In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.
Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.
On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.
In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.
In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.
Things You Might Have Missed This Week
We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.
My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!
It was a great week if you were a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.
We’ve got a lot to talk about this week, so let’s get to it, shall we?
On the movie front, the first thing that I watched was Focus, starring Will Smith and Margot Robbie. Smith plays a con man who takes Robbie under his wing from chump change jobs to the real money jobs. It was entertaining enough, but it just felt like another movie where Will Smith played a version of himself. He never really immerses himself in his roles. Each role is just an alternate timeline version of Will Smith. In this timeline, he wore really nice suits and had an S-Curl. Robbie was fine enough, but I don’t get why she’s the new It Girl. I guess I still need to see The Wolf of Wall Street for that. My problem with heist movies is that my brain doesn’t work fast enough to process what’s going on with the plan. I just blindly accept whatever they’re telling me, and then I end up overanalyzing it once the movie’s over. I’m basically the guy trying to figure out how the magic trick works. Anyway, it was engaging, but it’s also got some twists where you can’t really watch it a second time. Nothing on a “Keyser Soze” level, but I think a second viewing would be affected by what I know now, having already seen it. Anyway, it’s not a bad way to kill an hour and a half.
Then, Lindsay and I watched The Good Dinosaur with the baby. Since she’s only 14 months old, she kinda watched it while busying herself by climbing on shit. I could think of much better names for this film. For example, it could’ve been called The Dinosaur King, since it’s really just a working class version of The Lion King. Or it could’ve been called Dino Falls, because it sounds like the name of a town, but it’s really because the main character, Arlo the dinosaur, spends a lot of time falling off shit. He falls off cliffs, mountains, etc. It seems like every 10 minutes, he’s getting back up from something, so at least he’s tenacious! Anyway, the story’s about Arlo, the weakest of a dino family, who ends up lost and has to find his way home. On the way, he befriends a caveboy who he initially thought was his enemy. Together, they protect each other in the treacherous environment. It’s got all the Disney tropes you love: dead father, inspirational ghost of dead father, gang of stupid, antagonistic predators. Seriously, the only thing missing was a catchy song or phrase to put on T-shirts (“Hakuna Matata” or “Ohana”, anyone?). Still, even though it’s not considered one of Pixar’s best, and I felt like I’d experienced that story before, I still really enjoyed it. To be honest, I think I liked it more than Inside Out. Maybe it was the hype surrounding that movie, but I just don’t get what you people saw in that film that was so emotional. I was far more touched by the friendship between Arlo and “Spot” than I was about anything going on in Riley’s life. So, you probably didn’t see it when it was in theaters (it was Pixar’s lowest-grossing film), but I think you should definitely check it out now that it’s On Demand and on DVD.
Finally, I watched Sleeping With Other People, starring Jason Sudeikis and Alison Brie. Sudeikis and Brie lost their virginity to each other in college, and then meet up again almost 15 years later at a meeting for love addicts. It seems that neither has been able to have a successful relationship since college, and they sort of become each other’s support system. Meanwhile, everyone around them knows they ought to be together, but they just won’t pull the trigger. It was a funny movie, with a great cast of funny folks. The part that I loved was that many of them had worked together before, so I kept thinking of this as an extension of those other roles. For example, Brie’s character was cheating on her boyfriend with Adam Scott, so I kept thinking of those Smirnoff commercials with the two of them. Or Sudeikis’s business partner is played by Jason Mantzoukas , better known as “Rafi” on The League, and his character is married to Andrea Savage, who played Rafi’s girlfriend on The League. I love little things like that. Anyway, it’s a romantic comedy, so you know how it ends. Plus, Brie must’ve had a no-nudity clause in her contract, as there was a bra-on sex scene, so that was a bummer. Still, everyone’s got great chemistry, and I enjoyed it.
On the stand-up comedy front, I was eagerly anticipating Big Jay Oakerson: Live At Webster Hall, which premiered last Friday night on Comedy Central. I’ve recently heard about folks getting too familiar with podcast hosts because they feel like they know them, and that’s exactly how I feel about Big Jay. Seeing as how I listen to him twice a week on The Bonfire, I guess I’m starting to think he’s my friend or something. Crazy, I know, but I do think we’d get along famously. Anyway, for that reason, I was really happy for him that his one-hour special was finally seeing the light of day. It was a great hour, and he’s truly is the master of crowd work. He doesn’t even have to prepare that much material because he just engages the audience, and he’s quick on his feet. It was definitely one of the better specials I’ve seen recently, but I might be biased since I’m a notch away from being a stalker here.
Then, I caught Quincy Jones: Burning the Light on HBO. No, not that Quincy Jones. If you’re not familiar with Jones, he gained a lot of attention last year when he appeared on TheEllen DeGeneres Show. You see, he’s got terminal cancer, and only has about a year to live. He wanted to spend that time touring and doing comedy. Ellen hooked him up and got HBO to give him a one-hour special. He had some funny bits, but it felt like he was still workshopping some stuff. It wasn’t a tight hour, and his crowd work struggled a bit because of a weird audience. It almost felt like they were there out of charity, as they knew his situation, and would kind of laugh at stuff that wasn’t that funny. I feel like he probably could’ve had a strong half hour on, say, Comedy Central’s The Half Hour, but he’s not ready for a full hour yet. Sadly, time isn’t something that he has a lot of, so I guess he had to strike when the opportunity presented itself. It’s worth a watch, but go in knowing that it’s not going to be the most polished special you’ve seen.
In DC movie news, the logo was revealed for the Justice League film. In order to curry favor with the press, director Zack Snyder invited basically every major news outlet to a site visit recently. Though the movie is only 30 days into a 100 day shoot, reporters got to tour the set and talk to Ben Affleck. And of course, all of the folks who were invited are now positive about the movie, saying that Ezra Miller’s Flash will be a surprising bright spot of the film. It seems the Snyders basically brought the press to them for their Apology Tour, but everyone’s drinking the Kool-Aid. An interesting tidbit came out of the visit: though originally reported as a two-part film, producer Deborah Snyder said that Justice League is ONE film. So, that now means that DC has an open release date in which they can slot something else. It’s also rumored that The Flash will be more of a team-up movie with Cyborg, making me think that the Cyborg movie might be inching its way off the table.
In Power Rangers movie news, a PR alum comes home as Bryan Cranston has been cast as the Rangers’ mentor, Zordon. Cranston voiced a few of the monsters of the day back during the Mighty Morphin days. I wouldn’t call this a casting “coup”, but it really does come out of nowhere. Meanwhile, Lionsgate released the teaser poster for the film, and it’s the most Lionsgatey thing that Lionsgate ever Lionsgated. If you’re not familiar with Lionsgate’s output, their highest grossing movies are angsty young adult novel adaptations, like Divergent and The Hunger Games. And that seems to be the tone they’re going for here, which I was afraid of. It looks like the poster for a show that would air on The CW or Freeform. Yeah, I see the lightning bolt in the stars, but that’s not doing it for me. There’s gonna be problems marketing this film, as PR typically isn’t for the YA set, while this doesn’t look like something kids want to see. I know it’s just a teaser, but I’ll be interested to see how they handle the marketing going forward. Right now, this just looks like the back cover of an Abercrombie catalog…
In Star Trek news, CBS/Paramount has issued official guidelines for fan film productions going forward. Ever since the drama with the Anaxar fan film, resulting in a lawsuit from CBS/Paramount, folks have wondered how fan films would be handled in the future. Well, now they know. And some folks are up in arms about the guidelines, but I’ve seen some pretty dreadful Trek fan films, and I know that CBS/Paramount are just trying to protect their IP. There are some interesting rules here, though. For example, no one who has ever appeared on Star Trek can be in your fan production, as it must be cast entirely with amateurs. So, no more Walter Koenig and Tim Russ cameos. And you can’t have Star Trek in your title, but you MUST include a subtitle that says “A Star Trek Fan Production”. And if there are commercially-available costumes or props, you can’t use bootleg versions, but must use the store-bought equivalent. So, no more homemade Starfleet costumes. These rules are really going to shackle the hands of fan film producers, but I think abiding by them will result in a higher quality product. I guess time will tell.
Things You Might Have Missed This Week
Fall Out Boy and Missy Elliott released “Ghostbusters (I’m Not Afraid)”. Ray Parker Jr’s career is rolling over in its grave!
It was revealed that season 3 of The Flash will loosely adapt the Flashpoint storyline from the comics
Sony revealed plans for the animated Ghostbusters: Ecto Force. The show will focus on a team of Ghostbusters in the year 2050. Yeah, not quite sure why they need a time jump, but it is what it is. It just has shades of Stargate Infinity and it makes me sad.
FX has renewed Archer for 3 more seasons, which is surprising since that show seemed to be winding down. One of these days, I’ll actually watch past season 1.
The Ben 10 reboot will debut on Cartoon Network in North America in 2017, while Playmates now has the toy license. As you can tell from the art, this version seems to be targeting a slightly younger audience than the last show.
Jamie Chung has been cast as Valerie Vale for next season on Gotham. Apparently, shes Vicki’s aunt. This fucking show…
Former Wonder Woman star Lynda Carter has been cast as the President in the next season of Supergirl. And that’s STILL not enough to make me interested in that show.
After already renewing the show for a second season, HBO decided to cancel the low-rated Vinyl.
Maisie Richardson-Sellers has been cast as Vixen on Legends of Tomorrow, where she will play the grandmother of current Vixen Mari McCabe, played by Megalyn Echikunwoke
Comic writer Mark Millar announced ongoing series for Hit-Girl, as well as Kick-Ass: The New Girl. The latter will feature a young Black woman taking on the mantle of Kick-Ass. One day, I’ll actually get around to reading the finale of the last guy who wore the suit.
