20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

cloverfield

I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

jerrod

On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

bargatze

I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

the-order

It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

chap report

There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

13th May2016

West Week Ever: Pop Culture In Review – 5/13/16

by Will

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they live

On the movie front, I traveled back to 1988 and finally watched They Live. Yeah, I know it’s something of a cult classic, but I’d never gotten around to seeing the thing in its entirety. “Rowdy” Roddy Piper stars as a drifter who stumbles upon a pair of magic sunglasses that reveal the world has been overrun by aliens. They hide subliminal messages in marketing and advertising, convincing humans to “Obey” and “Consume”. In humanity’s quest to acquire more money and status, we ignore the conquest going on around us. Piper and his reluctant partner, in the form of Keith David, decide to stick it to the aliens and take back the night. Why am I even summarizing this film, when everyone reading this is probably more than familiar with it?  Anyway, I really liked it, but I feel like it was too short. Maybe it’s because we currently live in a 2.5 hour action movie society, and I’m spoiled. It’s probably great that the movie was made when it was, as it would’ve been completely different if made today. We would’ve gotten some drawn out origin of the aliens, and then we would be forced to believe that this manual laborer had the computer skills to hack them and take them down. For this film, all it took was a gun and a satellite dish. And what was up with Meg Foster’s eyes?! Was she blind? I’ve never seen eyes like that in nature before. Anyway, it’s a good 80s romp, but it’s just as poignant today as it was when it was released. Maybe even more so. Anyway, I’m sure there’s some unnecessary 21st century update sitting on some producer’s desk as we speak.

Ted 2

Next up, I watched Ted 2 and I really don’t get why it bombed so hard in theaters. I thought the film was just as hilarious as the first one, though not necessarily as good. In this film, teddy bear Ted and human Tami-Lynn decide to have a baby in order to repair their struggling marriage (’cause THAT works…), but their attempt at adoption fails when the courts decide that Ted is property and not a person. He loses his job, the marriage is annulled, and his credit cards are cancelled, so Ted and his Thunder Buddy, John, set out to prove that Ted is, in fact, human. The movie’s basically like a live action Family Guy, and even reuses a few gags from the show. Maybe America just needs a break from Seth MacFarlane. I mean, first A Million Ways To Die In The West bombed, and then this. MacFarlane just isn’t having a lot of luck at the box office, and the first Ted‘s success is starting to look like a fluke. The film’s got some fun in-jokes and cameos from folks like Michael Dorn, Patrick Warburton, and Nana Visitor. Which reminds me: is Michael Dorn OK? Like, has he been sick? ‘Cause he’s lost a LOT of weight, and not in a good way. Anyway, I think this is the first film to promote New York Comic-Con as a big deal. Sure, there are films that showcase SDCC, but this movie put NYCC on the national stage. Anyway, I feel kinda bad for the MacFarlane empire at the moment. This movie underperformed, and then we got the terrible Bordertown and an unmemorable season of Family Guy (which, conspicuously enough, hasn’t been renewed for next season yet). If you’re a MacFarlane fan, you’ve got to see this film. If not, then you should probably just keep moving.

creed

I also finally caught Creed. What a great film! Seriously, it was uplifting and inspiring in all the right ways. Apollo Creed’s illegitimate son seeks out Rocky Balboa to train him to become a fighter outside of his father’s shadow. Michael B. Jordan is just so cool, and great in the role. Director and writer Ryan Coogler did a great job capturing the underlying Rocky themes of redemption and perseverance. It was a great “passing the torch” film, and while I’d welcome a Creed sequel, I’m also fine with it being the coda to the Rocky franchise. I’ve got nothing snarky to say. Just see this movie!

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Sadly, I also saw Zoolander 2. I LOVED the first Zoolander, but this movie joins Anchorman 2 in the disappointing “Too Little, Too Late” bin. Seriously, 15 years for a sequel?! The movie is pretty dreadful, and doesn’t really gain any sort of spark until Will Ferrell’s Mugatu reappears halfway into the film. The film kicks off with a break-neck montage to show us what Zoolander’s been up to since 2001. The Center for Kids Who Can’t Read Good and Wanna Learn To Do Other Stuff suffered a structural catastrophe, collapsing into the ocean, killing Zoolander’s wife, Matilda. Derek, then a widower and single parent, has his son taken away from him by Child Protective Services, and he decides to live life as a “hermit crab”. Derek’s brought out of retirement when his son is kidnapped by Mugatu in order to sacrifice him for some mystical fashion ritual. It’s a really crazy plot, but that’s kinda par for the course when it comes to Zoolander films. It’s got a lot of fun cameos, and it features SNL‘s Kyle Mooney in a role where I don’t totally hate him. Like Anchorman 2, it was nice to see the gang back together, but the magic just isn’t there anymore. It had a very lackluster start, but it just barely sticks the landing. You can skip this one.

glaser

On TV, I caught the Comedy Central stand-up special Nikki Glaser: Perfect. She talks a lot about sex. A LOT. It’s not that that’s a bad thing. She does it in a funny, self-deprecating kind of way. The problem, though, is the same problem I had with Tosh’s last special: I didn’t watch it when it premiered, so I’d already heard all the jokes on Comedy Central Radio by the time I got around to watching it. Not Glaser’s fault, by any means.

powerlessheader

In television news, NBC has officially picked up the DC/Warner Bros series Powerless, which stars Vanessa Hudgens as an insurance agent who handles claims after superhero battles. It’s a workplace comedy set in the DC Universe, and is set to showcase some lower-rung DC heroes. NBC had success with The Office, so they’re going back to the well, but this sounds like a terrible show. Also, I feel it’s way too similar to Damage Control, which is the company in the Marvel Universe that handles repairs after superhero battles. Not coincidentally, a Damage Control show has been rumored to be in development at ABC, but DC and NBC beat them to the punch. Anyway, the show also features Danny Pudi and Alan Tudyk. To me, Tudyk is something of a modern-day Ted McGinley, so I’m not sure that bodes well for this series.

RIP Shows

There was a LOT of TV news last night, as the culling began in preparation for the network upfronts next week. On the ABC front, Marvel’s Agent Carter has been cancelled, as well as 8-season stalwart Castle. Meanwhile, the Agents of S.H.I.E.L.D. spin-off Marvel’s Most Wanted will not be going ahead at the network. The Muppets has also been canceled after a lackluster first season that required a midseason retooling. Musical Galavant has also been canceled after 2 seasons. In a somewhat surprising move, ABC also canceled the cult favorite Nashville, as well as freshman drama The Family. Over at Fox, Second Chance has been canceled, meaning it won’t be getting, well, a second chance. As a dagger through my heart, Fox also canceled comedies The Grinder and Grandfathered. I kinda bailed on the former (even though I really enjoyed it), but I really felt the latter had grown into something special, with a lot of heart. Oh well, I guess it means Stamos will be more of a presence in season 2 of Fuller House now. Seth MacFarlane’s Bordertown also got the axe. Meanwhile, it’s official, as Supergirl will be moving to The CW in the fall. The Archie series Riverdale has been ordered to series, while Containment has been canceled. Also, NBC has ordered Chicago Justice to series, therefore basically handing their network to Dick Wolf.

Captain_Cold

If you watched last night’s Legends of Tomorrow, then you’ll understand why Wentworth Miller won’t be a series regular next season. Instead, he’s entered into an interesting deal with Warner Bros TV that essentially makes him a regular in the “Berlantiverse”, not tied to one particular show. His talents will primarily be spread across Flash and Legends next year, but he could even appear on Arrow or Supergirl. I guess WB realized they had something special on their hands with that character and, while I’m sad to see he won’t be part of the Waverider crew next year, I am glad to see it’s not the end of the road for Leonard Snart.


On the music front, Justin Timberlake released his first song since 2013 last Friday. Called “Can’t Stop The Feeling”, it’s from the soundtrack to the upcoming DreamWorks animated film Trolls. It’s already being called “the song of the summer”, but it’s only May so let’s not get carried away. Still, any chance to see Ron Funches and Anna Kendrick dance (for different reasons, of course!), is a good thing. It’s a fun little ditty, so check it out.

infinity

In the world of video games, Disney Infinity has been discontinued, and Disney is exiting the game publishing industry. Reportedly, they’re taking a $147 million loss, which is surprising considering the platform featured Star Wars and Marvel characters in addition to Disney ones. I mean, if you can’t make money with Marvel and Star Wars right now, you’re doing business wrong. Anyway, I never trusted any of those “figurine switcheroo” games because they just seem like cash grabs. Skylanders seemed kinda groundbreaking, but then we ended up with Infinity, LEGO Dimensions, and amiibo – not to mention Hasbro’s own failed Playmation platform. Are they in the game industry or the collectible figure industry? Because it doesn’t seem like you can successfully be in both for long.

Things You Might Have Missed This Week

  • It was reported that Alden Ehrenreich has been cast as Han Solo in the Star Wars character’s solo film. Never heard of him, but good for him!
  • Ben Affleck was named an executive producer on the Justice League film, amid rumors that Zack Snyder and Warner Bros are currently fighting over the project.
  • Sharon and Ozzy Osbourne split up after 33 years together, after Sharon allegedly caught Ozzy having an affair with a celebrity hairstylist
  • Victoria “Posh Spice” Beckham admitted that her mic was never on during Spice Girls performances
  • The Superman prequel Krypton has been ordered to pilot at SyFy. Seriously, though – who gives a shit about Krypton?
  • After 30 years with the company, Steve Lombardi, also know as the Brooklyn Brawler, was released by WWE.
  • Gentlemen, start your engines! Topanga’s back on the market! Danielle Fishel has divorced her husband after 2 years of marriage
  • Chris Evans is reportedly dating Jenny Slate. I’m not sure which one I’m more jealous of!
  • CSI: Cyber was cancelled by CBS, ending the CSI franchise for the foreseeable future

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I had the pleasure of joining @TimDogg98, @ClassickMateria, @Agent_70, @Roddykat, and @blackastronaut1 for a special treasury edition of The Comic Book Chronicles, as we discussed Captain America: Civil War. It was a fun chat, so be sure to check it out.

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It’s currently the #1 movie in the WORLD. It opened in the US to $179 million last weekend. It introduced the man on the street to Black Panther. It’s loved by almost everyone. And I’ve gotten 2 podcast appearances out of the whole thing. I won’t get into story beats, as not everyone’s seen it, plus I’ve already discussed it ad nauseam on the aforementioned podcasts. So, I think it’s fair to say that, for the second week in a row, Captain America: Civil War had the West Week Ever.

