04th Sep2015

West Week Ever – 9/4/15

by Will




So, this week I finally got around to watching Snowpiercer. I’d heard nothing but great things about it, but it had taken me forever to finally sit down and watch it. I had a ton of work to do, so I figured I’d just have it on in the background, but it ended up getting my undivided attention. If you’ve never heard of the movie, here’s the deal: in the near future, scientists decide to combat Global Warming by releasing a chemical called CW-7 into the atmosphere. Well, the substance worked too well, and resulted in another ice age – and the extinction of humanity. So, the last bastion of humanity survives on “The Rattling Ark”, a train that traverses the globe annually. The train, however, is set up on a class system, with the rich up front, and the poor common folk in the tail section. The rich dine on steak, while the poor initially had to resort to cannibalism until they were given protein supplement bars. Well, the tail section decides to fight their way to the engine, in order to take control of the train. The resistance is led by Chris Evans, and the movie follows his group as they move forward, from car to car. I tend not to like End of The World/mass death movies, but this one was really good. And that ending! Anyway, I highly recommend this movie.

Spice World

A few weeks back, when I was on The Nerd Lunch Podcast, we discussed things that get a “bad rap”. One thing that was mentioned was the movie Spice World. I have always hated this movie. As I explained in the episode, it was the first movie I’d ever ordered as Pay-Per-View, and I was begging for it to be over. It just completely lost my attention. I mean, the biggest American star in the thing was George Wendt! Now, oddly enough, I was a big Spice Girls fans, so I should’ve been the target audience. Plus, I LOVE crappy movies starring pop groups (see: 2gether and S Club: Seeing Double). Since it was on a few nights ago, I decided to give it another chance. And the verdict? Still hate it. It’s got NO plot. I mean, there’s something about a British tabloid guy who wants to break up the group, and then they have this pregnant friend that they kept neglecting ’cause they’re too busy for her normal ass. And then Mark McKinney (remember him?) and George Wendt are American filmmakers who might be filming the movie that we’re watching, meanwhile Alan Cumming is a documentarian who’s also filming a movie about the group. And then the group breaks up for some reason. This is the part that got me, because it flashes back to when they were a younger, struggling group – like they all grew up together or something. It totally neglects to acknowledge that the group was formed like every other British pop group: they answered a casting call. Anyway, they come back together just as their normal ass friend is about to give birth, and then they all reunite for their concert at Albert Hall just in time to sing “Spice Up Your Life”. I did not like this movie. Love the girls (especially Sporty), and love the music, but did not love this film.


I also caught the standup special, Jay Pharoah: Can I Be Me? If you watch SNL, then you know Jay Pharoah as “the Black guy who’s not Kenan”. He also does a pretty good Obama. Anyway, I guess he got this hour special off the back of his impressions, because his standup jokes need work. He can do a mean Denzel and Bernie Mac, but his jokes were kinda lame. Even the audience wasn’t really feeling it, but he always got a pop when he’d break out the impressions. If he gets another special, he either needs to hone his material, or just focus on impressions the way Rich Little does.


Last week, I mentioned the McWhopper proposed by Burger King. Since McDonalds declined the invitation, a few other burger chains have approached BK about participating. So, now BK is proposing the Peace Day Burger, which would contain signature ingredients from Denny’s, Krystal, and some places called Giraffas and Wayback Burger. McDonald’s is still invited to participate if they change their mind, but now BK is courting other suitors. They plan to go ahead with the pop-up shop that was already under construction in Atlanta, so I really hope this goes through.

marvel studios

This week, it was announced that the film division of Marvel Studios will now report directly to Disney, in a move that was supported by Marvel Studios President Kevin Feige. Apparently, there had been some creative pushback from Marvel CEO Ike Perlmutter, and Feige had threatened to leave the company. This also means the end of the Marvel Creative Committee – the group comprised of Marvel Entertainment President Alan Fine, Chief Creative Officer Joe Quesada, Publisher Dan Buckley, and writer Brian Michael Bendis – which has guided the Marvel Cinematic Universe since its inception. Folks are now wondering what this means for the future of the Marvel movies. Will the audience even notice a difference, or is this a major creative shakeup that will be felt at all throughout future movies. This especially makes things messy for the television division, which will reportedly stay under the direction of Marvel Enterprises. There had been rumors that Marvel Studios and Marvel Enterprises weren’t playing nice together, and this could affect the possibility of any of the TV characters making it into the films. Right now, only time will tell.

Superman 43 reveal

Speaking of the comic world, I finally got around to reading Superman #43, which is the issue where *SPOILER ALERT* Lois Lane reveals Superman’s identity to the world. It shouldn’t be too much of a spoiler, as every Superman book recently has revolved around the fact that the world knows his identity, and we were waiting for that golden moment where the reveal would be shown. Having read the issue, I can now say that this was a TERRIBLE idea. I’m not even talking about the repercussions of such an action. I’m saying that, from a story perspective, the threat level wasn’t high enough to warrant what Lois did. There was no alien invasion, there were no life or death stakes. No, Superman was being tortured by a tech collective called HORDR (think Evil Google), and they were blackmailing him. They want to test his new Super Flare (this stupid new thing where he basically explodes) power out on their energy siphoning creatures, and they torture him to see how much he can take. If he refuses, they reveal his identity to the world. Lois felt that by doing it herself, she would take away their leverage, allowing Superman to break free. OK, that’s really stupid. It was just torture. Superman has dealt with far worse. They didn’t even have Kryptonite or anything. It seems like she was just dying to tell the world (which was a dick move, considering she had just spent the earlier part of the issue promising to keep his secret). I really hope DC has some grand plan as to why his ID needs to be public, because this story so far sure hasn’t justified that decision.

Things You Might Have Missed This Week

-The Summer of Breakups continues, as Avril Lavigne and Chad Kroeger announced they were separating after 2 years of marriage. I’m sure folks are gonna use this opportunity to make a bunch of Nickelback jokes, but I actually like some of their songs…

-NBC’s reboot of the sitcom Coach will not be going ahead at the network. It sounded like a terrible idea, but I was still morbidly curious.

Diggle Suit

-It appears that Diggle will finally be getting a costume on Arrow. As the internet has already pointed out, he just looks like Magneto.

-The MTV Video Music Awards were last Sunday, where host Miley Cyrus exposed her left breast, and Kanye West announced he’s running for President in 2020. For the record, Kanye was the bigger boob that night.

Marvel’s Luke Cage made 2 casting announcements this week, as Mahershala Ali will play Cornell “Cottonmouth” Stokes, while Simone Missick will play Misty Knight.

force friday

So, last night I had dinner with my Thrift Justice partner, Mike (for those new to the site, Thrift Justice is the series where I write about all the cool stuff Mike and I find while thrifting). We had been a bit estranged lately because Mike’s lost his passion for the yard sale thing. This was a bum season, and it has kinda taken its toll. Anyway, we had dinner to catch up, and when the meal was done, we decided to check out Force Friday – the worldwide release of the Star Wars: The Force Awakens toys. This was going to prove a problem, however, as it was 9:30 PM, and the toys wouldn’t be released until 12:01 AM. So, how would we kill time?

At first, we were going to see a movie, but nothing good was playing. It had pretty much come down to Owen Wilson’s No Escape (which I’ll probably DVR when it hits HBO) or Transporter: Refueled. While waiting for the showtimes, I checked the Force Friday website to see what kinda swag was being offered. It turned out that only 207 Target stores in the country were opening at midnight, and the closest one to us was almost 2 hrs away in Hagerstown. Meanwhile, all Toys “R” Us stores would be giving away a free poster and commemorative LEGO brick to the people came to shop. Hagerstown started looking like the best option, since TRU is right across the shopping center parking lot from Target.

We got to TRU around 11, and sat in the car for a bit. Did we really wanna wait in line with this…riffraff? Eventually, we decided that we did. Standing in line, we reminisced about our days working at TRU, and chatted with the guy in line ahead of us. At 12:01, they opened the doors, but they treated it like a club. This burly guy in a TRU shirt acted as the bouncer, as he only let in a certain amount of people at a time. Instead of setting the merchandise up in the Feature Shop (the showcase at the front of the store), the toys were all located in the first boys aisle, on both sides of the aisle. So, you could understand why they were only letting in a few at a time, as only so many people could fit in an aisle. Their first mistake was this setup. Their second mistake was that they had a 3-per item limit on everything. So, for example, you could get 3 Star Wars Black 6″ Finn figures, and then move on and get 3 of something else, and so on. So, as you can imagine, the 6″ Star Wars Black line was the first to go. I stood outside, like a hungry orphan, looking through the window as other dudes were buying my toys. By the time I got to the aisle, all the Star Wars Black – the stuff I was specifically looking for – was gone. Meanwhile, this mom with a PHAT ASS was barking orders at her son, as she filled a cart with 3 of everything. Now, remember how I told you everything and everyone was crammed into one aisle, and she had the gall to navigate a cart into that madness! When I left the aisle, she was arguing with the employees because they didn’t have all of the items she had set out to by. I quickly grabbed a 4″ Finn and Captain Phasma just so that I could say I bought something on Force Friday. I went to the register, checked out, and got my poster and LEGO brick.

Next, we decided to hit up Target. As you can imagine, due to the proximity, all of the folks who were ahead of us in line at TRU had already beat us to Target. So, they were also out of Star Wars Black. They were having a drawing for 3 giant Wookiees, so Mike and I waited around, hoping to win the raffle. We did not win. And exactly the kind of guys you’re picturing in your head are the ones who won. Just a bunch of friggin’ neckbeards. Out of some kind of impulse, I bought another Finn (this one to keep in package. I know, I know…) and Kylo Renn’s three-pronged lightsaber. We didn’t even discuss hitting up the nearby Walmart, and we began the journey back to Rockville where I’d left my car. In all, I was pretty disappointed with Force Friday. Sure, I had walked away with a free tote bag (Thanks, Target!) and that disappointing LEGO piece (it wasn’t even a brick. It was more like a panel), but I still hadn’t found what I was looking for (cue U2). I went to sleep thinking that Force Friday, while interesting to observe, had been a bust as a participant.

This morning, however, I remembered that it’s still Friday. Sure, everything kicked off at midnight, but not every store had been open, so maybe the stores that were just opening this morning would have a better selection. So, I hit 2 Targets on the way to work. At the first store, the selection was almost better than what I had observed at the Hagerstown Target last night. I found some Star Wars Black, and walked away with a 6″ Kylo Renn and Rey. At the next Target, I found what I’d been wanting the whole time: Star Wars Black 6″ Finn. I know nothing of his character, and I know nothing of the actor, but I needed him for much the same reason a lot of Black folks voted for Obama: he was a Black dude. Outside of Lando, we don’t have a ton of representation in the Star Wars Universe, and Lando’s kind of a bastard. I mean, he sells them out, and suffers no real repercussions. Sure, he’s on the side of the good guys at the end, but his character is still kinda devious. I like Finn’s character design, and he’s probably the reason I’m most excited for The Force Awakens. So, with my grail piece in hand, I walked out of the store with a smile on my face. Force Friday had been redeemed!

Looking back on it all, I would’ve made out a lot better if I had just skipped the midnight stuff, and just checked the stores this morning. The selection was much better, and you didn’t have to deal with the smelly masses. Still, it was nice to be part of the excitement of the midnight release. I’m not primarily a Star Wars “fan”, per se, but I can appreciate that folks are excited about a new installment of this thing that they love. Force Friday represents our first official glance at the world to come, so it’s pretty important – even if its goal was just to sell a shit ton of toys. So, in my mind, Force Friday is having the West Week Ever.

14th Aug2015

West Week Ever – 8/14/2015

by Will




Last week, I said that the Deadpool trailer had the West Week Ever, even though I don’t really agree with how the movie’s being marketed. My friend Glenn, however, believes that everything is as it should be. In my attempt to be fair and balanced, I thought I’d share his thoughts on things. We had a lengthy Facebook conversation about the matter, and he pointed out that Deadpool is the “Merc with a Mouth” and is only censored in the comics because he has to be. This movie, however, will give him a chance to cut loose. He said that while there are always going to be things that are cross-marketed to kids and adults, this isn’t the kind of movie that he’d take his 5 year old daughter to see. Anyway, he made some good points, and then we trailed off into talking about how awesome Alamo Drafthouse Cinema is. Since we’ve had a week to think about it all, thoughts anyone?

It was announced this week that The Lion King would be getting another sequel. At first, I didn’t understand why this was big news. I mean, the thing had 2 straight-to-video sequels in The Lion King II: Simba’s Pride and The Lion King 1 1/2 (which was more of an inbetwequel). So, even though James Earl Jones is coming back as Mufassa, why is this big news? Well, it appears that the TV movie sequel, The Lion Guard: Return of the Roar is actually a pilot for a new television series called The Lion Guard. It’s being described by Disney as “The Lion King meets The Avengers”, and that sound you hear is all of the world’s cash registers ringing at once. The series follows Kion, the youngest son of Simba and Nala, as he assembles a team of animals to help protect the Pride Lands.  Anyway, a sneak peak of the show is expected at this weekend’s Disney D23 Expo.


