dumb One opposite Plaza as The Schemer. I’m still not sure if I’m down with Adam Devine’s whole thing or not. He’s a lot like Eric Andre in that he’s not a bad looking dude, but he goes out of his way to make himself look as annoying/unattractive as possible. I guess it’s good he’s found a niche. I wouldn’t say this movie is worth owning, but it’s definitely worth seeing. And make sure you see the real thing, and don’t wait for it to get neutered on FX.

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The Efronathon continued with the sequel Neighbors 2: Sorority Rising. Now, I have to admit that I remember very little about the first movie, but I didn’t really think the world of Neighbors had a rich continuity to it. Basically, I remembered the airbag gag, and that’s about it. Totally forgot that Dave Franco came out in the last film, which probably would’ve made me less confused by the beginning of this installment. Did you see the first movie? If not, here’s how it went: New parents Seth Rogen and Rose Byrne learn that the Delta Psi Beta fraternity has moved next door to them. They just want a quiet life to raise their newborn, while the frat brothers wanna do what frat brothers do: PARTY. So, a war breaks out between Rogen and the frat, led by Zac Efron. By the end of the film, the college shuts down the house, and it seems like Rogen and Efron are friends. Well, based on the age of Rogen and Byrne’s daughter, this movie takes place roughly two years later. Byrne is expecting their second child, and they’re selling their house to move out to the suburbs. After the sale, however, they enter escrow – meaning that they basically have to cross their fingers that nothing goes wrong for the next 30 days, or the sale won’t go through. Well, everything’s going smoothly until a sorority decides to set up in the old Delta Psi Beta house. And you basically get the same movie as the first, only the guys are replaced with girls. This one, however, kinda has a heavyhanded message about feminism that it’s trying to get across, but I’m not quite sure it sticks the landing. It’s funny, but I’m having trouble accepting that Chloe Grace Moretz has grown up; she’ll always be little Hit Girl to me. I didn’t talk too much about Efron’s role this time around because I don’t wanna give away the whole movie, but he’s just as good here as he was in Mike and Dave. Again, probably not worth owning, but it’s worth checking out.

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Finally, I went to see Doctor Strange last night. For the first time in a long time, a comic book movie didn’t get the West Week Ever. You see, I liked it, but I didn’t love it. I don’t know if it’s the fault of the film, however. At the end of the day, I just don’t like Mystical Marvel or Cosmic Marvel. I’d probably rank this film with the first Thor. Don’t get me wrong – it’s visually stunning, and probably the first Marvel movie that you NEED to see in 3D. At the same time, I felt it was a little on the short side and some extra time could’ve been used for character development. For example, I don’t think we see enough of civilian Stephen Strange, before all the mystical stuff happens. Then, when the mystical stuff does happen, it happens too quickly. We never really see him struggle to master his power. So, it’s definitely got pacing issues. I actually liked Tilda Swinton as The Ancient One, despite the whitewashing. The cape, though…I hated the cape. Also, Marvel keeps telling us “It’s all connected”, but they miss golden opportunities to link in the stuff that they claim is difficult to do. I mean, part of it takes place in a hospital in NYC. Claire Temple (Rosario Dawson’s character from the Marvel Netflix shows) also works in a hospital in NYC, so… Still, it’s got some cool Easter eggs if you’re paying close attention, and Strange seems like a cool addition to the MCU. I can’t exactly put my finger on it, but I needed more of something from this film that I didn’t get. It’s definitely worth seeing, but this isn’t the film that’s gonna sway the crowd that’s never been fans of the Marvel films.

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On the standup front, I caught Pete Davidson: SMD on Comedy Central. By now, you probably know the general bulletpoints for Davidson: he’s the youngest current SNL cast member at 22, he’s a stoner, and his firefighter dad died in 9/11. There have been a lot of really good interviews with him going around lately, like him talking about how he pretty much hates his life, but he’s trying not to blow this great opportunity that’s been given to him. Well, this one-hour special is more of that. To be honest, he’s not ready for an hour yet. He’s a pretty good storyteller, but he could do the same thing in the interviews instead of doing it onstage. It’s almost like the stage is therapy for him, but he just happens to have an audience. He’s not especially charismatic, nor does he work the crowd. Still, it could’ve been a lot worse. It wasn’t a bad special by any means, but it wasn’t especially polished. The production values were pretty low, but I guess they fit his brand, so to speak. If you like what he does on SNL, it’s worth checking out, but it doesn’t reinvent the wheel or anything.

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On TV, this week saw the season finale of Donald Glover’s exceptional Atlanta, which capped off a near perfect season of television. I really liked how cyclical the whole thing was. The episode, titled “The Jacket”, has Earn retracing his steps from the night before in order to find his jacket. As the episode starts, he wakes up in the aftermath of a party, with the host telling him that he has to leave. The host tells him, “We boys, but we ain’t boys. See, I know you, but at the same time, I don’t know you.” He’s basically saying that no matter how much you think you know a person, you can’t ever fully know what’s going on with them. And that’s proven to us by the final scene of the episode, as we learn we don’t know Earn as well as we thought we did. I’m really looking forward to the next season, which I hope isn’t derailed by filming on the Han Solo film.

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In music, Beyonce decided she wanted a challenge, so she showed up at the 50th anniversary of the Country Music Association Awards. And the kids on social media lost their shit. “She needs to stay in her lane! She’s not country music!” Oh, and she didn’t come alone: she brought country music black sheep The Dixie Chicks along for the ride. She basically showed up to the door and said, “These are my Plus Three”. Now, I’m not the biggest Beyonce fan in the world (frankly, I prefer her Destinty’s Child stuff), but it was kinda cool for her to use her clout to usher the Chicks back into the world of country. After all, not everyone has forgiven them for their jab against W all those years ago. With the exception of an International Artist Achievement Award in 2006, the Dixie Chicks haven’t won a CMA since 2002. I’d have preferred it if they’d done a Beyonce take on a Dixie Chicks song, instead of them serving as the backing band for one of her Lemonade songs, but she’s the Queen. I’ve hit that age where pop music bewilders me, but I know everyone on the country charts. I guess the CMAs have become my Grammys, but I’ve got to say that I was disappointed with about 80% of the live performances, as it seemed like nobody had showed up to soundcheck. Levels were off, tempos were off, folks were pitchy. It was a mess, and didn’t feel like a worthy tribute to the 50th anniversary of that institution.

Things You Might Have Missed This Week

  • CBS announced that the CBS All Access spinoff of The Good Wife would be called The Good Fight
  • Johnny Depp not only has a cameo in Fantastic Beasts and Where To Find Them, but he’ll also star in the sequel.. This isn’t good news, however, to those in the Amber Heard camp…
  • Since it’s just gonna become a full-on Batman adaptation, it was announced that Ra’s Al Ghul’s other daughter (and mother of Batman’s son) Talia will be appearing on Arrow this season.
  • It was revealed that Taylor Swift wrote “Better Man”, the latest single from country group Little Big Town. It’s not clear if it’s about Calvin Harris or Tom Hiddleston, though.
  • Lindsay Lohan now speaks with a really bad Boris & Natasha accent.
  • John Wick director David Leitch is considered the frontrunner to direct Deadpool 2. Meanwhile, in a show of solidarity with former director Tim Miller, composer Junkie XL is leaving the sequel.
  • Speaking of Tim Miller, he’s reportedly developing a Sonic the Hedgehog movie at Sony
  • DC stays losing, as director Rick Famuyima has left the film adaptation of The Flash, citing “creative differences”
  • The Nerd Lunch Podcast celebrated its 250th episode, and yours truly makes a cameo appearance!
  • We got a new Wonder Woman trailer yesterday, and my pals over at The Robot’s Pajamas have a great frame by frame breakdown.

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I’m not a sports guy, so I don’t really have a ton to say here. After I finished watching the CMAs the other night, I decided to turn on Game 7 of the World Series. I haven’t cared about baseball since about 1992, when I was in the prime of my baseball card collecting career. I did, however, know that the Cubs and the Indians are some of the losingest teams out there, so it was pretty awesome that they had made it this far. Immediately, I was riveted by the game, as I watched everything happen that could happen. Fatigued pitchers, sloppy bunts, and a rain delay. But I stuck it out until 1 AM to see the Cubs break a 108 year “curse”, winning the series. I don’t think anything topped that this week, so that’s why the Chicago Cubs had the West Week Ever.

23rd Sep2016

West Week Ever: Pop Culture In Review – 9/23/16

by Will

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WWE Edit

So I started a new job last week, and it has drastically changed my life. I used to roll into work whenever I wanted, blog, tweet, the works! Now everything is blocked and they are kicking my ass. I feel like I’m gradually losing my grasp on pop culture, but I’m doing my best to hang on. So, let’s see if I’ve still got it, huh?

I had no time to watch movies this week because in the world of television it was PREMIERE WEEK! New shows! Returning shows! Bad shows! Good shows!

