21st Apr2017

West Week Ever: Pop Culture In Review – 4/21/17

by Will


Star Wars Celebration (I can’t say that without thinking of Dave Chappelle’s Rick James yelling “It’s a celebration, bitches!”) happened in Florida last weekend, and we got our first teaser trailer for Star Wars: The Last Jedi. Folks seemed to like it alright. I’ve never claimed to be the biggest Star Wars fan, but nothing about this really gave me a Force Boner or anything. That’s probably because Rogue One left such a bad taste in my mouth. Anyway, I’m sure I’ll see it, but it’s not really on my radar.

In other movie “news”, we got the track listing for Awesome Mix Vol 2 from Guardians of the Galaxy Vol 2., which comes out today. Is it just me, or is it weird that Mama Quill gave Peter mixtapes of all the songs that played while she was banging dudes in Camaros? Come on – she was totally that chick! Anyway, there are no real surprises here, as it seems to be in-line thematically with the first volume. Personally, I’m ecstatic that “Come A Little Bit Closer” will be introduced to a new generation, as I’m a huge fan of Jay and the Americans (check out “Cara Mia” if you’ve never heard it).

This rumor came out a few weeks ago, but it kinda floated under my radar: apparently Warner Bros wants to release 4 Batman-centered films in 2019 to commemorate the 80th anniversary of Detective Comics. This slate would include Nightwing, Gotham City Sirens, the Joss Whedon Batgirl, and the oft-delayed The Batman. Nice idea, but there’s no way this happens. DC just doesn’t have its shit together enough to pull this off. Marvel could do it, but they would’ve been planning it since 2012. It’s already 2017 and they expect to crank out 4 movies in 2 years? Shit ain’t happening.

Bring on the teen angst train, as we’ve got two more comic-based series just dripping with it! First up is Cloak and Dagger on Freeform, which looks like the Freeformiest show that ever Freeformed. It’ll be right at home between the show about the deaf girl and the show about the foster kids. I’ve never been a huge Cloak and Dagger fan, but the series follows teen runaways Tandy Bowen and Tyrone Johnson, who were kidnapped and injected with an experimental drug. The drug left Tandy (Dagger) with “light daggers”, while Tyrone (Cloak) has a mystical cloak that transports people and things to a dark dimension. Oh, and there’s that sweet, sweet interracial love/Jungle Fever aspect to things. Based on the trailer, it’s gonna focus more on the love thing than the power thing, which is understandable since powers are expensive on a weekly TV budget. I haven’t heard if this is actually considered part of the MCU, but it’s nice to see the Roxxon sign at the end, so there are clear ties to the universe itself.

The angst doesn’t end there, though, kids! We also got a trailer for Syfy’s Krypton series (which has since been yanked down) – ya know, the one that nobody asked for. It’s hard for me to get excited about Krypton when very little about that planet has ever seemed appealing. It’s most recently been painted as a cold, stoic, science-based society. And since they don’t have our sun, it means they’re powerless. Here’s what I don’t get about the trailer: the show takes place approximately 200 years prior to Man of Steel (I guess making it the first series to be an official part of the DCEU), but the monologue is of Kal El’s grandfather leaving a message for him. Um, how does he KNOW his grandson’s name is Kal El if he hasn’t been born yet? Anyway, it’s about Grandpa El, who happens to be a sexy, CW-ish twenty something, trying to restore honor to the disgraced House of El. The effects look nice (AKA expensive), but nothing about this show makes me want to see it.

There’s some laughter coming from a different comic-based series, however, in the form of Freeform’s New Warriors. I mentioned it a few weeks ago, but it’s been confirmed that Kevin Biegel of Enlisted/Cougar Town will be the showrunner, and we got a confirmation of the roster. Led by Squirrel Girl (who has never been a New Warrior in the comics, but I won’t harp on that), the team is comprised of Speedball, Night Thrasher, Microbe, Mister Immortal, and Debrii. I’m familiar with career Warriors Speedball and Night Thrasher, but I don’t know anything about the others. Considering Mr. Immortal and Squirrel Girl are Great Lakes Avengers characters, this is something of a hybrid team.