The rumor coming out of Warner Bros is that a private viewing of Batman v Superman: Dawn of Justice was held for the high up muckety-mucks, and they loved Affleck’s portrayal so much that he’s being offered his own standalone Batman trilogy. I think a standalone Batfleck film was announced at SDCC (it’s getting harder to tell the rumors from the confirmed news these days), but this is the first mention of an entire trilogy. Seems kinda odd, since this movie adapts parts of The Dark Knight Returns – a story that shows Batman at the end of his career. Still, I’d much rather have more Batman than Aquaman, Cyborg, and all the other DCU movies that have been announced.

In other DC news, it’s been announced that Matt Ryan will guest star on Arrow next season as John Constantine. This is pretty important because he starred as the character on the recently cancelled Constantine, and Stephen Amell had been lobbying to get him on the show. Now, I’ve never seen an episode of Constantine, so I’ll need some of y’all to chime in: does he fit into the world that Greg Berlanti has created in Arrow/The Flash/Legends of Tomorrow? I mean, tonally and thematically, is that going to work? I guess we’ll just have to wait and see.


Speaking of Berlanti, he mentioned during the Television Critics Association press tour this week that Supergirl wouldn’t be crossing over with any of his other shows for the time being. That sucks, seeing as how CBS owns half of The CW, so it’s not like it would be that hard logistically. I think, however, they want to focus on establishing her as her own hero. Plus, introducing her into that world is a whole different can of worms, because that, then, admits that Superman exists in that universe, and I don’t think I’m prepared for that. Especially if they do something like they’re doing with Constantine, and bring Tom Welling back to play Superman. Meanwhile, it was also announced that True Blood‘s Brit Morgan would be playing the villain Livewire.


In a surprising move, it was announced that the next 5 seasons of Sesame Street will now debut on HBO. The deal will allow them to create 35 episodes a year instead of the current output of 18 episodes a year. After the initial 9 month window, the episodes will then be available to air on PBS. Meanwhile, PBS will be airing recut versions of classic episodes. First of all, I’m kinda surprised they only produce 18 episodes a year. The show comes on every day, and while it has quite the video library under its belt, I really thought they were producing something like 60 a year. That’s the approximate number of other kids shows that air in strip, 5-day-a-week format. Something feels wrong to me, though, that the rich kids with HBO are getting these episodes first. As some folks on Twitter pointed out, it’s like we’re gentrifying education. Sesame Street used to be an important way that lower income students were able to learn, and now we’re giving them scraps after the kids whose parents can afford HBO have had their way with them. It just seems wrong somehow. Anyway, the deal also calls for a spinoff show starring the Sesame Street Muppets.


Back in the day, BET had its own version of Skinemax known as BET Uncut. Young Black kids used to tune in hoping to get a glimpse of boob while videos played the hip hop hits of the day. The show ended in 2006, but its legacy was never forgotten. So, imagine everyone’s surprise when BET suddenly announced that the show would be returning on August 11th. When viewers tuned in, however, they were met with a surprise: the whole thing was a ruse to promote the debut of BET’s version of Punk’d. If you remember, Punk’d was conceived by Ashton Kutcher and ran on MTV for a few years back in the mid ’00s. Well, this new version will be hosted by YouTube stars Andrew Bachelor and DeStorm Powers, and it debuts next Tuesday. Never watched the original, and I probably won’t be watching this one, either.

Things You Might Have Missed This Week

Modern Family‘s Ariel Winter revealed that she’d had a breast reduction as she was tired of the unwanted attention her body was receiving

-Target created a shitstorm when it announced that the toy section would no longer have gender-based signage. These means that Barbie is no longer a “girl’s toy”, while action figures are no longer “boys’ toys”. Folks came out of the woodwork, acting like the sky was falling. It’s not like they’ll change the planogram, however, so you probably won’t see Barbie sitting next to Iron Man on shelves.

-A new Jem trailer was released this week, which made it look like the same bad movie, only now with an Earth to Echo spin, as they’ve added a tiny robot.

-The CW is reportedly developing series based on The Notebook and Friday The 13th

-Adult Swim renewed Rick and Morty for a 3rd season

-Bravo renewed Jill Kargman’s Odd Mom Out for a 2nd season.

Kindergarten Cop 2 is currently filming, starring Dolph Lundgren. It’s slated to be a direct-to-video release.

The Exes was cancelled on TV Land

-Shelly Fabares will not be returning for NBC’s Coach revival, as her character, Christine Armstrong, has been killed off.

-Google’s parent company changed its name to Alphabet.


I LOVE weeks when the thing that had the West Week Ever is controversial. Folks might disagree, but then I just remember, “Hey, Will – it’s your site!” and then I feel OK about it. So, in the immortal words of the bard Samuel L. Jackson, “Hold onto your butts!”

Last week, a friend and I made the impromptu decision to catch a late showing of Fant4stic Four. The reviews had been terrible, the rumors even worse, but I felt that I needed to see the movie for myself. I actually like the other 2 Fantastic Four films (I’ve never seen the Corman version), as I have a mancrush on Ioan Gruffudd who played Reed Richards. So, in my mind, the bar wasn’t set all that high, and I felt like I knew what I was walking into. AND BOY WAS IT HORRIBLE – is what you want me to say. But I can’t do that. As I said on social media, to listen to the online fanboys, Fant4stic Four ascended to the heavens, slapped Jesus, and pissed on your dead grandma. If you read anything about this movie on Twitter, it’s the worst thing since Hitler and New Coke. Fant4stic Four is not a great movie, but it’s also not horrible.

young reed

The most positive thing I’ve read about the movie is that it had a strong first 2/3rds, and then loses its way during the 3rd act, and I would completely agree with that. The early scenes with young Reed are great, and it’s touching to see the dawn of his friendship with Ben Grimm. Once Reed is recruited by the Baxter Foundation, they almost become star-crossed lovers, as Reed is too impressed by his new surroundings to realize what Ben realizes instantly: their bond can’t last. You’d think they would just naturally grow apart, but that doesn’t happen. Instead, Reed invites Ben on the journey that will end the research that they started together. No, it’s not being from 2 different worlds that will tear them apart. It’s that Reed accidentally turns Ben into a rock monster. This is the first time in my dealings with the Fantastic Four that I actually felt like Thing was a sympathetic character, and a lot of that was due to us seeing him before his transformation. I appreciated that. A lot of people have made a big deal about the origins of “It’s Clobberin’ Time!” (though it’s Thing’s signature catch phrase, in the movie it’s uttered by Ben’s abusive older brother before he assaults him), but that didn’t bother me so much. I kinda felt like it added another dimension to his character.

johnny and sue

I also felt the family dynamic between the Storms. No matter what you think of this movie, you can’t deny that Reg S. Cathy as Dr. Franklin Richards was one of the strongest aspects of the film. You really felt that he just wanted his son to do something productive with himself. You could also feel the tension between Johnny and Sue, where it was clear that Johnny felt that Sue was dad’s favorite, which caused him to act out. People always say that the Fantastic Four concept revolves around family, and that was pretty evident in the first 2/3rds of the movie. Their families didn’t understand them, so Reed and Ben had become their own support system. As strained as it might’ve been, the Storms were also trying to hold on to the family that they had. Meanwhile, Victor Von Doom (formerly known as mad blogger Victor Domashev before the Internet had a field day with that news) is probably the character in the film with the most personality. Just as Sinestro was the true hero in Green Lantern, there’s very little here that makes Doom a villain, per se. In the context of family, he’s on the outside looking in, as he doesn’t have what Reed and Ben have, or what the Storms have, but he knows it’s lacking and he resents it.

It felt like they were laying the groundwork for some grand thing that would bring them all together. In the comic, that was the cosmic event that gave them their powers. Well, that’s not what happened here. Instead, the arrival of their powers drives them further apart. And this is where the problems begin.

Once Reed, with his newly-acquired powers, escapes from the secret facility, there’s a title card that says “One Year Later”. Time jumps are rarely good things, as they’re usually an excuse to keep from explaining something. Well, it can be said that everything after that title card is when things go downhill. At this point, it clearly plays like a movie “made by committee” as certain things don’t make sense anymore. And it’s also where you’d expect to see all those action scenes from the trailer. Welp, you’d be disappointed. Better sites than mine have made comprehensive lists, but you can immediately see that a LOT of editing went down on this film. Remember the shot of Thing falling out of the plane onto a tank? It’s in every trailer and TV spot? Well, it ain’t in this movie.


Let’s talk about Thing for a minute. The government has convinced him to be an operative for them, with the weak promise that they’ll help turn him back to his human form. So, he gets dropped into these countries as this killing machine. In one scene, you see that he has 43 confirmed kills. KILLS! He’s not Wolverine! Now, I know he’s upset by the transformation and all. Anyone would be. I also know that he comes from an abusive past. But I don’t think all of that would make him a killer. And he’s not overly patriotic, so it’s not like he’s doing his duty for Uncle Sam. No, he selfishly decides to kill in order to get things back to the way they were. That doesn’t sit right with me.

Sue is wasted, as she just becomes the Token Girl. If people weren’t spending so much time talking about how terrible the movie is, I’m sure The Mary Sue or someone would’ve written an article about how marginalized she is in the film. Hell, she doesn’t even get to go on the trip that gives them their powers! She got hit by some kind of aftershock, and ended up being able to turn invisible. All the powers, with none of the risk. Were they afraid to send a woman into that dangerous environment? If that’s the case, they certainly don’t discuss it. In fact, Reed goes through the trouble of calling Ben in the middle of the night, to get him to come down to the Baxter building and travel to the other dimension, but at no point does he, or anyone else, say, “Hey, shouldn’t we let Sue in on this?” And it’s not like she had built up this reputation as a hard-to-work-with bitch or anything, so it’s kinda bad that she’s just an afterthought to them. However, they never would’ve made it back alive had it not been for her. I don’t feel like she’s ever appreciated enough in this film.

Johnny’s kinda brash, but not the joking ladies man he appears to be in the comics. Somewhat like Sue, he doesn’t really get to develop much. He seems to hate being in the shadow of his sister and father, so he acts out. Once they get their powers, he’s all about doing the government dirty work because he feels like he might finally have a purpose. He doesn’t care about right or wrong – he’s just a gun waiting for someone to aim him at the bad guys.

And Reed. Where to begin with Reed? I like Miles Teller now. I used to want to punch him in the face, because he just had one of those faces. Then I saw Two Night Stand and Whiplash, and now all is forgiven. As much as I like him now, I don’t think he was right for this role. I can see why he was cast: rising star, he’s quickly becoming a “name”, etc. But he wasn’t Reed Richards. He’s capable enough in the role, but you don’t leave the theater saying “THAT was Reed Richards” the way you did when you first saw RDJ as Tony Stark. My biggest problem with Reed is that he’s not very smart – the thing that he’s primarily known for. Sure, he’s smart enough to want to try to build a matter transporter in middle school, but it seems like he peaked at that age. I’ve always been fascinated by the fact that Reed’s able to stretch his brain, effectively making him smarter. He doesn’t display the capacity for that in this film. And no, I didn’t expect to see his head stretch or anything to signify that it was happening, but he just doesn’t do anything that would make you say “He’s smart!” I mean, something as simple as rattling off a calculation. He doesn’t really do it. And in the final battle against Doom, he doesn’t outsmart him. No, it’s instead a physical, hand-to-hand battle. Reed Richard is not a fighter, and he would’ve found an intelligent solution other than a simple Hail Mary play.


Let’s circle back around to Doom. In the first 2/3rds of the movie, he’s just antisocial. Sure, they end up having to leave him in the Negative Zone, but he didn’t HATE them. He just kinda resented them. So, when he pops back up a year later, with his environmental suit fused to his body, you’d think he’d want revenge on them for leaving him over there. I mean, surely he’d find them responsible for ruining his life, right? NO! Instead, he LOVED it over there, as he experienced true power. And all he wants to do is go back. That’s it. He wants to go back to his world and his power, and the Four are all, “No, you can’t go back”, like they actually give a shit about him. If they’d have just let the man have his wish, nothing bad would’ve happened. In what was clearly the result of reshoots, Doom walks through the corridor, making everyone’s head explode – even people who aren’t in his way. It’s like there’s a clearance sale going on for head explosions, and he just can’t get enough. So, in their refusal to let him go back, the Four actually set into motion the thing that makes him a “villain”: the portal back to the Negative Zone created a sort of backdraft that was pulling Earth into a black hole. The reason I say the head explosion scenes were reshoots is because someone at the studio must’ve known that something else was needed in order to make Doom appear evil. Otherwise, without that scene, the Four actually look worse than Doom does.


