04th Nov2015

Will’s Really Late NYCC 2015 Swag Grab Recap

by Will

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So, it’s been almost a month since New York Comic Con, and here I am finally putting my thoughts to “paper”. I meant to do it sooner, but there really wasn’t much to say at the time. I mean, I always enjoy the chance to go to a comic con. I missed Baltimore in September for the first time in 10 years, due to my sister-in-law’s wedding. So, NYCC was meant to fill that void. Did it? Not really. You see, Baltimore is still a somewhat intimate show, even as it has grown. NYCC is just straight out of control now. Too many people. No me gusta!

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As you know from my past convention reports, I tend to post a lot of cosplay pics from the show, but I just couldn’t do it this time. That’s not to say that there weren’t cool costumes, but it was too overwhelming. For example, I really wanted to take a picture of Black Dick Tracy, because it was a cool costume AND I really wanted to type “Black Dick Tracy”. Welp, I guess I got to accomplish half that. Anyway, my pal Chris Piers gave me a challenge: he wanted me to figure out which property/character was being cosplayed the most at the show. Discounting all the Harleys, Deadpools, and Banes (I no longer even notice them anymore), I’ve got to say that Rick & Morty won hands down. I know the show is great, but I had no idea it had the reach that it does. To see so many folks cosplaying as the duo means that there’s quite a strong fanbase behind the show. Coming in a close second would be Spider-Gwen crossplay. By that, I mean that I saw a lot of dudes wearing Spider-Gwen hoodies. I still don’t know how that character has taken fandom by storm like it has (I’ve got all the issues, but haven’t read them yet). It’s just amazing to see that it’s taken off so quickly.

So, after quickly realizing that taking pics wasn’t gonna be “the look”, as the kids say, I knew that I’d have to come up with some sort of plan. Since conventions are known for their swag (that’s “free stuff”, for the unenlightened), that was gonna be my ticket: I was gonna see how much free stuff I could rack up over the course of the day. That’s not to say that I didn’t buy anything, because I did and we’ll get to that. Still, I wanted to see what I could get for nothing, and I think I made out pretty well.

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Almost 5 minutes into the Javits Center lobby, and I had my first shot at some free stuff. There was a booth set up to promote Batman V Superman: Dawn of Justice, seeing as how the free wifi at the show was being supplied by “LexCorp”. All you had to do was follow @AlexanderLuthor on Twitter, show them that you followed him, and they gave you a free LexCorp rechargeable power bank. Score! I hadn’t even set foot on the convention floor yet, and I was already getting stuff. The show was starting to look promising.

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The DC Comics booth, for some reason, was also outside the main hall, so I picked up this Dawn of Justice themed LEGO poster.

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The DC booth was also giving out this free comic sponsored by KFC. I remember reading about this before the show, and thinking I wanted a copy, but I completely forgot about it until someone handed me a copy. I was kinda hoping it would tie into the whole Darrell Hammond/Norm MacDonald thing going on with the commercials, but it seems to be its own thing. All I know is that KFC is doing a lot of head scratch-inducing marketing lately.

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Marvel had a booth set up just to promote the upcoming Netflix series Jessica Jones. I got a promo poster with art by Alias artist Michael Gaydos promoting the show. There was also a preview comic, also with art by Gaydos. I also got business cards for Alias Investigations and Nelson & Murdock – Attorneys At Law. Finally, I got a picture and video of myself at the desk of Alias Investigations.

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The Marvel booth was giving away this poster promoting the animated Guardians of the Galaxy series on DisneyXD. I’ve heard absolutely nothing about that show, either good or bad. Has anyone seen it?

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Marvel also gave out this double-sided poster promoting the ABC Marvel series Agents of S.H.I.E.L.D. and Agent Carter.

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I got this Groot crown, also designed to promote the Guardians TV series.

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As for comics, Marvel was relying on their FCBD offering, by giving out copies of All-New, All Different Avengers. I took my copy to Artist Alley and got it signed by artist Mahmud Asrar. I also got a free Avengers comic meant to tie in with the Playmation system that just came out. Finally, I got a Secret Wars print by Skottie Young.

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At the ABC Family booth, they were surprisingly not promoting their upcoming name change to Freeform. I guess the banners and stuff had already been printed up by the time the news broke. Anyway, they were giving away this poster tube promoting their shows Stitchers, Pretty Little Liars, and Shadow Hunter. It wasn’t until I got home that I actually looked at the posters and realized they were commissioned by Marvel:

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I really like the Pretty Little Liars one, as it reminds me of Fables. However, I’ve never seen the show, and have no idea what I’d do with it, so back into the tube it went.

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The Dark Horse booth was also relying heavily on their FCBD offerings, but I didn’t get a chance to get Fight Club or the Avatar book when they first came out, so I grabbed them. I also got a Call of Duty: Black Ops III comic, as well as an ashcan for a comic called Rebels. I just liked the poster for Joe Golem: Occult Detective, but it got kinda messed up on the way home, so I chucked it.

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At the Del Rey booth, they not only gave away a Star Wars sampler, but they also gave away a complete novel – Star Wars: Tarkin. I’m never gonna read this thing, but it was a whole book. For free!

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I’d never heard of 451 Media before, but their booth guys were just shoving these into people’s hands. One guy was like “You want me to sign ’em?” I had no clue who he was, but I was like, “Sure”. It turns out this is a media company co-founded by Michael Bay. Each comic has a card in the back that you scan with an app, and it’ll unlock more content. I haven’t tried it yet, but the art in the books is actually pretty good. I’ll get around to reading them one of these days.

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There was a guy handing out the Den of Geek Magazine as you got off the escalator. Meanwhile, I collect convention programs, so I had to grab one of those, as well.

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All they seemed to have at the IDW booth was this Star Trek: Starfleet Academy ashcan comic. I’m not even sure if I like NuTrek, but it was free, so…

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At the Diamond booth, they were giving out this little Cardcaptor Sakura figurines. No interest in that franchise, but again, it was free.

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At the Valiant booth, I got this 2016 Preview book. I’ll talk a bit more about Valiant later.

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The LEGO booth gave away what is probably the thinnest poster I’ve ever held in my hands. I swear, it’s like 1/2 ply. Anyway, it was to promote the upcoming NEXO Knights line.

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Finally, while not exactly free (I bought the comic at a shop before I left for NYCC), I had a nice conversation with writer David Walker, who signed my copy of Cyborg #1. We actually did a podcast together about a year ago, so we talked about that, and it seems like he might want to do it again soon.

So, in all, it wasn’t too bad of a haul. I don’t want a chunk of that stuff, but that wasn’t the point. I really just wanted to see if you could have an enjoyable experience without shelling out a ton of money. I think you can, as I had fun tracking down all the different swag. But I told you in the beginning that I did buy some stuff, so let’s take a quick look at that, shall we?

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If you read last year’s post, you might remember that I met The Cosby Show/Living Single actress Erika Alexander on the convention floor. It turned out that she and her husband, Tony Puryear, had written a book called Concrete Park. Well, I bought the first volume from them last year, and Tony was here selling the second volume. To be honest, I haven’t even read Volume 1 yet, but I always think it’s cooler to buy a book directly from the creator than at a shop, so I picked up Volume 2.

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Somehow, I found myself in the Valiant booth. Let me tell you a little something about me and Valiant. I’ve NEVER taken them seriously as a comic publisher. Back in the early 90s, when they were first getting started, I wanted nothing to do with their books. When their revival started up a couple of years ago, I didn’t think they’d last a year. Their stuff just never seemed interesting to me. Still, while I was in their booth, I was approached by one of their marketing guys, and he was so friendly. He asked me what kind of stuff I liked to read, and then he immediately was able to find a Valiant book comparable to it. Like Batman? Then try Ninjak. That sort of thing. Plus, since it was the last day of the convention, they were running a special: trade paperbacks were $10 each OR you could get 5 for $30. They were basically giving you two for free. I couldn’t pass that up, and he even sold me a copy of Quantum and Woody that had been signed by the creators. So, I went from completely ignoring Valiant to actually being excited about their output. I’m pretty sure I’ll write about those books once I get a chance to sit down and read them.

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Finally, there was a booth that had trade paperbacks for half price, so I got these 6 books for $5 each. I remember wanting to read Freelancers, plus I’d been intrigued by the all-female Ghostbusters story arc when it came out. I loved the first Dr. McNinja collection, so I was glad to find “Timefist”. I grabbed those Axe Cop books because I enjoyed the first collection, but never really wanted to pay $20 each for the other volumes. At $5 each, that’s just a little over what a single issue would cost, so I jumped on it. Then I got home, and found that I actually already had 2 of them. I really need to catalog my collection so this stops happening…

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In all, did I have a good time? Yeah, I guess so. I mean, I originally wanted to go because I thought it would be a great chance to meet up with some of my Twitter friends. Unfortunately, I never made any concrete plans. So, when I sent out the call that morning, it fell upon deaf keyboards. So, it was actually kind of a lonely experience, to be honest *cue sad violin*. I enjoy comic conventions, but NYCC has gotten to be a bit much. It needs a bigger venue, and I’m not sure that even exists in the city at the moment. As it stands, though, this may be my last NYCC. If I go again, it will be with a strict agenda, i.e meeting friends, checking out particular projects, etc. instead of just wandering around, killing time.

30th Oct2015

West Week Ever: Pop Culture In Review – 10/30/15

by Will

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I watched a LOT of stuff this week, so let’s get to it, shall we? First up, I watched The Inbetweeners 2 – a sequel to both The Inbetweeners Movie and The Inbetweeners television series. In case you’re not familiar, the UK series follows the teenage antics of friends Will, Simon, Neil, and Jay. Will’s the obnoxious one (with a hot mom), Simon’s the lovestruck one, Neil’s the dumb one, and Jay’s the horny one. It’s sort of like a British American Pie, but raunchier. In the last movie, they went on holiday to Crete before all going off to university. Well, this time around, Will, Simon and Neil decide to use their Easter break to go surprise Jay, who’s doing a gap year in Australia. And hilarity ensues. Will chases after a girl, while Simon finds himself accidentally engaged to his shrew of a girlfriend. Neil’s hoping to get a job as a dolphin trainer, while Jay’s true reason for being in Australia comes to light. Oh, and it includes the grossest water slide sequence you’ll ever see. Trust me. Anyway, when it comes to The Inbetweeners, I love the whole franchise (including the lackluster US version that aired on MTV a couple of years ago), so I highly recommend this movie. Both are on Netflix, so check them out!


Sticking with comedies, I rented Pitch Perfect 2 from Redbox. Why did people hate this movie again? People I respect have said that this was one of the worst sequels to what was an amazing first movie. I actually disagree. Maybe it’s like me and Ghostbusters 2, where I think I liked this one better than the first. Sure, it doesn’t have the whole arc of Becca getting to college, joining the group, and turning it around. Sure, Skylar Astin was sorely underused. And sure, Hailee Steinfeld doesn’t really have a breakout moment to shine. I get all of that. But the core of the movie spoke to me. The Barden Bellas have been a hot commodity since the events of the first movie, and most of those girls are now seniors. As they get ready to go out into the world, a few of them are scared because they don’t know what the future holds. Sure, they were big shit in college, but will that mean anything in the “real world”? This whole thing spoke to me because I lived that life.

For those who’ve been here before, take a bathroom break. For those who are newish, here’s my backstory: in college, I was part of an all-male group at Cornell called Last Call. You know the competition that the Bellas won in the first Pitch Perfect? We came in second at that very competition. We performed on The Today Show, and were kind of a big deal – as far as early ’00s collegiate a cappella goes (i.e. not very far). If I were Al Bundy, that’s my “Four touchdowns in a single game”. I didn’t know what was gonna happen after graduation, and would I still be “Will West: Black Guy Who Sings Lean On Me”? I graduated and survived. I’ve got a wife and kid and the whole nine yards. But I’m not sure I’ve felt as *important* in the years since that all ended. Wow, that’s really sad…

Anyway, Pitch Perfect 2 deals with the Bellas as they get ready to embark on the same path. Will they still matter? What kind of legacy are they leaving behind? What did their time in the group even mean? I can understand that a lot of this is really “inside baseball” for folks who couldn’t give 2 shits about the laughable world of singing nonsense syllables, but I think writer Kay Cannon knows her shit, and did a good job getting all of that in the script. I thought the jokes were hilarious, and I’d pay for a commentary track of nothing by John Michael Higgins and Elizabeth Banks judging the whole movie. Surprisingly, as much as I know “laypeople” love the first movie, I’ve actually never discussed the franchise with any a cappella alumni. I’d be curious to know how they felt about everything conveyed by the movies – especially the stuff in this second installment. The folks who raved about the first movie seemed to have been universally let down by this movie, but it still did well enough for Universal to greenlight Pitch Perfect 3, and it was announced this week that Elizabeth Banks would be back to direct. Despite what you may have heard, I’d still really recommend this film.


Speaking of Pitch Perfect, I got a tweet favorited by Kether Donohue, one of the Bellas from the first film. She’s now a costar on FXX’s You’re The Worst – a great show to check out if you’re not already watching it.


While at Redbox, I picked up Mad Max: Fury Road. I’d heard nothing but praises about this movie, so I figured it was time for me to check it out. About 5 minutes into it, I started thinking “What the Hell did I just sign up for?” I was really lost with the intro with the Warboys and Valhalla and Immortan Joe. Then I gradually got into it. OK, Furiosa’s gone rogue. Got it. And she’s got Immortan Joe’s brides. Got it. And they’re on the Cannonball Run. Got it. In the end, I really enjoyed the film, but I’m not sure I get ALL the hype. It’s a visually stunning movie, and the plot was strong enough. I wasn’t blown away, though, which is what I’d expected from everything I heard. Plus, I’ve got a question: how many of those old bitches were there? I swear, when Furiosa met them in the desert, there were about 5. When the final battle took place, though, they were coming out of the woodwork. I swear, like, 14 old ladies got killed! Anyway, I enjoyed it, and I’d watch it again, but I don’t see why everyone just fell in love with it. Maybe I needed to see it on the big screen.