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On Monday, I caught Kevin Can Wait on CBS. Yeah, yeah, I know it’s not the cool kid thing to do, but I actually really liked The King of Queens, and I think I’m the only person, besides Adam Sandler, still championing James’s career. In the show, James is a retired cop who’s trying to get used to civilian life. It follows the fat schlub/hot wife sitcom formula, with Childrens Hospital‘s Erinn Hayes as his wife. In the pilot, James meets his daughter’s effeminate fiance and can’t deal. Oh, and there’s a role for his real life brother, Gary Valentine, who happens to be in most Kevin James productions. At the end of the day, it’s serviceable, but not great. It’s basically Kevin James starring in Last Man Standing. Swap out James for Tim Allen, and this easily could’ve been a spec script for that show. There’s not a lot on Monday nights, so I might stick with it, but I won’t enjoy it. It might end up like Rules of Engagement: not very good, but kinda manages to be decent background noise for 7 seasons.

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Tuesday night gave us the return of Marvel’s Agents of S.H.I.E.L.D., which had been heavily promoted because they were introducing the latest incarnation of Marvel antihero Ghost Rider. This version, with the alter ego of Robbie Reyes, drives a supercharged Charger powered by the Spirit of Vengeance. So, he’s really more like Ghost Driver than Ghost Rider. Ah, semantics. A lot of folks thought it was a great episode. I, however, did not. I actually loved the Robbie Reyes Ghost Rider in the comics, but seeing him onscreen did nothing to energize a show as weak as Agents. I just don’t think that he fits tonally. They spent all this time facing Inhumans and now they’re fighting demons? I guess they’ve got to diversify their portfolio, but it just seems like a leap to me. I also hate the whole “We’ve gotta eventually get the band back together” vibe of the season, since they’ve been scattered across the organization. Some folks online remarked that it felt like an entirely new show, but I’m not sure that’s a good thing. Based on the ratings, which were about 1.5 million viewers lower than last season’s premiere, I wouldn’t be surprised if this is the final season. Still, the show has way outlasted my initial projections.

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Wednesday brought 2 delightful new treats: Lethal Weapon and Designated Survivor. Now, I have a confession to make: I’ve never seen Lethal Weapon. In fact, I think I’ve only seen the 4th one. That’s the one from that week Jet Li was famous, right? Yeah, DVDs were just hitting the scene, and my freshman year roommate bought it. So, I’ve seen that one. Never seen the original recipe, though. So, I can’t tell if they nailed the characters or not in the TV adaptation. What I will say is that I loved what they did with them. In my mind, this show was just Fastlane: 15 Years Later. If you’re not familiar, Fastlane was a one-hour action comedy on Fox back in 2002, created by McG of the Charlie’s Angels reboot fame. Starring Bill Bellamy and Peter Facinelli as undercover cops who took orders from Tiffani-Amber Theissen, it was hot women, fast cars, and a hot soundtrack. It was the Foxiest Fox show of the early ’00s. It only lasted one season, and I loved the HELL out of it. I have the whole show on both legal and illegal DVDs. I loved it that much. Anyway, if they had been allowed to age naturally, I feel like they would’ve evolved into Damon Wayans’s Murtaugh and Clayne Crawford’s Riggs. Anyway, Murtaugh’s coming back on the job following a heart attack and he’s paired with recently widowed Riggs, who clearly has a deathwish. Can they get along? Will hilarity ensue? Well, you’ll have to tune in to see, but I thoroughly enjoyed what I watched. I will be back next week.

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Next, ABC gave us Kiefer Sutherland in Designated Survivor. Basically, during the State of the Union, one cabinet member is designated to stay behind in case something drastic happens. Well, it does, as the Capitol blows up (Man, between BvS and this show, Hollywood REALLY hates the Capitol this year), killing EVERYONE. So Kiefer, who had just that morning been fired as the head of the Department of Housing and Urban Development, finds himself thrust into the role of President of the United States. Nobody thinks he’s qualified for the job, Kiefer included. Meanwhile, there are a few subplots. Who is FBI agent Maggie Q looking for in the rubble? Why is Kiefer’s son selling drugs in da clurb? Was this whole thing orchestrated by some unseen force? It’s funny to watch because we spent 8 years getting to know Kiefer as Impossible White Man Jack Bauer. There was nothing he couldn’t do, so it’s kinda strange to watch him be such a pussy. Right now, I’m pretending that Jack has amnesia and that he’ll regain his memory and skills by season’s end. There are glimpses of Jack that sneak out, such as Kiefer’s confrontation with the Iranian (?) leader who seems to be trying to take advantage of the situation. He threatened the dude, and it was like Jack was back with us in the flesh. But it was not to be, as he returned to his meek self following the meeting. Still, it’s a suspenseful hour, and Kiefer has been the king of TV suspense for the past 15 years, so I’m all in for this.

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Finally, last night gave us the premiere of Pitch on Fox, focusing on Ginny Baker, who will be the first woman to play major league baseball. In the series, Baker gets called up from the minors to start for the Padres and she BOMBS. Meanwhile, we get flashbacks to how she came to be where she is. Her discovery of baseball, her refining her skills – all while her overbearing father was behind her. Apparently his major league dreams flamed out and, when he saw that his son wasn’t going to follow in his footsteps, he focused on his more talented daughter. It’s funny to me that after 30 years, there’s still something that could be considered a “Fox show”. Like, it’s an ingredient that can’t be shaken. I’m not saying it’s a bad thing, but there are some projects that would only work on Fox, and this is one of them. It was a good hour, and it ended with quite the twist (seriously, between this and NBC’s This Is Us, it appears that weird twists are en vogue this season), but I don’t know how long it could last. If they went into it as a Done In One, I could really embrace it. But if they’re trying to build a franchise out of this show, I just don’t think there’s much there. Still, I enjoyed Mark-Paul Gosselaar acting like the asshole we always knew Zack Morris would grow up to be. I’ve got nothing else going on Thursdays at 9, so I’ll stick with it for now.

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In movie news, we got our first glimpse of the Power Rangers movie Zords in these new character posters. I have no clue what I’m looking at. Seriously, are they even still dinosaurs? I can make out the Mastodon’s tusks and that’s about it. The rest is just so…”Bayformers”. It was also announced that Bill Hader would be voicing Zordon’s assistant Alpha 5. Wow, this movie is the surprise that keeps on surprising. The trailer will debut next month at New York Comic-Con.

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Speaking of Power Rangers, the Yellow Ranger was mysteriously recast for Power Rangers Ninja Steel. Though the entire cast was introduced last month at Power Morphicon, it appears that Chantz Simpson (that CAN’T be his real name!) has left the production. His role has been recast with Nico Greetham. I find this casting interesting because a lot of folks had pointed out that this would be the first season without a single White member of the team. It was basically the Diversity Rangers, which was unprecedented. But with the casting of Greetham, we’ve got a White guy again. I wonder if there was some pressure for them to do that. Anyway, this follows a long tradition of recast Yellow Rangers, as it happened in Mighty Morphin (Trini was originally Latina), it happened in Lost Galaxy, and it supposedly happened in RPM.

Recently I’ve been talking a lot about country music on here, but that’s really because it’s the only music I keep up with these days. I can’t tell you anything about the pop charts, but I can name Maren Morris’s latest song (“80s Mercedes”) and I listen to Bobby Bones every morning. I’ve always loved pop, but I’ve also always loved country. When I was a baby, I used to have WMZQ playing next to my crib and it stuck with me. In fact, my migration to pop was a slow one. It started with soft rock, “at work radio”, and then made its way to boybands and Britney. But it wasn’t always like that. When I started dating Lindsay, the country came roaring back, as that’s pretty much all she listened to. For a while, I could juggle the pop and the country, but lately it’s pretty much all country these days. Anyway, this is a long intro for me to say that I’ve got a LOT of thoughts on “Forever Country”, the mash-up song released to celebrate the 50th anniversary of the Country Music Association.

The video for “Forever Country” was released this week, and it’s a medley of John Denver’s “Take Me Home, Country Roads”, Willie Nelson’s “On The Road Again”, and Dolly Parton’s “I Will Always Love You”. The song is sung by 30 of country’s hottest stars, like Tim McGraw, Faith Hill, Luke Bryan, Miranda Lambert, and more. I also appreciated that they included Darius Rucker and Charley Pride to add some diversity. There are, however, some glaring omissions: Where’s Kenny Rogers? Where’s GARTH?! That last one is even more odd, as Garth’s wife Trisha is present on the track. I thought maybe it was a scheduling conflict, but I’ve read that he’s against the platforms where the song will be released, such as YouTube, iTunes, and Spotify (his songs aren’t on any of those services). I’ve got a confession to make: I’ve never really liked Garth, so it’s not a huge loss to me. I missed the Garth Brooks era the same way I missed the WWE Attitude Era. By that point, I was knee deep in Ace of Base. The only reason I even know “Friends in Low Places” is because drunk White people love to sing it once “Don’t Stop Believin'” goes off. But if you’re tackling the biggest stars of the past 50 years, you’ve GOTTA have Garth. It’s just incomplete without him.