06th May2016

West Week Ever: Pop Culture In Review – 5/6/16

by Will

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I watched quite a few things this week, so let’s get to it!

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I’ve been in a stand-up comedy mood lately, and Comedy Central has been celebrating a month of new specials. First up, I caught Daniel Tosh: People Pleaser. If you’re familiar with Tosh, then you already know what you’re in for. His onstage persona is basically that of an asshole, and he brought that in full force here. It was mostly new material, though he did rework an old joke about Nadya Suleman (“Octomom”) into a joke about the 19 Kids and Counting Duggars. My biggest issue, I guess, is that I didn’t watch it when it premiered, so it was all kinda old for me. You see, I listen to Comedy Central Radio on SiriusXM in the car, and they’ve been playing clips from the special for about a month now (the special actually premiered at the beginning of April), so by the time I got around to watching the whole special I realized that I’d already heard all of the jokes. Even though Tosh’s humor isn’t for everyone, I think he’s a lot better at the Asshole Comic thing than, say, Anthony Jeselnik. If that’s your cup of tea, then check it out.

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Next up, I watched Chris Hardwick: FUNcomfortable. This isn’t a popular opinion amongst the geek set, but I do not like Chris Hardwick. I had no problem with Singled Out/Shipmates game show host Hardwick, but I don’t like Hardwick 2.0 of the Nerdist empire. Something about him just rubs me the wrong way. The folks who listen to his podcasts tell me that his biggest flaw is that he makes everything about himself. I’ve never listened to a Nerdist podcast, so I don’t know about that, but I do know that I just don’t like his vibe. So, if I already knew I didn’t like him, why did I watch his special? Well, Comedy Central Radio had a town hall interview with him, moderated by Wil Wheaton, that aired several times over the weekend. I did a lot of driving, and ended up listening to parts of it 4 different times. And I came to realize that I actually had a lot in common with him, in terms of depression and anxiety. And it was interesting hearing about his alcoholism and how he decided to get sober. I think I didn’t like him because he just seems like he tries too hard, but the interview made me realize why. I kinda felt like I needed to cut the guy a break after that. I’m still not interested in his podcast, but I was willing to give an hour of my time to watch his special. And it was good. I’m glad I watched it. If you’re a fan of all the Nerdist stuff, you’ll probably love it. If you want to know more about Hardwick himself, though, I recommend checking out that town hall interview, which is probably on demand on the SiriusXM site. He seems like he’s in a good place now, and I’m happy for him for that. His comeback story is kind of amazing, going from TV host to producing mogul, so I’ve got to give him credit for what he’s achieved in this second phase of his career.

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On the movie front, I watched The Boss, starring Melissa McCarthy. I already know that there are people predisposed to hating her and her movies, so you should probably just skip to the next paragraph. I, however, happen to be an unabashed fan of her films. I even liked Tammy. So, I was kinda surprised that I was disappointed by this one. In the film, McCarthy plays a Martha Stewart analogue who’s sent to prison for insider trading. Once she gets out, she partners with her former assistant to create a brownie empire. It’s not bad, by any stretch, but it wasn’t hilarious. I loved The Heat. Spy was incredible. This, not so much. It suffered from the fact that the funniest parts were spoiled in the red band trailer. Plus, and I had this same problem with Deadpool, I didn’t really feel like it had to be an R-rated film. Over the years, McCarthy has kinda become the queen of the R-rated comedy, so I guess the studio just said, “Well, let’s make another R-rated comedy for her”. That said, most of the “fucks” seemed forced (like they were just there to justify the rating), as well as all the other material that guaranteed the rating. She implies a tween is a lesbian, Tyler Labine is supposed to perform oral sex on a security guard. All the “edgy” stuff just felt out of place. Don’t get me wrong – I laughed, but it was at stuff I’d already seen in the trailer. Outside of that, the movie didn’t have much more to offer.

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On “television”, I watched the Netflix series Love, on recommendation from my pal Chris Piers from over at The Robot’s Pajamas. Geeky Gus meets trainwreck Micky in a convenience store after they both get out of bad relationships. Over the course of 10 episodes, we try to find out if two damaged people can truly find love. The show starts Paul Rust (who’s also the co-creator) and Gillian Jacobs (Community), and is produced by Judd Apatow. In true Apatow fashion, the characters occupy this state of arrested development, where they’re in their 30s, but not quite “adults” because they’re just trying to figure their shit out. Gus has always been the nice guy, so he pretty much ends up in the “friend zone” when he meets Micky. Meanwhile, Micky’s a pretty, yet slovenly, woman who’s got an addictive personality. She’s addicted to alcohol, she’s addicted to sex, and she may be addicted to love. So, is Gus what she really needs right now? Can Gus handle a woman like her? Meanwhile, Gus kinda becomes my hero, as in the course of the series he sleeps with both Milana Vayntrub (Lily from the AT&T commercials) and Briga Heelan (Ground Floor, Undateable). It’s a great show, and I ended up watching the majority of the series in one night. I simply couldn’t put it down. I highly recommend it!

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In movie news, we got our first look at the new Power Rangers movie suits, thanks to Entertainment Weekly. I don’t…hate them. Seriously, I actually kinda like them. They’ve not been without controversy online, though. First up, people don’t understand why the female Rangers’ breasts are molded into the suits. Or why the female Rangers’ boots have wedged heels. That said, I’m finding that most of the people with the biggest issues with them are folks who checked out of Power Rangers during the Mighty Morphin incarnation. We’re talking about a 20+ year franchise, being judged on its first 3 years. That’s not exactly fair. To me, these suits are a natural progression from the original movie suits from ’95. This is just an ’00s update of what we got back then. People are saying that they look like Iron Man, and I see that, but I think it makes sense. It’s not like they were going to be able to go the spandex route for the big screen, so folks should’ve expected some kind of armored form. The thing I like most, though, is that the Rita suit is starting to make more sense. Hers is clearly a damaged version of their suits, so was she the Green Ranger? They also look reminiscent of Lord Zedd’s design, so will he factor into things, too? You’ll see a lot of hatred about the suits online, but you won’t see any of that from me.

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In TV news, it was revealed this week that Star Trek fans won’t be able to initially bingewatch the new Trek series when it premieres, as the episodes will be released weekly. I understand the reasoning behind this, as CBS probably doesn’t want people signing up for All Access for a month and then leaving once they’re done watching the show. That said, I’ve never been one to keep up with weekly streaming shows. I don’t know what it is about the platform, as I’ll watch weekly shows on “real” TV. Back when Yahoo Screen released Community on a weekly basis, I pretty much just waited til the end of the season and then binged all the episodes I’d missed. That’s probably what I’ll do with this show, if I watch it at all. I love Star Trek, but everything I’m hearing about this show’s distribution makes me sad. Creatively, it sounds like they’ve got a great team on the project (it was also announced this week that it’ll begin filming in Toronto in this fall), but it’s almost like CBS is hellbent on screwing up its distribution. It was also revealed why the show is debuting in 2017, and not this year to celebrate the 50th anniversary of the franchise. Apparently, during the 2006 split between CBS and Viacom, CBS got the Trek TV rights, while Viacom retained the Trek film rights. As part of that deal, Viacom insisted that the new show couldn’t debut until 6 months after the film premieres, in order to avoid confusion in the marketplace. Now, in a world where DC Comics has a “Batman” show on TV, and batman in films, it’s clear that the audience isn’t that dumb, but I guess Viacom wanted to protect their investment in Star Trek Beyond.

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In other CBS TV news, it’s really coming down to the wire on Supergirl‘s renewal, as CBS is scheduled to announce their fall schedule at the network upfronts in two weeks. Apparently, the show costs about $3 million per episode, and the network really wants to cut down that license fee. CBS doesn’t feel that the ratings justify the amount they’re paying to Warner Bros to air the show. So, now the rumor of the show moving to sister network The CW is picking up steam. The pro of the move means that the show would be on the same network as the other Berlantiverse shows Arrow, The Flash, and Legends of Tomorrow. The con, however, is that The CW doesn’t pay high licensing fees, so that means some budget cuts would probably have to happen. For example, Calista Flockhart probably makes a nice piece of change on that show, so she’d probably be out. That’s just my speculation, though. In any case, CBS needs to make a deal quickly.

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Over on NBC, Natalie Morales is out at the New York offices of The Today Show, and is moving out west to be the West Coast anchor of the show. She’ll also be the new host of Access Hollywood and Access Hollywood Live. Meanwhile, current Access Hollywood host Billy Bush is headed to New York to join The Today Show. This switcheroo is the beginning of some more ongoing structural changes coming to The Today Show over the next few months.

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In comics news, USA Today announced that IDW Publishing will be releasing a comic based on the 80s cartoon M.A.S.K. Following the members of Mobile Armored Strike Kommand as they fight the evil agents of Vicious Evil Network of Mayhem (V.E.N.O.M.), it was basically G.I. Joe with transforming vehicles, and enjoyed a cartoon series and toyline. Since IDW seems to be in Hasbro’s good graces, having published years of G.I. Joe and Transformers comics, it makes sense that this series would end up there. Writer Brandon Easton and artist Tony Vargas are reportedly “putting a Fast and Furious spin” on the property. I’m not sure what to think about that. From what the creators say in the interview, it doesn’t really sound like M.A.S.K. Plus, I think fellow kids of the 80s would rather have a M.A.S.K. toyline than a comic, but maybe that will come from Hasbro’s Cinematic Universe.

Things You Might Have Missed This Week

  • The Russo Bros revealed that Avengers: Infinity War Parts 1 & 2 would be renamed before their release, as they’re both 2 very different movies.
  • Batman: The Killing Joke will be released digitally on July 23rd, followed by the Blu-Ray and DVD on August 2nd
  • sharknado-4-posterSharknado: The 4th Awakens will premiere July 31st, featuring appearances by Baywatch‘s Alexandra Paul, David Faustino, Dog the Bounty Hunter, and Stacey Dash.
  • The Flash film lost its director when Seth Grahame-Smith stepped down. Now there are rumblings that James Wan might leave his directing post on Aquaman.
  • Hulu renewed The Mindy Project for a 5th season
  • Netflix announced a spinoff series for The Punisher, starring Jon Bernthal

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The other night, I had the pleasure of joining Classick, and CJ from 3 Black Geeks, to do a Civil War preshow podcast. It was a great time where we talked about recent comic book movies, as the recent deaths of some celebrities. You should definitely check it out here.

