06th Oct2017

West Week Ever: Pop Culture In Review – 10/6/17

by Will

So, I guess I’ve got to start off by talking about Vegas, huh? Ya know, it’s been really hard writing this column in 2017. Like, I’m sure some of y’all are thinking, “Man, Will is slipping” or you’ve put me in the category with The Simpsons where “This isn’t as funny as it used to be.” Sadly, it’s just the state of the world, and all I can do is my best to mine the entertainment news that still manages to trickle out. That said, it is really hard talking about pop culture in 2017.

But anyway, Vegas. Unless you’ve been offworld fighting the Jem’Hadar or whatever, then you already know some dude (not gonna name him ’cause why should I?) shot up the Route 91 Harvest 3-day country music festival, killing 59 people, and injuring over 500, in the deadliest US gun attack in history. And while this was a horrific loss of life, I’m kind of numb to these things now. I mean, sure, you wonder “Is anywhere safe anymore?” but at the same time, this is America, and these sorts of things have become somewhat annual, if not more frequent. After all, this is only the deadliest gun attack since the Pulse shooting in Miami back in June of 2016. It’s saddening and exhausting, yet nothing seems to be changing.

I’m seeing a lot of sentiments, post-Vegas, about how we’re all Americans and should now unite and, basically, “cut the bullshit”. But what does that ultimately mean? I mean, around what ideal are we uniting? It sure as Hell ain’t gun control. Or mental health. There’s no “evil foreigner” trope for us to pursue. If anything, it seems to be a plea to stop protesting and kneeling and all that jazz, because it’s “divisive”. Nah, I’m good. I know these things teach us that life is precious and we shouldn’t waste time on squabbles, but the stuff folks are mad about isn’t menial. And I think it’s gonna take more than a “lone wolf” at a country festival to sweep all the issues under the rug, for the sake of “unity”.

Anyway, as you can imagine, Vegas cast a bit of a pall on pop culture this week, and this wasn’t more evident than with the return of MTV’s TRL.

Members of the N’SYNC pose with Carson Daly at MTV Studios in New York City’s Times Square on January, 26, 2000. (photo by Todd Plitt)

Originally Total Request Live, the video request countdown was a powerhouse on the pop music landscape at the turn of the century. It put Carson Daly on the map, and it was what everyone watched when they came home from school (unless they were watching 106 & Park). You weren’t shit if you didn’t stop by TRL to promote whatever new project you had coming up. It was THE place to be. Then the internet got bigger, and you could watch music videos whenever you want on YouTube (and later Vevo). So, the show packed its shit and left us in 2008.

Feeling a bit of nostalgia, I suppose, Viacom decided to revive the show this year with a team of hosts. With the internet being what it is now, surely it’d be more interactive than the original. What nobody told us, though, is that it wouldn’t have any videos!

Monday’s premiered chugged along, despite having to deal with a national tragedy and experiencing technical difficulties, and didn’t air a single video. Yeah, they still make videos. CMT plays ’em, so at least they’re still viable for country. Taylor Swift and Katy Perry still make them. There are videos out there, yet the show known for its video countdown ain’t got no videos! Exactly WHAT is the audience expected to request? Instead, the show featured live performances from Ed Sheeran and Migos, and displayed some awkward banter between the hosts as they tried to fill out the intermittent silences.

People have said “What’s the point of then showing videos if you can get them online?”, and while that’s true, I’d counter with “Then why bring back the show at all?” Imagine if VH1 revived Pop-Up Video, but didn’t actually do the pop-ups because “folks do that better on YouTube now”? That would be a useless show. And in an age where MTV seems to want to get back into the music business somewhat, and they still host an awards show for music videos you’d think they would see this TRL reboot as a golden opportunity. Anyway, maybe they’re just experiencing first week growing pains, but things certainly don’t look all that great for this incarnation at the moment.

Another way that Vegas affected pop culture is that Netflix pulled their Punisher panel that was planned for this weekend’s New York Comic Con. While some folks are asking “What’s that gonna change?”, I selfishly applaud the decision. I say selfishly because I don’t understand anyone who holds The Punisher as their favorite comic character. At least no one over the age of 13, that is. Why, in this day and age, is he still a thing? Sure, he has his roots in the whole Dirty Harry/Death Wish popularity of decades past, but let’s not forgot that comic are just power fantasies. So who does he appeal to?

If you’re not familiar with The Punisher, Frank Castle was originally a Vietnam vet whose family was murdered because they witnessed a killing in Central Park. He then begins his one-man war on crime. Sure, this was “cool” in the 89s, but now? Do you really wanna give a Vietnam vet with a screw loose a bunch of weapons? Shit, most of y’all wouldn’t even give him a dollar!

In recent years, they’ve tried to make him more “comic booky”, sending him after Hydra and having him somewhat idolize Captain America, but at the end of the day, he’s not a good dude. And it’s not like he does it in a funny way, like Deadpool (and I’ve got thoughts about that, too). He’s so “ripped from the headlines” that I’m surprised there aren’t Punisher copycats running around in the streets.

They say that every character is somebody’s favorite, but if yours is Punisher, not only do I want to know who hurt you, but I’m also afraid of you. We’ve got comic retailers pissed that Iron Man is currently a Black girl, or Captain America was a Black man, but don’t bat an eye that there’s this White dude who’s been on a killing spree since the mid 70s. I just don’t know if we need that character anymore.

Anyway, enough Vegas talk. Over at ABC, they finally locked their judges panel for the American Idol reboot and I’ve got problems with it.

The lineup on the judges panel will be Katy Perry, country star Luke Bryan, and 80s superstar Lionel Richie. And my problem is that these judges are current recording artists, so what’s to keep them from torpedoing the hopes of a contestant that they night see as competition? We already know Katy’s petty from her feud with Taylor Swift, so I wouldn’t put it past her.

When the original Idol aired, the judges were comprised of a producer, a hasbeen, and a pop music magic maker. None of them were active recording artists. The only show that has active recording artists as judges is The Voice, and notice how that show has yet to produce a household name after 13 seasons. Not even in the first season, where all eyes were on this newfangled show to see what it was all about, did the winner become a “star”. That show has always been, and will always be about the judges. You think Blake Shelton is gonna choose someone who might compete with him over a CMA? No the fuck not!

Katy’s experienced a lot of success, but I don’t know if she’s really anyone to be judging singing. Despite the fact that she’s the biggest star on the panel, and making the most money, Katy fills the Paula role, as she’s more of an entertainer than a vocalist. Luke, while he’s paid his dues in the country industry, is still a novice to stardom. Not really sure what advice he has to offer the next generation of stars. And Lionel is just there to fill that Randy Jackson, elder statesman role. If you’ll notice, the panel is missing a Simon. There’s no one there who truly understand the behind the scenes aspect of the industry. How to package an artist, how to match them with the right songs, etc. Katy has been packaged, and Lionel has written songs, but there’s no “godfather” on the panel, which I think will be to the show’s detriment.

In comic news, it was announced at NYCC yesterday that DC would be completely rebooting the “urban” Milestone properties, led by a new Static Shock series from Kyle Baker and Reginald Hudlin.

The minority pockets of comic fandom have been claiming for years that they’d support a Milestone reboot, so now it’s time for them to out their money where their mouth is. Frankly, I don’t believe them. It’s the “woke”, socially conscious thing to say, but when you’re faced with paying $3.99 a month for Static, your attitude is gonna change.

Several companies have tried to fill the void left by the Milestone books, and the only one that has come close to succeeding is Lion Forge’s current Catalyst Prime universe. While it’s still very early to tell where this imprint might go, they’ve delivered a quality product, with known creators, and even their footprint doesn’t seem to be that large. Retailers are ordering conservatively, as they, too, aren’t sure how things will shake our. Sure, Milestone will have DC Comics money behind it, but is DC giving then just enough rope with which to hang themselves? I guess time will tell, but I’m not overly optimistic about their chances. Plus, there have been so many bait & switch Milestone announcements over the years that I’ll believe it when I see the books on shelves.

Speaking of DC, there are reports that they’re backing away from their shared DC Extended Universe films, as they’ll downplay the interconnectedness going forward. While I, for one, applaud this decision, money talks, so the success or failure of Justice League will most likely dictate the future of their film universe. It’s increasingly seeming like the Flash movie will be Flashpoint, which is odd because we’re not even invested enough in the characters yet to go through a universe-changing event like that.

If you’re unfamiliar, Flashpoint was the DC Comics event that changed the DC timeline and resulted in the New 52 relaunch a few years back. Most of the DC heroes started with a clean slate, and the books picked up early in the heroes’ careers. While a Flashpoint movie wouldn’t have to be so drastic, as they haven’t really established much of that universe yet, it is interesting that they would do a soft reboot of the films so soon. My feelings is that they’ll keep what works and throw out what doesn’t. Gal Gadot ain’t going anywhere. And Aquaman is probably safe, too.

I think the biggest wild card is Affleck. It was sort of dumb for them to build a film universe around an older Batman, where the most interesting stuff about him occurred before we even meet him. I know they wanted to go all The Dark Knight Returns with his battle against Superman, and that required an older, more skilled Batman. However, Affleck and the DCEU are like a couple who’s clearly unhappy, but neither is willing to pull the trigger on a break-up. Plus, it doesn’t help that Affleck’s most recent non-DC films have been flops, so he’d be a fool to walk away from a sure thing. The films might not be universally loved, but they do make money.

Anyway, we got some character posters for Justice League this week, which is something I guess. It comes out 2 weeks after Thor: Ragnarok, yet I’ve seen almost no promotion for it, while Thor has had TV spots since late August. In fact, the only time I even remember there’s a Justice League movie coming is when I’m in the toy aisle and see those uninspired basic figures on the pegs. They’re really gonna need to pump up the hype machine in the next few weeks. With the way DC’s acting, I almost feel like they’re ready to take the L and move on to the next phase of their movie-making.

Last weekend I went to TFCon 2017, which was a Transformers convention held locally. While I had a great time finally meeting Twitter pals @briantruitt and @brock626, and catching up with my bud @FakeEyes22, the show itself was meh. Like, I can’t believe that people actually travel for that show. Imagine paying for tickets to a music festival with big name acts, only to get their and they say “Psych! Most of these are cover bands!” That’s TFCon, ’cause about 40% of the “convention floor” (AKA hotel ballroom) was nothing but 3rd party knockoff toys and Reprolabels. After all, why buy a legitimate Optimus Prime when you can buy a $70 “Supreme Leader”? I know that 3rd party stuff is popular amongst Transformers fans, but I didn’t think you could prop up a convention with it, especially since it seemed like Hasbro was starting to crack down on those knockoff peddlers. Anyway, I bought my first 3rd party Transformer, KBBMP 21+ Beetle Wasp , who is really just a large G1 Bumblebee.

Song of the Week

You know why. My a cappella group used to sing this and it was one of my favorite arrangements to sing. I tried to find our version on YouTube, but the one that’s up is the quality of hot garbage, so you get the original instead.

Things You Might Have Missed This Week

  • Film sites are teasing that “big star” Kate Winslet is reteaming with James Cameron and joining the Avatar franchise. Sorry, but she hasn’t been a star since 1997.
  • Fast 9 has been given the release date of 4/10/20, while the Fast spin-off starring Dwayne “The Rock” Johnson and Jason Statham now has a release date of 7/26/19.
  • Grammy award-winning singer/songwriter/actress Jill Scott has been cast as the villain Lady Eve in The CW’s Black Lightning. I still feel like they’re dooming this show to fail by not connecting it to the preexisting Arrowverse.
  • OJ Simpson was released from prison last Sunday morning at midnight, after serving a 9-year term. He immediately resumed his hunt for the real killers. Just kidding. He’s reportedly staying on a golf course somewhere.

