19th Aug2016

West Week Ever: Pop Culture In Review – 8/19/16

by Will

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We got our first look at the poster for Spider-Man: Homecoming and it’s whatever. This was seen at a Las Vegas trade show, so it was probably just thrown together for the show. I doubt this is the one-sheet you’ll see in theaters. It gives ya a good view of the suit, but it just doesn’t get me excited, ya know? Meanwhile, it’s being reported that Zendaya is actually playing Spider-Man’s sometimes girlfriend/sometimes later wife, Mary Jane Watson. Now, originally they said Zendaya’s character’s name was “Michelle”, but it seems that was all a ruse. So, with Zendaya being biracial, we got the typical online reaction: “That ain’t mah MJ!” I get it. I hate change, too. That said, I really like Zendaya, but I don’t necessarily see her as Mary Jane. Whatever, though. I didn’t see Krysten Ritter as Jessica Jones, and I was wrong about that. So, I’ll give it a shot. I’m just kinda Spider-Manned out. I feel about Spider-Man the way some folks feel about Batman. We’ve had 5 movies in 14 years, and two different actors playing him. While a lot of folks are saying “They’re finally getting him right!”, I felt like they’d gotten him right before. I loved the Tobey Maguire movies. And I enjoyed the Andrew Garfield movies. So, I’ll probably like this one, too. But am I “hype” for it, as the young kids would say? Not at all.

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In Marvel TV news, it was reported that a Runaways series is in development at Hulu, from the folks behind Gossip Girl and The O.C. Now, Runaways isn’t exactly a household name, as it featured all original characters – teenagers whose parents were some of the worst villains in the Marvel Universe. We’d never heard of these villains, though, ’cause they didn’t live in New York City like every other character in the Marvel Universe. Well, once the teens realize just how evil their parents are, they run away. Oh, and one of them is a traitor. I LOVED the series, and it put writer Brian K. Vaughan on the map, who went on to do Y: The Last Man and Saga. The first few years of the book are pretty engaging. Then Joss Whedon came along and wrote, probably, the most forgettable comics of his career. Next, Terry Moore of Strangers In Paradise fame came along and took over the book. And that’s when I kinda lost track of it. So, here’s hoping the TV show news will result in a return of the comic series, as I’ve come to miss those kids. As for the show itself? Well, I’ll just have to wait and see. If you asked me “Who’d be the best team to adapt Runaways“, my first answer would not have been “The Gossip Girl creators”. Still, that show handled big mysteries, and this series is full of them, so maybe they’re the right ones for the job.


In DC news, we got a surprise trailer this week for Batman: Return of the Caped Crusaders. It’s a straight-to-DVD animated film set in the 1966 Batman world. It features the voice talent of the show’s original stars Adam West, Burt Ward, and Julie Newmar – ya know, all the ones who aren’t dead. I guess that’s cool. Again, ever since the DVD rights got cleared up, we have had Batman ’66 overload. I’m glad to keep these folks working, but it’s not something I’m especially jazzed about. Not sure what it is. Maybe it’s the animation style? This movie looks closer to the animation that we get in your standard DC Universe Animated Original Movies, when I think I’d rather have something that mimicked the look of the animation in the opening credits of the show. Anyway, the movie hits digital on October 11th, and on Blu-Ray November 1st.

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The biannual Power Rangers convention, Power Morphicon, was held in Pasadena last weekend, and a few interesting things came out of the show. For one thing, we were introduced to the cast of the next incarnation of the show, Power Rangers Ninja Steel. There are a few notable things about this cast. First of all, the Ninja Steel Blue Ranger will be played by Peter Sudarso, who happens to be the real life brother of Yoshi Sudarso, who plays the current Dino Super Charge Blue Ranger. This is a first for the franchise. Another first for the franchise, this is the first time the team doesn’t have a single Caucasian on it. If you want diversity, this team’s got it in spades! #RepresentationMatters

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Now for the gossip portion of our evening! So, Robert Griffin III is quite the controversial figure in these parts. He was drafted in 2012 as the starting quarterback of the Washington Redskins, with folks believing he was the Second Coming. Well, when you put a guy on a pedestal, he’s bound to disappoint you. He was released in March and snatched up by the Cleveland Browns. Now, I don’t care anything about sports. If anything we’re a Broncos household because Lindsay cares, and she’s from Denver. No, the only reason RGIII was ever on my radar was because of his college sweetheart, Rebecca. Plainly put, she had big bazooms. Anyway, the two got married in 2013, and even had a kid last year. Well, as the story goes, RGIII met a young hot thing from Estonia over Instagram 7 months after the baby was born. Grete Sadeiko is a track and field star at Florida State University, and she’s RGIII’s new boo – so much so that he, foolishly, got her name tattooed on his arm. Oh, and he blindsided Rebecca with a request for a divorce.  If he had been half this interesting when he was still playing here, it might’ve gotten me to care about the Redskins!

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In the world of comedy, there was a bunch of drama involving comedians Amy Schumer and Kurt Metzger. First of all, I’m actually a big fan of Metzger, and I listen to his Race Wars Podcast weekly. That said, I feel like sometimes he’s just trying to see how far he can go and still keep his job. You see, Metzger was a writer and producer on Inside Amy Schumer, but this week he went on a Facebook rant about rape that got him in hot water. Long story short, someone in the NY comedy community had been accused of rape, but Metzger felt that the person was being tried in the court of public opinion instead of any actual proof or evidence being presented. He’s even said himself that his retorts went too far because he let his ego get in the way, but at the end of the day attention was diverted from the fact that there could be a sexual predator in the comic scene and was now focused on what a terrible person Metzger was. People started tweeting at Amy Schumer, asking if she knew what her employee had been saying. Schumer responded by blocking these people, for whatever reason. Finally, she came out and denounced Metzger’s statements, saying that she was disappointed and didn’t share his sentiments. She later tweeted that Metzger doesn’t work for her show anymore, leading folks to think he had been fired. It revealed a bigger truth, however – Inside Amy Schumer is actually going on hiatus for an indefinite amount of time so that Schumer can work on other projects. Yeah, the last time something went on an indefinite hiatus, Justin Timberlake became a solo star. Anyway, not only has this hurt Schumer’s brand, but now a group of Redditors have organized to give fake 1-star reviews to her new book, The Girl With The Lower Back Tattoo. I think this is gonna get worse before it gets better, but will it do more damage to Metzger or Schumer?

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This is the tweet that keeps on giving. Though it’s starting to taper off, it got RTed last weekend, giving it a bit of a resurgence. So far, it’s had over 20,000 impressions. Again, just let me have this.

Things You Might Have Missed This Week

  • Though I could’ve sworn it was confirmed months ago, this week it was reported that Cyborg will costar with Ezra Miller in the movie verison of The Flash
  • It was rumored that Punisher’s ally Microchip will be a supporting character when his Netflix series debuts
  • Caitlin Jenner’s reality show, I Am Cait, might as well be called I Am Cancelled, as the show’s being put out to pasture after two seasons.
  • Speaking of cancellations, last night saw the final episode of Larry Wilmore’s The Nightly Show on Comedy Central.
  • After 13 years, Robert Kirkman’s comic Invincible will be ending next year with issue #144. This reminds me that I really need to catch up on Invincible
  • WWE stars Alberto Del Rio, Paige, and Eva Marie were all suspended for 30 days after violating the WWE Wellness Policy

https://www.instagram.com/p/BIis9E1BJvm/ Screengrab of Ryan Lochte's Instagram post of his new hairdo 7/31/16 Source: Ryan Lochte/Instagram

US Olympic swimmer Ryan Lochte and his elite group of swim bros created a shitty lie to cover up a pretty lame infraction. You see, Sunday morning they claimed they had been robbed at gunpoint after leaving a club in Rio. Their stories, however, weren’t lining up and the Brazilian police wanted answers. They weren’t going to stand for the swimmers besmirching the protection they had provided during the games. Around Wednesday, things started moving really quickly, as the passports of the swimmers were seized, and two of them were taken off their plane. But there was a twist – Lochte was already back in the US! At the end of the day, it seems like they actually vandalized a gas station in a confrontation with a guard, yet they PAID FOR THE DAMAGE. So, why lie about a situation you’ve already smoothed over? The other guys are saying it was all Lochte’s idea, while he’s probably chilling in a Titled Kilt somewhere, laughing his ass off.  For whatever reason he did it, he seemingly got away with it. We’ve underestimated him all these years, but what if Lochte is a criminal mastermind? Or what if he’s just a dumb guy who did a stupid thing? The world may never truly know. And that’s why Ryan Lochte had the West Week Ever.

12th Aug2016

West Week Ever: Pop Culture In Review – 8/12/16

by Will

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*Varnell Hill voice* “DID YOU MISS ME?!”

Yeah, very few people are gonna get that reference, but I did take a week off to recharge the batteries, so I hope somebody noticed.

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So I watched Sharknado: The 4th Awakens, and I think it’s time to declare this franchise dead. It was cute in the beginning, in that “so bad it’s good” kind of way, but it has simply overstayed its welcome. When I reviewed the last installment, I mentioned how it lost most of its spark halfway through, and I just wanted it to end. Well, I felt that way from minute one of this one.

First off, it’s set five years after the last one and, for the life of me, I couldn’t remember a single thing that happened in the last one. All I remembered was that they pulled a “Jason Todd” and let the audience decide if Tara Reid lived or died. Other than that, I couldn’t remember how many kids Finn was supposed to have, I couldn’t remember if this sexy sidekick was the same sexy sidekick from the past movies – it was a mess. And the movie doesn’t do a good job of catching you up because it’s stringing along the drama of the “Did Tara Reid survive?” mystery. Turns out Finn’s son is now coming home from deployment, and he’s got a new, Black wife in tow. I emphasize her race because it kinda becomes important down the road. They’re meeting in Las Vegas for a family reunion when the first Sharknado in 5 years hits. You see, In Living Color‘s Tommy Davidson plays an Elon Musk analogue who has created these towers that prevent tornadoes from forming. Because of them, there haven’t been any Sharknadoes since the events of the last movie. For some reason, though, the Vegas tower failed, and we ended up with the first Sharknado in years. And luckily, Finn Shepard and family were there to fight them off.

Meanwhile the Sharknado then goes on to become an Oilnado and then a Firenado and a Nukenado. Yeah, they blew their wad on potential spinoffs all in this one movie. And then my brain just stopped processing what it was seeing. I only made sense of bits and pieces after that point. Tara Reid did live, but only because her dad, played by Gary Busey, had turned her into a cyborg. Oh, and it’s clear that Busey and Reid were never in the same room during their scenes, so I wonder what that was all about. Then Davidson blows up the Grand Canyon in an attempt to curb the Sharknado. Yeah, I really don’t think the US Government would just be cool with Elon Musk blowing up the Grand Canyon, but what do I know? Then, as they all retreat back to Finn’s farm, Black wife (I don’t think she even had a name) gets killed by a shark and NOBODY notices! Her own fucking husband doesn’t even mention her ever again in the film. It’s almost like they added her in post-production, and then just said “Fuck it!” Like, it’s amazing how he NEVER stops to wonder what happened to her, nor does any other member of the cast. Then, Tommy Davidson jumps out of a plane in a squirrel suit, so he can do something on a cliff to stop the Sharknado, but then the cliff falls into the ocean. Oh, and then Finn fights the Sharknado in a really shitty mech suit, but ends up being eaten by a shark. And the oldest son gets eaten by a shark. And the sexy cousin gets eaten by a shark. But wait! The youngest kid – all of five years old – pulls a tiny chainsaw out of a stone, King Arthur style, and uses it to cut into all the sharks and save his family. So, at the end of the day, the only people who actually died were Black wife and Black Tommy Davidson. Fuck this movie. Oh, and there’s a weird cameo by Steve Guttenburg to remind you that Lavalantula is still a thing and that, yes, they take place in the same universe. It must’ve been messed up with editing, as he gives them a car, named Christine, that is built up to be this amazing thing, which they then abandon while being chased by a ball of twine covered in sharks. Again, fuck this movie.