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I saw it last night, and I can say that Captain America: Civil War definitely had the West Week Ever. If you want to know why, then go see the film. I’m not gonna spoil anything here. Let’s just say that I went in Team Iron Man, and I left Team Iron Man. I’d love to know how you felt after you saw it. Sure, there are some similarities to Batman v Superman: Dawn of Justice, so folks are gonna make some comparisons, but I’m not gonna do that here. I’m not sure if I’m ready to say it was the greatest comic book movie of all time, but I thoroughly enjoyed every minute. Seriously, go see this movie this weekend!

29th Apr2016

West Week Ever: Pop Culture In Review – 4/29/16

by Will

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The only thing I really watched this week was the Comedy Central stand-up special, Amy Schumer Presents Rachel Feinstein: Only Whores Wear Purple. The title just goes to show ya that it really is all about who you know. Feinstein’s had specials before, but I guess since she’s friends with Schumer, and Schumer’s name now carries some weight, they felt this was the best way to present the special. I actually think it kinda takes something away from Feinstein – like, she only got the special because of her friend, which isn’t true. Anyway, a finalist on season 7 of Last Comic Standing, I’ve followed Feinstein for the past few years because she’s a local, having grown up in Bethesda, MD. Plus, she’s easy on the eyes. I think she’s hilarious, but I didn’t find this special as funny as her album, Thug Tears. Still, it’s got some funny bits, especially when she talks about the night Jenna Jameson came to one of her shows. It’s one of the funnier stand-up specials I’ve seen recently, so I’d recommend it if you’re looking for one to watch.

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In movie news, it was revealed that Nathan Fillion will be portraying Simon Williams AKA Wonder Man in Guardians of the Galaxy 2. As long as I’ve been reading comics, I don’t know much about Wonder Man. He always seemed to be part of things that weren’t that great to me. He was in the West Coast Avengers, which were the “Not So Good Avengers” or he was on the main Avengers roster back when they all wore flight jackets and they’d let anyone on the team. So, I can’t really say if this is good casting or not. If he plays it like he played Captain Hammer in Dr. Horrible’s Sing-Along Blog, he’ll at least be hilarious. It’s interesting he’s being introduced as a part of Space Marvel, as I never really saw him in that realm, but I trust the architects of the Marvel Cinematic Universe.

UPDATE: My pals over at The Robot’s Pajamas have more info on Fillion’s “cameo”. Needless to say, it’s not what I expected!

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Meanwhile in the MCU, it’s been reported that Marvel didn’t want to make Doctor Strange‘s The Ancient One a Tibetan man for fear of upsetting the lucrative Chinese marketplace. So, they decided to make the character a Celtic woman. Huh? Yeah, that’s pretty much the collective reaction of everyone who read that story. According to actress Tilda Swinton, they’re treating the character as a mantle that is passed down and, in her case, it just happened to pass to a Celtic woman. OK. Next!

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We got another trailer for X-Men: Apocalypse, because there were some parts of the movie they hadn’t shown us yet. The more I see of this movie, the more my erection subsides. It just looks so meh. And I’ve already explained my issues with Jennifer Lawrence and the X-Men movies since First Class, so I won’t rehash all that. I just kinda want this movie to come and go, so we can focus on the next installment.

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Across the aisle, we got the trailer for the DC Animated Original adaptation of famous Batman story The Killing Joke. It’s not without controversy, though, as a lot of folks kinda want this story to be forgotten, as it depicts Barbara Gordon/Batgirl as a helpless victim. If you remember, this discussion picked up last year when DC wanted to print an homage cover to Batgirl #41 (which I wrote about here). If you want to know my feelings on the subject matter, go read that old post. Right now, I’m just gonna talk about the movie. First off, the animation looks kinda bad to me. It’s not Mystery of the Batwoman level bad, but it’s close. It’s not as slick as what we’ve come to expect from the DCAO output. Also, I’m not sure how I feel about Mark Hamill and Kevin Conroy coming back to reprise their roles as Joker and Batman. As someone who grew up with Batman: The Animated Series, they are my Batman and Joker. That said, I kinda don’t like the idea of them involved in something NOT attached to the old DC Animated Universe that began with that show. I liked that they kept the vocal continuity from B:TAS through Justice League Unlimited. I didn’t really care too much when they came back for the Arkham games, because those were just video games and didn’t really “count”. Since I’ve associated them so much with the DCAU, I can’t help but mentally put this as part of that saga, which is kinda blowing my mind with the subject matter and the R-rating (a first for DC’s animated output). If I’ve learned anything from the other DCAO features, it’s that there are other people who can play Batman, and I think I’d have preferred that for this installment. I guess I just want to keep Conroy and Hamill “pure”, as odd as that sounds. So far, I don’t like the character designs or the choice of voice talent, but I’ll still check it out.

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In Power Rangers movie news, we’ve gotten some on-set pictures of Rita Repulsa in 2 different costumes, and I’m still not feeling it. Last week, I said her suit was Scorpina meets Divatox, but she’s really just Power Rangers Lost Galaxy villain Trakeena.

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In television news, our national nightmare is over, as Kelly Ripa returned to Live! with Kelly and Michael on Tuesday. It’s rumored that Disney apologized to her and assured her that she wouldn’t be blindsided by any changes made to the show in the future. That said, Michael Strahan’s originally scheduled September departure has been moved up to May 13th, thus eliminating some of the tension between the two. They said this was to get a jumpstart on Strahan’s Good Morning America onboarding, while also allowing Live to begin the process to find its new cohost. I was kinda hoping it would get dragged out a bit more, just to see how long it would take Ripa to finally come back to work, but that wasn’t in the cards.

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In toy news, the DC Multiverse 6″ Batman v Superman: Dawn of Justice mystery figure has been revealed, and it’s the Bat Monster that Batfleck sees when he visits his parents’ mausoleum. What an odd choice for a figure! I hate this thing so much, but I’m DETERMINED to build the Collect & Connect Grapnel Gun. I guess I’ll order the piece on eBay or something. I just really don’t wanna own this thing. Why this, when they could’ve made a Parademon or a Superman Trooper or any other army builder figure? Just such a weird choice…

Things You Might Have Missed This Week

  • Ecto Cooler will be returning to shelves on May 30th. Maybe my adult palette will like it more than I did as a child…
  • Saturday Night Live‘s Pete Davidson is dating Larry David’s daughter, Cazzie.
  • Formerly of ESPN and Grantland, Bill Simmons’ Any Given Wednesday pop culture show will debut on HBO on June 22nd
  • Fresh off the Aloha controversy, Emma Stone has been cast as Cruella de Vil in the 101 Dalmatians remake
  • 4/26 was Alien Day apparently. I know nothing of that franchise, but apparently the planet the Aliens were from was LV-426? I dunno, seems like a stretch. Everything’s gotta have a day now! I’m gonna hide in a bunker when May the Fourth comes along.
  • Netflix has ordered 8 episodes of Wet Hot American Summer: Ten Years Later. I didn’t love the movie, so I’ve yet to check out the prequel series. I’ll get around to it eventually.
  • The trailer was released for Absolutely Fabulous: The Movie, and just like the show itself, I didn’t find it funny. It’s the one BritCom I could never get into. I’m sure someone’s excited for it, though.
  • The sixth season of Game of Thrones premiered this week, so fans got their weekly dose of titties and swords. Man, if I were George RR Martin, that’s what I would’ve called the series: A Song of Titties & Swords.
  • Alec Baldwin will host ABC’s revival of Match Game. That is, until he throws a fit or gets recorded calling an Uber driver some kind of slur. It’s only a matter of time, really.
  • Comcast has purchased Dreamworks for its NBCUniversal arm for $3.8 billion. So, brace yourselves for a Minions/Madagascar crossover.
  • Contrary to the Daisy Ridley rumors, Alicia Vikander of The Danish Girl has been cast as Lara Croft in the Tomb Raider reboot.

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Everyone was talking about Beyoncé after her “visual album” Lemonade was released Saturday night following an HBO special. Instead of releasing videos for the songs, she released a one-hour special to the premium cable channel. Most telling about the album is that is seemed to be a personal affair where she alluded to the possibility that her husband, Jay-Z, cheated on her with “Becky with the good hair”. This kicked off a firestorm of thinkpieces, with folks wondering “Did Jay-Z cheat?” and “Who’s this ‘Becky’ she’s talking about?” At first, it appeared that the “Becky” in question was actually Rachel Roy, the ex-wife of Jay-Z’s former business partner, Damon Dash. Over the course of the week, speculation then spread to singers Rita Ora and Mya. Unfortunately, even food personality Rachael Ray got caught up in the crossfire, as some folks online mistook her for Rachel Roy. And then the memes started:

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Did Jay-Z actually cheat? Who knows at this point. Beyoncé kicked off her Formation tour the other night, and dedicated the song “Halo” to her husband. Was it all a carefully planned stunt? We’ll probably never know, but folks are raving over the album, which received the nigh-impossible 5-star rating from Rolling Stone. So, it’s safe to say the week belonged to Beyoncé, which is why she had the West Week Ever.

22nd Apr2016

West Week Ever: Pop Culture In Review – 4/22/16

by Will

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I finally caught the comedic hit Trainwreck, and I thought it was…decent. Written by and starring Amy Schumer, Amy knows how to screw, but she doesn’t know how to love (that really should’ve been the tagline). Raised by her father to believe that monogamy isn’t realistic, adult Amy tries to avoid any sort of commitment or intimacy in her relationships. That is, until she meets a particular sports doctor, played by Bill Hader. Since last summer, I’ve heard how laugh-out-loud funny this film was, but I’m not sure I saw the same movie. It has some great moments, especially any scenes containing John Cena and Lebron James (who’s a surprisingly good actor for an athlete. Those guys are usually wooden onscreen). Directed by Judd Apatow, it follows several Apatow tropes, in that it’s slightly too long, and the message is basically “Grow the fuck up!” I don’t really see what it is about Hader’s character that makes Amy think he’s The One. He’s a nice enough guy, but he’s not charismatic or all that interesting. He’s a bit of a square, so when Amy chooses him, it’s almost like she’s settling. I wasn’t fully paying attention, though, so I’ll probably watch it again to see if I’m being unfair. At the moment, though, I don’t really get the hype behind the movie, other than the fact that it was written by a popular female comedian whose star is on the rise. Outside of that, it’s a pretty formulaic, by the numbers romcom.