Now, the video itself is a frenetic mess. It moves too quickly. There’s not enough focus on each contributor. It honestly makes me dizzy. Plus, it’s obvious it was just some green screen thrown together for whenever the artists were free to come in and film their parts. I mean, there’s no way Blake and Miranda were in the same room together. So, I like the idea of the song, especially since it allows Dolly to reclaim her song; it always kinda bothered me that everyone thought of it as a Whitney Houston song, but Dolly cashed all those royalty checks, so I’m sure she’s cool with it. They do a good job mixing the three songs, and it’s not something treacly like “We Are The World” or “Let The Music Heal Your Soul”. The video could’ve been a lot better, though.

Things You Might’ve Missed This Week

  • Season THIRTY-THREE of Survivor premiered. You did this, America. You only have yourselves to blame.
  • Brangelina powered down into its divided forms of “Brad” and “Angelina”, as Jolie filed for divorce from Pitt.
  • 80s heart throb Corey Feldman had an emotional breakdown after the internet had a field day with his performance on The Today Show.
  • On Empire, they killed off the White girl. Poor Rhonda never really had a chance.
  • The Big Bang Theory kicked off what is likely its final season. And the “real nerds” rejoiced.
  • Buckle up, Puddin’ – Margot Robbie will host the season premiere of Saturday Night Live on October 1st
  • Two of my recent favorites – Better Late Than Never and Odd Mom Out – scored renewals this week. (Thanks for the tip, @jrwells82!)
  • CBS’s The Case of JonBenet Ramsey proposed that her older brother was her killer, and it was covered up by the parents

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So, I don’t talk about her on here, mainly because I basically have to beg her to read this thing, but today we’re gonna talk about my wife.

When we first met, I was much skinnier and used to run. The running started in college, when my friend Eric and I used to take midnight jogs to Wegmans (What? It was Ithaca and nothing else was open). I kept running even when I came home, but it decreased somewhat. I had an ex who did marathons (though you wouldn’t know it to look at her. Bada-bing!), and I would run with her to help her train. After awhile, though, the running tapered off. I met Lindsay and she was the type of person who would only run if being chased, and even then it was a crapshoot.

So, fast forward 8 years later. I have gained…some pounds, and now Lindsay runs. She started about a year ago, just starting out with a Couch to 5K program. She had done one in the past, as we ran the Color in Motion 5K Run some years ago. Still, she hadn’t really stuck with it after that, so she was giving it another shot. Well, Couch to 5K turned into actual 5Ks, and then 10Ks, and then 10 milers. She gets up every morning at a time when I’m usually going to bed (we’re on two completely different schedules), and goes for her runs. She’s only missed running due to illness. Other than that, she forces herself to get up and puts in the work. Well, last Sunday, after months of training, she ran (and completed) her first half marathon! This from a woman who would’ve probably let her attacker overtake her just a mere year ago. This my long drawn out way to say that I’m proud of her, and watching her complete that half was the most impressive thing I witnessed this week. So, with that in mind, Lindsay West had the West Week Ever.

16th Sep2016

West Week Ever: Pop Culture In Review – 9/16/16

by Will

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WWE Edit

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I didn’t really watch anything this week, but I did kick things off by checking out Monday Night Raw, live in Baltimore. Here’s my recap of the event. No, don’t act like you already read it. I track these things! Go ahead – I’ll wait.

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Well, this could be called The Week of Delays, as two pretty big projects just got shuffled down the release schedule. First up, Marvel’s Civil War II is now running so late that the final issue isn’t set to hit stores until December 28th, 2016. Yup, their “summer event” will now be cleaning up after Santa’s reindeer. This shit is getting out of hand. A similar thing happened with Secret Wars, where the final issue shipped after all the All New, All Different Marvel titles that were meant to spin out of the event started hitting shelves. It really took the wind out of that story’s sails. It was like, “Guess Doom doesn’t die since he’s now co-starring in Invincible Iron Man.” In that situation, another issue was added late in the process just like they did here. The writers always spin it as “I came up with a better ending, and Marvel was so gracious to allow me to write the best story that I can.” Well, why couldn’t you plot that shit out better in the beginning? It’s funny books, not rocket science. A lot of folks act like we should just shut up and let them write the best story that they can, but we all know that’s not it. Nothing ever ends with Marvel. It’s all just set up for the Next Big Thing. Marvel is 4-color blue balls. With DC, at least shit is wrapped up til the next Crisis. With Marvel, however, you end up just letting one event feed into the next, with little to no payoff. It’s the print equivalent of watching this gif :

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SPOILER ALERT: HE NEVER BREAKS THE FUCKING GLASS! BREAK THE FUCKING GLASS, MARVEL!

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Elsewhere in the world of failed deadlines, it was announced that Star Trek Discovery is delayed until May 2017 on CBS All Access. It’s not really a surprise, seeing as how it’s September and they haven’t even announced a cast yet. It’s just one more way CBS/Paramount screwed the pooch when it came to Star Trek‘s 50th anniversary. I was talking to some friends online this week about Trek‘s 25th anniversary. They actually *cared* back then. I remember that Star Trek was EVERYWHERE, and the movies were being played at the Smithsonian Museum of Air and Space. In fact, that’s how I first saw Star Trek IV: The Voyage Home. There were trading cards, WITH HOLOGRAMS! Sure, that’s all very 90s, but where’s my Star Trek mobile game (no, Star Trek Online doesn’t count)? Where’s my Star Trek cross-promotion with Pokemon Go or Angry Birds or some shit? Instead, we’ve just got some weird Quicken Loans commercials. Anyway, it’s probably a smarter move to wait til May because then the show won’t have to compete with the regular broadcast networks. If it premieres during May sweeps, then the rest of the series will roll out over the summer, competing against less prestigious summer series. So, it might be a smart TV decision, even if it rubs fans the wrong way. In the meantime, as a consolation prize, the streaming spinoff of The Good Wife will now debut in February, which is earlier than its originally planned premiere. Whatever.

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Speaking of TV, this was the kickoff of syndication week in most markets. That’s when your local CW’s evening schedule gets shuffled so you get one less episode of Mike & Molly but one more episode of something, like, Anger Management. I used to LOVE this week, as I grew up watching syndicated TV. Everything I watched came on five days a week, which is how I ended up watching every episode of most of those shows. Something odd happened this week, however: nothing changed. It’s no secret that TV shows aren’t lasting as long these days. It used to be that 5 seasons or 100 episodes would get you to syndication. Then they lowered it to 80 episodes. Then Community went into syndication in its third season. The model got desperate, so it took what it could get. Anyway, on my local CW affiliate, nothing changed. Wait, one thing changed: The Bill Cunningham Show ceased production, and it’s been replaced by The Robert Irvine Show, sandwiched between two episodes of Maury. Other than that, though, no new shows, no new timeslots, same old shit. I actually do the math in my head to figure out when these things should be hitting. By all reasoning, New Girl should’ve hit syndication this fall. Sure, it’s syndicated on basic cable, but I’m talking about free TV here. Meanwhile, as episode orders have decreased, it’s getting harder for shows to hit that magic number. Take The Carmichael Show, for example. It will have to air for TEN YEARS in order to get enough episodes for the “classic” 5 days a week syndication model. Now, it could do into weekend syndication, which would require fewer episodes. Maybe airing late Saturday night opposite SNL or something. Still, as a TV guy, this sort of stuff both intrigues and worries me. There aren’t a lot of evergreen syndicated hits. Sure, Friends and Seinfeld are still airing to this day, but do you really think Modern Family or The Middle have that kind of staying power?

One of my favorite songs at the moment is Blake Shelton’s “She’s Got A Way With Words”. Rumored to be about his ex wife, Miranda Lambert, it features some clever wordplay about how he feels about her. The chorus goes:

She put the “her” in “hurt

She put the “y” in “try”

She put the “S-O-B” in “sober”

She put the “hang” in “hangover”

She put the “ex” in “sex”

She put the “low” in “blow”

She put a big “F-U” in my “future”

Yeah, she’s got a way, she’s got a way with words

Well, I knew that country music was full of a bunch of conservative prudes, so I was surprised that last line about “F-U” made it into the song. So, imagine my surprise as I’m singing along the other day, and discover there’s a new radio edit. They’ve replaced that stanza with “She put the ‘S-O-L’ in ‘solo’.” What the fuck? I Googled the song to see if anyone else was talking about it, but there’s no outrage. I even tweeted at Blake himself, asking why he let his label release that neutered thing. Why aren’t more people mad about this?! Stupid Clear Channel. I mean iHeart Media. Ugh!