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In movie news, it was announced that the main villain in Aquaman will be Black Manta. Congratulations, DC – you chose the only villain he has to headline his movie. As I joked on Twitter, in the sequel, Aquaman will face an oil spill. There will be no third movie, as he will have vanquished all of his foes. Meanwhile, Aquaman star Jason Momoa is being eyed to star in the reboot of The Crow. My problem with this is that Momoa keeps taking on these franchise reboot roles (like Conan The Barbarian) when his star power isn’t strong enough for a franchise to rest on his shoulders. Now, it’s not like The Crow is gonna break the bank anyway, but it just doesn’t seem like a good fit.

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Ghostbusters is expected to take an estimated $70 million loss, putting any sequel plans in jeopardy. The fact that it didn’t open in China REALLY hurt it. I mean, China saved Warcraft. Imagine what it could’ve done here. Sure, it would’ve been renamed to something like Lady Ghost Killers, but the money would’ve been great.

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There was quite the shakeup at Saturday Night Live this week, as it was announced that 6-year veterans Taran Killam and Jay Pharoah wouldn’t be returning for season 42. At first, I figured this was just a case of the actors wanting to move on to other things, but then it was revealed that Killam’s contract simply wasn’t renewed. Huh? Really, Lorne?! I mean, I get the thing with Pharoah – he’s a great impressionist, though the show struggled to find any way to use them. Sure, he did Ben Carson, but that impression made no sense, plus it’ll be obsolete very soon. Killam, though, is quite the utility player. I’d say he’s basically the male Kristen Wiig, but I don’t think anyone hates him the way that some hated Wiig. His departure will be a huge blow to the show. However, when God closes a door, He opens a window – one for Jon Rudnistsky to jump out of! The featured player will also not be returning next season, and I can’t say that I’m too disappointed. He brought very little to the show during his freshman season, and he just had too much of a guido bro vibe to him for me to be able to take a shine to him.

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We got a full trailer for the Luke Cage Netflix series. *Yawn* It’s funny – it’s the new “cool kid” thing to say you’re tired of the Marvel movie formula, but the minute you say that about the Netflix shows, suddenly you’ve gone too far. Well, I’m tired of the Netflix shows. Ooh, it’s gritty. Ooh, there’s another fight in a hallway. I LOVED Daredevil season 1 and, though it took me a few months to get through, I thoroughly enjoyed Jessica Jones. That said, I still haven’t seen Daredevil season 2, and I’m not really in any rush (after all, I’ve still got 2 seasons of Bojack Horseman and one of Kimmy Schmidt to finish). So, just add Luke Cage to the pile of “I’ll get to it”, but I don’t plan to binge on it when it hits Netflix on September 20th.

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Not to be outdone by Marvel, DC had a bunch of TV news during The CW’s presentation at the Television Critics Association press tour. First off, we got our first look at the new Vixen on Legends of Tomorrow. Also, it was reported that Sarah Grey has been cast as Stargirl on the show, while Friday Night Lights alum Grey Damon has been cast as Mirror Master on The Flash. They also announced Freedom Fighters: The Ray, which is an animated series that will debut on The CW Seed streaming platform. He will be the first ever gay superhero to lead a series and, like with Vixen, the plan is for him to eventually cross over into the live action shows, with the voice actor portraying him. Finally, it was announced that Dolph Lundgren will play the Big Bad in Oliver’s flashbacks this season, as it documents his time with the Bratva. Also, this will be the final season of Ollie’s flashbacks, as the show will catch up to real time.

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We also got some news about Star Trek: Discovery. It turns out the show will be set ten years prior to Kirk’s mission, and is set in the prime (Shatner) timeline. The lead will be a female, who may not be entirely human, but also won’t be a captain. The show might also feature Spock’s mother, Amanda Grayson (played by Winona Rider in 2009’s Star Trek), as producer Bryan Fuller is fascinated by the character. There will be robots and a gay character, and the main cast will consist of about seven characters. As we already knew, it won’t be episodic in nature, but rather a tight 13-episode story unfolding throughout the season. Finally, the ship’s design is based on Ralph McQuarrie’s illustrations from an abandoned 70s Star Trek film called Planet of the Titans.

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Over on Twitter, I had my most popular tweet in years, which resulted from casually flipping through Olympics coverage. Sure, I know a lot of y’all have gone viral, so this is nothing to you, but let me have this!

Things You Might Have Missed This Week

  • Despite getting a logo and James Bobin as director, Jonah Hill is now saying that the Men in Black/21 Jump Street crossover, MIB 23, will probably never happen.
  • Criminal Minds star Thomas Gibson has been suspended for a couple of episodes for kicking a writer onset. I bet he didn’t pull that kind of shit on Dharma & Greg!
  • As the writing was on the wall when costar Nicole Byer got her MTV show, Loosely Exactly Nicole, Fox has officially cancelled The Lonely Island’s Party Over Here sketch show.

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  • We got our first look at the cast for The BBC’s Are You Being Served? one-off anniversary special. It looks like a group of friends dressed up for a costume party and the one Black guy had to be Mr. Lucas. For some reason, though, the special actually calls him a “Mr. Lucas-like character” named Mr. Conway. The special will air in September, and we’ll have to pirate it over here.

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  • We got another fake-out *NSYNC reunion, as the guys reunited for JC Chasez’s 40th birthday. I still hate that JC’s solo album tanked. He’s a better singer than JT, but he never seemed comfortable in the spotlight, and lacked JT’s charisma. Oh, what might have been…
  • Though I’m sure you’ve never seen it, Powers has been cancelled by Playstation Network after 2 seasons.
  • To beef up the CBS All Access portal, a “special edition” of Big Brother will stream on the site later this Fall. The network insists, however, that this shouldn’t be considered season 19 of the show.
  • If you’re just dying for news on Spider-Man: Homecoming, some dude named Michael Chernus has been cast as The Tinkerer. Yeah, whatever.
  • VH1 is developing Martha and Snoop’s Dinner Party, which is exactly what it sounds like: Martha Stewart and Snoop Dogg hosting dinner parties for their celebrity friends
  • Arianna Huffington will step down as editor-in-chief of The Huffington Post. I wonder if it’ll change its name. Ya know, ’cause that worked so well for Topless Robot…
  • Apparently Vin Diesel and The Rock got into it on the set of Fast 8. It was probably an argument over which one of them was more racially ambiguous.
  • According to reports, Donald Glover is the frontrunner to play young Lando Calrissian in the young Han Solo film. I dunno, but I don’t think Glover has the swagger of a young Billy Dee Williams.

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So, I vowed not to see Suicide Squad in theaters. I said I was done with the DC Cinematic Universe until Justice League. Well, last night I saw Suicide Squad. I even paid for it. And ya know what? I really liked it. It’s not amazing, but it’s an enjoyable popcorn flick. I don’t know what movie everyone else saw, ’cause a lot of folks were just dying to issue their hot takes about how DC has failed again. If you compare them to Marvel, sure they’ve got a ways to go. But I thought it was a lot better than Dawn of Justice, and I was pleasantly surprised by it considering I did not go into it with an open mind.

First of all, let’s get the Marvel comparison out of the way. It’s unfortunate that DC has to be compared to Marvel, but we do it with the comics, so we’re gonna do it with the movies. There’s something to remember, though: not all Marvel is created equal. There’s Marvel Studios Marvel, which can give you a gem like Captain America: The Winter Soldier, but can also give you a dud like Thor: The Dark World. Then, there’s Fox Marvel, which can give you something as great as X2: X-Men United, but can also turn around and give you Elektra (No, I’m not going to use Fantastic Four as an example because, as weak as they may be, I actually liked those movies). With the world building that Marvel Studios has done, however, it means the best Fox movie still only lines up to a mediocre Marvel Studios film. There’s a certain tone and use of budget that tends to go into a Marvel Studios film. Take Ant-Man for example. While a Marvel Studios film, it really didn’t feel on that level. Don’t get me wrong – I enjoyed it and watch it every time it comes on Starz, but tonally it feels like a really strong Fox Marvel movie. So that’s kinda where Suicide Squad is. No, it’s not a Marvel Studios film, but it could hold its own as a decent Fox Marvel film and I think that says a lot. For one thing, I think we got too used to the Nolanverse, so we expect that from DC all the time. The aesthetic of this film is somewhere between Burton and Schumacher. Once you embrace that, you’re in for an entertaining ride.

What’s it about? Well, in light of Superman’s death in Dawn of Justice, the government realizes that they need something to be able to handle metahuman threats. Enter Amanda Waller, the director of ARGUS, who decides to form Task Force X – a team comprised of the worst of the worst bad guys. They’ll be sent on missions from which not all of them will return, but in exchange for their service, they get time knocked off their prison sentences. For their first mission, the team consists of Deadshot, Harley Quinn, Captain Boomerang, Katana, Diablo, Killer Croc, and Slipknot, led by uber soldier Rick Flagg. They think they’re being tasked to extract a hostage from a terrorist attack, but they find out they’re in for more than they bargained for.

No, the movie’s not perfect by any means. I could’ve completely done without Killer Croc and even Katana. Rick Flagg has a “midcard wrestler who’ll never get a shot at the title” vibe to him. And, as someone on Twitter pointed out, this was Enchantress most of the time:

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There’s no real way the Squad could’ve handled a threat like they did in the film, but whatever. It’s a movie, so I’ll go with it. I just felt like it was too “otherworldly” to be something they could handle. And the third act has a decidedly Ghostbusters (1984) feel to it, effects-wise, which seemed kinda cheesy in 2016.

Still, there was a lot to like. LOVED Margot Robbie’s Harley, which was surprising since I feel a little of that character goes a long way. With the cosplay onslaught, we’re living in the middle of Harlegeddon, yet I still didn’t get tired of seeing Robbie’s portrayal onscreen. I felt she nailed that character. I even liked My Chemical Romance Joker. It’s the first time that I was actually scared of him, and believed that he was a crazy fuck who could do something like kill a Robin. I’m gonna level with ya: Jack Nicholson never did anything for me. I know, I know. He’s supposed to be the cinematic gold standard, but I was too young, and I’d been raised on Cesar Romero. Say what you will about how corny Batman ’66 was, there was still something kinda menacing about Romero that I never quite saw in Nicholson. He had crazy eyes! Ledger came close to approximating what I felt I had read in the comics, but Leto kinda did right by me. Plus, if you’ve been reading comics lately, then *spoiler alert* you know that there are apparently three Jokers. Yeah, whatever. Anyway, I feel like Leto earned his spot as one of the three. I was picking up what he was putting down. Will Smith was spectacular, and I say that as a guy who’s not necessarily a Will Smith fan. I kinda cheered in my heart when he died in I Am Legend. That’s where I stand on The Fresh Prince, so I was equally surprised by his performance. But the true standout, though, HAS to be Viola Davis as Amanda Waller. Ho Lee Shit! I grew up with “stout” Amanda Waller, so I wasn’t too happy when they hotted her up in The New 52. When she appeared on Arrow, again, she was the svelte Amanda Waller. No, I needed someone who could convincingly be referred to as “The Wall”. In my mind, Marsha Warfield was always the perfect person to play Waller (has anyone seen her lately? Someone should probably check in on her!). Then Davis came along and showed me there were other options. No, she doesn’t have the weight, but she’s hella imposing, and such an amazing character. I’d watch 2 hours of just her, but there’s no way they could sell that, so they had to give us Suicide Squad instead. Whatever. I’ll take it. She is cold blooded, and I loved every minute she was onscreen.