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On HBO, I caught the Clarence Thomas/Anita Hill drama Confirmation. Focusing mainly on Thomas’ confirmation hearings for the Supreme Court, it followed all the parties involved after Anita Hill came forward with allegations that Thomas had been sexually inappropriate with her ten years prior. I think everyone went into the film with their biases intact, but even though I believe Hill, I felt the movie was really skewed towards Thomas. The entire time, he maintained that these were baseless allegations, and there were scenes where it felt like he was to be seen as the victim here. One thing I did learn was that Thomas’ wife looks like a Shoney’s night manager – ya know, the kind who won’t accept your coupons? Yeah, that one. Anyway, when women come forward with these sorts of allegations, there are people who don’t believe them, and that was definitely covered here. Also, Joe Biden, portrayed by Greg Kinnear, didn’t come away from the film looking like the best guy. In the end, as anyone who knows history already knows, Thomas was confirmed, though the damage to his reputation had been done. 25 years later, and he’s still sitting pretty on the Supreme Court, while Hill is a footnote in American history. So, who really won here? The movie seems to imply that Hill won by coming forward, and opening the doors for more women in Congress and other high ranking positions. It seems like a last minute Hail Mary play, however, by a film that didn’t feel like it was on her side for most of the time. I’d love to know how other folks felt who watched it.

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On TV, I finally finished Fuller House, and I LOVED it. Sure, critics hated it, but the original wasn’t really beloved by critics, either. There were times I tried to watch it stoically, and then felt a smile creep across my face. Sure, it’s cheesy, but it’s a type of humor that’s missing from most modern sitcoms (especially considering most modern sitcoms are single cam, with a faux documentary being filmed). I loved seeing the old cast, I love the new kids, I love the crazy love triangle. To me, season 2 can’t come fast enough.

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This week also saw the season finales of two shows about hipster girls in NYC. First up, Girls wrapped up its fifth season, and I thoroughly enjoyed the two episodes that capped off the season. I tend to like Hannah the least of all of the titular girls on the show, but I really kinda felt for her in the finale. I started to really understand where she’s coming from, and didn’t hate her guts. She’s just a twenty-something, trying to do the best that she can. In the past, I thought she represented this sort of dangerous, arrested development. She wasn’t an adult, but rather just a big girl (which could be said for most twenty-somethings). The problem, though, was that she was OK with that. She never really seemed to be aspiring to anything greater. She was just a quitter at everything she tried, because she didn’t like the rules or whatever. The season ended with her in a different sort of place, though, so I’m interested to see where she goes in the sixth, and final, season of the show.

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Meanwhile, Broad City wrapped up its third season with the girls taking a Birthright trip to Israel. I never thought I’d say this, but out of the two female-centric Millennial shows on cable, I think I enjoyed Girls more than I enjoyed Broad City this year. It used to be that Broad City was kinda quirky, but it still boiled down to the friendship between Abbi and Ilana. This season, though, Ilana turned into a cartoon character, and her “lesbianic” undertones toward Abbi got cranked up to 11. In the past, it was implied that Ilana had a crush on Abbi, but this year she wanted to be her full on wife, getting threatened whenever a dude came into the picture who might affect what they have. Ilana went from a delightful character to an annoyance for me. I figure we’ve probably only got another 2 or so seasons of Broad City left, as the girls’ other projects, like Time Traveling Bong, are getting off the ground. Here’s hoping they make the most of the time they’ve got left.

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In movie news, there are talks that New Line is trying to acquire the rights to Three’s Company. Right now, the writers of He’s Just Not That Into You are attached, so this thing will probably be TURRIBLE. If you’re not familiar with it, Three’s Company was an ABC hit that ran from 1977-1984, starring John Ritter as an aspiring chef who lives with two girls. Since that was frowned up during that era, they told the landlord that he was gay so that he’d be OK with the living arrangement. It’s one of my favorite TV shows, but this sounds like a bad idea. I do, however, think it’d work as a rebooted television series, which I wrote about a few years ago. Here’s hoping this reboot talk gets me some website hits!

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In other movie news, it was reported that author Michael Chabon (The Adventures of Kavalier and Clay) and comic writer Brian K. Vaughan (Y: The Last Man) have joined the writers room for Hasbro’s shared cinematic universe. Damn, talk about a waste of talent! These guys are the real deal, and they’re being used to figure out how G.I. Joe is gonna mesh with ROM: The Space Knight?! Hasbro must’ve REALLY backed up a Brink’s truck.

I can’t wait for The Founder, starring Michael Keaton as Ray Kroc – the founder of McDonald’s. Though, the story isn’t so cut and dried, as this movie explores. After all, Kroc was just a milkshake machine salesman, while the McDonald brothers created the brand. And then Kroc stole it from them by franchising it. As a lifelong fat kid, McDonald’s means a lot to me, so this is basically my The Social Network.

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In TV drama, it was announced that Michael Strahan would be leaving Live! with Kelly and Michael and joining Good Morning America full time. This seems like a network decision, as both shows are owned by Disney and they wanted more for Strahan, but Kelly Ripa is PISSED! She feels like Strahan betrayed her, and she’s now refusing to show up for work until he’s gone. This is going to be somewhat hard, as he’s not scheduled to leave until September. *Looks at calendar* It’s now APRIL. I feel like the lawyers are gonna get involved before this goes on too long, but I imagine it’s going to get uglier before it gets better. I feel like this is a great opportunity, though, because they can now just hire Neil Patrick Harris to be Kelly’s cohost. The word on the street is that he was one of the favorites for the job the last time that it was available, but he was still doing How I Met Your Mother, and couldn’t do that commute. Now that HIMYM has ended, and Best Time Ever got canceled, the timing is perfect.

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In Power Rangers news, we got our first look at Elizabeth Banks as villain Rita Repulsa. I’m not so sure about this. On the one hand, it looks like a combination of Mighty Morphin Power Rangers henchwoman Scorpina, mixed with Power Rangers Turbo villain Divatox. I can see those influences. And the green color kinda makes sense as to why she’ll be so obsessed with the Green Ranger once he’s inevitably introduced. Still, it’s odd to me that there are no callbacks to the original design. No pointy boobs, no headdress, nothing. She’s just Generic Space Villainess. If anything, it just makes me nervous about what the Ranger suits are gonna look like. To me, it’s pretty risky because if you deviate too much from the pattern, then they look like those bootleg action figures you’ve been finding in dollar stores for the past 20 years. I get this is something of a “reboot”, but there still needs to be ties to the original property, for both casual and hardcore fans. Is it enough that it’s a bunch of teens fighting an evil space alien? It might as well be Tattooed Teenage Alien Fighters From Beverly Hills: The Movie. Or Superhuman Samurai Syber-Squad: The Movie. There are things that make Power Rangers special, and I’m not seeing them yet in what we’ve seen from this adaptation.

Things You Might Have Missed This Week

  • Season 2 of Mr. Robot premieres July 13th on USA
  • Carrie-Anne Moss is joining season 2 of AMC’s HUMANS
  • After 30 years, Dr. Drew Pinsky is leaving the Loveline radio show. It’s unclear if the show will continue with a new host
  • Robert Downey Jr. will appear as Iron Man in Spider-Man: Homecoming

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I guess, looking back on the week, Harriet Tubman was cock of the walk. Who’da thunk an abolitionist would be making news in 2016? Anyway, it was announced that Tubman will soon adorn the $20 bill, moving Andrew Jackson to the back of the bill. Originally, the plan was to remove Alexander Hamilton from the $10 bill, but the popularity of the Broadway (and Pulitzer prize winning) show, Hamilton, stopped that plan in its tracks. Now, Millennials will be even more insufferable about that show, AND tickets will be even harder to get, but I digress…According to history, Jackson was a bad man, sending the Native Americans off on the Trail of Tears. Why? Because he wanted their land for plantations. Way to go, dude! Anyway, the idea of putting a woman on some paper American currency gained steam last year when a young girl named Sofia sent a letter to President Obama urging him to do so. Well, this week, little Sofia got a birthday surprise when it was announced that the design will be made public in 2020. Tubman will be the first Black person on American currency, and the first woman in over a century. So, in light of this development, Harriet Tubman had the West Week Ever.

15th Apr2016

West Week Ever: Pop Culture In Review – 4/15/16

by Will

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So, I did something kinda special this week, in that I attended a live taping of the Jeopardy Teen Tournament. Until I pass that online test, it’s as close as I’m gonna get to being a contestant, so it was a pretty cool experience. Taped at DAR Constitution Hall on Tuesday, I was present for the filming of 3 episodes of the tournament. Pictures and social media weren’t allowed, ’cause they didn’t want anyone spoiling the winners. As you can see, I didn’t heed their warning, but I at least waited until taping was done. They film the show with the commercial breaks, so that’s when host Alex Trebek comes out and answers questions from the audience. Here’s some tidbits that I learned:

  • Alex has 55 suits in his show wardrobe
  • They film 46 days a year, on Tuesdays and Thursdays
  • Alex’s true first name is George. George Alexander Trebek
  • Alex’s favorite movie is 1941’s How Green Was My Valley.
  • I was present for the filming of episodes 7,356 through 7,358
  • Alex said that he really enjoyed Hamilton, even though he doesn’t like “that music”
  • In what seemed like hometown pandering, Alex said that his favorite NFL team of the last 30 years was the Washington Redskins. Then, things took a turn as he added that he’s never had a problem with the team name. He said that it was never meant as a negative, but as something positive. Uh-oh…
  • Then he tried to turn things around by saying that his favorite book is called The Divide, by Matt Taibbi. It documents the Wealth Gap, and how there have been no prosecutions in recent major Wall Street crimes, while we continue to incarcerate minorities for minor offenses. This garnered applause from the audience. Not from me. I’m on to you, Trebek!

