Well, that was quick! I just discussed it two weeks ago, and Young Sheldon is skipping the pilot stage and has been ordered directly to series by CBS. If you don’t remember, this is the prequel to The Big Bang Theory, focusing on the childhood of Dr. Sheldon Cooper, played by Jim Parsons (who will also be an executive producer on the spinoff). This makes me wonder if the contract talks are falling apart with the principal cast of The Big Bang Theory. I mean, I can’t think of another instance when a show was on the air at the same time as its prequel. Prequel shows are a rare occurrence anyway; at the moment, I can only think of The Carrie Diaries, which premiered after Sex and the City had wrapped. They just don’t coexist with the “mothership” show, so it makes me wonder if CBS’s commitment to this spinoff spells the end for The Big Bang Theory. As I said last time, don’t rejoice too soon, as you’ll still have a Sheldon on your airwaves, even if in child form. Or the show could go out in a Joey-style whimper.
In movie news, desperate for a new hit franchise, Warner Bros is considering rebooting The Matrix, this time starring Michael B. Jordan. Hmm, yeah…This just isn’t necessary. I don’t worship at the altar of The Matrix like some cinephiles, but I can attest to the fact that it was a visual masterpiece regardless of what you thought of the story itself. The world of The Matrix is vast enough that you don’t really need a reboot. You could have additional movies set in the world that’s already been established. I think that’s what more people seem to be in support of, as opposed to a full-on remake. Jordan deserves a franchise, especially since Fant4stic Four didn’t really get off the ground, but I’m not sure if this is The One. Ha! See what I did there? Anyway, the Wachowskis aren’t yet involved, so I don’t even know what’s the point.
The Warner Woes carry over to the DC movies, as it was announced that The Batman is being rewritten from scratch, delaying shooting til 2018. I swear they’re just dragging it out until Affleck can find some way out of the project. If Justice League doesn’t garner some kind of critical acclaim, he’s out. Mark my words. Meanwhile, WB has pushed Aquaman from October 2018 to December 2018. The slot was previously being held by Fox’s Avatar 2, but since Cameron announced the movie wouldn’t be ready by 2018, Warners saw it as an opportunity to pounce. Right now, though, the general thought is that Aquaman is fucked if Disney decides to move the Han Solo film to a holiday release like Rogue One and The Force Awakens had.
Things You Might Have Missed This Week
Wreck-It Ralph 2 was announced, with a March 9th, 2018 release date. Oddly enough, the porn parody, also named Wreck-It Ralph, is already up to volume 29.
To keep up with the times (and lack of content), MTV is rebranding the MTV Movie Awards to the MTV Movie and TV Awards. This thing won’t even exist in 5 years at this rate…
The spinoff of legal drama The Good Wife, The Good Fight, has already been renewed for a second season on CBS All-Access. I guess they need something to keep the lights on until Star Trek: Discovery comes along.
The CW has renewed The 100 for a fifth season. I know one person who’ll be excited about that. Just one, though.
Over on cable, FX has renewed the X-Men-inspired Legion for a second season, while HBO has renewed Pete Holmes’s Crashing
For the first time ever, Saturday Night Live will air live nationwide for the final four episodes of the season. No more delay for the West Coast!
Aziz Ansari’s hit Netflix series, Master of None, returns May 12th.
Director Matthew Vaughn is rumored to be in talks to direct Man of Steel 2. Because the director of Kick Ass and Kingsman: The Secret Service is JUST what Superman needs…
After Avengers: Infinity War, the Russo Brothers will produce a TV series based on the Valiant Comics series Quantum and Woody
Former Power Rangers Wild Force Red Ranger actor Ricardo Medina Jr pleaded guilty to killing his roommate with a samurai sword. I thought he’d swear it was self-defense. Sentencing will occur on March 30th, meaning he can still see the Power Rangers movie!
Every week can’t be Earth-shattering, and this is one of the week’s the proved that. Looking around, the person who had the best week in pop culture had to have been Tyra Banks.
When the week began, it was announced that Tyra would be replacing Nick Cannon as the host of America’s Got Talent. Her selection seemingly came out of nowhere, as reports indicated Marlon Wayans and Brandon Mychal Smith were the frontrunners for the job. This will make her the fourth host of AGT, after Regis Philbin, Jerry Springer, and Cannon.
As the week wrapped up, it was announced that Tyra would be returning as the host/head judge of America’s Next Top Model. She left the show when it ended its run on The CW in 2015. The show was quickly snatched up by VH1, but retooled with Rita Ora taking over as host. Well, yesterday, Viacom released a statement that Banks would be returning, and “Bye, Felicia’d” Ora.
So, it appears America has a new mascot, and thy name is Tyra. For taking over two of the biggest present-day reality TV franchises, that’s enough to earn Tyra Banks the West Week Ever.
In movie news, a lot is going on with the Deadpool sequel. At the beginning of the week, it was reported that David Harbour of Netflix’s Stranger Things was being sought after for the role of Cable. While fans have wanted a bigger name, like Ron Perlman, Harbour is definitely gonna be cheaper, fitting right in with the movie’s budget. Meanwhile, it was reported that actress/singer Janelle Monae was the studio’s frontrunner for the role of Domino. Yesterday, however, Ryan Reynolds tweeted the above image, confirming that Atlanta‘s Zazie Beetz had gotten the role. I swear, with Donald Glover off Lando-ing in the Han Solo movie, and Zazie in Deadpool 2, Atlanta ain’t ever coming back. It’s already “on hiatus”, and I fear that it’s gonna be like Curb Your Enthusiasm – something Glover comes back to when he gets bored and has the time to do it. So, look for Atlanta season 2 in 2025.
In other movie news, the Valiant comic universe is getting closer to the big screen, as Dave Wilson has been tapped to direct the Bloodshot movie. Wilson comes from Blur Studio, known mainly for video game trailers, and co-founded by Deadpool director Tim Miller. If you don’t know anything about Bloodshot, you’re not alone. He looks like some kind of albino madman. From what I’ve read, he’s basically a zombie soldier who’s animated by nanites. I’ve never read a Bloodshot comic, though, so what do I know? Here’s where it gets interesting: there’s currently a webseries being made by Bat in the Sun called Ninjak vs The Valiant Universe. Starring Michael Rowe (Deadshot from the Arrowverse), the webseries pits the character of Ninjak against other characters in the Valiant Universe – where Bloodshot just happens to be portrayed by original Green Ranger, Jason David Frank. Now, JDF used to go to all of his convention appearances promoting the Power Rangers brand, but lately has been doing it dressed as Bloodshot. This project isn’t big enough to warrant that kind of dedication. No, I’m convinced he’s lobbying for the role in the big screen film. This is like when Sean Young used to go out in public dressed as Catwoman just so she’d get the role in Batman Returns. I don’t know whether to be impressed or saddened. I mean, he’s lobbying hard, but there’s no way he gets that role.
Though the news got sort of lost in the cycle last week, Nickelodeon announced that the new season of the 3D Teenage Mutant Ninja Turtles cartoon, premiering March 19th, would be its last. After five years, the show is ditching its serialized approach and is rebranding into an anthology format with the new title Tales of the Teenage Mutant Ninja Turtles. Once the series ends, a new 2D cartoon, Rise of the Teenage Mutant Ninja Turtles, is slated to premiere in 2018.
In other TV news, folks are wondering if Glenn Howerton is leaving It’s Always Sunny In Philadelphia. The show aired its 12th season finale this week, where we learned that Dennis had a son from a layover in North Dakota. At the end of the episode, he decides that he can’t carry on as he’d been doing the past 12 years, and that he needed to leave and go be with his son. This episode aired the same day it was reported that Howerton and Patton Oswalt had been cast as leads in an NBC pilot where Howerton plays an Ivy League professor who loses out on his dream job, and ends up teaching high school science. Currently known as AP Bio, the series is produced by Seth Meyers and Lorne Michaels, so I think it’s likely it’ll be picked up. Now, Kaitlin Olson currently juggles working on Sunny and The Mick, but Howerton has a bigger role on Sunny, as he also writes and produces. In an interview with Uproxx, though, Howerton said that he wasn’t sure if he was coming back. He said the decision doesn’t have anything to do with his relationships with the other cast members. Sunny still has two seasons ahead of it, but even Danny DeVito recently mentioned that he might be done soon, too. The show really matured this season, as a lot of plotlines came full circle. I don’t even know what they’ll do with 20 more episodes (their seasons tend to be 10 episodes long), but I definitely don’t know how they’d do it without the character of Dennis.
In comic news, Marvel announced that Astonishing X-Men would be returning in July, written by Charles Soule, with art by…unknown at the moment. If you remember, Astonishing X-Men debuted as a miniseries during the “Age of Apocalypse” story in the mid 90s, but its claim to fame was the ongoing series written by Joss Whedon in the early ’00s. This incarnation of the team stars Old Man Logan, Archangel, Rogue, Gambit, Mystique, Psylocke, Bishop, and Fantomex. This, combined with the previously announced X-Men Gold, just proves that Marvel is trying to initiate a 1991-style refresh of the X-Men franchise, and I am here for it! This Astonishing team is basically a refresh of the 90s Blue Team from “adjectiveless” X-Men, while the team in X-Men Gold is pretty much a refresh of the 90s Gold Team from Uncanny X-Men. I love the Old Man Logan character, though I fear he’s approaching typical Wolverine levels of overexposure. Meanwhile, it’ll be interesting to see how Bishop redeems himself considering he spent the bulk of the last Cable series trying to kill a little girl. And it’ll be an interesting dynamic between mother and daughter Mystique and Rogue, as well as starcrossed lovers Rogue and Gambit. I still hate Fantomex, though, and I wish Marvel would stop trying to make him “happen”. Anyway, I don’t get excited for much, comic-wise, but I’m really looking forward to this book.