On the Netflix front, I finally caught up with Arrow. I’d been watching it On Demand, but dropped it with about 9 episodes left in the season. I think it was because I was unhappy with the whole Ra’s Al Ghul arc. I mean, *SPOILER ALERT* if you’re going to kill Oliver, let him stay dead longer than ONE episode. Drag that shit out to get the emotional mileage out of it! *END SPOILER*. It’s too bad I bailed when I did, though, as the series got pretty good after that tomfoolery. When he was Superman, I never thought I’d like Brandon Routh, but he’s so good as Ray Palmer. I still can’t stand Laurel and those hands of hers (seriously, look at her hands sometime). The season finale would’ve made a pretty good series finale had it not only been season 3. You knew that happy ending couldn’t last, and that Oliver would be back. Sadly, though, I don’t like what he has become by the beginning of season 4. Oliver’s happy and living the domesticated life with Felicity in the suburbs. When he gets called back to Star City (it’s been rebranded now), he decides to pretend that The Arrow is dead, and that he’s a new hero taking his place, called Green Arrow. He even has something of a press conference to announce the change.

My problem with Arrow, however, is that Oliver doesn’t seem to know who he is anymore. At the end of the 3rd season, he basically said that he couldn’t be Oliver Queen OR The Arrow anymore. He had to figure how to be the changed person that he’d become. My problem, though, is that he’s happy now, and I think it’s throwing him off his game. I mean, this is the guy who defeated The Demon’s Head so, theoretically, he really shouldn’t be letting common street thugs get the jump on him anymore. Maybe it’s signalling a tonal shift, but I thought Oliver thrived in the darkness. It’s one of the Batman tropes that they’ve applied to the show since the beginning. Oliver can’t be happy, as that would get in the way of his mission. But right now, he seems to be a man without a mission. So, where does that leave him? Apparently that means announcing his candidacy for mayor of Star City. I’m somewhat surprised to see them adapt this storyline so soon (especially since Oliver wins the election in the comics), but if it somehow leads him back to the old Arrow that we know and love, then I’m all for it. We’ve seen Oliver evolve in the past. During the first season, he was a killer. During the second and third, he was a vigilante. Now, he wants to be a hero – one that inspires people. But at what cost?

It seems like they’re gonna have Oliver fighting more metas this season, as they added the McGuffin of a high speed train between Star and Central Cities. So now metas have a quick way to leave Flash territory and land on Green Arrow turf. Like I mentioned before, Oliver shouldn’t be able to be taken down by street toughs anymore, so they really are gonna need to amp up his rogues gallery. Looks like they’re borrowing more from Batman, as Anarky has joined the party. A lot of this just feels like setup for the midseason Legends of Tomorrow, but I hope Arrow becomes a bit more cohesive in upcoming episodes.


We’re almost 2 months into the new television season, yet we still haven’t witnessed that first heralded cancellation. No network seems to want to be first, so they’re “unofficially” canceling their shows by cutting their episode orders. Once those eps are done, that’s it. At that point, there’s no need to really announce a cancellation, as the ep order had already been made known. At the moment, Fox has cut the episode order for Minority Report, ABC has cut the order for Blood & Oil, and NBC has cut the order for The Player and Truth Be Told. TV critic Daniel Feinberg likes to talk about The Mulaney Line, which was the low ratings point at which Fox’s Mulaney hovered until it was cancelled. If a show’s ratings fall below the Mulaney Line, then everyone involved should be worried. For Fox, that would include Minority Report and Sleepy Hollow. For CBS, that’s CSI:Cyber. ABC actually doesn’t have any, but Blood & Oil‘s close. NBC’s are the ones for which they’re already cut the episode orders. Oddly enough, every show on The CW is under the line except for The Flash and Arrow. The other CW shows don’t have to worry, though, ’cause there seem to be different rules for that network. I still think the first official cancellation will come from NBC, especially since Truth Be Told had one of the lowest-rated in-season premieres in history.


After I posted last week’s West Week Ever, the official Power Rangers Twitter account announced that RJ Cyler had been cast as the Blue Ranger in the upcoming Power Rangers movie. Well, this week, it was revealed why the characters have been referred to by the Ranger colors and not character names. Originally, it had been reported that they would retain the civilian names used in Mighty Morphin Power Rangers, but it now appears that they will have new names. The new names are as follows:

– Callum Oliver – The Red Ranger/Tyrannosaurus
– Priya Patel – The Pink Ranger/Pterodactyl
– Brian Olson – The Blue Ranger/Triceratops
– Oscar Fernandez – The Black Ranger/Mastodon
– Teyana Jones – The Yellow Ranger/Sabretooth Tiger

That’s four, count ’em, FOUR Rangers of color! Plus, I find it interesting that the Red Ranger’s last name is that same one as Tommy, the former Green/White/Red/Black Ranger. Also, the movie will now be called Saban’s Power Rangers. Yeah, that’s terrible. I can hear it now: “What the Hell is a Say-ban?!” I understand wanting to put your brand on something, but that’s just not the time or the place. The budget is reported to be around $35 million. The movie will be released in 2017.

On the music front, Adele released “Hello”, her first single since 2012’s “Skyfall”. The track did not disappoint, and the video broke Taylor Swift’s record for the most views (27.7 million, to be exact) in a 24-hour period. Her third album, 25, will be released next month, and she’ll also be the musical guest on the November 21st episode of Saturday Night Live.


The biggest debut of the week, however, had to be CBS’s Supergirl. As the highest rated superhero premiere since 2000, and tying NBC’s Blindspot as the highest-rated debut of the season, everyone was talking about Kara Zor-El. I’ve heard nothing but great things about the show, and folks are very optimistic about its future. I didn’t see it, however. I already outlined my reasons why last week. Still, I’m glad to see it’s a success, as that can only mean more good things down the pipeline.

Links I Loved

Halloween Web – Kevin Hellions – AEIOU…and Sometimes Why

8 Mysterious Facts About Ghostwriter – Mental Floss

May The Force Friday Toys Be With You – The Nerds of Color

What Happens When Actors Leave High-School-TV Shows? – Vulture

Horror Month 2015, Day 20: Scream – The Robot’s Pajamas

This Swedish DJ Created the Template for Modern Pop. Why Have You Never Heard of Him? – Slate

A Wild Weekend In Florida – Storify


Some folks will probably think this honor should’ve gone to Supergirl, but I just couldn’t do it. After all, I didn’t watch it, so I couldn’t really weigh in for myself. The hype was definitely there, but it didn’t quite make the cut for the *best* thing of the week. No, that credit goes to something that sort of came out of left field. Yes, I’m talking about Agents of S.H.I.E.L.D. I think part of my surprise is due to the fact that I used to think nothing could save this show. I figured it would teeter along the line of mediocrity and somehow eke out about 3 or 4 seasons before Disney finally pulled the plug. Then, this season began. I mean, it actually started getting better after the Agent Carter break last winter, but it really got good this season. Focusing on the Inhumans – a race of aliens about whom I’ve never given a shit – I was preparing for the worst. Ugh, I’d be forced to continue watching this show because I’m a Marvel Zombie, and I don’t know how to quit anything. That’s what I was thinking, at least. And then, as I watched the episodes, I started to really get into the show. It’s come so far from what it was during its first season, and I almost can’t believe how good it’s gotten. The final proof, however, came during this week’s episode.


At the end of last season’s finale, Agent Simmons was swallowed up by a Kree monolith and was presumed M.I.A. Well, this season we learned that the monolith was actually a portal to another planet. They spent the first couple of episodes this season trying to figure out how to get her back, and once they succeeded, something was noticeably wrong with her. This week’s episode finally showed us what happened to her during the 6 months that she’d been gone. It was an intimate episode with only 2 actors. Elizabeth Henstridge gave an amazing performance as a castaway trying to survive on an alien world. I won’t spoil the episode for anyone who hasn’t seen it, but it is, without a doubt, my favorite episode of the entire series. When you see it, you’ll see what I’m talking about. So, for blowing me away with how much it has improved, and for delivering one of the best hours of television I’ve seen in a long time, Marvel’s Agents of S.H.I.E.L.D. had the West Week Ever.

23rd Oct2015

West Week Ever – 10/23/15

by Will




When Mr. Robot debuted, many critics had the same question: “Why is this show on USA?” It’s not just that the show was good, but it also didn’t tonally fit with USA’s other offerings. Well, that’s how I feel about Satisfaction. I’ve written about the show in the past, but in case you forgot, here’s the gist: When Neil Truman discovers that his wife has been paying a male escort for sex, he becomes a male escort himself to get a better understanding as to why she sought one out. The show debuted last year, along with drama Rush, and it was the lone survivor of the pair. The second season premiered last Friday, and in an interesting move, USA released the entire season online and on demand Saturday morning. So, I spent most of my free time this week burning through the new season.

At its core, Satisfaction is more of a Fox show, with more sexual content than you can get away with on that network. If anything, it probably belongs on FX, as it’s the spiritual cousin of Nip/Tuck. It’s a sudsy primetime soap, with morally ambiguous characters and gratuitous butt shots. Over the course of the season, Neil and wife Grace discover that their infidelities may have actually made their marriage stronger. The season deals with them trying to find their way back to each other. They know they can’t really go back to their old lives, so they try to figure out where they’re going. There’s so much going on this season, though, that I don’t even want to get into all of it. If you’re curious, just watch the show. In case you haven’t picked up on it yet, I HIGHLY recommend this show. The season is a bit bittersweet, however, as I really don’t know if there’ll be a third season. When NBC released all of Aquarius online, it actually worked in that show’s favor, but part of me feels like this is a burn-off for Satisfaction. The season finale is a fitting way to end, should it turn out to be the end of the series, but it definitely sets up an interesting landscape for season 3. Luckily, the story editor for the show is the husband of a college friend. So, if it gets cancelled, I’m just going to try to find out what they would have done had it been renewed.

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On TV, I also checked out Amy Schumer: Live At The Apollo. I’m a Schumer fan, so I expected big things. I was kinda disappointed, though. Clocking in at an hour, it felt like warm-up material. I don’t feel like she really found her groove until just before the special ended. Apparently there’s an extended version airing on October 30th, so maybe that one will be better? I guess I’ll just have to wait and see.


Another thing I watched this week was the movie Frozen. No, not the Disney film. This 2010 thriller stars X-Men‘s Iceman, Shawn Ashmore, and centers around 3 people who find themselves stuck on a chair lift at a ski resort. It’s not the kind of movie that I’d ever watch on my own, plus I’d never even heard of it before, but it was recommended by my good buddy Mike. When 3 college kids sneak their way onto a ski run, they get more than they bargained for when the resort closes while they’re still on the lift. Then, they have to deal with the height, the cold, wolves, and more as they struggle to survive. On paper, you really wouldn’t see how they get a whole movie out of that, but it works. And as Mike and I discussed, it’s the PERFECT length at about 90 minutes. Apparently when the film screened at the Sundance Film Festival, it caused multiple faintings from all the tension. I don’t know about all that, but it’s definitely a movie that keeps you engaged the entire time. The whole thing is on YouTube, so check it out if you’re curious.


Also, I checked out a new webseries called Surviving, from actress/writer/producer Reagan Gomez-Preston. Remember that show on The WB called The Parent ‘Hood? Starred Robert Townsend? She played the daughter on that. Oh, and she was the voice of Roberta on The Cleveland Show. Anyway, she now creates webseries that are partially crowdfunded, and I just happened to stumble upon the second episode. I enjoyed it enough that I went back and watched the first. Basically, it’s an “urban” version of The Walking Dead – which is actually needed, seeing as how that show treats its Black characters not named “Michonne”. It’s too soon to really tell what’s happening, but I like what I see. Generally, I hate fan film/webseries stuff, but this looks really professional, and I’m really eager to see where it goes. New episodes come out weekly, and Reagan’s currently seeking funding for season 2.


I’ve made a decision, and I think it might be an unpopular one: I don’t think I’m going to watch Supergirl. As its Monday premiere gets closer, I realize that I really just don’t care. As comic fans, we’re expected to clamor for all of this stuff, even when it’s not necessarily our cup of tea. Gotham didn’t do it for me, and I bailed. I don’t think I even wanna hop on the Kara train. I love what Greg Berlanti does for DC properties on television, but there’s already so much TV to watch. I think the main clincher for me, though, was that contrary to early reports, this show will not be connected to the Berlantiverse (Arrow/The Flash/Legends of Tomorrow/Vixen) established on CBS’s sister network, The CW. I just don’t have the patience or the capacity for another mythology and another universe. I know I’m not even giving it a chance, but I just don’t think I can get on that horse. I hope Supergirl‘s successful, and I hope it acquires legions of fans. I’m just tired, man. I can’t keep doing this, and I’ve got to know my limits.

And now I’ll look like a hypocrite because I’m excited for the November 20th debut of Jessica Jones on Netflix. The trailer above was just released this morning, and it looks really good. It looks like they’re focusing on the final arc of the Alias series, called “Purple”, where we learn about Jessica’s past as a hero, and her downfall at the hands of The Purple Man. Here’s what sets Jessica Jones apart from Supergirl: I have loved the Jessica Jones character since the first issue of Alias back in 2001. I’ve got no real love for Supergirl, but I’ve bought every comic that Jessica has appeared in. She was my Miles Morales before there was a Miles Morales. In fact, a part of me feels some kinda way about all the Johnny Come Latelies who are just discovering her now. Hell, if there was this much attention on her 10 years ago, her series might still be running, instead of her just appearing as a background character in Avengers stories. Plus, I kinda miss Alias Jessica. She was rough around the edges and not very entrenched in the “cape world”. While she’s had a full character arc, and has matured, I still miss the alcoholic, loner, “Mature Readers” Jess that we met when she was introduced. Oh well, the trailer looks great, and Krysten Ritter seems to have captured the tone of the character, so I’m there for this.

cruel intentions

In other TV news, there’s a Cruel Intentions television series in the works. Again. A lot of folks don’t realize this, but there was already a Cruel Intentions television show in development back in 1999. Originally called Manchester Prep, it was meant to serve as a prequel to the movie. Fox, however, cancelled it before it even aired, so the 3 completed episodes were released to video as Cruel Intentions 2. Now, NBC seems to think this is an idea worth revisiting. Does anyone even remember Cruel Intentions? It has basically one claim to pop culture fame: the kiss between Sarah Michelle Gellar and Selma Blair. Anyway, this television series would be a sequel, as it would focus on the son of Ryan Phillippe and Reese Witherspoon’s characters.