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On the movie front this week, I watched the documentary All Things Must Pass: The Rise and Fall of Tower Records. I used to LOVE Tower when I was in high school, because it was the local retail establishment that was open the latest. Bored at home at 11:30? Let’s go to Tower! As a devoted fan of the import maxi single, Tower was my saving grace for obscure pop tracks that no one knew about in America. When Tower closed, it’s like I lost a friend. So, I heard about this documentary when it was in the Kickstarter phase, but I remember thinking “This thing probably won’t get funded.” Well, color me wrong, as the finished product is now available for viewing! Directed by Colin Hanks, the doc follows the creation of the successful music chain in California, and its gradual spread to Japan and across the rest of North America. The biggest issue with the film, however, is that it’s not balanced very well. The majority of it focuses on the rise of the brand, while the “fall” really just occupies the last half our or so. I think part of that, however, may be due to the fact that the demise happened so quickly. Basically, Tower couldn’t brace itself against digital music, along with discount stores like Target and Best Buy selling CDs, and they didn’t survive. To my surprise, however, there are still 85 Tower locations in Japan. I must go to Japan! If you want to see a bunch of old people talk about how they smoked “doobies” at work, this is the documentary for you. It’s really more about the culture of the store than it is about the state of music during the store’s rise, so you’ve really got to care about Tower in order to enjoy it. I do, though, so I did. Your mileage may vary.

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Then, I caught the film CHAPPiE, by District 9‘s Neill Blomkamp. Reuniting with District 9‘s star, Sharlto Copley, Blomkamp seems to be telling a tale about what it means to be “alive”. At the beginning of the film, the Johannesburg government has resorted to using robots on their police force, greatly curbing the amount of crime in the city. One particular robot, Unit 22, seems to be somewhat accident prone and, after being damaged irreparably, is slated for destruction. Meanwhile, the robots’ creator, Deon, wants to test out a new AI program that will give robots sentience. After he’s turned down by his boss, he steals Unit 22 and uploads the program. At the same time, a trio of criminals (played by rap-rave group Die Antwoord) kidnap Deon and Unit 22 because they need help with a heist. They rename Unit 22 “Chappie”, and try to train him to be a real gangsta. During all this, Chappie seems to be able to isolate his own consciousness through a special helmet, and begins to believe he can transfer his consciousness into another body before his battery dies. This shit really gets weird. I won’t spoil any of it, but it basically asks the questions “What is life” and “Can you live forever?” When I first saw the trailer, I thought it was just another crappy Hugh Jackman robot movie, but it turned out to be so much more than that. I highly recommend checking it out.

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I also caught another documentary called Unhung Hero, which I’d heard about on a radio show that I love (The Bonfire on Comedy Central Radio). Comedian Patrick Moote proposed to his girlfriend during a UCLA basketball game, but she turns him down on the kisscam. Not only did the video go viral, but she later tells him that she couldn’t marry him because his penis was too small. So, he embarks upon an international journey to find out what is “small” when it comes to penises, and is there a “cure”? It’s really kinda heartbreaking to see him explain to his parents why his girlfriend left him. He even consults old girlfriends to see if they also felt the same way. He tries pills, pumps, and exercises to make his penis bigger. He, then, travels the world to see if there’s any hope for reversing his penile fortune. He eventually ends up in Papua New Guinea where he’s about to have some oil injected into his penis to make it bigger. Does he go through with it? Moote seems like a really good dude, but I almost wonder if he was ready for marriage at the time of the proposal. He’s got a lot going on in his head, and one almost wonders if she did him a favor by turning down the proposal. By the end of the film, and the journey, he seems to have come to a better understanding and appreciation of himself. If you’re at all curious about all this, it’s currently available to stream on Netflix.

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On TV, I caught the premiere of The Detour on TBS. Airing Monday nights in the old Angie Tribeca timeslot of 9 PM, the comedy was created by The Daily Show contributors Jason Jones and Samantha Bee. It’s loosely based on their own experiences on family vacations, and it follows a family that abruptly decides to drive to Florida for their vacation instead of flying, and the problems that arise from doing so. In the course of things, they wreck their car, we find out why they had to drive, and more. It was really enjoyable, and was renewed for a second season before Monday’s official premiere.

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In TV news, The CW has ordered 8 episodes of MADtv, which shouldn’t come as much of a surprise, seeing as how the network aired the 20th anniversary special and airs old episodes on The CW SEED streaming site. From what we know, the show will feature new and returning cast members (mainly in guest host capacity). This is good news and bad news. The good news is that I’m glad the brand is alive again. There was a window of time where MADtv was edgier and funnier than Saturday Night Live, though a lot of people would hate to admit this. I feel like TV needs good sketch comedy these days, and the arrival of dreck like Party Over Here made me appreciate what we’d lost. Now the bad news. This show belongs in late night in order for it to hit on all cylinders. Unfortunately, The CW doesn’t program nights or weekends. In case you weren’t aware, The CW is only Monday through Friday, 8 PM to 10 PM. The rest of the time belongs to the local affiliates. So, late night Saturday is off limits, though it’d be the perfect place for the show. At the moment, I’m scared we’ll get some neutered version that ends up airing after The Flash or something. There are worse fates, but I don’t think this is a recipe for success.

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In other television news, it’s rumored that the new Star Trek series will actually take place in the classic continuity, and not the JJ Abrams “NuTrek” universe. According to sources close to the production, it will be set between the events of The Undiscovered Country and The Next Generation. Eh. On the one hand, I’m glad we’re not in the Abramsverse. On the other, I really wanted something set post-TNG, to see how The Federation has recovered from the events of the Dominion War. I still don’t plan to pay for CBS All Access, though, so I’m either not watching it or pirating it.

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In movie news, Sony had some big announcements at Cinema Con 2016. First up, they confirmed the existence of the Men In Black/21 Jump Street crossover originally revealed from the Sony email hack. Officially called MIB 23, Jonah Hill and Channing Tatum are reported to be returning, though original directors Phil Lord and Chris Miller are being replaced by James Bobin. Also, they revealed that the upcoming standalone Spider-Man film will officially be called Spider-Man: Homecoming. Some folks hate the title, but I don’t. It’s not the strongest choice, but it does refer to the fact that Spidey’s basically back in the MCU fold, so I’m fine with it.

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The first image of Scarlett Johansson from Ghost in the Shell hit the web yesterday, and people are LOSING THEIR SHIT. Mainly, it’s the minority set, wondering why the lead character has been “whitewashed” and isn’t Asian like in the original anime. First off, they need a big star to sell a movie that’s not necessarily a guaranteed American blockbuster. I get that Scarlett has star power. Still, I’m not even sure why we’re making this movie in America. As far as anime goes, it’s one of the more well-known franchises, but it’s still not a “household name”. Sure, folks will come out and see it because it’s a ScarJo movie, but why not give us that Black Widow movie? Or, God forbid, Lucy 2? Why go for a franchise that has to be “westernized” in order to make it successful when that’s going to detract from the source material? Could it have been made with an Asian lead? Of course. Should it have been made with an Asian lead? Probably. Would it make as much money? Unless they’re flying from trees and shit, I highly doubt it.

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In Power Rangers news, they unveiled the logo for the upcoming film yesterday. Meh. I think it’s too generic. It has no WOW or pizzazz. There are a couple of things I don’t like about it. First of all, I don’t like Saban’s insistence on putting his name in the title. He doesn’t carry the clout of a Marvel or DC, so branding it “Saban’s Power Rangers” means nothing to the man on the street. There’s the argument that “You’ve got to start somewhere”, but I just think it’s more of a ego move than a branding opportunity. Also, there’s already a Power Rangers font, which has been used for the past 23 years. Sure, this is a chance to breathe new life into the franchise, but you don’t mess with the classics. Compare the new logo to the logo for the original Mighty Morphin Power Rangers: The Movie:

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The new one looks so flat in comparison, even though it’s “cleaner”. At least you’ll be able to differentiate the TV toys from the movie toys on shelves, but that’s about the only benefit I can see from this new logo.

Things You Might Have Missed This Week

  • Elizabeth Banks is attached to direct a reboot of Charlie’s Angels.
  • Warner Bros finally confirmed that they are in talks with Ben Affleck for a solo Batman film
  • A new trailer was released for Suicide Squad, cementing my resolve to not see this movie in the theater
  • Reportedly, Warren Beatty is working on a script for Dick Tracy 2. I’ve been hearing this same rumor for the past 25 years.
  • James Cameron announced that there will be four Avatar sequels. OK, sport.
  • Dustin “Screech” Diamond was released early from jail on Monday.
  • Benedict Cumberbatch will voice The Grinch in an unnecessary 2017 reboot

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I guess you could say it’s been a Marvelous week. At the beginning of the week, it was reported that Natalie Portman wouldn’t be coming back for Thor: Ragnarok, but Creed costar Tessa Thompson has been cast in a mysterious role. According to rumors, she may be portraying the character Valkyrie. The movie also features Bruce Banner/The Hulk, so I figure we’ll see what they’re up to while the rest of the Avengers are Civil Warring each other.

Then, on Tuesday, we got the first teaser trailer for Doctor Strange, starring Benedict Cumberbatch. Now, I have a confession to make: I don’t like mystical Marvel. I probably hate it even more than I hate space Marvel. There’s just something about it that I never really took to. That said, I saw glimpses of the first Iron Man movie in that teaser, and that’s the movie that kicked off this whole Marvel Cinematic party. So, if this movie can recapture even a small bit of what made Iron Man special, then we might have a winner. Now, there is some controversy over the whitewashing of The Ancient One by casting Tilda Swinton, but I don’t even know what to make of that. Yeah, the character probably should’ve been portrayed by an Asian actor, and is Tilda Swinton, perfect androgyny aside, the right choice for that character? Who knows, but I guess I’ll wait to see the movie before I pass judgement. A lot of folks thought the trailer was kinda “meh”, but it definitely got me interested, which is something I was not prior to seeing it. I’d been telling folks that I was cashing out on the MCU after Civil War because I just don’t care about Doctor Strange or Black Panther, but now I’m intrigued.

Meanwhile, the embargo was lifted on Captain America: Civil War, and the early word is very positive. Some are saying it might be Marvel’s best movie yet. I’m kicking myself because Marvel chose 25 cities in which to have an advance screening last night (and DC was on the list), but I completely missed the boat on trying to get passes. If any of you reading this happened to see the film last night, I hate you.

So, between those 3 tidbits, as well as the announcement of the Spider-Man film title, everything was coming up Marvel this week. That’s why Marvel had the West Week Ever.