I’m the furthest thing from a foodie, but I love a good dairy-based gimmick drink, and this week featured TWO of them! First up, I’d read online that Burger King had been testing a Froot Loops Shake at certain East Coast locations, with plans to roll it out nationally today. Well, I traveled around until I found one that had it early (well, I didn’t travel too far – it was down the street from my apartment), as I had to see what the fuss was all about. I had heard it described as made from vanilla soft serve, with Froot Loops pieces, topped off with a sweet, syrupy drizzle. Sounds exotic, right? WRONG. Whoever thought of this probably got a bonus for the idea, but it lacks in the execution. It’s basically a vanilla shake with edible confetti in it. From Loops don’t really have a strong fruity flavor to them, so it’s not like it’s rubbing off into the soft serve. And when you do get some Froot Loop chunks through the straw, they just taste like flavorless corn cereal. I didn’t taste any kind of drizzle, and I kept waiting for the WOW to kick in. It never did. I drank this so that you don’t have to and, trust me, you really don’t have to.

Next up was the Starbucks Unicorn Frappuccino. I hadn’t even heard of the thing until Wednesday morning, when everyone and their mom was talking about it. Looking at it, I was reminded of the Birthday Cake Frappuccino that comes out in March (I remember this because it was out at the time Evie was born). I LIVED on those things for the two weeks or so that they were in stores, so I was expecting this to be more of the same. I wasn’t sure what flavor this one was supposed to be, but there were certainly visual similarities. Anyway, after dinner Wednesday night, I snuck off to the corner Starbucks to try it out. You’ve heard of a Butterface, right? Well, this is a Buttertaste. It looks cool and everything, but the taste…THE TASTE! Its marketing emphasizes that it magically changes flavors while you drink it, but I could never really nail down what those flavors were supposed to be. There was a pervasive muskiness to it, making me feel like I’d basically sucked off a real unicorn. Of course, that would be silly – everyone knows you’ve got to buy a unicorn dinner before it lets you do that! Then, near the end, the muskiness gives way to a hyper berry taste, reminiscent of the Blue Raspberry that candy scientists seemed to have discovered in 1992. At no point in the drink was it what I would call “enjoyable”, and even the whipped cream on top was disappointing. As far as I’m concerned, this drink can fuck off back to Narnia where it came from.

Things You Might Have Missed This Week

  • Bill O’Reilly was fired from Fox News following sexual harassment allegations. See, if he’d told Billy Bush he only grabbed ‘em by the pussy, he’d be President by now!
  • Nintendo officially ended production on the NES Classic, followed by rumors that an SNES Classic is coming later this year
  • Anna Boden and Ryan Fleck were announced as the directors for Captain Marvel. I’ve never seen anything they’ve done (Half Nelson, episodes of Billions, and The Affair), so I’ve got no real opinion right now
  • Speaking of Marvel films, Black Panther wrapped production this week, as Hollywood braces for the return of every living Black actor
  • Will Smith is in talks to take on the classic Robin Williams role of The Genie in Guy Ritchie’s live action Aladdin adaptation. Obviously, Jaden Smith will probably get the role of Aladdin.
  • Stranger Things co-star Shannon Purser came out as bisexual on Twitter. Well, she’s bisexual in real life. She just used Twitter to announce it.
  • Director James Gunn announced that Guardians of the Galaxy 3 would be the final iteration of this lineup of the team
  • Black-ish was sold into off-network syndication, launching in Fall 2018
  • Jane The Virgin’s Gina Rodriguez will voice Carmen Sandiego in a new animated series coming to Netflix
  • Steve Harvey will host a revival of Showtime At the Apollo for Fox
  • Fate of the Furious debuted to $532 million internationally, beating the record-setting $529 million earned by Star Wars: The Force Awakens
  • With its original pilot rejected by Fox a few years ago, Joe Hill’s comic Locke & Key will have a new pilot filmed for Hulu
  • The X-Files has been renewed for a 10-episode 11th season. I couldn’t even make it through the last 6-episode batch they gave us, so I think this is a pass for me.

For the past 6 seasons, I have pretty much hate-watched HBO’s Girls. I hated Lena Dunham’s dumpy, Play-Doh body which was constantly on nude display. I hated all of her character Hannah’s “problems”. I hated her boyfriend Adam. I had convinced myself that I was really just watching, hoping that the characters would eventually be hit by a truck or something. Then, this season came along. Even through all my hate, I had to admit that this was a pretty strong season. From Hannah’s odd interaction with a bestselling author to Marnie finally realizing she sucks at life, there were some great episodes of television to be found in this season of the show. I was also forced to admit things about myself.