Things You Might Have Missed This Week

  • 12 year old Grace VanderWaal won America’s Got Talent by singing with her ukulele. America lost their mind over her, like she’s the next Jewel, but I think she’s a cubic zirconia
  • Timbaland got fired as the musical supervisor for Empire, to be replaced by Rodney “Darkchild” Jerkins and Ester Dean. So, they’re basically going from the sound of 2008 to the sound of 2000. Whoever’s at fault here, I wonder if it’s too late to ‘pologize…
  • As a surprise to no one who saw the post credits scene in X-Men: Apocalypse, Mr. Sinister will be the villain of Wolverine 3 (Why isn’t it actually called Wolverin3?) Anyway, there’s absolutely no way they can screw that up. Nope, nada, no way
  • Saturday Night Live hired SEVEN new writers and three new featured players for the upcoming 42nd season, which premieres October 1st. Don’t get too happy. Kyle Mooney’s still there.

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  • Zack Snyder revealed the Tactical Batsuit from Justice League. Is it supposed to look like Nite Owl from Watchmen? This is where I feel like Mattel got involved and said “Help us sell some shit!”

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  • Do you see this shit? This isn’t fan-made! This is something Marvel officially released. Do you see Ghost Rider up there in the corner? Scowling Coulson? And Daisy/Skye as the Not Black Widow? I can’t take anything seriously on this teaser poster for Agents of S.H.I.E.L.D. – which premieres next Tuesday in its new timeslot.

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  • Lady Gaga announced that her next album would be released on October 21st, and would be called Joanne – which is her middle name, as well as the name of her aunt. I dunno, y’all, but I’m expecting to be disappointed by this one

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So, for the past four weeks, I’ve actually been watching a certain reality show with my mom. Since y’all are cool and hip, I’m sure you’ve never heard of it, but I’m ’bout to give ya some schoolin’! The show is called Better Late Than Never, and it’s an NBC show that follows four senior citizens as they travel through Asia. It’s an American remake of the South Korean show Grandpas Over Flowers. These are no ordinary senior citizens, however. Nope, they’re Henry “The Fonz” Winkler, Bill Shatner, boxing great and grill mogul George Foreman, and NFL legend Terry Bradshaw. To round out the group is 30 year old comedian Jeff Dye, who kind of acts like a chaperone for the guys. Sure, they’re all rich, but the point of the trip was for them to basically backpack so they could get the true cultural experience.

Throughout the trip, you really get to know the guys, and in a lot of ways, you feel for them. For example, Shatner’s 84 years old, but he said that the older he gets, the more he feels death approaching, and the more he is afraid of dying. Here’s Captain James Tiberius Kirk who’s afraid of the grim reaper. After all he’s done and seen, wouldn’t necessarily expect that. I mean, at least I wouldn’t. I really saw a vulnerability in Shatner here, and while everyone who’s worked with him seem to have horror stories, he really seemed to gel well with the rest of the guys.

The show is basically a travelogue as seen through the eyes of some grumpy old men. But they also know how to have some fun. Bradshaw will jump at anything that involves singing and/or karaoke, as he’s actually released several albums. Winkler approached everything wide-eyed, with a positive attitude. Foreman was shy, but had an inner child he was dying to let out. They ate exotic foods, like chicken vagina and live octopus. They participated in a water festival in Thailand, and robot fights in Japan. They stayed in a luxurious hotel in Hong Kong (so, they kinda broke the rules on this one, but Shatner said he didn’t know if he would ever see Hong Kong again, so he’d like to know that he did it the “right” way). Now that I think of it, I keep coming back to Shatner. I hope he’s OK. While he seemed to truly enjoy the experience, there was a sort of pall hanging over him. He’s a man searching for something, and I hope he finds it.

Anyway, it’s a great binge, as it’s only 4 one-hour episodes, and they’re all On Demand now. The season (series?) finale aired this week, and I really hope it gets a second season. Sure, they could switch up the cast, but these guys have great chemistry. And I think a Europe is the prime location for a second season. Anyway, it was fun watching The Fonz ride an elephant, and George Foreman knocking out Captain Kirk, and Terry Bradshaw get a tattoo for his birthday. Oh, and then the whole gang starred in a music video with K-Pop sensation Girls’ Generation. Despite their age, they all discovered that they’re still kids at heart, and that you’re never too old to experience new things. It’s a really fun show, and it’s fun for the whole family! Anyway, I thoroughly enjoyed all four weeks of the show, so that’s why Better Late Than Never had the West Week Ever.

02nd Sep2016

West Week Ever: Pop Culture In Review – 9/2/16

by Will

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WWE Edit

It’s a holiday weekend and y’all never read this thing when that happens, so let’s keep it short and sweet today, shall we?

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In comic news, the Diamond Retailer Summit is currently happening, so some news is trickling out of there. In the Marvel camp, they revealed a Monsters Unleashed series. Whatever. They’d been teasing something called MU for weeks, first revealing Cullen Bunn was involved and then slowly revealed artists, such as Leinil Yu, Adam Kubert, and Greg Land. Well, today it was announced it was this monster shit. I know some people are into all that, but I’m not one of them, nor do I feel like such an announcement deserved all that fanfare. It’s making me think that Marvel’s cried “Wolf!” one too many times. It’s also odd to me that a monster series is coming out in January instead of October. Also, they announced that the follow-up to Death of X and Inhumans vs X-Men would be called ResurreXion. Yeah, you read that right. I’ll bet someone in Marvel’s marketing department got an erecXion when they came up with that one.

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Meanwhile, DC announced their first major Rebirth crossover in the form of Justice League vs. Suicide Squad. I can’t help but feel like this would’ve been better timed to coincide with the release of the film, but maybe its release will bolster the Blu Ray sales, while getting folks primed for Justice League. In the story, Batman decides to take down Amanda Waller’s Task Force X – much like *SPOILER ALERT* Batfleck threatened to do in the post-credits sequence of Suicide Squad. And like all comic book fights, I’m sure they’ll be forced to team up against a greater threat. Anyway, it’s expected that a new Justice League of America series will spin out of this event.

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Speaking of Batfleck, this week Ben Affleck “leaked” some footage of Deathstroke the Terminator. Originally a Teen Titans villain, it seems that Mr. Stroke has been promoted to the big leagues. At first, it was believed this might be Justice League footage, but now the word on the street is that Deathstroke will be the main villain of Affleck’s standalone Batman movie. Oh, and it’s rumored that Joe Manganiello will be playing Deathstroke. Not really excited about it at the moment, but I probably will be as we learn more.

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In TV news, it’s reported that Marvel is shopping around a comedy based on the New Warriors – but featuring Squirrel Girl. Now, this bothers me because Squirrel Girl was never in the New Warriors. Sure, I can understand creative liberties, but it seems like Marvel’s just desperate to create a Squirrel Girl vehicle and this is what they’ve come up with. First off, I don’t know if I like the Superhero Comedy genre for television. I think they should wait and see how DC’s Powerless (which looks horrid) does on NBC. Second, I’ve never really understood the whole Squirrel Girl thing. I get that she’s cutesy and all, but I’ve yet to read a comic where I’m like, “Wow! That Squirrel Girl!” Lately there’s been this movement to get Anna Kendrick cast as the character in the Marvel Cinematic Universe. Yeah, that’s nice and all, but I think that casting’s wrong. And there’s no way Kendrick is gonna do TV at this stage of her career. No, I think The Middle‘s Eden Sher is a much better choice. It was reported that she was having meetings with Marvel years ago, trying to figure out ways to get her into the MCU. Sadly, I think that ship might’ve sailed, as nobody expected The Middle to still be on at this point. At the moment, though, I’m hoping this project ends up with the same fate as Marvel’s Most Wanted.

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Meanwhile, in DC television world, Greg Berlanti is developing a Black Lightning show with the creators of Girlfriends/The Game, Mara Brock Akil and Salim Akil. I’m all for the Berlantiverse becoming more robust, but I always feel like the older shows suffer when he introduces a new one. I’d much rather they try to make Legends of Tomorrow a better show, and maybe add the character over there first. Black Lightning is an inner city teacher who has lightning powers, hailing from an age when all Black heroes had to have “Black” in their name. If this show gets off the ground, I’m sure it’ll end up being called something like Lightning. The funny thing is that he’s supposedly shopping it around to networks, like we all don’t already know it’s gonna end up on The CW.

 

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You know what really grinds my gears? Country radio (yes, some of us still listen to the radio) does this thing where they play a new single from an album, and then they ask listeners to call in and tell them what they thought of the song. Supposedly, if the response is predominantly negative, the song won’t be played anymore. Um, THAT’S NOT HOW THE INDUSTRY WORKS! If a song has been released as an official single, they pretty much HAVE to play it. Radio doesn’t have the power to make or break an artist anymore. There are people selling albums and touring who’ve never even been on the radio. The days of “If I spin your record, it’ll make you a star” are over. So I guess I wish country stations would cut the shit and stop making the audience think they have some power they don’t really have.