  • We got a trailer for Syfy’s Happy!, based on the Grant Morrison and Darick Robertson graphic novel of the same name. While this left me with a feeling of “What did I just watch?”, this feels like it’d be more at home on FX than Syfy.
  • It seems like Universal’s Dark Universe is falling apart, after The Bride of Frankenstein just lost its release date. The actors, including Javier Bardem and Angelina Jolie, are on hold until the script can be worked on.
  • Natalia Cordova-Buckley has been upped to series regular for season 5 of Agents of S.H.I.E.L.D., so expect to see her yo-yoing through space this year.
  • Black superhero series Raising Dion is being developed by, and will co-star, Michael B. Jordan. The show has received a 10-episode order from Netflix.
  • Apparently there’s a Bob’s Burgers movie coming in 2020. Just like the show, I’ll have no direct interest in seeing it, but I’m sure I’ll eventually catch it on FXX one day and enjoy every minute of it.
  • Gore Verbinski, of Pirates of the Caribbean and The Ring fame, will reportedly direct Channing Tatum’s Gambit film spin-off of the X-Men franchise. Man, what kind of blackmail material does Tatum have to keep this movie in production?! I’ll bet it’s some dirt from his days as a stripper!
  • Bruce Willis’s Death Wish reboot has been moved from later this year to March 2nd, 2018. They claim it’s because the Thanksgiving film corridor is crowded, but it’s more likely the fact that a movie about an old White guy shooting up people ain’t so kosher right now. But we’ll have forgotten all about this stuff by March, so it’s cool.
  • The future of Nickelodeon’s Nicky, Ricky, Dicky & Dawn is in question, as they ain’t got no Dicky! Actor Mace Coronel (are we sure he’s not a video game character with that name?) abruptly left the show over the summer, and announced his departure on Instagram this week.
  • TNT announced that the upcoming 6th season of Major Crimes would be its last, despite the fact that it’s the highest rated show on the network. This is like when CBS initiated the Rural Purge, where they cancelled all their high-rated “bumpkin” shows because they wanted to change their image.
  • Alyssa Milano is developing her comic series Hacktivist into a TV series for The CW
  • Freshman ABC drama The Good Doctor has scored a full season order after only airing 2 episodes.
  • The Sonic the Hedgehog film has jumped from Sony to Paramount, and announced director Tim Miller (Deadpool) will now produce, as Jeff Fowler will be making his theatrical directorial debut on the film.
  • After 15 seasons, Pauley Perrette is leaving NCIS at the end of this season. In other news, NCIS has somehow been on for 15 years…

  • CBS is adding Will Ferrell-produced comedy No Activity to the All Access streaming service, to debut by end of year. However, Tim Meadows just joined the cast as the co-lead, so the show is already cancelled.
  • Larry Wilmore and Viola Davis are developing the comedy Black Don’t Crack for ABC, which sounds like an older Girlfriends reboot
  • Co-head writers Chris Kelly and Sarah Schneider have left Saturday Night Live to work on a pilot for Comedy Central. Kelly also wrote for Broad City, while Schneider wrote for Master of None.

  • We also got a trailer for Hulu’s Future Man from Seth Rogen. It looks funny, but Hulu doesn’t seem like the right home for it, as it feels like a Fox show.
  • Glee‘s Mark Salling issued a plea in his child pornography case. One of the stipulations of sentencing means he’ll have to stay away from events frequented by minors, such as “video arcade facilities”. Here’s hoping he not a pedophile AND a time traveler!

So, this has been a Hell of a week. One great thing about it, though, is that today is my 5-year wedding anniversary. Yup, on October 6th, 2012, I married a girl I met on the Internet, and she hasn’t killed me yet. We’ve actually been together 9 years, but only 5 in the eyes of the District of Columbia. It has certainly been a ride. She got skinnier, I got fatter. We’ve had a kid together, which is pretty cool. Sometimes I feel like said kid gets the attention that I used to get, but I’m not supposed to be jealous of a toddler, right? RIGHT?

Anyway, when things like Vegas happen, you do realize that you’re lucky/blessed to be alive, and you look at the life you’ve built around yourself. I certainly could’ve done a lot worse, and probably not much better. Look, I was a lot better at writing this kind of stuff 9 years ago, when we were both still in the “OMG, you love breathing? I love breathing, too!” phase. Life comes along, and shit gets hard. I’m not even going to lie about that. But it’s a lot easier to handle when you’ve got a good person beside you to deal with it together. So, I think the West Family is having the West Week Ever. I love y’all!

15th Sep2017

West Week Ever: Pop Culture In Review – 9/15/17

by Will

In movie news, it was announced that J.J. Abrams would be returning to write and direct Star Wars: Episode IX. This comes on the heels of Colin Trevorrow’s dismissal from the project. If you remember, Abrams was the creative voice behind Star Wars: The Force Awakens, and many fans seem happy about this decision. I’ve seen some folks say that it’s now the cool thing to say you didn’t like The Force Awakens, but I remember hearing those complaints when the movie first came out. I mean, a lot of people felt he just remade A New Hope, so will this be a remake of The Empire Strikes Back? I’m not the biggest Star Wars fan, so I don’t know what I’m talking about. If the fans are happy (and geeks are rarely happy), then that’s enough for me. To accommodate this change in direction, however, the film’s release has been moved from May 2019 to December 2019.

In other movie news, there’s been an interesting development with the new Hellboy movie. Ya see, Hawaii Five-0‘s Daniel Dae Kim has been cast as Ben Daimio, which is the role that was vacated by Ed Skrein. This is good, as it’s an Asian-American character who will now be portrayed by an Asian actor. Done deal, right? Well, now we have to get into the weeds a bit and point out that Daimio is of Japanese descent, while Kim is Korean American. Does it matter? Some might say no. I mean, in Selma, African American Martin Luther King Jr was portrayed by British-Nigerian actor David Oyelowo. That said, if Daimio’s Japanese heritage is important to his character, and you just cast another non-Japanese actor, then it somewhat contributes to the idea that Asians are interchangeable, which doesn’t help matters in their pursuit of fair representation in media. My friend Jenn articles this much better than I can. At the end of the day, does it matter? To someone out there, I’m sure it does.

Oh, and we got a pic of what David Harbour will look like as Hellboy. Not bad!

In TV news, it was announced that ABC will be rebooting 80s cult classic The Greatest American Hero, but with a twist: this time, the show will star an Indian American woman named Meera. She’s described as a 30 year old woman from Cleveland, who enjoys tequila and karaoke. Um, OK. Now, I see what they’re doing here. They want to challenge the notion of what it means to be “American” in this day and age. I see you, ABC. I guess that’s somewhat timely, but people tend to forget that the original show wasn’t exactly a ratings smash. In fact, it barely eked out 3 seasons. It’s probably most notable for its theme song, “Believe It Or Not”. And this also isn’t the first time they’ve tried this idea with a woman, as there’s a pilot for The Greatest American Heroine, where a woman is chosen to take over for William Katt’s character. The pilot never aired, but was reedited into an episode that was added to the syndication package of the show. I don’t see this working in 2018, but ABC apparently has a lot of faith in it, as it’s a “put pilot”, which basically means it’s guaranteed to make it to air or it’s gonna cost ABC a lot of money to pass on it. It’s ABC, though. Just looking at The Mayor coming up this Fall, they clearly don’t have the strongest comedy development department right now.

In comics news, it took 13 years, but Marvel’s finally bringing back Jean Grey. The ORIGINAL Jean Grey. Killed at the end of Grant Morrison’s run of New X-Men, she hasn’t been seen since around 2004, though we all knew this would happen one day. We’ve had a bunch of fake outs, with the character of Hope and the debut of teen Jean Grey from an alternate reality timeline, but this is the real deal. And I’m not quite sure how I feel about it. On the one hand, it’s comics and nobody stays dead. On the other, they left her dead a lot longer than they had to. I’d actually started to think she was gone for good. Silly me! I really do wish death meant more in comics. I’m smart enough to know the character will be back, so I’d prefer they not write like I’m a moron. I’d be willing to accept a concession, like we got recently with Tony Stark. He’s not “dead”, but in some sort of a stasis coma. When they need him again, he’ll pop out of it, right as rain. I’m fine with that. Put more characters into comas! Have them get lost in the timestream, and make them find their way home. But stop “killing” them when you, and everyone else, know it will just be temporary. Anyway, to check out Jean’s grand return, pick up Phoenix Resurrection: The Return of Jean Grey – part of the upcoming Marvel Legacy initiative.

In other comics news, there was a whole kerfuffle regarding the G.I. Joe franchise. You see, IDW Publishing currently has the G.I. Joe license, and they’re publishing a Joe comic written by freelancer Aubrey Sitterson. Well, on the anniversary of that day we’re supposed to never forget, 9/11, Sitterson tweeted this:

 

After getting some blowback, he doubled down with this:

Nice try, Aubrey, but 9/11 affected more than just NYC. Y’all just happen to be the ones who get most of the attention. I’m not one of the guys who gets all choked up in patriotism, though, so if that’s how he feels, whatever.

Well, the Joe fandom didn’t take too kindly to that. And apparently this was just the latest in a long string of what they considered antagonistic behavior from the writer. So, fansites, such as YoJoe.com and GeneralsJoes.com, decided that they were no longer going to cover G.I. Joe comics until something was done with Sitterson. At first it seemed like IDW was standing behind the writer, but they eventually released the following statement:

I’m on the fence on this one. I mean, you vote with your dollars and if you’re unhappy with something, then don’t buy it. That said, I have never been more glad that I no longer identify as a G.I. Joe “fan”. A lot of these guys come just come across as bullies. Sitterson was on his arrogant high horse, but a lot of the response is coming from veterans who are throwing around terms like “Commie” and “Libtard” just because their feelings were hurt by a funnybook writer. Sitterson comes from the wrestling world, so he’s reveling in the role of the “heel”, or the bad guy. This is all a gimmick to him, and the more riled they get, the happier it makes him. It means it’s working. That said, I don’t think he realizes that some of these dudes have a few screws loose. They don’t understand the game, and they don’t care. I really wouldn’t be surprised if he’s getting death threats right now over his opinion.

At the end of the day, G.I. Joe is a dying franchise. You could even say it’s dead, but there’s a small group of +40 year old men who are keeping hope alive. I’ve often said that the franchise needs to take a TMNT-like break, and give folks a chance to actually miss it. Plus, it’s time to give today’s kids their own Joe. Sure, folks are going to argue that kids don’t play with toys anymore but, just like comics, the core audience is going to die, and you’re going to need to replace them somehow. The A Real America Hero era has had a good run, but it’s time for the sun to set on it. No more Duke, no more Snake Eyes. Reboot the fuck out of it! Call of Duty is popular. Make G.I. Joe like that. There are ways to make it viable but the current approaches aren’t working. It’s like porn – there’s ENOUGH porn in the world. There’s really no need to make more. The same with Larry Hama-based Joe stories. There’ve been enough over the past +30 years. It’s time to move on. Sure, this will just piss off the same demographic that’s currently upset with Sitterson, but they’re gonna be dead soon anyway. But who am I to say that? Just another libtard with a website, I suppose…

Things You Might Have Missed This Week

  • I guess he’s over her humps AND her lady lumps, as Josh Duhamel and Fergie have separated after 8 years of marriage.
  • Watch out, conservatives, as Trevor Noah’s contract with The Daily Show has been renewed through 2022. Meanwhile, HBO has renewed Last Week Tonight with John Oliver through 2020.
  • Matt Bomer’s The Last Tycoon has been cancelled by Amazon after one season.
  • TBS has renewed Wrecked, The Guest Book, and People of Earth
  • John Wick: Chapter 3 will be released May 17th, 2019
  • Nick Blood will be reprising his role of Lance Hunter on Agents of S.H.I.E.L.D. this season. I figure they’ll make some excuse for where Bobbi is, so she can pop up once The Orville gets cancelled.
  • Shaun Sipos will portray DC space hero Adam Strange on Syfy’s Krypton
  • Keke Palmer moves from Scream Queens to MTV’s Scream, as she’ll headline season 3 along with Power Rangers‘ RJ Cyler.
  • ESPN anchor Jemele Hill called the President a White Supremacist on her Twitter account, and the White House insinuated that she should be fired. Ya know, that thing the First Amendment specifically forbids them from doing…
  • Melissa McCarthy is now an Emmy winner, for Outstanding Guest Actress in a Comedy Role, for her work on Saturday Night Live last season.
  • The Black Lives Matter movement will be covered by Arrow this season, as well as an upcoming AMC drama, based on the book They Can’t Kill Us All, and adapted by a writer from Into the Badlands. Considering how bad Badlands‘ writing is, I’ve got more faith in the Arrow storyline…
  • It was revealed that Roald Dahl originally meant for the character of Charlie in Charlie and the Chocolate Factory to be Black, until his agent basically asked “Why?” and said that it wouldn’t be the right move.