And that final battle. It just didn’t add up. Doom supposedly had all this power, but we never saw much of it except in his creation of the portal. The Four defeat him in combat when they never should’ve been able to get close to him. As I said before, Reed should’ve defeated him by out-thinking him and not punching him. And he goes down too easily, but not in the ambiguous “We’re trying to keep him around for a sequel” kind of way. I mean, they could bring him back, but the movie doesn’t really end setting up a sequel. All that happens is the team is officially formed. Yet, the viewer still has no real reason to care about the characters, as none of the relatable stuff from the first 2 acts is even relevant anymore. It’s like these are 4 different characters; it’s not like they’re showing growth, either – they’re just 4 people who look like and have the same names as their counterparts from the first 2/3rds of the movie. And they’re not especially likable, nor are you particularly rooting for them. I mean, the movie’s named after them, so they must be the heroes, but that’s really as far as it goes.


And one little problem lingering from adapting the comic: the lack of Thing’s pants. This might seem petty, but it’s actually pretty important. I mean, up until this point, we all just assumed he still had a penis, only it was probably rocky now, too. It’s the kind thing 12 year olds sit around and talk about. Instead, he now no longer even has a penis. My God, no wonder he hates Reed so much!

Anyway, at the end of the day, it’s a movie with problems, but it’s hardly the abomination that some are making it out to be. The odd thing, however, is Fox’s involvement in the whole thing. As I wrote about last week, the director, Josh Trank, posted a tweet that alluded to the fact that there was studio interference in his original vision. That tweet was quickly deleted. Over the weekend, the rumors started to fly. It was rumored that Fox was considering giving Fant4stic Four 2‘s 2017 release date to Deadpool 2, assuming that Deadpool will do better than FF did. On Monday, however, Fox announced that they are “still committed to the characters”, but nobody knows if that means they’ll push ahead with the same cast or reboot AGAIN. Good or bad, Fant4stic Four was on everybody’s lips the past week, even if folks didn’t see it. In fact, it only pulled in around $25 million, making it a worse box office than even Daredevil. Still, I think once the dust settles, and folks start seeing the stuff I was talking about in the first 2 acts, we may look back on it more fondly. And if Trank’s ever allowed to release a Director’s Cut, then it may be redeemed just as much as the Director’s Cut has seemingly redeemed Daredevil. In my mind, nothing had a week like Fant4stic Four, and that’s why I’m saying it had the West Week Ever.

07th Aug2015

West Week Ever – 8/7/15

by Will




This week, Joel McHale confirmed what most of us already knew – that Community is over. He explained that Yahoo wanted another season for their Yahoo Screen portal, but they simply couldn’t afford the cast since their asking quotes  have gone up since the show began. Because of that stupid #sixseasonsandamovie thing, they’re still saying they’d like to do a movie. Honestly, I don’t even know what that would entail. How do you translate a sitcom into a theatrical feature? Has that been done before? I mean, it works the other way around. Movies get TV adaptations all the time, but not vice versa. I can’t think of a Community storyline that would even be worth a theatrical release. Keep in mind, I have the same reservations about an Arrested Development movie. Just let these things die, so they can be fondly remembered. Show creator Dan Harmon has said that he’d be interested in writing the script once he’s gotten to a place where he misses the characters. So, we’re at the whim of his sense of nostalgia.


In other TV news, there were a lot of casting reveals for the DC shows on The CW. First up, Casper Crump has been cast as season one big bad Vandal Savage for Legends of Tomorrow. Also, Falk Henstchel has been cast as Hawkman in the series. Meanwhile, The Flash has cast Wally West, who will be played by Keiynan Lonsdale. I haven’t heard of any of these weird-named dudes. Lonsdale’s Australian, so he’s probably done a stint on Neighbours or something – that’s like a rite of passage down there. Anyway, a lot of people not familiar with DC’s New 52 reboot didn’t realize that the new Wally West is Black, so of course the usual complaints spread across social media: “Why make him Black when he’s always been White?” As my pal Tim would call it, #rabblerabble.


Even I’ll say that New 52 Wally seems like diversity solely for the sake of diversity. Then again, I guess his race never really had an impact on who he was, so he could be anything. The problem, however, is that Wally had quite the legacy. He’s one of the few heroes who replaced his mentor and it STUCK. Most of my generation grew up with a Wally West Flash and NOT a Barry Allen Flash. Barry was boring and DEAD by the time we started reading comics. So, to just randomly introduce him in the New 52 universe like, “Hey, here’s Wally – only he’s not the dude you remember, and he’s Black now” kinda seems disingenuous. My problem with introducing him on the show, however, is that it just seems too soon. They couldn’t wait for season 3? I mean, we’ve just gotten used to Barry, and we like him, so why dilute that with Kid Flash or whatever Wally’s going to become on the show? My biggest issue with the Greg Berlanti DC shows is that I fear he spreads himself too thin. Arrow was great until The Flash came along, and then it started to suffer creatively. This season, he’s adding Supergirl and Legends of Tomorrow to the docket. One can only imagine what that’s going to do to The Flash, and I shudder to wonder how much lower Arrow can go.

photovisi-download(1)You know who almost had the West Week Ever? Hollywood divorce lawyers! This week alone saw the announcement of splits between Gavin Rossdale and Gwen Stefani, Reba McEntire and Narvel Blackstock, and Kermit the Frog and Miss Piggy. Plus, the week kicked off with the annual, yet erroneous, announcement that Will and Jada were calling it quits. In the words of Carrie Underwood, “There must be something in the water.” The Gavin/Gwen split wasn’t a total surprise, as I recall hearing that things had been rocky ever since the paternity test revealed that he was the father of model Daisy Lowe. The Reba divorce is pretty sad, as they had been married for 26 years! That’s my biggest fear: to get old and divorced. Young divorce is fine, but divorce after you’re all used up? No siree, Bob! And I’m pretty sure that the Kermit and Piggy thing is just publicity for that The Office-inspired Muppets show coming to ABC this Fall. They break up all the time, so who really cares? I mean, they were broken up in Jason Segel’s The Muppets back in 2011. Did everyone just forget that? Anyway, I can’t even think of a celebrity couple I’m rooting for at this point. You’re just courting disappointment with that game.


This week saw the Television Critics Association’s Summer press tour, where TV critics were introduced to the stars of the upcoming new network shows. Yesterday was Fox’s day, where three things happened. First off, it appears that critics were shown a clip from the X-Files reboot, and the consensus was not good. I’ve heard that it almost played like parody, and it wasn’t clear if that was the intention of the scene. Second, they announced that Prison Break was returning for a 10-episode event, similar to last year’s 24: Live Another Day miniseries. Apparently, the original stars are on board (interesting, since they’re both attached to Legends of Tomorrow, so I guess they’ll film this while they’re on break?), and some of the deaths from the original series seem like they’re being retconned in order to make this work. I watched the first episode of Prison Break, but I just couldn’t get on board for that series. I didn’t feel like it would last long enough for a resolution. I was wrong, but I still don’t feel like I missed out on anything. Finally, Fox also updated the status of bringing back 24. They said that Kiefer Sutherland isn’t interested in returning right now, so a new 24 would probably feature new characters. It’s just not 24 without Jack Bauer! If I wanted to watch an entirely new ensemble, I’d just tune into ABC’s Quantico (Sundays this Fall!).


Oh yeah, Fox also did something else: they confirmed plans for an television spinoff of the X-Men films. They said that they’re close to a deal, but they’re waiting to see if Marvel will approve it. Since Fox only owns the X-Men rights, don’t look for any crossovers with Daredevil or Agents of S.H.I.E.L.D. The big question, though is what does Marvel get out of the deal? Right now, Fox has already lined up writers and showrunners, so this will happen sooner rather than later. I’m OK with this idea if they’re really allowed to run with it. Maybe focus on some mutants who don’t get any movie screentime. I mean, I’m pretty sick of the Xavier/Magneto dynamic. WE GET IT ALREADY! There are other characters. Hell, some of the X-Men’s best adventures occurred when Xavier wasn’t even around. I don’t see why they have to be in all the movies. I’m scared however, this will be some watered down thing, so as not to step on the toes of the film division. Remember what happened the last time we got a watered down X-Men television show? It was called Mutant X


The box art was revealed for this Winter’s LEGO Avengers. I have SO many comic-based LEGO games to get through, but I’m a sucker, so I’ll probably get this one, too. It helps that they’re releasing it on “older” systems like Xbox 360 and Playstation 3, as not all of us have graduated to the next generation. I really wish Rocksteady had done this with Batman: Arkham Knight. I mean, it kinda sucks that there’s a trilogy of games that can’t all be played on the same friggin’ system!


*Sigh* So, I guess I’ve gotta talk about Fantastic Four, huh? The movie officially comes out today, but the review embargo was lifted on Wednesday and it wasn’t pretty. I’ve heard everything from that fact that it had a strong 2/3 but tanked the 3rd act to the whole thing was just a disaster. You know comic folk can be a passionate bunch, so I’m not really sure who to believe. I’ll see it, but I’m easy to please when it comes to comic book movies. To date, out of all the ones I’ve seen (no, I still haven’t seen Catwoman), I only hated Elektra and The Dark Knight Rises. I was actually fine with the two Fantastic Four films that we already got. It probably helps that I’ve never really liked the comic version of the team, so I didn’t have high expectations. Anyway, they say that this version borrows heavily from the Ultimate Fantastic Four comic, which should be a good thing, since I love the Ultimate Marvel Universe. Sadly, I found that book to be so boring that I still have about 20 issues I haven’t read, and the book’s been cancelled since 2009. Then, things took a real bad turn last night when the movie’s director, Josh Trank, tweeted this:


So, Trank’s basically blaming the studio. Not a great move from the guy who was pushed out of his Star Wars directing gig due to his erratic behavior. So far, the only hit he has under his belt is Chronicle, and I’m not sure how long he’s going to be able to coast on that. Is there any coming back from this? Is the movie so bad that it’ll sink his career?

No links this week, as I’m behind on my blogs, so let’s get to the meat and potatoes: Who had the West Week Ever?


On Tuesday night, Conan O’Brien probably saw his biggest ratings since his move to cable. No, it wasn’t because of a guest, but rather the fact that the Deadpool trailer was slated to premiere during the episode. In fact, the episode’s rating was TV-MA because they would be showing the red band, not safe for work version of the trailer. Welp, once the trailer debuted, it seemed there was a huge divide between those who loved it and those who just weren’t feeling it. I fell into the latter camp.


First, let me explain that I consider myself a Deadpool fan. I haven’t been there since his debut in X-Force, but I’ve been reading his book for the past 8 years or so. I’ve also gone back and read the older stuff, so I think I have a pretty good handle on the character. He’s not a top-tier character, so you might not be familiar with him. Deadpool is Wade Wilson, a mercenary who underwent an experimental procedure to cure his terminal cancer. As a result, he emerged with a healing factor, and it might’ve done something to his brain – making him think he’s a character in a comic book, and resulting in his breaking the 4th wall to interact with the reader. He’s like a cartoon character, and though violent, it tends to be a cartoony violence. Think Roadrunner cartoons. If you saw him, you’d probably ask “Why does Spider-Man have all those swords and machine guns?” That’s basically his look. He’s not someone to be taken seriously, especially in recent years where he’s been trying to be accepted by the hero community.

ultimate deadpool

So, imagine my surprise when they created a movie not about cartoony wacky Deadpool, but sadistically violent Deadpool. This is a far departure from the way he’s been presented in recent years. The violence and language are so amped up that it’s going to be rated R. So, all that said, I really don’t know who this movie is for. My main issue is the R-rating. While his video game was rated Mature, I think they’re cutting out a big swath of the potential audience by making it 17 and up. Parents like to take their kids to comic book movies. Not this one. Add in the fact that he’s not a hero. He’s a mercenary. He kills for money. He’s not saving the world, or fighting aliens. He kills mobsters for other mobsters. I don’t know if you’ve read the recent Deadpool book by Gerry Duggan, but Deadpool really doesn’t kill all that much anymore. He’s kinda gained a conscience, and even has a daughter. If you’re a fan of that Deadpool – ya know, the one currently making money for Marvel – this movie ain’t for you. My pal Carlin brought up the fact that Deadpool’s recently been featured in the Ultimate Spider-Man cartoon, which his son loved. Unfortunately, this is not a movie that he’ll be able to share with his son.


I’m not saying that a PG-13 rating would make the movie a success, but an R will certainly keep it from being one. There are only 2 R-rated comic book movies that have been successful: Blade and Kick-Ass. Blade’s success has more to do with folks’ love of vampires (and then-love of Wesley Snipes) than the character of Blade. And Kick-Ass was just a fluke, as seen by the failure of its sequel. Even Spawn, a movie about a soldier for THE DEVIL, managed to get a PG-13 rating when it probably should’ve been an R to be “faithful” to the source material. Marvel really needs to rethink how they want to allow Deadpool to be used. He can’t be their Mickey Mouse AND their Terminator. I think this movie is a thematic misfire, but we’ll just have to wait and see.

Anyway, everyone was talking about the trailer Wednesday morning, and it sparked some of the best online discussions I’ve had. So, for all of that, the Deadpool trailer had the West Week Ever.