First off, I always knew I liked Shoshana because she had enough sense to know that she deserved better than the friends with which she’d found herself. And I definitely missed her once she decided to finally distance herself from them.  I also realized there was much more to the Ray character and, while they didn’t exactly put a bow on it, I’m glad they led us to believe that he had found a happy ending. Even a character as originally unlikable as Elijah had some strong development this season, and he was truly missed in the finale, even though this chapter of his story had come to a close. As I already admitted in my Get Out review, I had to come to terms with my crush on Allison Williams and, by extension, Marnie Michaels. Yeah, she sucked at life, but she seemed like the one out of the four who had Tony Starked her way into that situation; she was the cause of her own problems. Once she began to realize that, the character held more promise. And I realized I hated Jessa because she reminded me too much of girls I’d hooked up with in college: damaged, tattooed, pseudo-junkies who are lucky to still be alive. And I guess Hannah reminded me of girls I’d hooked up with post college. Yeah, I hated a lot about Girls because, I guess, I hated a lot about myself.

This Sunday saw the series finale of the show, and I wasn’t quite sure I was ready for it. After a season that had given us a pregnant Hannah, but also showcased the dissolution of the group’s friendship, I didn’t really know how they could “end” the story. I was further distraught when I read an article last week saying that Jessa and Shosh’s final appearances had been in the penultimate episode that had just aired. While I would miss them in the final half hour, I had to admit that their chapters had also come to a close.

When we get to the finale, there’s a five-month time jump, where Marnie and Hannah are living in a remote house upstate, raising Hannah’s baby, Grover. Yes, that’s what she named him. Anyway, it was 30 minutes about what it means to be happy, but also what it means to be an adult and a parent. I like to think that Hannah finally grew up once she realized that Grover wasn’t another problem that she could simply run away from. The entire episode, she’s freaking out because Grover won’t breastfeed, but in the final seconds he finally takes to her breast. The look on her face is a mix of relief and maturity. It was then that I realized the show had to end at that point, as Hannah was no longer a girl. The entire series had been about millennial drama, as they skirted adulthood, but those times were over. The title Girls no longer applied to Hannah because she was now a Woman, with all the responsibilities that entailed. I used to worry about Hannah, and I sure as Hell worried about Grover when we learned she was pregnant. After Sunday’s finale, though, I think they’re gonna be OK. It was a finale that I had to give some thought to, but it didn’t leave me unfulfilled like Don Draper creating a Coke jingle only to end up hocking tax prep software six months later. For this reason, Girls had the West Week Ever.

12th Apr2017

Comical Thoughts – The One Where Our Hero Read 30 Marvel Comics In One Night

by Will

So, a lot of people have thoughts on the recent remarks that Marvel Editor in Chief Axel Alonso made regarding diversity. Ultimately, he said that retailers and consumers didn’t seem to flock to the diversity push that Marvel was doing in their books. Fans came out in droves to dispute this, saying that there are other reasons that Marvel’s losing sales. Well, I’m not gonna contribute to that conversation – at least, not directly. You see, I’m about 6 months behind on Marvel books, so I’ve missed a lot of this diversity push. I mean, I go to the shop every Wednesday, and I’m buying a TON of books, but there are only so many hours in the week, so I just haven’t had the chance to read all of them. Oddly enough, I’m fairly current with a lot of the DC books I buy, mainly because they seemed to serve as better jumping-on points. I know everything happening in the Superman books and Teen Titans, but I only just read Civil War II, like, two weeks ago. Usually my Friday nights are consumed with me going on toy runs or napping, but the other day I said to myself, “Will, it’s time to read some Marvel.” I had a few thoughts on what I read, so I thought I’d share them here for anyone who’s curious.

First up, I read the full run of The Unbelievable Gwenpool to date. I read #1 when it came out, and then the book just went to the bottom of a large stack. That’s not to say I didn’t enjoy that first issue. I mean, it’s written by Christopher Hastings of the hilarious The Adventures of Dr. McNinja, so I already knew that I loved his style. The Gwenpool concept, on the surface, just sounds like a cash grab. Creating a Deadpool series used to be the equivalent of printing money (not so much anymore, looking at the sales for Deadpool and the Mercs for Money). Meanwhile, everyone and their mom seemed to love the idea of Spider-Gwen when she spun out of Spider-Verse. So, it was natural to put peanut butter in your chocolate by mixing the two.

Gwen Poole actually hails from our world, where all of the Marvel characters are just characters in comics books. By some mysterious means, she transports herself into the Marvel Universe, with her wealth of comic knowledge at her disposal. So, she knows everyone’s identities, all their power sets, etc. This is similar to the Deadpool thing where he thinks of himself as a character in a comic book. Once she gets to the MU, she sets herself up as a mercenary even though she’s not necessarily good at killing. She has limited hand to hand skills, and she’s not a great shot. But she’s pretty good at blowing shit up, which is what she does. The funny thing, though, is that they’ve never really explained why she’s a killer. Maybe it’s because she knows none of it is “real”, so it doesn’t matter if she kills somebody or not. After all, they’re just fictional characters to her. Anyway, after a botched mission, she finds herself working for M.O.D.O.K (Mental Organism Designed Only For Killing) and his gang of mercenaries, which includes Captain America foe Batroc The Leaper.