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Another thing I don’t like? An Adult Swim show called Million Dollar Extreme Presents: World Peace. I’ve tweeted before about how I don’t really like the show, but last week I found I’d attracted the wrong attention: fans of the show. Now, first let me explain who’s behind it: Million Dollar Extreme is a sketch comedy group comprised of Sam Hyde, Charls Carroll, and Nick Rochefort who specialize in making you uncomfortable. Just Google Sam Hyde. I’ll wait. Especially look up his TED Talk. Basically they’ve made a name for themselves as part of the alt-right movement that despises political correctness. So, they go completely in the opposite direction. They do shit in blackface, they mock the handicapped. It’s pretty bad. So, last week, I tweeted this to a friend:

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And then I went to sleep. When I woke up, a bunch of their fans had sarcastically favorited the tweet, and were replying to us, saying stuff like “Yeah, but you’ll watch it and LIKE it”. I looked at these folks’ profiles, and they are NOT nice people. I thought I was gonna end up doxxed or something. Anyway, bottom line: don’t watch World Peace.

Things You Might Have Missed This Week

  • Image Comics will reportedly relocate from Berkeley, CA to Portland, OR
  • Netflix announced a second season of the show you’re all raving about, That’s Still So Raven. No, I kid. You’re getting more Stranger Things.
  • Jon Favreau will reprise his Happy Hogan role from the Iron Man movies in Spider-Man: Homecoming
  • Though I don’t know anyone who watches it, someone’s bound to be upset that Grimm will end after its next, abbreviated season
  • Pretty Little Liars will also end after its next season. Unless, you know, they’re lying about that…
  • The next season of Dancing with the Stars will feature Vanilla Ice, Babyface, Gov Rick Perry, Amber Rose and more. Still no word on which *stars* will be on the show
  • Chris Brown almost got killed by a SWAT team after pulling a gun on some chick who tried to steal his jewelry.
  • Disney Interactive shut down the Marvel: Avengers Alliance mobile game, which won’t be playable by the end of the month
  • Britney Spears released her 3rd “comeback” album, Glory. I’ve heard it, and I don’t think she’s back yet
  • Alison Brie and Marc Maron have been cast as the leads in Netflix’s series GLOW, based on the Gorgeous Ladies of Wrestling

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So, the only thing I really watched this week was the BBC Are You Being Served? special. Sure, it was a UK thing, but luckily I was able to find it on YouTube. I grew up watching the original show, so this was something that I HAD to see.

If you’re not familiar with it, Are You Being Served? was a Britcom set in a high end department store called Grace Brothers. The show particularly focused on the employees of the Men’s and Ladies’ departments, including Mr. Humphries, Mrs. Slocombe, and Captain Peacock. It had a very rigid class structure, where everyone was supposed to know their place and follow a certain chain of command. Captain Peacock was the snobbish “floor walker”, who kept everyone in line. Mr. Humphries was the butt of gay jokes because he was effeminate and lived with his mother. And Mrs. Slocombe was always talking about her pussy (Get your mind out of the gutter! It’s her cat!). The show ran for 13 years, but only has 70 episodes because, well, England. Once it ended, they even tried to “Golden Palace” it by moving the cast to a manor in which their pensions had been invested.

Anyway, in a celebration of British comedy, The BBC “revived” several shows by casting current actors in one-episode specials. This was especially necessary for AYBS?, seeing as how the entire cast is dead now (well, except for Mr. Spooner, but nobody gives a shit about him). Surprisingly, I didn’t know a single actor they cast in this thing. I always joke that there are only about 11 British actors, but I guess there are only 11 who’ve crossed over the pond. None of them, however, made it to this special. I felt the casting for everyone was pretty spot-on, though, especially Mr. Grainger and Mrs. Slocombe. I did, however, feel like they overdid it with Mr. Humphries. While he was effeminate in the original show, there was always a question of “Is he or isn’t he?” but here they just pretty much played him as humorously gay, which sort of took something away from the character.

When the episode starts, a young Black man named Richard Conway shows up for his first day as a member of the Men’s department staff. One thing I’m always curious about is race relations in other countries. While the episode was set in 1988, I was surprised that they never once referred to or joked about his race. Is this just not done in the UK? Or was it felt like that wasn’t the kind of humor you would expect from AYBS? I’d really love to know more about how they came to that decision, because an American show would’ve been ALL ABOUT the fact that he was this Black guy in a prim and proper establishment. It’d be called Homeboy In Knickers, and would air on UPN after Shasta McNasty.

Anyway, at the end of the day, it felt like a genuine “lost” episode of the show. It completely retconned the spinoff Grace & Favour, and it did some clever tinkering to get Mr. Grainger back in the mix. Basically 3 years have passed since the final episode, but things are pretty much like you remember them. There’s a Downton Abbey aspect to the show where it’s mired in class humor in a world that’s quickly changing. The crux of the episode is that the new Mr. Grace is determined to drag the store into the 20th century. It’s an interesting idea, and I’d actually love to see more of it. From what I’ve read, the special wasn’t well-received by the Brits, but I couldn’t have really asked for more. It didn’t swing for the fences by killing a major character, nor did it go for shock value. It tried to give you more of what you loved about the original show, and in that respect, I think it succeeded. That’s why the Are You Being Served? one-off special had the West Week Ever.

 

01st Jul2016

West Week Ever: Pop Culture In Review – 7/1/16

by Will

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WWE Edit

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In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.

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Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.

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On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.

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In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.

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In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.

Things You Might Have Missed This Week

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    • We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
    • Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
    • Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
    • Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
    • Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
    • The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.

  • My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!

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It was a great week if you were  a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.

29th Mar2016

The Most Underrated Television Theme Songs: California Dreams

by Will

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Back in 1992, two shows premiered about beautiful people forming bands. One show aired on NBC Saturday mornings (California Dreams), while the other aired during primetime on Fox (The Heights). The Heights went on to have a number one single on the Billboard Hot 100, but then got canceled a week later. Meanwhile, California Dreams went on to enjoy 4 more seasons on the air, but never achieved the mainstream musical success that I felt it could’ve had. But first, let’s backtrack.

If you were too cool for school, then you probably didn’t watch NBC’s live action Saturday morning fare. After all, some folks think that Saved by the Bell killed Saturday morning cartoons (it didn’t; cable did that), while others simply didn’t like the hokey nature of the show. Well, after Saved by the Bell‘s success, executive producer Peter Engel was at it again with California Dreams. As it could pretty much be described as “Saved by the Bell with music”, I like to call it “Saved by the Bell if the Zack Attack didn’t suck” (C’mon, “Friends Forever” was some garbage and you know it!). Set in Southern California, the show initially focused on siblings Matt and Jenny Garrison, and their garage band, the California Dreams. During the first season, it was more of a family ensemble show, but NBC was all about the pretty teens, so they had the producers get rid of that family aspect when the second season rolled around. From that point on, the focus was on the band, its members, and their struggles to hit it big. Oh and, since they were high school students, there was plenty of homework and dating drama.

This might be sacrilege to some, but I’ve always loved California Dreams more than Saved by the Bell. Most of the “Engelverse” reused storylines, so they were basically telling the same stories, but I liked that you got an original song with most episodes of Dreams. Plus, I had a huge crush on Heidi Noelle Lenhart (the brunette). Based on when the show hit, it was a sound that was so indicative of the era. When it comes to California Dreams songs, they’re pretty much just Wilson Phillips songs. Now, personally, this was a point in my life when I was listening to country, so I didn’t really know this sort of stuff got airplay. Had I known, I would’ve been all over pop radio at the time. Still, there’s something sugary sweet about their sound. It’s soothing to me, and it doesn’t really carry much of a message. Sometimes you just wanna kick back and not think, and the Dreams excelled at that kind of song. Whether it was “Castles on Quicksand” or “Rain”, it was hard to be disappointed by a California Dreams song. That said, I think their best song is the theme song to the show. Even listening to it now, it takes me back to a better time.  For me, the early 90s were perfect. No bills, no puberty, no worries. Just close your eyes and listen:

Those harmonies! Smooth like butter. Most folks can rattle off “When I wake up in the morning, and the alarm gives out a warning…”, but they don’t know about this. I hear something like Wilson Phillips’ “The Dream Is Still Alive”, and wonder how that got airplay and the Dreams didn’t (that’s a “real world” California Dreams song if I’ve ever heard one). Was that just something the producers didn’t pursue with the show? They must not have, as you’ve never heard a California Dreams song on the radio and I think that’s a shame. With all of the throwaway pop groups of the 90s, like The Party, there was certainly a place on the radio for the California Dreams. But I guess it wasn’t meant to be.

Oh, and that other group I mentioned – their song didn’t suck, either. I actually really dig “How Do You Talk To An Angel”, so I’ll leave you with that, as something of a “bonus track”.

07th Aug2015

West Week Ever – 8/7/15

by Will

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This week, Joel McHale confirmed what most of us already knew – that Community is over. He explained that Yahoo wanted another season for their Yahoo Screen portal, but they simply couldn’t afford the cast since their asking quotes  have gone up since the show began. Because of that stupid #sixseasonsandamovie thing, they’re still saying they’d like to do a movie. Honestly, I don’t even know what that would entail. How do you translate a sitcom into a theatrical feature? Has that been done before? I mean, it works the other way around. Movies get TV adaptations all the time, but not vice versa. I can’t think of a Community storyline that would even be worth a theatrical release. Keep in mind, I have the same reservations about an Arrested Development movie. Just let these things die, so they can be fondly remembered. Show creator Dan Harmon has said that he’d be interested in writing the script once he’s gotten to a place where he misses the characters. So, we’re at the whim of his sense of nostalgia.

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In other TV news, there were a lot of casting reveals for the DC shows on The CW. First up, Casper Crump has been cast as season one big bad Vandal Savage for Legends of Tomorrow. Also, Falk Henstchel has been cast as Hawkman in the series. Meanwhile, The Flash has cast Wally West, who will be played by Keiynan Lonsdale. I haven’t heard of any of these weird-named dudes. Lonsdale’s Australian, so he’s probably done a stint on Neighbours or something – that’s like a rite of passage down there. Anyway, a lot of people not familiar with DC’s New 52 reboot didn’t realize that the new Wally West is Black, so of course the usual complaints spread across social media: “Why make him Black when he’s always been White?” As my pal Tim would call it, #rabblerabble.

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Even I’ll say that New 52 Wally seems like diversity solely for the sake of diversity. Then again, I guess his race never really had an impact on who he was, so he could be anything. The problem, however, is that Wally had quite the legacy. He’s one of the few heroes who replaced his mentor and it STUCK. Most of my generation grew up with a Wally West Flash and NOT a Barry Allen Flash. Barry was boring and DEAD by the time we started reading comics. So, to just randomly introduce him in the New 52 universe like, “Hey, here’s Wally – only he’s not the dude you remember, and he’s Black now” kinda seems disingenuous. My problem with introducing him on the show, however, is that it just seems too soon. They couldn’t wait for season 3? I mean, we’ve just gotten used to Barry, and we like him, so why dilute that with Kid Flash or whatever Wally’s going to become on the show? My biggest issue with the Greg Berlanti DC shows is that I fear he spreads himself too thin. Arrow was great until The Flash came along, and then it started to suffer creatively. This season, he’s adding Supergirl and Legends of Tomorrow to the docket. One can only imagine what that’s going to do to The Flash, and I shudder to wonder how much lower Arrow can go.

photovisi-download(1)You know who almost had the West Week Ever? Hollywood divorce lawyers! This week alone saw the announcement of splits between Gavin Rossdale and Gwen Stefani, Reba McEntire and Narvel Blackstock, and Kermit the Frog and Miss Piggy. Plus, the week kicked off with the annual, yet erroneous, announcement that Will and Jada were calling it quits. In the words of Carrie Underwood, “There must be something in the water.” The Gavin/Gwen split wasn’t a total surprise, as I recall hearing that things had been rocky ever since the paternity test revealed that he was the father of model Daisy Lowe. The Reba divorce is pretty sad, as they had been married for 26 years! That’s my biggest fear: to get old and divorced. Young divorce is fine, but divorce after you’re all used up? No siree, Bob! And I’m pretty sure that the Kermit and Piggy thing is just publicity for that The Office-inspired Muppets show coming to ABC this Fall. They break up all the time, so who really cares? I mean, they were broken up in Jason Segel’s The Muppets back in 2011. Did everyone just forget that? Anyway, I can’t even think of a celebrity couple I’m rooting for at this point. You’re just courting disappointment with that game.

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This week saw the Television Critics Association’s Summer press tour, where TV critics were introduced to the stars of the upcoming new network shows. Yesterday was Fox’s day, where three things happened. First off, it appears that critics were shown a clip from the X-Files reboot, and the consensus was not good. I’ve heard that it almost played like parody, and it wasn’t clear if that was the intention of the scene. Second, they announced that Prison Break was returning for a 10-episode event, similar to last year’s 24: Live Another Day miniseries. Apparently, the original stars are on board (interesting, since they’re both attached to Legends of Tomorrow, so I guess they’ll film this while they’re on break?), and some of the deaths from the original series seem like they’re being retconned in order to make this work. I watched the first episode of Prison Break, but I just couldn’t get on board for that series. I didn’t feel like it would last long enough for a resolution. I was wrong, but I still don’t feel like I missed out on anything. Finally, Fox also updated the status of bringing back 24. They said that Kiefer Sutherland isn’t interested in returning right now, so a new 24 would probably feature new characters. It’s just not 24 without Jack Bauer! If I wanted to watch an entirely new ensemble, I’d just tune into ABC’s Quantico (Sundays this Fall!).

xmen

Oh yeah, Fox also did something else: they confirmed plans for an television spinoff of the X-Men films. They said that they’re close to a deal, but they’re waiting to see if Marvel will approve it. Since Fox only owns the X-Men rights, don’t look for any crossovers with Daredevil or Agents of S.H.I.E.L.D. The big question, though is what does Marvel get out of the deal? Right now, Fox has already lined up writers and showrunners, so this will happen sooner rather than later. I’m OK with this idea if they’re really allowed to run with it. Maybe focus on some mutants who don’t get any movie screentime. I mean, I’m pretty sick of the Xavier/Magneto dynamic. WE GET IT ALREADY! There are other characters. Hell, some of the X-Men’s best adventures occurred when Xavier wasn’t even around. I don’t see why they have to be in all the movies. I’m scared however, this will be some watered down thing, so as not to step on the toes of the film division. Remember what happened the last time we got a watered down X-Men television show? It was called Mutant X

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The box art was revealed for this Winter’s LEGO Avengers. I have SO many comic-based LEGO games to get through, but I’m a sucker, so I’ll probably get this one, too. It helps that they’re releasing it on “older” systems like Xbox 360 and Playstation 3, as not all of us have graduated to the next generation. I really wish Rocksteady had done this with Batman: Arkham Knight. I mean, it kinda sucks that there’s a trilogy of games that can’t all be played on the same friggin’ system!

FF

*Sigh* So, I guess I’ve gotta talk about Fantastic Four, huh? The movie officially comes out today, but the review embargo was lifted on Wednesday and it wasn’t pretty. I’ve heard everything from that fact that it had a strong 2/3 but tanked the 3rd act to the whole thing was just a disaster. You know comic folk can be a passionate bunch, so I’m not really sure who to believe. I’ll see it, but I’m easy to please when it comes to comic book movies. To date, out of all the ones I’ve seen (no, I still haven’t seen Catwoman), I only hated Elektra and The Dark Knight Rises. I was actually fine with the two Fantastic Four films that we already got. It probably helps that I’ve never really liked the comic version of the team, so I didn’t have high expectations. Anyway, they say that this version borrows heavily from the Ultimate Fantastic Four comic, which should be a good thing, since I love the Ultimate Marvel Universe. Sadly, I found that book to be so boring that I still have about 20 issues I haven’t read, and the book’s been cancelled since 2009. Then, things took a real bad turn last night when the movie’s director, Josh Trank, tweeted this:

Trank

So, Trank’s basically blaming the studio. Not a great move from the guy who was pushed out of his Star Wars directing gig due to his erratic behavior. So far, the only hit he has under his belt is Chronicle, and I’m not sure how long he’s going to be able to coast on that. Is there any coming back from this? Is the movie so bad that it’ll sink his career?

No links this week, as I’m behind on my blogs, so let’s get to the meat and potatoes: Who had the West Week Ever?

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On Tuesday night, Conan O’Brien probably saw his biggest ratings since his move to cable. No, it wasn’t because of a guest, but rather the fact that the Deadpool trailer was slated to premiere during the episode. In fact, the episode’s rating was TV-MA because they would be showing the red band, not safe for work version of the trailer. Welp, once the trailer debuted, it seemed there was a huge divide between those who loved it and those who just weren’t feeling it. I fell into the latter camp.

deadpool

First, let me explain that I consider myself a Deadpool fan. I haven’t been there since his debut in X-Force, but I’ve been reading his book for the past 8 years or so. I’ve also gone back and read the older stuff, so I think I have a pretty good handle on the character. He’s not a top-tier character, so you might not be familiar with him. Deadpool is Wade Wilson, a mercenary who underwent an experimental procedure to cure his terminal cancer. As a result, he emerged with a healing factor, and it might’ve done something to his brain – making him think he’s a character in a comic book, and resulting in his breaking the 4th wall to interact with the reader. He’s like a cartoon character, and though violent, it tends to be a cartoony violence. Think Roadrunner cartoons. If you saw him, you’d probably ask “Why does Spider-Man have all those swords and machine guns?” That’s basically his look. He’s not someone to be taken seriously, especially in recent years where he’s been trying to be accepted by the hero community.