31st Jul2015

West Week Ever – 7/31/15

by Will

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I swear, more effort went into the effects on that poster than in the entire movie itself. Anyway, after the hubbub died down for Sharknado 3: Oh Hell No, I found myself eagerly awaiting the premiere of Lavalantula. In the grand SyFy fashion of combining two terrible things into one big terrible thing, the movie saw the rise of giant tarantulas who spit lava. Oh, and you’ve got to throw in a hasbeen actor, so this one stars 80s hitmaker Steve Guttenberg. In fact, the movie was billed as “starring the cast of Police Academy“, which was pretty much a guaranteed watch. Then, while watching the movie, I was sadly reminded of how many of the Police Academy cast members are no longer with us. No Hightower or Tackleberry, and George Gaynes hasn’t acted since 2003. And there was no Bobcat Goldthwait. So, they might as well have said “Starring Michael Winslow’s sad sound effects, Callahan, and Officer Hooks”. So, how was it? TERRIBLE. Not even good by SyFy standards. Was there ever a time when Winslow’s sound effects were GOOD? I seem to remember a time like that, but they just seem so bad now. And the special effects were horrible, as they couldn’t even properly render a hole in the ground from which the lavalantulas emerged. Plus, it just seemed to lack the…charm of Sharknado, and I found myself bored pretty quickly. Sure, there was a surprisingly fit Nia Peeples running around in a sports bra and yoga pants, but that wasn’t even enough to save the movie. Apparently, SyFy wants Lavalantula to be its next big franchise, a la Sharknado, but they’re going to need to take more notes from that more successful series before cranking out another Lavalantula.


On Saturday, Lindsay and I took in a matinee of The Book of Mormon. I went into this play knowing nothing about it other than it was “from the creators of South Park“. I’d seen the Mormon episode of South Park, but had they really turned that into a musical? Not exactly. For those who also don’t know much about the show, here you go: two young Mormons are sent to Uganda for their mission trip, and hilarity ensues. One of them is the “model Mormon”, while the other has a wild imagination and likes to make up stories. The promising one kinda washes out early, but the villagers become captivated by the imaginative one’s stories, and he leads them to the Church of Jesus Christ of Latter Day Saints. It’s blasphemously hilarious. Or hilariously blasphemous. I was talking to an LDS friend online, and he said something that I kinda agree with: the show, as disrespectful to organized religion as it can be at times, still seems to have a strange sort of respect for the Mormon religion. I’d been really curious to know how an actual Mormon would feel about the show, and he said that the lefty ones wouldn’t have a problem with it, but the more conservative ones would. I honestly think that goes for all religious audience members. I could never take my mother to see it (and she’s not LDS), but I know religious folks who would enjoy it. Anyway, if you want to know how Joseph Smith and Boba Fett led the Mormons to Salt Lake City, then I definitely recommend you check out this show.

boba fett

Speaking of Boba Fett, there’s a rumor that the long-awaited live action Star Wars television series may finally be surfacing at Netflix. This has been in the works since long before Disney bought the franchise, so I’m not even sure what it would encompass at this point. Right now, the rumor is that Disney may be working on as many as THREE different Star Wars series for Netflix. I know that makes some of you happy out there.


I got my first celebrity follow! Yes, as of last night, I’m the proud followee (?) of WWE Superstar Dean Ambrose. The whole thing is funny to me because it’s not like I’ve been especially kind to him lately. Over the course of the week, I posted the following tweets:

Ambrose 2


Ambrose 3


Well, then I did some Catfish-style detective work, and figured out that it’s just a parody account *sad trombone*. No, the lack of the verified checkmark isn’t the tip-off, as his actual account @TheDeanAmbrose doesn’t have one either. I wanted to think he had a sense of humor about himself, but it was really just someone, as the Brits say, “taking the piss”. I’ll get my celebrity follower one day!


In movie news, New Line Cinema wants to reboot the Shaft franchise, with “comedic elements” from Black-ish creator Kenya Barris. Well, this thoroughly pissed off writer David F. Walker who, not only wrote the recent Shaft comic for Dynamite Entertainment, but also wrote the first licensed Shaft novel in 40 years. I like David. I did a podcast with David. He’s a passionate guy. That said, I think that, at the end of the day, John Shaft is a licensed character. Just because you’re given a shot at him does not mean that you own him. David compares a comedic Shaft to Black Dynamite, noting that movie didn’t even make $1 million in theaters. He implies that’s a clear indication that audiences don’t want parodied Blaxploitation, but I don’t think that’s a fair comparison. After all, Black Dynamite only had a limited release in 70 theaters, for a 2-week stint. Most people found it on video, and it developed a cult following that resulted in 2 seasons of an animated series on Adult Swim. I liken this to the backlash against the upcoming female Ghostbusters. I wouldn’t mind a comedic Shaft, and I don’t think it would hurt the source material for it to deviate in tone. Those original movies would still exist. Anyway, David’s star is rising, as he’s the also the writer of DC’s recently-launched Cyborg series, so folks are definitely listening. Whether or not his pleas are going to matter remains to be seen.


In other movie news, another unwanted movie may be in trouble. Channing Tatum’s Gambit movie is reportedly falling apart, with it rumored that Tatum has walked away from the film. This is unfortunate because he’s the only one who even wanted the movie to get made. Well, him and creators Chris Claremont and Jim Lee – who were bound to get some kind of royalties when the movie was made. This is just an example of wrong place, wrong time. NOBODY wants a Gambit movie, and he’s not even prominently featured in any comics at the moment. Had they struck while the iron was hot, the movie would’ve been made immediately following X-Men Origins: Wolverine. Sure, it probably would’ve been a steaming pile of shit, but at least the character was on folks’ radar, and Taylor Kitsch might still have some semblance of a career.


This will only appeal to folks in the DC/Florida area, but I have been OBSESSED with the drama surrounding local, yet syndicated, radio DJ Kane. So on last Friday morning’s show, Kane broke down crying at the end and announced that he and his wife were getting a divorce. According to him, he came home one day about 3 months ago, and found that she hadn’t paid the bills in about 4 months. She had also taken the kids to Florida and drained the bank accounts. You can’t hear it now because Clear Channel scrubbed it from the show’s podcast.

Meanwhile, Kane’s old co-host Sarah Fraser is now his rival over at 107.3. When she heard about everything, she sided with Kane’s ex and tweeted #karmabeabitch. She claims that Kane was fake and manipulative, which is why she had to leave his show in the first place.

Also, Kane was diagnosed with severe OCD recently, as he and the wife were on the local news talking about it. It had put a strain on the marriage, but now folks are wondering if he had been controlling and abusive, as Natasha’s actions are similar to what a battered wife would do. After all, it seems she had been transferring all the money to gift cards, so he coukdnt track her purchases, and a relative from Florida had even flown up to help her “escape”.

Basically, Kane threw her under the bus, on air, but then tried some lame damage control, saying that he didn’t want folks to say anything bad about Natasha – knowing that folks would hate her after everything he said. It was just really petty that Sarah got involved, as she’s been gone from the show for 3 years, but is still clearly harboring resentment. She had to take to her site and clarify her tweet, as her fans turned on her said she was being petty.

In related news, Kane had kinda been bullying Sarah and her show, as someone on Kane’s team had messed with Sarah’s show’s SEO stats. If you googled any of the folks on that show, it would redirect to “diarrhea” or “failure”. At the time of writing this post, I have combed through 108 pages of mommy blogs to get all this. I’m so ashamed of myself…

I was gonna rant some about Hulk Hogan and Cecil the Lion, but I’m kinda over that shit by now. If you really care, check out my Twitter feed. Otherwise, I’m just gonna let that stuff go.

Links I Loved

Day 61: My name is Tim. And I have a problem. – Flashlights Are Something To Eat

Religion of a Different Color: Race and the Mormon Struggle for Whiteness – Modern Mormon Men

The Worst Decisions of Cartoon Hero Leaders – The Robot’s Pajamas


This was NOT a great week for geek stuff. Lots of controversial stuff, but no real geek stuff. So, the real beacon of pop culture was the season premiere of Rick and Morty on Adult Swim. It’s a hilarious show by Dan Harmon (the creator of Community), following the adventures of 14 year-old Morty and his alcoholic scientist of a grandfather, Rick. They tend to travel interdimensionally, getting into all sorts of trouble. In last season’s finale, they stopped time just before Morty’s parents got home, so that he and his sister could clean up from the massive party they’d had in the parents’ absence. Well, In the season premiere, we learn that time has been frozen for about 6 months, and now it’s essentially broken. Rick inadvertently creates several parallel timelines, and has to merged them before time becomes more fractured. Ya know, it wasn’t my favorite episode of the show, but I did like the commitment to starting exactly where things had left off. It’s a funny show, regardless, and I look forward to seeing what the season holds. So, for being the shining star in a week full of crap, Rick and Morty had the West Week Ever.

17th Jul2015

West Week Ever – 7/17/15

by Will

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It’s been so long since I’ve done one of these that I’m gonna have to kick the dust off everything. Basically, brace yourself for a whole lot of “This Is What Will’s Been Watching”.


A few years ago, I read Shopgirl, by Steve Martin (Yep, that Steve Martin). I remember it because we had lost power due to an intense heat wave, and I really had nothing else to do. Plus, as a novella, it was short. I remembered enjoying it, but feeling that it was a bit of a sad story. So, last week, when I saw that the movie was on (also starring Steve Martin), I thought, “Well, I remember liking this. Let’s watch!” I have to say that I don’t remember reading most of what was in that movie. I’m not sure if there was that much of a departure, or if my memory is just that bad. I watched that thing like I had never even encountered the story before, as everything felt new to me.

If you’ve never heard of Shopgirl before, it’s about a girl who works in a department store (Claire Danes), who begins an affair with one of her customers (Martin). He’s not looking for love, but she is. Meanwhile, Jason Schwartzman is there, being Jason Schwartzman – trying to get Danes to notice him. It’s a typical love triangle, and ends like you’d expect. Would I recommend it? Um, sure? I dunno. I seem to say this a lot, but there are worse ways to kill 90 minutes. If you’ve ever wanted to see Claire Danes’s ass, this is the film for you. Other than that, I’m not sure I like Steve Martin in a dramatic role. I know everyone’s doing it, from Robin Williams (RIP) to Bill Murray, and he’s certainly capable at it. I just prefer the Steve Martin who “was born a poor Black child.”


The next movie I watched was the unnecessary sequel, Horrible Bosses 2. I enjoyed the first movie, as it has a likable cast. Bateman, Sudeikis, and Day? Hilarious! Throw in Jamie Foxx as “Motherfucker” Jones, the ex-con who’s gonna help the guys do in their overbearing bosses? Priceless! I can understand the desire to get the band back together, but there was no real reason for a sequel. The plot is really flimsy, and the antagonist isn’t even technically their “boss”, so the title is a misnomer. This time around, the guys have invented a product to revolutionize the way people take showers, when their investor decides to screw them over by forcing them into foreclosure and taking the product for himself. So, to get back at him, they decide to kidnap his son and ransom him to get back the money they need to pay off their loan. Only the son WANTS to be kidnapped, to stick it to his dad. And then I just stopped paying attention. It got way too convoluted for a comedy. This ain’t Oceans 11! Do not watch!


On the TV front, there are a couple of new shows I’ve been checking out. First up is HUMANS, on AMC. In the near future, people can buy “Synths” – synthetic humans designed to make their owners’ lives easier. The duties performed by the Synths range from cooking and cleaning to more…sensual matters. The show really sort of focuses on how people react to having the Synths in their lives. Meanwhile, there seems to be a group of Synths who have gained autonomy, and they’re being hunted down because of what they might mean for the future of Synths and humanity. It’s a really interesting show, and if you’ve watched any British shows in recent years (it’s a joint venture between England’s Channel 4 and AMC), you’ll recognize some of the actors – like Katherine Parkinson, from The IT Crowd. It’s an 8-episode season, and AMC has only shown the first 3 episodes so far, so it’s not too late to jump in.


Meanwhile on USA, I’m watching Mr. Robot. It’s a show about a hacker who gets recruited by a hacker collective known as f society, who plan to take down an evil corporation. To be perfectly honest, the whole take down plot is completely lost on me, but I enjoy the show because I like the characters. I haven’t watched a show with such a morally-ambiguous cast since Nip/Tuck. Now, I didn’t end up finishing that show, as boredom eventually kicked in (some cable network should really be showing reruns of that show. Get on that, somebody!). I hope the same thing doesn’t happen here, as I could feel boredom creeping in during this week’s episode. I’ll still watch for now, though, as the lead looks like SNL‘s Pete Davidson, so it’s fun to imagine that the show is just a really long, elaborate sketch.