In sports news, Jay Cutler was cut from the Chicago Bears after 8 seasons. Now, if you know anything about me, you know I don’t give a shit about sports. Still, there’s a funny anecdote here. You see, when Lindsay and I first started dating, Cutler was the starting quarterback of her beloved Denver Broncos. She bought me my first NFL jersey, which happened to be a Cutler jersey. After all, there was no way he was going anywhere, right? Well, he got cut after that season, and I couldn’t really wear the jersey anymore. He ended up going to the Bears, who had the same color scheme. I thought that meant I could still wear the jersey, but apparently that doesn’t fly with sports fans. Anyway, he’s also married to Kristin Cavallari of Laguna Beach/The Hills fame, so I guess there’s your pop culture connection to justify my mention of him.
Things You Might Have Missed This Week
Director Joe Carnahan has exited the third Bad Boys film, Bad Boys For Life. Maybe I’ll get around to finally watching the first two before this thing gets made.
Jason Isaacs was cast as Captain Lorca in Star Trek: Discovery. I…don’t know who that is, so it’s done nothing to get me excited about this show.
It was a week packed with renewals, as One Day At A Time was renewed by Netflix, Riverdale was renewed by The CW, and Baskets was renewed by FX. I pretty much only have interest in one of those shows. Can you guess which one?
Emma Dumont was cast as Polaris in Fox’s untitled mutant series, which will be interesting since she’s Magneto’s daughter and all…
The embargo for reviews of Netflix’s Iron Fist was lifted, and they weren’t pretty. It seems the problems are with the structure and not necessarily the casting, so it looks like the folks lobbying for an Asian American lead dodged a bullet there.
Who knew Josh Radnor had been working since How I Met Your Mother ended? Well, he’s not anymore, as his PBS series Mercy Street was canceled yesterday.
Now, I know Logan had a great week. It came out to rave reviews, and it opened to $238 million worldwide. Still, I kinda got things off schedule. You see, it got the West Week Ever last week before it had even performed. I don’t really want to start this trend of the same thing getting the WWE two weeks in a row just because I just had to see it opening night, hours before pushing “Publish” on the next post. So, yeah, Logan had a great week, but it was the best thing I experienced last week. Now, I’m gonna talk about the best thing I experienced this week.
Since its debut in 2015, I’ve been a big fan of the FXX series Man Seeking Woman. Starring Jay Baruchel (you know who he is, even if you don’t know his name), it follows Josh Greenberg, a down on his luck Millennial who tries to navigate the waters of modern day dating. Like a less contrived version of How I Met Your Mother, the first two seasons saw Josh go on date after date, trying to find The One, but always coming up short. That all changed this season, however, as he met Lucy. He meets Lucy in the season premiere, marries her in the season finale, and their courtship fills out the middle. Lucy’s not only perfect for him, but she also helped the show take on a new direction. We started seeing things from a female perspective, as the show became as much about her as it was about Josh. We got to see her deal with having to give up her fun party life to settle down. We see her deal with the temptation of another possible suitor. But in the end, she chose Josh. This season, it was as much Man Seeking Woman as it was Woman Seeking Man.
This week saw the season finale of the show and, as I mentioned, it focused on Josh and Lucy’s wedding. The show hasn’t been picked up for a fourth season yet, and I’m hoping it doesn’t. As much as I’ve loved it, it has served its purpose. Over the course of 30 episodes, it set forth a goal and it achieved it. Sure, there are a lot of shows that evolved past their initial concept (looking at you, Cougar Town), and I’m sure the show could keep going as we see Josh and Lucy navigate married life, have a kid, etc. But I think I like it where things ended up. We don’t have to see all of that to know it happens, and I don’t think the show as a whole would be any stronger if we did see all that. Instead of overstaying its welcome, I’d prefer it take the British approach of “less is more”. Three seasons is a good run, and it did what it set out to do. It found Josh a woman. Now, if they did want to continue the show in some capacity, I would love if they flipped it to Woman Seeking Man. You see, every season, there’s one episode that stars Josh’s sister, Liz, as we get to see her life in contrast to Josh’s. While Josh is an unlucky in love office manager who lacks ambition, Liz is a driven workaholic attorney – who also happens to be unlucky in love. The Liz episodes tend to be the strongest of an already strong season, and it’d be great to see more focus on her. Josh and Lucy could still pop up as supporting characters, but the focus would now be on Liz.
With all of this gushing, I haven’t really explained what’s so great about the show. After all, it probably sounds like a run of the mill sitcom, but it’s far, far from that. There’s a streak of absurdity to the show that really lends to its tone. For example, in the pilot, Josh’s girlfriend, Maggie, leaves him to date Adolf Hitler. Last season, Liz had an affair with Santa Claus, while Josh dates a girl whose ex-boyfriend was Jesus Christ. Yeah, it’s not your run of the mill comedy. You’ve got to see it to fully experience it, but I don’t think you’ll be disappointed.
The season finale ends with a scene that brings the show full circle to the pilot. If there is another season, I hope they don’t fuck it up. If there isn’t, though, I love what they did, and how they did it. Everything was wrapped up with a nice bow, and it’s a strong series from beginning to end. That’s why Man Seeking Woman had the West Week Ever.
So, a few days ago, The Beat wrote the article “Why Are The Comics Retailers Worried About Mass Store Closings?“, which was your standard fear mongering about how the Direct Market is on its last legs. If you’re not familiar with the comic industry, here’s a crash course: the Direct Market is comprised of the comic shops who specialize in selling comics and related merch. If you buy the latest issue of Batman from Barnes & Noble, you’re not participating in the Direct Market. However, if you buy it from Jack’s Comics & Stuff, you’re a Direct Market consumer. Comics in the Direct Market are sold on a non-returnable basis, meaning that if retailers order too much of a book, they’re stuck with that stock, and can’t send unsolds back to the distributor unlike other periodicals.
The article posits a few different reasons retailers are afraid:
DC’s Prices Are Too Low – Um, $2.99 isn’t too low when most of those books are shipped biweekly. Simple math dictates that retailers will make more from selling two $2.99 books than one $3.99, even if it’s marginal. Sure, the retailer may want to make more money, but it’s a nice gesture of goodwill to the consumer – something Marvel could learn from, considering they keep releasing quarterly $9.99 Deadpool issues on top of the several spinoff series they have for the character that month.
Customers Are Disappearing – Well, duh. Minecraft and video games. Oh, and for the lucky older consumers, sex. Gotta pay for that sex!
Customers Are Switching To Collected Trade Paperback Format – Well, you get more bang for your buck that way. For example, each comic from Image has a cover price of $3.99, however each first volume of an Image series’ trade paperback collects approximately 6 issues for $9.99. Can you blame them?
Customers Don’t Like Marvel’s Output – When have customers liked Marvel’s output? No, when was the last time someone was like “Marvel’s really firing on all cylinders”? The first Civil War crossover? That was ten years ago. It’s not that Marvel’s necessarily worse these days. It’s that people are used to Marvel being better than DC, and now the gap between their quality is a lot smaller, due to Marvel trying to make lightning strike twice and DC getting a slight bump from Rebirth.
Rising Costs of Doing Business – Well, you can’t really fight that. Everything is more expensive.
Diamond Credit Crackdown – This is on the retailer. They knew they owed Diamond money, and kept letting it build up, not thinking Diamond was ever gonna come collect. It’s a business, not a charity.
A lot of comic shops are having a tough go of it, but the blame is being passed on to everyone from the distributor, Diamond Comic Distributors, to the Big 2 publishers, Marvel and DC. It’s always the same crap: “Diamond’s model is antiquated and comics should be returnable” or “Everything Marvel’s publishing is crap right now.” To read the comments on the post, however, you see a lot of folks railing against Marvel’s supposed “Social Justice Warrior” agenda, where they’re “forcing” diversity into all of their books. Really, if you wanna make a bunch of middle aged White men mad, start trying to diversify their funny books. Anyway, in a fit of anger, I wrote the following comment:
This is going to be a controversial opinion, but I see no overwhelming reason to support small businesses, and I don’t think I’m alone. Why am I paying more for something I can get cheaper elsewhere, especially with complaints of poor customer service, poor stocking of items, etc so pervasive these days? Now, call me an “ungrateful millennial” or whatever, but I don’t have fond memories of walking down by the crick, with a rolled up comic in my back pocket that I got from the local five and dime. It’s not an experience that I relate to. Same with comic shops. I have several I love, but the world would keep spinning if they shut down tomorrow.
The mentality that wants me to support Mom and Pop is the same one that wants Marvel to never change, and keep offering the same product it did 50 years ago. This is a common argument in the geek TV world. There are tons of adult fans angry at Power Rangers because it “sucks” compared to when they were kids, or hate Cartoon Network for showing nothing but Teen Titans Go – never stopping to realize they’re not the target audience. Thirty year olds wonder why today’s kids can’t love Snake-Eyes as much as they did, not realizing that maybe it’s time to give a new generation their OWN stories. There’s no shame in knowing when to walk away. I’ve seen folks say things like “I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!