My pal Chris Piers is at it again with the Comic Tropes videos. This time, he tackles polarizing artist Rob Liefeld and an increasingly hot assortment of peppers. Check it out!
This week, each day brought us more casting news about Spider-Man: Homecoming. At first, we learned comedian Hannibal Buress had joined the film. Then, Abraham Attah, from Beasts of No Nation, joined the cast. Then Bokeem Woodbine. Then Laura Harrier. And then Garcelle Beauvais. I joked on Twitter that the casting mandate for this movie is clearly “Get all the Blacks who aren’t already in that Black Panther movie!” So, if you’re a working Black actor in Hollywood, you probably had the West Week Ever. And if you didn’t, just sit by your phone. The call is coming!
On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.
Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.
Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.
In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”
Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.
In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!
Things You Might Have Missed This Week
Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.
This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.
There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.
Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.
The only movie I watched this week was the world premiere of You’re F#@k’n Dead. Written and directed by my good friend, Jay Spence, it’s an homage to grindhouse cinema, with a hint of the supernatural. It follows brash Lexi, and her naive sister, Beth, as they end up in a strange town that isn’t quite what it seems. When they find out the true nature of the town, they find themselves in a fight for their lives. The film premiered Sunday night as the closing headliner at the DC International Fantastic Film Showcase at the AFI Silver Theatre and Cultural Center. Though I was a fan of Death Proof, I’d generally say this wouldn’t normally be my type of movie. That said, I really enjoyed it. It was great to see the fruition of my friend’s 4 years of hard work, and I’m really impressed by the finished product. It will be on DVD/Blu-Ray soon, but here’s the red band trailer, and if you want to know more, check out youredeadthemovie.com.
In TV news, the former “Can You Hear Me Now?” Verizon Guy now works for Sprint. Huh. I guess some people might see this as a “heel turn”, but I couldn’t care less. I’ve got this weird thing where commercials don’t work on me. Like, if I see a commercial for something, it doesn’t make me want that item. Hell, commercials barely even register with me unless someone points one out to me. So, it’s odd to me that Sprint thinks getting this relic of a pitchman on their side is going to translate into people defecting from Verizon. I mean, if I remember correctly, people hated that guy ’cause he was annoying. If anything, I feel like this would drive more customers to Verizon from Sprint. But what do I know?
There was also a lot of news in the world of DC Entertainment television. First off, it was announced that Superman would be appearing in season 2 of Supergirl, and casting is underway. A lot of folks are lobbying for Smallville‘s Tom Welling to get the part, but I really don’t want that to happen. I know Smallville had its fans, and it lasted 10 years, but I don’t think its quality is on par with the current Berlantiverse shows, so I’d rather forget it than have some unofficial link to it. Plus, I feel like Welling left the role before he could fall victim to the Superman Curse. He probably avoided it because he never put on the suit. Anyway, Superman will be joined by other DC characters, such as Snapper Carr and Detective Maggie Sawyer. Meanwhile, it’s rumored that Calista Flockhart’s Cat Grant might be bumped to recurring character status.
Meanwhile, it was reported that Legends of Tomorrow would be adding Vixen to the cast next season, but there’s a catch – it won’t be the same character that has been portrayed by Megalyn Echikunwoke on both Arrow and the Vixen animated series. Mari McCabe is a Detroit hero who derives her powers from an animal totem. So, it appears this new character will be a Vixen, but not the Vixen, as Echikunwoke will still be voicing her version of the character in the animated series (her film commitments are keeping her from joining Legends of Tomorrow). I’m not usually one to bark up this tree, but I hope the new Vixen is also a person of color. I mean, we have so few heroes, it’d kinda suck to lose one. Plus, with the departure of Hawkgirl, the team could use the diversity in the form of a woman of color. The character was popular, with some folks saying she deserves her own show, but I say “hold onto your horses” on that one. Let’s let the character grow and develop before putting that weight on her shoulders.
We also got our first look at character designs for Justice League Action, the new DC animated series coming to Cartoon Network. Based on a presentation at the Kre8tif Conference in Malaysia, the show will include characters like Firestorm, Mr. Terrific, Lobo, Blue Beetle, Big Barda, and Harley Quinn (back in her jester costume). Kevin Conroy and Mark Hamill are coming back, so I guess reports of their retirement had been premature. I don’t love the character designs, but it’s clear this show is geared towards the younger set. The show will consist of 11-minute episodes, like most current Cartoon Network shows, and no premiere date has been announced yet.
In video game and toy news, the sets for LEGO Dimensions Year 2 were revealed, and they are amazing. LEGO Mr. T!!! Not only will there be an A-Team set, but there will also be sets for The LEGO Batman Movie, Sonic The Hedgehog, Knight Rider (!), The Goonies, Mission Impossible and more. I will most definitely be getting the A-Team and Knight Rider sets.
Things You Might Have Missed This Week
Teenage Mutant Ninja Turtles: Out of the Shadows underperformed over the weekend, only taking in $35 million, despite positive word of mouth
John Boyega has been cast as the lead in Pacific Rim 2, which will be directed by Steven S. DeKnight (Daredevil on Netflix)
The Injustice 2 video game was announced for a 2017 release. I love the first one, even though I’m not that good at it.
Comedy Central announced that Rob Lowe would be the guest at their next roast. Look for a lot of jokes about his sex tape with that underage girl. Oh, you didn’t know about that?
It was reported that Mel Gibson is working on a sequel to The Passion of the Christ. The timing is perfect, as Jim Caviezel is gonna need work soon.
My pal, Chris Piers, got DRUNK X-Amining the comic tropes of Chris Claremont’s X-Men run. If you’re an X-Men fan, this is a MUST WATCH!
I’d have to say that Awesome Con stole the week. Kicking off last Friday, the show set up at the Walter E. Washington Convention Center in downtown DC, and ran through Sunday. I decided to check it out with my good pal Classick Materia of CSPN Media. We had a great time walking up and down aisles, meeting our favorite comic creators, and chowing down on convention center burrito bowls. Most of the experience was covered on the latest episode of the Classick Team-Up Podcast, so be sure to check that out. Still, there were a few things that didn’t make it into the podcast.
Classick and I got split up at one point, and I found myself at the Aftershock Comics table in front of writer Paul Jenkins. If you’re not familiar with him, he wrote Wolverine: Origin back in 2001 that finally revealed the character’s history. He also co-created Marvel character The Sentry. Anyway, as I walked up to his table, he was scanning the side of a juice box with his phone. He noticed me, and immediately went into infomercial mode, telling me about this great new app that’s been helping him lose weight. Turns out it was My Fitness Pal, which I’ve already been using for the past 6 months. I told him this, but he glossed right over it, as he demonstrated how easy it was to simply scan the barcode and have the app input all of the nutritional information. He told me that he’d cut out sugar and bread, and that the weight was just falling off. He said that it’s not just about what you eat, but also when you eat it. He was like a born again Christian with this thing! We never even talked about his comics. He signed my copy of Replica that I had coincidentally purchased from a dollar box earlier in the day, and sent me on my way. Great guy, but such an odd experience.
Next up, I met Tom King, who’s currently writing The Sheriff of Babylon, as well as starting on the Batman title. As I went up to his table, I told him that I was a big fan, and he said that he recognized me. I didn’t think we had met, but then remembered I had met him at NYCC last year. Still, there’s no way he remembered me, and I’m sure he says this to all the boys. Anyway, the con had been selling an exclusive cover of Batman: Rebirth #1, but it was the same cover as the normal book, only it had “Awesome Con” on it – for TWENTY dollars. Fuck that noise! I went back to the Big Planet Comics booth, and picked up a copy of the regular edition for $3. I promptly went back over to King, and had him sign it. I also told him that I enjoy The Sheriff of Babylon although I have no clue what the Hell is going on. Like, the characters are interesting and compelling, but I’m totally lost on the plot. I mean, I couldn’t even really explain it to you, except for the fact that it’s set in post-Saddam Iraq. He laughed and said that he had just been thinking about possibly including a recap in an upcoming issue, just to make sure everyone was on the same page with the story. I told him I was looking forward to his Batman run, and went on my way. Really nice guy!
While walking around, Classick and I started talking about Doctor Who, trying to figure out what the appeal is about that franchise. He said that it was the scarves. I said it was the dildos. Sure, they may call it a “sonic screwdriver”, but I wasn’t born yesterday! That’s a fancy space dildo. So, as we laughed about this, an idea hatched in my head. I’d like to introduce you to my new Tumblr, Scarves and Dildos: The Magical World of Doctor Who.
Anyway, for more tales of our time at the con, check out the podcast. In any case, I think the show set the tone for the week, and that’s why Awesome Con had the West Week Ever.
On the movie front, all I watched this week was The Intern. After the bad taste left in my mouth by X-Men: Apocalypse (HOW DOES THE FLYING GUY DIE IN A PLANE CRASH?!), I just needed a cute Nancy Meyers film to make me forget all that. In the film, Robert De Niro plays a 70 year old widower who’s hired to be the intern for Anne Hathaway, who’s the CEO and founder of a fast-growing online shopping site. The company decided to hire senior citizens because they felt that these people had valuable experience, and still had a few miles left on them. At first, Hathaway doesn’t want De Niro assigned to her because he’s too observant, and she’s a private person. Over time, though, they go through a lot together and become best friends. I know it sounds schmaltzy, but it was a cute movie. It’s probably considered a “chick flick”, though I don’t think that would be a fair label. In a lot of ways, you could almost consider this a sequel to The Devil Wears Prada, as Hathaway is essentially playing Andrea Sachs in the next phase of her career (yeah, I’ve also seen Prada, but that’s only because A) I love Anne Hathaway, and B) the novel was written by a Cornell alum). Anyway, if you’re looking for a movie that you and your girlfriend/wife/husband/partner/parole officer can watch together, I’d recommend it.
