29th Apr2016

West Week Ever: Pop Culture In Review – 4/29/16

by Will

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Rachel-Feinstein

The only thing I really watched this week was the Comedy Central stand-up special, Amy Schumer Presents Rachel Feinstein: Only Whores Wear Purple. The title just goes to show ya that it really is all about who you know. Feinstein’s had specials before, but I guess since she’s friends with Schumer, and Schumer’s name now carries some weight, they felt this was the best way to present the special. I actually think it kinda takes something away from Feinstein – like, she only got the special because of her friend, which isn’t true. Anyway, a finalist on season 7 of Last Comic Standing, I’ve followed Feinstein for the past few years because she’s a local, having grown up in Bethesda, MD. Plus, she’s easy on the eyes. I think she’s hilarious, but I didn’t find this special as funny as her album, Thug Tears. Still, it’s got some funny bits, especially when she talks about the night Jenna Jameson came to one of her shows. It’s one of the funnier stand-up specials I’ve seen recently, so I’d recommend it if you’re looking for one to watch.

wonder man

In movie news, it was revealed that Nathan Fillion will be portraying Simon Williams AKA Wonder Man in Guardians of the Galaxy 2. As long as I’ve been reading comics, I don’t know much about Wonder Man. He always seemed to be part of things that weren’t that great to me. He was in the West Coast Avengers, which were the “Not So Good Avengers” or he was on the main Avengers roster back when they all wore flight jackets and they’d let anyone on the team. So, I can’t really say if this is good casting or not. If he plays it like he played Captain Hammer in Dr. Horrible’s Sing-Along Blog, he’ll at least be hilarious. It’s interesting he’s being introduced as a part of Space Marvel, as I never really saw him in that realm, but I trust the architects of the Marvel Cinematic Universe.

UPDATE: My pals over at The Robot’s Pajamas have more info on Fillion’s “cameo”. Needless to say, it’s not what I expected!

ancient one

Meanwhile in the MCU, it’s been reported that Marvel didn’t want to make Doctor Strange‘s The Ancient One a Tibetan man for fear of upsetting the lucrative Chinese marketplace. So, they decided to make the character a Celtic woman. Huh? Yeah, that’s pretty much the collective reaction of everyone who read that story. According to actress Tilda Swinton, they’re treating the character as a mantle that is passed down and, in her case, it just happened to pass to a Celtic woman. OK. Next!

apocalypse

We got another trailer for X-Men: Apocalypse, because there were some parts of the movie they hadn’t shown us yet. The more I see of this movie, the more my erection subsides. It just looks so meh. And I’ve already explained my issues with Jennifer Lawrence and the X-Men movies since First Class, so I won’t rehash all that. I just kinda want this movie to come and go, so we can focus on the next installment.

batman-the-killing-joke

Across the aisle, we got the trailer for the DC Animated Original adaptation of famous Batman story The Killing Joke. It’s not without controversy, though, as a lot of folks kinda want this story to be forgotten, as it depicts Barbara Gordon/Batgirl as a helpless victim. If you remember, this discussion picked up last year when DC wanted to print an homage cover to Batgirl #41 (which I wrote about here). If you want to know my feelings on the subject matter, go read that old post. Right now, I’m just gonna talk about the movie. First off, the animation looks kinda bad to me. It’s not Mystery of the Batwoman level bad, but it’s close. It’s not as slick as what we’ve come to expect from the DCAO output. Also, I’m not sure how I feel about Mark Hamill and Kevin Conroy coming back to reprise their roles as Joker and Batman. As someone who grew up with Batman: The Animated Series, they are my Batman and Joker. That said, I kinda don’t like the idea of them involved in something NOT attached to the old DC Animated Universe that began with that show. I liked that they kept the vocal continuity from B:TAS through Justice League Unlimited. I didn’t really care too much when they came back for the Arkham games, because those were just video games and didn’t really “count”. Since I’ve associated them so much with the DCAU, I can’t help but mentally put this as part of that saga, which is kinda blowing my mind with the subject matter and the R-rating (a first for DC’s animated output). If I’ve learned anything from the other DCAO features, it’s that there are other people who can play Batman, and I think I’d have preferred that for this installment. I guess I just want to keep Conroy and Hamill “pure”, as odd as that sounds. So far, I don’t like the character designs or the choice of voice talent, but I’ll still check it out.

Rita

Rita 2

In Power Rangers movie news, we’ve gotten some on-set pictures of Rita Repulsa in 2 different costumes, and I’m still not feeling it. Last week, I said her suit was Scorpina meets Divatox, but she’s really just Power Rangers Lost Galaxy villain Trakeena.

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In television news, our national nightmare is over, as Kelly Ripa returned to Live! with Kelly and Michael on Tuesday. It’s rumored that Disney apologized to her and assured her that she wouldn’t be blindsided by any changes made to the show in the future. That said, Michael Strahan’s originally scheduled September departure has been moved up to May 13th, thus eliminating some of the tension between the two. They said this was to get a jumpstart on Strahan’s Good Morning America onboarding, while also allowing Live to begin the process to find its new cohost. I was kinda hoping it would get dragged out a bit more, just to see how long it would take Ripa to finally come back to work, but that wasn’t in the cards.

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In toy news, the DC Multiverse 6″ Batman v Superman: Dawn of Justice mystery figure has been revealed, and it’s the Bat Monster that Batfleck sees when he visits his parents’ mausoleum. What an odd choice for a figure! I hate this thing so much, but I’m DETERMINED to build the Collect & Connect Grapnel Gun. I guess I’ll order the piece on eBay or something. I just really don’t wanna own this thing. Why this, when they could’ve made a Parademon or a Superman Trooper or any other army builder figure? Just such a weird choice…

Things You Might Have Missed This Week

  • Ecto Cooler will be returning to shelves on May 30th. Maybe my adult palette will like it more than I did as a child…
  • Saturday Night Live‘s Pete Davidson is dating Larry David’s daughter, Cazzie.
  • Formerly of ESPN and Grantland, Bill Simmons’ Any Given Wednesday pop culture show will debut on HBO on June 22nd
  • Fresh off the Aloha controversy, Emma Stone has been cast as Cruella de Vil in the 101 Dalmatians remake
  • 4/26 was Alien Day apparently. I know nothing of that franchise, but apparently the planet the Aliens were from was LV-426? I dunno, seems like a stretch. Everything’s gotta have a day now! I’m gonna hide in a bunker when May the Fourth comes along.
  • Netflix has ordered 8 episodes of Wet Hot American Summer: Ten Years Later. I didn’t love the movie, so I’ve yet to check out the prequel series. I’ll get around to it eventually.
  • The trailer was released for Absolutely Fabulous: The Movie, and just like the show itself, I didn’t find it funny. It’s the one BritCom I could never get into. I’m sure someone’s excited for it, though.
  • The sixth season of Game of Thrones premiered this week, so fans got their weekly dose of titties and swords. Man, if I were George RR Martin, that’s what I would’ve called the series: A Song of Titties & Swords.
  • Alec Baldwin will host ABC’s revival of Match Game. That is, until he throws a fit or gets recorded calling an Uber driver some kind of slur. It’s only a matter of time, really.
  • Comcast has purchased Dreamworks for its NBCUniversal arm for $3.8 billion. So, brace yourselves for a Minions/Madagascar crossover.
  • Contrary to the Daisy Ridley rumors, Alicia Vikander of The Danish Girl has been cast as Lara Croft in the Tomb Raider reboot.

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Everyone was talking about Beyoncé after her “visual album” Lemonade was released Saturday night following an HBO special. Instead of releasing videos for the songs, she released a one-hour special to the premium cable channel. Most telling about the album is that is seemed to be a personal affair where she alluded to the possibility that her husband, Jay-Z, cheated on her with “Becky with the good hair”. This kicked off a firestorm of thinkpieces, with folks wondering “Did Jay-Z cheat?” and “Who’s this ‘Becky’ she’s talking about?” At first, it appeared that the “Becky” in question was actually Rachel Roy, the ex-wife of Jay-Z’s former business partner, Damon Dash. Over the course of the week, speculation then spread to singers Rita Ora and Mya. Unfortunately, even food personality Rachael Ray got caught up in the crossfire, as some folks online mistook her for Rachel Roy. And then the memes started:

Becky

Did Jay-Z actually cheat? Who knows at this point. Beyoncé kicked off her Formation tour the other night, and dedicated the song “Halo” to her husband. Was it all a carefully planned stunt? We’ll probably never know, but folks are raving over the album, which received the nigh-impossible 5-star rating from Rolling Stone. So, it’s safe to say the week belonged to Beyoncé, which is why she had the West Week Ever.

08th Apr2016

West Week Ever: Pop Culture In Review – 4/8/16

by Will

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dead 7

First up, I watched Dead 7 last Friday night. If y’all remember, it’s the zombie western starring former boyband members. Written by Backstreet Boys’ Nick Carter, it also starred Howie Dorough (BSB), AJ McLean (BSB), Joey Fatone (*NSYNC), Chris Kirkpatrick (*NSYNC), and Jeff Timmons (98 Degrees). This movie was a MESS. Now, I do have a confession to make: I forgot it was coming on until some folks tweeted me about it, so I missed the first 25 minutes. So, once I turned it on, I was LOST! I don’t know why people were zombies or “copperheads”, I’m still not clear why copperhead teeth are used as currency, and I don’t get why they were so hellbent on killing MadTV‘s Debra Wilson. All I know is that the acting was HORRIBLE (UPDATE: After writing this, I went back and watched the first half hour. Yup, still lost). This being an Asylum film, I expected something “so bad it’s good”, like the tongue in cheek Sharknado franchise. Instead, they played this pretty straight, which was to its detriment. Sure, Fatone’s Whiskey Joe was basically comic relief, but he really didn’t fit the tone of the rest of the movie. The best part of the movie was the end, where everyone was dead except Nick Carter’s wife (What? You weren’t gonna watch it!). So, hopefully that means they can’t try to make a sequel. At the end of the day, it just felt like a bad April Fool’s joke. Still, we did get a decent collaboration track out of it:

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Next up, I watched the DC Animated feature Justice League vs Teen Titans and I must say that it’s my favorite DC “vs” movie that I’ve seen this year. Basically a sequel to both Batman: Bad Blood and Justice League: Throne of Atlantis, it brings together the Batman and Justice League goings on of the DC Animated Original Movie universe. Fresh off the events of Bad Blood, Batman feels Damian needs to learn to be a team player, so he has Nightwing take him to join the Teen Titans. In this incarnation, the team is Raven, Beast Boy, and Blue Beetle, mentored by Starfire. Of course, Damian doesn’t really take to being on a team, but when Raven’s father Trigon possesses members of the Justice League, the team comes together. I didn’t like this as much as I did the Batman films, as I don’t know much about the DCAO Justice League, never having seen War or Throne of Atlantis. I don’t know much about that incarnation of the team, so I don’t care that much about them. I’m invested in the development of Damian, and it was great to see something of a crush develop between him and Raven (something we haven’t seen before), so I probably would’ve liked it more had it just been a Teen Titans movie.  I did like how they managed to get Cyborg on the team even though he’s technically a Justice Leaguer. To be honest, I fell asleep on it, but that’s probably because I was really tired. The same thing happened when I watched Superman/Batman: Public Enemies. So, I had to watch it twice. Still, that might’ve been one time too many. It’s not bad, but it’s certainly not as exciting or action packed as the other Damian-centric Batman animated films. There’s also a post-credits stinger that makes me interested in what’s coming next. It’s not the best DC animated movie, but there are worse ways to kill 80 minutes.

pacific rim

In other areas of nerddom, I finally watched Pacific Rim. My pal Keith came to town and insisted we watch it when he saw it had been on my DVR for the past year. Overall, I liked it a lot. I do have some questions, though. For example, why do they all keep saying “nucular”? I can’t trust my protection in the hands of someone who gets that wrong. Also, did they really think a WALL was gonna stop the Kaiju? The same Kaiju who routinely fuck up buildings made of WALLS?! Was Trump behind that plan? And something about Jaegers seems inefficient. I’m not sure if it’s the walking mechanism or what, but it seems like the pilots expend way too much energy to get those things going. Also, do you think the Chinese Jaeger was modified with the 3rd arm once a set of triplets was chosen to pilot it OR did they seek out a set of triplets to pilot their 3-armed Jaeger? Hated the post-credits scene, but overall, I really enjoyed the film. It’s something of a shame that a sequel is off the table for now, but maybe it’ll end up like Independence Day where we get a sequel in 20 years.

wynonna earp

On TV, I watched the premiere of Wynonna Earp on Syfy and BOY was I disappointed! To be honest, I didn’t even know they were making a show until I saw the commercial during Dead 7. Though I’m familiar with the comic of the same name, the development of this show really flew under the radar. Anyway, starring Canadian actress Melanie Scrofano, it’s about a rebellious chick who happens to be a descendant of legendary sheriff Wyatt Earp. She returns home when her uncle dies under mysterious circumstances, and has to retrieve Earp’s gun which, legend has it, can kill demons or something. The show was VERY Canadian – like, it’s not the kind of thing that deserves a prime timeslot, but would’ve been just fine as a Saturday afternoon syndicated series in the late 90s. While I grew to love Krysten Ritter’s portrayal of Jessica Jones, Scrofano’s Earp is closer to what I had in mind for the look and feel of that character. So, she’s basically Jessica Jones in a shitty vampire show. Or better yet, it’s Witchblade with a mystical pistol. Either way, I don’t think I’ll be tuning in again.