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Can we talk about something, though? It’s going back to the Marvel/DC comparisons. I’ve come to realize that I don’t want world building from the DC movies. I’d kinda like them to all be standalone. My biggest issue with Dawn of Justice was that I felt that, tonally, it was the wrong cornerstone on which to build a cinematic universe. As a movie on its own, though, it was more serviceable. In this movie, I would’ve been completely fine if some rando had been playing Batman instead of Affleck. Having Affleck there did absolutely nothing for me. I don’t want their movies connected because I don’t need another Marvel. I’ve got a Marvel. What I need is a DC. Sure, they think they’re doing something different by basically starting with the Justice League and branching out, but it’s still a shared universe, and I don’t think that’s playing to their strengths. If I want a shared DC Universe, I’ll just stick with watching their TV shows.

Despite all the “haters” and poor word of mouth, the movie still managed to pull in $160 million over its first five days in the US. Still, I think it’s made DC a bit more gun shy about developing projects with other characters, as they instead announced that Man of Steel 2 is now in active development. Folks claim they’re tired of always getting Batman and Superman stuff, but when given something different, they say they don’t want it. Or, in this case, they say they don’t want it, but they go see it anyway. Like I did. Anyway, I can admit when I’m wrong, and I feel like I was wrong about this movie. Sure, it’s not gonna win any awards other than, maybe, an MTV Movie Award, but it’s still pretty entertaining. If you’re on the fence, give it a shot and decide for yourself. In any case, the movie’s box office broke a bunch of records, so I’m saying Suicide Squad had the West Week Ever.

29th Jul2016

West Week Ever: Pop Culture In Review – 7/29/16

by Will

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WWE Edit

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The Equalizer is what Rod from The Black Guy Who Tips Podcast would call “An Impossible White Man” movie. That’s when a (usually) White male protagonist gets away with a whole lot of crazy, death-defying shit that no one should be able to survive. There’s a caveat, though, that this doesn’t only apply to White males, despite its name. For example, ScarJo’s Lucy could be considered an Impossible White Man role. It’s more about branding than accuracy. Anyway, in The Equalizer, Denzel Washington plays a former black ops dude who’s trying to live a quiet life working at a Home Depot (they don’t call it Home Depot, but I know one when I see it!). He lives a meticulous, almost OCD life, dining at the same diner, bringing his own teabags, and placing his utensils in a certain manner. Another regular at the diner, played by Chloe Grace Moretz, happens to be a Russian prostitute, and when she gets roughed up by her pimp, Denzel comes out of retirement to exact revenge – not just on her pimp, but on the whole Russian organized crime establishment! The crazy thing to me is that the mob didn’t even kill Moretz – they just beat her up, yet Denzel proceeds to leave a trail of bodies for a girl he barely even knows. The action in it is insane, so I’ve got to hand it to Denzel, who’s no spring chicken. Anyway, it’s definitely worth checking out, even though they’re apparently making a totally unnecessary sequel.

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I’ve wanted to see The Bronze since the moment I first heard of it. It stars, and was written by, Melissa Rauch, who you wouldn’t know as Bernadette from The Big Bang Theory because I’m sure you’re too cool to watch that show. Anyway, Rauch plays Hope Ann Greggory, a foulmouthed Bronze medalist gymnast from the 2004 Rome Olympics who is still milking what’s left of her fame in her small town of Amherst, Ohio. She became a hometown darling for winning the medal despite being injured, Kerri Strug style. Now, 12 years later, she’s got no job, still lives with her postal worker father, and steals money from his mailbag. She cruises around town, blasting hip hop while going to the mall to pressure folks into giving her free stuff. Long story short, her life is going nowhere. Meanwhile, Maggie, a young promising local gymnast is headed to Nationals, and she just may make the town forget all about Hope. Feeling threatened, Hope wants nothing to do with Maggie. That is until Hope’s former coach commits suicide. In her suicide note, she promises Hope $500,000 if she’ll agree to coach Maggie all the way up to the championships. Suddenly Hope has a purpose, even if it’s just so she can get that money. At first, Hope tries to sabotage Maggie until former beau/rival Winter Soldier Sebastian Stan comes along and tries to steal her away from Hope so that he can coach her. Hope gets no money if this happens, so she decides to take the training seriously and actually train Maggie for success. I won’t spoil the ending for ya, but I’d highly recommend watching it if only so you can see that crazy ass gymnastic sex scene between Rauch and Stan. Trust me when I say you’ve never seen anything like it. While it may not have been as bust-a-gut hilarious as I thought it would be (it is kinda dark after all), I still really enjoyed it and felt it could easily become a quotable cult hit. My favorite lines include “Absence makes the dick grow harder. You better not have gotten any clit jizz in my car!” and “This is what I wear. THIS IS WHAT HEROES WEAR!” Anyway, if you ever get the chance to watch this, check it out.

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I love The Lonely Island. I love their albums, I love their digital shorts, and I love their movies. Though it bombed in theaters, Hot Rod is hi-larious, so I had nothing but high hopes for Popstar: Never Stop Never Stopping. In the film, the Lonely Island guys were once a boyband called StyleBoyz. Eventually, they had a disagreement that caused them to break up, and Andy Samberg’s Conner4Real became a Justin Bieber-esque solo artist. His debut album was called Thriller, Also and it sold 4 million copies. Now, as the movie starts, it’s on the eve of the release of his second album, CONNquest. He partners with a company called Aquaspin that’s going to package his album with their home appliances, so his music will be coming out of refrigerators, microwaves, etc. Well, this plan fails miserably, as some folks even see it as a violation of privacy. His album tanks, and the film follows Conner as he deals with all of that. At the end of the day, it feels like a REALLY long SNL Digital Short, and it’s completely built on its cameos. Like, it’s sort of amazing how many music stars they got to agree to be in this movie – some of whom I didn’t even know had a sense of humor, like Nas. And if you follow The Lonely Island, then you already know some of the cameos you’re gonna get (hint: “Dick in a Box” and “Jack Sparrow”). While I didn’t laugh as much as I did at Hot Rod, it was still pretty funny, and I think I got exactly what I was expecting. Also, I’ve given him some shit online for taking terrible TV roles (all of his shows get cancelled), but Tim Meadows playing a parody of boyband manager Johnny Wright is probably my favorite Meadows role since The Ladies Man. Oh, and look for the brief cameo by original Black Ranger Walter Emmanuel Jones! Anyway, I definitely recommend this movie.

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So I saw Batman: The Killing Joke in the theater on Monday as part of a Fathom Event. There had been a lot of controversy surrounding the movie, as it’s based on a controversial story. If you’ve never read it, The Joker cripples and sexually assaults Barbara Gordon and then shows the pictures to her father in an attempt to drive him insane. To further the controversy, however, in order to pad out the story to a feature-length movie, the writers added some additional material – including a scene where Batgirl and Batman have sex on a rooftop. A lot of folks took issue with this because they believe that Batman serves as a father figure to the other members of the Bat Family. I actually disagree somewhat. I think he’s a father figure to Robins, but Batgirl is a different story. Plus, there’s already a precedent for a relationship between the two, as this was established in The Animated Series/Batman Beyond continuity. In fact, it was the relationship between Bruce and Barbara that drove Dick away, causing him to establish the Nightwing identity. Further along, in Batman Beyond 2.0, the comic that is set in this continuity, Barbara becomes pregnant by Bruce, but loses the baby after an attack. So, as you can see, Bat Banging happens.

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Anyway, the first 25 minutes feel like a tacked on “This is why you should care about Barbara Gordon/Batgirl, so when we cripple her, it’ll matter to you” prologue. It honestly does feel like a lost episode of The Animated Series, even though it’s a slightly different animation style. It’s got the same voice actors, and even the Batmobile from The New Batman Adventures. It’s generally an unspoken rule that every artist/designer does their own take on the Batmobile, so it’s almost like they went out of their way to make it feel familiar. An up and coming mobster takes a shine to Batgirl and makes her chase him around the city. Meanwhile, Batman isn’t treating her like an equal partner, so she’s actually welcoming the attention from the mobster. It all culminates in that rooftop sex scene, which then results in her deciding to hang up the cape and cowl. Again, it’s a good “lost” episode, but it’s almost superfluous to what’s to come in the rest of the movie. The writers probably felt like the prologue would strengthen Batgirl’s character, but it actually does the opposite. She comes off as an annoying single gal from a romantic comedy who can’t understand why Batman won’t see the potential in her. She even comes with her own stereotypical gay best friend, to whom she complains about the lack of attention from Batman.

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The rest of the film plays out like the comic you probably know and hate. The sad thing, though, is that Barbara Gordon is nowhere near as important to The Killing Joke as The Killing Joke is to Barbara Gordon. What I mean is that the story changes the character (almost) irreparably, while she contributes very little to the story itself. Her attack is simply a mcguffin used to break her father. It really doesn’t matter that she’s Batgirl, as it’s not like her crippling happened “in the line of duty”. I mean, her attack doesn’t even spur her father OR Batman to action. The story ends on a joke, for God’s sake, which I’ve always felt somewhat belittles what happens to her. There’s no reason to strengthen Batgirl/Barbara as she doesn’t leave the story a hero. Contrary to how it’s been sold over the years, it’s not Barbara Gordon’s story. She’s just collateral damage in a different matter altogether. I mean, Batman tries to reason with the same guy who has killed one partner and maimed another. The story has never made a ton of sense to me, but it’s always lauded because “Alan Moore”. Anyway, if you want to see a faithful adaptation that brings the story “to life”, this was a pretty good adaptation. The new material is unnecessary, but the stuff you’re familiar with is still familiar here. It’s worth seeing, if only for the discussion it’s bound to trigger. If you want to read more of my thoughts on the film, I was invited by the kind folks at Action A Go Go to write a review, so check it out!

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On TV, I caught the lackluster return of MADtv, now airing during prime time on The CW. A Dora parody in 2016? And it really botched the political stuff, which should be left to SNL. Elizabeth Warren as a Def Jam comic? It all just felt so dated. Like, it would’ve been out of place during the original run of the show, let alone the reboot. Their makeup person should be fired. If anyone’s gonna be a breakout star from this incarnation, it’ll probably be Michelle Ortiz. She kicked off the show with a prayer to the dark lord Satan, and then starred in the aforementioned Dora sketch. Will Sasso came back to do his Kenny Rogers impression, which is hella dated. When’s the last time anyone talked about Kenny Rogers? And it was kinda cheap that they used a “classic” sketch with Key & Peele. At this point, the show feels more like a summer burn-off than a promising debut. I know it’s just the first episode, but I wouldn’t be surprised if it got canceled after these 8 episodes, to merely become a footnote on a Wikipedia page.

In TV news, #DontCancelGirlMeetsWorld was trending earlier this week. As the story goes, the cast of Girl Meets World filmed the 3rd season finale this week, and there’s no official word on whether the show will be renewed. Star Rowan Blanchard sounded kinda bleak with the following tweet:

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I don’t really know what the ratings situation is, but I don’t think folks have anything to worry about…yet. You see, I’m fairly certain the show will be back for a 4th season because Disney likes to get as close to 100 episodes as they can. There are already 58 episodes of the show, but they’ve been doing 30-episode seasons lately. So, the good news is that they still have a ways to go. The bad news, however, is that it’ll probably be done after episode 100. Again, Disney doesn’t like to do more than 100 because it’s just not profitable for them after that point. Even Jessie got 98 episodes, and it was nowhere near as beloved as GMW. The thing to point out is that, barring a time jump, we’ll never get to see Riley and the gang graduate. She’ll never get to meet the World to which the show is meant to introduce her. Anyway, according to the pic above, the season appears to be going out with a bang, with a mega reunion of the Boy Meets World cast – including BOTH actresses who played little sister Morgan. I feel like the show gets way too heavyhanded at times, but I’d be sad to see it go. Still, it opened the doors for other revivals, like Fuller House, so who knows what we’ll end up with next. Perfecter Strangers? Just The Eleven of Us?