What I said about small businesses is true. Just as I don’t really subscribe to the notion of “team spirit” (which is why I’m a terrible sports fan), I also never understood the push to support local mom and pop stores. I’m just fine with my big box retailers, with their affordable prices and decent customer service. These comic retailers chose to open their businesses, but now they approach them as if they’re victims. The distributor is out to get them because of the lengthy ordering window and lack of returnability. The publishers are out to get them because they keep publishing lackluster product. But it’s never “Ya know, I backed the wrong horse by buying into Marvel’s crossover hype.” It’s never “I made the wrong call”, but instead it’s phrased like “How dare Marvel make me order that tripe?!” That doesn’t even make sense. I think there’s a certain level of professionalism needed that’s not always there for small businesses. I don’t know what the CEO of Walmart thinks about the latest Hulk book, but you better believe Joe at Joe’s Comics & Stuff is gonna gripe to me about it. Not recommend it, or pivot to something better – GRIPE. That’s no way to run a business. Retailers are sitting there going “Man, Marvel sure is putting out a lot of shit”, but in the same breath asking, “Why won’t anyone buy books from me?” Maybe stop badmouthing your product and find a way to hype it! Even if it’s a turd, polish that turd and sell it because that’s your JOB.
There’s another unique thing about the comic industry that people never really think about: comics are the only industry where the consumer knows the distributor and is trained to hate them – trained, mind you, BY retailers! If a shipment gets messed up at Toys R Us, nobody blames Lash Tamaron, ’cause they don’t even know they exist. No, they blame TRU. In comics, however, retailers have this special ability to pass the blame on to Diamond when it’s their own decisions that got them in jeopardy. Didn’t order enough copies of a book, it’s easy to just say “Oh, Diamond shorted us”. Customer might mutter a “Fucking Diamond”, and both parties just kind of shake their heads together at the distributor’s ineptitude.
I might sound like a Diamond apologist, and in many ways I am. Full disclosure: about ten years ago (wow, has it been that long?), I was a purchasing brand manager in the print division of Diamond. That’s a big fancy way to say that I killed a lot of dreams. No, seriously, and I’m not proud of that. If Dave has had a lifelong dream of seeing his name on a comic sold in stores, I’m the guy who would have to work with him to make it happen. The problem, though, is that Dave has created some derivative superhero comic, and consumers have no reason to support his $3.99 black and white book when Marvel and DC have full-color superheroes covered. But I’d get him into the Previews catalog that all retailers use to place their orders, and I’d let the market decide. Then, for a variety of reasons that probably deserve their own post, I’d end up having a very difficult discussion with him about 6 months later. Why? Because a lot of creators aren’t business people. And a lot of comic shop owners aren’t, either. The successful ones have found ways to survive, but it’s the dinosaurs who were sitting pretty during the 90s bubble that don’t know what to do with themselves now.
Now, that’s not to say that Diamond isn’t without problems. It is antiquated. The men running that part of the industry have been doing so for the past 30 years, so there’s not a ton of new blood. There are problems at the warehouse. Back when the main warehouse was in Memphis, there was a UPS center across the street that paid more. The UPS center, however, required you to have at least a year’s experience in a warehouse environment. And guess where they’d get that experience: Diamond. So, the main warehouse is filled with a bunch of novices trying to pad a resume for a better position. No shame in the game, but it’s to Diamond’s detriment. And let’s not forget the publishing cycle: Diamond advertises books that will be available for sale two months from now, with no returnable cushion. So, a retailer does have to take a gamble when it comes to ordering the next month’s books, before they even have this month’s books in hand. But here’s the kicker: Diamond is so ensnared in the distribution process that it couldn’t extract itself if it tried.
Another quick history lesson: about 20 years ago, Marvel bought a distributor called Heroes World, which turned out to be a terrible idea, but I guess it seemed right at the time. In a mad dash for survival, Diamond signed everyone else to exclusive contracts for distribution. This drove a lot of smaller distributors out of business, lessening competition. Then, to make matters worse, Marvel declared bankruptcy and came crawling back to Diamond. This made Diamond king of the hill as the result of a flurry of activity needed for survival. In the years since, people have longed for a competitor to Diamond, but it just ain’t gonna happen. It’s the WWE of comic distribution, and there isn’t really even a TNA waiting in the wings. It’s an unintended monopoly, but a monopoly all the same. But as much as people clamor for the death of Evil Diamond, no one has stopped to consider what would happen if they went away. It’s not going to mean freedom for all the publishers. No, THAT will be the death of the Direct Market, because no one is equipped to take its place. And even if they somehow managed to do so, then they’d eventually become just as hated as Diamond. After all, “You either die a hero…”
The medium needs change, and those fighting that are part of the problem. My friend James once said that comics are for children, and that’s true. I’ve always felt that there’s a 20-year lifespan on comic fandom. If you stick around longer than that, everything becomes Been There, Done That. After 20 years, it’s time to move on. Start repairing old cars, or take your Harley for a three-day cruise. Comics are for the young, but the problem is that the young want nothing to do with them. Oddly enough, though, it’s a bunch of middle-aged armchair quarterbacks who think they know what today’s youth would like. “Spider-Man should be the same as he was when I was growing up!” they yell. Let’s see, kid whose parents are dead, lives with his old aunt in Queens, and he’s late all the time? Hate to break it to ya, but that’s a Black kid. They just didn’t have the social clout to do that back then. If they turned Peter Parker into a Black guy now, those fans would lose their shit. “Why can’t Marvel create NEW characters?” Marvel, then, creates Miles Morales, and then they cry, “Why are you forcing diversity down our throats?!” Is the mere existence of a minority the equivalent of “forcing diversity” on you? Well, I’m sorry the sight of me offends your eyes, Mr. White Man! I just think it’s time for certain fans to go. They don’t like what the industry is doing, and the industry is starting to realize that it can’t survive on mutton alone. There’s no shame in knowing when to walk away.
Anyway, this is all to say that the greatest threat to the comic retailer IS the comic retailer. Stop being a victim, and buckle down. You made this bed so now lie in it. But I also don’t believe in these crowdfunding attempts to keep shops open. The market has spoken, and you’re really just delaying the inevitable. Some shops need to go. That’s nothing personal. It’s business, and they simply lived out their usefulness. The more resourceful shops, however, will find a way. At the end of the day, Superman and Wolverine will outlive the Direct Market, so retailers can gripe all they want, but Disney and Warner Bros are gonna make that money with OR without them. Retailers need Marvel and DC, regardless of the quality of the output, but Marvel and DC don’t necessarily need retailers. The sooner Direct Market retailers realize this, the sooner they can start planning for the future.
And that’s where the post originally ended. And then I saw that I’d received a reply on my comment at the original post (I removed his name ’cause it’s not like I asked his permission to post this or anything):
@Will “I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!
No, that`s a terrible attitude to show contempt at long-time customers who helped build Marvel. These long time fans deserve better than that! Also be careful what you wish for as Marvel`s sales are in the tank, and they might be begging for those old time fans back one day!
I saw this and figured it was just another middle-aged White man, mad about change. His biggest mistake is that line about showing contempt for the customers “who helped build Marvel”. So, I had to address that:
See, that’s dangerous thinking, because Marvel doesn’t really owe you anything. You’re approaching this like a shareholder, when that’s not the nature of the arrangement.
As for the old-time fans, they’re gone. Plain and simple. Sure, catering to them might lead SOME of them back, but not enough to really make them the focus. The old time fan wants too much in order to come back. DC did Rebirth, basically as a “We’re sorry for what we did”, and a bunch of fans still wanted them to kiss the ring and do a little humiliating dance. The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.
And then he had to go and prove my assessment of him correct:
@Will. The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.
Maybe my friend,but let`s sticky this post because I predict in less than a year Marvel will do a 180 with all their SJW theme comics and will please their old-time fans by bringing back the old school style. Marvel is going to have to go back to basics to stop their ship from sinking. It`s all about money, and Marvel`s old time loyal fans have the deep pockets that the majority of cosplay SJW fans don`t seem to have.
Ugh, he had to go and use a term like SJW. You can tell a lot about a person when they’re worried about the perceived Social Justice Warriors. He’s just another stick in the mud, resistant to change. So, of course, I couldn’t let that go:
And you just had to go and torpedo your argument with “SJW” nonsense. The injection of diversity is an attempt to get the dollars they’re not already getting, from audiences they’ve previously ignored. That, my friend, is the future. Any industry propped up by the buying habits of middle aged White men is an industry in trouble (unless you make Cialis or Rogaine), and they’ve finally come to realize that. What’s gonna happen when you die? Are you still going to be rallying from the grave “Put White Spider-Man back in high school!” to an audience base that clear couldn’t give two shits? The Marvel you grew up with is fine, but it’s done. I just don’t get why fans can’t grow up in their expectations.
I won’t exactly call it a “mic drop”, but I really don’t know what’s left to say after that.
The only movie I watched this week was a documentary called Meet The Hitlers, which followed the lives of people who have the name “Hitler”. Surprisingly, the Austrian guy is the most likable person featured, while the New Jersey folks are the ones who turn out to be actual Nazis. The Austrian Hitler is a really sweet guy who was abandoned by his parents as a child and now has a lion tattooed on his bald head. Meanwhile, the New Jersey couple made the news because their Shop-Rite store refused to make a birthday cake for their young son, Adolf Hitler. Eventually, the state came and took their kids away. You wanna feel bad for them, ’cause nobody wants their kids taken away, but then you remember “Oh yeah – NAZIS!” Fuck ’em. Anyway, it was a way to kill 80 minutes, but I wouldn’t recommend it or anything. It’s got no real point to it. Part of it is devoted to a writer trying to track down Hitler’s last living relative, while the rest is just these slice of life stories of folks who share the name. It needed to decide what it was going to be, instead of this mish mash of whatever it is.
In movie news, it Tim Miller stepped down as the director of Deadpool 2, which is already making fans worry about what’s going to happen with the film. Reportedly, he had creative differences with star Ryan Reynolds and, while reports claim the split is amicable, there are also claims that the two didn’t even speak to each other near the end of production of the first movie. It’s said that Miller really wanted to bring in Kyle Chandler for Cable, but Reynolds actually had casting power, and he really didn’t want Chandler. Later in the week, a petition started circulating to get Quentin Tarantino to direct the film, but I don’t think that’d be a good idea. Considering the way that Fox had no faith in the first film, cutting its budget and whatnot, you’d assume that the strife would’ve come from studio meddling. But it’s just a disagreement between star and director. It’s not like the movie is gonna fall apart, but folks will always wonder What Might’ve Been, just like with Edgar Wright’s Ant-Man.