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I also caught the final 5 minutes of The Walking Dead. Now, let me be clear: I don’t watch the show, and I quit reading the comic at #50. To me, something like that needs an endgame, and interviews with creator Robert Kirkman made it clear that the thing is gonna run as long as he feels like it, with no real blueprint in mind. Ain’t nobody got time for that. Still, somebody was supposed to die, and I’m a sucker for those kinds of season finales. So, I turned off Girls and tuned into the end of the episode. Evil villain Negan was due to kill someone important, and I needed to see if he chose the same character he chose in the comics. I was kinda hoping he’d kill that Boondock Saints dude ’cause maybe he’ll stop being able to charge $300 for a picture at shitty comic cons. Well, the episode ended up not telling us who died. Nope, viewers have to wait until October to find out. And they lost their shit! I kinda thought it was funny, as it harkens back to the days of “Who Shot JR?” but viewers seem to feel like they’re owed something. Look, when a show cuts its teeth on dragging shit out (Glenn under the dumpster), then it doesn’t care about you. It’s doing what it’s doing for the sake of drama. I’m curious to see what the ratings will be like for the season premiere. Will they go up because folks want to find out who died, or will they go down because folks feel betrayed by the finale? I’m not gonna watch, ’cause I don’t care, and I’m sure someone will spoil it on Twitter so it’s not like I won’t be “in the know”.

arrow season 4

Arrow tugged at the heartstrings this week by killing off a main cast member (don’t worry – I’m not gonna spoil who it was). This season has really been aimless, and the death didn’t really help things. We knew that one was coming, due to the flash forward cemetery scene from the season premiere. The funny thing, though, is that the writers basically backed themselves into a corner. They knew that someone would die, but they hadn’t decided exactly who would die by the time the season began. They were just going to let the story dictate who would meet their fate. Well, lucky for them, drama erupted behind the scenes. According to rumors (I could’ve said “sources”, but who are we kidding?), this actor reportedly had some disagreements with star, Stephen Amell – which is supposedly the real reason Colton Haynes left the show. So, how long can Arrow survive if Amell is this difficult to work with? The show’s already been renewed for season 5, but they’re really going to need to work hard to return it to the quality that it once had. I never really liked the character who died, so I don’t think it’s gonna hurt the show much. In fact, it might be the first step on the road to making things better. Only time will tell.

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I also caught “Tran Dimensional Turtles”, which was an episode of the Teenage Mutant Ninja Turtles cartoon where the current incarnation of the team meets the original 80s team. It was…interesting. I haven’t watched the show since the first season, so I didn’t know all the stuff about Earth being devoured by a black hole or something and that the Turtles are now space faring. The whole episode featured the different teams bouncing between 2D and 3D, but the trick got old fast. Apparently, 80s Krang is the cousin of the Kraang Subprime from the new series – who wears Irma’s head on a pike? I’ve clearly missed a lot. Anyway, I liked this idea better when the 4Kids Turtles show did it as “Turtles Forever”.  Something this monumental needs to take place outside a standard 22 minute episode, and this should’ve been a bigger event.

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In the comic world, Black Panther #1 hit stores on Wednesday to rave reviews and critical acclaim. Written by noted author Ta-Nehisi Coates, with art by Brian Stelfreeze, the book focused on a king without a people. T’Challa, king of the African nation of Wakanda, and Black Panther to the hero set, is trying to unify his people after a string of disasters nearly tore the nation apart. A supernatural force, however, seems to be amplifying the citizens’ feelings of hate and fear, making T’Challa’s job much harder. I…didn’t enjoy this book. Let me say that I was initially looking for a quick, fun read and this was the wrong choice. I really didn’t know what was going on half the time. I think I need to give it another shot, but it didn’t immediately grab me. They do a decent enough job explaining all of the plights that Wakanda had experienced recently, but I still felt like I needed to come into the story with some prerequisite reading of which I was unaware. I actually recently read Coates’s Between the World and Me, so I’m familiar with his style, but I don’t know if I’m a fan yet. For this one, I may just wait for the trade. If I read it at all.

Alfre Woodard

In Marvel news, it was announced that Alfre Woodard will have a role in Captain America: Civil War, as the mother of a civilian who died during Avengers: Age of Ultron. So, basically she’s playing Miriam Sharpe. In the Civil War comic miniseries, the whole thing was kicked off after The New Warriors inadvertently caused an explosion at a Stamford, CT school, resulting in the deaths of several children. The mother of one of the children, Miriam Sharpe, became the face of the movement to require more regulation for super powered beings. So, it seems like Woodard may be playing the same role here, as I doubt they’d cast her as just a throwaway character. Here’s where things get interesting, though: She’s already been cast as Black Mariah in the Luke Cage Netflix series. So, we’ve got one actress playing two different characters in the MCU. I know the film division isn’t really paying attention to what the TV division is doing, but this is a bit much. Couldn’t they have cast Angela Bassett in one of those roles? They’re basically the same chick (Yes, I know she’s currently Amanda Waller, but my point stands)!

Cloak-and-Dagger

In other Marvel news, it’s reported that a Cloak & Dagger series is being prepared for ABC’s Freeform (formerly ABC Family) network. So far, there’s no script, showrunner, actors, or anything attached, but the show is being developed to focus on a teenage Cloak & Dagger, as they deal with their powers and relationship. Freeform is the perfect place for show like this. I just hope it doesn’t have strong ties to the greater MCU because I really don’t want to have to watch it. I’ve never really been down with Cloak & Dagger, and I pretty much despise everything that comes on that channel. Speaking of Freeform, the same press release announced they have a late night show in development called Later Bitches. $20 says that name doesn’t make it to air.

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In DC news, Warner Bros announced a shift in their DC Cinematic Universe slate, as Wonder Woman has been moved up from June 23rd to June 2nd 2017. They also added two untitled DC films to the schedule for October 5th, 2018 and November 1st, 2019. One of these is probably the standalone Batman film that’s been rumored since before Dawn of Justice even premiered. The shift also bumped Andy Serkis’s The Jungle Book adaptation to 2018, which reminds me that it’s kinda foolish for there to be TWO Jungle Book adaptations released within two years of each other (Disney’s comes out next month). Unless one of these serves as the lead-in to the events of Tale Spin, I’m not interested.

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The Star Wars: Rogue One teaser debuted yesterday. It looked interesting. Female protagonist again. I’m not gonna “raise cane” about it, because representation is good. I am, however, still mad I got “bamboozled” out of my Black Jedi. I remarked that it kinda looks like “The Hunger Games In Space”, and that’s somewhat of the vibe I got from it. It’s not that it’s a young adult dystopia, but I feel like I’ve seen this Jyn character before in other movies. Anyway, I can’t say I’m jazzed about the film ’cause I’m just not a Star Wars person by default, but I might see it. I didn’t initially realize this was a prequel to A New Hope, so it’ll be interesting to see things from that frame of time. Still, it’s another movie with a Death Star. Take that however you will.

Remember Weekend At Bernies? Didn’t you wish Bernie had been used as a machine gun or a jet ski? Well, here’s Swiss Army Man! I can’t believe this is a real movie.

Jenni Konner

In social media, I got a tweet favorited by the co-creator of Girls last Sunday. all I did was tweet a line of dialogue (with an errant comma), so it’s nothing to really write home about.

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So, last night saw the end of an institution, as American Idol signed off for the last time. After 15 seasons, and the creation of a handful of stars, the show is finally taking a rest. I think it’ll be back one day, but America simply isn’t as interested as it once was. After all, they’ve got Blake Shelton and Christina Aguilera spinning around in chairs to worry about. Even if you hate the show, you can’t deny the impact it has had on pop culture, for good or for bad. Kelly Clarkson has sold 25 million albums and won 3 Grammys. Carrie Underwood has sold 65 millions albums and has won 7 Grammys. And even “losers”, like Jennifer Hudson (won an Oscar and a Grammy) and Chris Daughtry (sold over 8 million albums), have done well for themselves. It made Simon Cowell and Ryan Seacrest (who unleashed the Kardashians on the world) household names, while it rejuvenated the career of Paula Abdul. Idol always struck that balance of making it about the contestants, while still making it about the judges (something The Voice has never pulled off). And there was a time when the Idol name meant something. People bought the CDs, and packed stadiums for the tours. Those days are long gone, but the show helped the music industry at a time when it desperately needed a shot in the arm. It made the consumer feel like she had power in the industry by putting success up to a vote. Sure, shows like Star Search had done this in the past, but that show never had as many eyes on it as American Idol. It was the number one show on television for the coveted 18-49 demographic for 8 consecutive years.

American Idol also has personal meaning for me, too. For example, I almost got to audition for the first season, but things got in the way. See, when my a cappella group performed at the ICCA Finals, we were invited to audition the next day. Nobody knew what the show was going to be, so there weren’t lines and folks camping out for auditions like they did in later seasons. They were approaching a cappella groups because they knew those folks had singing experience. The rest of my group, however, was all, “We have finals to study for.” Those guys had no ambition (which is exactly why they’re all successful doctors, lawyers, and engineers, but I digress…)! Later on in college, I was a finalist for Cornell Idol, which was our local campus take on the show. In recent years, I’ve gotten in my fair share of Twitter fights with former contestants, like Justin Guarini and Blake Lewis – not to mention all the grandma fans of Scotty McCreary and Taylor Hicks. You can say that Idol has orbited my extracurricular activities since it began.

Last night, Trent Harmon won the 15th and final season of American Idol and, based on recent years’ winners, you’ll probably never hear from him again. Still, the impact the Idol juggernaut has had can’t be denied. That’s why American Idol had the West Week Ever.

01st Apr2016

West Week Ever: Pop Culture In Review – 4/1/16

by Will

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Welcome back to a brand new installment of West Week Ever! I’ve got a confession to make, though: I’m tired. Between writing all the Spring Break posts this week, and that fact that today is April Fool’s Day and nobody believes anything they read anyway, I’m gonna keep it short today.

mtv spring break

So, about those Spring Break posts. You may not know what I’m talking about. Remember how MTV used to have special programming during Spring Break? They’d set up in a beach house, and have a week full of special programming. Well, that’s what I tried to do here. Sure, there was no beach house, but I tried to cover some topics that don’t get discussed enough around here: forgotten/maligned television theme songs and bad comic books. In case you missed any of the posts, here’s what you missed:

Monday – The Most Underrated Television Theme Songs: Webster
Tuesday – The Most Underrated Television Theme Songs: California Dreams
Wednesday – Just Imagine Stan Lee Wrote The Worst Batman Story Ever Published
Thursday – The Most Underrated Television Theme Songs: Enterprise

Anyway, I had a lot of fun with those, so let know if you’d like to see any of that kind of stuff return in the future. Now, let’s get on with the pop culture news!

rebirth

In the world of comics, we finally got creative team announcements for DC’s Rebirth initiative. And it’s really nothing to write home about. Outside of the surprise of Scott Snyder getting a new series called All-Star Batman, and Jim Lee handling the art chores on Suicide Squad, the rest of the announcements simply feel like shuffling deck chairs on the Titanic. While DC might have a decent bench of up and comers, they don’t have any marquee names or exclusive creators to “bring all the boys to the yard”, so to speak. Most DC creator announcements can be met with a simple “Who?” There are some bright spots, though. For example, it appears that Terry McGuinness will be returning as Batman Beyond, but it also kinda pisses me off that we’ve wasted the past year or so with the Tim Drake incarnation of the character. David Finch as the Batman artist is pretty cool, but I’m not sure he ever mastered a timely, monthly schedule. There are also some questionable moves being made, though. Why bring back Nightwing when the Grayson book was such a fresh, and popular, take on the character? And why give Bryan Hitch a Justice League book that he’s not drawing, considering nobody really flocks to him for his writing? It all sounds interesting, but it doesn’t sound exciting. This isn’t the shot in the arm that DC Comics desperately needs, and the fan base is getting bored. I fear we’ll be right back here with Super Rebirth or Born Again or something in another year.