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In other TV news, it was announced that the new Star Trek series would be called Star Trek: Discovery. The show will air on CBS All Access in the US, and on Netflix everywhere else. Why couldn’t it be on Netflix EVERYWHERE?! I mean, who doesn’t have Netflix? Anyway, the show will be set on the U.S.S. Discovery, NCC-1031, in the prime timeline (not the J.J. Abrams “Kelvin” timeline of the recent movies). I know it’s the future and all (so the holiday probably doesn’t even exist anymore), but someone better make a joke about how it’s basically the “USS Halloween”. Anyway, we were introduced to the ship in a teaser video that debuted at SDCC. I hate the design of this ship. The saucer is fine, but the secondary hull is way too angular. If you know your Trek, it kinda reminds me of an IDIC. As I said on Twitter, it looks like that Star Trek pizza cutter that ThinkGeek’s always trying to get people to buy.

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When it comes to Marvel, I guess I ought to do an SDCC wrap-up. Let’s see…OK, Brie Larson was confirmed as Captain Marvel. Yay? I mean, I have no real opinion on that casting one way or another. Folks seem to like her, so I guess it’s a good choice. I just don’t know that much about Captain Marvel. I was more of a fan before she was promoted to Captain. We also got the full trailer for Luke Cage, as well as teaser trailers for Iron Fist and The Defenders. A friend on Twitter said “You know it’s a Marvel Netflix show when there’s a fight in a hallway”, and that’s exactly how I felt watching the Cage trailer. People like to say the Marvel movies are too formulaic now, but I feel that way about the Netflix shows. I haven’t even touched Daredevil season 2 yet because I’m just sort of tired of their whole gritty thing. We didn’t see enough of Iron Fist to really make an opinion, but at least it didn’t trigger the cries of “He should’ve been Asian!” like I thought it would. I don’t know if folks have moved on from that or if they were just too overwhelmed by all the other SDCC news to even think about it. I know folks don’t like to “count” the Fox stuff, but we got a trailer for the X-Men related show, Legion. It actually looks intriguing, but I’m not sure I’m ready for yet another Marvel show that’s only tangentially related to a movie franchise (looking at you, Agents of S.H.I.E.L.D.).We also got a trippy new Doctor Strange trailer, but that movie’s just not registering for me. I don’t like the magical side of the Marvel Universe, so there’s really nothing to lure me in at this point. I mean, I’ll see it but, as the kids say, I’m not “hype” for it. And there was supposedly some footage of Spider-Man fighting Vulture, but that’s not a sentence that fills me with excitement. I always felt Vulture was, like, a 3rd-tier Spider-Man villain, so I don’t care who’s playing him because it’s going to take a lot of convincing for me to take him seriously. I don’t mean to sound so “meh” about Marvel’s showing, as there was some notable stuff there. I just felt like the presentation was more of the same.

Things You Might Have Missed This Week

  • Netflix has ordered a second season of one of my favorite shows of 2015: Scrotal Recall. Since the title is off-putting, however, the show will be renamed Lovesick.
  • The Vampire Diaries will end after season 8. With it and Teen Wolf gone, how will our teenage daughters embrace their desire to bang monsters?!

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  • Speaking of Teen Wolf, we got our first look at Tyler Hoechlin as Superman on Supergirl next season. Yeah, not feeling it. He looks like some dude off Tindr who went to a Halloween party dressed as Superman. He’s not built enough.
  • Ghost Rider Robbie Reyes will be appearing on Agents of S.H.I.E.L.D. next season. As someone on Twitter said, he’ll probably just be a guy in a leather jacket who has smoke come out of his ears one episode. TV budgets!
  • Thor: Ragnarok will officially incorporate aspects of the Planet Hulk storyline into the movie, with Hulk’s armor on display at SDCC
  • In Guardians of the Galaxy Vol 2, Kurt Russell will officially be playing Star-Lord’s dad in the form of Ego The Living Planet
  • Reportedly, a reboot of The Rocketeer is being developed with a Black woman as the title character.
  • Apparently the human stars of Sesame Street have been let go as the show heads in a new direction. I figured Elmo had taken out a hit on them years ago, so I was surprised to learn they were even still around.
  • Viacom announced that VH-1 Classic will be rebranded as MTV Classic on Monday. The network will air 90s programming, like Daria, Beavis & Butthead and, most importantly, music videos!

Links I Loved

The Wedding Crasher of Lincoln, Neb. – The New York Times

I Need To Move: A Pokémon Go Sob Story – The Workprint

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I never thought I’d be saying this, but I think that DC “won” SDCC. They definitely brought their “A” game on all fronts. For the TV shows, we got new trailers showing the effects of “Flashpoint” on the cast of The Flash, while also showing Oliver putting together a new team on Arrow. Speaking of the TV shows, it was announced that Katie Cassidy scored one of those “Berlantiverse” series regular contracts like Wentworth Miller and John Barrowman got. So, even though Laurel’s “dead”, she’ll now be able to pop up wherever she pleases, including The Flash and Legends of Tomorrow.

On the movie front, they made one final push for Suicide Squad with a “remix” trailer that they showed in Hall H. I hate to say it, but I think they’re wearing me down. I had said I had no plans to see it in the theater, but now I have a morbid curiosity about it. We also got the trailer for The LEGO Batman Movie, which was exactly what I thought I was gonna get when I watched LEGO DC Comics: Batman Beleagured. That movie was a toyetic disappointment, but this looks hilarious. I love Will Arnett’s Batman because he has this comedic douchebaggery to him that just makes everything he does funnier. I can’t wait for that to come out.

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Now for the big boys. I did not like Batman v Superman: Dawn of Justice. I still haven’t seen the Ultimate Edition, so maybe I’ll change my mind. Or just lose more hours of my life. Still, that movie soured me on the Zack Snyder DC Cinematic Universe. It made me not want to see Suicide Squad, and it made me fear for what a full scale Justice League movie would entail. Then I saw the footage they revealed at SDCC. The movie’s only been filming for a few weeks, but it already looks really good. Hell, it looks great. I didn’t hate Ezra Miller as Barry Allen as much as I thought I would. I was thoroughly impressed by Cyborg’s appearance onscreen. I liked the humor, as the tone didn’t seem as dark of Dawn of Justice, even though they’re supposedly facing a bigger threat. It was kinda weird seeing Bruce Wayne in the Nick Fury recruitment role, as Batman isn’t exactly a “joiner” unless it’s his own Bat Family. Still, I can buy it, and roll with what they’re trying to do. I am actually looking forward to Justice League, which is not something I could’ve said back in March.

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The true gem of all the trailers, however, was the Wonder Woman trailer. It’s funny – Whenever people talk about the fact there’s a Wonder Woman movie coming, someone tends to always chime in with “It’s about time”. I also roll my eyes at this person because I never really saw the potential of a Wonder Woman film. I’m the guy who points out there are very few “definitive” Wonder Woman comic runs. To me, she hadn’t “earned” a movie, so there was no “about time” about it. Then I saw the trailer from SDCC, and I thought aloud “It’s about time”. I would never call myself a “Wonder Woman fan”, but I’m trying to learn more about her so I can indoctrinate my daughter at an early age, and WW is the gateway drug (kinda like how every early ’00s article about comics said you should introduce your girlfriend to comics by having her read Blankets). I went from casual fan to “OH MY GOD WHERE CAN I BUY TICKETS?!” in the span of that trailer. It’s amazing how we were all against Gadot when she was first cast, and now I can’t imagine anyone else in the role. I did, however, kinda dislike how the lasso was animated, but maybe it’ll look better on the big screen. Anyway, I feel like DC ruled Hall H this year – something that’s usually a notch on Marvel’s belt. For this reason, I think DC Entertainment had the West Week Ever.

01st Jul2016

West Week Ever: Pop Culture In Review – 7/1/16

by Will

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WWE Edit

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In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.

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Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.

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On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.

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In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.

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In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.

Things You Might Have Missed This Week

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    • We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
    • Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
    • Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
    • Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
    • Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
    • The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.

  • My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!

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It was a great week if you were  a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.

24th Jun2016

West Week Ever: Pop Culture In Review – 6/24/16

by Will

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WWE Edit

We’ve got a lot to talk about this week, so let’s get to it, shall we?

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On the movie front, the first thing that I watched was Focus, starring Will Smith and Margot Robbie. Smith plays a con man who takes Robbie under his wing from chump change jobs to the real money jobs. It was entertaining enough, but it just felt like another movie where Will Smith played a version of himself. He never really immerses himself in his roles. Each role is just an alternate timeline version of Will Smith. In this timeline, he wore really nice suits and had an S-Curl. Robbie was fine enough, but I don’t get why she’s the new It Girl. I guess I still need to see The Wolf of Wall Street for that. My problem with heist movies is that my brain doesn’t work fast enough to process what’s going on with the plan. I just blindly accept whatever they’re telling me, and then I end up overanalyzing it once the movie’s over. I’m basically the guy trying to figure out how the magic trick works. Anyway, it was engaging, but it’s also got some twists where you can’t really watch it a second time. Nothing on a “Keyser Soze” level, but I think a second viewing would be affected by what I know now, having already seen it. Anyway, it’s not a bad way to kill an hour and a half.

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Then, Lindsay and I watched The Good Dinosaur with the baby. Since she’s only 14 months old, she kinda watched it while busying herself by climbing on shit. I could think of much better names for this film. For example, it could’ve been called The Dinosaur King, since it’s really just a working class version of The Lion King. Or it could’ve been called Dino Falls, because it sounds like the name of a town, but it’s really because the main character, Arlo the dinosaur, spends a lot of time falling off shit. He falls off cliffs, mountains, etc. It seems like every 10 minutes, he’s getting back up from something, so at least he’s tenacious! Anyway, the story’s about Arlo, the weakest of a dino family, who ends up lost and has to find his way home. On the way, he befriends a caveboy who he initially thought was his enemy. Together, they protect each other in the treacherous environment. It’s got all the Disney tropes you love: dead father, inspirational ghost of dead father, gang of stupid, antagonistic predators. Seriously, the only thing missing was a catchy song or phrase to put on T-shirts (“Hakuna Matata” or “Ohana”, anyone?). Still, even though it’s not considered one of Pixar’s best, and I felt like I’d experienced that story before, I still really enjoyed it. To be honest, I think I liked it more than Inside Out. Maybe it was the hype surrounding that movie, but I just don’t get what you people saw in that film that was so emotional. I was far more touched by the friendship between Arlo and “Spot” than I was about anything going on in Riley’s life. So, you probably didn’t see it when it was in theaters (it was Pixar’s lowest-grossing film), but I think you should definitely check it out now that it’s On Demand and on DVD.

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Finally, I watched Sleeping With Other People, starring Jason Sudeikis and Alison Brie. Sudeikis and Brie lost their virginity to each other in college, and then meet up again almost 15 years later at a meeting for love addicts. It seems that neither has been able to have a successful relationship since college, and they sort of become each other’s support system. Meanwhile, everyone around them knows they ought to be together, but they just won’t pull the trigger. It was a funny movie, with a great cast of funny folks. The part that I loved was that many of them had worked together before, so I kept thinking of this as an extension of those other roles. For example, Brie’s character was cheating on her boyfriend with Adam Scott, so I kept thinking of those Smirnoff commercials with the two of them. Or Sudeikis’s business partner is played by Jason Mantzoukas , better known as “Rafi” on The League, and his character is married to Andrea Savage, who played Rafi’s girlfriend on The League. I love little things like that. Anyway, it’s a romantic comedy, so you know how it ends. Plus, Brie must’ve had a no-nudity clause in her contract, as there was a bra-on sex scene, so that was a bummer. Still, everyone’s got great chemistry, and I enjoyed it.