  • After nearly 40 years, it was revealed that Mario has nipples, and the internet lost its mind!

  • We got our first taste of the main theme for Star Trek: Discovery, and I don’t hate it. It’s no Enterprise theme, but I like the callbacks to the Original Series theme.


I’m not sure who had the best week this week. I mean, there’s the movie IT, which broke a whole bunch of records, and has made about $180 million. I don’t really care about horror, though, and will probably never see the movie. Still, this was a big deal for the horror community.

There’s adult film star Cory Chase who became something of a household name when Senator Ted Cruz’s personal Twitter account Liked a tweet containing her scene from Moms Bang Teens 20. Cruz has, since, said that it was done by an aide, while his spokesperson tried to insinuate it was a hack. Anyway, Chase was without power due to Hurricane Irma, so she didn’t even realize why she was getting all of this newfound attention. This was a major boon for both Chase and the Reality Kings website.

Horror or Porn? I really can’t decide. So, I’m gonna leave it up to you guys. Tell me: who had the West Week Ever?

25th Aug2017

West Week Ever: Pop Culture In Review – 8/25/17

by Will

 

In movie news, there was quite the controversial casting this week, as the color lines blurred for some comic book adaptations. First up, it was announced that English actor Ed Skrein would be portraying Japanese character Ben Daimio in the upcoming Hellboy reboot. Now, according to what I’ve read, Daimio’s Japanese heritage heavily influences the character, so this whitewashing of the character doesn’t seem to be in the best interest of the character. I mean, after the problems with whitewashing in Doctor Strange, Ghost in the Shell, Aloha, The Great Wall, and Ni’ihau, you’d think Hollywood would avoid shit like this. Yes, movies are made to make money, but it’s not like Skrein is a bankable star worth slotting into the role, so it doesn’t make a lot of sense. Usually this is done for the film’s STARS. Damon, Johansson, Stone. This is a secondary character, so it really wouldn’t have hurt them to seek out an Asian actor. Normally I’m just like “Well, Hollywood’s gonna Hollywood”, but this decision just doesn’t make a ton of sense.

Next up, 24: Legacy’s Anna Diop has been cast as Starfire in Warner Bros’ Titans series, slated to air on DC’s upcoming digital service. Some folks are saying they should’ve cast a Latina, but she’s gonna either be painted or CGied in orange, so it’s not like it’s gonna matter at the end of the day. Personally, if they wanted authenticity, I think they should’ve cast an actual orange alien princess. Right now there are just too many unknowns for me to get excited about this. I mean, DC announced the digital service without a lot of information. What’s gonna be on it? What will it cost? How much of the DC library will be available to be housed on it? As for Titans, this is the show TNT passed on. Ya know, the home of such illustrious shows as The Librarians and The Last Ship. I mean, they’re basically just about a notch up from what we got in the 90s from Universal’s Action Pack lineup. If Titans couldn’t fit anywhere on that schedule, then it probably just isn’t “ready for primetime” yet.

Speaking of aimless Warner Bros decisions, they announced 2 different Joker movies this week. First up is an origin tale, directed by Todd Phillips of Old School fame, and produced by Martin Scorsese. Hmm, one of those things is not like the other. I mean, why would Scorsese touch something helmed by the dude who gave us Road Trip? And who even WANTS a Joker origin story? First of all, it’s reportedly not even going to be part of the DCEU, so why confuse the audience with a story that won’t even really “count” in the grand scheme of things? Nobody needs a standalone origin of a take on a character they’ll likely never see again. This is just as foolish as Sony’s Don’t-Look-For-Spider-Man-To-Appear Venom movie. Next, the guys behind This Is Us (SO hot right now!) and Crazy, Stupid, Love are working on a Bonnie & Clyde-style Joker and Harley film, with Jared Leto and Margot Robbie reprising their roles from Suicide Squad. Since this would sort of negate the empowerment that Harley gained by the end of Squad, it’s believed that this actually means that the planned Gotham City Sirens film, also slated to star Robbie, is now dead. Honestly, I could do without either of these movies. I found Leto’s take on Joker to be…interesting, but Less is More with that character. Plus, I don’t really think the DCEU would be strengthened by this sort of movie. It’s not the world-building they need to be doing right now, as they haven’t even figured out the core of their star characters like Batman and Superman yet.

In TV news, Christopher Sebela’s comic Heartthrob has been optioned as a TV series by Felix Culpa – a production company launched by actress/Elvis’s granddaughter Riley Keough. Now, comics are optioned every day, and the final product never comes to fruition, but I hope this series sees the light of day. I’m actually a big fan of the comic, which is published by Oni Press. Set in the late 70s, it focuses on Callie, who’s received a heart transplant while the process is still in its infancy. Given a new lease on life, but still told she’s basically living on borrowed time, she decides to change her life when she meets Mercer, a charming guy with a shady side. She immediately falls for him, and he teaches her how to be bad, like rob banks and commit other crimes. She gets off on the rush. Pretty soon, however, she realizes that Mercer isn’t real. No, he’s actually the ghost of the guy whose heart is now in Callie. So, it’s a Bonnie & Clyde story where Clyde’s calling the shots from the afterlife. The book is published in “seasons”, so the first 5-issue miniseries wrapped up back in early 2016, while season 2 is hitting stores now. If you’re looking for a new comic not from the Big Two, I highly recommend it.

In music news, Taylor Swift did a whole social blitz to announce that her next album would be called Reputation, and would be released Nov 10th. On top of that, the first single was released last night, with rumors that the video will premiere at Sunday’s MTV Video Music Awards. Ya know, the same awards hosted my Taylor’s enemy Katy Perry. Yeah, that should be pretty interesting to watch. Anyway, the new song is called “Look What You Made Me Do”, and I’m not too impressed. It lacks a real hook, while the chorus itself is basically spoken. I feel like it has all the ingredients for a great song, but it’s not living up to its full potential. If this is an indicator of what to expect on Reputation, though, I’ll admit I’m curious. It can’t be worse than Perry’s Witness.

Speaking of Katy Perry, we got the premiere of her video for “Swish Swish”, which was reportedly her diss track against Taylor Swift. After a lot of backtracking and sucking up, though, it seems Katy wants to put that feud behind her. That’s why this horrible video does everything it can to take the bite out of a song that was never really that biting to begin with. I mean, just look at it – Molly Shannon? Terry Crews? Even Nicki Minaj was clearly CGied in, as I’m sure she didn’t wanna be anywhere near this shitshow. The sad thing about the Perry/Swift feud is that Katy bailed on it the minute she realized the Swifties were a more powerful lobby than she had thought. Nobody was feeling her SNL performances, and Witness didn’t exactly fly off the shelves. She realized that she can’t really survive by making enemies, so suddenly she became conciliatory to save her ass. Plus, it’s kinda lame that this blood feud started just because Taylor stole a few of Katy’s dancers for her tour. Anyway, you’ll never get those 6 minutes back. You’re welcome.

I had the pleasure of joining my buddy Zac for his new podcast, The Zac Shipley Show. He’s treating these first few episodes as pilots for ideas he’s wanted to try, so our ep was called Streaming Pile, where we talked about the worst things we could find on streaming services. I talked about a Star Trek: Voyager episode where formerly perky pixie Kes returns all middle-aged and bitter. You should check it out, and give a listen to his other episodes while you’re there!

Song of the Week

I’ve been a big Maren Morris fan since she released “My Church”, and I was really into her next single, “80s Mercedes”. With this song she continues not to disappoint, as I love the groove on this thing. Listen to the bassline. It’s not a dance song, yet you can do a MEAN two-step to it. Hell, I think you could even do a casual version of The Hustle to it. This will definitely go to #1 given time.

Things You Might Have Missed This Week

  • NBC’s planned reboot of Xena: Warrior Princess – which would’ve featured a full-on lesbian relationship between her and Gabrielle – is officially dead, as they said “it didn’t warrant a reboot”. Man, if only other studios would realize this about some of their projects…
  • Director James Gunn mentioned in a Q & A session that the 3rd Guardians of the Galaxy film would set up the next 10-20 years of the Marvel Cinematic Universe. Yup, you’re just now realizing your own mortality. I’ll give you a minute to deal with that.
  • Speaking of Gunn, he’s attached to write the pilot for (and possibly direct) a reboot of 70s series Starsky & Hutch. This adaptation is supposed to be similar in tone to CBS’s upcoming S.W.A.T. and not comedic in tone like the 2004 Ben Stiller & Owen Wilson movie.
  • Surprising every critic in Hollywood, Netflix has renewed the maligned comedy Friends From College for a second season.
  • Known for controversial publicity stunts, Alamo Drafthouse is reportedly organizing a Clowns Only screening of the new adaptation of Stephen King’s It.

  • We got a new poster for Thor: Ragnarok. So many colors!
  • Michael K. Williams has reportedly been cut from the Star Wars Han Solo film, as Ron Howard’s reshoot schedule conflicted with another role that Williams had accepted.
  • There are, like, 8 different Knight Rider reboot treatments floating around Hollywood, but the latest rumor is that one of those productions is looking at John Cena as Michael Knight, with Kevin Hart as the voice of K.I.T.T. Of course, it would be a comedic adaptation, a la the popular Jump Street franchise.
  • Super Troopers 2, the sequel to one of the most overrated films I’ve ever seen, will hit theaters April 20th, 2018.
  • Anne Hathaway and Rebel Wilson will star in Nasty Women, which is a female-led reboot of the Michael Caine/Steve Martin classic Dirty Rotten Scoundrels.
  • Independence Day: Resurgence‘s Jessie T Usher will star in Son of Shaft, with Samuel L. Jackson potentially reprising his role as John Shaft (from the 2000 reboot film), the nephew of the original John Shaft, played by Richard Roundtree, who is also in talks to join the movie. Man, that gave me a headache.

  • Always on the cutting edge, here’s Sesame Street’s parody of 2017’s song of the summer, “Despacito”
  • According to the creators, the Netflix series Stranger Things will most likely end after its fourth season
  • The actress formerly known as “Andrea Zuckerman”, Gabrielle Carteris, has been re-elected to a 2-year term as the President of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA)
  • Ryan Gosling will host the season premiere of Saturday Night Live, with musical guest Jay-Z, on Sept 30th.
  • Jamie Bell is developing a Jumper TV series, based on the 2008 film about teleporters
  • Suicide Squad 2 is reportedly being fast tracked, but I hope they fast track it right into the garbage. I mean, I enjoyed the first one, but I don’t need a sequel.