On TV, the biggest thing I watched the the DC SuperHero Girls special on Cartoon Network. If you’re not familiar with it, DC SuperHero Girls is a new initiative by DC Comics to introduce their properties to young girls. It’s comprised of online digital shorts, graphic novels, and an action figure/doll toyline. Instead of the usual digital shorts, this special was an hour long, and MAN was it boring! It followed Supergirl as she matriculates to SuperHero High, having arrived on Earth only 4 weeks prior. She wants to get the same training that her cousin had, so she enrolls and immediately befriends I.T. girl Barbara Gordon. At the end of the day, I just have to admit that it wasn’t made for me. I think we live in a time where most cartoons have several layers: they’re for kids, but they still have jokes and references that adults might get. That’s not the case here. This is full-on for little girls. It also does that whole thing where it disregards who’s “good” and who’s “bad”. For example, morally-questionable Amanda Waller is the principal of SuperHero High, while Flash villain Gorilla Grodd is the vice principal. Meanwhile, Granny Goodness, trainer of the Furies of Apokalips, is the head librarian. Sure, it works in the context of the show, but it doesn’t make a lick of sense to anyone with any familiarity with DC Comics. So, I guess it serves as a nice “gateway drug” for kids to get into DC characters, but those parents are gonna have some ‘splainin’ to do once those kids outgrow this show.
In Marvel movie news, it appears that Oscar winner Brie Larson (Room) is being eyed to star as Carol Danvers AKA Captain Marvel. I don’t know a ton about Larson, but I don’t hate this news. After all, it’s not like Longmire‘s Katee Sackhoff ever had a serious chance at the role, despite fan desire. I haven’t tried to fancast the role myself, but it’s certainly a better idea than the previous rumor that Chloë Grace Moretz (Kick-Ass) was interested in the role. Meanwhile, on the Fatman on Batman Podcast, Marvel Chief Creative Officer Joe Quesada seemed to confirm that Marvel Studios now has the rights to Namor: The Sub-Mariner. In the past, it was reported that these rights were actually being held up at Universal, along with the Hulk rights.
Across the aisle, there was also news from the DC Films camp, as Dope director Rick Famuyiwa has taken over for Seth Grahame-Smith as the director on The Flash. People seem excited by this news, but I’m not sure what to think. I mean, this would’ve been Grahame-Smith’s directorial debut, so he didn’t really have a cinematic track record to go on. That said, what I know about Famuyiwa is that he directed and scripted Dope (which I loved), while he also directed HBO’s Confirmation about the Clarence Thomas hearings (which I enjoyed). So, I’m not really sure what kind of sensibility he’s going to bring to the workd of The Flash. Seems almost out of his wheelhouse, but maybe I’ve just got him pegged in my mind as a certain type of director.
In comic news, IDW Publishing has announced “Revolution”, which will merge all of their Hasbro-based properties into a shared universe, not unlike the shared cinematic universe that is being created. IDW promises that this is not a reboot, and all of the events of the individual comics still happened, but now they will have effects on other books. This event will merge the worlds of Transformers, G.I. Joe, Micronauts, Action Man, and Rom: The Space Knight. The result of this event will be the debut of the M.A.S.K. comic that I talked about a few weeks ago. If they really wanted to impress me, though, they’d find a way to fit the Jem comic in there. Anyway, that promo image just looks like a mess. Total cacophony. I know a lot of folks love the Transformers comics, so for their sakes, I hope this works out.
In other comic news, this week saw the end of Hellboy’s journey, as Hellboy In Hell #10 was released on Wednesday. If you haven’t been keeping up with the Hellboy comic, the character died back in 2011 and has since been having adventures while fighting monsters and demons in Hell. I, for one, have not been keeping up with the book, so most of the recaps that I read didn’t make a lot of sense to me. That said, I’m sort of surprised this book isn’t getting more press. I mean, we live in a time when comic deaths are pretty much meaningless, but fans of Hellboy are calling this a beautiful and fitting ending. Creator Mike Mignola isn’t opposed to returning to the character at some point down the road, but for now he’s giving Hellboy a well-deserved rest.
In toy news, we got a look at the upcoming X-Men wave of Marvel Legends figures. Due to the contentious relationship between Marvel and X-Men licensees, a lot of people were afraid the wave would be cancelled after it debuted at Toy Fair back in February. The wave will include Deadpool, Cable, Kitty Pryde, Wolverine (Brown Costume), Jean Grey, Iceman, Havok, Rogue, and a Juggernaut Build-A-Figure. These are expected to be released this month, but with Hasbro’s distribution issues, I don’t expect to ever see these in stores.
It’s been a crazy week for me in social media. I woke up Sunday morning to this:
Yup, it’s really him – ya know, every red-blooded woman’s “hall pass”. At first, I figured he somehow knew I had a “halfy” kid, and was trying to get me to buy his book about halfy kids. Then, I found out he also followed some of my friends online. So, I’m not sure to what I owe this honor. So, my Verified followers now include Aaron Carter and Taye Diggs. Then this happened:
If you don’t know Aries, he’s best known as “The Black Guy from MADtv“. as he was on there for 7 seasons before Keegan Michael Key and Jordan Peele joined the show. Every now and then, he finds himself in a Twitter controversy, but I found myself watching a YouTube interview with him and he was really dropping some knowledge. Two hours later, I realized that I’ve underestimated him all these years. So, when I was done, I tweeted that I had just spent 2 hrs watching this interview series, and I woke up to find he’d followed me. Let’s see how long this lasts. But the craziness didn’t stop there!
My pal Chad had posted on Facebook that Honey Boo Boo’s mom, Mama June, would be appearing at the Baltimore Hustler Club. I thought it was a joke, so I tweeted about it. I didn’t think that A) she’d reply or B) it’d be true. I guess she’s gotta make that money, but the whole thought is just kinda sickening to me. I mean, I hope she’s not stripping! Maybe she’s just signing shit or something.
Later that night, I was watching my new favorite reality show, Single Dad Seeking, and I was tweeting about it. If you’ve never seen it, it’s a show on TLC that follows 5 single fathers as they look for love. One of the dads, Mike, is a roofer from Jersey, and he’s dating this chick named Valene. Valene’s hot, but doesn’t appreciate that she’s been thrown into this role of being a parent so early into the relationship. In the most recent episode, it was Mike’s kid’s birthday party and Mike had invited Valene. Mike’s ex (and baby mama) was there, and she’s just straight Jersey trash. She and her friend were talking shit about Valene, but Valene composed herself and handled it like a trooper. I tweeted the above, and didn’t expect to get a reply. I guess reality “stars” don’t have anything else to do when not filming, but it’s always weird when these people actually see what you’re saying about them.
To top it all off, the official Instagram account of the Power Rangers movie followed me. You all may not Like my pics, but somebody out there clearly cares!
Things You Might Have Missed This Week
The Rock has signed on to play pulp hero Doc Savage, once he’s finished filming the 70 other movies to which he’s currently attached
The Batman v Superman: Dawn of Justice Ultimate Edition has been announced to hit HD Digital on June 28th, followed by a physical release on July 19th. This edition features 30 more minutes of torture, clocking in at 182 minutes, and will be rated R for “Really?!”
That dude from Hamilton will probably be leaving Hamilton, to no longer play Hamilton, when his contract ends on July 9th. He’ll, then, go on to costar in the Mary Poppins sequel with Emily Blunt
In leaked storyboards from the abandoned Spider-Man 4, it was revealed that Anne Hathaway would’ve been playing Felicia Hardy. Instead of sporting the alter ego of the Black Cat, she would’ve, instead, been a character named The Vulturess. Bullet dodged.
American Idol season 11 winner Phillip Phillips is currently being sued by Idol production company 19 Entertainment for breach of contract. They claim he owes them millions of dollars, but considering the fact that he’s only sold a million albums in the past 4 years, I’m pretty sure he ain’t got that money.
Man, y’all went crazy for Ecto Cooler this week, didn’t you?! Hi-C Ecto Cooler was a mainstay in all of our lunchboxes, back when The Real Ghostbusters was tearing up the weekday afternoon AND Saturday morning airwaves. Then, it disappeared in 2001 once the Ghostbusters craze had all but dissipated. Yeah, I know it was originally one flavor, and then renamed to another flavor, but there are other pop culture bloggers out there who can give you a better rundown of its history than I can.
My relationship with Ecto Cooler was superficial at best. I never liked the flavor that much, but I liked it because it was the cool thing to like AND it had Slimer on the box. Once it disappeared, I really didn’t think much about it. To be honest, I’m more curious if people remember McCain’s Junior Juice. It came in a tiny box, and had a dapper frog on it. That shit was classy!
Anyway, fans of Ecto Cooler have been longing for its return and, in conjunction with the upcoming Ghostbusters reboot, they’re getting their wish. A few well-connected bloggers got a nice shipment from Coca-Cola to celebrate the return of the cherished beverage, but I guess mine got lost in the mail. Nope, not bitter at all. Anyway, the drink was set to be on shelves this past Monday. Though it’s odd that a release would be scheduled for a holiday, the Cooler fans took to the streets, scouring store after store for their light green nectar. As I said on Twitter, if the Ecto Cooler street teams were in charge of some voter registration drives, maybe we wouldn’t be in the shitstorm we’re in. Now, there are a lot of ways to read into that statement, but I’m just gonna say it’s a tribute to the organization of the Ecto Coolites. Yeah… Anyway, the stuff wasn’t on shelves when promised, so some folks have resorted to ordering it off Amazon, where it’s available to Prime customers. I don’t plan to join the reindeer games. It’s nice that folks are getting something they’ve wanted for years, but I just don’t love the taste enough to scour the globe. If I happen to find some in my travels, I’ll pick it up for old times’ sake, but for now, I’m gonna leave this to the professionals. In any case, Hi-C Ecto Cooler had the West Week Ever.