Over on Bravo, I fell in love with the scripted comedy Odd Mom Out. Starring Jill Kargman (and based on her 2007 novel Momzillas), the show focuses on a fictionalized version of Kargman as she has to navigate the excess and affluence of New York’s Upper East Side. When I first watched the show, I thought that everyone sucked at life. Then, I realized you had to get into the mindset of the show. The primary Bravo audience is tuning in for Real Housewives shows, so how would they receive the show? Now that I’ve seen the 6 episodes that have aired so far this season, I love the show. Kargman has this cool vibe to her where I’d really love to be best friends with her. Plus, it doesn’t hurt that she always favorites my tweets when I write about the show. Abby Elliott costars as Jill’s sister-in-law, while The Office‘s David Wallace (Andy Buckley) plays Jill’s husband. It’s not for everyone – especially not the geek crowd that tends to read this post every week – but I think a few of you out there may really enjoy it.


Finally, over on Fox, I discovered Wayward Pines. I originally meant to watch this show back when I wrote my Fox Upfronts post last year. Then, it debuted and I just kinda forgot about it. Well, I started watching it Monday night and ended up watching the first 5 episodes in one night. I thought it would just be a Twin Peaks ripoff, but it’s so much more, and it’s SOO GOOOD! Matt Dillon wakes up after a car accident and finds himself in a small Idaho town, called Wayward Pines. The townsfolk seem to be filled with fear, hidden behind forced smiles, and everyone’s under surveillance. Dillon tries to leave the town, but finds that he can’t because it’s walled off from the rest of the world. And that’s when shit REALLY gets weird. In Episode 5, you learn the truth about the town, and it will BLOW. YOUR. MIND. The show is executive produced by M. Night Shyamalan, so you really shouldn’t be surprised that there’s a twist. Still, Shymalan’s career has taken a beating in recent years, which is probably why they’re trying to downplay his involvement here. It’s a shame, because this could be seen as his comeback vehicle. The series finale is next Thursday, and I’m filled with questions. Also, I’m kinda surprised that Fox is sticking to this being a one-time limited series, since it seems to be a summer hit. I just can’t imagine they wouldn’t try to somehow develop a second season out of it. Anyway, you’ve got a week to catch up On Demand, so you can watch the finale along with me.


Yesterday on social media, everyone (and I mean EVERYONE) made the same Ivan Ooze joke about the depiction of Apocalypse in the next X-Men movie (I didn’t even know that many people had seen Mighty Morphin Power Rangers: The Movie!). It does, however, lead back to an apprehension I’ve had since the X-Men movie franchise began. While it’s nowhere near as grounded as something like the Netflix Daredevil series, the X-Men movies have been grounded enough in their own version of reality that it was going to be hard to shift into some of the more “exotic” villains like Apocalypse and Mr. Sinister. Based on the world that Bryan Singer created, there would never be an option to go against something like Mojo or The Brood. Luckily for them, they’ve wasted all their movies telling yet another iteration of the Xavier vs. Magneto sparring match. I just think there’s a wealth of characters that could be mined for an X-Men film, but they painted themselves into a corner. Now, they finally decide to go for one of the more outlandish X-Men villains, and this is how it’s received. Apocalypse just doesn’t fit in the world that they’ve crafted. Let’s hope he looks better when they slather him with effects.


Speaking of comic book movies, the trailers for 3 anticipated films debuted last weekend at San Diego Comic-Con. These included the latest one for Batman v. Superman: Dawn of Justice, as well as Suicide Squad, and Deadpool. Of course, bootleg versions of the latter two leaked online, as these things are wont to do, and Warner Bros were none too happy about it. They decided to officially release the Suicide Squad trailer, but only because their hand had been forced by “piracy”. And they made sure to address this while releasing the clip. Fans contrasted this with Marvel’s reaction to leaked Avengers: Age of Ultron trailer, where the company simply tweeted a jocular “Dammit, HYDRA!” Basically, the tone of the Warner Bros message was basically “We had no intention of showing this to you, but thanks to a few bad apples, we decided to show you the trailer as it was originally intended, and not in the low quality version that’s making the rounds.” They seemed to think they were getting in front of the issue, but seemed like such a bunch of crotchety old fogies while doing so.

Anyway, my thoughts on the trailers:

Batman v. Superman: Dawn of Justice – I’m no more excited about this movie than I was before. That’s to say, I’m really not excited about it. At all. I don’t really like the Snyderverse, as I didn’t hate Man of Steel, but I didn’t love it, either. I’m also not sure about Affleck’s Batman. I saw Man of Steel On Demand, and that just might be the case here. The only reason I’d see it in theaters is because Batman’s in it, but I’m not sure this is my Batman.

Suicide Squad – Again, not very excited. I’ve seen people losing their shit, talking about how awesome it looks. I’m happy for them, but I don’t share that sentiment. I can’t get out of my head how someone said that the promotional image of the team made them look like those Homies figures you get out of vending machines. That was SPOT ON! I’m not a big Will Smith fan, I don’t really like this version of Harley, and I don’t even know what to think of Leto’s Joker. Again, the only thing that might get me to see this in theaters is the fact that Batman’s in it.

Deadpool – looks fun, but Ryan Reynolds is box office poison right now. He’s got a string of flops behind him, from Green Lantern to R.I.P.D. to Self/Less. I’ve been a fan since Two Guys, A Girl, and A Pizza Place, but times are not great for him lately. Reynolds aside, I think the biggest problem is the R-rating. I’ve said it before, but I don’t see anything about Deadpool that deserves an R-rated movie. His comic isn’t a MAX title, so it’s not Mature Readers. That means there’s no sex and no cursing. While it could be pretty violent, it’s a cartoon violence, and nothing on par with, say, Punisher. I think they’re really cutting out a big chunk of their potential audience by making it rated R, as parents like to take their kids to superhero movies. The only 2 R-rated comic movies that have been successful are Blade and Kick-Ass. I still say that Blade did well because it drew in the vampire fans moreso than the comic people (Comic fans don’t really love Blade, as he’s never had a series to last more than 13 issues). I got nothing for Kick-Ass. Also, people will debate me on this, but I don’t think Deadpool’s a household name. Sure, comic fans know who he is, but if you showed him to the man on the street, he’d ask “How come Spider-Man has swords now?” I guess we’ll just have to wait and see how this all turns out. Don’t get me wrong – I WANT it to be a hit, but I’m just skeptical right now.

Things You Might Have Missed This Week

– 50 Cent filed for Chapter 11 bankruptcy protection. Where’d all that Vitamin Water money go?

– Brandy sang on the New York subway, and was shocked when nobody gave a shit

– I watched the ending to Batman: Arkham Knight on YouTube (way to not release it on the 360, Rocksteady!) THAT’s how you tell a Final Batman Story!


My pals, Zac and Adam, co-host the No Topic Required podcast, and this week’s episode was very special, as it was the FINAL episode. Luckily, I was invited to take part, and it was a pretty fun time. I’m always sad to see one of my favorite podcasts go (looking at you, Cold Slither Podcast), but I’m sure that Zac will be back with something new once he recharges his batteries. In any case, you should go give the episode a listen!


You know what didn’t have the West Week Ever? San Diego Comic-Con. Usually an informational mecca for the pop culture set, nothing really came out of there this year, outside the trailers I already mentioned. Marvel and Image had already revealed their big plans, so it was really DC’s con to lose. And lose they did. They announced the Milestone characters would be returning as Earth-M in the Multiverse (meh), Adam Kubert and Klaus Janson would be the artists for Frank Miller’s The Dark Knight III: The Master Race (meh), and Ben Affleck and Geoff Johns would be teaming up for a standalone Batman film (I’m listening…).


Since I skipped 2 weeks, and left you all without a true WWE in that post, I didn’t want to come back and say that nobody had the West Week Ever. So, you know what had it? Go Set A Watchman, by Harper Lee.

Have I read it? Nope. Have I heard good things about it? Nope. In fact, it’s probably just a cash grab, resulting from Lee’s manipulating caregivers. Still, its release this week is pretty important to the literary world, as it’s the sequel that no one thought they’d ever see. It’s the Ghostbusters 3, Who Discovered Roger Rabbit?, and Goonies II of literature. And that’s gotta count for something, right? I mean, Lee retreated from the fame generated from the release of To Kill A Mockingbird, and vowed to never release another book. Yet, here it is. It almost doesn’t even matter if it’s good or not. The most important thing is that it exists. And as of this past Tuesday, you can own it and read it for yourself. I definitely plan to read it, so I’ll share my thoughts once I do, but for now, Go Set A Watchman had the West Week Ever.

12th Jun2015

West Week Ever – 6/12/15

by Will

photovisi-download (17)



I watched a LOT of stuff this week, so let’s get to it!


First on the docket was a documentary on Netflix called Hot Girls Wanted, about the “professional amateurs” or “pro-ams” of the porn industry. You know those sites like Bang Bus, where they pick up random girls off the street? Those aren’t really strangers! No, they’re newcomers to the industry who pretend to be randos. I’m shocked and appalled! Anyway, since California passed laws requiring condoms in pornography, a lot of the industry picked up and moved to Miami. The film follows a handful of girls who simply answered an ad on Craigslist, offering a free trip to Miami for some modeling work. It was really fascinating, as a lot of the girls answer the ad as they see it as the only way to get out of their podunk towns. You also get to meet the family of one of the girls, as she confesses to what she’s been doing in Miami. It’s cringe-inducing when, after her mom asks if she’s worried about getting pregnant, she explains that the guys finish on her and not in her. Yes, to her mother! Since the average career lifespan of a pro-am is about 6 months, most of the girls have left the industry by the time the film ends, and they’re back in those podunk towns, waiting tables or going to school. I learned a lot from this documentary, which was surprisingly produced by Rashida Jones. And for you puritans out there, it’s about porn, but they don’t really show anything, so don’t be afraid to check it out.

Jersey Boys Quad jpg

Next up, I watched Jersey Boys, which was nowhere near as interesting as I thought it’d be. Based on the Tony Award-winning musical of the same name, Jersey Boys follows the rise and fall of ’60s group Frankie Valli and The Four Seasons. Seeing as how I come from the school of The Temptations and The Five Heartbeats, I was expecting something juicy along those lines. The problem, however, is that there’s nothing inherently interesting about Frankie Valli. All of the action happens around him, but doesn’t really concern him. If anything, the real star of the movie is group founder Tommy DeVito, as he’s the one who keeps the action going. Plus, the movie included my least favorite part of the biopic: when they age up the young actors with really bad makeup to make them look like the current old versions of the characters. I swear, Frankie Valli’s old man makeup was so bad that he looked like a zombie. The interesting thing to me is that the Frankie from the Broadway show, John Lloyd Young, reprised his role in the movie, however I didn’t feel like he brought much to the role.


Then, I watched John Wick or, as I like to call it, Headshots For Everyone! Oh my God, this was an amazing movie. I’ve never been what you might call a Keanu Reeves “fan”, but I never disliked him. Nope, not even The Matrix made me board the Keanu bandwagon. After watching this movie, however, I’m a fan. This movie makes Taken look like an Afterschool Special. When the Russian mob kills his dog – a final gift from his deceased wife – retired hitman John Wick goes on a killing spree to get his revenge. It’s such a beautifully shot film, with an excellent soundtrack. I’d heard people raving over the film when it came out, but I never really thought it’d be my cup of tea. The more I heard, however, the more curious I got. Luckily, Lionsgate sees John Wick as a franchise, and a second movie is on the way. I can’t wait!


Finally, I watched Miles Teller and J.K. Simmons in Whiplash. I’ve been wanting to watch this since awards season, but I had no idea just what I was getting myself into. This movie is INTENSE, but excellent. I mentioned a few weeks back that Teller was growing on me, and this movie just sealed the deal. He was spectacular in his role as a first-year student at a music conservatory, determined to become one of the great jazz drummers. Simmons was similarly amazing, as the offensive and abusive band conductor who could make or break Teller’s career. The energy between the two actors is electrifying, and I found myself on the edge of my seat for most of the movie. Who knew a film about jazz could do that to a person? You should definitely see this movie.


So, this week, Marvel revealed that Iron Man is essentially going to be their flagship character following the events of Secret Wars. Launching out of the event will be a new Invincible Iron Man series, written by Brian Michael Bendis and drawn by David Marquez. Taking place 8 months after the end of Secret Wars, this Tony Stark isn’t as rich as he used to be, so he’s no longer funding the Avengers. However, he’s got a new armor that can become all of his other armors, and he’ll have a new supporting cast. While Bendis has written Tony as part of other books, such as New Avengers and Ultimate Spider-Man, this is the first time he’ll be taking a crack at him in his own title. In Kieron Gillen’s run on the character, he revealed that Tony Stark was adopted, so one big mystery during Bendis’s run will be “Who are Tony Stark’s biological parents?” I remember hearing about the adoption storyline, and thought it was kinda contrived, but Bendis seems to think he can do something with it, and I generally trust him. That said, this announcement makes me worry about Miles Morales, as I hope it doesn’t mean that Bendis is moving on from the character. I mean, in order for him to grow, Miles will need to be handled by other creators, with diverse voices, but there’s something to be said for being handled by your creator. I hope Bendis has the bandwidth to handle both characters.