  • I like Nick Kroll, even though I never saw even a second of Kroll Show. Anyway, he’s got a new animated series about puberty called Big Mouth coming to Netflix and after watching this teaser I am ON BOARD!
  • We’re a month away from the premiere of Star Trek: Discovery, and it was revealed that it will be rated TV-MA, for Mature Audiences. Now, it doesn’t mean there’ll be tits and phasers, but it does mean they can tell more complex stories. That said, I still feel like they don’t truly understand the source material.
  • After a scathing essay from his ex-wife went public, accusing him of adultery and other generally shitty behavior to women, Joss Whedon went underground and the fan site, Whedonesque, shut down after 15 years.

  • We got a new teaser for Netflix’s The Punisher. With the rate I’m getting through these Marvel shows, I’ll probably get to it just before Evie goes off to Hogwarts.

There was a national solar eclipse this week, which was the first occurrence since 1918. I’m sure you might’ve heard something about it. It was kind of a big deal. Folks were pimping out special cardboard glasses on Craigslist for insane amounts of money, and the American President made news by looking directly into it. It seems that it had a strange effect on different folks. For example, Netflix viewership went down 10% as people went outside to view the phenomenon. Not everyone understood what was going on, bless their hearts. At work, a frantic parent called in and said “Y’all watching the news? You hear about this eclipse? Is it serious?!” Apparently she thought it posed some sort of danger to her kids and the school. No, ma’am. It’s just a beautiful sky ballet. Anyway, the eclipse was EVERYWHERE. I didn’t get to see totality, but it was still nice to stand outside for a bit on a nice day. What am I saying? I hate the outdoors! Well, it was nice to not have to work for a few minutes. You couldn’t escape the Eclipse Fever at the start of the week, so that’s why the Solar Eclipse of 2017 had the West Week Ever.

19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

21st Apr2017

West Week Ever: Pop Culture In Review – 4/21/17

by Will


Star Wars Celebration (I can’t say that without thinking of Dave Chappelle’s Rick James yelling “It’s a celebration, bitches!”) happened in Florida last weekend, and we got our first teaser trailer for Star Wars: The Last Jedi. Folks seemed to like it alright. I’ve never claimed to be the biggest Star Wars fan, but nothing about this really gave me a Force Boner or anything. That’s probably because Rogue One left such a bad taste in my mouth. Anyway, I’m sure I’ll see it, but it’s not really on my radar.

In other movie “news”, we got the track listing for Awesome Mix Vol 2 from Guardians of the Galaxy Vol 2., which comes out today. Is it just me, or is it weird that Mama Quill gave Peter mixtapes of all the songs that played while she was banging dudes in Camaros? Come on – she was totally that chick! Anyway, there are no real surprises here, as it seems to be in-line thematically with the first volume. Personally, I’m ecstatic that “Come A Little Bit Closer” will be introduced to a new generation, as I’m a huge fan of Jay and the Americans (check out “Cara Mia” if you’ve never heard it).

This rumor came out a few weeks ago, but it kinda floated under my radar: apparently Warner Bros wants to release 4 Batman-centered films in 2019 to commemorate the 80th anniversary of Detective Comics. This slate would include Nightwing, Gotham City Sirens, the Joss Whedon Batgirl, and the oft-delayed The Batman. Nice idea, but there’s no way this happens. DC just doesn’t have its shit together enough to pull this off. Marvel could do it, but they would’ve been planning it since 2012. It’s already 2017 and they expect to crank out 4 movies in 2 years? Shit ain’t happening.

Bring on the teen angst train, as we’ve got two more comic-based series just dripping with it! First up is Cloak and Dagger on Freeform, which looks like the Freeformiest show that ever Freeformed. It’ll be right at home between the show about the deaf girl and the show about the foster kids. I’ve never been a huge Cloak and Dagger fan, but the series follows teen runaways Tandy Bowen and Tyrone Johnson, who were kidnapped and injected with an experimental drug. The drug left Tandy (Dagger) with “light daggers”, while Tyrone (Cloak) has a mystical cloak that transports people and things to a dark dimension. Oh, and there’s that sweet, sweet interracial love/Jungle Fever aspect to things. Based on the trailer, it’s gonna focus more on the love thing than the power thing, which is understandable since powers are expensive on a weekly TV budget. I haven’t heard if this is actually considered part of the MCU, but it’s nice to see the Roxxon sign at the end, so there are clear ties to the universe itself.

The angst doesn’t end there, though, kids! We also got a trailer for Syfy’s Krypton series (which has since been yanked down) – ya know, the one that nobody asked for. It’s hard for me to get excited about Krypton when very little about that planet has ever seemed appealing. It’s most recently been painted as a cold, stoic, science-based society. And since they don’t have our sun, it means they’re powerless. Here’s what I don’t get about the trailer: the show takes place approximately 200 years prior to Man of Steel (I guess making it the first series to be an official part of the DCEU), but the monologue is of Kal El’s grandfather leaving a message for him. Um, how does he KNOW his grandson’s name is Kal El if he hasn’t been born yet? Anyway, it’s about Grandpa El, who happens to be a sexy, CW-ish twenty something, trying to restore honor to the disgraced House of El. The effects look nice (AKA expensive), but nothing about this show makes me want to see it.

There’s some laughter coming from a different comic-based series, however, in the form of Freeform’s New Warriors. I mentioned it a few weeks ago, but it’s been confirmed that Kevin Biegel of Enlisted/Cougar Town will be the showrunner, and we got a confirmation of the roster. Led by Squirrel Girl (who has never been a New Warrior in the comics, but I won’t harp on that), the team is comprised of Speedball, Night Thrasher, Microbe, Mister Immortal, and Debrii. I’m familiar with career Warriors Speedball and Night Thrasher, but I don’t know anything about the others. Considering Mr. Immortal and Squirrel Girl are Great Lakes Avengers characters, this is something of a hybrid team.

I’m the furthest thing from a foodie, but I love a good dairy-based gimmick drink, and this week featured TWO of them! First up, I’d read online that Burger King had been testing a Froot Loops Shake at certain East Coast locations, with plans to roll it out nationally today. Well, I traveled around until I found one that had it early (well, I didn’t travel too far – it was down the street from my apartment), as I had to see what the fuss was all about. I had heard it described as made from vanilla soft serve, with Froot Loops pieces, topped off with a sweet, syrupy drizzle. Sounds exotic, right? WRONG. Whoever thought of this probably got a bonus for the idea, but it lacks in the execution. It’s basically a vanilla shake with edible confetti in it. From Loops don’t really have a strong fruity flavor to them, so it’s not like it’s rubbing off into the soft serve. And when you do get some Froot Loop chunks through the straw, they just taste like flavorless corn cereal. I didn’t taste any kind of drizzle, and I kept waiting for the WOW to kick in. It never did. I drank this so that you don’t have to and, trust me, you really don’t have to.

Next up was the Starbucks Unicorn Frappuccino. I hadn’t even heard of the thing until Wednesday morning, when everyone and their mom was talking about it. Looking at it, I was reminded of the Birthday Cake Frappuccino that comes out in March (I remember this because it was out at the time Evie was born). I LIVED on those things for the two weeks or so that they were in stores, so I was expecting this to be more of the same. I wasn’t sure what flavor this one was supposed to be, but there were certainly visual similarities. Anyway, after dinner Wednesday night, I snuck off to the corner Starbucks to try it out. You’ve heard of a Butterface, right? Well, this is a Buttertaste. It looks cool and everything, but the taste…THE TASTE! Its marketing emphasizes that it magically changes flavors while you drink it, but I could never really nail down what those flavors were supposed to be. There was a pervasive muskiness to it, making me feel like I’d basically sucked off a real unicorn. Of course, that would be silly – everyone knows you’ve got to buy a unicorn dinner before it lets you do that! Then, near the end, the muskiness gives way to a hyper berry taste, reminiscent of the Blue Raspberry that candy scientists seemed to have discovered in 1992. At no point in the drink was it what I would call “enjoyable”, and even the whipped cream on top was disappointing. As far as I’m concerned, this drink can fuck off back to Narnia where it came from.

Things You Might Have Missed This Week

  • Bill O’Reilly was fired from Fox News following sexual harassment allegations. See, if he’d told Billy Bush he only grabbed ‘em by the pussy, he’d be President by now!
  • Nintendo officially ended production on the NES Classic, followed by rumors that an SNES Classic is coming later this year
  • Anna Boden and Ryan Fleck were announced as the directors for Captain Marvel. I’ve never seen anything they’ve done (Half Nelson, episodes of Billions, and The Affair), so I’ve got no real opinion right now
  • Speaking of Marvel films, Black Panther wrapped production this week, as Hollywood braces for the return of every living Black actor
  • Will Smith is in talks to take on the classic Robin Williams role of The Genie in Guy Ritchie’s live action Aladdin adaptation. Obviously, Jaden Smith will probably get the role of Aladdin.
  • Stranger Things co-star Shannon Purser came out as bisexual on Twitter. Well, she’s bisexual in real life. She just used Twitter to announce it.
  • Director James Gunn announced that Guardians of the Galaxy 3 would be the final iteration of this lineup of the team
  • Black-ish was sold into off-network syndication, launching in Fall 2018
  • Jane The Virgin’s Gina Rodriguez will voice Carmen Sandiego in a new animated series coming to Netflix
  • Steve Harvey will host a revival of Showtime At the Apollo for Fox
  • Fate of the Furious debuted to $532 million internationally, beating the record-setting $529 million earned by Star Wars: The Force Awakens
  • With its original pilot rejected by Fox a few years ago, Joe Hill’s comic Locke & Key will have a new pilot filmed for Hulu
  • The X-Files has been renewed for a 10-episode 11th season. I couldn’t even make it through the last 6-episode batch they gave us, so I think this is a pass for me.

For the past 6 seasons, I have pretty much hate-watched HBO’s Girls. I hated Lena Dunham’s dumpy, Play-Doh body which was constantly on nude display. I hated all of her character Hannah’s “problems”. I hated her boyfriend Adam. I had convinced myself that I was really just watching, hoping that the characters would eventually be hit by a truck or something. Then, this season came along. Even through all my hate, I had to admit that this was a pretty strong season. From Hannah’s odd interaction with a bestselling author to Marnie finally realizing she sucks at life, there were some great episodes of television to be found in this season of the show. I was also forced to admit things about myself.

First off, I always knew I liked Shoshana because she had enough sense to know that she deserved better than the friends with which she’d found herself. And I definitely missed her once she decided to finally distance herself from them.  I also realized there was much more to the Ray character and, while they didn’t exactly put a bow on it, I’m glad they led us to believe that he had found a happy ending. Even a character as originally unlikable as Elijah had some strong development this season, and he was truly missed in the finale, even though this chapter of his story had come to a close. As I already admitted in my Get Out review, I had to come to terms with my crush on Allison Williams and, by extension, Marnie Michaels. Yeah, she sucked at life, but she seemed like the one out of the four who had Tony Starked her way into that situation; she was the cause of her own problems. Once she began to realize that, the character held more promise. And I realized I hated Jessa because she reminded me too much of girls I’d hooked up with in college: damaged, tattooed, pseudo-junkies who are lucky to still be alive. And I guess Hannah reminded me of girls I’d hooked up with post college. Yeah, I hated a lot about Girls because, I guess, I hated a lot about myself.

This Sunday saw the series finale of the show, and I wasn’t quite sure I was ready for it. After a season that had given us a pregnant Hannah, but also showcased the dissolution of the group’s friendship, I didn’t really know how they could “end” the story. I was further distraught when I read an article last week saying that Jessa and Shosh’s final appearances had been in the penultimate episode that had just aired. While I would miss them in the final half hour, I had to admit that their chapters had also come to a close.