In other Marvel news, it was announced that season two of Jessica Jones would only feature women directors. While this may seem groundbreaking to some, Black Twitter was quick to point out that Ava Duvernay’s Queen Sugar did this first. Well, the BBC’s Call The Midwife was actually the first show to do this, so there! Anyway, I get that it is creating opportunity for women directors, but it feels kinda gimmicky. I mean, I didn’t know who directed the first season’s episodes and I liked them just fine. I almost feel like they’re begging a certain type of fan to come out and say “Season two sucked because of the women directors”.
Speaking of that particular kind of fan, a bunch of them ran writer Chelsea Cain off Twitter this week because of some drama surrounding the Mockingbird comic. Basically, the final issue of the book featured the cover above, and that triggered the Men’s Rights activists, who don’t even seem to realize that the writer has no control over the cover. It’s believed that some of them were just looking for a target for their anger from last week’s Riri Williams cover controversy. If you remember, that ended up with Marvel cancelling the cover, and these folks feel like that was the wrong call. I’m just tired, man. I’m tired of shit like this. Like, I don’t even have any fight in me for something like this. I mean, who has the time or the energy? I’m not going to get too into it here, as I’ve just been hanging out on the periphery, and I can’t muster the desire to delve deeper into it. If you do a search for #IStandWithChelseaCain, you’ll find all you want to know. I just can’t believe that people get like this over funny books. I mean, I’m pretty passionate about them, but not to the point of running someone off social media. Also, I know enough about how the industry works that I know that the writer wouldn’t be the right target for my anger anyway. Nope, you channel that at the editor! I kid, I kid…
In TV, everything old is new again as we got news about 3 potential revivals that are in the works. First off, I have the misfortune of having a toddler who’s in love with a show that just ended production (Mickey Mouse Clubhouse), so I’m hoping she’ll be interested in the revival of The Muppet Babies that’s in the works for Disney Junior in 2018. I hope she can get over the weird CG animation style of the show, which is a lot more unsettling than Clubhouse‘s CG was.
Meanwhile, Raven-Symone announced that she’s leaving The View to focus on a spinoff of That’s So Raven. Since everyone’s jumping on the Fuller House/Girl Meets World bandwagon, I guess this is as good a time as any. I always felt That’s So Raven was doing too much. If you’ve never seen it, Raven-Symone starred as Raven Baxter, who was your average teenage girl in high school. At least, that’s how I would’ve left it, but Disney had to go the extra mile. No, Raven also got these psychic visions that she couldn’t control. Usually they’d result in her messing up more than saving the day. They led to a lot of misunderstandings, basically making the show a tween Three’s Company. It led to the spinoff Cory In The House, where her little brother and dad move into the White House. Yeah, it wasn’t as successful as the original series. In any case, this new spinoff would focus on Raven as a divorced single mom of two teens – one of whom seems to have inherited her psychic gift. And I’m sure hilarity ensues. I never watched That’s So Raven because I was simply too old. TNBC had already wound down by that point, and I was busy with college. Still, it’s a smart move for these networks to revive shows that folks can watch with their kids, with a tie to something they, themselves, watched when they were kids. I like these Next Generation spinoffs. Keep ’em coming!
Finally, based on the fan response from that viral video from a few weeks back, NBC is reportedly in early talks with the principal cast of Will & Grace about a revival of the series. Right now, it’s unclear as to how many episodes we’re talking about, as well as when they’d air. As y’all know, I loved that video, so I say “bring it on!”
Earlier this week, I posted a review of IDW’s Revolution event that you should check out if you haven’t already. Long story short, it’s not a very good effort on IDW’s part, but you’ll have to read the post in order to find out why.
Things You Might Have Missed This Week
Donald Glover was officially cast as a young Lando Calrissian in the Han Solo…solo movie
Cartoon Network renewed We Bare Bears for a 3rd season
ABC’s Notorious is the first unofficial cancellation of the fall season, as its episode order was cut to 10.
Twitter’s killing off Vine, as they couldn’t figure out how to monetize 6 second increments
God Particle was revealed as the next film in the Cloverfield universe. The goal is to release a Cloverfield movie ever year
Deciding he had too much on his plate, Bryan Fuller stepped down as showrunner of Star Trek Discovery. Considering they haven’t even announced a cast, I wouldn’t be surprised if there was another delay.
I haven’t seen folks fret over a season finale so much since “Who Shot Mr. Burns?” When Negan showed up in last season’s finale of The Walking Dead, he was determined to make his mark by offing a fan favorite character. This was to show that he meant business! Grrr! Well, the show returned this week, and he killed not just one, but TWO fan favorite characters, and people LOST. THEIR. SHIT. It sparked a discussion as to whether the show had gone too far. I don’t watch the series, but I tuned in to see who died, and I can’t remember seeing that kind of gore before on television (I’m not a horror guy, so maybe it was tame by those standards?). Some folks have even said that the gore was bordering on pornographic, while others have sworn off the show because it killed off one of the only bastions of hope in that universe. I don’t know whose side I’m on, really.
I used to read The Walking Dead in comic form. I wasn’t a monthly reader, but I had those hardcover editions that they’d put out every 12 issues. I immediately found myself engrossed in that world, and really started to care about the characters. Then I got to issue #48, which is where The Governor killed a character I’d really started to feel for. But it wasn’t just a death. He decapitates the character with a samurai sword. And it’s not one swift blow, so he had to hack at it until the head finally falls off. And at that moment, I thought “Fuck this book!” I stopped reading at that point because I had simply had enough. A few years later, #100 hit the stands, and I flipped through it because I’ve been trained that big round number comic issues usually have something special in them. Instead of them finding a cure for the zombies, or a cache of Twinkies from before the world went to shit, writer Robert Kirkman killed off another character that I’d grown to love back when I was still reading the book. In fact, the events of #100 are what was depicted onscreen last Sunday night. And at that moment, “Fuck this book!” crept up in me again. And I never looked back. That was over 4 years ago, and I haven’t been the least bit curious about what’s going on with Rick and the gang. That’s why Sunday didn’t really surprise me because I already knew it was coming. Still, I wasn’t prepared for how graphic it would be.
I’ve never had the least bit of interest in the television series, as that’s just not a world I want to see. It’s the same reason I readThe Road, but didn’t watchThe Road. When reading, you can kinda control the visuals and whatnot in your imagination, but for it to just be onscreen is sometimes too much for certain subject matter. There’s nothing positive in The Walking Dead. People say that the character that was killed was the last glimmer of hope in that world, but it still never paid off. Ya know why? Because there IS no hope in that world! There’s no endgame. It’s not like they’re gonna find a cure and everything is gonna go back to normal. They’re not gonna travel back in time and stop the zombies. That’s why I never understood the purpose of Fear The Walking Dead – you’re just seeing the lead up to the apocalypse. Those characters don’t win. Hell, they probably all end up dead before the events of The Walking Dead. I wish I could find the article so I could cite it, but I once read an interview with Kirkman where he said that he doesn’t really put much thought into who he’s going to kill off because he feels that, in an actual zombie apocalypse, the deaths would be pretty random, so he wants to adhere to that. That might sound impressive, but it also leads back to what I said above: there’s no endgame. He’s pretty much just going to write this thing until he gets tired. Superman doesn’t have to have an endgame. Spider-Man doesn’t have to have an endgame. The Walking Dead, though, can’t just meander for 50 years. It needs some sort of order that I don’t believe it has. And I, for one, am not willing to wallow in the muck waiting for that day to come.
Based on the thinkpieces I’ve read this week, a lot of people feel the same way that I do, only it’s in regards to the show and not the comic. But, “there’s no such thing as bad publicity”, so the fact that people are talking is exactly what AMC, Kirkman, Image, and everyone wanted. Whether you loved it or hated it, chances are you were watching and you had some thoughts about it. And that’s why The Walking Dead had the West Week Ever.
For some time now, IDW has been the comic home of Hasbro’s biggest properties, including G.I. Joe and Transformers. They recently added Micronauts, Rom: SpaceKnight and UK import Action Man to the mix. So, it seems like as good a time as any to gather them all under the same umbrella in a shared universe. The mechanism for doing this is the miniseries Revolution, which will also result in a long awaited M.A.S.K. spinoff series. While this all might sound good on paper, the execution of it has been horrible. The story runs in a 5-issue miniseries, combined with various one-shots for each property involved. So far, the first 3 issues have been released, as well as the one-shots for Rom, M.A.S.K., and Micronauts. By this point, I feel justified in saying that the story is confusing, ugly, and not well planned. Let’s take a closer look, shall we?
In the first issue, we learn that the Transformers depend on a mineral called Ore-13, which has recently become unstable and is exploding. The new Action Man is investigating a stockpile of it in Mt Olympus, where he discovers former G.I. Joe member Big Ben who’s not long for the world. Big Ben tells him that he was running a mission when he was ambushed by some Joes. He doesn’t know why his former teammates would attack him, but he managed to grab one of their dog tags before the rest of his crew was slaughtered. He says it seems like they were after the Ore-13, but Action Man is snatched away before the mountain explodes with Big Ben and the rest of the Ore-13. Well, apparently, the Transformers recently proclaimed that Earth would be joining the Cybertronian community, and the humans aren’t too pleased about that, as they see the Transfomers establishing themselves as our overlords. Enter G.I. Joe, who decide to attack the Transformers during a humanitarian mission. Things are pretty much at a stalemate until Rom the SpaceKnight comes out of nowhere and kills 4 Joes, including team founder Joe Colton. Since Rom looks more Cybertronian than human, the Joes assume he’s on the Transformers’ side. So, they take this as a declaration of war. We also get a back-story from Revolution #0, which introduces M.A.S.K.’s Miles “Mayhem” Manheim. They actually do something clever here by saying that he was a member of the original Action Team with Joe Colton. It appears he’s actually got Transformer Blitzwing in captivity, who he’s harvesting for parts and technology.