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On the stand-up comedy front, I was eagerly anticipating Big Jay Oakerson: Live At Webster Hall, which premiered last Friday night on Comedy Central. I’ve recently heard about folks getting too familiar with podcast hosts because they feel like they know them, and that’s exactly how I feel about Big Jay. Seeing as how I listen to him twice a week on The Bonfire, I guess I’m starting to think he’s my friend or something. Crazy, I know, but I do think we’d get along famously. Anyway, for that reason, I was really happy for him that his one-hour special was finally seeing the light of day. It was a great hour, and he’s truly is the master of crowd work. He doesn’t even have to prepare that much material because he just engages the audience, and he’s quick on his feet. It was definitely one of the better specials I’ve seen recently, but I might be biased since I’m a notch away from being a stalker here.

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Then, I caught Quincy Jones: Burning the Light on HBO. No, not that Quincy Jones. If you’re not familiar with Jones, he gained a lot of attention last year when he appeared on The Ellen DeGeneres Show. You see, he’s got terminal cancer, and only has about a year to live. He wanted to spend that time touring and doing comedy. Ellen hooked him up and got HBO to give him a one-hour special. He had some funny bits, but it felt like he was still workshopping some stuff. It wasn’t a tight hour, and his crowd work struggled a bit because of a weird audience. It almost felt like they were there out of charity, as they knew his situation, and would kind of laugh at stuff that wasn’t that funny. I feel like he probably could’ve had a strong half hour on, say, Comedy Central’s The Half Hour, but he’s not ready for a full hour yet. Sadly, time isn’t something that he has a lot of, so I guess he had to strike when the opportunity presented itself. It’s worth a watch, but go in knowing that it’s not going to be the most polished special you’ve seen.

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In DC movie news, the logo was revealed for the Justice League film. In order to curry favor with the press, director Zack Snyder invited basically every major news outlet to a site visit recently. Though the movie is only 30 days into a 100 day shoot, reporters got to tour the set and talk to Ben Affleck. And of course, all of the folks who were invited are now positive about the movie, saying that Ezra Miller’s Flash will be a surprising bright spot of the film. It seems the Snyders basically brought the press to them for their Apology Tour, but everyone’s drinking the Kool-Aid. An interesting tidbit came out of the visit: though originally reported as a two-part film, producer Deborah Snyder said that Justice League is ONE film. So, that now means that DC has an open release date in which they can slot something else. It’s also rumored that The Flash will be more of a team-up movie with Cyborg, making me think that the Cyborg movie might be inching its way off the table.

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In Power Rangers movie news, a PR alum comes home as Bryan Cranston has been cast as the Rangers’ mentor, Zordon. Cranston voiced a few of the monsters of the day back during the Mighty Morphin days. I wouldn’t call this a casting “coup”, but it really does come out of nowhere. Meanwhile, Lionsgate released the teaser poster for the film, and it’s the most Lionsgatey thing that Lionsgate ever Lionsgated. If you’re not familiar with Lionsgate’s output, their highest grossing movies are angsty young adult novel adaptations, like Divergent and The Hunger Games. And that seems to be the tone they’re going for here, which I was afraid of. It looks like the poster for a show that would air on The CW or Freeform. Yeah, I see the lightning bolt in the stars, but that’s not doing it for me. There’s gonna be problems marketing this film, as PR typically isn’t for the YA set, while this doesn’t look like something kids want to see. I know it’s just a teaser, but I’ll be interested to see how they handle the marketing going forward. Right now, this just looks like the back cover of an Abercrombie catalog…

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In Star Trek news, CBS/Paramount has issued official guidelines for fan film productions going forward. Ever since the drama with the Anaxar fan film, resulting in a lawsuit from CBS/Paramount, folks have wondered how fan films would be handled in the future. Well, now they know. And some folks are up in arms about the guidelines, but I’ve seen some pretty dreadful Trek fan films, and I know that CBS/Paramount are just trying to protect their IP. There are some interesting rules here, though. For example, no one who has ever appeared on Star Trek can be in your fan production, as it must be cast entirely with amateurs. So, no more Walter Koenig and Tim Russ cameos. And you can’t have Star Trek in your title, but you MUST include a subtitle that says “A Star Trek Fan Production”. And if there are commercially-available costumes or props, you can’t use bootleg versions, but must use the store-bought equivalent. So, no more homemade Starfleet costumes. These rules are really going to shackle the hands of fan film producers, but I think abiding by them will result in a higher quality product. I guess time will tell.

Things You Might Have Missed This Week

  • Fall Out Boy and Missy Elliott released “Ghostbusters (I’m Not Afraid)”. Ray Parker Jr’s career is rolling over in its grave!
  • It was revealed that season 3 of The Flash will loosely adapt the Flashpoint storyline from the comics
  • Sony revealed plans for the animated Ghostbusters: Ecto Force. The show will focus on a team of Ghostbusters in the year 2050. Yeah, not quite sure why they need a time jump, but it is what it is. It just has shades of Stargate Infinity and it makes me sad.
  • FX has renewed Archer for 3 more seasons, which is surprising since that show seemed to be winding down. One of these days, I’ll actually watch past season 1.

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      • The Ben 10 reboot will debut on Cartoon Network in North America in 2017, while Playmates now has the toy license. As you can tell from the art, this version seems to be targeting a slightly younger audience than the last show.
      • Jamie Chung has been cast as Valerie Vale for next season on Gotham. Apparently, shes Vicki’s aunt. This fucking show…
      • Former Wonder Woman star Lynda Carter has been cast as the President in the next season of Supergirl. And that’s STILL not enough to make me interested in that show.
      • After already renewing the show for a second season, HBO decided to cancel the low-rated Vinyl.
      • Maisie Richardson-Sellers has been cast as Vixen on Legends of Tomorrow, where she will play the grandmother of current Vixen Mari McCabe, played by Megalyn Echikunwoke
      • Comic writer Mark Millar announced ongoing series for Hit-Girl, as well as Kick-Ass: The New Girl. The latter will feature a young Black woman taking on the mantle of Kick-Ass. One day, I’ll actually get around to reading the finale of the last guy who wore the suit.

  • My pal Chris Piers is at it again with the Comic Tropes videos. This time, he tackles polarizing artist Rob Liefeld and an increasingly hot assortment of peppers. Check it out!

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This week, each day brought us more casting news about Spider-Man: Homecoming. At first, we learned comedian Hannibal Buress had joined the film. Then, Abraham Attah, from Beasts of No Nation, joined the cast. Then Bokeem Woodbine. Then Laura Harrier. And then Garcelle Beauvais. I joked on Twitter that the casting mandate for this movie is clearly “Get all the Blacks who aren’t already in that Black Panther movie!” So, if you’re a working Black actor in Hollywood, you probably had the West Week Ever. And if you didn’t, just sit by your phone. The call is coming!

 

17th Jun2016

West Week Ever: Pop Culture In Review – 6/17/16

by Will

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On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.

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Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.

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Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.

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In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”

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Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.

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In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!

Things You Might Have Missed This Week

  • Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
  • Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
  • After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
  • Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
  • John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
  • Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
  • Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.

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  • This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.

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There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.

Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.

10th Jun2016

West Week Ever: Pop Culture In Review – 6/10/16

by Will

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The only movie I watched this week was the world premiere of You’re F#@k’n Dead. Written and directed by my good friend, Jay Spence, it’s an homage to grindhouse cinema, with a hint of the supernatural. It follows brash Lexi, and her naive sister, Beth, as they end up in a strange town that isn’t quite what it seems. When they find out the true nature of the town, they find themselves in a fight for their lives. The film premiered Sunday night as the closing headliner at the DC International Fantastic Film Showcase at the AFI Silver Theatre and Cultural Center. Though I was a fan of Death Proof, I’d generally say this wouldn’t normally be my type of movie. That said, I really enjoyed it. It was great to see the fruition of my friend’s 4 years of hard work, and I’m really impressed by the finished product. It will be on DVD/Blu-Ray soon, but here’s the red band trailer, and if you want to know more, check out youredeadthemovie.com.

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In TV news, the former “Can You Hear Me Now?” Verizon Guy now works for Sprint. Huh. I guess some people might see this as a “heel turn”, but I couldn’t care less. I’ve got this weird thing where commercials don’t work on me. Like, if I see a commercial for something, it doesn’t make me want that item. Hell, commercials barely even register with me unless someone points one out to me. So, it’s odd to me that Sprint thinks getting this relic of a pitchman on their side is going to translate into people defecting from Verizon. I mean, if I remember correctly, people hated that guy ’cause he was annoying. If anything, I feel like this would drive more customers to Verizon from Sprint. But what do I know?

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There was also a lot of news in the world of DC Entertainment television. First off, it was announced that Superman would be appearing in season 2 of Supergirl, and casting is underway. A lot of folks are lobbying for Smallville‘s Tom Welling to get the part, but I really don’t want that to happen. I know Smallville had its fans, and it lasted 10 years, but I don’t think its quality is on par with the current Berlantiverse shows, so I’d rather forget it than have some unofficial link to it. Plus, I feel like Welling left the role before he could fall victim to the Superman Curse. He probably avoided it because he never put on the suit. Anyway, Superman will be joined by other DC characters, such as Snapper Carr and Detective Maggie Sawyer. Meanwhile, it’s rumored that Calista Flockhart’s Cat Grant might be bumped to recurring character status.

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Meanwhile, it was reported that Legends of Tomorrow would be adding Vixen to the cast next season, but there’s a catch – it won’t be the same character that has been portrayed by Megalyn Echikunwoke on both Arrow and the Vixen animated series. Mari McCabe is a Detroit hero who derives her powers from an animal totem. So, it appears this new character will be a Vixen, but not the Vixen, as Echikunwoke will still be voicing her version of the character in the animated series (her film commitments are keeping her from joining Legends of Tomorrow). I’m not usually one to bark up this tree, but I hope the new Vixen is also a person of color. I mean, we have so few heroes, it’d kinda suck to lose one. Plus, with the departure of Hawkgirl, the team could use the diversity in the form of a woman of color. The character was popular, with some folks saying she deserves her own show, but I say “hold onto your horses” on that one. Let’s let the character grow and develop before putting that weight on her shoulders.

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We also got our first look at character designs for Justice League Action, the new DC animated series coming to Cartoon Network. Based on a presentation at the Kre8tif Conference in Malaysia, the show will include characters like Firestorm, Mr. Terrific, Lobo, Blue Beetle, Big Barda, and Harley Quinn (back in her jester costume). Kevin Conroy and Mark Hamill are coming back, so I guess reports of their retirement had been premature. I don’t love the character designs, but it’s clear this show is geared towards the younger set. The show will consist of 11-minute episodes, like most current Cartoon Network shows, and no premiere date has been announced yet.

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In video game and toy news, the sets for LEGO Dimensions Year 2 were revealed, and they are amazing. LEGO Mr. T!!! Not only will there be an A-Team set, but there will also be sets for The LEGO Batman Movie, Sonic The Hedgehog, Knight Rider (!), The Goonies, Mission Impossible and more. I will most definitely be getting the A-Team and Knight Rider sets.

Things You Might Have Missed This Week

  • Teenage Mutant Ninja Turtles: Out of the Shadows underperformed over the weekend, only taking in $35 million, despite positive word of mouth
  • John Boyega has been cast as the lead in Pacific Rim 2, which will be directed by Steven S. DeKnight (Daredevil on Netflix)
  • The Injustice 2 video game was announced for a 2017 release. I love the first one, even though I’m not that good at it.