In comic movie news, the folks over at MCU Exchange really need to be hired by Marvel. The editing on this Civil War primer is better than most of the trailers we’ve gotten so far for the movie. I won’t say it gets me jazzed for the film, but it does a great job of summarizing everything that brought us to this point. It even ties in Jessica Jones and Agents of S.H.I.E.L.D. – something that Marvel couldn’t be bothered to do themselves. That’s really been bothering me lately: Marvel’s unwillingness to take advantage of their shard universe by sprinkling more references to the movies into the TV shows. Would it kill Agents of S.H.I.E.L.D. to put a Stark delivery truck in the background of a street scene? Couldn’t they have put Stark/Avengers Tower in the background of a scene of Jessica Jones? It’s the little things that add up to build a much richer universe. This week’s Agents of S.H.I.E.L.D. got major points in my book for not only referencing Stark and Sokovia, but for also sneaking in a Daredevil reference. More of that, please!

suicidesquad

In other comic movie news, there are reports that Suicide Squad is filming reshoots to make the film more “fun”. After all, that was a complaint that folks had about Dawn of Justice, but if it doesn’t fit tonally, don’t force it. Reshoots on a film of that caliber aren’t unusual, but folks seem to be falling over themselves trying to explain why these particular reshoots are any different than those for any other blockbuster film.

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So, here we are, at the end of this week’s post. This is the point at which I usually tell you who had the West Week Ever. Well, despite not liking the film myself, I’d be a fool to not acknowledge that Batman v Superman: Dawn of Justice had the best week. It made a shit ton of money, even though it still “fell short” of some box office expectations. Whatever. I don’t really have much more to say about the movie, though, because I’ve kind of taken myself out of the discussion. I’m not sure if you’ve been on social media over the past week, but the discourse is FAR from civil. On both sides. I’ve seen some critics forge past the bounds of professionalism just to get their jabs in on the movie, but I’ve also seen fans of the movie berate folks for being “not smart enough to understand the movie”. Yeah, well, I got it, but I still didn’t like it (*dusts off Ivy League degree on wall*). So, I’m kinda done talking about it as, like with politics, nobody’s gonna sway anyone to their side – nor should they try. It’s OK for people to have different opinions, and there’s nothing wrong with saying “Ya know, that just wasn’t for me”, without being berated by those who did enjoy it. I never said it was a “bad movie” in my thoughts last week. I just said that I didn’t like it, but there are still people out there who would like to tell me that I’m wrong. How am I wrong in my feeling? Anyway, I had the pleasure of joining The Chap Report this week, where we discussed the film at length. It was nice to be able to talk about it in a non-hostile environment, and I believe I got out everything I needed to say. So, if you really want to know how I felt, complete with story spoilers (which I avoided in last week’s post), take a listen. It is my definitive take on the film, and I see no reason to discuss it further. If anyone asks “What did you think of the film?”, I’m just gonna post the link to the podcast. So, in closing, giving credit where it’s due, Batman, Superman, Wonder Woman, and the Marthas of the world had the West Week Ever.

30th Mar2016

Just Imagine Stan Lee Wrote the Worst Batman Story Ever Published

by Will

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With all the talk about Batman v Superman over the past few days, it reminded me that it’s nowhere near the worst story told featuring the Caped Crusader. No, that honor belongs to Just Imagine Stan Lee’s Batman, published in September 2001 – making it the second worst thing to happen to America that month. If you’re unfamiliar with the book, let’s take a step back in time, shall we?

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In 2001, DC Comics thought they had scored a major coup by getting Marvel Chairman Emeritus Stan Lee to agree to reimagine their most iconic characters in the Just Imagine… miniseries. This was pre-social media, but I remember the Wizard Magazine articles losing their shit about “STAN LEE’S GOING TO DC!” It was basically the geek equivalent of when LeBron left Cleveland for Miami. Although, it kinda wasn’t that special in hindsight. You see, Stan has spent the past 20 or so years as something of a whore, and this was really just the beginning of it. He was coming off the disastrous venture known as Stan Lee Media, where his most notable creations were Pam Anderson’s Stripperella and the Backstreet Boys’ The Backstreet Project (whose Burger King Kids Club figures still pop up in thrift stores to this day). Since that company bottomed out (and is actually still being fought over in court to this day), Stan hasn’t said “no” to anything where money was involved. Some projects have held more promise than others but, at the time, the Just Imagine… series was seen as this historic happening that had been 40 years in the making.

The idea for the Just Imagine… series was that it would pair Stan with some of the greatest working comics artists, like Jim Lee and the legendary Joe Kubert. Each comic would be a one-shot story, yet all 13 issues would tell an overarching story when read together. The series kicked off with Just Imagine Stan Lee’s Batman, teaming Stan up with the aforementioned Kubert. The 48-page “prestige format” (square bound) comic is certainly nothing that you’ve ever read before in a Batman comic, but it is something you’ve seen before. You see, that’s the biggest failing of the Just Imagine… series: there are no original ideas. To Stan, the best way to reimagine Batman is to simply combine Luke Cage and Spider-Man, and call it a day.

Wayne Williams (there’s that classic Stan Lee alliteration!) is a young, Black street-smart guy whose policeman father has just been killed. While taking care of his mother, Williams makes an enemy of the local gang leader who, then, frames him for armed robbery. Sent to prison for a crime that he didn’t commit, Williams uses his quest for vengeance as a motivator to hone his body and his mind. Over an undetermined amount of time, Williams’s weight training takes him from scrawny to buff – just in time for him to use his new found strength to thwart a prison riot. Following me so far? Nothing too crazy, right? OK, let’s continue.

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This is when the story just stops working for me, as each development is more outlandish than the next. While in prison, Williams befriends a bat who comes to visit his cell night after night for crumbs and food scraps. Williams keeps telling the bat that he’s his best and only friend, kinda like that movie/Michael Jackson song “Ben” about that rat. Well, when he’s pardoned for stopping the prison riot, Williams leaves prison with the bat as his pet. As a free man, Williams realizes that he’s going to need to make some money, and one night while watching pro wrestling, he decides that will be his ticket to success (sound familiar?). After all, he’d beaten up a few toughs in prison, and he had also learned to sew, so he’d be able to make his own costume. So, while he admitted that wrestling was “a phony crock”, he proceeds to make his career by ACTUALLY BEATING THE SHIT OUT OF WRESTLERS as, you guessed it, “Batman”! And nobody calls him on it! He gets in the ring, and attacks these performers, and the crowd just eats it up. He starts on the local indie circuit, but eventually works his way up to the point where he’s the most popular wrestler in the world – all to build a financial foundation to use in his quest for revenge. Since he never unmasks, nobody knows who he truly is, which allows him to just get more and more mysterious and popular. Can you imagine if Rey Mysterio Jr was only wrestling so that he could finance his quest for revenge? Well, this is that, only Williams basically has the career of Hulk Hogan, The Rock, and John Cena put together.

While Williams was in prison, however, he did have one friend: a former physicist named Frederick Grant, who had been imprisoned for sabotaging the equipment of a former employer who was poisoning a water supply. After Williams saved him from a prison bully, Grant was the one who originally encouraged him to hone his body and mind. So, once he’s made his nut on the wrestling circuit, Williams seeks out the released Grant, and asks him to be his partner. Anyway, in the time that Williams was in prison, the gang leader who framed him, Handz Horgum (there’s that alliteration again), has risen in the ranks from local tough to crime boss. He controls all the crime in Los Angeles, so Williams plans his attack. He gets Grant to beef up his armor, giving him the “powers” of a bat, like night vision and the ability to soar on wind currents. Williams starts beating up local toughs, working his way up to Horgum. So, here we have the world’s greatest wrestler, initiating a war on crime in the middle of Los Angeles, and nobody bats an eye. The news isn’t like, “Hey, John Cena just put a gang in traction today.” Anyway, he eventually catches up to Handz, kicks him off the top of a building, and then steals his girl. Yes, the “hero” kills the crime boss and starts scheming on how he can put Handz’s girl on his payroll just to keep her close.

Given only 48 pages, there’s only so much space with which Stan had to work. That said, I have some major problems with the story – namely that nothing Batman does is *heroic*.  It’s a quest for revenge and not justice. I can’t say it’s “justice” because his heart isn’t really in the right place. Sure, he’d be ridding the streets of a pretty bad guy, but his reasons are pretty selfish. He doesn’t think of all the lives he’d be saving by taking Handz off the street, or how it’s even the “right thing to do”. No, Williams is only pissed that Handz caused him to lose all that time in prison, and that his mother died before he could clear his name. At no point does he ever have a change of heart that “Hey, this hero thing is a good idea.” For intents and purposes, he could pretty much quit after killing Handz because that was always the endgame. In fact, when the story ends, you’re led to believe that he’ll continue fighting, as he mentions hiring Handz’s girl as the secretary for his whole “operation”, but there’s no indication as to why he’d keep going. After all, at no point in the story did he ever think of anyone but himself. It would make more sense if he just returned to the ring, and continued to rack up wrestling money. I kept waiting for the *superhero* to show up, and that never happens.

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Well, I’ve clearly given more thought to this whole enterprise than it seems Stan did when he “wrote” it. I put that in quotes, because I wonder how much contribution he truly had to the story. After all, the credits list Batman film producer Michael Uslan as the one who was responsible for the plot of the story. That was surprising to me because, as the guy who’s written an autobiography called The Boy Who Loved Batman, you’d think Uslan would’ve delivered something with more respect for the character. Sure, this is a different take on things, and I’m not expecting Bruce Wayne here, but you’d still think Batman would be a little more heroic here. I don’t necessarily need him to inspire, as that’s more Superman’s bag. No, Batman operates out of the shadows, to rid the streets of crime and make the city a better place. Stan’s Batman operates out in the open, and his goal is only to get payback. But the major crime is how Stan basically just repurposed old ideas into something that came off like a polished turd. It’s kinda like if you submitted old homework to fulfill a new assignment, and still only managed to get a C. So, whenever you feel like you’ve experienced the worst Batman story ever, just imagine what Stan Lee’s Batman would look like, and you’ll instantly feel much better.

25th Mar2016

West Week Ever: Pop Culture In Review – 3/25/16 (“Do You Bleed?” Edition)

by Will

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This week, I decided to tackle the Marvel Netflix series that was on everyone’s lips…4 months ago. In order to catch up so that I could start Daredevil season 2, I finally finished Jessica Jones. If you remember, I had only gotten 3 episodes into the season, when technical difficulties sent me packing. Once everything was resolved, I just didn’t feel like getting back on that horse. Now that I’ve finished the season, however, I’m glad that I did. It truly was a great season, and I loved every minute of it. I’ve been a fan of the Jessica Jones character since the Alias comic debuted, and I’ve followed her development over the years from hard-edged private eye to doting wife and mother. She’s probably one of the rare characters to actually experience *growth* in comics, as she wasn’t looked upon to sell lunchboxes and Underoos, so Marvel let Bendis have a bit more control over her destiny.

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First up, I’ve got to admit that I was wrong. I didn’t like Krysten Ritter’s casting because I felt like the role would’ve been better with someone a bit older, like Yancy Butler. Well, Ritter handled herself well in the role, and by the end of the season, I pretty much believed that she was Jessica. The rest of the cast members were great, too, like Power Rangers RPM‘s own Eka Darville as Malcolm.

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And the world-building was great, as they introduced characters that seamlessly fit into their world, even if you wouldn’t initially think it would work (I’m looking at you, Nuke!). I will say, however, that it really bothers me how Marvel treats the television shows in relation to their films. I mean, they Netflix shows are better at showing links than the ABC shows. At least Netflix refers to “The New York Incident” and “the big green guy”, but that’s about it. Would it KILL them to put Stark Tower in the background of a scene? If there’s a delivery truck driving down a street, couldn’t it have “Stark” plastered along the side? It’s the little things that help to remind us that everything’s connected. Marvel does the shared universe concept like no one else, but they do it a lot better in the comics than in the live action. Oh, and the Netflix series sure do love killing off kindly, old, retirement-ready Black men. What’s that all about?

Anyway, now that I’m caught up, I’m ready to dive into Daredevil‘s second season. I’m currently on Spring Break, so I should be done with that in the next day or so. Tune in next week for my thoughts on it.

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So, let’s talk about the elephant in the universe: Batman v Superman: Dawn of Justice. I was talking to a friend recently, who said that even saying “I loved it/I hated it” constituted a spoiler. I’m not sure I agree with that, but if you’re of that mindset, you should stop reading now. I mean, I already got your click, so we’re pretty much done here. I promise not to post any story spoilers, but I am gonna tell you what I thought.

Dawn of Justice suffers from the crime of trying to do too much. It wants to introduce Batman, redeem Man of Steel, introduce Wonder Woman, establish Lex Luthor, and set up the Justice League film all at once. And it really only succeeds at one of these. At 2 and a half hours, you’d think they had mastered the pacing to accomplish all this, but you’d be wrong. This is 2-3 movies all crammed into one.