08th Apr2016

West Week Ever: Pop Culture In Review – 4/8/16

by Will

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First up, I watched Dead 7 last Friday night. If y’all remember, it’s the zombie western starring former boyband members. Written by Backstreet Boys’ Nick Carter, it also starred Howie Dorough (BSB), AJ McLean (BSB), Joey Fatone (*NSYNC), Chris Kirkpatrick (*NSYNC), and Jeff Timmons (98 Degrees). This movie was a MESS. Now, I do have a confession to make: I forgot it was coming on until some folks tweeted me about it, so I missed the first 25 minutes. So, once I turned it on, I was LOST! I don’t know why people were zombies or “copperheads”, I’m still not clear why copperhead teeth are used as currency, and I don’t get why they were so hellbent on killing MadTV‘s Debra Wilson. All I know is that the acting was HORRIBLE (UPDATE: After writing this, I went back and watched the first half hour. Yup, still lost). This being an Asylum film, I expected something “so bad it’s good”, like the tongue in cheek Sharknado franchise. Instead, they played this pretty straight, which was to its detriment. Sure, Fatone’s Whiskey Joe was basically comic relief, but he really didn’t fit the tone of the rest of the movie. The best part of the movie was the end, where everyone was dead except Nick Carter’s wife (What? You weren’t gonna watch it!). So, hopefully that means they can’t try to make a sequel. At the end of the day, it just felt like a bad April Fool’s joke. Still, we did get a decent collaboration track out of it:

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Next up, I watched the DC Animated feature Justice League vs Teen Titans and I must say that it’s my favorite DC “vs” movie that I’ve seen this year. Basically a sequel to both Batman: Bad Blood and Justice League: Throne of Atlantis, it brings together the Batman and Justice League goings on of the DC Animated Original Movie universe. Fresh off the events of Bad Blood, Batman feels Damian needs to learn to be a team player, so he has Nightwing take him to join the Teen Titans. In this incarnation, the team is Raven, Beast Boy, and Blue Beetle, mentored by Starfire. Of course, Damian doesn’t really take to being on a team, but when Raven’s father Trigon possesses members of the Justice League, the team comes together. I didn’t like this as much as I did the Batman films, as I don’t know much about the DCAO Justice League, never having seen War or Throne of Atlantis. I don’t know much about that incarnation of the team, so I don’t care that much about them. I’m invested in the development of Damian, and it was great to see something of a crush develop between him and Raven (something we haven’t seen before), so I probably would’ve liked it more had it just been a Teen Titans movie.  I did like how they managed to get Cyborg on the team even though he’s technically a Justice Leaguer. To be honest, I fell asleep on it, but that’s probably because I was really tired. The same thing happened when I watched Superman/Batman: Public Enemies. So, I had to watch it twice. Still, that might’ve been one time too many. It’s not bad, but it’s certainly not as exciting or action packed as the other Damian-centric Batman animated films. There’s also a post-credits stinger that makes me interested in what’s coming next. It’s not the best DC animated movie, but there are worse ways to kill 80 minutes.

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In other areas of nerddom, I finally watched Pacific Rim. My pal Keith came to town and insisted we watch it when he saw it had been on my DVR for the past year. Overall, I liked it a lot. I do have some questions, though. For example, why do they all keep saying “nucular”? I can’t trust my protection in the hands of someone who gets that wrong. Also, did they really think a WALL was gonna stop the Kaiju? The same Kaiju who routinely fuck up buildings made of WALLS?! Was Trump behind that plan? And something about Jaegers seems inefficient. I’m not sure if it’s the walking mechanism or what, but it seems like the pilots expend way too much energy to get those things going. Also, do you think the Chinese Jaeger was modified with the 3rd arm once a set of triplets was chosen to pilot it OR did they seek out a set of triplets to pilot their 3-armed Jaeger? Hated the post-credits scene, but overall, I really enjoyed the film. It’s something of a shame that a sequel is off the table for now, but maybe it’ll end up like Independence Day where we get a sequel in 20 years.

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On TV, I watched the premiere of Wynonna Earp on Syfy and BOY was I disappointed! To be honest, I didn’t even know they were making a show until I saw the commercial during Dead 7. Though I’m familiar with the comic of the same name, the development of this show really flew under the radar. Anyway, starring Canadian actress Melanie Scrofano, it’s about a rebellious chick who happens to be a descendant of legendary sheriff Wyatt Earp. She returns home when her uncle dies under mysterious circumstances, and has to retrieve Earp’s gun which, legend has it, can kill demons or something. The show was VERY Canadian – like, it’s not the kind of thing that deserves a prime timeslot, but would’ve been just fine as a Saturday afternoon syndicated series in the late 90s. While I grew to love Krysten Ritter’s portrayal of Jessica Jones, Scrofano’s Earp is closer to what I had in mind for the look and feel of that character. So, she’s basically Jessica Jones in a shitty vampire show. Or better yet, it’s Witchblade with a mystical pistol. Either way, I don’t think I’ll be tuning in again.

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I also caught the final 5 minutes of The Walking Dead. Now, let me be clear: I don’t watch the show, and I quit reading the comic at #50. To me, something like that needs an endgame, and interviews with creator Robert Kirkman made it clear that the thing is gonna run as long as he feels like it, with no real blueprint in mind. Ain’t nobody got time for that. Still, somebody was supposed to die, and I’m a sucker for those kinds of season finales. So, I turned off Girls and tuned into the end of the episode. Evil villain Negan was due to kill someone important, and I needed to see if he chose the same character he chose in the comics. I was kinda hoping he’d kill that Boondock Saints dude ’cause maybe he’ll stop being able to charge $300 for a picture at shitty comic cons. Well, the episode ended up not telling us who died. Nope, viewers have to wait until October to find out. And they lost their shit! I kinda thought it was funny, as it harkens back to the days of “Who Shot JR?” but viewers seem to feel like they’re owed something. Look, when a show cuts its teeth on dragging shit out (Glenn under the dumpster), then it doesn’t care about you. It’s doing what it’s doing for the sake of drama. I’m curious to see what the ratings will be like for the season premiere. Will they go up because folks want to find out who died, or will they go down because folks feel betrayed by the finale? I’m not gonna watch, ’cause I don’t care, and I’m sure someone will spoil it on Twitter so it’s not like I won’t be “in the know”.

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Arrow tugged at the heartstrings this week by killing off a main cast member (don’t worry – I’m not gonna spoil who it was). This season has really been aimless, and the death didn’t really help things. We knew that one was coming, due to the flash forward cemetery scene from the season premiere. The funny thing, though, is that the writers basically backed themselves into a corner. They knew that someone would die, but they hadn’t decided exactly who would die by the time the season began. They were just going to let the story dictate who would meet their fate. Well, lucky for them, drama erupted behind the scenes. According to rumors (I could’ve said “sources”, but who are we kidding?), this actor reportedly had some disagreements with star, Stephen Amell – which is supposedly the real reason Colton Haynes left the show. So, how long can Arrow survive if Amell is this difficult to work with? The show’s already been renewed for season 5, but they’re really going to need to work hard to return it to the quality that it once had. I never really liked the character who died, so I don’t think it’s gonna hurt the show much. In fact, it might be the first step on the road to making things better. Only time will tell.

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I also caught “Tran Dimensional Turtles”, which was an episode of the Teenage Mutant Ninja Turtles cartoon where the current incarnation of the team meets the original 80s team. It was…interesting. I haven’t watched the show since the first season, so I didn’t know all the stuff about Earth being devoured by a black hole or something and that the Turtles are now space faring. The whole episode featured the different teams bouncing between 2D and 3D, but the trick got old fast. Apparently, 80s Krang is the cousin of the Kraang Subprime from the new series – who wears Irma’s head on a pike? I’ve clearly missed a lot. Anyway, I liked this idea better when the 4Kids Turtles show did it as “Turtles Forever”.  Something this monumental needs to take place outside a standard 22 minute episode, and this should’ve been a bigger event.

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In the comic world, Black Panther #1 hit stores on Wednesday to rave reviews and critical acclaim. Written by noted author Ta-Nehisi Coates, with art by Brian Stelfreeze, the book focused on a king without a people. T’Challa, king of the African nation of Wakanda, and Black Panther to the hero set, is trying to unify his people after a string of disasters nearly tore the nation apart. A supernatural force, however, seems to be amplifying the citizens’ feelings of hate and fear, making T’Challa’s job much harder. I…didn’t enjoy this book. Let me say that I was initially looking for a quick, fun read and this was the wrong choice. I really didn’t know what was going on half the time. I think I need to give it another shot, but it didn’t immediately grab me. They do a decent enough job explaining all of the plights that Wakanda had experienced recently, but I still felt like I needed to come into the story with some prerequisite reading of which I was unaware. I actually recently read Coates’s Between the World and Me, so I’m familiar with his style, but I don’t know if I’m a fan yet. For this one, I may just wait for the trade. If I read it at all.

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In Marvel news, it was announced that Alfre Woodard will have a role in Captain America: Civil War, as the mother of a civilian who died during Avengers: Age of Ultron. So, basically she’s playing Miriam Sharpe. In the Civil War comic miniseries, the whole thing was kicked off after The New Warriors inadvertently caused an explosion at a Stamford, CT school, resulting in the deaths of several children. The mother of one of the children, Miriam Sharpe, became the face of the movement to require more regulation for super powered beings. So, it seems like Woodard may be playing the same role here, as I doubt they’d cast her as just a throwaway character. Here’s where things get interesting, though: She’s already been cast as Black Mariah in the Luke Cage Netflix series. So, we’ve got one actress playing two different characters in the MCU. I know the film division isn’t really paying attention to what the TV division is doing, but this is a bit much. Couldn’t they have cast Angela Bassett in one of those roles? They’re basically the same chick (Yes, I know she’s currently Amanda Waller, but my point stands)!

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In other Marvel news, it’s reported that a Cloak & Dagger series is being prepared for ABC’s Freeform (formerly ABC Family) network. So far, there’s no script, showrunner, actors, or anything attached, but the show is being developed to focus on a teenage Cloak & Dagger, as they deal with their powers and relationship. Freeform is the perfect place for show like this. I just hope it doesn’t have strong ties to the greater MCU because I really don’t want to have to watch it. I’ve never really been down with Cloak & Dagger, and I pretty much despise everything that comes on that channel. Speaking of Freeform, the same press release announced they have a late night show in development called Later Bitches. $20 says that name doesn’t make it to air.