When we get to the finale, there’s a five-month time jump, where Marnie and Hannah are living in a remote house upstate, raising Hannah’s baby, Grover. Yes, that’s what she named him. Anyway, it was 30 minutes about what it means to be happy, but also what it means to be an adult and a parent. I like to think that Hannah finally grew up once she realized that Grover wasn’t another problem that she could simply run away from. The entire episode, she’s freaking out because Grover won’t breastfeed, but in the final seconds he finally takes to her breast. The look on her face is a mix of relief and maturity. It was then that I realized the show had to end at that point, as Hannah was no longer a girl. The entire series had been about millennial drama, as they skirted adulthood, but those times were over. The title Girls no longer applied to Hannah because she was now a Woman, with all the responsibilities that entailed. I used to worry about Hannah, and I sure as Hell worried about Grover when we learned she was pregnant. After Sunday’s finale, though, I think they’re gonna be OK. It was a finale that I had to give some thought to, but it didn’t leave me unfulfilled like Don Draper creating a Coke jingle only to end up hocking tax prep software six months later. For this reason, Girls had the West Week Ever.

17th Mar2017

West Week Ever: Pop Culture In Review – 3/17/17

by Will

 

Well, that was quick! I just discussed it two weeks ago, and Young Sheldon is skipping the pilot stage and has been ordered directly to series by CBS. If you don’t remember, this is the prequel to The Big Bang Theory, focusing on the childhood of Dr. Sheldon Cooper, played by Jim Parsons (who will also be an executive producer on the spinoff). This makes me wonder if the contract talks are falling apart with the principal cast of The Big Bang Theory. I mean, I can’t think of another instance when a show was on the air at the same time as its prequel. Prequel shows are a rare occurrence anyway; at the moment, I can only think of The Carrie Diaries, which premiered after Sex and the City had wrapped. They just don’t coexist with the “mothership” show, so it makes me wonder if CBS’s commitment to this spinoff spells the end for The Big Bang Theory. As I said last time, don’t rejoice too soon, as you’ll still have a Sheldon on your airwaves, even if in child form. Or the show could go out in a Joey-style whimper.

In movie news, desperate for a new hit franchise, Warner Bros is considering rebooting The Matrix, this time starring Michael B. Jordan. Hmm, yeah…This just isn’t necessary. I don’t worship at the altar of The Matrix like some cinephiles, but I can attest to the fact that it was a visual masterpiece regardless of what you thought of the story itself. The world of The Matrix is vast enough that you don’t really need a reboot. You could have additional movies set in the world that’s already been established. I think that’s what more people seem to be in support of, as opposed to a full-on remake. Jordan deserves a franchise, especially since Fant4stic Four didn’t really get off the ground, but I’m not sure if this is The One. Ha! See what I did there? Anyway, the Wachowskis aren’t yet involved, so I don’t even know what’s the point.

The Warner Woes carry over to the DC movies, as it was announced that The Batman is being rewritten from scratch, delaying shooting til 2018. I swear they’re just dragging it out until Affleck can find some way out of the project. If Justice League doesn’t garner some kind of critical acclaim, he’s out. Mark my words. Meanwhile, WB has pushed Aquaman from October 2018 to December 2018. The slot was previously being held by Fox’s Avatar 2, but since Cameron announced the movie wouldn’t be ready by 2018, Warners saw it as an opportunity to pounce. Right now, though, the general thought is that Aquaman is fucked if Disney decides to move the Han Solo film to a holiday release like Rogue One and The Force Awakens had.

Things You Might Have Missed This Week

  • Wreck-It Ralph 2 was announced, with a March 9th, 2018 release date. Oddly enough, the porn parody, also named Wreck-It Ralph, is already up to volume 29.
  • To keep up with the times (and lack of content), MTV is rebranding the MTV Movie Awards to the MTV Movie and TV Awards. This thing won’t even exist in 5 years at this rate…
  • The spinoff of legal drama The Good Wife, The Good Fight, has already been renewed for a second season on CBS All-Access. I guess they need something to keep the lights on until Star Trek: Discovery comes along.
  • The CW has renewed The 100 for a fifth season. I know one person who’ll be excited about that. Just one, though.
  • Over on cable, FX has renewed the X-Men-inspired Legion for a second season, while HBO has renewed Pete Holmes’s Crashing
  • For the first time ever, Saturday Night Live will air live nationwide for the final four episodes of the season. No more delay for the West Coast!
  • Aziz Ansari’s hit Netflix series, Master of None, returns May 12th.
  • Director Matthew Vaughn is rumored to be in talks to direct Man of Steel 2. Because the director of Kick Ass and Kingsman: The Secret Service is JUST what Superman needs…
  • After Avengers: Infinity War, the Russo Brothers will produce a TV series based on the Valiant Comics series Quantum and Woody
  • Former Power Rangers Wild Force Red Ranger actor Ricardo Medina Jr pleaded guilty to killing his roommate with a samurai sword. I thought he’d swear it was self-defense. Sentencing will occur on March 30th, meaning he can still see the Power Rangers movie!

Every week can’t be Earth-shattering, and this is one of the week’s the proved that. Looking around, the person who had the best week in pop culture had to have been Tyra Banks.

When the week began, it was announced that Tyra would be replacing Nick Cannon as the host of America’s Got Talent. Her selection seemingly came out of nowhere, as reports indicated Marlon Wayans and Brandon Mychal Smith were the frontrunners for the job. This will make her the fourth host of AGT, after Regis Philbin, Jerry Springer, and Cannon.

As the week wrapped up, it was announced that Tyra would be returning as the host/head judge of America’s Next Top Model. She left the show when it ended its run on The CW in 2015. The show was quickly snatched up by VH1, but retooled with Rita Ora taking over as host. Well, yesterday, Viacom released a statement that Banks would be returning, and “Bye, Felicia’d” Ora.

So, it appears America has a new mascot, and thy name is Tyra. For taking over two of the biggest present-day reality TV franchises, that’s enough to earn Tyra Banks the West Week Ever.

10th Mar2017

West Week Ever: Pop Culture In Review – 3/10/17

by Will

 

In movie news, a lot is going on with the Deadpool sequel. At the beginning of the week, it was reported that David Harbour of Netflix’s Stranger Things was being sought after for the role of Cable. While fans have wanted a bigger name, like Ron Perlman, Harbour is definitely gonna be cheaper, fitting right in with the movie’s budget. Meanwhile, it was reported that actress/singer Janelle Monae was the studio’s frontrunner for the role of Domino. Yesterday, however, Ryan Reynolds tweeted the above image, confirming that Atlanta‘s Zazie Beetz had gotten the role. I swear, with Donald Glover off Lando-ing in the Han Solo movie, and Zazie in Deadpool 2, Atlanta ain’t ever coming back. It’s already “on hiatus”, and I fear that it’s gonna be like Curb Your Enthusiasm – something Glover comes back to when he gets bored and has the time to do it. So, look for Atlanta season 2 in 2025.

In other movie news, the Valiant comic universe is getting closer to the big screen, as Dave Wilson has been tapped to direct the Bloodshot movie. Wilson comes from Blur Studio, known mainly for video game trailers, and co-founded by Deadpool director Tim Miller. If you don’t know anything about Bloodshot, you’re not alone. He looks like some kind of albino madman. From what I’ve read, he’s basically a zombie soldier who’s animated by nanites. I’ve never read a Bloodshot comic, though, so what do I know? Here’s where it gets interesting: there’s currently a webseries being made by Bat in the Sun called Ninjak vs The Valiant Universe. Starring Michael Rowe (Deadshot from the Arrowverse), the webseries pits the character of Ninjak against other characters in the Valiant Universe – where Bloodshot just happens to be portrayed by original Green Ranger, Jason David Frank. Now, JDF used to go to all of his convention appearances promoting the Power Rangers brand, but lately has been doing it dressed as Bloodshot. This project isn’t big enough to warrant that kind of dedication. No, I’m convinced he’s lobbying for the role in the big screen film. This is like when Sean Young used to go out in public dressed as Catwoman just so she’d get the role in Batman Returns. I don’t know whether to be impressed or saddened. I mean, he’s lobbying hard, but there’s no way he gets that role.

Though the news got sort of lost in the cycle last week, Nickelodeon announced that the new season of the 3D Teenage Mutant Ninja Turtles cartoon, premiering March 19th, would be its last. After five years, the show is ditching its serialized approach and is rebranding into an anthology format with the new title Tales of the Teenage Mutant Ninja Turtles. Once the series ends, a new 2D cartoon, Rise of the Teenage Mutant Ninja Turtles, is slated to premiere in 2018.

In other TV news, folks are wondering if Glenn Howerton is leaving It’s Always Sunny In Philadelphia. The show aired its 12th season finale this week, where we learned that Dennis had a son from a layover in North Dakota. At the end of the episode, he decides that he can’t carry on as he’d been doing the past 12 years, and that he needed to leave and go be with his son. This episode aired the same day it was reported that Howerton and Patton Oswalt had been cast as leads in an NBC pilot where Howerton plays an Ivy League professor who loses out on his dream job, and ends up teaching high school science. Currently known as AP Bio, the series is produced by Seth Meyers and Lorne Michaels, so I think it’s likely it’ll be picked up. Now, Kaitlin Olson currently juggles working on Sunny and The Mick, but Howerton has a bigger role on Sunny, as he also writes and produces. In an interview with Uproxx, though, Howerton said that he wasn’t sure if he was coming back. He said the decision doesn’t have anything to do with his relationships with the other cast members. Sunny still has two seasons ahead of it, but even Danny DeVito recently mentioned that he might be done soon, too. The show really matured this season, as a lot of plotlines came full circle. I don’t even know what they’ll do with 20 more episodes (their seasons tend to be 10 episodes long), but I definitely don’t know how they’d do it without the character of Dennis.

In comic news, Marvel announced that Astonishing X-Men would be returning in July, written by Charles Soule, with art by…unknown at the moment. If you remember, Astonishing X-Men debuted as a miniseries during the “Age of Apocalypse” story in the mid 90s, but its claim to fame was the ongoing series written by Joss Whedon in the early ’00s. This incarnation of the team stars Old Man Logan, Archangel, Rogue, Gambit, Mystique, Psylocke, Bishop, and Fantomex. This, combined with the previously announced X-Men Gold, just proves that Marvel is trying to initiate a 1991-style refresh of the X-Men franchise, and I am here for it! This Astonishing team is basically a refresh of the 90s Blue Team from “adjectiveless” X-Men, while the team in X-Men Gold is pretty much a refresh of the 90s Gold Team from Uncanny X-Men. I love the Old Man Logan character, though I fear he’s approaching typical Wolverine levels of overexposure. Meanwhile, it’ll be interesting to see how Bishop redeems himself considering he spent the bulk of the last Cable series trying to kill a little girl. And it’ll be an interesting dynamic between mother and daughter Mystique and Rogue, as well as starcrossed lovers Rogue and Gambit. I still hate Fantomex, though, and I wish Marvel would stop trying to make him “happen”. Anyway,  I don’t get excited for much, comic-wise, but I’m really looking forward to this book.

In sports news, Jay Cutler was cut from the Chicago Bears after 8 seasons. Now, if you know anything about me, you know I don’t give a shit about sports. Still, there’s a funny anecdote here. You see, when Lindsay and I first started dating, Cutler was the starting quarterback of her beloved Denver Broncos. She bought me my first NFL jersey, which happened to be a Cutler jersey. After all, there was no way he was going anywhere, right? Well, he got cut after that season, and I couldn’t really wear the jersey anymore. He ended up going to the Bears, who had the same color scheme. I thought that meant I could still wear the jersey, but apparently that doesn’t fly with sports fans. Anyway, he’s also married to Kristin Cavallari of Laguna Beach/The Hills fame, so I guess there’s your pop culture connection to justify my mention of him.