    • Comedy Central announced that Rob Lowe would be the guest at their next roast. Look for a lot of jokes about his sex tape with that underage girl. Oh, you didn’t know about that?
    • It was reported that Mel Gibson is working on a sequel to The Passion of the Christ. The timing is perfect, as Jim Caviezel is gonna need work soon.
    • My pal, Chris Piers, got DRUNK X-Amining the comic tropes of Chris Claremont’s X-Men run. If you’re an X-Men fan, this is a MUST WATCH!

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I’d have to say that Awesome Con stole the week. Kicking off last Friday, the show set up at the Walter E. Washington Convention Center in downtown DC, and ran through Sunday. I decided to check it out with my good pal Classick Materia of CSPN Media. We had a great time walking up and down aisles, meeting our favorite comic creators, and chowing down on convention center burrito bowls. Most of the experience was covered on the latest episode of the Classick Team-Up Podcast, so be sure to check that out. Still, there were a few things that didn’t make it into the podcast.

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Classick and I got split up at one point, and I found myself at the Aftershock Comics table in front of writer Paul Jenkins. If you’re not familiar with him, he wrote Wolverine: Origin back in 2001 that finally revealed the character’s history. He also co-created Marvel character The Sentry. Anyway, as I walked up to his table, he was scanning the side of a juice box with his phone. He noticed me, and immediately went into infomercial mode, telling me about this great new app that’s been helping him lose weight. Turns out it was My Fitness Pal, which I’ve already been using for the past 6 months. I told him this, but he glossed right over it, as he demonstrated how easy it was to simply scan the barcode and have the app input all of the nutritional information. He told me that he’d cut out sugar and bread, and that the weight was just falling off. He said that it’s not just about what you eat, but also when you eat it. He was like a born again Christian with this thing! We never even talked about his comics. He signed my copy of Replica that I had coincidentally purchased from a dollar box earlier in the day, and sent me on my way. Great guy, but such an odd experience.

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Next up, I met Tom King, who’s currently writing The Sheriff of Babylon, as well as starting on the Batman title. As I went up to his table, I told him that I was a big fan, and he said that he recognized me. I didn’t think we had met, but then remembered I had met him at NYCC last year. Still, there’s no way he remembered me, and I’m sure he says this to all the boys. Anyway, the con had been selling an exclusive cover of Batman: Rebirth #1, but it was the same cover as the normal book, only it had “Awesome Con” on it – for TWENTY dollars. Fuck that noise! I went back to the Big Planet Comics booth, and picked up a copy of the regular edition for $3. I promptly went back over to King, and had him sign it. I also told him that I enjoy The Sheriff of Babylon although I have no clue what the Hell is going on. Like, the characters are interesting and compelling, but I’m totally lost on the plot. I mean, I couldn’t even really explain it to you, except for the fact that it’s set in post-Saddam Iraq. He laughed and said that he had just been thinking about possibly including a recap in an upcoming issue, just to make sure everyone was on the same page with the story. I told him I was looking forward to his Batman run, and went on my way. Really nice guy!

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While walking around, Classick and I started talking about Doctor Who, trying to figure out what the appeal is about that franchise. He said that it was the scarves. I said it was the dildos. Sure, they may call it a “sonic screwdriver”, but I wasn’t born yesterday! That’s a fancy space dildo. So, as we laughed about this, an idea hatched in my head. I’d like to introduce you to my new Tumblr, Scarves and Dildos: The Magical World of Doctor Who.

Anyway, for more tales of our time at the con, check out the podcast. In any case, I think the show set the tone for the week, and that’s why Awesome Con had the West Week Ever.

03rd Jun2016

West Week Ever: Pop Culture In Review – 6/3/16

by Will

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On the movie front, all I watched this week was The Intern. After the bad taste left in my mouth by X-Men: Apocalypse (HOW DOES THE FLYING GUY DIE IN A PLANE CRASH?!), I just needed a cute Nancy Meyers film to make me forget all that. In the film, Robert De Niro plays a 70 year old widower who’s hired to be the intern for Anne Hathaway, who’s the CEO and founder of a fast-growing online shopping site. The company decided to hire senior citizens because they felt that these people had valuable experience, and still had a few miles left on them. At first, Hathaway doesn’t want De Niro assigned to her because he’s too observant, and she’s a private person. Over time, though, they go through a lot together and become best friends. I know it sounds schmaltzy, but it was a cute movie. It’s probably considered a “chick flick”, though I don’t think that would be a fair label. In a lot of ways, you could almost consider this a sequel to The Devil Wears Prada, as Hathaway is essentially playing Andrea Sachs in the next phase of her career (yeah, I’ve also seen Prada, but that’s only because A) I love Anne Hathaway, and B) the novel was written by a Cornell alum). Anyway, if you’re looking for a movie that you and your girlfriend/wife/husband/partner/parole officer can watch together, I’d recommend it.

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On TV, the biggest thing I watched the the DC SuperHero Girls special on Cartoon Network. If you’re not familiar with it, DC SuperHero Girls is a new initiative by DC Comics to introduce their properties to young girls. It’s comprised of online digital shorts, graphic novels, and an action figure/doll toyline. Instead of the usual digital shorts, this special was an hour long, and MAN was it boring! It followed Supergirl as she matriculates to SuperHero High, having arrived on Earth only 4 weeks prior. She wants to get the same training that her cousin had, so she enrolls and immediately befriends I.T. girl Barbara Gordon. At the end of the day, I just have to admit that it wasn’t made for me. I think we live in a time where most cartoons have several layers: they’re for kids, but they still have jokes and references that adults might get. That’s not the case here. This is full-on for little girls. It also does that whole thing where it disregards who’s “good” and who’s “bad”. For example, morally-questionable Amanda Waller is the principal of SuperHero High, while Flash villain Gorilla Grodd is the vice principal. Meanwhile, Granny Goodness, trainer of the Furies of Apokalips, is the head librarian. Sure, it works in the context of the show, but it doesn’t make a lick of sense to anyone with any familiarity with DC Comics. So, I guess it serves as a nice “gateway drug” for kids to get into DC characters, but those parents are gonna have some ‘splainin’ to do once those kids outgrow this show.

larson marvel

In Marvel movie news, it appears that Oscar winner Brie Larson (Room) is being eyed to star as Carol Danvers AKA Captain Marvel. I don’t know a ton about Larson, but I don’t hate this news. After all, it’s not like Longmire‘s Katee Sackhoff ever had a serious chance at the role, despite fan desire. I haven’t tried to fancast the role myself, but it’s certainly a better idea than the previous rumor that Chloë Grace Moretz (Kick-Ass) was interested in the role. Meanwhile, on the Fatman on Batman Podcast, Marvel Chief Creative Officer Joe Quesada seemed to confirm that Marvel Studios now has the rights to Namor: The Sub-Mariner. In the past, it was reported that these rights were actually being held up at Universal, along with the Hulk rights.

Famuyiwa

Across the aisle, there was also news from the DC Films camp, as Dope director Rick Famuyiwa has taken over for Seth Grahame-Smith as the director on The Flash. People seem excited by this news, but I’m not sure what to think. I mean, this would’ve been Grahame-Smith’s directorial debut, so he didn’t really have a cinematic track record to go on. That said, what I know about Famuyiwa is that he directed and scripted Dope (which I loved), while he also directed HBO’s Confirmation about the Clarence Thomas hearings (which I enjoyed). So, I’m not really sure what kind of sensibility he’s going to bring to the workd of The Flash. Seems almost out of his wheelhouse, but maybe I’ve just got him pegged in my mind as a certain type of director.

revolution

In comic news, IDW Publishing has announced “Revolution”, which will merge all of their Hasbro-based properties into a shared universe, not unlike the shared cinematic universe that is being created. IDW promises that this is not a reboot, and all of the events of the individual comics still happened, but now they will have effects on other books. This event will merge the worlds of Transformers, G.I. Joe, Micronauts, Action Man, and Rom: The Space Knight. The result of this event will be the debut of the M.A.S.K. comic that I talked about a few weeks ago. If they really wanted to impress me, though, they’d find a way to fit the Jem comic in there. Anyway, that promo image just looks like a mess. Total cacophony. I know a lot of folks love the Transformers comics, so for their sakes, I hope this works out.

hellboy

In other comic news, this week saw the end of Hellboy’s journey, as Hellboy In Hell #10 was released on Wednesday. If you haven’t been keeping up with the Hellboy comic, the character died back in 2011 and has since been having adventures while fighting monsters and demons in Hell. I, for one, have not been keeping up with the book, so most of the recaps that I read didn’t make a lot of sense to me. That said, I’m sort of surprised this book isn’t getting more press. I mean, we live in a time when comic deaths are pretty much meaningless, but fans of Hellboy are calling this a beautiful and fitting ending. Creator Mike Mignola isn’t opposed to returning to the character at some point down the road, but for now he’s giving Hellboy a well-deserved rest.

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In toy news, we got a look at the upcoming X-Men wave of Marvel Legends figures. Due to the contentious relationship between Marvel and X-Men licensees, a lot of people were afraid the wave would be cancelled after it debuted at Toy Fair back in February. The wave will include Deadpool, Cable, Kitty Pryde, Wolverine (Brown Costume), Jean Grey, Iceman, Havok, Rogue, and a Juggernaut Build-A-Figure. These are expected to be released this month, but with Hasbro’s distribution issues, I don’t expect to ever see these in stores.

It’s been a crazy week for me in social media. I woke up Sunday morning to this:

Diggs

Yup, it’s really him – ya know, every red-blooded woman’s “hall pass”. At first, I figured he somehow knew I had a “halfy” kid, and was trying to get me to buy his book about halfy kids. Then, I found out he also followed some of my friends online. So, I’m not sure to what I owe this honor. So, my Verified followers now include Aaron Carter and Taye Diggs. Then this happened:

Spears

If you don’t know Aries, he’s best known as “The Black Guy from MADtv“. as he was on there for 7 seasons before Keegan Michael Key and Jordan Peele joined the show. Every now and then, he finds himself in a Twitter controversy, but I found myself watching a YouTube interview with him and he was really dropping some knowledge. Two hours later, I realized that I’ve underestimated him all these years. So, when I was done, I tweeted that I had just spent 2 hrs watching this interview series, and I woke up to find he’d followed me. Let’s see how long this lasts. But the craziness didn’t stop there!

June

My pal Chad had posted on Facebook that Honey Boo Boo’s mom, Mama June, would be appearing at the Baltimore Hustler Club. I thought it was a joke, so I tweeted about it. I didn’t think that A) she’d reply or B) it’d be true. I guess she’s gotta make that money, but the whole thought is just kinda sickening to me. I mean, I hope she’s not stripping! Maybe she’s just signing shit or something.

Valene

Later that night, I was watching my new favorite reality show, Single Dad Seeking, and I was tweeting about it. If you’ve never seen it, it’s a show on TLC that follows 5 single fathers as they look for love. One of the dads, Mike, is a roofer from Jersey, and he’s dating this chick named Valene. Valene’s hot, but doesn’t appreciate that she’s been thrown into this role of being a parent so early into the relationship. In the most recent episode, it was Mike’s kid’s birthday party and Mike had invited Valene. Mike’s ex (and baby mama) was there, and she’s just straight Jersey trash. She and her friend were talking shit about Valene, but Valene composed herself and handled it like a trooper. I tweeted the above, and didn’t expect to get a reply. I guess reality “stars” don’t have anything else to do when not filming, but it’s always weird when these people actually see what you’re saying about them.

pr movie

To top it all off, the official Instagram account of the Power Rangers movie followed me. You all may not Like my pics, but somebody out there clearly cares!