P.S. Let me know if any of you will be at Awesome Con tomorrow, as I’d love to meet up!
So, the main movie that I watched this week was X-Men: Apocalypse. Where to even begin with this film? When I reviewed Batman v Superman: Dawn of Justice, I tried to be diplomatic. I never said that was a *bad* movie, but I simply said that it didn’t work for me. I can’t do that here, though. This was a bad movie. At the end of the day, it suffers from a failure to launch. It never feels like it builds to anything worthwhile. It has a decent 1st act, but an almost non-existent 2nd act, finished off with a rushed 3rd act.
I’ve already mentioned that I’m tired of the Erik-Charles-Raven Show, and this is just more of that. The other characters are never fleshed out, and just serve as window dressing for that trio. They are their comic counterparts in name only. Psylocke? Useless. Storm? Really doesn’t improve much on the Halle Berry incarnation, but that’s not the actress’s fault. She did the best she could with what she had. I’ve never seen Game of Thrones (outside of a supercut of all the sex scenes from the first 4 seasons), but I don’t know what it was about Sophie Turner that made Fox think she was the one to play Jean Grey. Sure, Famke Janssen was no Oscar winner, but she at least had a personality. Oscar Isaac is wasted as Apocalypse, as that character could’ve been played by almost anyone. He brought nothing to that role. Apocalypse’s motives aren’t all that clear to anyone unfamiliar with the character. Someone on Twitter mentioned that Hive on Agents of S.H.I.E.L.D. actually did Apocalypse BETTER than the actual Apocalypse did in this film, and I can’t disagree. Hive had a purpose, he had his own kind of “horsemen”, and he capably swayed the Inhumans to his cause. Apocalypse just goes around giving folks makeovers and amping up their power levels, but there’s no real indication as to WHY. Quicksilver’s great, and I’d watch a whole spin-off about him, even though that sounds like a terrible idea on paper.
Plus, where’s the “world that fears and hates them”? Since the events of Days of Future Past, where Mystique saved the President, the public seems to actually appreciate mutants. That’s not how that’s supposed to work. They should be terrified at the display of power they witnessed in DC. I mean, Nightcrawler walks through a mall, with no image inducer, and no one bats an eye!
It’s surprising to me that this was directed by Bryan Singer, because it felt like it was made by a first-time director with no familiarity with the characters. This is Singer’s 4th time at bat with this franchise, and he fails colossally. It’s funny because the film even makes a joke about how the 3rd movie is always the worst. There was a lot riding on this film, as it’s basically the 3rd movie in a second trilogy. Unless you’re a hardcore X-Men fan, you can skip this. In fact, you probably should just skip this.
Whew! So, what did I like this week? Well, I caught the Comedy Central stand-up special Dan Soder: Not Special. Formerly of MTV2’s Guy Code, I’m a big fan of Soder, as he’s the co-host of my favorite radio show, The Bonfire, on Comedy Central Radio. He had a great bit about how he used to think he was possessed by the Devil. It wasn’t a gut buster, but it was more of what I’ve come to expect from him. I enjoy listening to him and Big Jay Oakerson every Monday and Wednesday evening, and this was like a nice bonus episode of that. If you’re looking for a laugh, definitely check it out.
To say it’s been quite a week for Captain America would be quite the understatement. When the week started, #GiveCaptainAmericaABoyfriend started trending on social media, as fans began to “ship” Captain America and Bucky. If you’re not familiar with shipping, it’s when fans desire that certain characters enter into a relationship. From how they were portrayed in Captain America: Civil War, some folks think there’s something between Steve and James that’s a bit more intense than mere friendship. Of course, everyone took a side in the matter. Even I was like, “No, that would change the character too much because he’s been depicted in relationships with women.” I’m all for representation when it makes sense, but this seemed like it was changing a character just for the sake of change. Why make Cap gay when there are actual gay Marvel characters who “get no shine”, as the young kids say? Then I read this. My pal Pete wrote a powerful piece on representation, and what a gay Cap would mean to him. And something happened that rarely happens: my mind was changed by something I read on the Internet. At the end of the day, I hate change. That’s something that I have to deal with, but I guess I can’t stand in the way of progress. I can understand what it would mean to LGBT folks to have a symbol like Cap on their side. And it doesn’t change anything he stands for. In fact, he would now stand for MORE. If he is gay, though, he can do a LOT better than Bucky! Anyway, I was dealing with my newfound enlightenment and then Wednesday morning happened.
The news cycle was supposed to belong to DC (we’ll get to that later), but Marvel just couldn’t let someone else have the spotlight. For the past couple of years in the comics, Steve Rogers has been depowered and advanced to his rightful age. Well, recently, he regained his Super Soldier Serum and returned to his normal self, reclaiming the mantle of Captain America, while still allowing Sam Wilson to ALSO be Captain America (yeah, that’s not gonna be confusing!). The first issue of his new series, Steve Rogers: Captain America was released Wednesday morning, with a major twist on the final page: Steve says “Hail, Hydra”, revealing that he is, and apparently always has been, an agent for his supposed greatest enemy. AND PEOPLE LOST THEIR SHIT!
It got to the point where the former Captain America writer, Ed Brubaker, was getting hassled, while the current writer, Nick Spencer, started receiving death threats. The Internet was basically divided into two camps: A) “Apparently you’ve never read a comic before, ’cause nothing’s ever permanent in comics” and B) “How dare Marvel invoke Nazis, considering they were actual bad people, and Captain America was the creation of two Jewish creators?” And both sides have their merits.
This storyline won’t matter in 2020, but maybe some new, cool supporting character will come out of it, like how we got the Winter Soldier a few years back during another storyline that could be considered a “gimmick”. I’ve always said that the current marketplace of licensing and lunchboxes kinda prevents major changes from happening to major characters, but some good can still come out of these stories.
At the same time, Nazis have been kinda neutered so much in pop culture that it’s easy to forget that these folks did some pretty fucked up shit. We live in a Call of Duty world, where you can log on and kill Nazis to your heart’s content, but that doesn’t change actual history. Just because the concept is toothless today doesn’t mean that it didn’t once carry some major weight. So, I can kinda see some folks getting offended by that. However, Cap’s been fighting Nazis for 75 years. Wasn’t it equally offensive that this comic book character was depicted fighting a real life foe that was out there eradicating people? I mean, if you’re really offended by the Nazi thing, then it seems like Cap just isn’t the right property for you. Nor is Call of Duty. Nor is The Producers. I get it. Nazis off limits.
Personally, I believe that we should wait and see where the story is going. I mean, it’s kinda hard to write it off from the first issue. If it wasn’t your cup of tea, that’s fine, too. Everything can’t appeal to everyone. I know people look to him as a symbol, and can’t understand why he would side with his enemies, but there’s clearly something bigger at play. And it doesn’t behoove anyone to waste outrage at this point in the game.
Speaking of outrage, folks were up in arms in the toy community about a San Diego Comic-Con exclusive Teenage Mutant Ninja Turtles figure release. Created by NECA, there are 8 figures, split across 2 sets, designed after the classic TMNT video game. Based on the licensing rights, however, NECA is only allowed to sell these sets at SDCC; these will not be available in stores or at any other convention. Since not everyone can make it to the convention, fans are lamenting the fact that their only chance to get the figures will be by paying a markup on eBay. Or, as they’ve been saying, “The Scalp-Ors Win”. Maybe I feel this way because I’m not the biggest TMNT fan these days, but I kinda like that they’re exclusive to the con. Sure, it sucks for completists, but these things supposedly exist to make attending the con feel that much more special. It sorta takes away from the whole exclusivity when the items are sold on company sites a few weeks after the show. If I paid over $1,000 for an experience ($245 just for show admission), you better damn well believe I want to get something special out of it. And the way I see it, whatever fans end up paying on eBay is gonna seem like a steal compared to what it would actually cost to go to SDCC and get the figures themselves. All is not lost! Right now, NECA’s saying that these figures will be released in no other form, but it seems odd that they’d go to the trouble of new tooling for something that won’t hit mass market. Just doesn’t seem practical. Maybe they’re just saying this to hype up the exclusivity of the convention sets. I guess time will tell. Whatever. I feel like the fans who REALLY want the sets will find a way – even if they have to sell a kidney to do so.
These days, I’m only an occasional wrestling fan in that I don’t watch any of the shows or PPVs, but I still keep track of who’s in and who’s out. Everyone’s injured and the fans hate Roman Reigns. That about sums it up, right? Anyway, this week the WWE announced that their TV show SmackDown would be moving to Tuesdays, and switching to a live format (for the past 16 years, the majority of the episodes were pre-taped). The reason for this is because WWE is going back to a “brand extension” model. Used in the past, but abandoned in 2011, the brand extension involves a wrestler draft, determining which wrestlers will end up on Raw and which ones will end up on SmackDown. Seeing as how Raw has been the flagship since about 1997, that’s where you really want to be. SmackDown, though originally created to be “The Rock’s Show”, has settled into an existence as the mousy little sister in the company. If you ask me, however, SmackDown has outlived its usefulness.
When SmackDown debuted, what made it special was that it was 2 hours of wrestling programming on broadcast television. Originally airing on UPN, it provided a free alternative to the pay cable Raw. Since the end of the syndicated WWF Superstars and WWF Challenge, there was a void of broadcast wrestling that needed to be filled. And SmackDown filled this void for 11 years, even past the merger of UPN and The WB, eventually landing on Fox’s short-lived MyNetworkTV. At its peak, it was the #1 program in Spanish-speaking households. Sure, the major stuff happened on Raw, but you still got recaps and some action on SmackDown. Then, after failing to really fit into MyNetworkTV’s plans, the show ended up on Syfy. This meant that both of WWE’s major shows were now on cable, with nothing being provided to those broadcast TV fans (with the exception of the severely short-lived WWE Saturday Morning Slam on The CW). Like the MyNetworkTV move, the move to Syfy made little sense, and the show was eventually moved to USA Network – the same network that serves as the home of Raw. So, what makes SmackDown special now? It also doesn’t help that WWE now has a streaming network for its programming. The popular NXT program, featuring up and coming developmental talent, is solely on the WWE Network, yet SmackDown is presenting a not-as-good-as-Raw product on USA. Why not swap them? Everyone knows SmackDown is the lesser-than, so give its USA timeslot to NXT, differentiating the offerings on USA. That still doesn’t solve the problem of a lack of WWE programming on broadcast TV.
I know a lot of folks have cable, but everyone doesn’t have cable – especially in the world of cord-cutting. What I propose is that WWE bring back WWE A.M. Raw, which was a Raw recap show that used to air late Saturday night/Sunday morning. It was an abridged version of that week’s Raw, focusing on the highlights. I say WWE should package that and sell it to CW affiliates to air on Saturday mornings/early afternoon – similar to when WWF Superstars used to air. It’s just editing existing footage, so there aren’t too many production costs involved, and I feel like there sorely needs to be wrestling on “UHF” channels like back in the old days. Sure, television is changing, but it wouldn’t hurt for WWE to have all their bases covered: cable, broadcast, and streaming.
Things You Might Have Missed This Week
In a conference call, Lionsgate CEO Jon Feltheimer announced that they may make up to seven Power Rangers films. Oy vey!
In other Power Rangers news, the new logo debuted for the upcoming Power Rangers Ninja Steel. I don’t know why these “reveals” are a big deal, seeing as how they’ve been using the same Power Rangers font since Zeo. The only thing that changes is the subtitle, and this one looks like bad Photoshop
HBO insiders are implying that there probably won’t be a third season of True Detective. I missed the second season, but the first gave us a naked Alexandra Daddario, and for that I will always be grateful.
A new Star Trek Beyond trailer came out. It didn’t suck.
Michael Keaton has reportedly signed on to be the villain in Spider-Man: Homecoming. Most reports are saying he’s playing the Vulture, though I saw one mentioning Norman Osborn. I’d prefer Osborn.
Marvel announced that Creed‘s Tessa Thompson will be portraying Valkyrie in Thor: Ragnarok, and the Internet DIDN’T lose its collective mind! Jeff Goldblum, Karl Urban, and Cate Blanchett have also joined the cast
Amazon’s Man in the High Castle‘s production has been halted, as showrunner Frank Spotnitz suddenly left the project. It is NOT a good week for Nazis!
FX announced that The Americans will end after two more seasons. I really need to catch up on the show.
It’s rumored that Rob Lowe may be replacing Michael Strahan on Live! With Kelly and…I wanted NPH, but I don’t hate this idea.
Digital comics platform Comixology introduced Comixology Unlimited, which offers a limited “all you can read” service for non-Marvel and DC comics, at $5.99 a month. It’s unclear, however, how creators will be compensated. Right now, it seems like they’re just getting “exposure”.
No podcast appearances this week, but I did want to share some shows with you. First up, the No Topic Required Podcast is back up and running. They sort of took a break after episode #100, but it seems like Zack and Adam are back in the saddle. As the title suggests, there’s no specific topic for the podcast, but they cover everything from video games to movies to comic/toy controversies. I’ve been on a few times with them, and always have a great time. If you’re looking for a new show, check them out!
Also, one of my favorite discoveries is the Positively Nerdy Podcast. I can be kinda ornery on here, but I really do want the best from things. Ryan looks at all that’s good in geek culture, and he records so many different shows that he’s a podcasting machine! If you like comic reviews, he’s got them. If you like movies, he’s got the review show Ryan and Leah: At The Movies. If you want a quick listen, he’s got Nerdy Nuggets. He’s a great guy, and I really like everything he puts out. If you’re looking for the non-cynical side of fandom, I highly recommend that you check out Positively Nerdy.
Despite the Captain America hubbub, I really believe the comic news cycle belonged to DC Comics and DC Universe: Rebirth #1. I’ve been covering the lead-up on this site, but we finally got to see what it’s all about. Released midnight Wednesday, the comic sets the DC Universe on a new path, to recapture something that it had lost: hope. As many DC fans will tell you, the New 52 reboot drove away a lot of long-time readers, and it created a universe that was bleak and somewhat hopeless. Basically, it was a Zack Snyder movie in print. So, this was an attempt to win back those old fans.
Where to begin? Well, (and in case you didn’t know, this part’s gonna contain mad spoilers, but nothing you haven’t already seen spoiled by the mainstream media), the story focuses on original Kid Flash, Wally West, as he’s unhinged in time. We haven’t seen this character since the 2011 Flashpoint event that spawned the New 52, so it was the welcome return of a fan favorite hero. Wally visits several characters, like Batman and the original Johnny Thunder, in an attempt to warn them that some outside force has been influencing the timeline, resulting in a loss of memories and a 10-year span of time. He’s unable to reach any of them, and is continually sucked back into the Speed Force – the energy pool from which all DC speedsters draw their powers. Finally, he reaches out to his former mentor, Barry Allen/The Flash, who eventually remembers Wally and helps to rescue him from the Speed Force. Over the course of the story, we find out more tidbits and revelations. Apparently, there have been THREE different Jokers, which seems odd ’cause wouldn’t Harley realize she’s obsessing over three different dudes? Wonder Woman has a twin brother. Jackson Hyde/Kaladur’ahm/Aqualad made his post-Flashpoint debut. And, to the joy of many, Ted Kord made his post-Flashpoint debut as a mentor to Blue Beetle, Jaime Reyes. And to cap it off, we got a doozy of an ending: Dr, Manhattan, of the classic 80s comic Watchmen, was revealed to be the force that had altered the DC Universe’s timeline. Huh.
That ending is important because it’s the first time that the Watchmen characters have been incorporated into the mainstream DC Universe. The story is largely seen as a contributing factor in comics becoming dark and gritty, so it sort of makes sense that in order to find what’s lost, you return to where you last saw it. The happy-go-lucky, “heroic” DC existed prior to Watchmen, prior to Crisis on Infinite Earths. So, this sort of brings everything full circle. But what does it really mean? Are they blaming Alan Moore for the state that DC eventually found itself in? What’s to be gained by reclaiming that story and incorporating it into the mainstream? Alan Moore has notoriously dismissed any association with the story after he was screwed out of ownership. I feel like he wouldn’t necessarily agree with how they’re being used now, as that wasn’t his original intent. Still, they’re technically DC’s toys, so they can do with them as they please.
I went to a midnight release for the book, and couldn’t wait to get home and crack it open. When I was done, all I could say was “huh”. I didn’t hate it, but I didn’t love. I was really just confused. Why was The Comedian’s button in the Batcave? Like, it’s a great visual, but how would it even get there? And sure, it was great seeing Ted Kord, considering the last time we saw him was pre-Flashpoint, with a bullet in his head. It seems like DC did everything right to cater to those lost fans. They brought back dead/forgotten heroes, they tied the story back to a seminal classic, and it set the stage for things to come. From a lot of the folks I’ve been following online, they love this book. And, to me, that’s a problem.
The people who are really loving Rebirth #1 are in their 30s and 40s, and they’re saying “This reminds me of the DC I used to read.” That’s great for you, but bad for the industry. I’ve been reading comics for over 20 years, so I know the main tentpoles. The Dark Knight Returns, Watchmen, Crisis on Infinite Earths. I know what those did for the industry, and I know they’re basically revered, But I didn’t see anything about this comic that would necessarily appeal to a NEW reader.
Folks in their 30s and 40s have other priorities. They can’t be depended on to keep this hobby afloat. You need to reach out for NEW blood. Now, it can be argued that DC was trying that when they introduced the New 52 reboot, starting (most) books back at square one. At that point, Batman and Green Lantern were the only books that required prior knowledge in order to fully understand them. But for all their desire to start fresh, DC is consumed by this desire for “legacy”. Chief Creative Officer, and writer of Rebirth, Geoff Johns has said in interviews that this is what Rebirth is all about: regaining a sense of legacy. DC has a rich history, and I can understand the desire to capitalize on that, but they’re so busy reminding us of where they came from, that they don’t spend enough energy figuring out where they’re going.
Rebirth #1 is nothing but another self-referential circle jerk by DC, tied to a 30 year old story – WHICH, by the way, generated a movie that was polarizing at best. Had the Watchmen film been a huge critical and financial success, then maybe I’d understand this. After all, it was just released 7 years ago, so it would be somewhat fresh in folks’ minds. Instead, this book holds no real meaning to new comic fans. I’m of the argument that Watchmen is very much a “you had to be there” sort of read. I’m sure it was groundbreaking when originally released, and it changed the industry in such a way that a lot of folks only know a comic industry painted by the influence of the book. They have no clue that things don’t HAVE to be dark and gritty. Rebirth seems like an opportunity to introduce that concept to new fans, but instead it’s like DC crawling back to old fans like, “Are you still mad at me?” If anything, it feels like this move was really just to sell more copies of Watchmen, as now the new fans are gonna go seek out that story in order to try to figure out what they just read, or why that ending should be seen as significant. That’s great for DC’s backlist, but it doesn’t necessarily mean anything for its future.
But I don’t want to sound like it’s all bad. I am eager to see where things go, and I would also like to see hope restored to the DC Universe. I can’t say I’ve really enjoyed the direction of the New 52, so if we can get back to a pre-Flashpoint tone, I’m all for it. When it comes to DC, though, I’m a ride or die bitch, so I’ll be with them if it succeeds, and I’ll be with them if it fails. I just wonder how many new fans are gonna be right there with me. In any case, it’s rare that DC Comics can dominate the news cycle, and also get folks excited about their product. So, with that in mind, DC Universe: Rebirth #1 had the West Week Ever.
On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.
I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring. I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.
On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.
I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!
I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.
A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.
There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.
Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.
It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.
Things You Might Have Missed This Week
It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series
Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.
There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.
I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):
ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.
CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.
Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.
NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.
The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…
So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!
On the movie front, I traveled back to 1988 and finally watched They Live. Yeah, I know it’s something of a cult classic, but I’d never gotten around to seeing the thing in its entirety. “Rowdy” Roddy Piper stars as a drifter who stumbles upon a pair of magic sunglasses that reveal the world has been overrun by aliens. They hide subliminal messages in marketing and advertising, convincing humans to “Obey” and “Consume”. In humanity’s quest to acquire more money and status, we ignore the conquest going on around us. Piper and his reluctant partner, in the form of Keith David, decide to stick it to the aliens and take back the night. Why am I even summarizing this film, when everyone reading this is probably more than familiar with it? Anyway, I really liked it, but I feel like it was too short. Maybe it’s because we currently live in a 2.5 hour action movie society, and I’m spoiled. It’s probably great that the movie was made when it was, as it would’ve been completely different if made today. We would’ve gotten some drawn out origin of the aliens, and then we would be forced to believe that this manual laborer had the computer skills to hack them and take them down. For this film, all it took was a gun and a satellite dish. And what was up with Meg Foster’s eyes?! Was she blind? I’ve never seen eyes like that in nature before. Anyway, it’s a good 80s romp, but it’s just as poignant today as it was when it was released. Maybe even more so. Anyway, I’m sure there’s some unnecessary 21st century update sitting on some producer’s desk as we speak.
Next up, I watched Ted 2 and I really don’t get why it bombed so hard in theaters. I thought the film was just as hilarious as the first one, though not necessarily as good. In this film, teddy bear Ted and human Tami-Lynn decide to have a baby in order to repair their struggling marriage (’cause THAT works…), but their attempt at adoption fails when the courts decide that Ted is property and not a person. He loses his job, the marriage is annulled, and his credit cards are cancelled, so Ted and his Thunder Buddy, John, set out to prove that Ted is, in fact, human. The movie’s basically like a live action Family Guy, and even reuses a few gags from the show. Maybe America just needs a break from Seth MacFarlane. I mean, first A Million Ways To Die In The West bombed, and then this. MacFarlane just isn’t having a lot of luck at the box office, and the first Ted‘s success is starting to look like a fluke. The film’s got some fun in-jokes and cameos from folks like Michael Dorn, Patrick Warburton, and Nana Visitor. Which reminds me: is Michael Dorn OK? Like, has he been sick? ‘Cause he’s lost a LOT of weight, and not in a good way. Anyway, I think this is the first film to promote New York Comic-Con as a big deal. Sure, there are films that showcase SDCC, but this movie put NYCC on the national stage. Anyway, I feel kinda bad for the MacFarlane empire at the moment. This movie underperformed, and then we got the terrible Bordertown and an unmemorable season of Family Guy (which, conspicuously enough, hasn’t been renewed for next season yet). If you’re a MacFarlane fan, you’ve got to see this film. If not, then you should probably just keep moving.
I also finally caught Creed. What a great film! Seriously, it was uplifting and inspiring in all the right ways. Apollo Creed’s illegitimate son seeks out Rocky Balboa to train him to become a fighter outside of his father’s shadow. Michael B. Jordan is just so cool, and great in the role. Director and writer Ryan Coogler did a great job capturing the underlying Rocky themes of redemption and perseverance. It was a great “passing the torch” film, and while I’d welcome a Creed sequel, I’m also fine with it being the coda to the Rocky franchise. I’ve got nothing snarky to say. Just see this movie!
Sadly, I also saw Zoolander 2. I LOVED the first Zoolander, but this movie joins Anchorman 2 in the disappointing “Too Little, Too Late” bin. Seriously, 15 years for a sequel?! The movie is pretty dreadful, and doesn’t really gain any sort of spark until Will Ferrell’s Mugatu reappears halfway into the film. The film kicks off with a break-neck montage to show us what Zoolander’s been up to since 2001. The Center for Kids Who Can’t Read Good and Wanna Learn To Do Other Stuff suffered a structural catastrophe, collapsing into the ocean, killing Zoolander’s wife, Matilda. Derek, then a widower and single parent, has his son taken away from him by Child Protective Services, and he decides to live life as a “hermit crab”. Derek’s brought out of retirement when his son is kidnapped by Mugatu in order to sacrifice him for some mystical fashion ritual. It’s a really crazy plot, but that’s kinda par for the course when it comes to Zoolander films. It’s got a lot of fun cameos, and it features SNL‘s Kyle Mooney in a role where I don’t totally hate him. Like Anchorman 2, it was nice to see the gang back together, but the magic just isn’t there anymore. It had a very lackluster start, but it just barely sticks the landing. You can skip this one.
On TV, I caught the Comedy Central stand-up special Nikki Glaser: Perfect. She talks a lot about sex. A LOT. It’s not that that’s a bad thing. She does it in a funny, self-deprecating kind of way. The problem, though, is the same problem I had with Tosh’s last special: I didn’t watch it when it premiered, so I’d already heard all the jokes on Comedy Central Radio by the time I got around to watching it. Not Glaser’s fault, by any means.
In television news, NBC has officially picked up the DC/Warner Bros series Powerless, which stars Vanessa Hudgens as an insurance agent who handles claims after superhero battles. It’s a workplace comedy set in the DC Universe, and is set to showcase some lower-rung DC heroes. NBC had success with The Office, so they’re going back to the well, but this sounds like a terrible show. Also, I feel it’s way too similar to Damage Control, which is the company in the Marvel Universe that handles repairs after superhero battles. Not coincidentally, a Damage Control show has been rumored to be in development at ABC, but DC and NBC beat them to the punch. Anyway, the show also features Danny Pudi and Alan Tudyk. To me, Tudyk is something of a modern-day Ted McGinley, so I’m not sure that bodes well for this series.
There was a LOT of TV news last night, as the culling began in preparation for the network upfronts next week. On the ABC front, Marvel’s Agent Carter has been cancelled, as well as 8-season stalwart Castle. Meanwhile, the Agents of S.H.I.E.L.D. spin-off Marvel’s Most Wanted will not be going ahead at the network. The Muppets has also been canceled after a lackluster first season that required a midseason retooling. Musical Galavant has also been canceled after 2 seasons. In a somewhat surprising move, ABC also canceled the cult favorite Nashville, as well as freshman drama The Family. Over at Fox, Second Chance has been canceled, meaning it won’t be getting, well, a second chance. As a dagger through my heart, Fox also canceled comedies The Grinder and Grandfathered. I kinda bailed on the former (even though I really enjoyed it), but I really felt the latter had grown into something special, with a lot of heart. Oh well, I guess it means Stamos will be more of a presence in season 2 of Fuller House now. Seth MacFarlane’s Bordertown also got the axe. Meanwhile, it’s official, as Supergirl will be moving to The CW in the fall. The Archie series Riverdale has been ordered to series, while Containment has been canceled. Also, NBC has ordered Chicago Justice to series, therefore basically handing their network to Dick Wolf.
If you watched last night’s Legends of Tomorrow, then you’ll understand why Wentworth Miller won’t be a series regular next season. Instead, he’s entered into an interesting deal with Warner Bros TV that essentially makes him a regular in the “Berlantiverse”, not tied to one particular show. His talents will primarily be spread across Flash and Legends next year, but he could even appear on Arrow or Supergirl. I guess WB realized they had something special on their hands with that character and, while I’m sad to see he won’t be part of the Waverider crew next year, I am glad to see it’s not the end of the road for Leonard Snart.
On the music front, Justin Timberlake released his first song since 2013 last Friday. Called “Can’t Stop The Feeling”, it’s from the soundtrack to the upcoming DreamWorks animated film Trolls. It’s already being called “the song of the summer”, but it’s only May so let’s not get carried away. Still, any chance to see Ron Funches and Anna Kendrick dance (for different reasons, of course!), is a good thing. It’s a fun little ditty, so check it out.
In the world of video games, Disney Infinity has been discontinued, and Disney is exiting the game publishing industry. Reportedly, they’re taking a $147 million loss, which is surprising considering the platform featured Star Wars and Marvel characters in addition to Disney ones. I mean, if you can’t make money with Marvel and Star Wars right now, you’re doing business wrong. Anyway, I never trusted any of those “figurine switcheroo” games because they just seem like cash grabs. Skylanders seemed kinda groundbreaking, but then we ended up with Infinity, LEGO Dimensions, and amiibo – not to mention Hasbro’s own failed Playmation platform. Are they in the game industry or the collectible figure industry? Because it doesn’t seem like you can successfully be in both for long.
Things You Might Have Missed This Week
It was reported that Alden Ehrenreich has been cast as Han Solo in the Star Wars character’s solo film. Never heard of him, but good for him!
Ben Affleck was named an executive producer on the Justice League film, amid rumors that Zack Snyder and Warner Bros are currently fighting over the project.
Sharon and Ozzy Osbourne split up after 33 years together, after Sharon allegedly caught Ozzy having an affair with a celebrity hairstylist
Victoria “Posh Spice” Beckham admitted that her mic was never on during Spice Girls performances
The Superman prequel Krypton has been ordered to pilot at SyFy. Seriously, though – who gives a shit about Krypton?