Things You Might Have Missed This Week

  • Director Joe Carnahan has exited the third Bad Boys film, Bad Boys For Life. Maybe I’ll get around to finally watching the first two before this thing gets made.
  • Jason Isaacs was cast as Captain Lorca in Star Trek: Discovery. I…don’t know who that is, so it’s done nothing to get me excited about this show.
  • It was a week packed with renewals, as One Day At A Time was renewed by Netflix, Riverdale was renewed by The CW, and Baskets was renewed by FX. I pretty much only have interest in one of those shows. Can you guess which one?
  • Emma Dumont was cast as Polaris in Fox’s untitled mutant series, which will be interesting since she’s Magneto’s daughter and all…
  • The embargo for reviews of Netflix’s Iron Fist was lifted, and they weren’t pretty. It seems the problems are with the structure and not necessarily the casting, so it looks like the folks lobbying for an Asian American lead dodged a bullet there.
  • Who knew Josh Radnor had been working since How I Met Your Mother ended? Well, he’s not anymore, as his PBS series Mercy Street was canceled yesterday.

Now, I know Logan had a great week. It came out to rave reviews, and it opened to $238 million worldwide. Still, I kinda got things off schedule. You see, it got the West Week Ever last week before it had even performed. I don’t really want to start this trend of the same thing getting the WWE two weeks in a row just because I just had to see it opening night, hours before pushing “Publish” on the next post. So, yeah, Logan had a great week, but it was the best thing I experienced last week. Now, I’m gonna talk about the best thing I experienced this week.

Since its debut in 2015, I’ve been a big fan of the FXX series Man Seeking Woman. Starring Jay Baruchel (you know who he is, even if you don’t know his name), it follows Josh Greenberg, a down on his luck Millennial who tries to navigate the waters of modern day dating. Like a less contrived version of How I Met Your Mother, the first two seasons saw Josh go on date after date, trying to find The One, but always coming up short. That all changed this season, however, as he met Lucy. He meets Lucy in the season premiere, marries her in the season finale, and their courtship fills out the middle. Lucy’s not only perfect for him, but she also helped the show take on a new direction. We started seeing things from a female perspective, as the show became as much about her as it was about Josh. We got to see her deal with having to give up her fun party life to settle down. We see her deal with the temptation of another possible suitor. But in the end, she chose Josh. This season, it was as much Man Seeking Woman as it was Woman Seeking Man.

This week saw the season finale of the show and, as I mentioned, it focused on Josh and Lucy’s wedding. The show hasn’t been picked up for a fourth season yet, and I’m hoping it doesn’t. As much as I’ve loved it, it has served its purpose. Over the course of 30 episodes, it set forth a goal and it achieved it. Sure, there are a lot of shows that evolved past their initial concept (looking at you, Cougar Town), and I’m sure the show could keep going as we see Josh and Lucy navigate married life, have a kid, etc. But I think I like it where things ended up. We don’t have to see all of that to know it happens, and I don’t think the show as a whole would be any stronger if we did see all that. Instead of overstaying its welcome, I’d prefer it take the British approach of “less is more”. Three seasons is a good run, and it did what it set out to do. It found Josh a woman. Now, if they did want to continue the show in some capacity, I would love if they flipped it to Woman Seeking Man. You see, every season, there’s one episode that stars Josh’s sister, Liz, as we get to see her life in contrast to Josh’s. While Josh is an unlucky in love office manager who lacks ambition, Liz is a driven workaholic attorney – who also happens to be unlucky in love. The Liz episodes tend to be the strongest of an already strong season, and it’d be great to see more focus on her. Josh and Lucy could still pop up as supporting characters, but the focus would now be on Liz.

With all of this gushing, I haven’t really explained what’s so great about the show. After all, it probably sounds like a run of the mill sitcom, but it’s far, far from that. There’s a streak of absurdity to the show that really lends to its tone. For example, in the pilot, Josh’s girlfriend, Maggie, leaves him to date Adolf Hitler. Last season, Liz had an affair with Santa Claus, while Josh dates a girl whose ex-boyfriend was Jesus Christ. Yeah, it’s not your run of the mill comedy. You’ve got to see it to fully experience it, but I don’t think you’ll be disappointed.

The season finale ends with a scene that brings the show full circle to the pilot. If there is another season, I hope they don’t fuck it up. If there isn’t, though, I love what they did, and how they did it. Everything was wrapped up with a nice bow, and it’s a strong series from beginning to end. That’s why Man Seeking Woman had the West Week Ever.

19th Dec2016

The Greatest Threat To the Direct Market Comic Retailer IS The Direct Market Comic Retailer

by Will

So, a few days ago, The Beat wrote the article “Why Are The Comics Retailers Worried About Mass Store Closings?“, which was your standard fear mongering about how the Direct Market is on its last legs. If you’re not familiar with the comic industry, here’s a crash course: the Direct Market is comprised of the comic shops who specialize in selling comics and related merch. If you buy the latest issue of Batman from Barnes & Noble, you’re not participating in the Direct Market. However, if you buy it from Jack’s Comics & Stuff, you’re a Direct Market consumer. Comics in the Direct Market are sold on a non-returnable basis, meaning that if retailers order too much of a book, they’re stuck with that stock, and can’t send unsolds back to the distributor unlike other periodicals.

The article posits a few different reasons retailers are afraid:

  • DC’s Prices Are Too Low – Um, $2.99 isn’t too low when most of those books are shipped biweekly. Simple math dictates that retailers will make more from selling two $2.99 books than one $3.99, even if it’s marginal. Sure, the retailer may want to make more money, but it’s a nice gesture of goodwill to the consumer – something Marvel could learn from, considering they keep releasing quarterly $9.99 Deadpool issues on top of the several spinoff series they have for the character that month.
  • Customers Are Disappearing – Well, duh. Minecraft and video games. Oh, and for the lucky older consumers, sex. Gotta pay for that sex!
  • Customers Are Switching To Collected Trade Paperback Format – Well, you get more bang for your buck that way. For example, each comic from Image has a cover price of $3.99, however each first volume of an Image series’ trade paperback collects approximately 6 issues for $9.99. Can you blame them?
  • Customers Don’t Like Marvel’s Output – When have customers liked Marvel’s output? No, when was the last time someone was like “Marvel’s really firing on all cylinders”? The first Civil War crossover? That was ten years ago. It’s not that Marvel’s necessarily worse these days. It’s that people are used to Marvel being better than DC, and now the gap between their quality is a lot smaller, due to Marvel trying to make lightning strike twice and DC getting a slight bump from Rebirth.
  • Rising Costs of Doing Business – Well, you can’t really fight that. Everything is more expensive.
  • Diamond Credit Crackdown – This is on the retailer. They knew they owed Diamond money, and kept letting it build up, not thinking Diamond was ever gonna come collect. It’s a business, not a charity.

A lot of comic shops are having a tough go of it, but the blame is being passed on to everyone from the distributor, Diamond Comic Distributors, to the Big 2 publishers, Marvel and DC. It’s always the same crap: “Diamond’s model is antiquated and comics should be returnable” or “Everything Marvel’s publishing is crap right now.” To read the comments on the post, however, you see a lot of folks railing against Marvel’s supposed “Social Justice Warrior” agenda, where they’re “forcing” diversity into all of their books. Really, if you wanna make a bunch of middle aged White men mad, start trying to diversify their funny books. Anyway, in a fit of anger, I wrote the following comment:

 

This is going to be a controversial opinion, but I see no overwhelming reason to support small businesses, and I don’t think I’m alone. Why am I paying more for something I can get cheaper elsewhere, especially with complaints of poor customer service, poor stocking of items, etc so pervasive these days? Now, call me an “ungrateful millennial” or whatever, but I don’t have fond memories of walking down by the crick, with a rolled up comic in my back pocket that I got from the local five and dime. It’s not an experience that I relate to. Same with comic shops. I have several I love, but the world would keep spinning if they shut down tomorrow.

The mentality that wants me to support Mom and Pop is the same one that wants Marvel to never change, and keep offering the same product it did 50 years ago. This is a common argument in the geek TV world. There are tons of adult fans angry at Power Rangers because it “sucks” compared to when they were kids, or hate Cartoon Network for showing nothing but Teen Titans Go – never stopping to realize they’re not the target audience. Thirty year olds wonder why today’s kids can’t love Snake-Eyes as much as they did, not realizing that maybe it’s time to give a new generation their OWN stories. There’s no shame in knowing when to walk away. I’ve seen folks say things like “I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!

 

What I said about small businesses is true. Just as I don’t really subscribe to the notion of “team spirit” (which is why I’m a terrible sports fan), I also never understood the push to support local mom and pop stores. I’m just fine with my big box retailers, with their affordable prices and decent customer service. These comic retailers chose to open their businesses, but now they approach them as if they’re victims. The distributor is out to get them because of the lengthy ordering window and lack of returnability. The publishers are out to get them because they keep publishing lackluster product. But it’s never “Ya know, I backed the wrong horse by buying into Marvel’s crossover hype.” It’s never “I made the wrong call”, but instead it’s phrased like “How dare Marvel make me order that tripe?!” That doesn’t even make sense. I think there’s a certain level of professionalism needed that’s not always there for small businesses. I don’t know what the CEO of Walmart thinks about the latest Hulk book, but you better believe Joe at Joe’s Comics & Stuff is gonna gripe to me about it. Not recommend it, or pivot to something better – GRIPE. That’s no way to run a business. Retailers are sitting there going “Man, Marvel sure is putting out a lot of shit”, but in the same breath asking, “Why won’t anyone buy books from me?” Maybe stop badmouthing your product and find a way to hype it! Even if it’s a turd, polish that turd and sell it because that’s your JOB.

There’s another unique thing about the comic industry that people never really think about: comics are the only industry where the consumer knows the distributor and is trained to hate them – trained, mind you, BY retailers! If a shipment gets messed up at Toys R Us, nobody blames Lash Tamaron, ’cause they don’t even know they exist. No, they blame TRU. In comics, however, retailers have this special ability to pass the blame on to Diamond when it’s their own decisions that got them in jeopardy. Didn’t order enough copies of a book, it’s easy to just say “Oh, Diamond shorted us”. Customer might mutter a “Fucking Diamond”, and both parties just kind of shake their heads together at the distributor’s ineptitude.

I might sound like a Diamond apologist, and in many ways I am. Full disclosure: about ten years ago (wow, has it been that long?), I was a purchasing brand manager in the print division of Diamond. That’s a big fancy way to say that I killed a lot of dreams. No, seriously, and I’m not proud of that. If Dave has had a lifelong dream of seeing his name on a comic sold in stores, I’m the guy who would have to work with him to make it happen. The problem, though, is that Dave has created some derivative superhero comic, and consumers have no reason to support his $3.99 black and white book when Marvel and DC have full-color superheroes covered. But I’d get him into the Previews catalog that all retailers use to place their orders, and I’d let the market decide. Then, for a variety of reasons that probably deserve their own post, I’d end up having a very difficult discussion with him about 6 months later. Why? Because a lot of creators aren’t business people. And a lot of comic shop owners aren’t, either. The successful ones have found ways to survive, but it’s the dinosaurs who were sitting pretty during the 90s bubble that don’t know what to do with themselves now.