In the second issue, it’s the Transformers vs Rom, as they’re pissed at him for “blowing up their spot”. They had formed something of an uneasy alliance with the humans, and Rom’s actions had just undone that by murdering those Joes. Rom, however, insists that he murdered no humans. Rom tells them that he is hunting the Dire Wraiths, who have managed to infiltrate world governments. Meanwhile, we’re introduced to the M.A.S.K. team, and the new Black Matt Trakker. Aileron and Kup face off against the M.A.S.K. team, whose vehicles were built using Cybertronian technology, resulting in Kup being captured. Trakker, however, has second thoughts about what they’ve done when he realizes the Transformers are sentient, and more than mere machines. At the end, we find out that Micronauts’ Baron Karza is behind the unstable Ore-13, as he’s been stealing it via a transdimensional space bridge in order to save the Microspace. Um, OK.
The third issue brings a whole bunch of confusing Micronauts stuff, ’cause I know nothing about that franchise. It seems like the “heroes” of that world have formed an uneasy alliance with the villain Karza in order to save their universe. It’s Optimus Prime vs Rom because Rom’s mission is to defeat the Dire Wraiths, while Prime insists that Earth must be their primary concern. At the end of the day, Prime determines that, while Earth is important, the Microspace must also be preserved. Meanwhile, the autopsy results are in and the Joes realize their fallen friends weren’t human after all. Since they don’t know who they can trust, Scarlett puts in a call to “somebody we haven’t talked to in a while.” I think we all know who she means. Karza does some shit. Rom does some shit. And the issue ends with an entrance by Snake-Eyes.
Revolution M.A.S.K.: Mobile Armored Strike Kommand #1 is the only one-shot I’ve bought from the series. It introduces us to the rest of the M.A.S.K. team, as we watch as they’re recruited and how they handle basic training. We also get hints that some of them aren’t as virtuous as they should be, yet those personalities align with team leader Miles “Mayhem” Manheim. Nothing here is original. Some recruits die in training, as “collateral damage”. The team is tasked with an impossible rescue mission. You’ve seen all of this before. Yet, it’s a serviceable introduction to the team and franchise. That said, I think all of this could’ve been possible without it taking place within the clunky Revolution storyline, as nothing in the special ties into present events – it’s a prequel story.
So, what are my problems with the series? Well, first of all, it’s a terrible jumping-on point for new readers. There’s WAY too much backstory with the Transformers and G.I. Joe books for this to go smoothly. Now, IDW did release a The Road to Revolution discount trade paperback with 5 stories that they felt were crucial to making the story a richer experience, but there shouldn’t have been required reading. A successful crossover like this should be accessible to all. To give you an idea of the problems here, IDW has had the Transformers license for ELEVEN YEARS. They’ve had the G.I. Joe license for EIGHT YEARS. In that span of time, the G.I. Joe comic has been rebooted four times, while most of the early Transformers comics were just a series of miniseries. I was IDW’s Diamond brand manager at the time of the early Transformers books, and even I didn’t really know what was going on. For folks with a cursory knowledge of the brands, this series opens with a ton of questions: Why’s Soundwave with the good guys? Where’s Bumblebee? Why is Scarlett the team leader? Where’s Flint and Duke and the Joes people care about? What about Cobra?
Something like this seems like it would be better served by a reboot of the existing brands instead of trying to get them to mesh with the newcomers. It doesn’t feel like they’re bringing their truest, core representations to the party. G.I. Joe isn’t just the military, as it’s used here. Their primary mission was to fight Cobra. Without Cobra, what are they? Here, they’re a shoot first, ask questions later sort of organization, which doesn’t really line up with what we’ve known them to be. If they’d been the least bit diplomatic, then this whole battle wouldn’t have even taken place. Like, why is Scarlett so pissed? And Snake-Eyes is a lot less cool/mysterious when he’s TEXTING! What happened before this miniseries to make her like this? As a new-ish reader, I can’t help but feel that I’m missing a lot. This miniseries might be a rich experience for those who’ve been following the series recently, but it’s just not a fulfilling experience for casual readers.
Another problem is that it seems actual story is taking place in the one-shots, which isn’t how these things are done. One-shots in an “event series” are supplemental material, stories going at the periphery of the action. Here, though, you open up Revolution #3, and Rom is suddenly just chilling with the Transformers like the events of the past issue never happened, and there’s an editor’s note of “See Rom : Revolution #1.” NO! That’s not how you do this. Major team shifts, side switches, etc don’t happen in the one-shots. You leave the meat and potatoes for the main series.
Finally, the art’s just ugly. I’m not sure if IDW has a stable of “exclusive” artists, but you’d want the best on something this high profile. They do a capable job of handling the tech, such as the Transformers and the M.A.S.K. vehicles, but the humans are rough and inconsistent from panel to panel. They also look a bit cartoony for the subject matter. I realize all of these properties are toylines, but they’re being introduced in a story with some pretty high stakes. Imagine if Marvel’s Civil War had been drawn by an Archie artist. That’s what you’ve got here.
After saying all that, I’ll probably stick with it since there are only 2 core issues left. That said, it hasn’t been an enjoyable experience. If this had just been a one-off thing, I’d probably give it a pass. It’s not, though. This miniseries is meant to set up the future of the Hasbro properties at IDW, and that just doesn’t seem like a good thing at this point. This series is a mess, so it doesn’t make me too optimistic about the future. If you’re a die-hard Transformers or Joe fan, I guess you’ve got to read it, but if you’ve just got casual interest, this is a revolution you can skip.
So, I surprised even myself by going to see Miss Peregrine’s Home for Peculiar Children. This movie wasn’t even really on my radar, but my friend, Jenn, was in town and she wanted to see it. She knew her husband back home would have no interest in it, but I was a more willing accomplice. This was the first time in a LONG time that I’ve gone into a movie knowing absolutely NOTHING about it. The most I knew was I was pretty sure it was based on a YA novel. Other than that, I didn’t know a thing.
Well, the movie’s about Jacob Portman, who’s really close to the grandfather who used to tell him fantastic tales about the other children at the orphanage where he grew up. Now, about to turn 18, Jacob visits his grandfather only to find him dying in the woods. He tells Jacob to go to the orphanage and that he would learn the truth. Somehow Jacob’s psychiatrist convinces his parents to take him to Wales to visit this orphanage, and that’s when the craziness starts. All those stories that his grandfather had told were true! Those strange kids really lived at the orphanage. There’s a girl who’s lighter than air and has to wear lead shoes so she doesn’t float away. There’s a little girl with a monster mouth in the back of her neck. There’s an invisible boy. There’s a girl who can control plant life. And more! And they’re all cared for by Miss Peregrine, this sexy schoolmarm type (played by Eva Green) who has the power to control time. It turns out they’re all something called Peculiars, and Jacob’s grandfather had been killed by an evil Peculiar. Apparently, there are evil Peculiars who were trying to figure out how to live forever, but the experiment turned them into monsters. The only way to get back to their human form was for them to eat the eyeballs of other Peculiars. Anyway, the evil Peculiars are led by Samuel L. Jackson who hunts down Peculiars for their eyes so he could heal his friends. Yeah, this is some patented Tim Burton freaky shit, and the monsters are nightmare-inducing. Some fool had their baby in the theater, so I can only imagine those future therapy bills.
Right now, Tim Burton has been getting a lot of flack for the lack of diversity in his films, but I’m not sure it’s really warranted. He tends to be an auteur of “Weird White People” films to the point where I think diversity would be out of place. He’s still the man who gave us Billy Dee Williams as Harvey Dent, and he created a the Sam Jackson role here just so he could work with him, as the novel plays out slightly differently. So, I’m not about to grab my pitchfork just yet. Anyway, Miss Peregrine’s has been described as “Harry Potter meets X-Men“, and I think that’s probably an accurate assessment. If you like either of those properties, then check this out.
On TV, I finally watched the pilot for MacGyver. I was never a fan of the original, as the only episode I ever saw was the series finale (I used to be a series finale whore; I’d watch the final episode of anything). All I know is that Angus MacGyver worked for the Phoenix Foundation and he could do amazing things with stuff just found lying around. What I remember from the old series finale (and bear with me, as it’s been about 25 years), but MacGyver met the son he never knew he had. So, I was kinda hoping this series would pick up on that thread, and we’d be watching the son’s adventures, also keeping the door open for appearances by Richard Dean Anderson. But that was not to be, as this is a complete reboot. Now, I wondered how amazing MacGyver would seem in a 21st century world, as we live with smartphones and lifehacks, so a lot of what RDA did back in the day wouldn’t seem so spectacular these days. Surprisingly, it still works. I was really worried about this show, as CBS completely threw out the original pilot and most of the supporting cast. It was a concept they were committed to without any real proof that it would work. So far, though, I think it works. It’s your typical, formulaic CBS one-hour procedural. I thought MacGyver was kinda smug with a punchable face (like Lucas Till), but I got used to him over the course of the hour. I’m not sure I’ll watch it every week, as I’d rather watch Shark Tank, but I wouldn’t mind watching it if my TV somehow got stuck on CBS.