Anyway, I LOVE THIS BOOK! I’m quick to talk about things I don’t like, so I have to give equal credit to the things that I do like. I love the Gwenpool character, who’s really just a perky teenage girl who likes blowing stuff up. It’s kind of refreshing to meet a female character with an encyclopedic knowledge of comic book trivia, and it’s cool to see how she employs that in her series. I’ve been a big fan of Dr McNinja for years, so I knew Hastings wouldn’t disappoint and he surely didn’t! It’s a fun comic that really gives credence to the slang term “funnybook”. If you’re looking for fun in your comic reading, then definitely check this out. The sales on it aren’t so hot, making it seem like she should’ve been left to do cameos for a while before getting her own series. That said, she’s had 13 issues by now which, sadly, is an achievement in today’s comic landscape. Don’t let them cancel my Gwenpool! Buy this book today!

Next up, I finished the whatever volume it is for Invincible Iron Man. Ya know, the Bendis one, but the one before Civil War II. This series was kind of a waste, as it went nowhere. I’m not sure if plans got derailed because of CWII or what, but it’s odd that so many issues were devoted to one story that just dead ends. Madame Masque is caught stealing items from various Stark facilities, and when Tony goes after her, he finds she’s being chased by a group of cyber ninjas. That’s pretty much it. In the end, he never finds her and never solves that mystery. They do introduce a new cyberhacker Inhuman, though. Yay. Meanwhile, there’s a B-story of Stark trying to convince Mary Jane Watson to be his assistant/life coach. I’ve had my issues with Bendis, but I’ve got to say that this is him at his worst. Sure, there’s snappy dialogue, but not much else.

So, knowing that I needed to plod through my Iron Man backlog, I begrudgingly jumped into International Iron Man. This series made up for everything that was wrong with Invincible Iron Man. My only quibble is that, at 7 issues, it should have been an arc in Invincible Iron Man instead of its own standalone series. In the previous Iron Man series (the one after Superior Iron Man, but before the Bendis Invincible Iron Man), Tony discovered that Howard and Maria Stark were not his birth parents. In this series, Tony sets out to find his real parents, interspersed with flashbacks to the story of his first love, Cassandra, who was the daughter of arms dealers who were also business rivals of his father. Cassandra was in Tony’s life around the time that Howard died, so he finds it odd that she resurfaces, now an arms dealer herself, at the same time he’s searching for his birth parents. He thinks she knows something, but she’s not talking. In the end, Tony finds his mom, Amanda Armstrong, who’s basically Annie Lenox. No, I swear Maleev used Lenox as the model for Armstrong. The last two issues tell the story of Tony’s parents’ love affair, and it’s some damn good writing. This is Bendis at his best. I want an Agents of S.H.I.E.L.D. arc of just this story (it’s good, but it’s not summer theatrical blockbuster good), but there’s no way they’d cover Stark stuff on TV. At the end, it says that the story will be continued in the next volume of Invincible Iron Man – ya know, the one starring Riri/Ironheart. So, I’m not quite sure how that’s gonna work. Is Amanda Armstrong going to be a supporting character in the book while her son spoiler alert is in a coma in S.H.I.E.L.D. custody? I haven’t read the Riri series yet (it’s in the pile), so don’t tell me what happens. Where Invincible left me disappointed, International proved to me that Bendis understands Tony Stark.

The interesting takeaway I had from the series, however, is that Tony Stark is a result of Nurture and not Nature. I mean, it was always assumed he was a genius because his father was a genius, and it was in his blood. Now that we know his real parents were just undercover S.H.I.E.L.D. agents, it becomes clear that Tony was a product of his environment and upbringing, rather than possessing some inherited genius. I’m curious to see if they’ll do anything with that going forward. Ya know, when he “wakes up”.

Ya can’t love everything, though, and that’s where America comes in. I HATED that comic. I hate the character. I don’t really know where she came from, as I wasn’t reading Young Avengers at that point, but I find her obnoxious to no end. If you’re not familiar, Miss America, AKA America Chavez, is from another dimension where she had two moms who sacrificed themselves to save creation. She has the power to punch star-shaped portals between dimensions, and she’s strong, and fast, and can fly. Basically, she can do everything but project energy. