The week started out with me watching The Chernobyl Diaries, which was a departure for me because I’m not really into horror movies. I am, however, into most things Russian, and I’m fascinated by the abandoned city of Pripyat. If you’re not familiar with the whole Chernobyl incident, Pripyat was the city where the Chernobyl workers lived with their families. It’s just tons of apartment buildings and an amusement park. When the Chernobyl reactor blew, everyone had to evacuate immediately, without being able to gather most of their belongings. So, now Pripyat is a ghost town, where nature has reclaimed most of the land, and it just looks like everyone got raptured. It’s beautiful and eerie all at once.
So, The Chernobyl Diaries was about a bunch of Americans on a European vacation who decide to take a side trip to explore Pripyat. Once they get there, however, their van is sabotaged, and they’re forced to try to survive in what is partially a nuclear wasteland. Spoiler Alert: they all die. What happens to them doesn’t make a whole lot of sense, and I’m still kinda confused after having watched it 1.5 times (it aired again the next morning, and I caught the ending of it).I also don’t get why it has diaries in the title. There was nothing concerning a diary in the entire thing. This isn’t Anne Frank we’re talking about here. Where’s the damn diary?! Since I’m not a connoisseur of the horror genre, I can’t say whether or not I recommend it. Overall, was it a good movie? Not really.
I also started watching season 2 of Maron, now that it’s on Netflix. I’ve said it before, but I prefer Maron to Louie. I can relate to Marc Maron a lot more. He’s bitter, damaged, and he’s going through the whole “Why are my peers doing better than me?” thing. Sure, that doesn’t paint me in the best light, but I can understand where he’s coming from. He tackles things that speak to me, like how hard it is to make friends as an adult. There’s an episode where he thinks Ray Romano is becoming his friend, when Ray is really just making Marc his bitch. It’s funny and poignant at the same time. A lot of folks are fans of Maron’s podcast, but I’m not sure if they’ve all checked out his show. It’s a great chance to get a glimpse of the man behind the mic.
In the world of television, it was announced that CBS has cast Melissa Benoist as their Supergirl. I can’t remember if this was ordered direct to series or if this is only for a pilot. In any case, it’s by Greg Berlanti, and the rumor is that his deal to produce the show was that it had to take place in the Arrow/Flash universe. People forget that CBS owns The CW, so it’s definitely doable, although CBS brass have said that a crossover wouldn’t happen too early in the show, as they want Supergirl to stand on her own two feet for a while. I know nothing about Benoist, since I still haven’t seen Whiplash and I dropped Glee years ago, so I have no real opinion on the casting. I’m not the biggest Supergirl fan, but in Berlanti I trust, so I’ll check it out.
It was announced this week that Milestone Media would be returning to the world of comics. If you’re black, you’ll remember this as the comic company that gave us Hardware, Icon, Rocket and more. If you’re white, then you’ll know it as the company that gave us Static Shock. Yeah, 20 years later, and its only real legacy is Static Shock. I’m kinda conflicted by this news. On the one had, comics could use some diversity, and Milestone had the best shot at injecting that into the industry. However, as someone who has almost every issue of Hardware, I didn’t think they were that good. Maybe they were ahead of their time, and I just wasn’t the right age to be reading them, but Milestone books were just a little too ghetto for me. And I don’t say that because they were black. I say that because they were set in Dakota City, which just seemed like a dark, dank ghetto. There was no joy to the books. They fully encapsulated the EXTREME edge of 90s comics, and just added some color to the mix. That’s not really something I’m looking for in my comics today. The characters made an appearance in DC Comics a few years ago, and it’s not like they really set the night on fire over there. So, I’m not quite sure why this announcement came this week. According to the Washington Post article heralding its return, the creators only promise that the comics will be available both physically and virtually, but they didn’t announce a publishing plan, and they only hope to have some promo art ready by San Diego Comic Con. Right now, it just seems like they put the cart before the horse by announcing this now. I guess time will tell whether or not this was a good idea.
Speaking of comics, Marvel announced this week that this summer’s Secret Wars will essentially reshape their comic universe going forward. Ripped from the pages of Avengers and New Avengers, the Marvel Universe (616) and the Ultimate Marvel Universe (1616) will smash into each other, and the chips will fall where they may. As Editor In Chief Axel Alonzo stated, it’s like a pizza where some toppings will combine, while other toppings will fall off. the aftermath of the event will be the Marvel Universe going forward. I have so many thoughts on this, and it’d probably be easier to say than write, but this is the medium I have at my disposal, so let’s see how it goes.
What It Means for 616: This is a big deal for the mainstream Marvel Universe, as it serves as the first time that they’ve really embraced a universe-spanning reboot. Sure, DC Comics does this every 10 years through their Crises, but Marvel has pretty much managed to avoid having to do this by employing a loose, sliding timeline. Over 50 years of continuity were somehow crammed into a timeline of about 11 years as far as the characters were concerned. They’re essentially wiping this out for this new future. What’s odd to me, however, is that they’ve gone to great lengths to make the comics more like the movies. They introduced Agent Coulson to the comics, and they halfassedly created a black Nick Fury so that he’d be familiar to moviegoers. Now, they say that their goal ISN’T to make the movie and comic universes one and the same, but their actions say otherwise. So, why do all that only to just blow it all up now? Also, Marvel just did a whole diversity push with Falcon becoming Captain America and the debut of “She-Thor”. What happens to them? This also means that Marvel gets out of the corner it painted itself into in several instances. There’s no need to bring Wolverine back from the dead, because nothing matters anymore. There’s no need to return Steve Rogers to a younger age, because nothing matters anymore.
What it Means for 1616: This sounds like the death knell for the Ultimate Marvel Universe, which makes me sad. Created in 2000 as a newer, hipper take on the Marvel Universe, Ultimate Marvel reimagined classic heroes in modern settings. It was as if the Marvel Universe had started in the ’00s instead of the ’60s. I enjoyed the concept because, to me, it was like what it must have felt like to have been a fan in the 60s. The beginning of the line was full of excitement, as architects like Mark Millar and Brian Michael Bendis introduced us to modern takes on classic ideas. Spider-Man became Ultimate Spider-Man, a critically acclaimed, all-ages take on Spider-Man as a teenager. Avengers became The Ultimates, a widescreen Hollywood blockbuster of a book focusing on new versions of Iron Man, Captain America, Thor, and The Hulk. I became a dedicated fan of the Ultimate U, and I have a full run of every book that’s been released. It’s fair to say that the Ultimate Universe is near and dear to my heart. So, it saddens me to see what has become of the universe in recent years. Unlike in most comic universes, in the Ultimate Marvel universe, dead means DEAD. So, as they killed off known heroes, they never really did much to fill that void. As my friend, Jenn, said, recent Ultimate Marvel has simply been Spider-Man standing amid the littered corpses of reimagined X-Men. There’s only one jewel in the crown of the Ultimate Universe at the moment, and that’s the current Spider-Man, Miles Morales. I’ve written about him at length before, so I won’t get into all of that here. Let’s just say that Miles is one of my favorite characters in recent history. And it’s safe to say that he’s really the only thing left in the Ultimate Universe worth saving. So, I’m sure he’ll survive the event, but at what cost? What happens to his supporting cast, like best friend Ganke, or even his dad?
Anyway, Marvel tends to get West Week Ever quite often, but that’s usually for something that the movie division has done. The comic side of Marvel is constantly coming up with event after event – all promising to CHANGE THE MARVEL UNIVERSE FOREVER!!!! This is the first time, however, that I feel they may actually mean it. So, for that, Marvel Comics Secret Wars had the West Week Ever.