ultimate deadpool

So, imagine my surprise when they created a movie not about cartoony wacky Deadpool, but sadistically violent Deadpool. This is a far departure from the way he’s been presented in recent years. The violence and language are so amped up that it’s going to be rated R. So, all that said, I really don’t know who this movie is for. My main issue is the R-rating. While his video game was rated Mature, I think they’re cutting out a big swath of the potential audience by making it 17 and up. Parents like to take their kids to comic book movies. Not this one. Add in the fact that he’s not a hero. He’s a mercenary. He kills for money. He’s not saving the world, or fighting aliens. He kills mobsters for other mobsters. I don’t know if you’ve read the recent Deadpool book by Gerry Duggan, but Deadpool really doesn’t kill all that much anymore. He’s kinda gained a conscience, and even has a daughter. If you’re a fan of that Deadpool – ya know, the one currently making money for Marvel – this movie ain’t for you. My pal Carlin brought up the fact that Deadpool’s recently been featured in the Ultimate Spider-Man cartoon, which his son loved. Unfortunately, this is not a movie that he’ll be able to share with his son.

blade

I’m not saying that a PG-13 rating would make the movie a success, but an R will certainly keep it from being one. There are only 2 R-rated comic book movies that have been successful: Blade and Kick-Ass. Blade’s success has more to do with folks’ love of vampires (and then-love of Wesley Snipes) than the character of Blade. And Kick-Ass was just a fluke, as seen by the failure of its sequel. Even Spawn, a movie about a soldier for THE DEVIL, managed to get a PG-13 rating when it probably should’ve been an R to be “faithful” to the source material. Marvel really needs to rethink how they want to allow Deadpool to be used. He can’t be their Mickey Mouse AND their Terminator. I think this movie is a thematic misfire, but we’ll just have to wait and see.

Anyway, everyone was talking about the trailer Wednesday morning, and it sparked some of the best online discussions I’ve had. So, for all of that, the Deadpool trailer had the West Week Ever.

15th May2015

West Week Ever – 5/15/15 (Upfronts Edition)

by Will

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This is gonna be a long one, so strap in and get comfortable. Last year, I did daily posts about the network upfronts announcing their new shows and schedules. This year, we’re doing it all here. But first, some movie stuff.

st vincent

I really put Redbox to work over the past few days, catching up on some films I’d missed in theaters. First up was St. Vincent. Starring Bill Murray and Melissa McCarthy, it’s basically about the friendship formed between McCarthy’s son and Murray’s curmudgeonly character. It’s one of those films where Murray actually kinda acted instead of just playing himself. It’s a cute film, and I recommend it – even to those folks who tend to hate McCarthy. Don’t worry, as she doesn’t tumble over anything in this movie.

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Next up, I watched Chris Rock’s Top Five. At its core, it’s a Cinderella story. No, really. If you watch the film, you’ll know what I mean. Anyway, Rock plays Andre Allen, a comedic actor who’s at a point in his career where he wants to be taken seriously. He spends the day with reporter Rosario Dawson, as he does press to promote his new drama about a Haitian uprising. Over the course of the day, we find out about his drinking, his sham relationship with a reality star, and his fears about his own abilities. In terms of casting, it’s basically a modern-day Harlem Nights. You have never seen a collection of Black comedians of this caliber since that film. It’s a movie built on cameos, from Ben Vereen playing ANOTHER deadbeat dad to Seinfeld making it rain in a strip club. And there’s an AMAZING DMX cameo. Trust me. Anyway, I really liked this movie, and I’d definitely watch it again to see if there are any cameos that I missed.

birdman

Finally, I watched Birdman or (The Unexpected Virtue of Ignorance). For almost a year, I’ve been hearing about how great this movie was, and what a great job Michael Keaton did in the role. Now that I’ve seen it, I have to ask: did we watch the same movie? No me gusta! It was a little too artsy for me. Now, I have simple tastes, but I was a theatre kid so I got most of what was going on. It was the whole battle of “celebrity” vs “actor”, and Keaton’s character just wanted to leave behind a legacy outside of the fluff of the popular Birdman franchise. He was already a celebrity (something of a hasbeen), but he wanted to be taken seriously as an actor. I get that. But it was still kinda weird to me. Like, why did he have telekinesis? At times, it felt kinda Black Swan-y to me, but maybe that’s what they were going for. Part of my review isn’t even the movie’s fault; the first disc I got from Redbox was warped, so I was only able to watch 2/3 of the movie. I had to get a refund, get another disc, and give the movie another try before I was able to finish it. So, I didn’t feel the movie was good enough to warrant all that I had to go through to watch it. What did you all think of the film?

Now, for the upfront news. Let’s look at Fox’s offerings:

Grandfathered – Tuesdays at 8:00

I really like how this looks. It’s got a Raising Hope element to it, while everyone loves John Stamos. That said, he hasn’t had a ton of luck with his starring vehicles (Thieves, Jake In Progress). It kinda bothers me that it doesn’t have a lead-in, and is expected to kick off the night. More importantly, it’ll be going against The Muppets on ABC. I think those are different audiences, but I’d feel a lot better about it if it were placed after New Girl. The problem with that is that New Girl isn’t coming back until midseason because of Deschanel’s pregnancy. I really want this one to work.

The Grinder – Tuesdays 8:30

Who doesn’t love Rob Lowe? And Fred Savage is acting again! This looks very “Fox”, but I still like it. The potential problem is that it doesn’t have an established lead-in (Grandfathered), and it’ll be going against Fresh Off the Boat on ABC. FOTB experienced a ratings dive last season, so I honestly don’t see it as a threat. I just wonder how the freshman Fox comedies are going to do without help from established shows.

Minority Report – Mondays at 9:00

I never saw the movie, but I know the general gist: in the future, crimes are predicted before they’re committed. This is the kind of show that Fox LOVES to kill. They give it a chance and they kill it. It’s expensive sci fi, and the ratings are never high enough to warrant season 2 (see: Almost Human, Terra Nova). Fox should be given credit for giving these shows a chance, but instead they just have a rep for killing them. It’s got the plum post-Gotham timeslot (to the detriment of Sleepy Hollow, which moves to Thursday), but I don’t know if that’s going to be enough to save it. Speaking of Sleepy Hollow, Fox seems to love that White guy, Black female partner trope.

Rosewood – Wednesdays at 8:00

There’s quite a bit of an obsession with pathologists on TV lately. Pathologist obsessed with death becomes the go-to guy for the Miami police department. This feels a lot like Forever. It stars Morris Chestnut, so it helps the problem if the lack of primetime diversity. I’m just scared this might be 2015-2016’s Backstrom. I don’t think this one survives.

Lucifer – Midseason

I said this about Constantine, and I’ll say it again here: I don’t think the Bible Belt is ready to embrace a show about the Devil as the star. Not on network television. I don’t care how far we’ve come as a society. I don’t care if it’s a “smart” show. The same people who would like this show are the ones who hate The Big Bang Theory. You know who LOVES The Big Bang Theory? Middle America. It’s a midseason show, so I figure Fox is using that time to figure out just how to properly market it. NBC couldn’t call Constantine “Hellblazer”, likely for the same reasons. No matter what it was called, the show is now gone. I don’t think this one has a prayer (heh) either.

The Frankenstein Code – Midseason

Take everything I said about Minority Report, and multiply it times 2. This show will not last.

Bordertown – Midseason

Originally scheduled for the 2014-2015 television season, this show has been bumped to next season. And it STILL doesn’t have an airdate. Fox must have faith in it, since it’s executive produced by Seth MacFarlane, but it just doesn’t seem as good as his other shows. I also hate the animation style. I don’t like animation where you can’t tell if a character is supposed to be attractive or not (see Bob’s Burgers). Anyway, I say it gets one season (since animation has lead time), which will then end up being aired late Sunday night on Adult Swim (see Unsupervised).

Now for ABC’s shows

Dr. Ken – Fridays at 8:30

I like Ken Jeong, but this show isn’t exactly reinventing the sitcom wheel. Considering the edgier comedic films he’s done, I’m surprised that he went for such a cookie-cutter multi-cam family show. That said, it multiplies the Asian American representation in sitcoms by 100%, so it helps to diversify the shows on the air. I hate the Friday timeslot, as this ain’t TGIF. Last Man Standing isn’t that strong of a lead-in, so it won’t be of much help to this show. I just KNOW some executive recommended pairing this show with Fresh Off the Boat before someone shot him down.

The Muppets – Tuesdays at 8:00

I’ve never understood the Muppets, so I’m probably not the best one to cover this one. Sure, the Jason Segel movie did well, but the sequel did not. It seems like the success of the Muppets hinges on the presentation. This show is basically The Office with Muppets. I don’t really like what I see, but again, I’m not the target audience. It’s going against Fox’s Grandfathered, but I think they’ll have different audiences.

The Real O’Neals – Midseason

I really like what I see here. It’s like a better, single-cam almost-prequel to CBS’s cancelled The McCarthys. ABC only seems to really have two nights for comedy (Tuesday and Wednesday; I don’t really count Friday), so I’m not really sure where it would go at this point.