Now, that’s not to say that Diamond isn’t without problems. It is antiquated. The men running that part of the industry have been doing so for the past 30 years, so there’s not a ton of new blood. There are problems at the warehouse. Back when the main warehouse was in Memphis, there was a UPS center across the street that paid more. The UPS center, however, required you to have at least a year’s experience in a warehouse environment. And guess where they’d get that experience: Diamond. So, the main warehouse is filled with a bunch of novices trying to pad a resume for a better position. No shame in the game, but it’s to Diamond’s detriment. And let’s not forget the publishing cycle: Diamond advertises books that will be available for sale two months from now, with no returnable cushion. So, a retailer does have to take a gamble when it comes to ordering the next month’s books, before they even have this month’s books in hand. But here’s the kicker: Diamond is so ensnared in the distribution process that it couldn’t extract itself if it tried.

Another quick history lesson: about 20 years ago, Marvel bought a distributor called Heroes World, which turned out to be a terrible idea, but I guess it seemed right at the time. In a mad dash for survival, Diamond signed everyone else to exclusive contracts for distribution. This drove a lot of smaller distributors out of business, lessening competition. Then, to make matters worse, Marvel declared bankruptcy and came crawling back to Diamond. This made Diamond king of the hill as the result of a flurry of activity needed for survival. In the years since, people have longed for a competitor to Diamond, but it just ain’t gonna happen. It’s the WWE of comic distribution, and there isn’t really even a TNA waiting in the wings. It’s an unintended monopoly, but a monopoly all the same. But as much as people clamor for the death of Evil Diamond, no one has stopped to consider what would happen if they went away. It’s not going to mean freedom for all the publishers. No, THAT will be the death of the Direct Market, because no one is equipped to take its place. And even if they somehow managed to do so, then they’d eventually become just as hated as Diamond. After all, “You either die a hero…”

The medium needs change, and those fighting that are part of the problem. My friend James once said that comics are for children, and that’s true. I’ve always felt that there’s a 20-year lifespan on comic fandom. If you stick around longer than that, everything becomes Been There, Done That. After 20 years, it’s time to move on. Start repairing old cars, or take your Harley for a three-day cruise. Comics are for the young, but the problem is that the young want nothing to do with them. Oddly enough, though, it’s a bunch of middle-aged armchair quarterbacks who think they know what today’s youth would like. “Spider-Man should be the same as he was when I was growing up!” they yell. Let’s see, kid whose parents are dead, lives with his old aunt in Queens, and he’s late all the time? Hate to break it to ya, but that’s a Black kid. They just didn’t have the social clout to do that back then. If they turned Peter Parker into a Black guy now, those fans would lose their shit. “Why can’t Marvel create NEW characters?” Marvel, then, creates Miles Morales, and then they cry, “Why are you forcing diversity down our throats?!” Is the mere existence of a minority the equivalent of “forcing diversity” on you? Well, I’m sorry the sight of me offends your eyes, Mr. White Man! I just think it’s time for certain fans to go. They don’t like what the industry is doing, and the industry is starting to realize that it can’t survive on mutton alone. There’s no shame in knowing when to walk away.

Anyway, this is all to say that the greatest threat to the comic retailer IS the comic retailer. Stop being a victim, and buckle down. You made this bed so now lie in it. But I also don’t believe in these crowdfunding attempts to keep shops open. The market has spoken, and you’re really just delaying the inevitable. Some shops need to go. That’s nothing personal. It’s business, and they simply lived out their usefulness. The more resourceful shops, however, will find a way. At the end of the day, Superman and Wolverine will outlive the Direct Market, so retailers can gripe all they want, but Disney and Warner Bros are gonna make that money with OR without them. Retailers need Marvel and DC, regardless of the quality of the output, but Marvel and DC don’t necessarily need retailers. The sooner Direct Market retailers realize this, the sooner they can start planning for the future.

And that’s where the post originally ended. And then I saw that I’d received a reply on my comment at the original post (I removed his name ’cause it’s not like I asked his permission to post this or anything):

 

@Will
“I didn’t leave comics, comics left me.” Well, take that as a hint. Maybe the industry doesn’t want or need you anymore. Time to find new hobbies and pursuits!

No, that`s a terrible attitude to show contempt at long-time customers who helped build Marvel. These long time fans deserve better than that!
Also be careful what you wish for as Marvel`s sales are in the tank, and they might be begging for those old time fans back one day!

 

I saw this and figured it was just another middle-aged White man, mad about change. His biggest mistake is that line about showing contempt for the customers “who helped build Marvel”. So, I had to address that:

 

See, that’s dangerous thinking, because Marvel doesn’t really owe you anything. You’re approaching this like a shareholder, when that’s not the nature of the arrangement.

As for the old-time fans, they’re gone. Plain and simple. Sure, catering to them might lead SOME of them back, but not enough to really make them the focus. The old time fan wants too much in order to come back. DC did Rebirth, basically as a “We’re sorry for what we did”, and a bunch of fans still wanted them to kiss the ring and do a little humiliating dance. The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.

 

And then he had to go and prove my assessment of him correct:

 

@Will.
The thing to remember is that these companies don’t *owe* you anything, long-time fan or not.

Maybe my friend,but let`s sticky this post because I predict in less than a year Marvel will do a 180 with all their SJW theme comics and will please their old-time fans by bringing back the old school style. Marvel is going to have to go back to basics to stop their ship from sinking. It`s all about money, and Marvel`s old time loyal fans have the deep pockets that the majority of cosplay SJW fans don`t seem to have.

 

Ugh, he had to go and use a term like SJW. You can tell a lot about a person when they’re worried about the perceived Social Justice Warriors. He’s just another stick in the mud, resistant to change. So, of course, I couldn’t let that go:

And you just had to go and torpedo your argument with “SJW” nonsense. The injection of diversity is an attempt to get the dollars they’re not already getting, from audiences they’ve previously ignored. That, my friend, is the future. Any industry propped up by the buying habits of middle aged White men is an industry in trouble (unless you make Cialis or Rogaine), and they’ve finally come to realize that. What’s gonna happen when you die? Are you still going to be rallying from the grave “Put White Spider-Man back in high school!” to an audience base that clear couldn’t give two shits? The Marvel you grew up with is fine, but it’s done. I just don’t get why fans can’t grow up in their expectations.

I won’t exactly call it a “mic drop”, but I really don’t know what’s left to say after that.

28th Oct2016

West Week Ever: Pop Culture In Review – 10/28/16

by Will

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WWE Edit

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The only movie I watched this week was a documentary called Meet The Hitlers, which followed the lives of people who have the name “Hitler”. Surprisingly, the Austrian guy is the most likable person featured, while the New Jersey folks are the ones who turn out to be actual Nazis. The Austrian Hitler is a really sweet guy who was abandoned by his parents as a child and now has a lion tattooed on his bald head. Meanwhile, the New Jersey couple made the news because their Shop-Rite store refused to make a birthday cake for their young son, Adolf Hitler. Eventually, the state came and took their kids away. You wanna feel bad for them, ’cause nobody wants their kids taken away, but then you remember “Oh yeah – NAZIS!” Fuck ’em. Anyway, it was a way to kill 80 minutes, but I wouldn’t recommend it or anything. It’s got no real point to it. Part of it is devoted to a writer trying to track down Hitler’s last living relative, while the rest is just these slice of life stories of folks who share the name. It needed to decide what it was going to be, instead of this mish mash of whatever it is.

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In movie news, it Tim Miller stepped down as the director of Deadpool 2, which is already making fans worry about what’s going to happen with the film. Reportedly, he had creative differences with star Ryan Reynolds and, while reports claim the split is amicable, there are also claims that the two didn’t even speak to each other near the end of production of the first movie. It’s said that Miller really wanted to bring in Kyle Chandler for Cable, but Reynolds actually had casting power, and he really didn’t want Chandler. Later in the week, a petition started circulating to get Quentin Tarantino to direct the film, but I don’t think that’d be a good idea. Considering the way that Fox had no faith in the first film, cutting its budget and whatnot, you’d assume that the strife would’ve come from studio meddling. But it’s just a disagreement between star and director. It’s not like the movie is gonna fall apart, but folks will always wonder What Might’ve Been, just like with Edgar Wright’s Ant-Man.

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In other Marvel news, it was announced that season two of Jessica Jones would only feature women directors. While this may seem groundbreaking to some, Black Twitter was quick to point out that Ava Duvernay’s Queen Sugar did this first. Well, the BBC’s Call The Midwife was actually the first show to do this, so there! Anyway, I get that it is creating opportunity for women directors, but it feels kinda gimmicky. I mean, I didn’t know who directed the first season’s episodes and I liked them just fine. I almost feel like they’re begging a certain type of fan to come out and say “Season two sucked because of the women directors”.

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Speaking of that particular kind of fan, a bunch of them ran writer Chelsea Cain off Twitter this week because of some drama surrounding the Mockingbird comic. Basically, the final issue of the book featured the cover above, and that triggered the Men’s Rights activists, who don’t even seem to realize that the writer has no control over the cover. It’s believed that some of them were just looking for a target for their anger from last week’s Riri Williams cover controversy. If you remember, that ended up with Marvel cancelling the cover, and these folks feel like that was the wrong call. I’m just tired, man. I’m tired of shit like this. Like, I don’t even have any fight in me for something like this. I mean, who has the time or the energy? I’m not going to get too into it here, as I’ve just been hanging out on the periphery, and I can’t muster the desire to delve deeper into it. If you do a search for #IStandWithChelseaCain, you’ll find all you want to know. I just can’t believe that people get like this over funny books. I mean, I’m pretty passionate about them, but not to the point of running someone off social media. Also, I know enough about how the industry works that I know that the writer wouldn’t be the right target for my anger anyway. Nope, you channel that at the editor! I kid, I kid…

In TV, everything old is new again as we got news about 3 potential revivals that are in the works. First off, I have the misfortune of having a toddler who’s in love with a show that just ended production (Mickey Mouse Clubhouse), so I’m hoping she’ll be interested in the revival of The Muppet Babies that’s in the works for Disney Junior in 2018. I hope she can get over the weird CG animation style of the show, which is a lot more unsettling than Clubhouse‘s CG was.

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Meanwhile, Raven-Symone announced that she’s leaving The View to focus on a spinoff of That’s So Raven. Since everyone’s jumping on the Fuller House/Girl Meets World bandwagon, I guess this is as good a time as any. I always felt That’s So Raven was doing too much. If you’ve never seen it, Raven-Symone starred as Raven Baxter, who was your average teenage girl in high school. At least, that’s how I would’ve left it, but Disney had to go the extra mile. No, Raven also got these psychic visions that she couldn’t control. Usually they’d result in her messing up more than saving the day. They led to a lot of misunderstandings, basically making the show a tween Three’s Company. It led to the spinoff Cory In The House, where her little brother and dad move into the White House. Yeah, it wasn’t as successful as the original series. In any case, this new spinoff would focus on Raven as a divorced single mom of two teens – one of whom seems to have inherited her psychic gift. And I’m sure hilarity ensues. I never watched That’s So Raven because I was simply too old. TNBC had already wound down by that point, and I was busy with college. Still, it’s a smart move for these networks to revive shows that folks can watch with their kids, with a tie to something they, themselves, watched when they were kids. I like these Next Generation spinoffs. Keep ’em coming!

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Finally, based on the fan response from that viral video from a few weeks back, NBC is reportedly in early talks with the principal cast of Will & Grace about a revival of the series. Right now, it’s unclear as to how many episodes we’re talking about, as well as when they’d air. As y’all know, I loved that video, so I say “bring it on!”

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Earlier this week, I posted a review of IDW’s Revolution event that you should check out if you haven’t already. Long story short, it’s not a very good effort on IDW’s part, but you’ll have to read the post in order to find out why.