At the other end of the television spectrum, it was announced that Mythbusters is ending after 14 years. I know the “I Fucking Love Science” bunch have always liked that show, but I’ve probably seen, maybe, 2 episodes of it. I don’t know, but I like to think there’s a little magic to the world. I don’t want my myths busted. To me, what they do is akin to spoiling a magic trick. Sure, I watched the superhero episode, and the one where they tested whether or not you could actually “Knight Rider” a moving car into a moving semi; I’m not a monster! But I just never really dug what they were doing. I dunno. Call me crazy. Anyway, the writing’s been on the wall for some time, especially when they cut the hot chick, the Asian dude, and that other guy due to financial reasons last year. I think it’s still a respected brand, so I wouldn’t be surprised if Mythbusters specials still popped up in the future.

yahoo screen

Speaking of losing money on shows, it was reported that Yahoo! lost $42 million on their failed Yahoo! Screen experiment. Basically created to showcase the newly-acquired Community, the service also featured other original programs like Sin City Saints and Other Space. I LOVED Other Space, so it saddens me that we’re probably not getting a second season. It was clearly cheap to produce, and it was created by Paul Feig – who everyone loves for Bridesmaids and Spy. Anyway, it seems like Yahoo! is exiting the original show-length content world for the time being, as they just couldn’t figure out how to make any money off of the venture.


In reality television, it’s been announced that Simon Cowell will be joining America’s Got Talent next season. I’ve missed Simon on American television. Sure, he tried and failed to bring The X-Factor over here, but I’ve always loved his honesty. Plus, unlike a lot of these judges on these shows, he’s actually a starmaker. He knows his shit. The Voice may be the most popular competition show on television, but I will never stop pointing out that it has yet to produce a single STAR. Simon by himself has created and nurtured stars, so I’d be interested to see what he brings to the show.

The trailer was released for Aziz Ansari’s Netflix series Master of None, and it looks like a mumblecore movie. I’ve often said that I’m not a fan of Aziz 2.0, as his whole thing now is “I’m a relationship guru for the digital age!”, but I’ll check this out. At its worst, it just looks like his version of Louie or Maron, and there are worse templates to steal.


In movie news, Dacre Montgomery has been cast as the Red Ranger for the Mighty Morphin Power Rangers movie. I know nothing about this kid, and that’s probably how they want it. Unknowns bring no baggage to the role. Still, I’m not sure I’m down with his look. From a Power Rangers standpoint, he looks more like a Billy than a Jason. Anyway, I’m really starting to wonder if they’re gonna mimic the whole ethnicity joke from the original series: is the Black Ranger going to be a Black actor? How about the Yellow Ranger? Surely Saban has learned from that experience, right? RIGHT?


UPDATE: About 30 minutes after I wrote that, the official Power Rangers account announced that Ludi Lin will be playing the Black Ranger. So, Asian guy got that slot. Guess Saban DID learn from the past. That means we either get a Black guy Blue Ranger, or a Black girl Yellow Ranger.

Links I Loved

JJ Abrams Wants to Kill Your Dad – UnderScoopFire!

Reused Sci-Fi Costumes – The Robot’s Pajamas

Is Playboy Stigmatizing Nudity By No Longer Celebrating It In Its Pages? – UPROXX


The official poster for Star Wars: The Force Awakens was released, quickly followed by the final trailer. And the Internet WENT CRAZY! People were tweeting about the boners they were getting from watching the trailer, while the nefarious #BoycottStarWarsVII hashtag started trending as a couple of trolls tried to say that the movie promoted anti-White genocide. Whatever. I hope John Boyega and Daisy Ridley have a bunch of little Force-sensitive mulatto babies to really piss those folks off! Anyway, the trailer was released during, of all places, Monday Night Football, and Fandango subsequently crashed as tickets sales opened up for the movie. What did I think? Well, I like Boyega’s blue laser sword, and it was cool to see Han Skywalker again (I wonder how many heads exploded after reading that sentence). All kidding aside, it looks really cool, and I look forward to seeing it. Probably not opening day, ’cause I didn’t try to get tickets, nor do I wanna deal with those “opening day” people. Star Wars was all anyone could talk about this week. That is, until…


Wednesday was Back to the Future Day, as we finally saw the date referenced in Back to the Future II. The subject of many an Internet hoax, the wrong date has been surfacing online every few months for years, but the TRUE date was October 21st, 2015. To commemorate the occasion, Pepsi released a limited quantity of Pepsi Perfect in the same bottle as seen in the movie, Nike released self-lacing shoes, and USA Today reprinted the same front page and logo as seen in the film. The city of Reston, Virginia became Hilldale for the day. Michael J. Fox and Christopher Lloyd reprised on their roles on Jimmy Kimmel Live. In all, it was a day of celebration for everyone, and it will NEVER HAPPEN AGAIN. That’s right – from Wednesday on, the Back to the Future franchise now entirely takes place in the past. Breathe in that mortality, and smell the oncoming death. We’re all getting old, folks. Everything we love is getting old with us. But that’s not a bad thing, as they don’t make movies and TV like they used to – even though they keep remaking those things, trying to recapture the magic. In any case, for teaching us the “Power of Love”, and for being a historic day that will never occur again, Back to the Future Day had the West Week Ever.

09th Oct2015

West Week Ever – 10/9/15

by Will




Do ya like superheroes? Chances are, if you’re reading this site, you do. Well, have you heard of SuperMansion? It’s a stop-motion animated show about a ragtag group of superheroes, created by the folks behind Robot Chicken. Need more reason to watch it? Well, the team is led by Titanium Rex, voiced by Bryan Cranston. New episodes go live every Thursday on Crackle. Never heard of Crackle? That’s cool – a lot of people haven’t. It’s Sony’s streaming platform that they don’t quite know how to succeed with. Anyway, the show premiered officially yesterday, even though the first episode has been available for a few weeks. I watched it while I was in Denver, and it was pretty funny. If anything, though, it might be too long. I tend to hate the Adult Swim 12-minute episode format, but I think this show would actually benefit from it. I kinda wish it was on something other than Crackle, which just isn’t a destination site for me. Right now, it probably ranks below Yahoo! Screen, and I’d probably be more interested in seeking it out on something like Netflix. Yeah, I guess I’m a streaming snob now.


Speaking of networks, on January 1st, ABC Family changes to Freeform. It’s part of their rebranding to appeal to Millennials, who make up most of their audience. I hate the name (especially as a hashtag), but I’m also not their core audience. In fact, up until recently, I was convinced that nobody watched ABC Family. I mean, Melissa & Joey? Baby Daddy? Who’s watching that shit? Now, my wife did watch that deaf girl show, and other folks have told me their wives have got them watching shows on there, so maybe instead of Freeform they should’ve gone with Whipped.


Keeping it in the ABC/Disney family, let’s talk about this new Disney princess. Auli’i Cravalho will voice the title character in the upcoming animated film Moana. It’s about a teen from 2,000 years ago who sets out to fulfill an ancestor’s quest. The movie will also star The Rock (yeah, I thought about typing out his full name, but he’s always gonna just be The Rock to me). Folks seems so excited about another princess of color, but the door for acceptance was shut after Mulan. I don’t see that chick from The Princess and the Frog showing up in any Disney parades. Sure, there’ll be a marketing push when the movie comes out, but I’m skeptical that Moana will be invited to join the exclusive club of Disney Princesses that everyone knows and loves.


Disney announced their release dates for the next few years, and folks are upset that Toy Story 4 has been delayed due to Cars 3. I could really do without either of them. I still haven’t seen any of the Cars movies, but I did see Toy Story 3. Maybe I’m heartless, but I still don’t understand why folks consider that movie to be such a tearjerker. It did nothing for me. It was a serviceable movie, but I’m in that “Pixar Can’t Make Me Cry Unless It’s The First 15 Minutes of Up” crowd. Anyway, Disney will be soaking up all your tears with the cash you’ll undoubtedly give them for Toy Story 4: Cash Grab. Who am I kidding? My kid will be old enough to go to movies by then, so I’ll probably be sitting right there in the theater with you.

Picture courtesy of @nerdlunch

Picture courtesy of @nerdlunch

This is a nice segue into Marvel news. That same Disney release date schedule included 3 unnamed Marvel movies slated for 2020. More importantly, though, it indicated a shift in the previously-announced Phase 3 schedule. Black Panther moves from July to February, Captain Marvel moves from 2018 to 2019, and the newly-announced Ant-Man and The Wasp is now slated for July 6, 2018 (Black Panther‘s old date). The Black Panther shift is interesting because not only is it no longer positioned as a summer blockbuster, but now it’s actually coming out during Black History Month. Can you believe that? The Ant-Man sequel is interesting in that it appears to be giving The Wasp equal billing. And I kinda feel like Marvel’s stalling on Captain Marvel, even though the adjusted release date doesn’t give them that much more time to get it together.

photovisi-download 15

Speaking of Marvel on film, earlier this week I made the remark on Twitter that Yancy Butler would’ve made a great Jessica Jones – if it were 10 years ago and she didn’t have a huge drinking problem. After all, when looking at Michael Gaydos’ original art, that’s pretty much how I pictured the character: indicators of attractiveness, yet still a little “hard lived”. Plus, I see a lot of parallels between Jones and Sara Pezzini, the cop Butler portrayed on TNT’s Witchblade. It’s no secret that I’ve not a fan of Krysten Ritter’s casting in the role, and I just feel like Butler would look a bit more like the character. Well, as commonly happens on Twitter, some rando came out of the woodworks, trying to tell me that I shouldn’t be judgey about Butler’s alcoholic past, as the same thing happened to Eric Dane on Grey’s Anatomy and nobody shunned him like they did Butler. Wow. Everybody’s a superfan these days. Anyway, I explained that I wasn’t being judgmental, but Butler’s past with substance abuse has clearly had a negative effect on her career. And who the Hell cares about Eric Dane?

Power Man and Iron First

This week is just segue-palooza, as we move from talking about Jessica Jones to talking about her husband, Luke Cage. It was announced this week that Cyborg‘s David Walker will be writing a new Power Man and Iron Fist series for Marvel. I’m a fan of Walker’s work, so I’ll check it out, but I’m still not sold on Sanford Greene’s art. It’s a little too “Chris Bachalo” for me, meaning it’s kinda all over the place. Not quite sure how to interpret the tone of the book from it. Still, I’ll check out the first issue. It’s not like it’s gonna last longer than 2 years anyway. That’s not a diss on the creative team. It’s just the proven track record of recent books starring those characters.


This week, writer/filmmaker/artist/crazy old man Frank Miller revealed his cover for Dark Knight Universe Presents: The Atom, and the Internet lost its shit. I mean, just look at it. Look at how bad that is. Still, some industry pros came to Miller’s defense, saying that we should be glad he can still put out work at all. The rumor is that he has cancer and couldn’t even hold a pencil without shaking just a year ago. So, we should all be glad he got well enough to make this cover, right? Right? Wrong. Look, I don’t wish any ill on the man, but that’s bad work. And before somebody comes at me with the “Well, could you do better?”, I probably could. So, on the plus side, Frank Miller’s not dead. On the negative side, he hasn’t retired yet.

Naomi Scott Pink Ranger

In Power Rangers news, Naomi Scott has been confirmed as the Pink Ranger in Lionsgate’s upcoming Mighty Morphin Power Rangers movie. I know absolutely nothing about this chick, but apparently she was one of the stars of Fox’s canceled Terra Nova. Oh, and she’s married to a Black soccer player. So, she’s OK in my book! Really, though, I can see why they’re skewing more to unknown-ish actors, as no self-respecting actor wants Power Rangers on their resume, yet this is the perfect kind of thing for an up and comer. It’s just weird to me that she was born in 1993 – the same year that MMPR started. Like, has she even watched MMPR before? By the time she was “of age”, they were probably on Lost Galaxy by then. Anyway, I’ve really got no strong feelings about this movie. I want to get excited, but I know Saban will do things on the cheap. Meanwhile, I don’t really understand the affinity for the Mighty Morphin incarnation of the brand. Sure, it was the first, but it only holds meaning to a bunch of old people who’ll take their kids to see the movie. It doesn’t really mean much to the kids themselves. I’d almost rather them do something completely original, under the Power Rangers umbrella, with the same sentai overtones. New characters, new Zords. Hell, even new, original suits – they basically did it for the first movie. I’d be excited about a Power Rangers movie, but I’m not too keen on another Mighty Morphin Power Rangers movie. I guess only folks familiar with the fluctuations of the franchise will understand the distinction.


Meanwhile in Power Rangers news, the original Pink Ranger, Amy Jo Johnson, turned 45 this week. A moment of silence for our lost pubescence.

Links I Loved

Rick Moranis Isn’t Retired ( He Just Doesn’t Know How To Change His Wikipedia Page) – The Hollywood Reporter


This MMA Fighter Pooped All Over The Ring After Getting Choked Out – UPROXX

Inside the Intense, Insular World of AOL Disc Collecting – Vice

On burnouts and buttheads – Cool and Collected


At this point, I think it’s safe to say that New York Comic Con is going to be huge. As San Diego Comic-Con got huge and sold out to Hollywood, NYCC has gotten huge in just a short amount of time – and still primarily focuses on comics. Starting yesterday and running through Sunday, look for some big announcements from the major publishers this weekend. Most of the big SDCC announcements leaked before that show this year, but there seem to be some surprises in store for NYCC. Also, in what I believe to be a first, the Javits Center will be offering free wifi, courtesy of LexCorp. Yup, free Internet from Lex Luthor himself. I may not be looking forward to Dawn of Justice, but I’ll take the freebies that come along with it. I’m looking forward to it, as I’ll be making my grand return to the Javits Center Sunday morning. I missed Baltimore Comic-Con a few weeks back, so I’m making up for it by making the sojourn to The Big Apple. Needless to say, I’m a little excited, as I hope I run into a few of you on the con floor. So, in my mind, New York Comic Con is having the West Week Ever.