Also on TV, I caught the premiere of Conviction on ABC. Starring Agent Carter herself, Hayley Atwell, it’s about a former First Daughter who’s kind of a fuck up. She gets arrested for cocaine possession, but instead of sending her up the river (jeopardizing her mother’s Senate campaign), she’s offered the job as the head of the Conviction Investigation Unit. They investigate convictions that should probably be overturned, and they do it with such…wait for it…conviction. The supporting cast is serviceable, including Iceman Shawn Ashmore and Deacon’s wife from King of Queens (I know I wasn’t the only one who recognized her!). It was a basic paint-by-numbers legal procedural, with the crew saving the day in the last five minutes. If it aired on CBS, they simply would’ve called it C.I.U. and kept it moving. But I guess ABC wanted to really wanted to go with the bold title, and it works. Still, I’m not sure this is destination television. Every member of the team has a backstory and, while I’d love to see how some of them play out, I’m not sure I’ve got the conviction to stick with this show. Atwell’s cute and all, but she’s not playing Peggy Carter, and I don’t really buy her as an extreme version of Jenna Bush. You know they’re always gonna win, so I don’t really know what the draw is except to find the answers to those backstories.
I just mentioned Iceman and that reminded me that the poster for the third Wolverine film, now called Logan, debuted this week. Based on the color palette and the child’s hand, it feels almost like they’re trying to evoke something like The Road. It’s been rumored that the film would be based on the “Old Man Logan” storyline, in which an older Wolverine has to cross what’s left of the country, in a world in which the heroes lost. The problem with that, however, is that most of the important characters of that storyline are not characters to which 20th Century Fox has the rights. So, it looks like they’re doing their own take on things. Reportedly, Logan is set in 2024, in a world where mutant births are declining, while the government is training young mutants to be soldiers. Oh, and Wolverine clone X-23 might be the child holding Logan’s hand. Now, while I’d love to see an older Wolverine in a dystopian future, I’m not quite sure such a thing would fit tonally with the rest of the franchise. The problem with the Wolverine films is that they’ve never been great. They don’t take any chances, and they’re serviceable at best. I don’t hate X-Men Origins: Wolverine as much as most, but even The Wolverine played it pretty safe with its Wolverine In Japan story. I’d love for this to be a departure from those movies, but it certainly won’t make for a balanced trilogy. Still, Jackman should go out on a high note, so if this is the way for them to do that, then I’m all for it.
In other movie news, we got our first look at the Red Ranger’s Power Sword from the upcoming Power Rangers film. It looks like a fancy razor from Gillette or a futuristic writing pen. But a sword, it is not. There will be other movie reveals this weekend at New York Comic Con, including the debut of the trailer. There will also be an exclusive Movie Red Ranger Legacy figure, which looks kinda horrible. I really want to like this movie, but nothing about it has me excited. I know you have to reimagine things to appeal to a new audience, but I feel like they’re losing sight of what Power Rangers is. This is just starting to look like a team full of Guyvers.
Speaking of Power Rangers, it was announced that former Green/White/Red/Black/All Time Greatest Ranger, Jason David Frank, will be playing Bloodshot in a webseries based on the Valiant comic properties. It’s not a huge surprise because the guys behind it are Bat In The Sun, who JDF has worked with in the past. In the role of Ninjak will be Arrow‘s Deadshot, Michael Rowe. I knew Valiant was trying to do something live action with their properties, but I thought it would actually be something cinematic. You say “webseries” to me, and it just makes my penis soft. Anyway, JDF will also be at New York Comic Con doing signings to promote the project.
I can’t really let this week go without talking about the whole Kim Kardashian thing. If you were unaware, Kim was robbed at gunpoint in a Paris hotel by a group disguised as police. She was bound and gagged and put in the bathtub. Obviously frightened, she said that she feared they were going to rape her. In the end, they stole millions of dollars worth of stuff from her, including her $4 million engagement ring. And then the jokes started.
Look, I get it: the Kardashians put themselves in the spotlight, so people feel they’re fair game. Still, this is the kind of occurrence that you shouldn’t wish on ANYONE. Sure, people like to think “Well, who cares? They’re rich and famous simply for being famous.” As radio host Bobby Bones put it, we’re all rich to someone. And don’t give me that whole “They’re famous for being famous thing” because that was pretty much the description of Donald Trump until recently, and look where that got him.
I’ve never really understood Kardashian hate, and I guess I’ve become something of a Kardashian apologist. It takes too much energy to hate someone who really doesn’t even give a shit about you. And people like to slut-shame her about being famous for a sex tape, but from the public’s perspective, Taylor Swift has been with WAY more men than Kim, and nobody says shit about that. And I’ll bet there’s a sex tape of her out there somewhere the same way Jennifer Lawrence can’t seem to stop taking nude selfies that end up getting hacked. At the end of the day, Kim Kardashian is still a person and, contrary to what some folks are saying, didn’t deserve to have that happen to her, nor is it funny. If you’re laughing about that whole ordeal, get your life right. I can’t imagine what she went through, and I hope it doesn’t have any long-term effects on her.
Things You Might Have Missed This Week
Netflix’s The Punisher announced three new cast members, including Ebon Moss-Bachrach from Girls as Frank Castle’s ally Micro.
Speaking of Marvel Netflix shows, it was announced that Iron Fist will debut on 3/17/17. Happy St. Patrick’s Day, muthatruckas!
It was also announced that BOOM! will publish an ongoing WWE comic book. So, I figure half the book will be nothing but ads for The Network or Connor’s Cure.
Despite the fact that director David Ayer claimed the theatrical cut was his final version, an extended cut of Suicide Squad will be released on Blu-Ray on December 13th – because 10 extra minutes are gonna make folks like that movie (for the record, I already liked it).
Alec Baldwin made his debut as Donald Trump on the season premiere of Saturday Night Live. Hosted by Margot Robbie, it was one of the best episodes in YEARS.
Based on how they’ve painted him as an emasculated wimp, I would bet money that President Kiefer’s wife eventually has an affair on Designated Survivor – perhaps with her husband’s Chief of Staff. They might save that for season 2
Luke Cage won the week. The Marvel Netflix series debuted last Friday, and was so popular that it BROKE Netflix. Spinning out of Jessica Jones, Luke Cage focuses on a nigh invulnerable man with bulletproof skin, forced to survive in a world that fears and hates him. Or I guess it does. I haven’t watched it yet. I still need to watch Daredevil season 2 because I wanna watch them in order, so I probably won’t get to Luke Cage til around Christmas. Still, it was on everyone’s lips, and the thinkpieces runneth over. Everyone had something to say about the series, and I feel like it has even stolen the thunder of Marvel’s upcoming Dr. Strange film. Once I watch the series I’ll have more to say, but I think it’s safe to say that Luke Cage had the West Week Ever.
I really thought about skipping this week. I mean, a lot of y’all missed last week’s post (based on my stats), so it’d be “new to you”! The main reason I thought about skipping is that I just didn’t know if I could do this. I’ve always liked when, after a tragedy, late night comedy shows would “break kayfabe” and actually address the matter at hand. It’s funny because I recently tweeted that folks needed to stay in their lanes. For example, if you’re a retro pop culture blogger, it’s kinda jarring when you start screaming “BENGHAZI!” Well, I’m gonna veer out of my lane for a bit. You might hate it, or you might agree with it. At the end of the day I still got your click. No, this needs to be said.
There’s something wrong in this country. Honestly, there’s a lot wrong with this world, but I’m trying to localize it somewhat. It strikes me as odd that in the same week we celebrate “freedom” and “independence”, a lot of people out there are still in danger. They’re being hunted. When these police shootings really started booming, it was always argued that “Well, he did X to deserve this.” As none of us were there, we don’t know WHAT happened, but I find it hard to believe that he needed to be KILLED. The part that really gets to me is that this is being done by the people who are supposed to be protecting us. I mean, if we can’t trust them, then who can we trust?
I don’t like to talk about race. Hell, I don’t like to even think about it. Call me naive but it boggles my mind that there’s a disparity between people based on the color of their skin! I mean, that’s so asinine, but it’s been going on since before I was born, and will probably continue after I’m gone. As I sit here, with my White wife and halfy baby (What? Don’t like “halfy”? Would “zebra cake” be better?), I tend to feel isolated from some stuff, while other times race is very obvious to me. I’ve had folks tell me I only got into Cornell because I was Black. I’ve had an ex-girlfriend’s grandfather proceed to wash his hands in front of me after shaking mine. I’ve had a racist call me a “nigger” MANY times and challenge me to a fight at a traffic light. I’ve had some “in your face” kinds of stuff, but I try to carry on. Still, I’m tired. I’m tired and scared.
I like to drive around a lot. I drive just to waste gas. Sure, it’s usually for a toy hunt or something, but at the end of the day, I’m just wasting gas. I drive at all times of day or night. Why? Because I’m weird. But now I’m scared. Last night, after the news of the Philando Castile murder at the hands of police, I was at my mother’s house because I go over there every week to take her trash and recyclables to the curb. Well, I tend to also fall asleep when I’m there, waking up around 2 or so in the morning. And for the first time, I was scared to go home. I didn’t want to drive the 10 minutes home, risking my life in the process. I mean, here I am, driving my wife’s car, in the middle of the night. I could hear the pundits now “Why was he out that late?” and “Well, why was he in someone else’s car?” Do White people have to premeditately justify their murders? For all I know, maybe they do. Maybe it’s the fault of the “media”. All I do know is that I ain’t hearing about Conner and Troy getting shot by police, and when they do something wrong, I’m told of all their accolades and shown pictures of them in prep school blazers. I often think about which picture they’d use or which social media post will be taken out of context should I end up dead. That’s not how life’s supposed to be, right? Or is this just the sign of the times?