Things You Might Have Missed This Week

  • The Rock has signed on to play pulp hero Doc Savage, once he’s finished filming the 70 other movies to which he’s currently attached
  • The Batman v Superman: Dawn of Justice Ultimate Edition has been announced to hit HD Digital on June 28th, followed by a physical release on July 19th. This edition features 30 more minutes of torture, clocking in at 182 minutes, and will be rated R for “Really?!”
  • That dude from Hamilton will probably be leaving Hamilton, to no longer play Hamilton, when his contract ends on July 9th. He’ll, then, go on to costar in the Mary Poppins sequel with Emily Blunt
  • In leaked storyboards from the abandoned Spider-Man 4, it was revealed that Anne Hathaway would’ve been playing Felicia Hardy. Instead of sporting the alter ego of the Black Cat, she would’ve, instead, been a character named The Vulturess. Bullet dodged.
  • American Idol season 11 winner Phillip Phillips is currently being sued by Idol production company 19 Entertainment for breach of contract. They claim he owes them millions of dollars, but considering the fact that he’s only sold a million albums in the past 4 years, I’m pretty sure he ain’t got that money.

ecto cooler

Man, y’all went crazy for Ecto Cooler this week, didn’t you?! Hi-C Ecto Cooler was a mainstay in all of our lunchboxes, back when The Real Ghostbusters was tearing up the weekday afternoon AND Saturday morning airwaves. Then, it disappeared in 2001 once the Ghostbusters craze had all but dissipated. Yeah, I know it was originally one flavor, and then renamed to another flavor, but there are other pop culture bloggers out there who can give you a better rundown of its history than I can.

My relationship with Ecto Cooler was superficial at best. I never liked the flavor that much, but I liked it because it was the cool thing to like AND it had Slimer on the box. Once it disappeared, I really didn’t think much about it. To be honest, I’m more curious if people remember McCain’s Junior Juice. It came in a tiny box, and had a dapper frog on it. That shit was classy!

Anyway, fans of Ecto Cooler have been longing for its return and, in conjunction with the upcoming Ghostbusters reboot, they’re getting their wish. A few well-connected bloggers got a nice shipment from Coca-Cola to celebrate the return of the cherished beverage, but I guess mine got lost in the mail. Nope, not bitter at all. Anyway, the drink was set to be on shelves this past Monday. Though it’s odd that a release would be scheduled for a holiday, the Cooler fans took to the streets, scouring store after store for their light green nectar. As I said on Twitter, if the Ecto Cooler street teams were in charge of some voter registration drives, maybe we wouldn’t be in the shitstorm we’re in. Now, there are a lot of ways to read into that statement, but I’m just gonna say it’s a tribute to the organization of the Ecto Coolites. Yeah… Anyway, the stuff wasn’t on shelves when promised, so some folks have resorted to ordering it off Amazon, where it’s available to Prime customers. I don’t plan to join the reindeer games. It’s nice that folks are getting something they’ve wanted for years, but I just don’t love the taste enough to scour the globe. If I happen to find some in my travels, I’ll pick it up for old times’ sake, but for now, I’m gonna leave this to the professionals. In any case, Hi-C Ecto Cooler had the West Week Ever.

P.S. Let me know if any of you will be at Awesome Con tomorrow, as I’d love to meet up!

27th May2016

West Week Ever: Pop Culture In Review – 5/27/16

by Will

 

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apocalypse

So, the main movie that I watched this week was X-Men: Apocalypse. Where to even begin with this film? When I reviewed Batman v Superman: Dawn of Justice, I tried to be diplomatic. I never said that was a *bad* movie, but I simply said that it didn’t work for me. I can’t do that here, though. This was a bad movie. At the end of the day, it suffers from a failure to launch. It never feels like it builds to anything worthwhile. It has a decent 1st act, but an almost non-existent 2nd act, finished off with a rushed 3rd act.

I’ve already mentioned that I’m tired of the Erik-Charles-Raven Show, and this is just more of that. The other characters are never fleshed out, and just serve as window dressing for that trio. They are their comic counterparts in name only. Psylocke? Useless. Storm? Really doesn’t improve much on the Halle Berry incarnation, but that’s not the actress’s fault. She did the best she could with what she had. I’ve never seen Game of Thrones (outside of a supercut of all the sex scenes from the first 4 seasons), but I don’t know what it was about Sophie Turner that made Fox think she was the one to play Jean Grey. Sure, Famke Janssen was no Oscar winner, but she at least had a personality. Oscar Isaac is wasted as Apocalypse, as that character could’ve been played by almost anyone. He brought nothing to that role. Apocalypse’s motives aren’t all that clear to anyone unfamiliar with the character. Someone on Twitter mentioned that Hive on Agents of S.H.I.E.L.D. actually did Apocalypse BETTER than the actual Apocalypse did in this film, and I can’t disagree. Hive had a purpose, he had his own kind of “horsemen”, and he capably swayed the Inhumans to his cause. Apocalypse just goes around giving folks makeovers and amping up their power levels, but there’s no real indication as to WHY. Quicksilver’s great, and I’d watch a whole spin-off about him, even though that sounds like a terrible idea on paper.

Plus, where’s the “world that fears and hates them”? Since the events of Days of Future Past, where Mystique saved the President, the public seems to actually appreciate mutants. That’s not how that’s supposed to work. They should be terrified at the display of power they witnessed in DC. I mean, Nightcrawler walks through a mall, with no image inducer, and no one bats an eye!

It’s surprising to me that this was directed by Bryan Singer, because it felt like it was made by a first-time director with no familiarity with the characters. This is Singer’s 4th time at bat with this franchise, and he fails colossally. It’s funny because the film even makes a joke about how the 3rd movie is always the worst. There was a lot riding on this film, as it’s basically the 3rd movie in a second trilogy. Unless you’re a hardcore X-Men fan, you can skip this. In fact, you probably should just skip this.

soder

Whew! So, what did I like this week? Well, I caught the Comedy Central stand-up special Dan Soder: Not Special. Formerly of MTV2’s Guy Code, I’m a big fan of Soder, as he’s the co-host of my favorite radio show, The Bonfire, on Comedy Central Radio. He had a great bit about how he used to think he was possessed by the Devil. It wasn’t a gut buster, but it was more of what I’ve come to expect from him. I enjoy listening to him and Big Jay Oakerson every Monday and Wednesday evening, and this was like a nice bonus episode of that. If you’re looking for a laugh, definitely check it out.

cap and bucky

To say it’s been quite a week for Captain America would be quite the understatement. When the week started, #GiveCaptainAmericaABoyfriend started trending on social media, as fans began to “ship” Captain America and Bucky. If you’re not familiar with shipping, it’s when fans desire that certain characters enter into a relationship. From how they were portrayed in Captain America: Civil War, some folks think there’s something between Steve and James that’s a bit more intense than mere friendship. Of course, everyone took a side in the matter. Even I was like, “No, that would change the character too much because he’s been depicted in relationships with women.” I’m all for representation when it makes sense, but this seemed like it was changing a character just for the sake of change. Why make Cap gay when there are actual gay Marvel characters who “get no shine”, as the young kids say? Then I read this. My pal Pete wrote a powerful piece on representation, and what a gay Cap would mean to him. And something happened that rarely happens: my mind was changed by something I read on the Internet. At the end of the day, I hate change. That’s something that I have to deal with, but I guess I can’t stand in the way of progress. I can understand what it would mean to LGBT folks to have a symbol like Cap on their side. And it doesn’t change anything he stands for. In fact, he would now stand for MORE. If he is gay, though, he can do a LOT better than Bucky! Anyway, I was dealing with my newfound enlightenment and then Wednesday morning happened.

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The news cycle was supposed to belong to DC (we’ll get to that later), but Marvel just couldn’t let someone else have the spotlight. For the past couple of years in the comics, Steve Rogers has been depowered and advanced to his rightful age. Well, recently, he regained his Super Soldier Serum and returned to his normal self, reclaiming the mantle of Captain America, while still allowing Sam Wilson to ALSO be Captain America (yeah, that’s not gonna be confusing!). The first issue of his new series, Steve Rogers: Captain America was released Wednesday morning, with a major twist on the final page: Steve says “Hail, Hydra”, revealing that he is, and apparently always has been, an agent for his supposed greatest enemy. AND PEOPLE LOST THEIR SHIT!

It got to the point where the former Captain America writer, Ed Brubaker, was getting hassled, while the current writer, Nick Spencer, started receiving death threats. The Internet was basically divided into two camps: A) “Apparently you’ve never read a comic before, ’cause nothing’s ever permanent in comics” and B) “How dare Marvel invoke Nazis, considering they were actual bad people, and Captain America was the creation of two Jewish creators?” And both sides have their merits.

winter soldier

This storyline won’t matter in 2020, but maybe some new, cool supporting character will come out of it, like how we got the Winter Soldier a few years back during another storyline that could be considered a “gimmick”. I’ve always said that the current marketplace of licensing and lunchboxes kinda prevents major changes from happening to major characters, but some good can still come out of these stories.

At the same time, Nazis have been kinda neutered so much in pop culture that it’s easy to forget that these folks did some pretty fucked up shit. We live in a Call of Duty world, where you can log on and kill Nazis to your heart’s content, but that doesn’t change actual history. Just because the concept is toothless today doesn’t mean that it didn’t once carry some major weight. So, I can kinda see some folks getting offended by that. However, Cap’s been fighting Nazis for 75 years. Wasn’t it equally offensive that this comic book character was depicted fighting a real life foe that was out there eradicating people? I mean, if you’re really offended by the Nazi thing, then it seems like Cap just isn’t the right property for you. Nor is Call of Duty. Nor is The Producers. I get it. Nazis off limits.

Personally, I believe that we should wait and see where the story is going. I mean, it’s kinda hard to write it off from the first issue. If it wasn’t your cup of tea, that’s fine, too. Everything can’t appeal to everyone. I know people look to him as a symbol, and can’t understand why he would side with his enemies, but there’s clearly something bigger at play. And it doesn’t behoove anyone to waste outrage at this point in the game.

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Speaking of outrage, folks were up in arms in the toy community about a San Diego Comic-Con exclusive Teenage Mutant Ninja Turtles figure release. Created by NECA, there are 8 figures, split across 2 sets, designed after the classic TMNT video game. Based on the licensing rights, however, NECA is only allowed to sell these sets at SDCC; these will not be available in stores or at any other convention. Since not everyone can make it to the convention, fans are lamenting the fact that their only chance to get the figures will be by paying a markup on eBay. Or, as they’ve been saying, “The Scalp-Ors Win”. Maybe I feel this way because I’m not the biggest TMNT fan these days, but I kinda like that they’re exclusive to the con. Sure, it sucks for completists, but these things supposedly exist to make attending the con feel that much more special. It sorta takes away from the whole exclusivity when the items are sold on company sites a few weeks after the show. If I paid over $1,000 for an experience ($245 just for show admission), you better damn well believe I want to get something special out of it. And the way I see it, whatever fans end up paying on eBay is gonna seem like a steal compared to what it would actually cost to go to SDCC and get the figures themselves. All is not lost! Right now, NECA’s saying that these figures will be released in no other form, but it seems odd that they’d go to the trouble of new tooling for something that won’t hit mass market. Just doesn’t seem practical. Maybe they’re just saying this to hype up the exclusivity of the convention sets. I guess time will tell. Whatever. I feel like the fans who REALLY want the sets will find a way – even if they have to sell a kidney to do so.