04th Sep2015

West Week Ever – 9/4/15

by Will




So, this week I finally got around to watching Snowpiercer. I’d heard nothing but great things about it, but it had taken me forever to finally sit down and watch it. I had a ton of work to do, so I figured I’d just have it on in the background, but it ended up getting my undivided attention. If you’ve never heard of the movie, here’s the deal: in the near future, scientists decide to combat Global Warming by releasing a chemical called CW-7 into the atmosphere. Well, the substance worked too well, and resulted in another ice age – and the extinction of humanity. So, the last bastion of humanity survives on “The Rattling Ark”, a train that traverses the globe annually. The train, however, is set up on a class system, with the rich up front, and the poor common folk in the tail section. The rich dine on steak, while the poor initially had to resort to cannibalism until they were given protein supplement bars. Well, the tail section decides to fight their way to the engine, in order to take control of the train. The resistance is led by Chris Evans, and the movie follows his group as they move forward, from car to car. I tend not to like End of The World/mass death movies, but this one was really good. And that ending! Anyway, I highly recommend this movie.

Spice World

A few weeks back, when I was on The Nerd Lunch Podcast, we discussed things that get a “bad rap”. One thing that was mentioned was the movie Spice World. I have always hated this movie. As I explained in the episode, it was the first movie I’d ever ordered as Pay-Per-View, and I was begging for it to be over. It just completely lost my attention. I mean, the biggest American star in the thing was George Wendt! Now, oddly enough, I was a big Spice Girls fans, so I should’ve been the target audience. Plus, I LOVE crappy movies starring pop groups (see: 2gether and S Club: Seeing Double). Since it was on a few nights ago, I decided to give it another chance. And the verdict? Still hate it. It’s got NO plot. I mean, there’s something about a British tabloid guy who wants to break up the group, and then they have this pregnant friend that they kept neglecting ’cause they’re too busy for her normal ass. And then Mark McKinney (remember him?) and George Wendt are American filmmakers who might be filming the movie that we’re watching, meanwhile Alan Cumming is a documentarian who’s also filming a movie about the group. And then the group breaks up for some reason. This is the part that got me, because it flashes back to when they were a younger, struggling group – like they all grew up together or something. It totally neglects to acknowledge that the group was formed like every other British pop group: they answered a casting call. Anyway, they come back together just as their normal ass friend is about to give birth, and then they all reunite for their concert at Albert Hall just in time to sing “Spice Up Your Life”. I did not like this movie. Love the girls (especially Sporty), and love the music, but did not love this film.


I also caught the standup special, Jay Pharoah: Can I Be Me? If you watch SNL, then you know Jay Pharoah as “the Black guy who’s not Kenan”. He also does a pretty good Obama. Anyway, I guess he got this hour special off the back of his impressions, because his standup jokes need work. He can do a mean Denzel and Bernie Mac, but his jokes were kinda lame. Even the audience wasn’t really feeling it, but he always got a pop when he’d break out the impressions. If he gets another special, he either needs to hone his material, or just focus on impressions the way Rich Little does.


Last week, I mentioned the McWhopper proposed by Burger King. Since McDonalds declined the invitation, a few other burger chains have approached BK about participating. So, now BK is proposing the Peace Day Burger, which would contain signature ingredients from Denny’s, Krystal, and some places called Giraffas and Wayback Burger. McDonald’s is still invited to participate if they change their mind, but now BK is courting other suitors. They plan to go ahead with the pop-up shop that was already under construction in Atlanta, so I really hope this goes through.

marvel studios

This week, it was announced that the film division of Marvel Studios will now report directly to Disney, in a move that was supported by Marvel Studios President Kevin Feige. Apparently, there had been some creative pushback from Marvel CEO Ike Perlmutter, and Feige had threatened to leave the company. This also means the end of the Marvel Creative Committee – the group comprised of Marvel Entertainment President Alan Fine, Chief Creative Officer Joe Quesada, Publisher Dan Buckley, and writer Brian Michael Bendis – which has guided the Marvel Cinematic Universe since its inception. Folks are now wondering what this means for the future of the Marvel movies. Will the audience even notice a difference, or is this a major creative shakeup that will be felt at all throughout future movies. This especially makes things messy for the television division, which will reportedly stay under the direction of Marvel Enterprises. There had been rumors that Marvel Studios and Marvel Enterprises weren’t playing nice together, and this could affect the possibility of any of the TV characters making it into the films. Right now, only time will tell.

Superman 43 reveal

Speaking of the comic world, I finally got around to reading Superman #43, which is the issue where *SPOILER ALERT* Lois Lane reveals Superman’s identity to the world. It shouldn’t be too much of a spoiler, as every Superman book recently has revolved around the fact that the world knows his identity, and we were waiting for that golden moment where the reveal would be shown. Having read the issue, I can now say that this was a TERRIBLE idea. I’m not even talking about the repercussions of such an action. I’m saying that, from a story perspective, the threat level wasn’t high enough to warrant what Lois did. There was no alien invasion, there were no life or death stakes. No, Superman was being tortured by a tech collective called HORDR (think Evil Google), and they were blackmailing him. They want to test his new Super Flare (this stupid new thing where he basically explodes) power out on their energy siphoning creatures, and they torture him to see how much he can take. If he refuses, they reveal his identity to the world. Lois felt that by doing it herself, she would take away their leverage, allowing Superman to break free. OK, that’s really stupid. It was just torture. Superman has dealt with far worse. They didn’t even have Kryptonite or anything. It seems like she was just dying to tell the world (which was a dick move, considering she had just spent the earlier part of the issue promising to keep his secret). I really hope DC has some grand plan as to why his ID needs to be public, because this story so far sure hasn’t justified that decision.

Things You Might Have Missed This Week

-The Summer of Breakups continues, as Avril Lavigne and Chad Kroeger announced they were separating after 2 years of marriage. I’m sure folks are gonna use this opportunity to make a bunch of Nickelback jokes, but I actually like some of their songs…

-NBC’s reboot of the sitcom Coach will not be going ahead at the network. It sounded like a terrible idea, but I was still morbidly curious.

Diggle Suit

-It appears that Diggle will finally be getting a costume on Arrow. As the internet has already pointed out, he just looks like Magneto.

-The MTV Video Music Awards were last Sunday, where host Miley Cyrus exposed her left breast, and Kanye West announced he’s running for President in 2020. For the record, Kanye was the bigger boob that night.

Marvel’s Luke Cage made 2 casting announcements this week, as Mahershala Ali will play Cornell “Cottonmouth” Stokes, while Simone Missick will play Misty Knight.

force friday

So, last night I had dinner with my Thrift Justice partner, Mike (for those new to the site, Thrift Justice is the series where I write about all the cool stuff Mike and I find while thrifting). We had been a bit estranged lately because Mike’s lost his passion for the yard sale thing. This was a bum season, and it has kinda taken its toll. Anyway, we had dinner to catch up, and when the meal was done, we decided to check out Force Friday – the worldwide release of the Star Wars: The Force Awakens toys. This was going to prove a problem, however, as it was 9:30 PM, and the toys wouldn’t be released until 12:01 AM. So, how would we kill time?

At first, we were going to see a movie, but nothing good was playing. It had pretty much come down to Owen Wilson’s No Escape (which I’ll probably DVR when it hits HBO) or Transporter: Refueled. While waiting for the showtimes, I checked the Force Friday website to see what kinda swag was being offered. It turned out that only 207 Target stores in the country were opening at midnight, and the closest one to us was almost 2 hrs away in Hagerstown. Meanwhile, all Toys “R” Us stores would be giving away a free poster and commemorative LEGO brick to the people came to shop. Hagerstown started looking like the best option, since TRU is right across the shopping center parking lot from Target.

We got to TRU around 11, and sat in the car for a bit. Did we really wanna wait in line with this…riffraff? Eventually, we decided that we did. Standing in line, we reminisced about our days working at TRU, and chatted with the guy in line ahead of us. At 12:01, they opened the doors, but they treated it like a club. This burly guy in a TRU shirt acted as the bouncer, as he only let in a certain amount of people at a time. Instead of setting the merchandise up in the Feature Shop (the showcase at the front of the store), the toys were all located in the first boys aisle, on both sides of the aisle. So, you could understand why they were only letting in a few at a time, as only so many people could fit in an aisle. Their first mistake was this setup. Their second mistake was that they had a 3-per item limit on everything. So, for example, you could get 3 Star Wars Black 6″ Finn figures, and then move on and get 3 of something else, and so on. So, as you can imagine, the 6″ Star Wars Black line was the first to go. I stood outside, like a hungry orphan, looking through the window as other dudes were buying my toys. By the time I got to the aisle, all the Star Wars Black – the stuff I was specifically looking for – was gone. Meanwhile, this mom with a PHAT ASS was barking orders at her son, as she filled a cart with 3 of everything. Now, remember how I told you everything and everyone was crammed into one aisle, and she had the gall to navigate a cart into that madness! When I left the aisle, she was arguing with the employees because they didn’t have all of the items she had set out to by. I quickly grabbed a 4″ Finn and Captain Phasma just so that I could say I bought something on Force Friday. I went to the register, checked out, and got my poster and LEGO brick.

Next, we decided to hit up Target. As you can imagine, due to the proximity, all of the folks who were ahead of us in line at TRU had already beat us to Target. So, they were also out of Star Wars Black. They were having a drawing for 3 giant Wookiees, so Mike and I waited around, hoping to win the raffle. We did not win. And exactly the kind of guys you’re picturing in your head are the ones who won. Just a bunch of friggin’ neckbeards. Out of some kind of impulse, I bought another Finn (this one to keep in package. I know, I know…) and Kylo Renn’s three-pronged lightsaber. We didn’t even discuss hitting up the nearby Walmart, and we began the journey back to Rockville where I’d left my car. In all, I was pretty disappointed with Force Friday. Sure, I had walked away with a free tote bag (Thanks, Target!) and that disappointing LEGO piece (it wasn’t even a brick. It was more like a panel), but I still hadn’t found what I was looking for (cue U2). I went to sleep thinking that Force Friday, while interesting to observe, had been a bust as a participant.

This morning, however, I remembered that it’s still Friday. Sure, everything kicked off at midnight, but not every store had been open, so maybe the stores that were just opening this morning would have a better selection. So, I hit 2 Targets on the way to work. At the first store, the selection was almost better than what I had observed at the Hagerstown Target last night. I found some Star Wars Black, and walked away with a 6″ Kylo Renn and Rey. At the next Target, I found what I’d been wanting the whole time: Star Wars Black 6″ Finn. I know nothing of his character, and I know nothing of the actor, but I needed him for much the same reason a lot of Black folks voted for Obama: he was a Black dude. Outside of Lando, we don’t have a ton of representation in the Star Wars Universe, and Lando’s kind of a bastard. I mean, he sells them out, and suffers no real repercussions. Sure, he’s on the side of the good guys at the end, but his character is still kinda devious. I like Finn’s character design, and he’s probably the reason I’m most excited for The Force Awakens. So, with my grail piece in hand, I walked out of the store with a smile on my face. Force Friday had been redeemed!

Looking back on it all, I would’ve made out a lot better if I had just skipped the midnight stuff, and just checked the stores this morning. The selection was much better, and you didn’t have to deal with the smelly masses. Still, it was nice to be part of the excitement of the midnight release. I’m not primarily a Star Wars “fan”, per se, but I can appreciate that folks are excited about a new installment of this thing that they love. Force Friday represents our first official glance at the world to come, so it’s pretty important – even if its goal was just to sell a shit ton of toys. So, in my mind, Force Friday is having the West Week Ever.

14th Aug2015

West Week Ever – 8/14/2015

by Will




Last week, I said that the Deadpool trailer had the West Week Ever, even though I don’t really agree with how the movie’s being marketed. My friend Glenn, however, believes that everything is as it should be. In my attempt to be fair and balanced, I thought I’d share his thoughts on things. We had a lengthy Facebook conversation about the matter, and he pointed out that Deadpool is the “Merc with a Mouth” and is only censored in the comics because he has to be. This movie, however, will give him a chance to cut loose. He said that while there are always going to be things that are cross-marketed to kids and adults, this isn’t the kind of movie that he’d take his 5 year old daughter to see. Anyway, he made some good points, and then we trailed off into talking about how awesome Alamo Drafthouse Cinema is. Since we’ve had a week to think about it all, thoughts anyone?

It was announced this week that The Lion King would be getting another sequel. At first, I didn’t understand why this was big news. I mean, the thing had 2 straight-to-video sequels in The Lion King II: Simba’s Pride and The Lion King 1 1/2 (which was more of an inbetwequel). So, even though James Earl Jones is coming back as Mufassa, why is this big news? Well, it appears that the TV movie sequel, The Lion Guard: Return of the Roar is actually a pilot for a new television series called The Lion Guard. It’s being described by Disney as “The Lion King meets The Avengers”, and that sound you hear is all of the world’s cash registers ringing at once. The series follows Kion, the youngest son of Simba and Nala, as he assembles a team of animals to help protect the Pride Lands.  Anyway, a sneak peak of the show is expected at this weekend’s Disney D23 Expo.


The rumor coming out of Warner Bros is that a private viewing of Batman v Superman: Dawn of Justice was held for the high up muckety-mucks, and they loved Affleck’s portrayal so much that he’s being offered his own standalone Batman trilogy. I think a standalone Batfleck film was announced at SDCC (it’s getting harder to tell the rumors from the confirmed news these days), but this is the first mention of an entire trilogy. Seems kinda odd, since this movie adapts parts of The Dark Knight Returns – a story that shows Batman at the end of his career. Still, I’d much rather have more Batman than Aquaman, Cyborg, and all the other DCU movies that have been announced.

In other DC news, it’s been announced that Matt Ryan will guest star on Arrow next season as John Constantine. This is pretty important because he starred as the character on the recently cancelled Constantine, and Stephen Amell had been lobbying to get him on the show. Now, I’ve never seen an episode of Constantine, so I’ll need some of y’all to chime in: does he fit into the world that Greg Berlanti has created in Arrow/The Flash/Legends of Tomorrow? I mean, tonally and thematically, is that going to work? I guess we’ll just have to wait and see.