After 30 years with the company, Steve Lombardi, also know as the Brooklyn Brawler, was released by WWE.
Gentlemen, start your engines! Topanga’s back on the market! Danielle Fishel has divorced her husband after 2 years of marriage
Chris Evans is reportedly dating Jenny Slate. I’m not sure which one I’m more jealous of!
CSI: Cyber was cancelled by CBS, ending the CSI franchise for the foreseeable future
It’s currently the #1 movie in the WORLD. It opened in the US to $179 million last weekend. It introduced the man on the street to Black Panther. It’s loved by almost everyone. And I’ve gotten 2 podcast appearances out of the whole thing. I won’t get into story beats, as not everyone’s seen it, plus I’ve already discussed it ad nauseam on the aforementioned podcasts. So, I think it’s fair to say that, for the second week in a row, Captain America: Civil War had the West Week Ever.
I watched quite a few things this week, so let’s get to it!
I’ve been in a stand-up comedy mood lately, and Comedy Central has been celebrating a month of new specials. First up, I caught Daniel Tosh: People Pleaser. If you’re familiar with Tosh, then you already know what you’re in for. His onstage persona is basically that of an asshole, and he brought that in full force here. It was mostly new material, though he did rework an old joke about Nadya Suleman (“Octomom”) into a joke about the 19 Kids and Counting Duggars. My biggest issue, I guess, is that I didn’t watch it when it premiered, so it was all kinda old for me. You see, I listen to Comedy Central Radio on SiriusXM in the car, and they’ve been playing clips from the special for about a month now (the special actually premiered at the beginning of April), so by the time I got around to watching the whole special I realized that I’d already heard all of the jokes. Even though Tosh’s humor isn’t for everyone, I think he’s a lot better at the Asshole Comic thing than, say, Anthony Jeselnik. If that’s your cup of tea, then check it out.
Next up, I watched Chris Hardwick: FUNcomfortable. This isn’t a popular opinion amongst the geek set, but I do not like Chris Hardwick. I had no problem with Singled Out/Shipmates game show host Hardwick, but I don’t like Hardwick 2.0 of the Nerdist empire. Something about him just rubs me the wrong way. The folks who listen to his podcasts tell me that his biggest flaw is that he makes everything about himself. I’ve never listened to a Nerdist podcast, so I don’t know about that, but I do know that I just don’t like his vibe. So, if I already knew I didn’t like him, why did I watch his special? Well, Comedy Central Radio had a town hall interview with him, moderated by Wil Wheaton, that aired several times over the weekend. I did a lot of driving, and ended up listening to parts of it 4 different times. And I came to realize that I actually had a lot in common with him, in terms of depression and anxiety. And it was interesting hearing about his alcoholism and how he decided to get sober. I think I didn’t like him because he just seems like he tries too hard, but the interview made me realize why. I kinda felt like I needed to cut the guy a break after that. I’m still not interested in his podcast, but I was willing to give an hour of my time to watch his special. And it was good. I’m glad I watched it. If you’re a fan of all the Nerdist stuff, you’ll probably love it. If you want to know more about Hardwick himself, though, I recommend checking out that town hall interview, which is probably on demand on the SiriusXM site. He seems like he’s in a good place now, and I’m happy for him for that. His comeback story is kind of amazing, going from TV host to producing mogul, so I’ve got to give him credit for what he’s achieved in this second phase of his career.
On the movie front, I watched The Boss, starring Melissa McCarthy. I already know that there are people predisposed to hating her and her movies, so you should probably just skip to the next paragraph. I, however, happen to be an unabashed fan of her films. I even liked Tammy. So, I was kinda surprised that I was disappointed by this one. In the film, McCarthy plays a Martha Stewart analogue who’s sent to prison for insider trading. Once she gets out, she partners with her former assistant to create a brownie empire. It’s not bad, by any stretch, but it wasn’t hilarious. I loved The Heat. Spy was incredible. This, not so much. It suffered from the fact that the funniest parts were spoiled in the red band trailer. Plus, and I had this same problem with Deadpool, I didn’t really feel like it had to be an R-rated film. Over the years, McCarthy has kinda become the queen of the R-rated comedy, so I guess the studio just said, “Well, let’s make another R-rated comedy for her”. That said, most of the “fucks” seemed forced (like they were just there to justify the rating), as well as all the other material that guaranteed the rating. She implies a tween is a lesbian, Tyler Labine is supposed to perform oral sex on a security guard. All the “edgy” stuff just felt out of place. Don’t get me wrong – I laughed, but it was at stuff I’d already seen in the trailer. Outside of that, the movie didn’t have much more to offer.
On “television”, I watched the Netflix series Love, on recommendation from my pal Chris Piers from over at The Robot’s Pajamas. Geeky Gus meets trainwreck Micky in a convenience store after they both get out of bad relationships. Over the course of 10 episodes, we try to find out if two damaged people can truly find love. The show starts Paul Rust (who’s also the co-creator) and Gillian Jacobs (Community), and is produced by Judd Apatow. In true Apatow fashion, the characters occupy this state of arrested development, where they’re in their 30s, but not quite “adults” because they’re just trying to figure their shit out. Gus has always been the nice guy, so he pretty much ends up in the “friend zone” when he meets Micky. Meanwhile, Micky’s a pretty, yet slovenly, woman who’s got an addictive personality. She’s addicted to alcohol, she’s addicted to sex, and she may be addicted to love. So, is Gus what she really needs right now? Can Gus handle a woman like her? Meanwhile, Gus kinda becomes my hero, as in the course of the series he sleeps with both Milana Vayntrub (Lily from the AT&T commercials) and Briga Heelan (Ground Floor, Undateable). It’s a great show, and I ended up watching the majority of the series in one night. I simply couldn’t put it down. I highly recommend it!
In movie news, we got our first look at the new Power Rangers movie suits, thanks to Entertainment Weekly. I don’t…hate them. Seriously, I actually kinda like them. They’ve not been without controversy online, though. First up, people don’t understand why the female Rangers’ breasts are molded into the suits. Or why the female Rangers’ boots have wedged heels. That said, I’m finding that most of the people with the biggest issues with them are folks who checked out of Power Rangers during the Mighty Morphin incarnation. We’re talking about a 20+ year franchise, being judged on its first 3 years. That’s not exactly fair. To me, these suits are a natural progression from the original movie suits from ’95. This is just an ’00s update of what we got back then. People are saying that they look like Iron Man, and I see that, but I think it makes sense. It’s not like they were going to be able to go the spandex route for the big screen, so folks should’ve expected some kind of armored form. The thing I like most, though, is that the Rita suit is starting to make more sense. Hers is clearly a damaged version of their suits, so was she the Green Ranger? They also look reminiscent of Lord Zedd’s design, so will he factor into things, too? You’ll see a lot of hatred about the suits online, but you won’t see any of that from me.
In TV news, it was revealed this week that Star Trek fans won’t be able to initially bingewatch the new Trek series when it premieres, as the episodes will be released weekly. I understand the reasoning behind this, as CBS probably doesn’t want people signing up for All Access for a month and then leaving once they’re done watching the show. That said, I’ve never been one to keep up with weekly streaming shows. I don’t know what it is about the platform, as I’ll watch weekly shows on “real” TV. Back when Yahoo Screen released Community on a weekly basis, I pretty much just waited til the end of the season and then binged all the episodes I’d missed. That’s probably what I’ll do with this show, if I watch it at all. I love Star Trek, but everything I’m hearing about this show’s distribution makes me sad. Creatively, it sounds like they’ve got a great team on the project (it was also announced this week that it’ll begin filming in Toronto in this fall), but it’s almost like CBS is hellbent on screwing up its distribution. It was also revealed why the show is debuting in 2017, and not this year to celebrate the 50th anniversary of the franchise. Apparently, during the 2006 split between CBS and Viacom, CBS got the Trek TV rights, while Viacom retained the Trek film rights. As part of that deal, Viacom insisted that the new show couldn’t debut until 6 months after the film premieres, in order to avoid confusion in the marketplace. Now, in a world where DC Comics has a “Batman” show on TV, and batman in films, it’s clear that the audience isn’t that dumb, but I guess Viacom wanted to protect their investment in Star Trek Beyond.
In other CBS TV news, it’s really coming down to the wire on Supergirl‘s renewal, as CBS is scheduled to announce their fall schedule at the network upfronts in two weeks. Apparently, the show costs about $3 million per episode, and the network really wants to cut down that license fee. CBS doesn’t feel that the ratings justify the amount they’re paying to Warner Bros to air the show. So, now the rumor of the show moving to sister network The CW is picking up steam. The pro of the move means that the show would be on the same network as the other Berlantiverse shows Arrow, The Flash, and Legends of Tomorrow. The con, however, is that The CW doesn’t pay high licensing fees, so that means some budget cuts would probably have to happen. For example, Calista Flockhart probably makes a nice piece of change on that show, so she’d probably be out. That’s just my speculation, though. In any case, CBS needs to make a deal quickly.
Over on NBC, Natalie Morales is out at the New York offices of The Today Show, and is moving out west to be the West Coast anchor of the show. She’ll also be the new host of Access Hollywood and Access Hollywood Live. Meanwhile, current Access Hollywood host Billy Bush is headed to New York to join The Today Show. This switcheroo is the beginning of some more ongoing structural changes coming to The Today Show over the next few months.
In comics news, USA Today announced that IDW Publishing will be releasing a comic based on the 80s cartoon M.A.S.K. Following the members of Mobile Armored Strike Kommand as they fight the evil agents of Vicious Evil Network of Mayhem (V.E.N.O.M.), it was basically G.I. Joe with transforming vehicles, and enjoyed a cartoon series and toyline. Since IDW seems to be in Hasbro’s good graces, having published years of G.I. Joe and Transformers comics, it makes sense that this series would end up there. Writer Brandon Easton and artist Tony Vargas are reportedly “putting a Fast and Furious spin” on the property. I’m not sure what to think about that. From what the creators say in the interview, it doesn’t really sound like M.A.S.K. Plus, I think fellow kids of the 80s would rather have a M.A.S.K. toyline than a comic, but maybe that will come from Hasbro’s Cinematic Universe.