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Ultimately, I don’t feel like Warner Bros understands their own characters. For instance, it seems like they can’t seem to get away from the Christ allegory of Superman. This has been a theme in the films since Superman Returns, and it has never worked. It’s too obvious of a comparison, so when they go there, it just feels hamfisted and lazy. I mean, just look at how he hovers, reaching out to his believers. And if you look closely in some of the debris, you’ll see crucifixes haphazardly made out of detritus. This is not a coincidence, and I feel like there are other facets of Superman, even as an outsider, that don’t take him in the Jesus direction. I really felt like they didn’t have a grasp on the characters during the main fight between the titular heroes. It seemed like the desired effect was for fans to take a side, and to root for the hero of their choosing. I, however, found the whole enterprise made me uncomfortable. If making the audience uneasy was the goal, then the film succeeded. The fight should’ve been amazing, but Out for Blood Batman vs Just Trying to Save a Loved One Superman didn’t work for me. Is this how they want their characters to be seen? As the start of their film initiative, is this how they wanted to introduce this world to the audience?

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I hate to go into the Marvel vs DC aspect of the matter, but it’s got to be done. Like them or hate them, there’s still a sense of humor to Marvel films. Even the darker ones, like The Winter Soldier, still have lighthearted moments. I appreciate that about those films. This world that Snyder has built, however, is just so goddamn bleak. There’s no hope and no humor. In fact, there’s a really bad joke that doesn’t land because it doesn’t fit the tone of the movie at all. Taking a step back from things, I would probably be fine with that if this were a one-off movie. The problem, however, is that this is essentially the foundation of DC’s Cinematic Universe. Everything that comes after will be based on this world, and I HATE that. Why am I to root for any of these characters? Batman isn’t necessarily a Batman we’ve seen before, nor am I sure he’s a character I like (which is hard for me to say, as a die-hard Batman fan). Superman basically deals with his own Benghazi in the movie, and you’ve kinda got to question his motives. Lex Luthor is so over the top that he makes Cesar Romero’s Joker look like Heath Ledger’s Joker. Seriously, Jesse Eisenberg debuted in one of my favorite movies of all time (Roger Dodger), and I know he’s got range, but here it’s like he heard someone say “comic book”, and he decided to go balls to the wall insane. There have been many Lex Luthors over the years: mad scientist, businessman, president of the United States, etc. This is none of those, and that wouldn’t be a bad thing if it felt like he even knew anything about the character whatsoever. At the end of the day, this is not the movie that DC needed. These are trying times for the company, as they’re trying to get their publishing house in order via the Rebirth initiative, at the same time as trying to build a cinematic universe. I don’t, however, feel like they put their best foot forward with this effort.

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Then, Wonder Woman showed up (that’s not a spoiler, as it’s been in every trailer and on every magazine cover). And SHE was a delight. I never really cared much for that character, and I wasn’t supportive of the casting of Gal Gadot, but she stole every scene that she was in. I will say that it goes kinda overboard when she joins the fight, as the movie briefly seems to turn into Sucker Punch (Cue rock music! Flying fighting females!), but you don’t mind because she injects life into some of the most boring scenes. And there are some boring scenes. After all, the thing is almost 3 hours. There were moments I’d look up and think “Man, this fucker’s still going?” The movie succeeds in not only introducing the character as a badass, but also really makes you look forward to her solo film.  Anyway, it pretty much wasn’t even a contest, but Wonder Woman had the West Week Ever.

 

18th Mar2016

West Week Ever: Pop Culture In Review – 3/18/16

by Will

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So, I didn’t watch any movies this week, but I did watch a TON of television, so that’s what we’ll be rambling about today.

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First up, I watched Flophouse on Viceland. First of all, why does Vice have a channel at all? If you’re not familiar with the brand, Vice began as a Canadian hipster culture magazine in the early 90s but eventually branched out into other media, including news specials on HBO. Well, at the end of February, Viceland took over what was formerly H2 in the United States, and is programmed under the creative direction of Spike Jonze. I ask why there’s a channel, though, because it seems like their target is specifically the audience that DOESN’T watch television. After all, they’re catering to hipster Millennials, who don’t own TVs, ’cause they’re poor and stuff.

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Anyway, Flophouse. It’s a show where hipster, Millennial, “alternative” comics host stand-up shows in their houses. It might sound “intimate”, but it’s pretty grody, as these places look like crack dens. There are known comics in the audience, but the ones performing are basically up and comers. The brand of comedy, though, isn’t that funny. It’s observational. It’s hipstery. But I didn’t bust a gut or anything. If this is the future of stand-up, then comedy is pretty much doomed. For one thing, I’m a big fan of Comedy Central’s The Half Hour (formerly known as Comedy Central Presents), so I feel like 30 minutes is a good amount of time to let a comic shine. Still, since there are multiple comics per show, you don’t get that here. That’s fine. You can still have a solid 10-15 minute set. I didn’t see anyone on this show who had that. They pretty much show you one joke, and then you basically get a tour of how shitty the conditions are in the house.

It also doesn’t help matters that everything is censored on the show. I expect Vice productions to be edgy and all, so it’s kind of a pussy move when they can’t even say “shit” during a comedy show that airs at 10:30 PM (you can do this on TBS, Comedy Central, Adult Swim, and so on and so on). It just felt like the Vice brand was being neutered. Maybe this is a network thing from A&E, but it just feels like Vice should’ve found a broadcasting partner that would allow Vice to be Vice.

From what I’ve seen of their programming, I don’t see bright things ahead for the network, but we also live in a world where there’s a channel pretty much dedicated to a Vegas pawnbroker who gets shows for all of his friends, so what do I know?

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Speaking of comedy that wasn’t that funny, Party Over Here premiered Saturday night on Fox. I was excited about the show when I originally heard about it, as it was created by Paul Scheer and The Lonely Island. I actually didn’t even realize it was coming so soon, as it was just announced a few weeks back, so I figured it was coming in the Fall. Maybe they should’ve taken their time and waited on debuting it. Party Over Here is a sketch show, featuring an all female cast comprised of only 3 women, and it really wants to be the next Key & Peele. It’s got a long way to go. It’s packaged really well, with a lot of cool bumpers and interstitials, but there’s just nothing there. No substance. Remember how the original SNL cast were the Not Ready for Prime Time Players? These 3 women are the Not Ready for Late Night Saturday Players. Or the You’re Better Off Watching 1st Look Players. It was just the premiere, so maybe it needs time to bloom, but I don’t really see myself coming back. You see, it was designed to not compete with Saturday Night Live, as it airs 30 minutes before SNL since most Fox affiliates have a 10 PM broadcast. In the DC market, however, we have some News Edge garbage at 11, bumping Party Over Here to 11:30. When put up against SNL, it isn’t even a question as to which show I’m choosing. So, apparently, there’s a party over there, but I think I’m partied out.

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NBC is slowly trying to regain some footing in the world of the situation comedy, but they’re pretty hit or miss these days. Superstore has been renewed for a second season, but I don’t see that happening for Telenovela. One of last season’s surprise hits came back this week in the form of The Carmichael Show. Created by, and starring, stand-up comedian Jerrod Carmichael, it’s a multicamera family sitcom dealing with the issues of the times. And that’s probably my issue with the show: it’s always so damn heavy, as every episode seems like A Very Special Episode. Every episode tackles something controversial, be it whether or not you should still enjoy Bill Cosby’s work or whether or not cheating is tied to income level. There are still laughs to be had, but I find myself laughing at the stellar supporting cast including Loretta Devine and David Alan Grier. My least favorite character is probably Carmichael himself, as he comes across as this know-it-all, and I find myself wanting to see him get his comeuppance. I would love to have been in some focus groups for the show, as there had to be some notes about how unlikable he can be at times. But, it’s his show, so I don’t expect that aspect to change anytime soon. Still, if you long for the days of Fox’s Roc, where a Black family can still laugh amongst the tears, then you should probably check this out.

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They’re not all winners at NBC, however, as Crowded had a 2-episode “sneak preview” this week. Starring Patrick Warburton, the show is about a married couple who try to keep their relationship strong when their Millennial kids move back in with them. I said it on Twitter, but I’ll say it again here: Somewhere around the mid-2000s, Patrick Warburton became king of the “Fuck It! Something’s Gotta Air In This Timeslot” sitcom. It means that there’s nothing really bad about the shows, but they’re just not that great, either. The best part about them is that they provide work to the many crew members behind the scenes, but they’re not really doing anything groundbreaking for the medium, either. At the same time, these shows tend to be able to fly under the radar. Their ratings are just high enough for them to regularly be renewed as midseason replacements, and then they somehow find their way into syndication. I mean, Rules of Engagement lasted SEVEN seasons, and you’re probably like “What’s that?” Exactly. If we were talking about 2007 CBS here, I’d say this show has a long life ahead of it. But NBC can’t really afford a show like this. Schedule space is too valuable (it and The Carmichael Show have been dumped off on Sunday night), and they’re looking for a quick turnaround. The show was created by Suzanne Martin, who also created Hot In Cleveland, making me think this show would probably be a better fit for TV Land. And while it’s always nice to see iCarly, Miranda Cosgrove’s role in this show is…strange. It’s like they’re trying to create a female Sheldon from The Big Bang Theory, and I’m not sure it works. To be honest, I find her whole “I’m really smart, but it keeps me from being able to relate to people in normal ways” shtick WAY more offensive than anything I’ve seen folks pull out the pitchforks for TBBT, but I digress. This is the kind of show that you leave on in the background, ’cause Dateline‘s coming up, but you’ll never actually learn any of the characters’ names.

In movie news, Sally Field has been making the rounds, talking about how she didn’t like the Amazing Spider-Man movies. Primarily, she’s saying that her character, Aunt May, wasn’t very three-dimensional, and that “you can’t put 10 lbs of shit in a 5 lb bag”. A lot of people are focusing on the “shit” in the phrase, and not the overall meaning. She’s saying that you can only work with what you’ve got, and if there’s no capacity for more depth, you can’t just shove it in there. She says that the only reason she took the role is because it was being produced by her friend Laura Ziskin who was battling cancer. They knew it would be Ziskin’s last movie, and since she had been Field’s first producing partner, Field wanted to be a part of her friend’s final production. Look, I get it. Personally, I don’t hate those movies. I don’t know what folks wanted, but apparently it wasn’t that. Fine. But I do have a problem when actors start shitting on past roles. The way it comes out is always on some platform, like Stern (which is where this interview took place), and it comes across like they’re trying to gain acceptance by saying “Look, I hate this thing you hate, too!” It’s somewhat cloying. But at the end of the day, they cashed a check. I get that people can change their minds, but the professional thing to do is to just keep it moving. You did a job, it may not have been your best job, but it (hopefully) won’t be your last. Learn from it, and move on.

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We got another trailer for X-Men: Apocalypse yesterday. When did Three Trailers Per Movie become a thing? I remember, back in the day, seeing A trailer. That was it. Anyway, I thought that trailers were supposed to get better as they go along. Not this one. I’ve got to say that the last trailer for Apocalypse was much better than what we got yesterday. And it simply reminded me that casting Jennifer Lawrence was the worst thing to happen to the X-Men film franchise. Yup, even worse than Brett Ratner. I say that because they had no clue her star power was gonna rise the way it has, and that they’d have to accommodate her. She hates the blue paint, so now they keep her in her human form most of the time, even though HER CHARACTER RAILS AGAINST THE NOTION THAT MUTANTS SHOULD HAVE TO HIDE TO MAKE HUMANS COMFORTABLE. Plus, Mystique ain’t that important. She just isn’t. I’m so sick and tired of every movie being a dance of “Here’s Mystique and Magneto. Whose side are they on THIS time?” THERE ARE OTHER CHARACTERS. Personally, I don’t need Magneto in every film. I don’t care how charismatic you may feel his actor is (McKellan OR Fassbender). And I sure as Hell don’t need to see Mystique each time. The rest of the cast suffers as these “prequel” movies just push everyone to the side for the sake of the Erik/Raven/Charles Show. We finally get a movie with Apocalypse – something I never thought they’d be able to pull off since the first few movies were focused on “grounded” threats – and what does he do? He makes Magneto a Horseman. WHAT?! FOR WHY? I kinda want these movies to end. Singer seems pretty comfortable at the moment, and has basically said he’ll keep making them as long as Fox lets him, but I no longer look forward to an X-Men movie. You pretty much know what you’re gonna get. Same tone. Basically the same actors. You can set your watch to it. “There’s a new X-Men movie? Huh, it’s been two years already?” I’d love for someone to come in and shake up that franchise.