Speaking of Berlanti, he mentioned during the Television Critics Association press tour this week that Supergirl wouldn’t be crossing over with any of his other shows for the time being. That sucks, seeing as how CBS owns half of The CW, so it’s not like it would be that hard logistically. I think, however, they want to focus on establishing her as her own hero. Plus, introducing her into that world is a whole different can of worms, because that, then, admits that Superman exists in that universe, and I don’t think I’m prepared for that. Especially if they do something like they’re doing with Constantine, and bring Tom Welling back to play Superman. Meanwhile, it was also announced that True Blood‘s Brit Morgan would be playing the villain Livewire.


In a surprising move, it was announced that the next 5 seasons of Sesame Street will now debut on HBO. The deal will allow them to create 35 episodes a year instead of the current output of 18 episodes a year. After the initial 9 month window, the episodes will then be available to air on PBS. Meanwhile, PBS will be airing recut versions of classic episodes. First of all, I’m kinda surprised they only produce 18 episodes a year. The show comes on every day, and while it has quite the video library under its belt, I really thought they were producing something like 60 a year. That’s the approximate number of other kids shows that air in strip, 5-day-a-week format. Something feels wrong to me, though, that the rich kids with HBO are getting these episodes first. As some folks on Twitter pointed out, it’s like we’re gentrifying education. Sesame Street used to be an important way that lower income students were able to learn, and now we’re giving them scraps after the kids whose parents can afford HBO have had their way with them. It just seems wrong somehow. Anyway, the deal also calls for a spinoff show starring the Sesame Street Muppets.


Back in the day, BET had its own version of Skinemax known as BET Uncut. Young Black kids used to tune in hoping to get a glimpse of boob while videos played the hip hop hits of the day. The show ended in 2006, but its legacy was never forgotten. So, imagine everyone’s surprise when BET suddenly announced that the show would be returning on August 11th. When viewers tuned in, however, they were met with a surprise: the whole thing was a ruse to promote the debut of BET’s version of Punk’d. If you remember, Punk’d was conceived by Ashton Kutcher and ran on MTV for a few years back in the mid ’00s. Well, this new version will be hosted by YouTube stars Andrew Bachelor and DeStorm Powers, and it debuts next Tuesday. Never watched the original, and I probably won’t be watching this one, either.

Things You Might Have Missed This Week

Modern Family‘s Ariel Winter revealed that she’d had a breast reduction as she was tired of the unwanted attention her body was receiving

-Target created a shitstorm when it announced that the toy section would no longer have gender-based signage. These means that Barbie is no longer a “girl’s toy”, while action figures are no longer “boys’ toys”. Folks came out of the woodwork, acting like the sky was falling. It’s not like they’ll change the planogram, however, so you probably won’t see Barbie sitting next to Iron Man on shelves.

-A new Jem trailer was released this week, which made it look like the same bad movie, only now with an Earth to Echo spin, as they’ve added a tiny robot.

-The CW is reportedly developing series based on The Notebook and Friday The 13th

-Adult Swim renewed Rick and Morty for a 3rd season

-Bravo renewed Jill Kargman’s Odd Mom Out for a 2nd season.

Kindergarten Cop 2 is currently filming, starring Dolph Lundgren. It’s slated to be a direct-to-video release.

The Exes was cancelled on TV Land

-Shelly Fabares will not be returning for NBC’s Coach revival, as her character, Christine Armstrong, has been killed off.

-Google’s parent company changed its name to Alphabet.


I LOVE weeks when the thing that had the West Week Ever is controversial. Folks might disagree, but then I just remember, “Hey, Will – it’s your site!” and then I feel OK about it. So, in the immortal words of the bard Samuel L. Jackson, “Hold onto your butts!”

Last week, a friend and I made the impromptu decision to catch a late showing of Fant4stic Four. The reviews had been terrible, the rumors even worse, but I felt that I needed to see the movie for myself. I actually like the other 2 Fantastic Four films (I’ve never seen the Corman version), as I have a mancrush on Ioan Gruffudd who played Reed Richards. So, in my mind, the bar wasn’t set all that high, and I felt like I knew what I was walking into. AND BOY WAS IT HORRIBLE – is what you want me to say. But I can’t do that. As I said on social media, to listen to the online fanboys, Fant4stic Four ascended to the heavens, slapped Jesus, and pissed on your dead grandma. If you read anything about this movie on Twitter, it’s the worst thing since Hitler and New Coke. Fant4stic Four is not a great movie, but it’s also not horrible.

young reed

The most positive thing I’ve read about the movie is that it had a strong first 2/3rds, and then loses its way during the 3rd act, and I would completely agree with that. The early scenes with young Reed are great, and it’s touching to see the dawn of his friendship with Ben Grimm. Once Reed is recruited by the Baxter Foundation, they almost become star-crossed lovers, as Reed is too impressed by his new surroundings to realize what Ben realizes instantly: their bond can’t last. You’d think they would just naturally grow apart, but that doesn’t happen. Instead, Reed invites Ben on the journey that will end the research that they started together. No, it’s not being from 2 different worlds that will tear them apart. It’s that Reed accidentally turns Ben into a rock monster. This is the first time in my dealings with the Fantastic Four that I actually felt like Thing was a sympathetic character, and a lot of that was due to us seeing him before his transformation. I appreciated that. A lot of people have made a big deal about the origins of “It’s Clobberin’ Time!” (though it’s Thing’s signature catch phrase, in the movie it’s uttered by Ben’s abusive older brother before he assaults him), but that didn’t bother me so much. I kinda felt like it added another dimension to his character.

johnny and sue

I also felt the family dynamic between the Storms. No matter what you think of this movie, you can’t deny that Reg S. Cathy as Dr. Franklin Richards was one of the strongest aspects of the film. You really felt that he just wanted his son to do something productive with himself. You could also feel the tension between Johnny and Sue, where it was clear that Johnny felt that Sue was dad’s favorite, which caused him to act out. People always say that the Fantastic Four concept revolves around family, and that was pretty evident in the first 2/3rds of the movie. Their families didn’t understand them, so Reed and Ben had become their own support system. As strained as it might’ve been, the Storms were also trying to hold on to the family that they had. Meanwhile, Victor Von Doom (formerly known as mad blogger Victor Domashev before the Internet had a field day with that news) is probably the character in the film with the most personality. Just as Sinestro was the true hero in Green Lantern, there’s very little here that makes Doom a villain, per se. In the context of family, he’s on the outside looking in, as he doesn’t have what Reed and Ben have, or what the Storms have, but he knows it’s lacking and he resents it.

It felt like they were laying the groundwork for some grand thing that would bring them all together. In the comic, that was the cosmic event that gave them their powers. Well, that’s not what happened here. Instead, the arrival of their powers drives them further apart. And this is where the problems begin.

Once Reed, with his newly-acquired powers, escapes from the secret facility, there’s a title card that says “One Year Later”. Time jumps are rarely good things, as they’re usually an excuse to keep from explaining something. Well, it can be said that everything after that title card is when things go downhill. At this point, it clearly plays like a movie “made by committee” as certain things don’t make sense anymore. And it’s also where you’d expect to see all those action scenes from the trailer. Welp, you’d be disappointed. Better sites than mine have made comprehensive lists, but you can immediately see that a LOT of editing went down on this film. Remember the shot of Thing falling out of the plane onto a tank? It’s in every trailer and TV spot? Well, it ain’t in this movie.


Let’s talk about Thing for a minute. The government has convinced him to be an operative for them, with the weak promise that they’ll help turn him back to his human form. So, he gets dropped into these countries as this killing machine. In one scene, you see that he has 43 confirmed kills. KILLS! He’s not Wolverine! Now, I know he’s upset by the transformation and all. Anyone would be. I also know that he comes from an abusive past. But I don’t think all of that would make him a killer. And he’s not overly patriotic, so it’s not like he’s doing his duty for Uncle Sam. No, he selfishly decides to kill in order to get things back to the way they were. That doesn’t sit right with me.

Sue is wasted, as she just becomes the Token Girl. If people weren’t spending so much time talking about how terrible the movie is, I’m sure The Mary Sue or someone would’ve written an article about how marginalized she is in the film. Hell, she doesn’t even get to go on the trip that gives them their powers! She got hit by some kind of aftershock, and ended up being able to turn invisible. All the powers, with none of the risk. Were they afraid to send a woman into that dangerous environment? If that’s the case, they certainly don’t discuss it. In fact, Reed goes through the trouble of calling Ben in the middle of the night, to get him to come down to the Baxter building and travel to the other dimension, but at no point does he, or anyone else, say, “Hey, shouldn’t we let Sue in on this?” And it’s not like she had built up this reputation as a hard-to-work-with bitch or anything, so it’s kinda bad that she’s just an afterthought to them. However, they never would’ve made it back alive had it not been for her. I don’t feel like she’s ever appreciated enough in this film.

Johnny’s kinda brash, but not the joking ladies man he appears to be in the comics. Somewhat like Sue, he doesn’t really get to develop much. He seems to hate being in the shadow of his sister and father, so he acts out. Once they get their powers, he’s all about doing the government dirty work because he feels like he might finally have a purpose. He doesn’t care about right or wrong – he’s just a gun waiting for someone to aim him at the bad guys.

And Reed. Where to begin with Reed? I like Miles Teller now. I used to want to punch him in the face, because he just had one of those faces. Then I saw Two Night Stand and Whiplash, and now all is forgiven. As much as I like him now, I don’t think he was right for this role. I can see why he was cast: rising star, he’s quickly becoming a “name”, etc. But he wasn’t Reed Richards. He’s capable enough in the role, but you don’t leave the theater saying “THAT was Reed Richards” the way you did when you first saw RDJ as Tony Stark. My biggest problem with Reed is that he’s not very smart – the thing that he’s primarily known for. Sure, he’s smart enough to want to try to build a matter transporter in middle school, but it seems like he peaked at that age. I’ve always been fascinated by the fact that Reed’s able to stretch his brain, effectively making him smarter. He doesn’t display the capacity for that in this film. And no, I didn’t expect to see his head stretch or anything to signify that it was happening, but he just doesn’t do anything that would make you say “He’s smart!” I mean, something as simple as rattling off a calculation. He doesn’t really do it. And in the final battle against Doom, he doesn’t outsmart him. No, it’s instead a physical, hand-to-hand battle. Reed Richard is not a fighter, and he would’ve found an intelligent solution other than a simple Hail Mary play.


Let’s circle back around to Doom. In the first 2/3rds of the movie, he’s just antisocial. Sure, they end up having to leave him in the Negative Zone, but he didn’t HATE them. He just kinda resented them. So, when he pops back up a year later, with his environmental suit fused to his body, you’d think he’d want revenge on them for leaving him over there. I mean, surely he’d find them responsible for ruining his life, right? NO! Instead, he LOVED it over there, as he experienced true power. And all he wants to do is go back. That’s it. He wants to go back to his world and his power, and the Four are all, “No, you can’t go back”, like they actually give a shit about him. If they’d have just let the man have his wish, nothing bad would’ve happened. In what was clearly the result of reshoots, Doom walks through the corridor, making everyone’s head explode – even people who aren’t in his way. It’s like there’s a clearance sale going on for head explosions, and he just can’t get enough. So, in their refusal to let him go back, the Four actually set into motion the thing that makes him a “villain”: the portal back to the Negative Zone created a sort of backdraft that was pulling Earth into a black hole. The reason I say the head explosion scenes were reshoots is because someone at the studio must’ve known that something else was needed in order to make Doom appear evil. Otherwise, without that scene, the Four actually look worse than Doom does.


And that final battle. It just didn’t add up. Doom supposedly had all this power, but we never saw much of it except in his creation of the portal. The Four defeat him in combat when they never should’ve been able to get close to him. As I said before, Reed should’ve defeated him by out-thinking him and not punching him. And he goes down too easily, but not in the ambiguous “We’re trying to keep him around for a sequel” kind of way. I mean, they could bring him back, but the movie doesn’t really end setting up a sequel. All that happens is the team is officially formed. Yet, the viewer still has no real reason to care about the characters, as none of the relatable stuff from the first 2 acts is even relevant anymore. It’s like these are 4 different characters; it’s not like they’re showing growth, either – they’re just 4 people who look like and have the same names as their counterparts from the first 2/3rds of the movie. And they’re not especially likable, nor are you particularly rooting for them. I mean, the movie’s named after them, so they must be the heroes, but that’s really as far as it goes.


And one little problem lingering from adapting the comic: the lack of Thing’s pants. This might seem petty, but it’s actually pretty important. I mean, up until this point, we all just assumed he still had a penis, only it was probably rocky now, too. It’s the kind thing 12 year olds sit around and talk about. Instead, he now no longer even has a penis. My God, no wonder he hates Reed so much!

Anyway, at the end of the day, it’s a movie with problems, but it’s hardly the abomination that some are making it out to be. The odd thing, however, is Fox’s involvement in the whole thing. As I wrote about last week, the director, Josh Trank, posted a tweet that alluded to the fact that there was studio interference in his original vision. That tweet was quickly deleted. Over the weekend, the rumors started to fly. It was rumored that Fox was considering giving Fant4stic Four 2‘s 2017 release date to Deadpool 2, assuming that Deadpool will do better than FF did. On Monday, however, Fox announced that they are “still committed to the characters”, but nobody knows if that means they’ll push ahead with the same cast or reboot AGAIN. Good or bad, Fant4stic Four was on everybody’s lips the past week, even if folks didn’t see it. In fact, it only pulled in around $25 million, making it a worse box office than even Daredevil. Still, I think once the dust settles, and folks start seeing the stuff I was talking about in the first 2 acts, we may look back on it more fondly. And if Trank’s ever allowed to release a Director’s Cut, then it may be redeemed just as much as the Director’s Cut has seemingly redeemed Daredevil. In my mind, nothing had a week like Fant4stic Four, and that’s why I’m saying it had the West Week Ever.

07th Aug2015

West Week Ever – 8/7/15

by Will




This week, Joel McHale confirmed what most of us already knew – that Community is over. He explained that Yahoo wanted another season for their Yahoo Screen portal, but they simply couldn’t afford the cast since their asking quotes  have gone up since the show began. Because of that stupid #sixseasonsandamovie thing, they’re still saying they’d like to do a movie. Honestly, I don’t even know what that would entail. How do you translate a sitcom into a theatrical feature? Has that been done before? I mean, it works the other way around. Movies get TV adaptations all the time, but not vice versa. I can’t think of a Community storyline that would even be worth a theatrical release. Keep in mind, I have the same reservations about an Arrested Development movie. Just let these things die, so they can be fondly remembered. Show creator Dan Harmon has said that he’d be interested in writing the script once he’s gotten to a place where he misses the characters. So, we’re at the whim of his sense of nostalgia.