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In DC news, Warner Bros announced a shift in their DC Cinematic Universe slate, as Wonder Woman has been moved up from June 23rd to June 2nd 2017. They also added two untitled DC films to the schedule for October 5th, 2018 and November 1st, 2019. One of these is probably the standalone Batman film that’s been rumored since before Dawn of Justice even premiered. The shift also bumped Andy Serkis’s The Jungle Book adaptation to 2018, which reminds me that it’s kinda foolish for there to be TWO Jungle Book adaptations released within two years of each other (Disney’s comes out next month). Unless one of these serves as the lead-in to the events of Tale Spin, I’m not interested.

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The Star Wars: Rogue One teaser debuted yesterday. It looked interesting. Female protagonist again. I’m not gonna “raise cane” about it, because representation is good. I am, however, still mad I got “bamboozled” out of my Black Jedi. I remarked that it kinda looks like “The Hunger Games In Space”, and that’s somewhat of the vibe I got from it. It’s not that it’s a young adult dystopia, but I feel like I’ve seen this Jyn character before in other movies. Anyway, I can’t say I’m jazzed about the film ’cause I’m just not a Star Wars person by default, but I might see it. I didn’t initially realize this was a prequel to A New Hope, so it’ll be interesting to see things from that frame of time. Still, it’s another movie with a Death Star. Take that however you will.

Remember Weekend At Bernies? Didn’t you wish Bernie had been used as a machine gun or a jet ski? Well, here’s Swiss Army Man! I can’t believe this is a real movie.

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In social media, I got a tweet favorited by the co-creator of Girls last Sunday. all I did was tweet a line of dialogue (with an errant comma), so it’s nothing to really write home about.

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So, last night saw the end of an institution, as American Idol signed off for the last time. After 15 seasons, and the creation of a handful of stars, the show is finally taking a rest. I think it’ll be back one day, but America simply isn’t as interested as it once was. After all, they’ve got Blake Shelton and Christina Aguilera spinning around in chairs to worry about. Even if you hate the show, you can’t deny the impact it has had on pop culture, for good or for bad. Kelly Clarkson has sold 25 million albums and won 3 Grammys. Carrie Underwood has sold 65 millions albums and has won 7 Grammys. And even “losers”, like Jennifer Hudson (won an Oscar and a Grammy) and Chris Daughtry (sold over 8 million albums), have done well for themselves. It made Simon Cowell and Ryan Seacrest (who unleashed the Kardashians on the world) household names, while it rejuvenated the career of Paula Abdul. Idol always struck that balance of making it about the contestants, while still making it about the judges (something The Voice has never pulled off). And there was a time when the Idol name meant something. People bought the CDs, and packed stadiums for the tours. Those days are long gone, but the show helped the music industry at a time when it desperately needed a shot in the arm. It made the consumer feel like she had power in the industry by putting success up to a vote. Sure, shows like Star Search had done this in the past, but that show never had as many eyes on it as American Idol. It was the number one show on television for the coveted 18-49 demographic for 8 consecutive years.

American Idol also has personal meaning for me, too. For example, I almost got to audition for the first season, but things got in the way. See, when my a cappella group performed at the ICCA Finals, we were invited to audition the next day. Nobody knew what the show was going to be, so there weren’t lines and folks camping out for auditions like they did in later seasons. They were approaching a cappella groups because they knew those folks had singing experience. The rest of my group, however, was all, “We have finals to study for.” Those guys had no ambition (which is exactly why they’re all successful doctors, lawyers, and engineers, but I digress…)! Later on in college, I was a finalist for Cornell Idol, which was our local campus take on the show. In recent years, I’ve gotten in my fair share of Twitter fights with former contestants, like Justin Guarini and Blake Lewis – not to mention all the grandma fans of Scotty McCreary and Taylor Hicks. You can say that Idol has orbited my extracurricular activities since it began.

Last night, Trent Harmon won the 15th and final season of American Idol and, based on recent years’ winners, you’ll probably never hear from him again. Still, the impact the Idol juggernaut has had can’t be denied. That’s why American Idol had the West Week Ever.

01st Apr2016

West Week Ever: Pop Culture In Review – 4/1/16

by Will

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Welcome back to a brand new installment of West Week Ever! I’ve got a confession to make, though: I’m tired. Between writing all the Spring Break posts this week, and that fact that today is April Fool’s Day and nobody believes anything they read anyway, I’m gonna keep it short today.

mtv spring break

So, about those Spring Break posts. You may not know what I’m talking about. Remember how MTV used to have special programming during Spring Break? They’d set up in a beach house, and have a week full of special programming. Well, that’s what I tried to do here. Sure, there was no beach house, but I tried to cover some topics that don’t get discussed enough around here: forgotten/maligned television theme songs and bad comic books. In case you missed any of the posts, here’s what you missed:

Monday – The Most Underrated Television Theme Songs: Webster
Tuesday – The Most Underrated Television Theme Songs: California Dreams
Wednesday – Just Imagine Stan Lee Wrote The Worst Batman Story Ever Published
Thursday – The Most Underrated Television Theme Songs: Enterprise

Anyway, I had a lot of fun with those, so let know if you’d like to see any of that kind of stuff return in the future. Now, let’s get on with the pop culture news!

rebirth

In the world of comics, we finally got creative team announcements for DC’s Rebirth initiative. And it’s really nothing to write home about. Outside of the surprise of Scott Snyder getting a new series called All-Star Batman, and Jim Lee handling the art chores on Suicide Squad, the rest of the announcements simply feel like shuffling deck chairs on the Titanic. While DC might have a decent bench of up and comers, they don’t have any marquee names or exclusive creators to “bring all the boys to the yard”, so to speak. Most DC creator announcements can be met with a simple “Who?” There are some bright spots, though. For example, it appears that Terry McGuinness will be returning as Batman Beyond, but it also kinda pisses me off that we’ve wasted the past year or so with the Tim Drake incarnation of the character. David Finch as the Batman artist is pretty cool, but I’m not sure he ever mastered a timely, monthly schedule. There are also some questionable moves being made, though. Why bring back Nightwing when the Grayson book was such a fresh, and popular, take on the character? And why give Bryan Hitch a Justice League book that he’s not drawing, considering nobody really flocks to him for his writing? It all sounds interesting, but it doesn’t sound exciting. This isn’t the shot in the arm that DC Comics desperately needs, and the fan base is getting bored. I fear we’ll be right back here with Super Rebirth or Born Again or something in another year.

In comic movie news, the folks over at MCU Exchange really need to be hired by Marvel. The editing on this Civil War primer is better than most of the trailers we’ve gotten so far for the movie. I won’t say it gets me jazzed for the film, but it does a great job of summarizing everything that brought us to this point. It even ties in Jessica Jones and Agents of S.H.I.E.L.D. – something that Marvel couldn’t be bothered to do themselves. That’s really been bothering me lately: Marvel’s unwillingness to take advantage of their shard universe by sprinkling more references to the movies into the TV shows. Would it kill Agents of S.H.I.E.L.D. to put a Stark delivery truck in the background of a street scene? Couldn’t they have put Stark/Avengers Tower in the background of a scene of Jessica Jones? It’s the little things that add up to build a much richer universe. This week’s Agents of S.H.I.E.L.D. got major points in my book for not only referencing Stark and Sokovia, but for also sneaking in a Daredevil reference. More of that, please!

suicidesquad

In other comic movie news, there are reports that Suicide Squad is filming reshoots to make the film more “fun”. After all, that was a complaint that folks had about Dawn of Justice, but if it doesn’t fit tonally, don’t force it. Reshoots on a film of that caliber aren’t unusual, but folks seem to be falling over themselves trying to explain why these particular reshoots are any different than those for any other blockbuster film.

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So, here we are, at the end of this week’s post. This is the point at which I usually tell you who had the West Week Ever. Well, despite not liking the film myself, I’d be a fool to not acknowledge that Batman v Superman: Dawn of Justice had the best week. It made a shit ton of money, even though it still “fell short” of some box office expectations. Whatever. I don’t really have much more to say about the movie, though, because I’ve kind of taken myself out of the discussion. I’m not sure if you’ve been on social media over the past week, but the discourse is FAR from civil. On both sides. I’ve seen some critics forge past the bounds of professionalism just to get their jabs in on the movie, but I’ve also seen fans of the movie berate folks for being “not smart enough to understand the movie”. Yeah, well, I got it, but I still didn’t like it (*dusts off Ivy League degree on wall*). So, I’m kinda done talking about it as, like with politics, nobody’s gonna sway anyone to their side – nor should they try. It’s OK for people to have different opinions, and there’s nothing wrong with saying “Ya know, that just wasn’t for me”, without being berated by those who did enjoy it. I never said it was a “bad movie” in my thoughts last week. I just said that I didn’t like it, but there are still people out there who would like to tell me that I’m wrong. How am I wrong in my feeling? Anyway, I had the pleasure of joining The Chap Report this week, where we discussed the film at length. It was nice to be able to talk about it in a non-hostile environment, and I believe I got out everything I needed to say. So, if you really want to know how I felt, complete with story spoilers (which I avoided in last week’s post), take a listen. It is my definitive take on the film, and I see no reason to discuss it further. If anyone asks “What did you think of the film?”, I’m just gonna post the link to the podcast. So, in closing, giving credit where it’s due, Batman, Superman, Wonder Woman, and the Marthas of the world had the West Week Ever.

31st Mar2016

The Most Underrated Television Theme Songs: Enterprise

by Will

Enterprise Title Card

Yup, in wrapping up Spring Break Week here at WilliamBruceWest.com, I had to go controversial with my last post. You see, I’m something of a retired Star Trek fan. I kinda reject the labels of the fandom, as I never saw myself as a “Trekkie” or Trekker”. Still, I grew up obsessed with the franchise and, thanks to the beauty of syndication, I’ve seen every episode of The Original Series to Deep Space Nine more times than I can count. I bailed when Voyager came along because, well, it was Voyager. I couldn’t even make it through the pilot, “Caretaker”. The ship can land on planets. Big whoop. Ya wanna fight about it? Anyway, I discovered CDs, got hardcore into comics, and I found Captain Janeway ushering me out of the fandom. I still watched the movies, but I checked out on Trek television and never looked back. Sadly, this also meant that I missed out on Enterprise.