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On the DC side of the aisle, it’s been reported that Wonder Woman screenwriter Jason Fuchs has been hired to write a script for Lobo. THIS IS A TERRIBLE IDEA! The only reason I can see for Warner Bros pushing this back into development is that they probably see the Lobo character as their own Deadpool, so they want some of that R-rated comic movie money. If you’re not familiar with the character, Lobo is a Czarnian bounty hunter who’s so badass that he killed the rest of his race. He’s really strong, he can regenerate body parts, and – due to the Comics Code Authority – called people “bastiches” a lot. He’s so 90s it hurts. His own creator, Keith Giffen, doesn’t understand why the character grew popular:
“I have no idea why Lobo took off… I came up with him as an indictment of the Punisher, Wolverine hero prototype, and somehow he caught on as the high violence poster boy. Go figure.”

I think I rubbed some folks the wrong way on Twitter when I said that most Lobo fans “rode the short bus”, but I don’t think I’m far off. IN MY EXPERIENCE, Lobo was the ultimate White juvenile delinquent power fantasy. He’s just a dude with an attitude problem who liked to destroy shit. Everyone I ever knew who called themselves “Lobo fans” were the kinda kids you needed to keep an eye on, ’cause they were torturing pets or bringing weapons to school. I don’t think this is what the DC Cinematic Universe needs, but hopefully it’ll be some kinda of offshoot that won’t be in the proper DCCU.

Things You Might Have Missed This Week

  • The trailer was released for Now You See Me 2. While I still haven’t seen the first one, I’m upset that this installment isn’t called Now You Don’t.
  • Fox has renewed Gotham for a third season. Next season, Not Batman will continue to be Not Batman by Not Batmanning. Meanwhile, his whole frickin’ rogues gallery is showing up early to the party.
  • The CW renewed ALL 11 regular series that they currently air (including DC’s Legends of Tomorrow) for next season, proving they did NOT have a deep bench when it came to pilots.
  • Marvel and Netflix announced that Luke Cage will premiere September 30th, 2016
  • Apparently, Indiana Jones and the Quest for the Last Depend is happening, with a 77 year old Harrison Ford. He clearly doesn’t enjoy working, so he must fucking HATE sitting at home with Calista Flockhart.
  • Pop TV has ordered a season of Hollywood Darlings, which will follow Full House‘s Jodie Sweetin, 7th Heaven‘s Beverly Mitchell, and Step By Step‘s Christine Lakin in a reality show as they juggle career, motherhood, and more. And considering it’s Pop, they’ll probably show up on TNA at some point.
  • After 2 episodes, ABC has cancelled Of Kings and Prophets. I called this almost a year ago. When are broadcast networks gonna learn they can’t have their own Game of Thrones due to standards and budget?

dead 7

I don’t like zombie movies and I don’t really like Westerns. But then I heard about Dead 7, and my mind started to change. It’s a zombie western starring 90s boyband members! Just watch!

I’ve known about this thing for a year, and I still don’t really even know what it’s about. Here’s what I do know:

  • It’s from Asylum, who also gave us Sharknado
  • It features members of Backstreet Boys, *NSYNC, one dude from 98 Degrees, and the 4 guys who’re still willing to admit they’re in O-Town
  • It premieres April 1st. Oh, PLEASE don’t be a cruel April Fool’s Day prank!

I will say that I’m kinda bummed it doesn’t include ALL the members of the groups (except Justin, ’cause, c’mon). Out of the Backstreet Boys, Kevin and Brian are the uber Christian ones, so I wonder if they didn’t want to be in something they wouldn’t show their kids. And from *NSYNC, I knew not to expect JC, but Lance didn’t wanna partake in the festivities? I mean, The Meredith Vieira Show just got canceled, so he basically just lost a job and gained some free time. Kinda surprised he passed on it. And while I didn’t expect the weird one from 98 Degrees (you know the one I’m talking about), the Lachey brothers ain’t really doing shit these days. And I’m ready for Ashley Parker Angel to finally just give in and return to O-Town. I mean, he really hasn’t done anything since his stint in Hairspray a decade ago.

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Anyway, I love crap like this. It reminds me of Longshot, which was this really, REALLY bad movie thrown together by boyband mogul and Ponzi Scheme architect Lou Pearlman. The movie went by many names, including Jack of All Trades, but it featured cameos by anyone who was anyone in pop in 2001. You can still find it in FYE dollar bins to this day.

So, we’re at the end of this week’s post, so does that mean that the Dead 7 trailer actually had the West Week Ever? Could it be? No. It was a slow week for big news, but it wasn’t that slow. We got nothing from the trailer but a tease. If it’s anything close to Sharknado, it could be an instant cult classic, but we’ll just have to wait and see. For now, however, nothing had the West Week Ever *sad trombone*. It’s probably Daredevil season 2, but there’s no way I was staying up til 3 to watch that, so it’ll have to wait til next week, when it goes head to head with Batman v Superman: Dawn of Justice. Who will win?! Tune in next week to find out!

19th Feb2016

West Week Ever: Pop Culture In Review – 2/19/16

by Will

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SANANDREAS

In the movie world, I finally caught San Andreas. It’s about what you’d expect it to be. It’s got a lot of plotholes, and I was amazed certain people survived, but it was still enjoyable. If you haven’t seen it, Dwayne “The Rock” Johnson plays an LA Fire & Rescue pilot who strikes out to save his estranged wife and daughter when The Big One hits. A series of big ass earthquakes occur along the San Andreas fault, wrecking the shit out of California.  Every time Alexandra Daddario was onscreen, playing a college kid no less, I kept thinking “I’ve seen you naked! I’ve seen you naked!” I’m normally not a disaster movie type of person, but this one didn’t disappoint. When the movie ends, The Rock is all “We rebuild.” Whatever. I think we’d just condemn California and keep it moving, No Man’s Land style. Anyway, I’d recommend it.

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In the toy world, the past week saw Toy Fair hitting New York City. I’ve been in the past, but haven’t been able to make the trip the past couple of years. It seems like NECA was the belle of the ball, as they debuted things like figures based on the Contra NES game. Mattel showed off a lot of figures from the upcoming Suicide Squad film as parts of their Multiverse line. My favorite debuts, however, had to be the new Marvel Legends from Hasbro. Since it’s a line that I actively collect, I’m excited about all the movie based figures that are on the way, including Scarlet Witch and the Walmart-exclusive (ugh) Falcon figure. For full coverage of the show, check out AwesomeToyBlog.

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In the world of television, Channing Dungey was named the new president of entertainment at ABC, making her the first Black network president. This is interesting because it was the result of the ouster of president Paul Lee, who brought diversity to the network with Black-ish and Fresh Off the Boat, and also helped brand the TGIT Thursday night lineup. Dungey has the backing of Shonda Rhimes, meaning we can probably expect more shows like Grey’s Anatomy, making me wonder what might be the future for Marvel shows at the network.

ecto cooler

In the world of pop culture, everything old is new again this week. First up, an eBay listing has revealed that Ecto-Cooler is most likely making a comeback. Created in the late 80s to tie into The Real Ghostbusters/Ghostbusters II, the fabled drink hasn’t been in stores since it was renamed to Shoutin’ Orange Tangergreen in 2001. People have been CLAMORING for its return for years, and it seems like the new Ghostbusters movie was just what was needed for Coca-Cola to pull the trigger. I’ve gotta be honest – I never really liked Ecto-Cooler. I really only wanted it because I was a huge Ghostbusters fan and Slimer was on the box. As far as flavor goes, however, it was not my favorite beverage. Still, I know this makes a lot of my friends happy, so more power to ’em.

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Meanwhile, I grew up LOVING the Brit-com Are You Being Served?, so imagine my trepidation when the BBC revealed that the series would get getting a one-off special this summer, to serve as something like a backdoor pilot for a new series. Not much is known about the special, but the network has said it will have an “all-star cast” – necessary, seeing as how 90% of the original cast members (and the creators) are dead. If you’ve never seen it, it’s set in the fictional, Harrod’s-esque Grace Brothers department store, and focuses on the staff of the Ladies’ and Men’s departments of the store. It was a bawdy show, with a lot of double entendres and class humor. I’m not really sure it would work today, as that style of humor is a bit played out. Then again, I thought Airplane humor was dead, and here we have Angie Tribeca using it, so maybe I’m wrong. Anyway, no fan that I know of is excited about this news. We’re all just a bit scared of what this might be. All I know is that it better have jokes about Mrs. Slocombe’s pussy or I’m out. And I am unanimous in that!

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Speaking of revivals of long-canceled shows, the surviving cast members of Good Times have a Kickstarter going to produce a reunion movie to catch us up on where their characters are now. This is particularly interesting because John Amos is involved, and his character was killed off in the fourth season of the show. So, I take it his character is still dead, right? Welp, looks like we’re all caught up! Anyway, they’re calling it a “docu-dramedy-comedy”, so Lord only knows what this thing is gonna be. I expect it’s just gonna have them talking to the camera, like Modern Family or something. Anyway, there are 14 days left, and they’ve only raised about $5,000 of the $1 million they’re asking for, so I don’t think this is gonna happen. Damn, damn, DAMN!

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In the world of comics, we finally have more information on the DC Comics “Rebirth” plans. Basically, it’s a relaunch, with several books going on a bi-weekly schedule. They say that it’s their attempt to show they’re a legacy publisher. One way they’re doing this is by returning Action Comics and Detective Comics to their original numbering, which was lost when The New 52 rebooted everything. This means that we’ll see Action Comics #1000 in about two years. There are some interesting changes, such as Scott Snyder leaving Batman (Thank the sweet Lord in Heaven!), the cancellation of Bat books Robin: Son of Batman and We Are Robin, and I’m curious to know the fate of Bryan Hitch’s Justice League of America, seeing as how it’s in the middle of what I believed to be a 12-issue arc. There are also some switcheroos, as we lose a Black Canary book, but gain Batgirl and the Birds of Prey. We lose Starfire, but we get back Red Hood and the Outlaws. We lose Grayson (which I’ve heard was great), and we end up back with Nightwing. The last thing is disappointing to me, as I didn’t read Grayson, but I was impressed that they were willing to try something so different with the character. For him to just end up back as Nightwing again seems like a waste. It’s hard for me to get excited about DC these days because it feels like they’re constantly chasing their own OR Marvel’s tail. I…I don’t feel good about all this, and I wonder if other DC fans feel just as fatigued by all of these stunts.

Things You Might Have Missed This Week

  • Quantico‘s Priyanka Chopra has been cast as the villain in the Baywatch film
  • Kanye West is reportedly $53 million in debt and still losing his mind
  • Actress Casey Wilson reported that some rich guy has expressed interest in financing a Happy Endings movie

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I saw it last week and didn’t really like it. The world saw it and thought it was the best thing ever. So, I guess I’m the odd one. Yeah, I’m talking about Deadpool. Surprising everyone, the movie opened to $150 million in the US, despite Fox doing everything they could to bury it. They cut the budget at the last minute and they used an unproven director.  I don’t get it, really. I mean, were folks clamoring for an R-rated comic book movie that badly? Whatever. Anyway, they’re already talking about the sequel, with buff, old guys lining up for the chance to play Deadpool’s sometimes partner and straight man, Cable. I’m scared of the precedent this might set, as now they’re talking about an R-rated Wolverine for Hugh Jackman’s last outing as the character. Now, if he’s truly going to cut loose, I could see an R-rated Wolverine film, but I don’t think we really need it. I’ve talked about Jackman’s portrayal before, and I don’t think his characterization lends itself to the Berserker Rage that we’ve seen in the comics. Still, the race is on for the next, mainstream R-rated comic movie. Folks seem to have forgotten that Blade, The Crow, Kick-Ass, and others have already gone down this road. I think it’s safe to say that the rating works for some properties, while it doesn’t work for others. That said, the R rating sure as Hell didn’t hurt Deadpool, as it’s more revered than any of the X-Men films we’ve gotten so far. So, to give credit where credit is due, Deadpool had the West Week Ever.

05th Feb2016

West Week Ever: Pop Culture In Review – 2/5/16

by Will

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After all that I watched last week during the blizzard, I didn’t really watch too much this week. The one movie that I watched was The Hundred Foot Journey. If you’re not familiar with it, it’s about an Indian family that moves to France to open a restaurant that happens to be directly across the street from a renowned Michelin-starred restaurant. In the beginning, the two restaurants go to war against each other. It’s something of a culture clash between the citizens and the immigrants. After a while, though, they find common ground in the form of the eldest son of the Indian family, who turns out to be a gifted chef. It’s the kind of movie that you don’t have to pay a ton of attention to, and still understand what’s going on. The head of the French restaurant is played by Helen Mirren, so you know this is seen as some classy shit. It was produced by Stephen Spielberg and Oprah Winfrey, and it’s just the kind of story that Oprah would’ve featured in her book club. I’d wanted to see the movie ever since I first saw the trailer, as it looked cute, and it didn’t disappoint. I don’t think it’s the kind of thing that most of my readership would jump at, but if you get the chance, give it a shot.