In other TV news, there were a lot of casting reveals for the DC shows on The CW. First up, Casper Crump has been cast as season one big bad Vandal Savage for Legends of Tomorrow. Also, Falk Henstchel has been cast as Hawkman in the series. Meanwhile, The Flash has cast Wally West, who will be played by Keiynan Lonsdale. I haven’t heard of any of these weird-named dudes. Lonsdale’s Australian, so he’s probably done a stint on Neighbours or something – that’s like a rite of passage down there. Anyway, a lot of people not familiar with DC’s New 52 reboot didn’t realize that the new Wally West is Black, so of course the usual complaints spread across social media: “Why make him Black when he’s always been White?” As my pal Tim would call it, #rabblerabble.


Even I’ll say that New 52 Wally seems like diversity solely for the sake of diversity. Then again, I guess his race never really had an impact on who he was, so he could be anything. The problem, however, is that Wally had quite the legacy. He’s one of the few heroes who replaced his mentor and it STUCK. Most of my generation grew up with a Wally West Flash and NOT a Barry Allen Flash. Barry was boring and DEAD by the time we started reading comics. So, to just randomly introduce him in the New 52 universe like, “Hey, here’s Wally – only he’s not the dude you remember, and he’s Black now” kinda seems disingenuous. My problem with introducing him on the show, however, is that it just seems too soon. They couldn’t wait for season 3? I mean, we’ve just gotten used to Barry, and we like him, so why dilute that with Kid Flash or whatever Wally’s going to become on the show? My biggest issue with the Greg Berlanti DC shows is that I fear he spreads himself too thin. Arrow was great until The Flash came along, and then it started to suffer creatively. This season, he’s adding Supergirl and Legends of Tomorrow to the docket. One can only imagine what that’s going to do to The Flash, and I shudder to wonder how much lower Arrow can go.

photovisi-download(1)You know who almost had the West Week Ever? Hollywood divorce lawyers! This week alone saw the announcement of splits between Gavin Rossdale and Gwen Stefani, Reba McEntire and Narvel Blackstock, and Kermit the Frog and Miss Piggy. Plus, the week kicked off with the annual, yet erroneous, announcement that Will and Jada were calling it quits. In the words of Carrie Underwood, “There must be something in the water.” The Gavin/Gwen split wasn’t a total surprise, as I recall hearing that things had been rocky ever since the paternity test revealed that he was the father of model Daisy Lowe. The Reba divorce is pretty sad, as they had been married for 26 years! That’s my biggest fear: to get old and divorced. Young divorce is fine, but divorce after you’re all used up? No siree, Bob! And I’m pretty sure that the Kermit and Piggy thing is just publicity for that The Office-inspired Muppets show coming to ABC this Fall. They break up all the time, so who really cares? I mean, they were broken up in Jason Segel’s The Muppets back in 2011. Did everyone just forget that? Anyway, I can’t even think of a celebrity couple I’m rooting for at this point. You’re just courting disappointment with that game.


This week saw the Television Critics Association’s Summer press tour, where TV critics were introduced to the stars of the upcoming new network shows. Yesterday was Fox’s day, where three things happened. First off, it appears that critics were shown a clip from the X-Files reboot, and the consensus was not good. I’ve heard that it almost played like parody, and it wasn’t clear if that was the intention of the scene. Second, they announced that Prison Break was returning for a 10-episode event, similar to last year’s 24: Live Another Day miniseries. Apparently, the original stars are on board (interesting, since they’re both attached to Legends of Tomorrow, so I guess they’ll film this while they’re on break?), and some of the deaths from the original series seem like they’re being retconned in order to make this work. I watched the first episode of Prison Break, but I just couldn’t get on board for that series. I didn’t feel like it would last long enough for a resolution. I was wrong, but I still don’t feel like I missed out on anything. Finally, Fox also updated the status of bringing back 24. They said that Kiefer Sutherland isn’t interested in returning right now, so a new 24 would probably feature new characters. It’s just not 24 without Jack Bauer! If I wanted to watch an entirely new ensemble, I’d just tune into ABC’s Quantico (Sundays this Fall!).


Oh yeah, Fox also did something else: they confirmed plans for an television spinoff of the X-Men films. They said that they’re close to a deal, but they’re waiting to see if Marvel will approve it. Since Fox only owns the X-Men rights, don’t look for any crossovers with Daredevil or Agents of S.H.I.E.L.D. The big question, though is what does Marvel get out of the deal? Right now, Fox has already lined up writers and showrunners, so this will happen sooner rather than later. I’m OK with this idea if they’re really allowed to run with it. Maybe focus on some mutants who don’t get any movie screentime. I mean, I’m pretty sick of the Xavier/Magneto dynamic. WE GET IT ALREADY! There are other characters. Hell, some of the X-Men’s best adventures occurred when Xavier wasn’t even around. I don’t see why they have to be in all the movies. I’m scared however, this will be some watered down thing, so as not to step on the toes of the film division. Remember what happened the last time we got a watered down X-Men television show? It was called Mutant X


The box art was revealed for this Winter’s LEGO Avengers. I have SO many comic-based LEGO games to get through, but I’m a sucker, so I’ll probably get this one, too. It helps that they’re releasing it on “older” systems like Xbox 360 and Playstation 3, as not all of us have graduated to the next generation. I really wish Rocksteady had done this with Batman: Arkham Knight. I mean, it kinda sucks that there’s a trilogy of games that can’t all be played on the same friggin’ system!


*Sigh* So, I guess I’ve gotta talk about Fantastic Four, huh? The movie officially comes out today, but the review embargo was lifted on Wednesday and it wasn’t pretty. I’ve heard everything from that fact that it had a strong 2/3 but tanked the 3rd act to the whole thing was just a disaster. You know comic folk can be a passionate bunch, so I’m not really sure who to believe. I’ll see it, but I’m easy to please when it comes to comic book movies. To date, out of all the ones I’ve seen (no, I still haven’t seen Catwoman), I only hated Elektra and The Dark Knight Rises. I was actually fine with the two Fantastic Four films that we already got. It probably helps that I’ve never really liked the comic version of the team, so I didn’t have high expectations. Anyway, they say that this version borrows heavily from the Ultimate Fantastic Four comic, which should be a good thing, since I love the Ultimate Marvel Universe. Sadly, I found that book to be so boring that I still have about 20 issues I haven’t read, and the book’s been cancelled since 2009. Then, things took a real bad turn last night when the movie’s director, Josh Trank, tweeted this:


So, Trank’s basically blaming the studio. Not a great move from the guy who was pushed out of his Star Wars directing gig due to his erratic behavior. So far, the only hit he has under his belt is Chronicle, and I’m not sure how long he’s going to be able to coast on that. Is there any coming back from this? Is the movie so bad that it’ll sink his career?

No links this week, as I’m behind on my blogs, so let’s get to the meat and potatoes: Who had the West Week Ever?


On Tuesday night, Conan O’Brien probably saw his biggest ratings since his move to cable. No, it wasn’t because of a guest, but rather the fact that the Deadpool trailer was slated to premiere during the episode. In fact, the episode’s rating was TV-MA because they would be showing the red band, not safe for work version of the trailer. Welp, once the trailer debuted, it seemed there was a huge divide between those who loved it and those who just weren’t feeling it. I fell into the latter camp.


First, let me explain that I consider myself a Deadpool fan. I haven’t been there since his debut in X-Force, but I’ve been reading his book for the past 8 years or so. I’ve also gone back and read the older stuff, so I think I have a pretty good handle on the character. He’s not a top-tier character, so you might not be familiar with him. Deadpool is Wade Wilson, a mercenary who underwent an experimental procedure to cure his terminal cancer. As a result, he emerged with a healing factor, and it might’ve done something to his brain – making him think he’s a character in a comic book, and resulting in his breaking the 4th wall to interact with the reader. He’s like a cartoon character, and though violent, it tends to be a cartoony violence. Think Roadrunner cartoons. If you saw him, you’d probably ask “Why does Spider-Man have all those swords and machine guns?” That’s basically his look. He’s not someone to be taken seriously, especially in recent years where he’s been trying to be accepted by the hero community.

ultimate deadpool

So, imagine my surprise when they created a movie not about cartoony wacky Deadpool, but sadistically violent Deadpool. This is a far departure from the way he’s been presented in recent years. The violence and language are so amped up that it’s going to be rated R. So, all that said, I really don’t know who this movie is for. My main issue is the R-rating. While his video game was rated Mature, I think they’re cutting out a big swath of the potential audience by making it 17 and up. Parents like to take their kids to comic book movies. Not this one. Add in the fact that he’s not a hero. He’s a mercenary. He kills for money. He’s not saving the world, or fighting aliens. He kills mobsters for other mobsters. I don’t know if you’ve read the recent Deadpool book by Gerry Duggan, but Deadpool really doesn’t kill all that much anymore. He’s kinda gained a conscience, and even has a daughter. If you’re a fan of that Deadpool – ya know, the one currently making money for Marvel – this movie ain’t for you. My pal Carlin brought up the fact that Deadpool’s recently been featured in the Ultimate Spider-Man cartoon, which his son loved. Unfortunately, this is not a movie that he’ll be able to share with his son.


I’m not saying that a PG-13 rating would make the movie a success, but an R will certainly keep it from being one. There are only 2 R-rated comic book movies that have been successful: Blade and Kick-Ass. Blade’s success has more to do with folks’ love of vampires (and then-love of Wesley Snipes) than the character of Blade. And Kick-Ass was just a fluke, as seen by the failure of its sequel. Even Spawn, a movie about a soldier for THE DEVIL, managed to get a PG-13 rating when it probably should’ve been an R to be “faithful” to the source material. Marvel really needs to rethink how they want to allow Deadpool to be used. He can’t be their Mickey Mouse AND their Terminator. I think this movie is a thematic misfire, but we’ll just have to wait and see.

Anyway, everyone was talking about the trailer Wednesday morning, and it sparked some of the best online discussions I’ve had. So, for all of that, the Deadpool trailer had the West Week Ever.

31st Jul2015

West Week Ever – 7/31/15

by Will

photovisi-download (4)




I swear, more effort went into the effects on that poster than in the entire movie itself. Anyway, after the hubbub died down for Sharknado 3: Oh Hell No, I found myself eagerly awaiting the premiere of Lavalantula. In the grand SyFy fashion of combining two terrible things into one big terrible thing, the movie saw the rise of giant tarantulas who spit lava. Oh, and you’ve got to throw in a hasbeen actor, so this one stars 80s hitmaker Steve Guttenberg. In fact, the movie was billed as “starring the cast of Police Academy“, which was pretty much a guaranteed watch. Then, while watching the movie, I was sadly reminded of how many of the Police Academy cast members are no longer with us. No Hightower or Tackleberry, and George Gaynes hasn’t acted since 2003. And there was no Bobcat Goldthwait. So, they might as well have said “Starring Michael Winslow’s sad sound effects, Callahan, and Officer Hooks”. So, how was it? TERRIBLE. Not even good by SyFy standards. Was there ever a time when Winslow’s sound effects were GOOD? I seem to remember a time like that, but they just seem so bad now. And the special effects were horrible, as they couldn’t even properly render a hole in the ground from which the lavalantulas emerged. Plus, it just seemed to lack the…charm of Sharknado, and I found myself bored pretty quickly. Sure, there was a surprisingly fit Nia Peeples running around in a sports bra and yoga pants, but that wasn’t even enough to save the movie. Apparently, SyFy wants Lavalantula to be its next big franchise, a la Sharknado, but they’re going to need to take more notes from that more successful series before cranking out another Lavalantula.


On Saturday, Lindsay and I took in a matinee of The Book of Mormon. I went into this play knowing nothing about it other than it was “from the creators of South Park“. I’d seen the Mormon episode of South Park, but had they really turned that into a musical? Not exactly. For those who also don’t know much about the show, here you go: two young Mormons are sent to Uganda for their mission trip, and hilarity ensues. One of them is the “model Mormon”, while the other has a wild imagination and likes to make up stories. The promising one kinda washes out early, but the villagers become captivated by the imaginative one’s stories, and he leads them to the Church of Jesus Christ of Latter Day Saints. It’s blasphemously hilarious. Or hilariously blasphemous. I was talking to an LDS friend online, and he said something that I kinda agree with: the show, as disrespectful to organized religion as it can be at times, still seems to have a strange sort of respect for the Mormon religion. I’d been really curious to know how an actual Mormon would feel about the show, and he said that the lefty ones wouldn’t have a problem with it, but the more conservative ones would. I honestly think that goes for all religious audience members. I could never take my mother to see it (and she’s not LDS), but I know religious folks who would enjoy it. Anyway, if you want to know how Joseph Smith and Boba Fett led the Mormons to Salt Lake City, then I definitely recommend you check out this show.

boba fett

Speaking of Boba Fett, there’s a rumor that the long-awaited live action Star Wars television series may finally be surfacing at Netflix. This has been in the works since long before Disney bought the franchise, so I’m not even sure what it would encompass at this point. Right now, the rumor is that Disney may be working on as many as THREE different Star Wars series for Netflix. I know that makes some of you happy out there.


I got my first celebrity follow! Yes, as of last night, I’m the proud followee (?) of WWE Superstar Dean Ambrose. The whole thing is funny to me because it’s not like I’ve been especially kind to him lately. Over the course of the week, I posted the following tweets:

Ambrose 2


Ambrose 3


Well, then I did some Catfish-style detective work, and figured out that it’s just a parody account *sad trombone*. No, the lack of the verified checkmark isn’t the tip-off, as his actual account @TheDeanAmbrose doesn’t have one either. I wanted to think he had a sense of humor about himself, but it was really just someone, as the Brits say, “taking the piss”. I’ll get my celebrity follower one day!