I discovered Enterprise after its run had completed and it was briefly in syndication. While I don’t love the show as much as my favorite installment of the franchise, DS9, I do feel that it was misunderstood during its original run. In many respects, Enterprise was ahead of its time, as it was a younger, sexier, minimal technobabble Trek – pretty much exactly what folks loved about the JJ Abrams cinematic interpretation of the franchise. It was set in 2151, so it was closer to “our time”, while giving us a glimpse at the formation of the United Federation of Planets. It still handled a lot of classic Trek aspects, like the Mirror Universe and the genetic evolution of the Klingons. Being a prequel, though, it was not loved by many fans. The most controversial aspect, however, had to do with its branding.

First of all, Enterprise was the first series in the franchise to not have Star Trek in its name. At least, at first. I think they were trying to prove that they were doing something different with the brand, but they eventually caved to criticism. During the third season, the show was rebranded as Star Trek: Enterprise, believing that it might bring in anyone who didn’t realize that the show had been a Star Trek show all along (after all, ratings were never all that stellar, so I guess they figured it wouldn’t hurt).

The name would be the least of their problems, however. You see, the Star Trek franchise is known for its Jerry Goldsmith orchestral themes (with the exception of Deep Space Nine, whose theme was composed by Dennis McCarthy), so imagine everyone’s surprise when they went with an adult contemporary song in the form of Russell Watson’s “Where My Heart Will Take Me” (itself a re-recorded version of Rod Stewart’s “Faith of the Heart”). And Trek fans fucking HATED it. They staged petitions and protests to get Paramount to change the theme. Personally, I love the song with one caveat: it HAS to accompany the visuals from the opening credits. On its own, it does come across as some sappy soft rock song, but I feel like it actually builds upon the visuals that depict man’s thirst for exploration. The opening line, “It’s been a long road, getting from there to here”, accompanied by the visuals of everything humanity had to endure to get to space exploration, simply gets me every time. It’s a hopeful, uplifting song. We went from seafaring to warp drives! I don’t even give much of a shit about space in the “real world”, but every time I see those credits with that song, I think “Yeah! We did it!” Plus, I think Enterprise can get away with it, seeing as how it’s closer to our time than it is to Roddenberry’s sterile Trek. I don’t think it’s interchangeable, and it wouldn’t work for, say, The Next Generation, but I feel it’s perfect here.

And if you don’t like the vocals, it works just as well as an instrumental. If you don’t believe me, take a listen:

Still, Paramount kinda listened to the fans, by remixing the song for the 3rd season when they changed the show’s name. If you ask me, however, it was a step backwards. The beat that they added to the song is completely out of place for the message, and it negates from the inspiration of the original recording. There are crescendos that are missing – replaced by electric guitar riffs. THIS is what fans should’ve railed against, but I guess no one was watching by that point.

Music touches different people in different ways. Sure, The Next Generation‘s theme gets me pumped, but the Enterprise theme gets me choked up. Your mileage may vary, but that’s why I feel that the song should get more credit that it has ever received in the fandom.

Speaking of Trek songs, I leave you with the Ending Theme to Star Trek: Generations. Although I hate the phrase, it “gets me right in the feels”. It’s majestic with a haunting interlude. This one doesn’t require the visuals, and you should probably close your eyes ’cause it helps you enjoy the music AND because the images are crap. Let me know what you think in the comments.

30th Mar2016

Just Imagine Stan Lee Wrote the Worst Batman Story Ever Published

by Will

justimagine batman

With all the talk about Batman v Superman over the past few days, it reminded me that it’s nowhere near the worst story told featuring the Caped Crusader. No, that honor belongs to Just Imagine Stan Lee’s Batman, published in September 2001 – making it the second worst thing to happen to America that month. If you’re unfamiliar with the book, let’s take a step back in time, shall we?

Stan-Lee

In 2001, DC Comics thought they had scored a major coup by getting Marvel Chairman Emeritus Stan Lee to agree to reimagine their most iconic characters in the Just Imagine… miniseries. This was pre-social media, but I remember the Wizard Magazine articles losing their shit about “STAN LEE’S GOING TO DC!” It was basically the geek equivalent of when LeBron left Cleveland for Miami. Although, it kinda wasn’t that special in hindsight. You see, Stan has spent the past 20 or so years as something of a whore, and this was really just the beginning of it. He was coming off the disastrous venture known as Stan Lee Media, where his most notable creations were Pam Anderson’s Stripperella and the Backstreet Boys’ The Backstreet Project (whose Burger King Kids Club figures still pop up in thrift stores to this day). Since that company bottomed out (and is actually still being fought over in court to this day), Stan hasn’t said “no” to anything where money was involved. Some projects have held more promise than others but, at the time, the Just Imagine… series was seen as this historic happening that had been 40 years in the making.

The idea for the Just Imagine… series was that it would pair Stan with some of the greatest working comics artists, like Jim Lee and the legendary Joe Kubert. Each comic would be a one-shot story, yet all 13 issues would tell an overarching story when read together. The series kicked off with Just Imagine Stan Lee’s Batman, teaming Stan up with the aforementioned Kubert. The 48-page “prestige format” (square bound) comic is certainly nothing that you’ve ever read before in a Batman comic, but it is something you’ve seen before. You see, that’s the biggest failing of the Just Imagine… series: there are no original ideas. To Stan, the best way to reimagine Batman is to simply combine Luke Cage and Spider-Man, and call it a day.

Wayne Williams (there’s that classic Stan Lee alliteration!) is a young, Black street-smart guy whose policeman father has just been killed. While taking care of his mother, Williams makes an enemy of the local gang leader who, then, frames him for armed robbery. Sent to prison for a crime that he didn’t commit, Williams uses his quest for vengeance as a motivator to hone his body and his mind. Over an undetermined amount of time, Williams’s weight training takes him from scrawny to buff – just in time for him to use his new found strength to thwart a prison riot. Following me so far? Nothing too crazy, right? OK, let’s continue.

JISL Batman

This is when the story just stops working for me, as each development is more outlandish than the next. While in prison, Williams befriends a bat who comes to visit his cell night after night for crumbs and food scraps. Williams keeps telling the bat that he’s his best and only friend, kinda like that movie/Michael Jackson song “Ben” about that rat. Well, when he’s pardoned for stopping the prison riot, Williams leaves prison with the bat as his pet. As a free man, Williams realizes that he’s going to need to make some money, and one night while watching pro wrestling, he decides that will be his ticket to success (sound familiar?). After all, he’d beaten up a few toughs in prison, and he had also learned to sew, so he’d be able to make his own costume. So, while he admitted that wrestling was “a phony crock”, he proceeds to make his career by ACTUALLY BEATING THE SHIT OUT OF WRESTLERS as, you guessed it, “Batman”! And nobody calls him on it! He gets in the ring, and attacks these performers, and the crowd just eats it up. He starts on the local indie circuit, but eventually works his way up to the point where he’s the most popular wrestler in the world – all to build a financial foundation to use in his quest for revenge. Since he never unmasks, nobody knows who he truly is, which allows him to just get more and more mysterious and popular. Can you imagine if Rey Mysterio Jr was only wrestling so that he could finance his quest for revenge? Well, this is that, only Williams basically has the career of Hulk Hogan, The Rock, and John Cena put together.

While Williams was in prison, however, he did have one friend: a former physicist named Frederick Grant, who had been imprisoned for sabotaging the equipment of a former employer who was poisoning a water supply. After Williams saved him from a prison bully, Grant was the one who originally encouraged him to hone his body and mind. So, once he’s made his nut on the wrestling circuit, Williams seeks out the released Grant, and asks him to be his partner. Anyway, in the time that Williams was in prison, the gang leader who framed him, Handz Horgum (there’s that alliteration again), has risen in the ranks from local tough to crime boss. He controls all the crime in Los Angeles, so Williams plans his attack. He gets Grant to beef up his armor, giving him the “powers” of a bat, like night vision and the ability to soar on wind currents. Williams starts beating up local toughs, working his way up to Horgum. So, here we have the world’s greatest wrestler, initiating a war on crime in the middle of Los Angeles, and nobody bats an eye. The news isn’t like, “Hey, John Cena just put a gang in traction today.” Anyway, he eventually catches up to Handz, kicks him off the top of a building, and then steals his girl. Yes, the “hero” kills the crime boss and starts scheming on how he can put Handz’s girl on his payroll just to keep her close.

Given only 48 pages, there’s only so much space with which Stan had to work. That said, I have some major problems with the story – namely that nothing Batman does is *heroic*.  It’s a quest for revenge and not justice. I can’t say it’s “justice” because his heart isn’t really in the right place. Sure, he’d be ridding the streets of a pretty bad guy, but his reasons are pretty selfish. He doesn’t think of all the lives he’d be saving by taking Handz off the street, or how it’s even the “right thing to do”. No, Williams is only pissed that Handz caused him to lose all that time in prison, and that his mother died before he could clear his name. At no point does he ever have a change of heart that “Hey, this hero thing is a good idea.” For intents and purposes, he could pretty much quit after killing Handz because that was always the endgame. In fact, when the story ends, you’re led to believe that he’ll continue fighting, as he mentions hiring Handz’s girl as the secretary for his whole “operation”, but there’s no indication as to why he’d keep going. After all, at no point in the story did he ever think of anyone but himself. It would make more sense if he just returned to the ring, and continued to rack up wrestling money. I kept waiting for the *superhero* to show up, and that never happens.

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Well, I’ve clearly given more thought to this whole enterprise than it seems Stan did when he “wrote” it. I put that in quotes, because I wonder how much contribution he truly had to the story. After all, the credits list Batman film producer Michael Uslan as the one who was responsible for the plot of the story. That was surprising to me because, as the guy who’s written an autobiography called The Boy Who Loved Batman, you’d think Uslan would’ve delivered something with more respect for the character. Sure, this is a different take on things, and I’m not expecting Bruce Wayne here, but you’d still think Batman would be a little more heroic here. I don’t necessarily need him to inspire, as that’s more Superman’s bag. No, Batman operates out of the shadows, to rid the streets of crime and make the city a better place. Stan’s Batman operates out in the open, and his goal is only to get payback. But the major crime is how Stan basically just repurposed old ideas into something that came off like a polished turd. It’s kinda like if you submitted old homework to fulfill a new assignment, and still only managed to get a C. So, whenever you feel like you’ve experienced the worst Batman story ever, just imagine what Stan Lee’s Batman would look like, and you’ll instantly feel much better.

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