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While I didn’t watch a ton, I did eat a lot. I don’t have the most refined palette, so I tend to stay away from food reviews. That said, I experienced two different foods that I felt deserved the blog treatment. First up was the Patti Labelle Sweet Potato Pie.

This news is about 3 months old, but seeing as how 90% of my readership is White, this’ll be new to you! Anyway, R&B singer Patti Labelle (she also played Dwayne Wayne’s mom on A Different World) released a line of sweet potato pies exclusively at Walmart in September. The pies sold well enough until a YouTuber named James Wright Chanel posted the above review of the pies. Well, that review went viral, and the pies started flying off the shelves. They were THE hot item over the Thanksgiving season, and I hadn’t been able to find one until last Friday night. I love a good sweet potato pie, so I had to see what all the fuss was about. The pies are sold at room temperature, so that’s how I wanted to first taste it. After taking a bite, it was…OK. There HAD to be more to this thing, right? I mean, the big guy was singing and everything. I remembered that I like my sweet potato pie cold, so I refrigerated it overnight, and took another shot the next day. And it was…just OK. I’ve had some awesome sweet potato pie in my life. My mom’s friend makes amazing pies. That said, this was not as good as those. It’s good, but it’s not great. The pie’s texture is sort of “lazy”, for lack of a better word. It’s not firm like I like it, and refrigerating it didn’t do much to firm it up. If this made that dude sing, I’ve had some pie that would make his heart explode. I really don’t know what all the fuss was about, but good on James for getting his 15 minutes out of it.

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Next up, I tried KFC’s Nashville Hot Chicken Tenders. Let me start by saying that I hate KFC. I love fast food, but KFC is typically some garbage. I haven’t liked any of their gimmicks since the Rotisserie Gold arrival in the early 90s. Most people just laugh at their output, like when we get things like the Double Down. So imagine my surprise when some of my Twitter friends started raving over this Nashville Hot recipe that KFC just debuted. They started out using it on the regular chicken, but then they introduced the tenders. I’m lazy and hate dealing with bones, so tenders were the way into my heart. My clogged, clogged heart. There aren’t too many KFCs in these parts (they tend to get shut down a lot), so we happened to be near one on Sunday and decided to take the plunge. First, the presentation. They come served in a black plastic tray that makes you think they came right out of the microwave. They’re garnished with pickle chips, and are served with cole slaw (we replaced that with wedges) and a biscuit. So, how did they taste? TERRIBLE. You bastards lied to me! Seriously, if that’s indicative of a real Nashville recipe, then they can just go and leave the Union right now. The sauce is thin. I mean THIN. It’s reddish and stains everything – napkins, skin, whatever. But it’s so thin that you’d think it’s just grease. There’s no body to it. It’s hot, but it’s not flavorful. And, again, the sauce gets everywhere. Lindsay looked like a ravenous vampire when she was done. It was the least satisfying meal I’ve ever had. It was a combination KFC/Taco Bell, and I wanted to cleanse my palette with some tacos, but I was already full from the tenders.

peak tv

Part of why I didn’t watch much TV this week is because there’s just too much TV. Some folks have wondered if we’ve reached “peak television”, and I think it might be true. I used to know when all my favorite shows came on. Now, I’m considering making a Google Doc just to track them all. I remember that I missed shows days after they’ve aired. And these aren’t shows I just watch casually; they’re things that I actually consider favorites. At the moment, though, I just have too many favorites. At the same time, I’m not afraid to dump a show that I don’t like. In the past, I watched a lot of stuff that I hated. I wasn’t even “hate-watching” those shows, either. I didn’t really like them, but they were on and I had nothing better to do. When Fox debuted Cooper Barrett and Bordertown, I finally realized that there are too many shows and life’s too short to waste on something you don’t like.

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In the toy world, there’s a rumor going around that Hasbro and Mattel are in talks for a merger. He-Man and G.I. Joe under the same roof? This is an ’80s kid’s wet dream! Too bad Hasbro doesn’t really care about Joe anymore, and Mattel sells He-Man figures to grown-ups for $30 a pop. This could be a dream or a nightmare. It’d be interesting to see if the Marvel and DC licenses would remain under this shared roof. Would they become HasTel or MatBro? Or even worse, HasMat? While surprising, this isn’t the first time there’s been talk of a merger, as Mattel made an offer on Hasbro 20 years ago.

Black

On the comic front, I never pledge Kickstarters because I’ve heard too many horror stories. Still, when I saw Black, I knew that I had to be a backer. The tagline for the graphic novel reads “In a world that already fears and hates them – what if only Black people had superpowers?” That’s basically as much as I know about the story, but it was enough to make me want to know more. It’ll no doubt be controversial, but the art looks great and I’m really anxious to see where the story goes.

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Meanwhile, I ran across yet another Kickstarter that piqued my interest. Titled Tuskegee Heirs, in the spirit of the famous Tuskegee Airmen, the tagline reads “Futuristic sci-fi adventure that follows a small squad of young gifted aviators who are forced to become earth’s last line of defense.” The art is very “manga-esque”, which would normally be a turnoff to me, but it’s kinda refreshing seeing that style used for Black characters outside of The Boondocks. I can’t remember the last time I was this excited about an upcoming comic project, so I hope I’m not disappointed. Maybe when these books come in, I’ll dust off my Adventures West Coast feature and review them.

Things You Might Have Missed This Week

  • After the success of Lip Sync Battle, Craig Robinson will host Caraoke Showdown on Spike.
  • Aubrey Plaza has been cast in FX’s X-Men spinoff, Legion
  • Matt LeBlanc is one of the new hosts of The UK’s Top Gear. Here’s hoping this job lasts longer than Joey. Or Top of the Heap.
  • Louis C.K. quietly released a new series, Horace and Pete, on his website. But it looks sad and all the colors are various shades of brown, so I’ll pass.
  • Andy Samberg’s crew, The Lonely Island, are developing Party Over Here with comedian Paul Scheer. The half-hour sketch show will air Saturday nights at 11 on Fox.
  • Gilmore Girls is coming back via Netflix, and apparently no one thought to invite its most famous alum, Melissa McCarthy.

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My pals over at The Robot’s Pajamas are having Star Trek: The Next Generation Week, so be sure to pop over there and read all the great posts they’ve got!

This Week In Black History

2/1 – Today In Black History: Arnold & Willis Jackson became the first poor black kids adopted by a rich white person

2/2 – Today In Black History, rapper Christopher Wallace graduated to the Men’s department and changed his name from “Husky Smalls”

2/3 – Today in Black History, The Eastland School for Girls admitted Dorothy “Tootie” Ramsey as its first black student

2/4 – Today in Black History, the Fresh King of Bel Air was assassinated. The throne remained empty until a long lost son was found in 1990.

2/5 – Today in Black History, Kunta Kinte is accepted into the space program, and it only costs him his eyesight.

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When I’m not blogging about pop culture, I like to guest on podcasts. One of my favorites to guest on has been the UnderScoopFire Podcast. Out of my 52 podcast appearances, 13 of them have been with USF and its Mad Men-centric spinoff, The MadCast.

I remember a few years back, coming across a dude on Twitter named @HowardTheDeck and thinking “Heh, that’s pretty clever.” Turns out dude was a funny guy, so when I found out he had a podcast, I couldn’t wait to hear it. This was a new concept to me, as I really hadn’t given too many shits about the podcast format prior to that. I like my Internet printed. If you’re recording podcasts or making videos, that just seems like it’s gonna take too much time to consume. So, I just stuck to blogs and the like. Anyway, I downloaded USF and immediately fell in love. I dug the whole gang, from Howie to Corey to Tank to Joe. There was even this guy named Googs who really seemed like he didn’t want to be there, but he was cool, too. We all became friends online – these weren’t just “web friends”, but real friends. We’ve shared Christmas cards, and tracked down toys that the others’ kids couldn’t find locally. They’ve allowed me to come on and ramble on about whatever’s on my mind, and I’ve always had a great time doing it.

Well, this week, after 150-ish episodes, the UnderScoopFire Podcast posted its final episode. The show began as a love letter to children of the 80s, covering things like GI Joe and featuring guests like “The Micro Machines Guy”, John Moschitta Jr. Over the past few years or so, the show had undergone some changes. Howie and Googs left, while Tank and Joe were sent deep undercover. We’d hear from Tank every now and then, but I thought Joe got lost out there until I heard his pretaped appearance on the final show. Some episodes were just Corey and this dude named Eclectik (that’s not his government name, but we won’t talk too much about him ’cause he hates me anyway), chatting away. A lot of the time, it felt like we were all flies on the wall for a conversation between those two. Still, they kept the show alive, and I thank them for that. Without USF, I wouldn’t be the reigning What’s The Scoop? Champion for Life, I wouldn’t know how hard it is for 80s celebrities to say the words “Under Scoop Fire” in that order, and I wouldn’t have some of my closest friends. So, with that in mind, it’s bittersweet for me to say that the UnderScoopFire Podcast had the West Week Ever.

29th Jan2016

West Week Ever: Pop Culture In Review – 1/29/16

by Will

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We had Winter Storm Jonas come through last weekend, which resulted in over 3 feet of snow. It wasn’t all bad news, though, as I didn’t have to go to work until yesterday – which meant I watched a LOT of stuff. So, let’s talk about some of it, shall we?

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First up, I watched The Martian, starring Matt Damon as astronaut Mark Watney who’s presumed dead and left behind during a mission on Mars. But Watney’s not dead, so he has to survive on the uninhabited planet until help can arrive. It’s a great movie about the power of the human spirit and all that. Still, after watching this and Gravity, y’all can have space. I want NO part of it. Lindsay read the book and said that they cut some stuff (probably for time), but said that the movie was a pretty faithful adaptation. Also, like Gravity, I don’t feel like I ever need to see this again. I wasn’t on the edge of my seat as much as I was with Gravity, though, as Sandra Bullock’s whole ordeal was kinda condensed. Watney is on Mars for months so, while still a tale about survival, the whole struggle has peaks and valleys. Don’t get me wrong – stuff still goes horribly wrong for Watney, but after a while you don’t feel like he’s in that much danger. At least I didn’t. Great movie, though.

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I also watched Pixar’s hit, Inside Out. I’ve got a complicated relationship with this movie. You see, we rented it from Redbox about a month ago and the disc was so scratched that we could only get about 30 minutes into it before it stopped working. So, while snowed it, we tried watching it again, picking up where we left off, and I fell asleep during parts of it. That’s not to say anything about the quality – I was just really sleepy. Still, I didn’t see in this movie what others saw. Just like Mad Max: Fury Road, I thought it was enjoyable, but it didn’t resonate with me like it did with other folks. I’ve heard people call Inside Out the best Pixar movie ever. Really? REALLY? Then again, these are probably the same people who cried at Toy Story 3 (I still don’t get that). I may be a cold, heartless man, but I feel like the last time I agreed with anyone on a Pixar film was concerning the emotional opening to Up. I loved the characters, especially Anger – which is funny, seeing as how I typically think Lewis Black is just a Baby Boomer Sam Kinison whose shtick gets old fast (I start out calm AND THEN I’M YELLING! ‘CAUSE I WANT YOU TO KNOW I’M MAD!!!!). And it was easy to relate to Riley and the stuff she was going through. Still, I think I just expected MORE. Maybe I need to watch it all the way through from the beginning and stay awake this time.

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Next up, we watched Sisters, starring Tina Fey and Amy Poehler. In a flip of their last foray together, Baby Mama, this time Tina played the screw-up, while Amy played the straightlaced one. I’ve often said that Tina Fey tends to suck in comedies she doesn’t write (the aforementioned Baby Mama and Date Night), but this one broke that curse. With a screenplay by Saturday Night Live/30 Rock writer Paula Pell, it played to the strengths of everyone involved as Pell was already familiar with all of them. When Tina and Amy find out their parents have sold their childhood home, they decide to throw one final rager before the new owners move in. The movie was hilarious, and even included a great cameo by John Cena. Plus all your favorites are there: Maya Rudolph, Bobby Moynihan, Samantha Bee, and more. I’m still kinda wondering how Ike Barinholtz got cast as the Cute Guy Love Interest. I mean, was EVERYONE else in Hollywood busy? Don’t get me wrong – he’s capable in the role, but he’s probably the last person I would’ve thought to cast in that role.