In movie news, New Line Cinema wants to reboot the Shaft franchise, with “comedic elements” from Black-ish creator Kenya Barris. Well, this thoroughly pissed off writer David F. Walker who, not only wrote the recent Shaft comic for Dynamite Entertainment, but also wrote the first licensed Shaft novel in 40 years. I like David. I did a podcast with David. He’s a passionate guy. That said, I think that, at the end of the day, John Shaft is a licensed character. Just because you’re given a shot at him does not mean that you own him. David compares a comedic Shaft to Black Dynamite, noting that movie didn’t even make $1 million in theaters. He implies that’s a clear indication that audiences don’t want parodied Blaxploitation, but I don’t think that’s a fair comparison. After all, Black Dynamite only had a limited release in 70 theaters, for a 2-week stint. Most people found it on video, and it developed a cult following that resulted in 2 seasons of an animated series on Adult Swim. I liken this to the backlash against the upcoming female Ghostbusters. I wouldn’t mind a comedic Shaft, and I don’t think it would hurt the source material for it to deviate in tone. Those original movies would still exist. Anyway, David’s star is rising, as he’s the also the writer of DC’s recently-launched Cyborg series, so folks are definitely listening. Whether or not his pleas are going to matter remains to be seen.


In other movie news, another unwanted movie may be in trouble. Channing Tatum’s Gambit movie is reportedly falling apart, with it rumored that Tatum has walked away from the film. This is unfortunate because he’s the only one who even wanted the movie to get made. Well, him and creators Chris Claremont and Jim Lee – who were bound to get some kind of royalties when the movie was made. This is just an example of wrong place, wrong time. NOBODY wants a Gambit movie, and he’s not even prominently featured in any comics at the moment. Had they struck while the iron was hot, the movie would’ve been made immediately following X-Men Origins: Wolverine. Sure, it probably would’ve been a steaming pile of shit, but at least the character was on folks’ radar, and Taylor Kitsch might still have some semblance of a career.


This will only appeal to folks in the DC/Florida area, but I have been OBSESSED with the drama surrounding local, yet syndicated, radio DJ Kane. So on last Friday morning’s show, Kane broke down crying at the end and announced that he and his wife were getting a divorce. According to him, he came home one day about 3 months ago, and found that she hadn’t paid the bills in about 4 months. She had also taken the kids to Florida and drained the bank accounts. You can’t hear it now because Clear Channel scrubbed it from the show’s podcast.

Meanwhile, Kane’s old co-host Sarah Fraser is now his rival over at 107.3. When she heard about everything, she sided with Kane’s ex and tweeted #karmabeabitch. She claims that Kane was fake and manipulative, which is why she had to leave his show in the first place.

Also, Kane was diagnosed with severe OCD recently, as he and the wife were on the local news talking about it. It had put a strain on the marriage, but now folks are wondering if he had been controlling and abusive, as Natasha’s actions are similar to what a battered wife would do. After all, it seems she had been transferring all the money to gift cards, so he coukdnt track her purchases, and a relative from Florida had even flown up to help her “escape”.

Basically, Kane threw her under the bus, on air, but then tried some lame damage control, saying that he didn’t want folks to say anything bad about Natasha – knowing that folks would hate her after everything he said. It was just really petty that Sarah got involved, as she’s been gone from the show for 3 years, but is still clearly harboring resentment. She had to take to her site and clarify her tweet, as her fans turned on her said she was being petty.

In related news, Kane had kinda been bullying Sarah and her show, as someone on Kane’s team had messed with Sarah’s show’s SEO stats. If you googled any of the folks on that show, it would redirect to “diarrhea” or “failure”. At the time of writing this post, I have combed through 108 pages of mommy blogs to get all this. I’m so ashamed of myself…

I was gonna rant some about Hulk Hogan and Cecil the Lion, but I’m kinda over that shit by now. If you really care, check out my Twitter feed. Otherwise, I’m just gonna let that stuff go.

Links I Loved

Day 61: My name is Tim. And I have a problem. – Flashlights Are Something To Eat

Religion of a Different Color: Race and the Mormon Struggle for Whiteness – Modern Mormon Men

The Worst Decisions of Cartoon Hero Leaders – The Robot’s Pajamas


This was NOT a great week for geek stuff. Lots of controversial stuff, but no real geek stuff. So, the real beacon of pop culture was the season premiere of Rick and Morty on Adult Swim. It’s a hilarious show by Dan Harmon (the creator of Community), following the adventures of 14 year-old Morty and his alcoholic scientist of a grandfather, Rick. They tend to travel interdimensionally, getting into all sorts of trouble. In last season’s finale, they stopped time just before Morty’s parents got home, so that he and his sister could clean up from the massive party they’d had in the parents’ absence. Well, In the season premiere, we learn that time has been frozen for about 6 months, and now it’s essentially broken. Rick inadvertently creates several parallel timelines, and has to merged them before time becomes more fractured. Ya know, it wasn’t my favorite episode of the show, but I did like the commitment to starting exactly where things had left off. It’s a funny show, regardless, and I look forward to seeing what the season holds. So, for being the shining star in a week full of crap, Rick and Morty had the West Week Ever.

17th Jul2015

West Week Ever – 7/17/15

by Will

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It’s been so long since I’ve done one of these that I’m gonna have to kick the dust off everything. Basically, brace yourself for a whole lot of “This Is What Will’s Been Watching”.


A few years ago, I read Shopgirl, by Steve Martin (Yep, that Steve Martin). I remember it because we had lost power due to an intense heat wave, and I really had nothing else to do. Plus, as a novella, it was short. I remembered enjoying it, but feeling that it was a bit of a sad story. So, last week, when I saw that the movie was on (also starring Steve Martin), I thought, “Well, I remember liking this. Let’s watch!” I have to say that I don’t remember reading most of what was in that movie. I’m not sure if there was that much of a departure, or if my memory is just that bad. I watched that thing like I had never even encountered the story before, as everything felt new to me.

If you’ve never heard of Shopgirl before, it’s about a girl who works in a department store (Claire Danes), who begins an affair with one of her customers (Martin). He’s not looking for love, but she is. Meanwhile, Jason Schwartzman is there, being Jason Schwartzman – trying to get Danes to notice him. It’s a typical love triangle, and ends like you’d expect. Would I recommend it? Um, sure? I dunno. I seem to say this a lot, but there are worse ways to kill 90 minutes. If you’ve ever wanted to see Claire Danes’s ass, this is the film for you. Other than that, I’m not sure I like Steve Martin in a dramatic role. I know everyone’s doing it, from Robin Williams (RIP) to Bill Murray, and he’s certainly capable at it. I just prefer the Steve Martin who “was born a poor Black child.”


The next movie I watched was the unnecessary sequel, Horrible Bosses 2. I enjoyed the first movie, as it has a likable cast. Bateman, Sudeikis, and Day? Hilarious! Throw in Jamie Foxx as “Motherfucker” Jones, the ex-con who’s gonna help the guys do in their overbearing bosses? Priceless! I can understand the desire to get the band back together, but there was no real reason for a sequel. The plot is really flimsy, and the antagonist isn’t even technically their “boss”, so the title is a misnomer. This time around, the guys have invented a product to revolutionize the way people take showers, when their investor decides to screw them over by forcing them into foreclosure and taking the product for himself. So, to get back at him, they decide to kidnap his son and ransom him to get back the money they need to pay off their loan. Only the son WANTS to be kidnapped, to stick it to his dad. And then I just stopped paying attention. It got way too convoluted for a comedy. This ain’t Oceans 11! Do not watch!


On the TV front, there are a couple of new shows I’ve been checking out. First up is HUMANS, on AMC. In the near future, people can buy “Synths” – synthetic humans designed to make their owners’ lives easier. The duties performed by the Synths range from cooking and cleaning to more…sensual matters. The show really sort of focuses on how people react to having the Synths in their lives. Meanwhile, there seems to be a group of Synths who have gained autonomy, and they’re being hunted down because of what they might mean for the future of Synths and humanity. It’s a really interesting show, and if you’ve watched any British shows in recent years (it’s a joint venture between England’s Channel 4 and AMC), you’ll recognize some of the actors – like Katherine Parkinson, from The IT Crowd. It’s an 8-episode season, and AMC has only shown the first 3 episodes so far, so it’s not too late to jump in.


Meanwhile on USA, I’m watching Mr. Robot. It’s a show about a hacker who gets recruited by a hacker collective known as f society, who plan to take down an evil corporation. To be perfectly honest, the whole take down plot is completely lost on me, but I enjoy the show because I like the characters. I haven’t watched a show with such a morally-ambiguous cast since Nip/Tuck. Now, I didn’t end up finishing that show, as boredom eventually kicked in (some cable network should really be showing reruns of that show. Get on that, somebody!). I hope the same thing doesn’t happen here, as I could feel boredom creeping in during this week’s episode. I’ll still watch for now, though, as the lead looks like SNL‘s Pete Davidson, so it’s fun to imagine that the show is just a really long, elaborate sketch.


Over on Bravo, I fell in love with the scripted comedy Odd Mom Out. Starring Jill Kargman (and based on her 2007 novel Momzillas), the show focuses on a fictionalized version of Kargman as she has to navigate the excess and affluence of New York’s Upper East Side. When I first watched the show, I thought that everyone sucked at life. Then, I realized you had to get into the mindset of the show. The primary Bravo audience is tuning in for Real Housewives shows, so how would they receive the show? Now that I’ve seen the 6 episodes that have aired so far this season, I love the show. Kargman has this cool vibe to her where I’d really love to be best friends with her. Plus, it doesn’t hurt that she always favorites my tweets when I write about the show. Abby Elliott costars as Jill’s sister-in-law, while The Office‘s David Wallace (Andy Buckley) plays Jill’s husband. It’s not for everyone – especially not the geek crowd that tends to read this post every week – but I think a few of you out there may really enjoy it.


Finally, over on Fox, I discovered Wayward Pines. I originally meant to watch this show back when I wrote my Fox Upfronts post last year. Then, it debuted and I just kinda forgot about it. Well, I started watching it Monday night and ended up watching the first 5 episodes in one night. I thought it would just be a Twin Peaks ripoff, but it’s so much more, and it’s SOO GOOOD! Matt Dillon wakes up after a car accident and finds himself in a small Idaho town, called Wayward Pines. The townsfolk seem to be filled with fear, hidden behind forced smiles, and everyone’s under surveillance. Dillon tries to leave the town, but finds that he can’t because it’s walled off from the rest of the world. And that’s when shit REALLY gets weird. In Episode 5, you learn the truth about the town, and it will BLOW. YOUR. MIND. The show is executive produced by M. Night Shyamalan, so you really shouldn’t be surprised that there’s a twist. Still, Shymalan’s career has taken a beating in recent years, which is probably why they’re trying to downplay his involvement here. It’s a shame, because this could be seen as his comeback vehicle. The series finale is next Thursday, and I’m filled with questions. Also, I’m kinda surprised that Fox is sticking to this being a one-time limited series, since it seems to be a summer hit. I just can’t imagine they wouldn’t try to somehow develop a second season out of it. Anyway, you’ve got a week to catch up On Demand, so you can watch the finale along with me.


Yesterday on social media, everyone (and I mean EVERYONE) made the same Ivan Ooze joke about the depiction of Apocalypse in the next X-Men movie (I didn’t even know that many people had seen Mighty Morphin Power Rangers: The Movie!). It does, however, lead back to an apprehension I’ve had since the X-Men movie franchise began. While it’s nowhere near as grounded as something like the Netflix Daredevil series, the X-Men movies have been grounded enough in their own version of reality that it was going to be hard to shift into some of the more “exotic” villains like Apocalypse and Mr. Sinister. Based on the world that Bryan Singer created, there would never be an option to go against something like Mojo or The Brood. Luckily for them, they’ve wasted all their movies telling yet another iteration of the Xavier vs. Magneto sparring match. I just think there’s a wealth of characters that could be mined for an X-Men film, but they painted themselves into a corner. Now, they finally decide to go for one of the more outlandish X-Men villains, and this is how it’s received. Apocalypse just doesn’t fit in the world that they’ve crafted. Let’s hope he looks better when they slather him with effects.


Speaking of comic book movies, the trailers for 3 anticipated films debuted last weekend at San Diego Comic-Con. These included the latest one for Batman v. Superman: Dawn of Justice, as well as Suicide Squad, and Deadpool. Of course, bootleg versions of the latter two leaked online, as these things are wont to do, and Warner Bros were none too happy about it. They decided to officially release the Suicide Squad trailer, but only because their hand had been forced by “piracy”. And they made sure to address this while releasing the clip. Fans contrasted this with Marvel’s reaction to leaked Avengers: Age of Ultron trailer, where the company simply tweeted a jocular “Dammit, HYDRA!” Basically, the tone of the Warner Bros message was basically “We had no intention of showing this to you, but thanks to a few bad apples, we decided to show you the trailer as it was originally intended, and not in the low quality version that’s making the rounds.” They seemed to think they were getting in front of the issue, but seemed like such a bunch of crotchety old fogies while doing so.

Anyway, my thoughts on the trailers:

Batman v. Superman: Dawn of Justice – I’m no more excited about this movie than I was before. That’s to say, I’m really not excited about it. At all. I don’t really like the Snyderverse, as I didn’t hate Man of Steel, but I didn’t love it, either. I’m also not sure about Affleck’s Batman. I saw Man of Steel On Demand, and that just might be the case here. The only reason I’d see it in theaters is because Batman’s in it, but I’m not sure this is my Batman.

Suicide Squad – Again, not very excited. I’ve seen people losing their shit, talking about how awesome it looks. I’m happy for them, but I don’t share that sentiment. I can’t get out of my head how someone said that the promotional image of the team made them look like those Homies figures you get out of vending machines. That was SPOT ON! I’m not a big Will Smith fan, I don’t really like this version of Harley, and I don’t even know what to think of Leto’s Joker. Again, the only thing that might get me to see this in theaters is the fact that Batman’s in it.