I’m so glad I don’t have a son right now. Like, really glad. I mean, I’d always wanted “one of each”, but I honestly don’t know how to raise a son in this world. I read Ta-Nehisi Coates’ Between the World and Me, hoping I would get some sort of insight on how that process goes. Sadly, he hadn’t really figured it out either. Sure, I’ve got a daughter but, at the moment, society just sees her as something to eventually fuck but not to kill. Yay?
I don’t want to live like this anymore. People say “Black Lives Matter”, and they’re immediately met with “All Lives Matter”. If that were true, we wouldn’t have had to drill it down to just Black people. I don’t doubt there’s shit you don’t wanna deal with while being White. You probably feel like we ask for too much, and other -isms are constantly trying to change your way of life. I can understand that. But can’t we just agree that Blacks don’t deserve to be MURDERED? BY THE FUCKING POLICE? Can’t we just do that?
What really scares me is how many of my White friends get silent on the matter. It’s like we’re cool until the shit goes down. I tend to live online, so I have a lot of friends that others would just consider “friends”. What I mean is that I don’t see these people often (in some cases we’ve never met), but I actually consider them important in my life. But what’s going to happen when/if something happens to me? Will they join the chorus of “Well, he shouldn’t have done X”? Really? You’ve known me on here for how many years, and you think I’d start shit with a cop? And that’s the problem: a lot of folks aren’t doing ANYTHING confrontational. They’re complying and cooperative, and they’re STILL getting killed. But to the All Lives Matter crowd, surely I had to have done something wrong, right?
We DESERVE to live and be protected. Our kids DESERVE to live and be protected. I DESERVE to live and be protected. But who’s watching out for us?
So, I guess you came here for some pop culture stuff, and “the show must go on”, so let’s get to it.
In comic news, Marvel announced that recently introduced character Riri Williams will be replacing Tony Stark as Iron Man at the end of Civil War 2. The character is a 15 year old accepted to MIT who manages to build her own War Machine armor. Oh, and she’s Black. So, you can guess where the comments sections went on this one.
The Invincible Iron Man comic is currently written by Brian Michael Bendis, whose writing I enjoy despite the fact that he was a douchenozzle to me one time. I do have a problem, however, as Bendis will be writing Riri, as well as Miles Morales. This means that two up and coming Black Marvel characters will be written by the same White guy. Now, I’m not saying that Black characters have to be written by people of color. I think everyone has experiences that can influence how they approach different characters (All Writers Matter. Heh). That said, it does occur to me that both characters are basically in their formative years, as both are around the same age. Adolescence is a challenging time, and when you add in minority identity development, it becomes even more complex. I think I’d feel better if a character who’s not quite sure where he/she fits into the world was written by someone who has known how it felt to not really know where they fit into the world. G. Willow Wilson, a Muslim, writes Ms. Marvel, and it seems like such a natural fit. Even though a convert, she has an understanding of what Kamala Khan’s life must be like. One day, however, some writer will come along who isn’t Muslim, but by then the groundwork will have been laid. I think I want a writer of color to lay the groundwork, and for Bendis to come along later. But she’s his creation, and he’s earned his place with Marvel, so I don’t see that happening.
I could very well be wrong, and I’m willing to admit that, but I just feel like Bendis has a monopoly on the young, cool Black characters at Marvel right now. He’s already created Riri, so it’s got that Bendis stamp on it, but maybe pass it off to David Walker or one of the few others that exist but I’m clearly forgetting. And where are the Black women writers? This would be a great book for them, as they’d bring different experiences to Riri. Anyway, I’ll be buying the book, as I like where it’s been going, but I won’t stop wondering what might’ve been.
In TV news, it was announced yesterday morning that Uncle Buck was cancelled by ABC. It’s not all that surprising because the show was clearly experiencing a Summer Burn Off, but I can’t help but feel that it might’ve had a shot at another season had it been named something else. At the end of the day, the nostalgia folks don’t like to have their properties co-opted, no matter how 3rd-tier they might be. We’re already seeing this with the upcoming Ghostbusters film, but I’m also reminded of the race-flipped Honeymooners that NOBODY went to see. And then they come along and do this to Uncle Buck. I think part of the issue is that White people had no real desire to see a race-flipped Uncle Buck because John Candy. Meanwhile, Black people don’t really have any affinity for the Uncle Buck “brand”. To us, John Candy was, and will always be, the dude from Cool Runnings. So, there really wasn’t an audience clamoring for it packaged this way. Had it been named any other thing, maybe it would’ve had a chance? Then again, it costarred James Lesure, who’s basically the Black Ted McGinley. Farewell, Uncle Buck. We hardly knew ye.
In movie news, it was announced that John Cho’s Hikaru Sulu will be the Star Trek franchise’s first gay character in the upcoming Star Trek Beyond. Sulu will also have a husband and a daughter. It’s reported that writer Simon Pegg and director Justin Lin made the decision as a nod to original Sulu actor George Takei who’s become quite the LGBT activist over the years. Now, I’ve got the same questions I had when Marvel did this with Iceman. If the Kelvin Timeline Sulu is gay, does that mean the “regular” timeline Sulu is also gay? I mean, we already met his daughter in Star Trek Generations, but we never got into his sexuality. I guess I’ll let the fanfic kids work that out. Anyway, in an interesting development, Takei has said that he’s actually disappointed in the move, as it’s not what Trek creator Gene Roddenberry originally intended. Reportedly, when Takei learned that Pegg and Lin wanted to reveal that Sulu was gay, he pleaded with them to create a new character instead. I get what he’s saying, but I’m pretty sure that very little of the Kelvin Timeline is what Roddenberry originally intended, so I think they get a pass here. Still, I’m not the This Is OK police, so it doesn’t really matter what I think.
Things You Might Have Missed This Week
Netflix has signed a deal to exclusively stream CW shows 8 days after the season finale airs.
Comic publisher Valiant racked up 50 Harvey Awards nominations, making some wonder if the system is broken. At the moment, nominations are voted on by comic industry professionals, but it seems odd that a company that hasn’t had an Eisner Award (basically the Oscars of comics) nomination in the past 2 years would rate so high at the Harveys. I tried to start the #HarveysSoValiant hashtag in protest, but it didn’t take.
My pals over at The Robot’s Pajamas were kind enough to let me write about about the hottest moms on the shows that your kids love. I’m equal parts proud and ashamed of this post, so please validate me by checking it out!
Speaking of Robot’s PJs, Chris is at it again with a new Comics Tropes video. This time, he celebrates America by checking out a vintage Captain America comic, and setting off some kick ass fireworks!
I don’t write much about wrestling these days, and I really don’t write about TNA wrestling. If you don’t know much about wrestling, there are basically two big companies: World Wrestling Entertainment (WWE) and Total Nonstop Action (TNA) – they’re the Marvel and DC of pro wrestling. Just like with comics, there’s a market share disparity, as WWE is everywhere, while TNA changes networks more than its fans change their underwear (ooh, sick burn!). TNA is really unstable, with reports of its demise surfacing on an almost weekly basis. Still, when you’re not the big dog in the yard, you can make some interesting creative decisions. And that’s exactly what they’ve done with the war between Matt and Jeff Hardy.
If you were a fan of WWE back during the early ’00s, then you know Matt & Jeff better as the Hardy Boyz or Team Xtreme (with Lita). They were highflyers who loved to jump off shit. They were basically backyard wrestlers who’d finally made it to the big time. And they were AWESOME. I loved Team Xtreme and all their moves, like the Twist of Fate and the 450° splash. Then life happened. Matt was dating Lita, Lita was having an affair with another wrestler named Edge, and then the whole thing became part of the ongoing TV storyline. The Hardys kinda fell from grace, but eventually resurfaced at TNA.
Some years passed, and I became more of a fair weather wrestling fan, so I missed a LOT of stuff. Anyway, recently Matt Hardy adopted this new persona with a janky accent and this streak in his hair. He became obsessed with defeating his brother, Jeff. Matt referred to Jeff as “Brother Nero” and made it his mission to take him out. What’s funny about the whole thing is that the storyline very much adheres to cartoon guidelines from the 80s. Like, did Matt want to KILL Jeff? Not sure. But I do know that he wanted to “delete” him, whatever that means. So, this week on TNA Impact Wrestling, we finally saw The Final Deletion. It’s so great, guys! It’s like Sharknado in a So Bad It’s Good kind of way. It felt like porn without the sex, which can be quite entertaining due to the bad acting and production values. I posted the “director’s cut” of the whole saga above, and I implore you to take the 17 minutes and check it out. Everything is great, from Matt Hardy’s weird persona, to the hapless gardener, to the drones, to the chaos of the battlefield. It’s just…I mean, if this is what TNA is gonna do every week, I will happily turn in my WWE fan card. Three hours of RAW and two hours of Smackdown are too much WWE anyway. After watching that video, I hope you will agree with me that The Final Deletion had the West Week Ever.
We’ve got a lot to talk about this week, so let’s get to it, shall we?
On the movie front, the first thing that I watched was Focus, starring Will Smith and Margot Robbie. Smith plays a con man who takes Robbie under his wing from chump change jobs to the real money jobs. It was entertaining enough, but it just felt like another movie where Will Smith played a version of himself. He never really immerses himself in his roles. Each role is just an alternate timeline version of Will Smith. In this timeline, he wore really nice suits and had an S-Curl. Robbie was fine enough, but I don’t get why she’s the new It Girl. I guess I still need to see The Wolf of Wall Street for that. My problem with heist movies is that my brain doesn’t work fast enough to process what’s going on with the plan. I just blindly accept whatever they’re telling me, and then I end up overanalyzing it once the movie’s over. I’m basically the guy trying to figure out how the magic trick works. Anyway, it was engaging, but it’s also got some twists where you can’t really watch it a second time. Nothing on a “Keyser Soze” level, but I think a second viewing would be affected by what I know now, having already seen it. Anyway, it’s not a bad way to kill an hour and a half.