Things You Might Have Missed This Week

  • Donald Glover was officially cast as a young Lando Calrissian in the Han Solo…solo movie
  • Cartoon Network renewed We Bare Bears for a 3rd season
  • ABC’s Notorious is the first unofficial cancellation of the fall season, as its episode order was cut to 10.
  • Twitter’s killing off Vine, as they couldn’t figure out how to monetize 6 second increments
  • God Particle was revealed as the next film in the Cloverfield universe. The goal is to release a Cloverfield movie ever year
  • Deciding he had too much on his plate, Bryan Fuller stepped down as showrunner of Star Trek Discovery. Considering they haven’t even announced a cast, I wouldn’t be surprised if there was another delay.

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I haven’t seen folks fret over a season finale so much since “Who Shot Mr. Burns?” When Negan showed up in last season’s finale of The Walking Dead, he was determined to make his mark by offing a fan favorite character. This was to show that he meant business! Grrr! Well, the show returned this week, and he killed not just one, but TWO fan favorite characters, and people LOST. THEIR. SHIT. It sparked a discussion as to whether the show had gone too far. I don’t watch the series, but I tuned in to see who died, and I can’t remember seeing that kind of gore before on television (I’m not a horror guy, so maybe it was tame by those standards?). Some folks have even said that the gore was bordering on pornographic, while others have sworn off the show because it killed off one of the only bastions of hope in that universe. I don’t know whose side I’m on, really.

I used to read The Walking Dead in comic form. I wasn’t a monthly reader, but I had those hardcover editions that they’d put out every 12 issues. I immediately found myself engrossed in that world, and really started to care about the characters. Then I got to issue #48, which is where The Governor killed a character I’d really started to feel for. But it wasn’t just a death. He decapitates the character with a samurai sword. And it’s not one swift blow, so he had to hack at it until the head finally falls off. And at that moment, I thought “Fuck this book!” I stopped reading at that point because I had simply had enough. A few years later, #100 hit the stands, and I flipped through it because I’ve been trained that big round number comic issues usually have something special in them. Instead of them finding a cure for the zombies, or a cache of Twinkies from before the world went to shit, writer Robert Kirkman killed off another character that I’d grown to love back when I was still reading the book. In fact, the events of #100 are what was depicted onscreen last Sunday night. And at that moment, “Fuck this book!” crept up in me again. And I never looked back. That was over 4 years ago, and I haven’t been the least bit curious about what’s going on with Rick and the gang. That’s why Sunday didn’t really surprise me because I already knew it was coming. Still, I wasn’t prepared for how graphic it would be.

I’ve never had the least bit of interest in the television series, as that’s just not a world I want to see. It’s the same reason I read The Road, but didn’t watch The Road. When reading, you can kinda control the visuals and whatnot in your imagination, but for it to just be onscreen is sometimes too much for certain subject matter. There’s nothing positive in The Walking Dead. People say that the character that was killed was the last glimmer of hope in that world, but it still never paid off. Ya know why? Because there IS no hope in that world! There’s no endgame. It’s not like they’re gonna find a cure and everything is gonna go back to normal. They’re not gonna travel back in time and stop the zombies. That’s why I never understood the purpose of Fear The Walking Dead – you’re just seeing the lead up to the apocalypse. Those characters don’t win. Hell, they probably all end up dead before the events of The Walking Dead. I wish I could find the article so I could cite it, but I once read an interview with Kirkman where he said that he doesn’t really put much thought into who he’s going to kill off because he feels that, in an actual zombie apocalypse, the deaths would be pretty random, so he wants to adhere to that. That might sound impressive, but it also leads back to what I said above: there’s no endgame. He’s pretty much just going to write this thing until he gets tired. Superman doesn’t have to have an endgame. Spider-Man doesn’t have to have an endgame. The Walking Dead, though, can’t just meander for 50 years. It needs some sort of order that I don’t believe it has. And I, for one, am not willing to wallow in the muck waiting for that day to come.

Based on the thinkpieces I’ve read this week, a lot of people feel the same way that I do, only it’s in regards to the show and not the comic. But, “there’s no such thing as bad publicity”, so the fact that people are talking is exactly what AMC, Kirkman, Image, and everyone wanted. Whether you loved it or hated it, chances are you were watching and you had some thoughts about it. And that’s why The Walking Dead had the West Week Ever.

26th Oct2016

Comical Thoughts – IDW Presents A Revolution You Can Skip

by Will

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For some time now, IDW has been the comic home of Hasbro’s biggest properties, including G.I. Joe and Transformers. They recently added MicronautsRom: SpaceKnight and UK import Action Man to the mix. So, it seems like as good a time as any to gather them all under the same umbrella in a shared universe. The mechanism for doing this is the miniseries Revolution, which will also result in a long awaited M.A.S.K. spinoff series. While this all might sound good on paper, the execution of it has been horrible. The story runs in a 5-issue miniseries, combined with various one-shots for each property involved. So far, the first 3 issues have been released, as well as the one-shots for Rom, M.A.S.K., and Micronauts. By this point, I feel justified in saying that the story is confusing, ugly, and not well planned. Let’s take a closer look, shall we?

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In the first issue, we learn that the Transformers depend on a mineral called Ore-13, which has recently become unstable and is exploding. The new Action Man is investigating a stockpile of it in Mt Olympus, where he discovers former G.I. Joe member Big Ben who’s not long for the world. Big Ben tells him that he was running a mission when he was ambushed by some Joes. He doesn’t know why his former teammates would attack him, but he managed to grab one of their dog tags before the rest of his crew was slaughtered. He says it seems like they were after the Ore-13, but Action Man is snatched away before the mountain explodes with Big Ben and the rest of the Ore-13. Well, apparently, the Transformers recently proclaimed that Earth would be joining the Cybertronian community, and the humans aren’t too pleased about that, as they see the Transfomers establishing themselves as our overlords. Enter G.I. Joe, who decide to attack the Transformers during a humanitarian mission. Things are pretty much at a stalemate until Rom the SpaceKnight comes out of nowhere and kills 4 Joes, including team founder Joe Colton. Since Rom looks more Cybertronian than human, the Joes assume he’s on the Transformers’ side. So, they take this as a declaration of war. We also get a back-story from Revolution #0, which introduces M.A.S.K.’s Miles “Mayhem” Manheim. They actually do something clever here by saying that he was a member of the original Action Team with Joe Colton. It appears he’s actually got Transformer Blitzwing in captivity, who he’s harvesting for parts and technology.

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In the second issue, it’s the Transformers vs Rom, as they’re pissed at him for “blowing up their spot”. They had formed something of an uneasy alliance with the humans, and Rom’s actions had just undone that by murdering those Joes. Rom, however, insists that he murdered no humans. Rom tells them that he is hunting the Dire Wraiths, who have managed to infiltrate world governments. Meanwhile, we’re introduced to the M.A.S.K. team, and the new Black Matt Trakker. Aileron and Kup face off against the M.A.S.K. team, whose vehicles were built using Cybertronian technology, resulting in Kup being captured. Trakker, however, has second thoughts about what they’ve done when he realizes the Transformers are sentient, and more than mere machines. At the end, we find out that Micronauts’ Baron Karza is behind the unstable Ore-13, as he’s been stealing it via a transdimensional space bridge in order to save the Microspace. Um, OK.

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The third issue brings a whole bunch of confusing Micronauts stuff, ’cause I know nothing about that franchise. It seems like the “heroes” of that world have formed an uneasy alliance with the villain Karza in order to save their universe. It’s Optimus Prime vs Rom because Rom’s mission is to defeat the Dire Wraiths, while Prime insists that Earth must be their primary concern. At the end of the day, Prime determines that, while Earth is important, the Microspace must also be preserved. Meanwhile, the autopsy results are in and the Joes realize their fallen friends weren’t human after all. Since they don’t know who they can trust, Scarlett puts in a call to “somebody we haven’t talked to in a while.” I think we all know who she means. Karza does some shit. Rom does some shit. And the issue ends with an entrance by Snake-Eyes.

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Revolution M.A.S.K.: Mobile Armored Strike Kommand #1 is the only one-shot I’ve bought from the series. It introduces us to the rest of the M.A.S.K. team, as we watch as they’re recruited and how they handle basic training. We also get hints that some of them aren’t as virtuous as they should be, yet those personalities align with team leader Miles “Mayhem” Manheim. Nothing here is original. Some recruits die in training, as “collateral damage”. The team is tasked with an impossible rescue mission. You’ve seen all of this before. Yet, it’s a serviceable introduction to the team and franchise. That said, I think all of this could’ve been possible without it taking place within the clunky Revolution storyline, as nothing in the special ties into present events – it’s a prequel story.

So, what are my problems with the series? Well, first of all, it’s a terrible jumping-on point for new readers. There’s WAY too much backstory with the Transformers and G.I. Joe books for this to go smoothly. Now, IDW did release a The Road to Revolution discount trade paperback with 5 stories that they felt were crucial to making the story a richer experience, but there shouldn’t have been required reading. A successful crossover like this should be accessible to all. To give you an idea of the problems here, IDW has had the Transformers license for ELEVEN YEARS. They’ve had the G.I. Joe license for EIGHT YEARS. In that span of time, the G.I. Joe comic has been rebooted four times, while most of the early Transformers comics were just a series of miniseries. I was IDW’s Diamond brand manager at the time of the early Transformers books, and even I didn’t really know what was going on. For folks with a cursory knowledge of the brands, this series opens with a ton of questions: Why’s Soundwave with the good guys? Where’s Bumblebee? Why is Scarlett the team leader? Where’s Flint and Duke and the Joes people care about? What about Cobra?

Something like this seems like it would be better served by a reboot of the existing brands instead of trying to get them to mesh with the newcomers. It doesn’t feel like they’re bringing their truest, core representations to the party. G.I. Joe isn’t just the military, as it’s used here. Their primary mission was to fight Cobra. Without Cobra, what are they? Here, they’re a shoot first, ask questions later sort of organization, which doesn’t really line up with what we’ve known them to be. If they’d been the least bit diplomatic, then this whole battle wouldn’t have even taken place. Like, why is Scarlett so pissed? And Snake-Eyes is a lot less cool/mysterious when he’s TEXTING! What happened before this miniseries to make her like this? As a new-ish reader, I can’t help but feel that I’m missing a lot. This miniseries might be a rich experience for those who’ve been following the series recently, but it’s just not a fulfilling experience for casual readers.

Another problem is that it seems actual story is taking place in the one-shots, which isn’t how these things are done. One-shots in an “event series” are supplemental material, stories going at the periphery of the action. Here, though, you open up Revolution #3, and Rom is suddenly just chilling with the Transformers like the events of the past issue never happened, and there’s an editor’s note of “See Rom : Revolution #1.” NO! That’s not how you do this. Major team shifts, side switches, etc don’t happen in the one-shots. You leave the meat and potatoes for the main series.

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Finally, the art’s just ugly. I’m not sure if IDW has a stable of “exclusive” artists, but you’d want the best on something this high profile. They do a capable job of handling the tech, such as the Transformers and the M.A.S.K. vehicles, but the humans are rough and inconsistent from panel to panel. They also look a bit cartoony for the subject matter. I realize all of these properties are toylines, but they’re being introduced in a story with some pretty high stakes. Imagine if Marvel’s Civil War had been drawn by an Archie artist. That’s what you’ve got here.

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After saying all that, I’ll probably stick with it since there are only 2 core issues left. That said, it hasn’t been an enjoyable experience. If this had just been a one-off thing, I’d probably give it a pass. It’s not, though. This miniseries is meant to set up the future of the Hasbro properties at IDW, and that just doesn’t seem like a good thing at this point. This series is a mess, so it doesn’t make me too optimistic about the future. If you’re a die-hard Transformers or Joe fan, I guess you’ve got to read it, but if you’ve just got casual interest, this is a revolution you can skip.

 

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