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Then, I really wanted to watch Trainwreck, but the version I got was in French for some reason. Undeterred, I decided to watch something else instead. I settled on a new animated release called Batman: Bad Blood. I used to buy all of those DC straight-to-DVD movies that came out, but then they just started cranking them out too quickly. Well, it turns out I’ve missed a lot. You see this movie was a sequel to Batman vs. Robin, which itself was a sequel to Son of Batman. So I had just jumped into the third part of a who-knows-how-many-parts series. It wasn’t as jarring as I thought it would be, though, as you could tell that some stuff had occurred before, but it was pretty easy to figure out what was going on. When Batman disappears after an explosion in a factory, Nightwing and Robin team up with Batwoman and new hero Batwing to figure out what happened. At first, I was thrown off by the animation style, as it was a little too “anime” for me. I should’ve been used to it, as Batman: Gotham Knight had the same style going for it, but I guess I’m just a sucker for the traditional Bruce Timm designs. The other thing that struck me was the fact that this is probably the most mature Batman depiction seen onscreen. There’s blood, they deal with Batwoman’s lesbian relationship, they call each other “bitch” a lot, and a second-tier Bat villain straight up dies in a pretty gruesome way. This was a HARD PG-13. The thing I liked about the movie, however, was the fact that it’s not really based on anything. I used to hate the runtime of the DC animated films, as they tend to clock in around 72 minutes, which isn’t enough time to faithfully adapt a storyline. For example, Superman: Doomsday is so short that it’s basically like Superman takes a nap instead of *dying*. Since this didn’t need to be faithful to any source material, the runtime felt organic and was definitely long enough. The ending seemed somewhat open ended, so I’m hesitant to say that it’s the end of a trilogy. If you like your Batman cold and distant, this is the film for you. The thing to remember is that the movie is more about how Batman affects and influences those around him than about Batman himself.

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Since I stumbled into a saga in media res, I decided to go back and check out Son of Batman to see how it all began. Man, if I thought Bad Blood was dark, they clearly toned things down from when this saga first began. SO MUCH BLOOD! And hookers! Batman is referred to as a “sperm donor”! And Nightwing’s about to tell Robin to go fuck himself! Like, ALL of that is in this film. And even though she’s a cartoon character, Talia’s titties are “on fleek”, as the kids would say. If you’re not familiar with the story, Batman discovers that he has a child with Talia Al Ghul, the daughter of his adversary Ra’s Al Ghul (in the comic Batman: Son of the Demon, Batman sexes her with his cowl on!). The child, Damien, is now 10 years old and comes to Gotham to find his grandfather’s murderer. The movie is a loose adaptation of Grant Morrison’s “Batman & Son” storyline, but I found myself enjoying this movie much more than I enjoyed the source material (not much of a Morrison fan). When I was watching Bad Blood, I found Robin’s voice to be pretty annoying, but it grew on me in this installment. I know a lot of folks hate the Damien character, but I think he’s a breath of fresh air. I really enjoy his “arrogance in a small package” routine, and it definitely comes across in this movie.

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To round out the series, I watched the second movie, Batman vs. Robin. Oh my God, it was SO good! It was definitely my favorite of the three. There are some amazing fight scenes, and it’s REALLY violent. Since Batman is basically fighting what amounts to zombies, he blows them up and cuts their heads off. It’s intense! Loosely based on Scott Snyder’s “The Court of Owls” storyline, it’s about a secret society of rich muckety mucks who have controlled Gotham for years. They decide to recruit Bruce Wayne, but when he refuses, they go after Robin instead. Their army is comprised of reanimated hundred year old corpses, which is why Batman can cut loose on them. My favorite line was probably “Now I’m only gonna say this once, you sons of bitches: Get the HELL OUT OF MY CAVE!” As you can see, that mature tone is still holding steady, but it also gets the players in place for the beginning of Bad Blood. If the movies are viewed as a trilogy, however, this installment hurts the building momentum. After all, the first movie, Son of Batman, is a Talia story and Bad Blood is a Talia story. Having watched them out of order, I assumed that Talia would play some role here, building up to the events of Bad Blood. Instead, the events of Bad Blood kinda come out of nowhere. At the end of Son of Batman, Talia and Batman part ways with an uneasy alliance. In Bad Blood, however, she’s out for Batman’s blood. It almost feels like there’s an installment missing. In any case, I LOVE this Batman continuity. I’d watch a whole season of this if Warner Bros had the balls to produce a series with this tone (they do not). The next DC movie is Justice League vs. Teen Titans, and it appears to be set in this same universe, as Damien is the Robin on the Titans. If that movie is anything like this, I cannot wait!

Last week, everyone was talking about #OscarsSoWhite because no one of color had been nominated in the major categories of the Academy Awards. This week, then, everyone seemed to do a 180 and everything was coming up Black!

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First up, it was announced that Delroy Lindo has been cast as Dominic Fortune in the Mockingbird-centric Marvel’s Most Wanted. This is pretty important because Fortune, created by Howard Chaykin, was originally a White character in the comics. So, it looks like Marvel’s Nick Furying all over again (the character played by Samuel L. Jackson in the movies was also originally a White character in the comics). Dominic Fortune isn’t a huge character, so this colorblind casting won’t affect his characterization, but I’m sure it’ll get someone’s Underoos in a bunch. Most Wanted is still in the pilot stage, however, so there’s no guarantee it’ll be ordered to series at this point.

Corey hawkins

Next up, it was announced that Corey Hawkins from Straight Outta Compton would play the lead, Eric Carter, in the 24 spinoff, 24: Legacy. The series, sadly, will not feature Jack Bauer, but instead will focus on Carter, who’s a military hero who returns home and suddenly needs the help of CTU. I honestly don’t know how CTU hasn’t been absorbed by some other agency, as they’re rife with moles and they tend to be more reactionary than proactive. They never stop the attacks, but they’re always there after they happen. I mean, the poor citizens of Valencia, CA probably wish CTU had been a little more on the ball. It’ll be interesting to see how this plays out, though. A Jack-less 24? I have my doubts.

whittle

Finally, it was announced that The 100‘s Ricky Whittle had been cast in the lead role of Shadow Moon in the Starz adaptation of Neil Gaiman’s American Gods. I have no clue what this thing is about because just hearing the name “Neil Gaiman” gives me a headache. From what I’ve gathered, the book was about the fact that gods only exist as long as people believe in them, and the old gods are now being replaced by new gods, like celebrities and social media. That idea doesn’t sound all that original to me, but it’s Gaiman, so I’m sure there are a bajillion Tumblrs out there dying to prove me wrong. Anyway, the character in the book was somewhat racially ambiguous, so it’s being considered a big deal that they went with a Black actor given Hollywood’s tendency to Whitewash.

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It wasn’t all sunshine and roses for Black characters this week, though, as Arrow bid farewell to a particular recurring character. Usually, the deaths on that show serve to move the story along, but this one just seemed kinda…nonchalant. This has led folks to believe that it was mandated by corporate interests. Since this character will appear in an upcoming DC film (albeit played by a different actor), they are no longer allowed to appear on the TV shows. After all, this is reportedly the same reason that there are no plans for the Deadshot character (who will be portrayed by Will Smith in Suicide Squad) to return to Arrow. It is believed that corporate feels it might confuse audiences to have the same character in two different mediums, played by different people. I think people are smarter than that, but stranger things have happened. I mean, we live in a world where Marvel is deliberately burying Fantastic Four and mutants because Marvel Studios doesn’t own the TV/film rights to those properties. So, it would make sense for DC to be doing something similar. I just feel like this is going to be to the detriment of the shows. Arrow is pretty much the best Batman adaptation on television (let’s face it – that’s what they’re doing with that character), but he’s gonna be severely neutered if all the best characters are slated for film. And what does this mean for The Flash, seeing as how that movie is just over the horizon? The CW’s DC shows have been so good that I’d hate to think that this is the beginning of the end of their quality.

dark knight oliver queen

Speaking of Arrow, it was announced that Stephen Amell will be portraying a future version of his character in the 6th episode of DC’s Legends of Tomorrow. Reminiscent of his depiction in the classic The Dark Knight Returns, this Oliver Queen resides in the year 2046, and is missing his left arm. The episode will also introduce Connor Hawke – Queen’s son and the future Green Arrow.

dc-comics-rebirth

In comics news, DC Comics stayed on folks’ lips this week. Right after last week’s West Week Ever went up, Bleeding Cool posted a rumor that DC plans to relaunch later this summer. Apparently, once the main books (Batman, Superman, Action Comics, etc) reach #52 of their current runs, the series will relaunch at #1, with the publishing line mirroring DC’s TV and film offerings. Shortly after this story went up, DC’s co-publishers Dan Didio and Jim Lee tweeted out a cryptic image that only said “Rebirth”. It’s important to note that this is being reported as a relaunch and not a reboot. What’s the difference? Well, a relaunch really just means that you’re restarting the series with new numbering, but the core of the books stays the same. A reboot, however, means you’re starting everything over from scratch. A relaunch is what Marvel does all the time – cancels Uncanny X-Men only for it to reappear with a new #1 a few months later. This is done because companies believe that #1s bring in new readers, as they serve as fresh “jump on points”. That’s somewhat true, but the audience erodes between issues 1 and 2. And the more you relaunch, the more than audience erodes. A reboot is what DC did a few years ago when they introduced The New 52, which was a new universe where (almost) everything was changed and restarted at square one. This is a riskier move because it eliminates everything that came before it, and it squanders a lot of goodwill and faith from longtime fans. The universe they’d grown to love is no longer. It’s DC basically saying they’re willing to risk their dedicated audience if it means they can attract a new one. Now, “Rebirth” seems to be taking a page from Marvel’s playbook, but DC has done so much timey-wimey garbage lately, with The New 52 and Convergence, that I’m not sure DC’s fanbase is strong enough to handle this.

scooby

And the superheroes aren’t the only things DC is revamping. It was revealed yesterday that they’re updating several Hanna-Barbera properties for modern comic books. Above is the Jim Lee-designed Scooby Doo. And I hate it. I hate the hipster douche vibe I get off the guys. Shaggy’s facial hair? Hate it. Fred’s tat? Hate it. Daphne’s just Caitlin Fairchild from Gen13. And I’m so used to Velma being sexualized through cosplay that I’m broken and don’t even know what to make of her design. The line will also include updated versions of The Flintstones, Wacky Races and Jonny Quest. The beauty of this whole thing is that I don’t really have any connection to the source material, so this initiative doesn’t offend me as much as it might others. At the end of the day, these books clearly aren’t for me, and I don’t have to buy them. That’s, like, the most mature reaction I’ve had to something in a long time.

Things You Might Have Missed This Week

  • Reportedly, Paramount and Nickelodeon are planning a film that would feature a crossover of many of their NickToons properties. I never had cable growing up, so this means almost nothing to me.

barbiecurvy_original

  • Mattel just revealed that Barbie will now feature 3 new body types: petite, tall, and curvy. The dolls will also feature new skin tones and hair textures. The one on the right would be referred to by some as Thick’ums Barbie.
  • Joseph Fiennes is in talks to play Michael Jackson in a UK special about a road trip that MJ, Elizabeth Taylor, and Marlon Brando supposedly took after 9/11. Sadly, there’s no #MJSoWhite hashtag.

NerdLunch2015-websitePodcast

Last week, I had the pleasure of joining the guys over at The Nerd Lunch Podcast to discuss shows that we felt deserved the Fuller House/Girl Meets World revival treatment. I think our choices will surprise you! Trust me, you REALLY don’t wanna miss this episode, which you can listen to right here.

xfiles

The X-Files came back to Fox this week for a 6-episode “event” series. What that means is that if the ratings are good and they can hammer out new deals, the show will be back. If not, however, they can pretend that it was always meant to be a One and Done series and save face. I was never the most hardcore X-Files fan, as I didn’t even really start watching until season 5. And while a lot of people love the Monster of the Week episodes, I preferred the ones that dealt with the mythology and conspiracy aspects. So, I was pleased that the first episode back was a straight mythology episode. What I was not pleased about, however, is that they’re basically saying everything we’ve known for the past 20 years has been a lie. Now, it shouldn’t be a surprise for a show like The X-Files to throw out a twist or two, but it’s pretty brazen for them to basically say SPOILER ALERT (highlight for text): “Yeah, there are no aliens”. On the one hand, it sets up a new kind of mythology, but it also makes me feel like I wasted a LOT of hours of my life to get to an answer that doesn’t exist. That “revelation” basically turned the entire audience into Mulder. If that was the plan all along, nice work, Chris Carter. Anyway, it’s also interesting that the episodes are airing out of order. While the first and sixth episodes were always meant to be the mythology episodes, they’ve shuffled the order of the middle episodes. The episode that aired in the place of #2 was actually #5, while #4 will air in the place of #5. Episode 3 is only one airing in its originally scheduled order. Carter said that this was done to tell the best story possible, and was achieved by removing some dialogue here and there. That’s why it seemed so jarring in Monday’s episode that Mulder and Scully were just automatically back in the FBI like nothing happened – that was actually the next to last episode instead of the second. Here’s hoping this shuffle pays off in the end. In any case, it seems off to a pretty strong start, and I feel like the only reason it wouldn’t get renewed for another season would be if they couldn’t come to a contractual agreement. So, for those reasons, The X-Files had the West Week Ever.