Speaking of Marvel, it was announced that Jon Bernthal will be joining the Netflix Daredevil series next season, as Frank Castle, AKA The Punisher. Bernthal’s last big role was as Shane on The Walking Dead, but I’ve never watched an episode of that show, so I can’t really say anything about his performance. I do remember him as part of CBS’s The Class, with Lizzy Caplan and Jesse Tyler Ferguson. That show was a comedy, and he was kind of a meathead on there, but I think he’s got the look. The Walking Dead fans seemed to be pumped, so I guess this was great casting on Marvel’s part.

Jessica Jones

Meanwhile in the Marvel Netflixverse, A.K.A. Jessica Jones has dropped the A.K.A. It’s probably for the best, as the original title was kinda stupid. Still, I’m sure a lot of folks are wondering “Who’s Jessica Jones and why should we care about her?”, but they were asking that regardless of what the show was called.


It was announced this week that 90s CGI cartoon Reboot would be returning for 26 episodes, and the fans rejoiced. Seriously, people have been begging for a Reboot…reboot for years, so I guess they can chill for now. I, however, never watched more than one episode of that show. I HATE mid-90s CG, and that show just reeked of it. If anyone watched this season of Community, Reboot looked like the virtual reality machine that Elroy sold Greendale. Anyway, technology has come a long way in the last 20 years, and if they’re truly starting back at 0, then I might give this new iteration a chance.


Speaking of cartoons, there was uproar this week as two tidbits were released regarding the next season of The Simpsons. First of all, Sideshow Bob would finally kill Bart in the next Treehouse of Horror Halloween episode. That’s not really a big deal, since those thing are practically dream episodes and nothing in them matters anyway. Second, it was announced that Homer and Marge would undergo a legal separation next season. Since this is likely just the plot of one episode, it’s not like this is something that’s gonna stick (R.I.P. Maude Flanders). After almost 30 years on the air, it’s hard coming up with “fresh” ideas. A lot of folks are saying that these plots show it’s time for the show to pack it in, but it’s got people talking about an ancient show, so there’s no such thing as bad publicity.


Is this woman White or Black? That, my friends, is the question that fired up social media last night. The woman pictured is Rachel Dolezal, an activist and Africana studies professor from Washington state. According to her White parents, however, she has been passing herself off as Black for years. Turns out she’s just been doing her best George Hamilton/Tom Jones impression, and she’s not really Black – even though she’s the president of the Spokane, Washington chapter of the NAACP. You can read more about it here (I typically hate Buzzfeed, but they have the most comprehensive timeline of the whole thing), but her parents have put her on BLAST for some reason. If you met her, what would you think she is?


I’m just fascinated by the whole thing. If it’s true, wasn’t she scared of being found out eventually? What was it like, day in, and day out, wondering “Is today the day?” I’m always kinda impressed by people who manage to lead double lives, so this kinda goes in that pile. Is the story true? I guess time will tell, but the Twitter Sleuths are on the case.


I had the pleasure of joining Corey and Howie over on the UnderScoopFire Podcast last week, and the episode is now live. We discussed the up and coming television stars who are on the verge of making The Leap to the big screen. Did your favorite star make the cut? Hint: if they star on The CW, they probably did.

While we’re talking about me, I had an interesting week. First of all, I got my first cease & desist letter, from Lionsgate. If you remember, a few weeks back, I posted some concept art that may or may not be of the zords from the upcoming Power Rangers movie. A lot of sites  had been asked to take the pics down, so I surmised I might be asked to do the same, should I ever end up on their radar. Well, I’m small potatoes, and that didn’t happen. So, the other day, I tweeted this:


Well, some Lionsgate intern clearly has a filter for their name on Tweetdeck, and caught that conversation. How do I know this? Not 3 hours after this conversation, I received an email from Lionsgate’s legal representation, with a whole bunch of gobbledegook about unauthorized usage of concept art, blah, blah, blah. They “request [my] assistance in the removal of the aforementioned artwork from [my] website.” OK. I’ll get around to it eventually. I’d just like to point out that I did your work for you, Lionsgate. Like I said, I’m small potatoes, but you gave me something to check off the vision board, so I thank you.


Next up, I got to appear in my third comic book this week (the others being Freddy vs. Jason vs. Ash and Zombie Proof), as my good friend, Keith Davidsen, is currently writing a Reanimator series for Dynamite Entertainment. Going into this, I knew NOTHING about the Reanimator movies and Dr. Herbert West, but the series is accessible enough that none of that matters. Anyway, Keith did me a solid by writing me into issue #3 (which shipped Wednesday) – where I’m brutally murdered. The likeness isn’t all that sharp, but apparently I own a hardware store and I give great customer service. R.I.P., Comic Will. The overall story’s great, and it’s been getting good reviews. You can still pick up issues 1 & 2 at your local comic shop and, like I said, #3 – with my death – came out this week.

Things You Might Have Missed This Week

Degrassi, just cancelled by TeenNick, has been renewed by Netflix. It will return in 2016 as Degrassi: Next Class

Pitch Perfect 3 is officially happening

According to TVLine, Fuller House will feature Danny Tanner’s younger, BLACK wife! YES, Y’ALL! Apparently, they’re currently casting for an “attractive, vivacious, and youthful” actress to protray Danny’s 40 year old wife.

-Chris Hemsworth has been cast as the receptionist in Paul Feig’s female Ghostbusters film

-Raven-Symone has officially joined The View as a permanent co-host

-Chiwetel Ejiofor, or as I like to call him Chitlin Ejector, has been cast as Baron Mordo in the Doctor Strange film

Links I Loved

Remembering Mary Ellen Trainor – UnderScoopFire

G.I. Joe’s Dumb Policies on Facial Hair – The Robot’s Pajamas

In 1991, I Turned Our Shed Into A Clubhouse. – Dinosaur Dracula

Check out Sales to Astonish. – Team Hellions

All-New, All-Different Marvel Creative Team Fantasy Booking – The Kliqnation


So, Batman #41 came out this week, with Commissioner James Gordon as the new guy in the Batsuit. I’m still not entirely sold on the idea, but I’m curious to see where it goes. They’re going for a Team Batman approach, as he has a tactical team up in some kind of Bat Blimp that helps him out. Also, in Detective Comics #41, Detective Renee Montoya made her post-New 52 debut. Is she The Question? Is she still a lesbian? We’ll have to wait for answers to all of these questions. Still, as interesting as these books were, none of them knocked my socks off. In fact, nothing really blew me away this week, so I’m sorry to announce that no one had the West Week Ever. Try harder next week, America!

05th Jun2015

West Week Ever – 6/5/15

by Will

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The first thing I watched this week was This Is Where I Leave You, featuring an all-star cast including Jason Bateman, Tina Fey, Jane Fonda and more. When a family’s patriarch dies, he requests that his family sit shiva to mourn him. And hilarity ensues. Kinda. It’s not a laugh out loud comedy, and is more of a dramedy. There are funny moments, but these are all just damaged people, and it’s actually more sad than funny. I mean, all their marriages are falling apart, they’re not happy with their lives, and they really don’t know where to go next. I’m sure a lot of folks probably relate to it, but it was kind of a downer. It does end on a note of optimism, though, so there’s that.


Next up, I caught The Watch, starring Vince Vaughn, Ben Stiller, Jonah Hill, and Richard Ayoade. Originally called Neighborhood Watch, this movie BOMBED in theaters because it came out right after the Trayvon Martin situation, when neighborhood watch wasn’t a very popular concept. Anyway, when a mysterious murder takes place in the CostCo that he manages, Stiller forms a neighborhood watch to solve the crime. While investigating, they find out that an alien threat is plaguing their town, and that Earth is on the verge of an invasion. This was a curious little film. First of all, I learned that when you watch a movie On Demand, you get the version that originally appeared on its respective network. This version aired on FX, however it was an R-rated comedy, so there were lots of dubs and edits. The interesting thing, however, is that there was really no need for it to have been rated R. I mean, sure, the language is “colorful”, but I think they could’ve made the same movie at a PG-13. After all, the “fucks” and other words just seemed out of place in the script anyway. Apparently, it was originally developed as a PG-13 teen comedy, and it was later rewritten by Seth Rogen to be this R-rated thing. I liked the cast and I liked the movie. If anything, however, I’d say it was too short. It clocks in around 90 minutes, and it sets up a lot of stuff that doesn’t really have a deserving payoff.


It was reported this week that Dwayne “The Rock” Johnson, fresh off the successful opening of San Andreas, will star in a remake of 80s cult hit Big Trouble in Little China. And the internet lost its mind! On Facebook, it was interesting to see the racial divide of the reactions. White kids of the 80s thought it was blasphemy, as that movie is considered some kind of holy grail. Black folks were like, “I’d see that.” Meanwhile, Asian folks were hesitant for two reasons: 1) some of them “claim” The Rock, due to his Pacific Islander lineage and 2) Big Trouble In Little China is kinda Orientalist, and not really the kind of move you can pull off in today’s politically correct world. For the folks upset about this news, I want to point out two things: 1) some Asian American group will probably protest the Hell out of this movie and it’ll never be made OR 2) it’ll join The Fall Guy and Spy Hunter as movies The Rock’s been attached to, yet never got off the ground. I remember liking Big Trouble, but I haven’t seen it in a LONG time – odd, seeing as how I think I own it. In any case, I’m not a cinephile, so there aren’t really any movies that are “untouchable” to me. I was always excited to see it when it came on TV, but I also would love to see what The Rock could do with the material, especially since it’s supposedly his favorite movie. So, I’ve got a “Let’s wait and see” attitude about the whole thing.

emma stone aloha

Speaking of race and movies, there was a big hubbub this week, as Cameron Crowe’s Aloha bombed at the box office (beaten by the aforementioned San Andreas). The backlash against the movie, however, is that Emma Stone was cast as a half Asian character named Allison Ng. Many people felt that there were half Asian actresses who should’ve been considered for the role before Stone. Well, we don’t know who tried out for the role and was rejected. All we know is that Stone got the role. Some people have written articles listing those potential actresses, like Chloe Bennett, Olivia Munn, and Kristin Kreuk. Well, I can honestly say that none of those have the acting chops to get my ass in a seat to see a movie. They may have potential, but they’re just not there yet. They’re not marquee stars. In fact, at the moment, you can’t name a marquee Asian female star to fill that role. Then again, if you don’t give them roles, then how are they ever expected to break out? It’s a complicated situation, and clearly even Stone didn’t have the drawing power to make this thing a hit. I just wonder why all of this is falling on Stone. I mean, it really sucks to be her right now, as the movie’s failure seems to be placed on her, but then Crowe even apologized for casting her. To her, it was a job. She was hired and she performed it. All this other stuff was out of her control. In any case, it’s clear that Emma Stone did not have the West Week Ever.


Meanwhile, there’s a similar debate brewing around the Doctor Strange movie, as it’s rumored that Tilda Swinton may be up for the role of The Ancient One. Ya know, the old Tibetan man who mentored Doctor Strange in the mystic arts. Some outlets are saying that this is a win for feminism, but it’s at the cost of ethnic diversity. I mean, why are you casting a middle age White woman as an ancient Asian man? I could waste some more words on this, but I really, really don’t care much for Doctor Strange, so I basically don’t have a horse in this race. My pal Jenn has a much more nuanced take on the whole thing. Call me when they try to cast Taylor Lautner as Luke Cage.

Things You Might Have Missed This Week

Awesome Con 2015 Cosplay Gallery

Comical Thoughts – Batman, and Archie, and Jem! Oh, My!

-After 14 seasons, Degrassi: The Next Generation is ending this summer

-My buddy @ClassickMateria sent me this. I have no idea what’s going on here.

-Stephen Colbert announced Jonathan Baptiste as his bandleader for The Late Show.

-Bruce Jenner will now be known as Caitlyn Jenner

-Henry Simmons has been promoted to series regular on Agents of S.H.I.E.L.D.

Furious 7‘s James Wan is slated to direct Jason Momoa in DC’s Aquaman film

-TV Land’s Hot In Cleveland ended its 6-season run this week


-Apparently, Lifetime is making The Unauthorized Full House Story. Have you ever seen a plainer-looking group of people outside of an Old Country Buffet? Seriously, this looks like a frame from Too Many Cooks.

Links I Loved

AWESOMECON 2015: Best of TMNT – The Sewer Den

Official Teaser Image For ALL-NEW, ALL-DIFFERENT Marvel Universe – The Kliqnation

ALF Had a German Singing Career – The Robot’s Pajamas


Community was the little show that could. It survived 2 networks, the loss of 3 cast members, and several other behind-the-scenes changes. Well, this week saw what was most likely the series finale. After 6 seasons, the study room is closed.

This hasn’t been the smoothest season for Community, as many folks didn’t keep up with it once it transitioned to Yahoo Screen. I’m one of those people, as I would forget that new episodes were released every Tuesday, so I’d end up binging a bunch of them at once. Still, when I did catch it, I enjoyed it immensely, as this was one of the strongest of the six seasons. On top of that, the new castmembers Paget Brewster and Keith David fit in like they’d been there the whole time. I’d gotten to a point where I missed Shirley, but really didn’t miss Troy or Pierce, so I welcomed the new additions to the Save Greendale Club.