Deadpool – looks fun, but Ryan Reynolds is box office poison right now. He’s got a string of flops behind him, from Green Lantern to R.I.P.D. to Self/Less. I’ve been a fan since Two Guys, A Girl, and A Pizza Place, but times are not great for him lately. Reynolds aside, I think the biggest problem is the R-rating. I’ve said it before, but I don’t see anything about Deadpool that deserves an R-rated movie. His comic isn’t a MAX title, so it’s not Mature Readers. That means there’s no sex and no cursing. While it could be pretty violent, it’s a cartoon violence, and nothing on par with, say, Punisher. I think they’re really cutting out a big chunk of their potential audience by making it rated R, as parents like to take their kids to superhero movies. The only 2 R-rated comic movies that have been successful are Blade and Kick-Ass. I still say that Blade did well because it drew in the vampire fans moreso than the comic people (Comic fans don’t really love Blade, as he’s never had a series to last more than 13 issues). I got nothing for Kick-Ass. Also, people will debate me on this, but I don’t think Deadpool’s a household name. Sure, comic fans know who he is, but if you showed him to the man on the street, he’d ask “How come Spider-Man has swords now?” I guess we’ll just have to wait and see how this all turns out. Don’t get me wrong – I WANT it to be a hit, but I’m just skeptical right now.

Things You Might Have Missed This Week

– 50 Cent filed for Chapter 11 bankruptcy protection. Where’d all that Vitamin Water money go?

– Brandy sang on the New York subway, and was shocked when nobody gave a shit

– I watched the ending to Batman: Arkham Knight on YouTube (way to not release it on the 360, Rocksteady!) THAT’s how you tell a Final Batman Story!


My pals, Zac and Adam, co-host the No Topic Required podcast, and this week’s episode was very special, as it was the FINAL episode. Luckily, I was invited to take part, and it was a pretty fun time. I’m always sad to see one of my favorite podcasts go (looking at you, Cold Slither Podcast), but I’m sure that Zac will be back with something new once he recharges his batteries. In any case, you should go give the episode a listen!


You know what didn’t have the West Week Ever? San Diego Comic-Con. Usually an informational mecca for the pop culture set, nothing really came out of there this year, outside the trailers I already mentioned. Marvel and Image had already revealed their big plans, so it was really DC’s con to lose. And lose they did. They announced the Milestone characters would be returning as Earth-M in the Multiverse (meh), Adam Kubert and Klaus Janson would be the artists for Frank Miller’s The Dark Knight III: The Master Race (meh), and Ben Affleck and Geoff Johns would be teaming up for a standalone Batman film (I’m listening…).


Since I skipped 2 weeks, and left you all without a true WWE in that post, I didn’t want to come back and say that nobody had the West Week Ever. So, you know what had it? Go Set A Watchman, by Harper Lee.

Have I read it? Nope. Have I heard good things about it? Nope. In fact, it’s probably just a cash grab, resulting from Lee’s manipulating caregivers. Still, its release this week is pretty important to the literary world, as it’s the sequel that no one thought they’d ever see. It’s the Ghostbusters 3, Who Discovered Roger Rabbit?, and Goonies II of literature. And that’s gotta count for something, right? I mean, Lee retreated from the fame generated from the release of To Kill A Mockingbird, and vowed to never release another book. Yet, here it is. It almost doesn’t even matter if it’s good or not. The most important thing is that it exists. And as of this past Tuesday, you can own it and read it for yourself. I definitely plan to read it, so I’ll share my thoughts once I do, but for now, Go Set A Watchman had the West Week Ever.

12th Jun2015

West Week Ever – 6/12/15

by Will

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I watched a LOT of stuff this week, so let’s get to it!


First on the docket was a documentary on Netflix called Hot Girls Wanted, about the “professional amateurs” or “pro-ams” of the porn industry. You know those sites like Bang Bus, where they pick up random girls off the street? Those aren’t really strangers! No, they’re newcomers to the industry who pretend to be randos. I’m shocked and appalled! Anyway, since California passed laws requiring condoms in pornography, a lot of the industry picked up and moved to Miami. The film follows a handful of girls who simply answered an ad on Craigslist, offering a free trip to Miami for some modeling work. It was really fascinating, as a lot of the girls answer the ad as they see it as the only way to get out of their podunk towns. You also get to meet the family of one of the girls, as she confesses to what she’s been doing in Miami. It’s cringe-inducing when, after her mom asks if she’s worried about getting pregnant, she explains that the guys finish on her and not in her. Yes, to her mother! Since the average career lifespan of a pro-am is about 6 months, most of the girls have left the industry by the time the film ends, and they’re back in those podunk towns, waiting tables or going to school. I learned a lot from this documentary, which was surprisingly produced by Rashida Jones. And for you puritans out there, it’s about porn, but they don’t really show anything, so don’t be afraid to check it out.

Jersey Boys Quad jpg

Next up, I watched Jersey Boys, which was nowhere near as interesting as I thought it’d be. Based on the Tony Award-winning musical of the same name, Jersey Boys follows the rise and fall of ’60s group Frankie Valli and The Four Seasons. Seeing as how I come from the school of The Temptations and The Five Heartbeats, I was expecting something juicy along those lines. The problem, however, is that there’s nothing inherently interesting about Frankie Valli. All of the action happens around him, but doesn’t really concern him. If anything, the real star of the movie is group founder Tommy DeVito, as he’s the one who keeps the action going. Plus, the movie included my least favorite part of the biopic: when they age up the young actors with really bad makeup to make them look like the current old versions of the characters. I swear, Frankie Valli’s old man makeup was so bad that he looked like a zombie. The interesting thing to me is that the Frankie from the Broadway show, John Lloyd Young, reprised his role in the movie, however I didn’t feel like he brought much to the role.


Then, I watched John Wick or, as I like to call it, Headshots For Everyone! Oh my God, this was an amazing movie. I’ve never been what you might call a Keanu Reeves “fan”, but I never disliked him. Nope, not even The Matrix made me board the Keanu bandwagon. After watching this movie, however, I’m a fan. This movie makes Taken look like an Afterschool Special. When the Russian mob kills his dog – a final gift from his deceased wife – retired hitman John Wick goes on a killing spree to get his revenge. It’s such a beautifully shot film, with an excellent soundtrack. I’d heard people raving over the film when it came out, but I never really thought it’d be my cup of tea. The more I heard, however, the more curious I got. Luckily, Lionsgate sees John Wick as a franchise, and a second movie is on the way. I can’t wait!


Finally, I watched Miles Teller and J.K. Simmons in Whiplash. I’ve been wanting to watch this since awards season, but I had no idea just what I was getting myself into. This movie is INTENSE, but excellent. I mentioned a few weeks back that Teller was growing on me, and this movie just sealed the deal. He was spectacular in his role as a first-year student at a music conservatory, determined to become one of the great jazz drummers. Simmons was similarly amazing, as the offensive and abusive band conductor who could make or break Teller’s career. The energy between the two actors is electrifying, and I found myself on the edge of my seat for most of the movie. Who knew a film about jazz could do that to a person? You should definitely see this movie.


So, this week, Marvel revealed that Iron Man is essentially going to be their flagship character following the events of Secret Wars. Launching out of the event will be a new Invincible Iron Man series, written by Brian Michael Bendis and drawn by David Marquez. Taking place 8 months after the end of Secret Wars, this Tony Stark isn’t as rich as he used to be, so he’s no longer funding the Avengers. However, he’s got a new armor that can become all of his other armors, and he’ll have a new supporting cast. While Bendis has written Tony as part of other books, such as New Avengers and Ultimate Spider-Man, this is the first time he’ll be taking a crack at him in his own title. In Kieron Gillen’s run on the character, he revealed that Tony Stark was adopted, so one big mystery during Bendis’s run will be “Who are Tony Stark’s biological parents?” I remember hearing about the adoption storyline, and thought it was kinda contrived, but Bendis seems to think he can do something with it, and I generally trust him. That said, this announcement makes me worry about Miles Morales, as I hope it doesn’t mean that Bendis is moving on from the character. I mean, in order for him to grow, Miles will need to be handled by other creators, with diverse voices, but there’s something to be said for being handled by your creator. I hope Bendis has the bandwidth to handle both characters.


Speaking of Marvel, it was announced that Jon Bernthal will be joining the Netflix Daredevil series next season, as Frank Castle, AKA The Punisher. Bernthal’s last big role was as Shane on The Walking Dead, but I’ve never watched an episode of that show, so I can’t really say anything about his performance. I do remember him as part of CBS’s The Class, with Lizzy Caplan and Jesse Tyler Ferguson. That show was a comedy, and he was kind of a meathead on there, but I think he’s got the look. The Walking Dead fans seemed to be pumped, so I guess this was great casting on Marvel’s part.

Jessica Jones

Meanwhile in the Marvel Netflixverse, A.K.A. Jessica Jones has dropped the A.K.A. It’s probably for the best, as the original title was kinda stupid. Still, I’m sure a lot of folks are wondering “Who’s Jessica Jones and why should we care about her?”, but they were asking that regardless of what the show was called.


It was announced this week that 90s CGI cartoon Reboot would be returning for 26 episodes, and the fans rejoiced. Seriously, people have been begging for a Reboot…reboot for years, so I guess they can chill for now. I, however, never watched more than one episode of that show. I HATE mid-90s CG, and that show just reeked of it. If anyone watched this season of Community, Reboot looked like the virtual reality machine that Elroy sold Greendale. Anyway, technology has come a long way in the last 20 years, and if they’re truly starting back at 0, then I might give this new iteration a chance.


Speaking of cartoons, there was uproar this week as two tidbits were released regarding the next season of The Simpsons. First of all, Sideshow Bob would finally kill Bart in the next Treehouse of Horror Halloween episode. That’s not really a big deal, since those thing are practically dream episodes and nothing in them matters anyway. Second, it was announced that Homer and Marge would undergo a legal separation next season. Since this is likely just the plot of one episode, it’s not like this is something that’s gonna stick (R.I.P. Maude Flanders). After almost 30 years on the air, it’s hard coming up with “fresh” ideas. A lot of folks are saying that these plots show it’s time for the show to pack it in, but it’s got people talking about an ancient show, so there’s no such thing as bad publicity.


Is this woman White or Black? That, my friends, is the question that fired up social media last night. The woman pictured is Rachel Dolezal, an activist and Africana studies professor from Washington state. According to her White parents, however, she has been passing herself off as Black for years. Turns out she’s just been doing her best George Hamilton/Tom Jones impression, and she’s not really Black – even though she’s the president of the Spokane, Washington chapter of the NAACP. You can read more about it here (I typically hate Buzzfeed, but they have the most comprehensive timeline of the whole thing), but her parents have put her on BLAST for some reason. If you met her, what would you think she is?


I’m just fascinated by the whole thing. If it’s true, wasn’t she scared of being found out eventually? What was it like, day in, and day out, wondering “Is today the day?” I’m always kinda impressed by people who manage to lead double lives, so this kinda goes in that pile. Is the story true? I guess time will tell, but the Twitter Sleuths are on the case.


I had the pleasure of joining Corey and Howie over on the UnderScoopFire Podcast last week, and the episode is now live. We discussed the up and coming television stars who are on the verge of making The Leap to the big screen. Did your favorite star make the cut? Hint: if they star on The CW, they probably did.

While we’re talking about me, I had an interesting week. First of all, I got my first cease & desist letter, from Lionsgate. If you remember, a few weeks back, I posted some concept art that may or may not be of the zords from the upcoming Power Rangers movie. A lot of sites  had been asked to take the pics down, so I surmised I might be asked to do the same, should I ever end up on their radar. Well, I’m small potatoes, and that didn’t happen. So, the other day, I tweeted this:


Well, some Lionsgate intern clearly has a filter for their name on Tweetdeck, and caught that conversation. How do I know this? Not 3 hours after this conversation, I received an email from Lionsgate’s legal representation, with a whole bunch of gobbledegook about unauthorized usage of concept art, blah, blah, blah. They “request [my] assistance in the removal of the aforementioned artwork from [my] website.” OK. I’ll get around to it eventually. I’d just like to point out that I did your work for you, Lionsgate. Like I said, I’m small potatoes, but you gave me something to check off the vision board, so I thank you.


Next up, I got to appear in my third comic book this week (the others being Freddy vs. Jason vs. Ash and Zombie Proof), as my good friend, Keith Davidsen, is currently writing a Reanimator series for Dynamite Entertainment. Going into this, I knew NOTHING about the Reanimator movies and Dr. Herbert West, but the series is accessible enough that none of that matters. Anyway, Keith did me a solid by writing me into issue #3 (which shipped Wednesday) – where I’m brutally murdered. The likeness isn’t all that sharp, but apparently I own a hardware store and I give great customer service. R.I.P., Comic Will. The overall story’s great, and it’s been getting good reviews. You can still pick up issues 1 & 2 at your local comic shop and, like I said, #3 – with my death – came out this week.

Things You Might Have Missed This Week

Degrassi, just cancelled by TeenNick, has been renewed by Netflix. It will return in 2016 as Degrassi: Next Class

Pitch Perfect 3 is officially happening

According to TVLine, Fuller House will feature Danny Tanner’s younger, BLACK wife! YES, Y’ALL! Apparently, they’re currently casting for an “attractive, vivacious, and youthful” actress to protray Danny’s 40 year old wife.

-Chris Hemsworth has been cast as the receptionist in Paul Feig’s female Ghostbusters film

-Raven-Symone has officially joined The View as a permanent co-host

-Chiwetel Ejiofor, or as I like to call him Chitlin Ejector, has been cast as Baron Mordo in the Doctor Strange film

Links I Loved

Remembering Mary Ellen Trainor – UnderScoopFire

G.I. Joe’s Dumb Policies on Facial Hair – The Robot’s Pajamas

In 1991, I Turned Our Shed Into A Clubhouse. – Dinosaur Dracula

Check out Sales to Astonish. – Team Hellions

All-New, All-Different Marvel Creative Team Fantasy Booking – The Kliqnation


So, Batman #41 came out this week, with Commissioner James Gordon as the new guy in the Batsuit. I’m still not entirely sold on the idea, but I’m curious to see where it goes. They’re going for a Team Batman approach, as he has a tactical team up in some kind of Bat Blimp that helps him out. Also, in Detective Comics #41, Detective Renee Montoya made her post-New 52 debut. Is she The Question? Is she still a lesbian? We’ll have to wait for answers to all of these questions. Still, as interesting as these books were, none of them knocked my socks off. In fact, nothing really blew me away this week, so I’m sorry to announce that no one had the West Week Ever. Try harder next week, America!