22nd Jan2016

West Week Ever: Pop Culture In Review – 1/22/16

by Will

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oie_922142seDasWF9

Happy Friday! Everybody around West Week Ever HQ is hunkering down for snow. We’re expected to get up to 24 inches, so this may be my final transmission.

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In the movie department, the first thing I watched this week was Gone Girl. HOLY SHIT! Starring Ben Affleck and Rosamund Pike as a perfect yuppie couple that relocates to the Midwest after they both lose their jobs, Affleck becomes the prime suspect when Pike just mysteriously disappears. That’s when we find out their lives weren’t as perfect as they had seemed. And then there’s a TWIST (and I’m not talking about the fact that Tyler Perry actually does a good job in this film)! I’m not going into details because I don’t want to spoil anything, but this movie is worth watching. It’ll make you question everything about your life. Please watch this film ’cause I really wanna talk about it.

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At the complete other end of the spectrum, I watched Cloudy With A Chance of Meatballs 2. I really liked the first one, but God this thing was boring. I can’t imagine fidgety kids were able to sit still in theaters during this thing. In the first movie, amateur scientist Flint Lockwood created a machine that turned water into food. And then, of course, the machine went crazy and had to be destroyed. Well, in this sequel, a famous scientist wants to find Flint’s original machine so that he can use it for his own plans. Meanwhile, the machine is now creating sentient food creatures instead of just turning water into food. So, when Flint and his friends return to Swallow Falls, they find it’s been colonized by these fruit beasts. I only half paid attention to it because I was coloring at the time (yes, I’m a 5 year old in my spare time), but it really didn’t hold my focus. The things that made the first one special were gone this time. For example, in the first movie, Flint’s father, voiced by James Caan, was a man of few words who didn’t know how to express his emotions. This time around, he talked TOO much. Now, there’s an argument to be made that maybe this is an example of character growth, but I didn’t like it. I also didn’t like that Terry Crews replaced Mr. T as Officer Earl. Anyway, the film did pretty well, so there’ll probably be a 3rd one. And if it ends up on TV, I’ll probably watch it. Because I never learn from my mistakes.

angie_tribeca

After promoting it for months, TBS finally debuted the Steve and Nancy Carell-produced comedy Angie Tribeca via a 25-hour marathon. Starring Rashida Jones, the show is a parody of police procedural dramas. I had a few problems with this show. First of all, the marathon approach. Some shows are built for bingeing, but Angie Tribeca is not one of those shows, as the pacing didn’t really work. Not only was TBS running the entire 10-episode season every 5 hrs, but they also did it without commercial interruption. Luckily, the episodes were also On Demand so I watched them that way, so that I could pace them out on my terms. The other problem I had was the style of humor. If you loved Police Squad!/Naked Gun/Airplane!, you’ll LOVE the first 4 episodes of this show. It’s that quip a minute, farcical humor that, to me, wears thin quickly. I felt that the show really hit its stride by episode 5 (which is quite a long time to stick with a show that’s not really doing it for you initially), as the humor style is toned down a bit. Think of 30 Rock at its most absurd, and then crank it up about two notches. That’s what the show becomes and I enjoyed it so much more at that point. While the marathon seemed like a really crazy gimmick, it probably played to the show’s strengths (or lack thereof). As I said, I didn’t enjoy it until around the 5th episode. If this had been rolled out as a weekly show, I’d have probably bailed by then. At least now I’m willing to give the second season a chance.

Koechner

Speaking of Angie Tribeca‘s quality 5th episode, it features a guest appearance by Champ Kind himself, David Koechner. I tweeted about it and he favorited it. WHAMMY!

75 heroic years

Over on TV, Marvel and DC had a dick measuring contest Tuesday night as they scheduled specials opposite the other’s premiere. While The CW premiered The Flash returning from its Winter hiatus, ABC ran Marvel’s Captain America: 75 Heroic Years. If you have read/watched anything about the formation of Timely/Marvel Comics, then you’re familiar with most of what was presented in the special. They did, however, slide in the news that Steve Rogers would be returning to the role of Captain America this Spring – which isn’t a surprise to anyone who realized there was a movie coming out. If you’re not a comic fan, for over the past year, Steve Rogers’s former sidekick, Sam Wilson/The Falcon, took over the Cap role when Steve was drained of the Super Soldier Serum that gave him his powers and kept him young. It was clear, though, that there was little chance Wilson would remain Cap once the Captain America: Civil War film rolled around. Well, Marvel plans to have their cake and eat it, too, as it appears Wilson will remain as Captain America even while Rogers returns. There will be TWO Captain Americas, which I feel is one Cap too many. While I’ve enjoyed the Wilson adventures, I don’t know if the comic audience is still going to want to support “Not the REAL Cap” once Rogers returns. Anyway, this is comics, where there’s no real change – only the illusion of change – so nobody should be surprised by any of this.

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Once 9 PM rolled around, ABC premiered the second season of Agent Carter, while The CW debuted specials about DC’s Legends of Tomorrow and their upcoming movies. I didn’t watch the Legends of Tomorrow one, as I thought it was kinda stupid to watch a 30 minute special about a 60 minute show that was premiering in 48 hours. If this special had come out earlier, I’d have given it a shot. At this point however, I was already as excited for the show as I was going to get. I did watch the one about the movies, DC Films Presents: Dawn of the Justice League. Hosted by Kevin Smith (who was acting like a drugged up Billy Mays) and Geoff Johns, they rushed through a bunch of Dawn of Justice footage, and then gave us about a minute of a Wonder Woman footage (this was also the day they debuted the logo and Twitter account for the Wonder Woman film). Then, we got snippets of interviews with the rest of the Justice League actors, like Jason Momoa (Aquaman), Ezra Miller (Flash), and Cyborg (Ray Fisher). It all seems interesting, but it also seems so far away to me. I mean, the Cyborg movie isn’t out until 2020! I get that it’s 2016, but do you know how many movies will come out between now and then? Hell, I could be dead by then!

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I came to the realization this week that I’m not sure I can be objective about DC’s movies. I always considered myself a DC kid, but upon closer inspection, I’m much more of a Marvel Zombie these days. I love the Marvel movies. They have their flaws, but I enjoy them. I don’t like the DC stuff I’ve seen in recent years (The Dark Knight Rises and Man of Steel). If these are more of the same (which, dark in tone, they seem to be), I’m just not interested. So, for the folks excited about these movies, more power to you. I envy you. But I just don’t feel anything when DC’s films are brought up. That includes the Suicide Squad trailer that was released this week. I’ll probably Redbox it, but it doesn’t strike me as something I need to see in the theater.

agent carter

Meanwhile, Agent Carter premiered and it was as great as you’d expect it to be. I’m constantly amazed that I like this show considering I didn’t think she was “worthy” of a series when it was first announced. I especially like this season, as its subtitle could be “Peggy Gets Jungle Fever”. There’s a Black scientist who’s introduced as a love interest…kinda. I liked that the show finally tackled the race issue that was absent in the first season, as it wasn’t all sunshine and roses for everyone in the 40s in the Marvel Universe. Anyway, I won’t spoil what happens to him in case you haven’t gotten around to watching the episode yet. The interesting thing is that there seem to be all of these ties to Agents of S.H.I.E.L.D. yet the showrunners are saying that they aren’t. For example, the lapel pins worn by The Council look like the original HYDRA symbol we saw on AoS, but a recent interview with them said that it’s not the same symbol. Also, this Darkforce matter is a tie-in to the Doctor Strange movie, and not the same material that leads to Maveth. It’ll be interesting to see if they were just trying to mislead us. Anyway, the 2-hour premiere was the lowest rated presentation of the series, so unless things improve, there won’t be a season 3. Now’s the time to start watching!

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So, DC’s Legends of Tomorrow. Where to begin? I liked this show. I liked it a lot. I will say, however, that I’m unfamiliar with half the characters since I’ve only seen a handful of episodes from season 1 of The Flash (and only 1 from season 2). So, I’ve got a lot of questions. Like, who is this Jefferson Jackson character? I mean, I Googled him and the character existed in comics, but only as a friend of original Firestorm, Ronnie Raymond. If they wanted a Black Firestorm, the character already exists, and he’s Jason Rusch. Did they not want to pay royalties to creator Dan Jolley, like when they created Black Vulcan so they wouldn’t have to pay Black Lightning’s creator Tony Isabella? Anyway, since Professor Stein isn’t linked to Robbie anymore, I take it something happened to him in one of those Flash episodes I haven’t seen yet. Is Wentworth Miller’s Captain Cold always so…theatrical? If anything, it showed me that I need to catch up on The Flash, as that’s where the more fantastical DC stuff seems to be happening.  Sure, Oliver Queen went up against Ra’s Al Ghul, but he’s still pretty much dealing with street crime, while Barry Allen’s dealing with time travel and the Multiverse. That mindset is needed to fully get into Legends. Anyway, this show could really beat Marvel at its own game, as it’s giving us a superhero team, on a weekly TV budget, that’s actually making moves, and doesn’t have to adhere to movie tie-ins and studio plans. It might end up being a better Agents of S.H.I.E.L.D. than Marvel’s show. Also, the fact that it’s potentially a One and Done series (it’s an expensive show, and another season would probably be comprised of a different team, according to reports), they can make some pretty bold decisions if necessary. Let’s just say that I’m really excited to see where this show is going.

Shades-of-Blue-poster

Has anyone been watching Shades of Blue? It’s surprisingly good, and you’ve only missed 3 episodes, so there’s time to catch up. Jennifer Lopez plays a pseudo-dirty cop who’s forced to work with the feds to take down the rest of her unit. Ray Liotta is her commanding officer who knows there’s a mole in the unit, but doesn’t know it’s JLo. Or does he? It’s a tense hour of television and, based on the nature of the plot, it’s probably just going to be a One and Done series. Along with Undateable Live and Superstore, it’s one of the few bright spots on NBC’s schedule these days (Thursdays at 10 ET).

rowan

I can’t wait to see Disney’s damage control on this one, but Girl Meets World star Rowan Blanchard announced on Twitter that she identifies as queer. She tweeted:

“In my life – only ever liked boys however i personally don’t wanna label myself as straight gay or whateva so i am not gonna give myself labels to stick with – just existing :)”

Rowan Tweet

Considering she’s 14, I’m not sure what to think of all this. I mean, it’s brave of her to come out in such a forum, but at the same time, I don’t even remember being sure of anything at 14. Maybe girls are just more mature than boys. I dunno…

Things You Might Have Missed This Week

  • News sites were reporting that Darkwing Duck was being revived by DisneyXD in 2018. This was a lie. A cruel lie.
  • Due to the tepid release of Terminator: Genisys, the planned sequel has been removed from Paramount’s schedule. The May 19, 2017 release date will now go to The Rock’s Baywatch movie.
  • Vin Diesel tweeted out a pic, revealing that Fast 8 will take place in NYC
  • The red band trailer was released for Key & Peele’s Keanu, and it looks hilarious! I can’t wait to Redbox this thing!

eclectic mayhem

A few weeks back, I had the pleasure of joining the folks over at the Eclectic Mayhem Podcast to talk about thrifting. I’ve been friends with these guys online for a long time, but it was great to finally get to speak with them. You should already be following @TheGoodwillGeek, @iRoberts3, @DorketteTweets, and @ItsTrashCulture, but if you’re not, then get to it! Anyway, be sure to check out the episode here.

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I don’t think they’ve ever had the honor of a West Week Ever, but I like to give credit where it’s due. Sure, I may consider myself more in the Marvel camp these days, but you can’t deny that DC Entertainment was on everyone’s lips this week. Whether it was folks talking about how much they loved the Suicide Squad trailer, to speculation about the Justice League movie, to simply eagerly awaiting the premiere of Legends of Tomorrow, DC Entertainment was the cock of the walk this week. There are reports that the comics aren’t doing so well, sales-wise, for both Marvel and DC, but DC seems to finally be making a name for itself in the world of live action entertainment. This is something that fanboys have been waiting for ever since Marvel revealed their plan for a cinematic universe. Immediately, everyone wondered “What’s DC gonna do?” Well, not only has DC conquered the live action TV game, with Arrow, The Flash, Supergirl, Gotham, and Legends of Tomorrow (not to mention the shows based on DC’s Vertigo imprint, including iZombie, Lucifer, and the upcoming Preacher), but they’re finally about to make their move in the movie realm. With all the previews and premieres, this was a great week to be a DC fan, so that’s why DC Entertainment had the West Week Ever.

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