The episodes were some of the strongest in the series’ run, especially this year’s paintball episode. The show has always been pretty meta, and the finale was the most meta it’s ever been. In the finale, the group mulls over how a seventh “season” of their friendship would play out. Series creator Dan Harmon has always been an astute student of television tropes, so that’s fully at play here. Let’s be honest, though -there’s no season 7 coming, and everyone involved knows that. There will be no #sixseasonsandamovie, as this was most likely the last time we’ll see the Greendale bunch. Knowing this actually brought a tear to my eye as I was watching the final scenes of a show that changed the way that I viewed television. I’m gonna miss Jeff Winger, Annie Edison, Britta Perry, Abed Nadir and Dean Pelton. Hell, I’m even gonna miss Frankie Dart and Elroy Patishnik. They usually brought a smile to my face (even during the “gas leak season”), and I thank them for that. It may not have been on a “real” network, but this finale season of Community had more quality than most of what you’ll find on the Big Four these days. And for going out while the quality was still on top, Community had the West Week Ever.

04th Jun2015

Comical Thoughts – Batman, and Archie, and Jem! Oh, My!

by Will


So, I did something that I haven’t done in a LONG time – I actually read all of my Wednesday comics on release day. For the past few months, I’ve been visiting the shop religiously, but really only keeping up with Miles MoralesUltimate Spider-Man and Letter 44. Everything else was just stacking up in a pile. Well, I’ve done some reading, and I’ve got thoughts!


First up, I finally read the “Endgame” storyline that was recently running in the Batman series. I had actually read the first 3 issues as they were released, and then I just sort of stopped caring. So, I had to reread those issues before jumping into the second half of the storyline.

In case you’re not familiar with it, The Joker comes back to Gotham and wages what’s supposed to be his final fight against Batman. It starts out with so much promise, as a battle-suited Batman is forced to fight his Jokerized Justice League teammates. That battle takes all of 1.5 issues, and then it’s done away with. Sure, we’ve seen Batman vs. The Justice League battles before – most notably in JLA‘s “Tower of Babel” storyline, but this one just seemed like it was wrapped up too quickly. In fact, that’s the main problem with the entire story: pacing. It feels like so much happens and so little happens all at once. Certain story aspects were wrapped up too quicky (like the JL fight), while the story itself felt like it was too long at 6 issues. On top of those 6 issues, the Batman family titles also had “Endgame” specials that were tangentially related to the main storyline.


The story starts in a weird place because it’s leading out of the yearlong, weekly Batman Eternal series that only the most die-hard Batman fans even kept up with. I was not one of those fans. So, you’re left with a ton of questions as things open up: Why are they in a Bat base? What happened to the manor? Alfred has a daughter? And she’s Black?! SO MANY QUESTIONS! Before anything is answered, the fight with the Justice League starts. That’s the first issue, but we’re even cheated out of that, as we never get to see attacks from Green Lantern or Cyborg. It’s almost like “footage” was cut for time or space concerns.

As the story rolls along at a breakneck pace, a ton of stuff happens. The city gets Jokerized. We meet up with Duke Thomas – a character introduced during the horrid “Zero Year” story – who we’ve seen may become Robin in the future (due to the Future’s End one-shot). We find out that The Joker might be immortal. Then, bad stuff happens to Alfred. And then Batman needs the help of his villains to take down The Joker. Then, they fight. I won’t spoil the ending, but I thought it sucked. Then again, I’m just not a fan of Scott Snyder and Greg Capullo on this book. I feel like I’m alone in this, as everyone else acts like this is the definitive run on Batman, while I just find it to be kinda meh. Snyder has one trick, and it’s “dancing between the raindrops of continuity”. It’s all “I bet you didn’t know this happened!” And he’s been doing it since the beginning. Bruce Wayne has a secret brother. Dick Grayson was enlisted by the Court of Owls. The Court of Owls has been running Gotham for hundreds of years. He even dialed back the clock with Zero Year to create an entire storyline during a period that’s not even supposed to *exist* based on the standard Batman timeline. I mean, what the Hell is a “zero year” anyway?


On top of being disappointed by Snyder, I really don’t think Capullo’s a great artist. This may sound like sacrilege to some, but I feel like Tony Daniel was a better artist, even though his style just evolved into a Jim Lee clone. Capullo is not good with action scenes, as was proven by the fights in Endgame On top of that, he brings nothing to the table in terms of distinguishing the characters out of their suits. There’s a scene with Dick Grayson that might as well have been with Jason Todd or Tim Drake because there is nothing special about how he’s drawn. I noticed this back during “Court of Owls”, as there was a scene with all the Robins in their civilian garb, and it just looked like the same white guy, wearing the same tux, at three different heights. No distinction between any of them. Maybe it was meant to emphasize the fact that Bruce recruits the same type of kid for his Robins, but I don’t think it really accomplished that. Instead, it just looked lazy. I liked what Capullo brought to other series, like Image’s Haunt, but I’ve just found his Batman work has left me wanting.

gordon batman

Now that it’s been revealed that Commissioner Gordon is the new Batman, I’m just waiting to be disappointed again. Sure, I could stop buying, but I’m a Batman fan, and I keep hoping it’ll get better. One thing I wish Snyder would realize is that not every Batman story need to be an “event”. Just have him solve some shit. Francis Manapul over on Detective Comics seems to understand this, as he’s cranking out some good mysteries. Meanwhile, everything Snyder does is like he wants to reinvent the wheel. I once read an interview with him where he said that you never know how long you have to write Batman, so you have to get out all of your ideas while you have the chance. I kinda understand that, but I need him to really get to the core of the character, which is something I don’t think he’s ever really done. He uses Batman as a prop in his stories, rather than as an actual character.

Speaking of upcoming DC stories, DC has launched an initiative called DC You, implying that there’s something for everyone in their new mix of books coming out. They even released a trailer of the new storylines, which was very Marvel of them. That said, I’m more curious about the books that they’re just glossing over. Sure, they’re telling us about Starfire and Cyborg, but they’re saying nothing about Red Hood/Arsenal or Martian Manhunter. They’re boosting Batman Beyond and even Deathstroke, but there’s nothing about Dr. Fate or Green Lantern: The Lost Army. Are these the dogs of the bunch? Should we start taking bets on their cancellation already?


Since I mentioned Batman Beyond, let me just say that I HATE the new direction they’re going in with that character. If you’re not in the know, Batman Beyond followed Terry McGinnis who becomes Batman roughly 35 years in the future. He wasn’t Bruce Wayne’s initial choice as a successor, as Terry stole the Batsuit in order to bring his father’s murderer to justice. There was a whole 3-season cartoon about it. Well, a few years back, DC decided to bring Terry into comic continuity, though his adventures roughly followed what had been laid out in the cartoon. In the recent Future’s End series, however, they unceremoniously killed Terry and gave his suit to former Batman sidekick, Tim Drake. So now Tim is 35 years in the future, trying to carry the Batman mantle. However, due to the events of Future’s End, the future timeline isn’t what it was when Terry was there. So, in one fell swoop, DC wiped out Terry, wiped out most of his supporting cast, and apparently his rogues. See all those familiar folks in that cover image? Yeah, they’re not in the book. The future that Tim experiences isn’t the same as Terry’s world, as characters have been changed in drastic ways. On top of that, the entire plotline was basically lifted from Power Rangers: RPM, as an evil computer virus has taken over the whole world except for Gotham, which is somehow shielded from detection. I’ll keep reading for now, as I’m curious to see if anything is left of the old Batman Beyond world, but I feel this move is a slap in the face to the fans who had come to love Terry’s Gotham. Just the changes to Superman and Barbara Gordon alone are angering, as both characters had experienced a lot of growth in that world. Now, it’s like it just never happened. Due to the events of Convergence, I’d like to think that Terry’s world is still out there somewhere, but it doesn’t really matter if no one’s writing stories about it.


One book I read last night was Archie #666, which is the final issue of the long-running series. In July, it’ll be relaunched with a new #1 and an updated look. I haven’t really read Archie books since I first got into comics, but I felt like this was a great series finale. It’s somewhat brief, but it gets to the heart of what Archie’s all about: he’s a good-natured kid who really cares about his friends. As I’ve seen previews of the upcoming series, I’m curious to see if this spirit will still exist in the new books. They say that the “familiar” style will still exist in digest form (ya know, the kind you buy at the supermarket), but the New Look is the main comic going forward. I trust Mark Waid and Fiona Staples, so I’ll definitely be checking it out. I’m just glad it had a fitting final issue, especially after the travesty that’s the current Archie vs. Predator miniseries.


Not all cartoon characters can have great comics, however. A few weeks ago, children of the 80s had a fit when they saw the trailer of the upcoming Jem and the Holograms movie. What they saw bore no resemblance to the cartoon they watched as children. There were no Misfits, seemingly no powers, and it was just a teenybopper movie about a girl “trying to find her voice”. Meanwhile, IDW recently began publishing a Jem comic book, and I feel like it’s no more comforting than that trailer. At least the book involves hologram technology, and there are Misfits, but it seems like it’s just gearing up to be a battle of the bands. Now, I don’t remember a whole lot about Jem, but I felt like there was a lot more at stake than a simple battle of the bands, right? Was that what the cartoon was about? I mean, it’s been so long, and it’s not like I was a religious viewer anyway. I’m only 2 issues into the series (I still need to read the third), but this isn’t shaping up to be the exciting to me. Maybe it’s just not for me, and that’s OK.

Now for some quick shots-

Amazing Spider-Man: Renew Your Vows #1- This felt like a What If? comic. I mean, I guess all of the Secret Wars tie-in books kinda feel that way, but this really felt like one. It was interesting to see the modern storylines they allude to, such as the Rykers outbreak that caused the formation of the New Avengers, as well as the idea of MJ and Peter moving into Avengers Mansion. Still, despite those modern references, something about it felt very 90s. Oh, and Andy Kubert really phoned in that art. There’s a panel of Peter where he looks like a caveman. This really looked like a rush job.

Groot #1 – This was a cute read. Not something I’d normally pick up, but I was kinda speculating. I remember that Rocket Raccoon #1 became a sought after book, so I figured the same might be true of his partner in crime’s book. I might just wait until this is collected, as I’d like to see where it goes, but I don’t know if I wanna spend $3.99 a month on it.

Years of Future Past #1 – I had to choose between this and the X-Tinction Agenda book. Since I never read the original X-Tinction Agenda, I figured this was the safer bet. It’s an interesting premise: Colossus and Kitty have a teenage daughter, and we’re back in the somewhat familiar Days of Future Past reality (or a version of it), while incorporating the idea of assassinating President Kelly. It was interesting, but I’m not sure I’m gonna stick with it. There are simply too many Secret Wars tie-in books and, frankly, some of them look more exciting to me.

Secret Wars #3 – Well, this was much more interesting than #2. We got to meet God, as well as see a few familiar faces from before the final incursion. I’m really engaged by this story, and everything I learn just keeps me wanting more. I thought it was important that Doctor Strange pointed out that they had basically perfected how to get folks to acknowledge the merged timelines. I feel like this will be important for when they reshape things into the new Marvel Universe. Still, I can’t helped but feel like I’m missing out on certain characters’ motivations because I skipped Hickman’s runs on Avengers and New Avengers. And we find out that 8 years have passed since the Doom reshaped the world. I tend to hate time jumps, as they are a cop-out. Rarely are those missing time periods ever explained, but I guess enough time needed to have passed in order for the societies to be as stable as they are. Still, I hope we get some insight into those 8 years, as I’m already dreading the reported 8 month time jump that the characters will have experienced once Secret Wars is over.

So, that’s me. What did you all read this week?

01st Jun2015

Awesome Con 2015 Cosplay Gallery

by Will


This past Saturday, I attended the 3rd annual Awesome Con in Washington, DC. I’d actually never been to the show in previous years, though I was aware of it. I kinda hated the name, plus I felt like Baltimore and New York Comic Con were superior to it, so I spent my time and money going to them instead. This year, however, I’m going to be missing both of those shows due to weddings, so I figured it was time to see what Awesome Con was all about. My verdict? It’s a pretty good show.

The layout, vendor selection, and guest list were reminiscent of Wizard World Richmond, which I attended last Fall. This show, however, seemed to have more vendors and bigger guests. While Wizard World Richmond had one Power Ranger (albeit arguably the greatest Ranger of all time), this show had four former Rangers. Plus, this show had marquee guests like William Shatner, George Takei, Sean Astin, and more. Still, you also had your sci fi cult stars like Dina Meyer, Casper Van Dien, James Marsters, and some of the Comic Book Men. So, there was something for everyone. As for vendor selection, most of the local comic shops were represented, as well as a few out of town shops – which certainly wasn’t the case for WW Richmond, which had about 3 comic vendors. While there didn’t seem to be a lot of current books up for sale, you could grab anything from discounted trade paperbacks to chainmail Jayne hats from Firefly. The show was very well-attended, but not overcrowded like NYCC and SDCC are these days. You could navigate freely without bumping into too many people. Like Wizard World, I still think the admission price was a bit steep; $42 for Saturday admission, compared to Baltimore Comic-Con’s $30.  Since I didn’t buy a ton of stuff, I spent most of my time taking pictures.