Uncle Buck – Midseason

This actually looks a lot better than I was expecting. We basically got the whole pilot in the trailer, but I would watch this. I could see ABC doing something like swapping it in for Black-ish for a few weeks, which would then result in an outcry that ABC refuses to have 2 Black shows on at once. Heh. Anyway, this might just work.

The Catch – Midseason

This looks good. It’s a Shonda Rhimes show, so I expect nothing less. I said I’d watch How To Get Away With Murder, and then I never got around to it. I’d say the same about this, but maybe I’ll just catch it on Netflix. This one’s a hit. Shonda can’t fail.

Of Kings and Prophets – Sundays at 10:00

STOP TRYING TO MAKE THE BIBLE “COOL”! This was clearly made in response to NBC’s A.D. The Bible Continues, only I’m pretty sure ABC probably thought that series was going to be more successful than it has been. Networks keep trying to make these shows because they want their own Game of Thrones. The problem is that you can’t make that show on a network television budget, with network standards and practices. You just end up with a neuter version, which no one wants. Fox learned this last season while making Hieroglyph, which they canceled before it even aired. This show will not succeed.

The Family – Midseason

I like this. A year ago, I probably wouldn’t have had a lot of faith in it, but ABC had a lot of success with Secrets & Lies, and this is in that vein. I can’t wait to watch this!

Quantico – Tuesdays at 10:00

ABC has had a problem with this timeslot for the past few seasons. Most recently occupied by Forever, it’s the hour where ABC dramas go to die. I like what I see, though. It’s basically 24 with a less experienced agent. It also helps that it’s led by a woman of color. It’ll be interesting to see what happens here.

Oil -Sundays at 9:00

Kinda cared more about this when it was called Dallas. ABC needs a soapy drama to replace Revenge, but that show never really did that well. Neither does Nashville. ABC wants to stay in the sudser game, but the numbers just aren’t there. Who knows, though? It might work.

Wicked City – Midseason

I don’t really even know what’s going on here. I don’t think it fully captures the 80s aesthetic for a “period piece”. I don’t see this one really getting off the ground.

I really only care about one thing on CBS:

Supergirl – Mondays at 8:00

Well, this has certainly gotten folks talking. From Greg Berlanti, who’s given us Arrow and The Flash, we get a show about Superman’s cousin, Kara Zor-El. First of all, why is it pronounced “CAHR-uh”? Anyway, I have a lot of issues with what I’ve seen in the trailer. Why does everyone know her identity? By the end of the trailer, everyone seems to know except her boss.

Also, I hate that they made her cousin such a big part of her identity. Why couldn’t they live in a world where there’s no Superman? The problem with this is the same problem I had with Birds of Prey: when you mention that someone bigger and more important exists, the audience is just waiting for him to appear. In BoP, we all wanted Batman on TV, and here we’re all going to want Superman. Now, Warner Bros had a show about Superman that ran for 10 years, yet he never really “showed up”. Why would they do anything differently here? Too much is predicated on making her cousin proud or “Your cousin sent you a gift”. Considering this show is supposed to take place in the “Berlantiverse” (has anyone coined that term yet?), I don’t like the idea that there’s a Superman out there in the same world as The Arrow. I liked that Arrow was kinda grounded, and this season sorta threw all of that out the window. I know there’s bigger threats and whatnot, but I wasn’t prepared to jump right to the House of El.

Anyway, I’m still not sure why this just didn’t get put on The CW. I mean, CBS owns half of that network, and it’s where the other Berlanti shows are. It’d make things more convenient for crossing over (which is something they’ve said they would like to eventually do) if they were on the same channel. If you’re not a show about the FBI or some other acronym, CBS doesn’t really know what to do with you. It’s also interesting that for the first time since 1949, CBS has no comedies on Monday night, instead giving a slot to Supergirl. And it’s going up against Gotham! If I had to choose between dark, nonsensical Gotham and bright, optimistic Supergirl, I know what I’ll be watching Monday nights.

As for NBC:

The Player – Thursdays at 10:00
I don’t even know what’s going on here. They bet on crime? Anyway, I don’t see this one making it, which is sad ’cause Wesley could use the money. They say that it’s by the executive producer of The Blacklist, but that’s not entirely a vote of confidence as that show’s been slowly dying since the move to Thursdays.

Blindspot – Mondays at 10:00

This trailer is just exhausting. It’s Memento with a hot chick. Again, this thing seems too steeped in its own mythology to be accessible. I don’t see a second season for it.

People Are Talking – Fridays at 8:30
I really want this to work, as I love Mark-Paul Gosselaar. Just like Fox makes expensive sci fi shows just to cancel them, NBC loves to make multicam sitcoms only to cancel them. It’s a miracle that Undateable is still around, really. And for some reason, they’ve decided to program Friday night with comedies like ABC. Maybe the DVR numbers will be decent? Anyway, it’ll be going against ABC’s Dr. Ken, which also has an uphill battle for that night and timeslot.

And of course, while I was writing this, the trailer dropped for The CW’s DC’s Legends of Tomorrow:

I’m so behind on Arrow and The Flash that I don’t really feel qualified to have an opinion on it. I like what I see, but I need to catch up before I can get really excited, as I know some of the groundwork had been laid over the past few episodes. It’s The CW, which kinda has a low bar for success anyway, so this show will do just fine.


Crazy Ex-Girlfriend – Mondays at 8:00

This is the only other CW show I’m looking forward to. It was originally created for Showtime, but got picked up for network instead. This chick seems insane, and I’m curious to see how they get a whole series out of this premise. That said, it’s got an Asian American love interest – how often do you see that?! And it’s half musical? Yeah, I’m already there. Anyway, it airs the same time as Supergirl, so I’ll be DVRing it. Or maybe I’ll just lose interest, like I did with Jane The Virgin.

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Another week, another guest spot on The Mad Cast. I love talking Mad Men with Corey, and we discussed a pretty powerful episode this week. Give it a listen!

Things You Might Have Missed This Week

-Fox announced that the next and 15th season of American Idol would be its last. And there was much rejoicing. Not from me, however. It may have slowed in recent years, but Idol gave us Kelly Clarkson, Carrie Underwood, Clay Aiken, Fantasia Barrino, Adam Lambert, Chris Daughtry, Jennifer Hudson, and Scotty McCreary. The Voice, for all of its accolades and ratings, can’t say that about a single contestant. And I didn’t even list only winners. Being on Idol was enough exposure to launch a career. The Voice, however, has yet to create a household name. So, le roi est mort. Vive le roi!

-Contract negotiations broke down, so Harry Shearer is leaving The Simpsons. Last time that happened, they killed Maude Flanders. I doubt they’d kill Ned Flanders, Principal Skinner, Kent Brockman, and Mr. Burns, though, so I expect them to find replacement voices. The show’s been on for almost 30 years – it’s not like there aren’t other, cheaper folks who can do those voices now.

-Fox has greenlit a New Mutants film spinoff from the X-Men franchise. It’s to be directed by Josh Boone, who also did The Fault In Our Stars, so I expect it to have teen angst and all of that. I wonder if this is taking precedent over the X-Force film that was being discussed a few months back.

Legends of Tomorrow

-Caity Lotz will be playing The White Canary on DC’s Legends of Tomorrow. In the comics, that minor character was originally Asian, so brace yourself for the “whitewashing” thinkpieces…

-The trailer for Jem and The Holograms was released, and the internet went crazy – in a bad way. It doesn’t seem to be about a rocker who uses hologram technology to save the world. Instead, it’s about a shy singer who’s trying to find the motivation to make her voice be heard. Instead of “Jem is truly outrageous”, the tagline should be “Jem, like, can’t even!” Some people have said that the haters aren’t embracing new ideas, but there’s nothing “Jem” about this. Why use the name and the franchise if you’re not going to do anything with it? That’s like if G.I. Joe were about a dude named George Indicott Joe, a former soldier who’s now a plumber in Queens. It’s just a waste.

-In comic news, the identity of “She Thor” was revealed in this week’s Thor #8. I thought it was just gonna be Lady Sif or something. I was wrong. Here’s a hint, though: she was in the movies. My pal Kevin over at Team Hellions has the scoop!

Links I Loved

Ben Savage on Boy Meets World, Girl Meets World, and the Meaning of Life – Vulture

Figures of Empire: On the Impossibility of Superhero Diversity – Snoopy Jenkins

Ranking EVERY Villain of The Avengers Comics – The Robot’s Pajamas

What the Number of Action Figures You Own Says About You – UnderScoopFire

As you can see, there was a LOT of television news this week, and I didn’t even cover all of it. The week belonged to the networks as they rolled out their Fall schedules. There will be some winners and a LOT of losers, but it’ll be interesting to see how it all plays out. It may seem like a cop-out, but I feel like the major broadcast networks had the West Week Ever.

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