Things You Might Have Missed This Week
The Russo Bros revealed that Avengers: Infinity War Parts 1 & 2 would be renamed before their release, as they’re both 2 very different movies.
Batman: The Killing Joke will be released digitally on July 23rd, followed by the Blu-Ray and DVD on August 2nd
Sharknado: The 4th Awakens will premiere July 31st, featuring appearances by Baywatch‘s Alexandra Paul, David Faustino, Dog the Bounty Hunter, and Stacey Dash.
The Flash film lost its director when Seth Grahame-Smith stepped down. Now there are rumblings that James Wan might leave his directing post on Aquaman.
Hulu renewed The Mindy Project for a 5th season
Netflix announced a spinoff series for The Punisher, starring Jon Bernthal
The other night, I had the pleasure of joining Classick, and CJ from 3 Black Geeks, to do a Civil War preshow podcast. It was a great time where we talked about recent comic book movies, as the recent deaths of some celebrities. You should definitely check it out here.
I saw it last night, and I can say that Captain America: Civil War definitely had the West Week Ever. If you want to know why, then go see the film. I’m not gonna spoil anything here. Let’s just say that I went in Team Iron Man, and I left Team Iron Man. I’d love to know how you felt after you saw it. Sure, there are some similarities to Batman v Superman: Dawn of Justice, so folks are gonna make some comparisons, but I’m not gonna do that here. I’m not sure if I’m ready to say it was the greatest comic book movie of all time, but I thoroughly enjoyed every minute. Seriously, go see this movie this weekend!
The only thing I really watched this week was the Comedy Central stand-up special, Amy Schumer Presents Rachel Feinstein: Only Whores Wear Purple. The title just goes to show ya that it really is all about who you know. Feinstein’s had specials before, but I guess since she’s friends with Schumer, and Schumer’s name now carries some weight, they felt this was the best way to present the special. I actually think it kinda takes something away from Feinstein – like, she only got the special because of her friend, which isn’t true. Anyway, a finalist on season 7 of Last Comic Standing, I’ve followed Feinstein for the past few years because she’s a local, having grown up in Bethesda, MD. Plus, she’s easy on the eyes. I think she’s hilarious, but I didn’t find this special as funny as her album, Thug Tears. Still, it’s got some funny bits, especially when she talks about the night Jenna Jameson came to one of her shows. It’s one of the funnier stand-up specials I’ve seen recently, so I’d recommend it if you’re looking for one to watch.
In movie news, it was revealed that Nathan Fillion will be portraying Simon Williams AKA Wonder Man in Guardians of the Galaxy 2. As long as I’ve been reading comics, I don’t know much about Wonder Man. He always seemed to be part of things that weren’t that great to me. He was in the West Coast Avengers, which were the “Not So Good Avengers” or he was on the main Avengers roster back when they all wore flight jackets and they’d let anyone on the team. So, I can’t really say if this is good casting or not. If he plays it like he played Captain Hammer in Dr. Horrible’s Sing-Along Blog, he’ll at least be hilarious. It’s interesting he’s being introduced as a part of Space Marvel, as I never really saw him in that realm, but I trust the architects of the Marvel Cinematic Universe.
Meanwhile in the MCU, it’s been reported that Marvel didn’t want to make Doctor Strange‘s The Ancient One a Tibetan man for fear of upsetting the lucrative Chinese marketplace. So, they decided to make the character a Celtic woman. Huh? Yeah, that’s pretty much the collective reaction of everyone who read that story. According to actress Tilda Swinton, they’re treating the character as a mantle that is passed down and, in her case, it just happened to pass to a Celtic woman. OK. Next!
Across the aisle, we got the trailer for the DC Animated Original adaptation of famous Batman story The Killing Joke. It’s not without controversy, though, as a lot of folks kinda want this story to be forgotten, as it depicts Barbara Gordon/Batgirl as a helpless victim. If you remember, this discussion picked up last year when DC wanted to print an homage cover to Batgirl #41 (which I wrote about here). If you want to know my feelings on the subject matter, go read that old post. Right now, I’m just gonna talk about the movie. First off, the animation looks kinda bad to me. It’s not Mystery of the Batwoman level bad, but it’s close. It’s not as slick as what we’ve come to expect from the DCAO output. Also, I’m not sure how I feel about Mark Hamill and Kevin Conroy coming back to reprise their roles as Joker and Batman. As someone who grew up with Batman: The Animated Series, they are my Batman and Joker. That said, I kinda don’t like the idea of them involved in something NOT attached to the old DC Animated Universe that began with that show. I liked that they kept the vocal continuity from B:TAS through Justice League Unlimited. I didn’t really care too much when they came back for the Arkham games, because those were just video games and didn’t really “count”. Since I’ve associated them so much with the DCAU, I can’t help but mentally put this as part of that saga, which is kinda blowing my mind with the subject matter and the R-rating (a first for DC’s animated output). If I’ve learned anything from the other DCAO features, it’s that there are other people who can play Batman, and I think I’d have preferred that for this installment. I guess I just want to keep Conroy and Hamill “pure”, as odd as that sounds. So far, I don’t like the character designs or the choice of voice talent, but I’ll still check it out.
In Power Rangers movie news, we’ve gotten some on-set pictures of Rita Repulsa in 2 different costumes, and I’m still not feeling it. Last week, I said her suit was Scorpina meets Divatox, but she’s really just Power Rangers Lost Galaxy villain Trakeena.
In television news, our national nightmare is over, as Kelly Ripa returned to Live! with Kelly and Michael on Tuesday. It’s rumored that Disney apologized to her and assured her that she wouldn’t be blindsided by any changes made to the show in the future. That said, Michael Strahan’s originally scheduled September departure has been moved up to May 13th, thus eliminating some of the tension between the two. They said this was to get a jumpstart on Strahan’s Good Morning America onboarding, while also allowing Live to begin the process to find its new cohost. I was kinda hoping it would get dragged out a bit more, just to see how long it would take Ripa to finally come back to work, but that wasn’t in the cards.
In toy news, the DC Multiverse 6″ Batman v Superman: Dawn of Justice mystery figure has been revealed, and it’s the Bat Monster that Batfleck sees when he visits his parents’ mausoleum. What an odd choice for a figure! I hate this thing so much, but I’m DETERMINED to build the Collect & Connect Grapnel Gun. I guess I’ll order the piece on eBay or something. I just really don’t wanna own this thing. Why this, when they could’ve made a Parademon or a Superman Trooper or any other army builder figure? Just such a weird choice…
Things You Might Have Missed This Week
Ecto Cooler will be returning to shelves on May 30th. Maybe my adult palette will like it more than I did as a child…
Saturday Night Live‘s Pete Davidson is dating Larry David’s daughter, Cazzie.
Formerly of ESPN and Grantland, Bill Simmons’ Any Given Wednesday pop culture show will debut on HBO on June 22nd
Fresh off the Aloha controversy, Emma Stone has been cast as Cruella de Vil in the 101 Dalmatians remake
4/26 was Alien Day apparently. I know nothing of that franchise, but apparently the planet the Aliens were from was LV-426? I dunno, seems like a stretch. Everything’s gotta have a day now! I’m gonna hide in a bunker when May the Fourth comes along.
Netflix has ordered 8 episodes of Wet Hot American Summer: Ten Years Later. I didn’t love the movie, so I’ve yet to check out the prequel series. I’ll get around to it eventually.
The trailer was released for Absolutely Fabulous: The Movie, and just like the show itself, I didn’t find it funny. It’s the one BritCom I could never get into. I’m sure someone’s excited for it, though.
The sixth season of Game of Thrones premiered this week, so fans got their weekly dose of titties and swords. Man, if I were George RR Martin, that’s what I would’ve called the series: A Song ofTitties & Swords.
Alec Baldwin will host ABC’s revival of Match Game. That is, until he throws a fit or gets recorded calling an Uber driver some kind of slur. It’s only a matter of time, really.
Comcast has purchased Dreamworks for its NBCUniversal arm for $3.8 billion. So, brace yourselves for a Minions/Madagascar crossover.
Contrary to the Daisy Ridley rumors, Alicia Vikander of The Danish Girl has been cast as Lara Croft in the Tomb Raider reboot.
Everyone was talking about Beyoncé after her “visual album” Lemonade was released Saturday night following an HBO special. Instead of releasing videos for the songs, she released a one-hour special to the premium cable channel. Most telling about the album is that is seemed to be a personal affair where she alluded to the possibility that her husband, Jay-Z, cheated on her with “Becky with the good hair”. This kicked off a firestorm of thinkpieces, with folks wondering “Did Jay-Z cheat?” and “Who’s this ‘Becky’ she’s talking about?” At first, it appeared that the “Becky” in question was actually Rachel Roy, the ex-wife of Jay-Z’s former business partner, Damon Dash. Over the course of the week, speculation then spread to singers Rita Ora and Mya. Unfortunately, even food personality Rachael Ray got caught up in the crossfire, as some folks online mistook her for Rachel Roy. And then the memes started:
Did Jay-Z actually cheat? Who knows at this point. Beyoncé kicked off her Formation tour the other night, and dedicated the song “Halo” to her husband. Was it all a carefully planned stunt? We’ll probably never know, but folks are raving over the album, which received the nigh-impossible 5-star rating from Rolling Stone. So, it’s safe to say the week belonged to Beyoncé, which is why she had the West Week Ever.