Then, Lindsay and I watched The Good Dinosaur with the baby. Since she’s only 14 months old, she kinda watched it while busying herself by climbing on shit. I could think of much better names for this film. For example, it could’ve been called The Dinosaur King, since it’s really just a working class version of The Lion King. Or it could’ve been called Dino Falls, because it sounds like the name of a town, but it’s really because the main character, Arlo the dinosaur, spends a lot of time falling off shit. He falls off cliffs, mountains, etc. It seems like every 10 minutes, he’s getting back up from something, so at least he’s tenacious! Anyway, the story’s about Arlo, the weakest of a dino family, who ends up lost and has to find his way home. On the way, he befriends a caveboy who he initially thought was his enemy. Together, they protect each other in the treacherous environment. It’s got all the Disney tropes you love: dead father, inspirational ghost of dead father, gang of stupid, antagonistic predators. Seriously, the only thing missing was a catchy song or phrase to put on T-shirts (“Hakuna Matata” or “Ohana”, anyone?). Still, even though it’s not considered one of Pixar’s best, and I felt like I’d experienced that story before, I still really enjoyed it. To be honest, I think I liked it more than Inside Out. Maybe it was the hype surrounding that movie, but I just don’t get what you people saw in that film that was so emotional. I was far more touched by the friendship between Arlo and “Spot” than I was about anything going on in Riley’s life. So, you probably didn’t see it when it was in theaters (it was Pixar’s lowest-grossing film), but I think you should definitely check it out now that it’s On Demand and on DVD.
Finally, I watched Sleeping With Other People, starring Jason Sudeikis and Alison Brie. Sudeikis and Brie lost their virginity to each other in college, and then meet up again almost 15 years later at a meeting for love addicts. It seems that neither has been able to have a successful relationship since college, and they sort of become each other’s support system. Meanwhile, everyone around them knows they ought to be together, but they just won’t pull the trigger. It was a funny movie, with a great cast of funny folks. The part that I loved was that many of them had worked together before, so I kept thinking of this as an extension of those other roles. For example, Brie’s character was cheating on her boyfriend with Adam Scott, so I kept thinking of those Smirnoff commercials with the two of them. Or Sudeikis’s business partner is played by Jason Mantzoukas , better known as “Rafi” on The League, and his character is married to Andrea Savage, who played Rafi’s girlfriend on The League. I love little things like that. Anyway, it’s a romantic comedy, so you know how it ends. Plus, Brie must’ve had a no-nudity clause in her contract, as there was a bra-on sex scene, so that was a bummer. Still, everyone’s got great chemistry, and I enjoyed it.
On the stand-up comedy front, I was eagerly anticipating Big Jay Oakerson: Live At Webster Hall, which premiered last Friday night on Comedy Central. I’ve recently heard about folks getting too familiar with podcast hosts because they feel like they know them, and that’s exactly how I feel about Big Jay. Seeing as how I listen to him twice a week on The Bonfire, I guess I’m starting to think he’s my friend or something. Crazy, I know, but I do think we’d get along famously. Anyway, for that reason, I was really happy for him that his one-hour special was finally seeing the light of day. It was a great hour, and he’s truly is the master of crowd work. He doesn’t even have to prepare that much material because he just engages the audience, and he’s quick on his feet. It was definitely one of the better specials I’ve seen recently, but I might be biased since I’m a notch away from being a stalker here.
Then, I caught Quincy Jones: Burning the Light on HBO. No, not that Quincy Jones. If you’re not familiar with Jones, he gained a lot of attention last year when he appeared on TheEllen DeGeneres Show. You see, he’s got terminal cancer, and only has about a year to live. He wanted to spend that time touring and doing comedy. Ellen hooked him up and got HBO to give him a one-hour special. He had some funny bits, but it felt like he was still workshopping some stuff. It wasn’t a tight hour, and his crowd work struggled a bit because of a weird audience. It almost felt like they were there out of charity, as they knew his situation, and would kind of laugh at stuff that wasn’t that funny. I feel like he probably could’ve had a strong half hour on, say, Comedy Central’s The Half Hour, but he’s not ready for a full hour yet. Sadly, time isn’t something that he has a lot of, so I guess he had to strike when the opportunity presented itself. It’s worth a watch, but go in knowing that it’s not going to be the most polished special you’ve seen.
In DC movie news, the logo was revealed for the Justice League film. In order to curry favor with the press, director Zack Snyder invited basically every major news outlet to a site visit recently. Though the movie is only 30 days into a 100 day shoot, reporters got to tour the set and talk to Ben Affleck. And of course, all of the folks who were invited are now positive about the movie, saying that Ezra Miller’s Flash will be a surprising bright spot of the film. It seems the Snyders basically brought the press to them for their Apology Tour, but everyone’s drinking the Kool-Aid. An interesting tidbit came out of the visit: though originally reported as a two-part film, producer Deborah Snyder said that Justice League is ONE film. So, that now means that DC has an open release date in which they can slot something else. It’s also rumored that The Flash will be more of a team-up movie with Cyborg, making me think that the Cyborg movie might be inching its way off the table.
In Power Rangers movie news, a PR alum comes home as Bryan Cranston has been cast as the Rangers’ mentor, Zordon. Cranston voiced a few of the monsters of the day back during the Mighty Morphin days. I wouldn’t call this a casting “coup”, but it really does come out of nowhere. Meanwhile, Lionsgate released the teaser poster for the film, and it’s the most Lionsgatey thing that Lionsgate ever Lionsgated. If you’re not familiar with Lionsgate’s output, their highest grossing movies are angsty young adult novel adaptations, like Divergent and The Hunger Games. And that seems to be the tone they’re going for here, which I was afraid of. It looks like the poster for a show that would air on The CW or Freeform. Yeah, I see the lightning bolt in the stars, but that’s not doing it for me. There’s gonna be problems marketing this film, as PR typically isn’t for the YA set, while this doesn’t look like something kids want to see. I know it’s just a teaser, but I’ll be interested to see how they handle the marketing going forward. Right now, this just looks like the back cover of an Abercrombie catalog…
In Star Trek news, CBS/Paramount has issued official guidelines for fan film productions going forward. Ever since the drama with the Anaxar fan film, resulting in a lawsuit from CBS/Paramount, folks have wondered how fan films would be handled in the future. Well, now they know. And some folks are up in arms about the guidelines, but I’ve seen some pretty dreadful Trek fan films, and I know that CBS/Paramount are just trying to protect their IP. There are some interesting rules here, though. For example, no one who has ever appeared on Star Trek can be in your fan production, as it must be cast entirely with amateurs. So, no more Walter Koenig and Tim Russ cameos. And you can’t have Star Trek in your title, but you MUST include a subtitle that says “A Star Trek Fan Production”. And if there are commercially-available costumes or props, you can’t use bootleg versions, but must use the store-bought equivalent. So, no more homemade Starfleet costumes. These rules are really going to shackle the hands of fan film producers, but I think abiding by them will result in a higher quality product. I guess time will tell.
Things You Might Have Missed This Week
Fall Out Boy and Missy Elliott released “Ghostbusters (I’m Not Afraid)”. Ray Parker Jr’s career is rolling over in its grave!
It was revealed that season 3 of The Flash will loosely adapt the Flashpoint storyline from the comics
Sony revealed plans for the animated Ghostbusters: Ecto Force. The show will focus on a team of Ghostbusters in the year 2050. Yeah, not quite sure why they need a time jump, but it is what it is. It just has shades of Stargate Infinity and it makes me sad.
FX has renewed Archer for 3 more seasons, which is surprising since that show seemed to be winding down. One of these days, I’ll actually watch past season 1.
The Ben 10 reboot will debut on Cartoon Network in North America in 2017, while Playmates now has the toy license. As you can tell from the art, this version seems to be targeting a slightly younger audience than the last show.
Jamie Chung has been cast as Valerie Vale for next season on Gotham. Apparently, shes Vicki’s aunt. This fucking show…
Former Wonder Woman star Lynda Carter has been cast as the President in the next season of Supergirl. And that’s STILL not enough to make me interested in that show.
After already renewing the show for a second season, HBO decided to cancel the low-rated Vinyl.
Maisie Richardson-Sellers has been cast as Vixen on Legends of Tomorrow, where she will play the grandmother of current Vixen Mari McCabe, played by Megalyn Echikunwoke
Comic writer Mark Millar announced ongoing series for Hit-Girl, as well as Kick-Ass: The New Girl. The latter will feature a young Black woman taking on the mantle of Kick-Ass. One day, I’ll actually get around to reading the finale of the last guy who wore the suit.
My pal Chris Piers is at it again with the Comic Tropes videos. This time, he tackles polarizing artist Rob Liefeld and an increasingly hot assortment of peppers. Check it out!
This week, each day brought us more casting news about Spider-Man: Homecoming. At first, we learned comedian Hannibal Buress had joined the film. Then, Abraham Attah, from Beasts of No Nation, joined the cast. Then Bokeem Woodbine. Then Laura Harrier. And then Garcelle Beauvais. I joked on Twitter that the casting mandate for this movie is clearly “Get all the Blacks who aren’t already in that Black Panther movie!” So, if you’re a working Black actor in Hollywood, you probably had the West Week Ever. And if you didn’t, just sit by your phone. The call is coming!
On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.
Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.
Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.
In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”
Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.
In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!
Things You Might Have Missed This Week
Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.
This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.
There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.
Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.