For this post, instead of focusing on the plethora of Harley Quinns, Arrows, and Jokers that you always see at these shows, I thought I’d focus on the cosplay that featured women, minorities, crossplay (gender-switched cosplay), or was just something you just don’t see at every show. I was impressed by all of these costumes, and I hope you’ll enjoy taking a look at them.



Crossplay Aquaman

Crossplay Aquaman

Black Jedi Family. I love that little girl so much!

Jedi Family. I love that little girl so much!

Scarlet Witch in an awesome Marvel dress

Scarlet Witch in an awesome Marvel dress

Bazooka from G.I. Joe

Bazooka from G.I. Joe

Faye Valentine from Cowboy Bebop

Faye Valentine from Cowboy Bebop

Static Shock and Red Arrows

Static Shock and Arsenals

Modern-Day Luke Cage

Modern-Day Luke Cage

Stormtrooper Dress

Stormtrooper Dress

Black Captain Britain

Captain Britain

Bob Ross and his happy little trees

Bob Ross and his happy little trees



Casey Jones and April O'Neil

Casey Jones and April O’Neil

Mr. Terrific

Mr. Terrific

Crossplay Star-Lord and Rocket Raccoon

Crossplay Star-Lord and Rocket Raccoon



Black Batman


Lady Thor

Lady Thor

Agents Scully and Carter

Agents Scully and Carter

Crossplay Assassin's Creed

Crossplay Assassin’s Creed

Black Starfleet Officers

Starfleet Officers



Kim Possible

Kim Possible

I HAD to take a pic of this guy's shirt. Bonus points if you know what movie it's referencing.

I HAD to take a pic of this guy’s shirt. Bonus points if you know what movie it’s referencing.

Pretty sure this was a Filipino Batman. And the "POW" was the icing on the cake!

Batman ’66. And the “POW!” was the icing on the cake!

Miles Morales: Ultimate Spider-Man

Miles Morales: Ultimate Spider-Man

'90s Rogue

’90s Rogue

Power Couple Luke Cage and Jewel, AKA Jessica Jones

Power Couple Luke Cage and Jewel, AKA Jessica Jones

S.H.I.E.L.D. Agent

S.H.I.E.L.D. Agent

Captain America USO Girl

Captain America USO Girl

Big Hero 6's Honey Lemon and Gogo Tamago

Big Hero 6’s Honey Lemon and Gogo Tamago

Captain Marvel

Captain Marvel

The Stalk from Saga

The Stalk from Saga

Squirrel Girl and Captain America USO Girl

Squirrel Girl and Captain America USO Girl

Agent Phil Coulson

Agent Phil Coulson

Power Rangers family

Power Rangers family

Captain America USO Girl

Captain America USO Girl/Crossplay Captain America?

Patriot from Young Avengers

Patriot from Young Avengers

Wasn’t that fun? At the end of the day, I had a great time, and I have to give Awesome Con the credit it deserves. Still hate the name, but I also hate clothes emblazoned with words to describe the wearer (you’re not a Cutie Pie, regardless of what that shirt says!). It just sounds so…grandiose, but you’ve gotta have goals, right? I know the Awesome Con brand got a bit tarnished when the Milwaukee edition was abruptly cancelled last year, but I think this show is on the road to being a force to be reckoned with. In the next few years, I wouldn’t be surprised if Marvel and DC had booth presences at the show. All I know is that I’ll definitely be checking it out next year.

29th May2015

West Week Ever – 5/29/15

by Will

photovisi-download (15)



seeking asian female

I watched a couple of documentaries this week. First up was Seeking Asian Female, part of the Independent Lens series  on PBS. It follows an older White man who suffers from “Yellow Fever”, as in he is obsessed with Asian women. He has tried mail order bride companies, and now he’s discovered the internet. He meets a Chinese woman online, half his age, who agrees to marry him without even meeting him. He goes to China to bring her back to America on a fiancee visa. So, they have 3 months together as they plan whether or not a wedding is even going to happen. She finds out that he’s poor and they have to struggle to make ends meet, however she’s ashamed to go back to China because she knows that everyone will talk about her behind her back. It was interesting to watch because while the guy’s interest began as some sort of fetish, he genuinely cares for his fiancee, and she for him. The question is whether or not their relationship can survive their differences. It was really good, and I’d recommend it to anyone looking to kill an hour.

southern rites

Next up was the documentary Southern Rites. This HBO documentary followed filmmaker Gillian Laub as she returned to a southern town that she’d documented in the New York Times Magazine article “A Prom Divided”. Basically, the town of Vidalia, Georgia, up until recently held segregated proms. While the schools were integrated, the proms were not. The White kids would have theirs one night at the community center, and the Black kids would have theirs the next night at the community center. White kids could come to the Black prom, but not the other way around. The 2009 article garnered so much attention that it pressured the county into integrating the prom the following year, but Laub wasn’t allowed to document it. Since she couldn’t get into the prom, she turned her attention to other matters going on in the county. First up, an older White man, Norman Neesmith, was on trial for the murder of a 22 year old Black man, Justin Patterson. Apparently, Patterson had been in Neesmith’s house, smoking and fooling around with Neesmith’s daughter. Neesmith chased Patterson and his brother out of the house, shooting at them. A bullet hit Justin, and he died outside the property. Meanwhile, Laub also follows the campaign trail of the potential first Black sheriff of the county. It’s interesting to see how the racial divide still permeates this small town that’s been resistant to change. I won’t spoil the endings, but there are no real cut and dried answers. It’s definitely the kind of documentary that will start a conversation.


Finally, I was bored one night and watched Two Night Stand On Demand. Starring Miles Teller and newcomer Analeigh Tipton, it’s about two young adults who have a one night stand that ends rather miserably. Unfortunately, they get snowed in together, so they’re forced to call a truce. Ya know, I’m starting to warm up to Teller. While I used to want to punch him in the face (he just has one of those faces), he’s really starting to grow on me. I’m also impressed by his career arc. He had carved out a niche doing R-rated comedies (21 & Over, Project X), but instead he branched out and did Whiplash and the upcoming Fantastic Four. He may actually have range. Anyway, the real star here is Tipton, surprisingly in her first lead role. Apparently, she was a finalist in Cycle 11 of America’s Next Top Model, but you’d never really know it here. She’s cute, but accessible. It’s a modern-day romcom, but it was still a fun watch.


This might be sort of “blue” for some of you, but I watched what’s colloquially known as an “adult movie”. I mean, I’m paying for Cinemax, so I might as well watch it, right? Here’s my issue: whatever happened to the Cinemax Code? Back when I was a teen, Cinemax movies starred folks like Shannon Tweed, and you knew that the sex was simulated. Nowadays, however, they’re using REAL PORN STARS! They broke the code! Now I can’t tell if it’s simulated or real. It’s all about the angles, and for all I know, they’re really doing it, and the camera’s just blocking it out. The mystery is killing me! Anyway, the movie I watched was The Great Bikini Bowling Bash. It starred Mary Carey, Sophia Bella, and Krissy Lynn – a blonde, a brunette, a redhead, so there was something for everyone. So, the brunette’s family is about to lose their bowling alley, so they decide to have a bikini bowling exhibition in order to raise money. When that doesn’t make enough, they decide to challenge a local millionaire to a bowl off. If they win, he saves the alley. He wins, and he gets to bang all three of them. Surprisingly, the movie doesn’t go in the direction you figure it’ll go in. I mean, how did the filmmakers pass up a golden opportunity for a 4-way?! Anyway, they win, and the bowling alley is saved. Oh and they all take turns banging each other throughout the movie. I was livetweeting it while watching, and some folks on Twitter wondered what I was watching, so there ya go.


This week saw the end of the Convergence event from DC Comics. Originally designed as something to hold readers over as the company moved to the West Coast, it somehow evolved into an “event” that was designed to change the status quo. I didn’t read it because I was getting a decidedly “been there, done that” vibe from the whole thing. It also didn’t help that no one involved seemed to be able to explain what it was truly meant to accomplish. Well, in the final issue, we found out why: (SPOILERS) the resolution of the story basically wiped out the original Crisis on Infinite Earths from 1985. That was an important storyline where several of DC’s different universes were merged into one. Back then, it was felt that continuity had gotten too complicated, so it was decided that everything should be “streamlined” into one Earth. As you can imagine, this caused more problems than it solved. Every ten years or so, DC has an event to sort of tweak what was done during Crisis, but this is the first time that they’ve basically done away with the original miniseries itself. So, now DC has an infinite number of Earths again, all available to creators who have a good story to tell with them. After 30 years, we’re right back to square one. And I feel this is a TERRIBLE idea. Whether or not the original Crisis “worked”, there was a problem with timelines and continuity that needed to be fixed. Now, not only is that original problem still a concern, but now it has 30 years of baggage on top of it. It might seem great that all of these worlds are now available for creators, but it only matters if they actually use them. Now begins the questions of “Where is ___ ?” and “Which Earth is the real Earth?” Only time will tell, True Believer! Whoops, wrong company…


Meanwhile in DC land, it’s been rumored that Chris Pine is in talks to play Steve Trevor in the Wonder Woman film. I like Pine and all, but I thought the ship had sailed that was trying to make him a marquee star. Sure, he has the Star Trek films, but he also had This Means War. Plus, this also means that he’s no longer in the running for the role of Green Lantern, which is another rumor that had been floating around.

bebop and rocksteady

In other film news, here’s Bebop and Rocksteady in their human form from TMNT 2. I find it hilarious that Uncle Ruckus from The Boondocks is Bebop. And you can’t tell from this angle, but Rocksteady is Sheamus from the WWE. Anyway, I like their look, but I’m sure everyone else hates it, so I’ll just be over here…

Most of you probably know Jenny Lewis as “the girl from The Wizard“, but she’s done so much more than that. Later on, she went on to join the band Rilo Kiley, and now she’s a solo artist. In her latest music video, “She’s Not Me”, she pokes fun at her child star past. If you were ever a fan of The Golden Girls, you’ll remember the episode she was in. The weirdest thing about this video, to me, is that the bearded dude is NOT Chris Parnell. No, that’s Leo Fitpatrick, who played Telly in KIDS. TELLY FROM KIDS HAS A GRAY BEARD! I’m so old…



My Twitter pal, @TheSewerDen was profiled on NJ.com for his amazing Teenage Mutant Ninja Turtles collection. He’s converted a room in his parents’ house into essentially a museum of all the TMNT ephemera he’s collected over the years. Seeing this makes me wish I’d taken pictures of my Power Rangers collection before it was dismantled. The thing I loved about this profile was how supportive his parents have been in regards to his collecting. I can’t wait to see what my kid gloms onto in the future.

Links I Loved

Do it, Rockapella: A Where In The World Is Carmen Sandiego? Contestant Looks Back – The A.V. Club

The Secret History of Ultimate Marvel, the Experiment That Changed Superheroes Forever – Vulture

Marvel Studios Fails Fans by Fighting Marvel TV (& Not Hiding It Well) – Screenrant

25 Comic Book Movies That Never Got Made – The Robot’s Pajamas

Goodbye F.A.O. Schwarz: Toy Lovers Prepare for Store’s Closing – The New York Times

I’ve written about Kung Fury in the past, but I’m happy to announce that it’s finally here! Premiering last night on El Rey Network (and subsequently on YouTube), the Kickstarter-funded “movie” finally saw the light of day. I put movie in quotes because the whole thing only clocks in at about 31 minutes. The thing has so much potential, but there’s only so much you can do on a budget. Now that it’s here, it’s even more absurd than I thought it would be – and I mean that in a good way. There’s Hitler and Thor and laser raptors and more! An homage to 80s action shows, Kung Fury follows a kung fu cop as he travels to the past to kill Adolph Hitler.

So, what did I think of it? Was it awesome? Yes. Was it as awesome as it could have been? No. Here’s my nitpicky thing: why go to Nazi Germany to kill Hitler when he was apparently already in 1985 Miami? Why not just kill him now/then? Also, I was kinda surprised El Rey showed it with a TV-14 rating, considering they say “fuck” a LOT. And in the middle of the evening, to boot! It’s an impressive venture, as the entire thing was filmed with greenscreen in Sweden, but I felt they could’ve chilled on the effects a bit. Instead of rendering a million Nazis, how about using that money to make the movie longer than an infomercial? I mean, if you saw the trailer, you’ve basically already seen the whole thing. I think I was looking for something like Axe Cop meets Danger 5, but I’m not quiet sure it accomplished that. And that weird cameo by “The Hoff 9000”? I dunno, man. Still, it was an impressive production, and that’s why Kung Fury had the West Week Ever.