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These days, I’m only an occasional wrestling fan in that I don’t watch any of the shows or PPVs, but I still keep track of who’s in and who’s out. Everyone’s injured and the fans hate Roman Reigns. That about sums it up, right? Anyway, this week the WWE announced that their TV show SmackDown would be moving to Tuesdays, and switching to a live format (for the past 16 years, the majority of the episodes were pre-taped). The reason for this is because WWE is going back to a “brand extension” model. Used in the past, but abandoned in 2011, the brand extension involves a wrestler draft, determining which wrestlers will end up on Raw and which ones will end up on SmackDown. Seeing as how Raw has been the flagship since about 1997, that’s where you really want to be. SmackDown, though originally created to be “The Rock’s Show”, has settled into an existence as the mousy little sister in the company. If you ask me, however, SmackDown has outlived its usefulness.

When SmackDown debuted, what made it special was that it was 2 hours of wrestling programming on broadcast television. Originally airing on UPN, it provided a free alternative to the pay cable Raw. Since the end of the syndicated WWF Superstars and WWF Challenge, there was a void of broadcast wrestling that needed to be filled. And SmackDown filled this void  for 11 years, even past the merger of UPN and The WB, eventually landing on Fox’s short-lived MyNetworkTV. At its peak, it was the #1 program in Spanish-speaking households. Sure, the major stuff happened on Raw, but you still got recaps and some action on SmackDown. Then, after failing to really fit into MyNetworkTV’s plans, the show ended up on Syfy. This meant that both of WWE’s major shows were now on cable, with nothing being provided to those broadcast TV fans (with the exception of the severely short-lived WWE Saturday Morning Slam on The CW). Like the MyNetworkTV move, the move to Syfy made little sense, and the show was eventually moved to USA Network – the same network that serves as the home of Raw. So, what makes SmackDown special now? It also doesn’t help that WWE now has a streaming network for its programming. The popular NXT program, featuring up and coming developmental talent, is solely on the WWE Network, yet SmackDown is presenting a not-as-good-as-Raw product on USA. Why not swap them? Everyone knows SmackDown is the lesser-than, so give its USA timeslot to NXT, differentiating the offerings on USA. That still doesn’t solve the problem of a lack of WWE programming on broadcast TV.

I know a lot of folks have cable, but everyone doesn’t have cable – especially in the world of cord-cutting. What I propose is that WWE bring back WWE A.M. Raw, which was a Raw recap show that used to air late Saturday night/Sunday morning. It was an abridged version of that week’s Raw, focusing on the highlights. I say WWE should package that and sell it to CW affiliates to air on Saturday mornings/early afternoon – similar to when WWF Superstars used to air. It’s just editing existing footage, so there aren’t too many production costs involved, and I feel like there sorely needs to be wrestling on “UHF” channels like back in the old days. Sure, television is changing, but it wouldn’t hurt for WWE to have all their bases covered: cable, broadcast, and streaming.

Things You Might Have Missed This Week

  • In a conference call, Lionsgate CEO Jon Feltheimer announced that they may make up to seven Power Rangers films. Oy vey!
  • In other Power Rangers news, the new logo debuted for the upcoming Power Rangers Ninja Steel. I don’t know why these “reveals” are a big deal, seeing as how they’ve been using the same Power Rangers font since Zeo. The only thing that changes is the subtitle, and this one looks like bad Photoshop
    ninja steel
  • HBO insiders are implying that there probably won’t be a third season of True Detective. I missed the second season, but the first gave us a naked Alexandra Daddario, and for that I will always be grateful.
  • A new Star Trek Beyond trailer came out. It didn’t suck.
  • Michael Keaton has reportedly signed on to be the villain in Spider-Man: Homecoming. Most reports are saying he’s playing the Vulture, though I saw one mentioning Norman Osborn. I’d prefer Osborn.
  • Marvel announced that Creed‘s Tessa Thompson will be portraying Valkyrie in Thor: Ragnarok, and the Internet DIDN’T lose its collective mind! Jeff Goldblum, Karl Urban, and Cate Blanchett have also joined the cast
  • Amazon’s Man in the High Castle‘s production has been halted, as showrunner Frank Spotnitz suddenly left the project. It is NOT a good week for Nazis!
  • FX announced that The Americans will end after two more seasons. I really need to catch up on the show.
  • It’s rumored that Rob Lowe may be replacing Michael Strahan on Live! With Kelly and…I wanted NPH, but I don’t hate this idea.
  • Digital comics platform Comixology introduced Comixology Unlimited, which offers a limited “all you can read” service for non-Marvel and DC comics, at $5.99 a month. It’s unclear, however, how creators will be compensated. Right now, it seems like they’re just getting “exposure”.

No podcast appearances this week, but I did want to share some shows with you. First up, the No Topic Required Podcast is back up and running. They sort of took a break after episode #100, but it seems like Zack and Adam are back in the saddle. As the title suggests, there’s no specific topic for the podcast, but they cover everything from video games to movies to comic/toy controversies. I’ve been on a few times with them, and always have a great time. If you’re looking for a new show, check them out!

Also, one of my favorite discoveries is the Positively Nerdy Podcast. I can be kinda ornery on here, but I really do want the best from things. Ryan looks at all that’s good in geek culture, and he records so many different shows that he’s a podcasting machine! If you like comic reviews, he’s got them. If you like movies, he’s got the review show Ryan and Leah: At The Movies. If you want a quick listen, he’s got Nerdy Nuggets. He’s a great guy, and I really like everything he puts out. If you’re looking for the non-cynical side of fandom, I highly recommend that you check out Positively Nerdy.

Links I Loved

Ranking the Megazords – The Robot’s Pajamas

The Case Against Dan DiDio – The Savage Critics

How I Used Lies About a Cartoon to Prove History Is Meaningless on the Internet – Geek

DC-Comics-Rebirth (1)

Despite the Captain America hubbub, I really believe the comic news cycle belonged to DC Comics and DC Universe: Rebirth #1. I’ve been covering the lead-up on this site, but we finally got to see what it’s all about. Released midnight Wednesday, the comic sets the DC Universe on a new path, to recapture something that it had lost: hope. As many DC fans will tell you, the New 52 reboot drove away a lot of long-time readers, and it created a universe that was bleak and somewhat hopeless. Basically, it was a Zack Snyder movie in print. So, this was an attempt to win back those old fans.

Where to begin? Well, (and in case you didn’t know, this part’s gonna contain mad spoilers, but nothing you haven’t already seen spoiled by the mainstream media), the story focuses on original Kid Flash, Wally West, as he’s unhinged in time. We haven’t seen this character since the 2011 Flashpoint event that spawned the New 52, so it was the welcome return of a fan favorite hero. Wally visits several characters, like Batman and the original Johnny Thunder, in an attempt to warn them that some outside force has been influencing the timeline, resulting in a loss of memories and a 10-year span of time. He’s unable to reach any of them, and is continually sucked back into the Speed Force – the energy pool from which all DC speedsters draw their powers. Finally, he reaches out to his former mentor, Barry Allen/The Flash, who eventually remembers Wally and helps to rescue him from the Speed Force. Over the course of the story, we find out more tidbits and revelations. Apparently, there have been THREE different Jokers, which seems odd ’cause wouldn’t Harley realize she’s obsessing over three different dudes? Wonder Woman has a twin brother. Jackson Hyde/Kaladur’ahm/Aqualad made his post-Flashpoint debut. And, to the joy of many, Ted Kord made his post-Flashpoint debut as a mentor to Blue Beetle, Jaime Reyes. And to cap it off, we got a doozy of an ending: Dr, Manhattan, of the classic 80s comic Watchmen, was revealed to be the force that had altered the DC Universe’s timeline. Huh.

That ending is important because it’s the first time that the Watchmen characters have been incorporated into the mainstream DC Universe. The story is largely seen as a contributing factor in comics becoming dark and gritty, so it sort of makes sense that in order to find what’s lost, you return to where you last saw it. The happy-go-lucky, “heroic” DC existed prior to Watchmen, prior to Crisis on Infinite Earths. So, this sort of brings everything full circle. But what does it really mean? Are they blaming Alan Moore for the state that DC eventually found itself in? What’s to be gained by reclaiming that story and incorporating it into the mainstream? Alan Moore has notoriously dismissed any association with the story after he was screwed out of ownership. I feel like he wouldn’t necessarily agree with how they’re being used now, as that wasn’t his original intent. Still, they’re technically DC’s toys, so they can do with them as they please.

I went to a midnight release for the book, and couldn’t wait to get home and crack it open. When I was done, all I could say was “huh”. I didn’t hate it, but I didn’t love. I was really just confused. Why was The Comedian’s button in the Batcave? Like, it’s a great visual, but how would it even get there? And sure, it was great seeing Ted Kord, considering the last time we saw him was pre-Flashpoint, with a bullet in his head. It seems like DC did everything right to cater to those lost fans. They brought back dead/forgotten heroes, they tied the story back to a seminal classic, and it set the stage for things to come. From a lot of the folks I’ve been following online, they love this book. And, to me, that’s a problem.

DC-Rebirth-Splash

The people who are really loving Rebirth #1 are in their 30s and 40s, and they’re saying “This reminds me of the DC I used to read.” That’s great for you, but bad for the industry. I’ve been reading comics for over 20 years, so I know the main tentpoles. The Dark Knight Returns, Watchmen, Crisis on Infinite Earths. I know what those did for the industry, and I know they’re basically revered, But I didn’t see anything about this comic that would necessarily appeal to a NEW reader.

Folks in their 30s and 40s have other priorities. They can’t be depended on to keep this hobby afloat. You need to reach out for NEW blood. Now, it can be argued that DC was trying that when they introduced the New 52 reboot, starting (most) books back at square one. At that point, Batman and Green Lantern were the only books that required prior knowledge in order to fully understand them. But for all their desire to start fresh, DC is consumed by this desire for “legacy”. Chief Creative Officer, and writer of Rebirth, Geoff Johns has said in interviews that this is what Rebirth is all about: regaining a sense of legacy. DC has a rich history, and I can understand the desire to capitalize on that, but they’re so busy reminding us of where they came from, that they don’t spend enough energy figuring out where they’re going.

watchmen1

Rebirth #1 is nothing but another self-referential circle jerk by DC, tied to a 30 year old story – WHICH, by the way, generated a movie that was polarizing at best. Had the Watchmen film been a huge critical and financial success, then maybe I’d understand this. After all, it was just released 7 years ago, so it would be somewhat fresh in folks’ minds. Instead, this book holds no real meaning to new comic fans. I’m of the argument that Watchmen is very much a “you had to be there” sort of read. I’m sure it was groundbreaking when originally released, and it changed the industry in such a way that a lot of folks only know a comic industry painted by the influence of the book. They have no clue that things don’t HAVE to be dark and gritty. Rebirth seems like an opportunity to introduce that concept to new fans, but instead it’s like DC crawling back to old fans like, “Are you still mad at me?”  If anything, it feels like this move was really just to sell more copies of Watchmen, as now the new fans are gonna go seek out that story in order to try to figure out what they just read, or why that ending should be seen as significant. That’s great for DC’s backlist, but it doesn’t necessarily mean anything for its future.

rebirth

But I don’t want to sound like it’s all bad. I am eager to see where things go, and I would also like to see hope restored to the DC Universe. I can’t say I’ve really enjoyed the direction of the New 52, so if we can get back to a pre-Flashpoint tone, I’m all for it. When it comes to DC, though, I’m a ride or die bitch, so I’ll be with them if it succeeds, and I’ll be with them if it fails. I just wonder how many new fans are gonna be right there with me. In any case, it’s rare that DC Comics can dominate the news cycle, and also get folks excited about their product. So, with that in mind, DC Universe: Rebirth #1 had the West Week Ever.

 

20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

cloverfield

I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

jerrod

On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

bargatze

I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

the-order

It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

chap report

There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

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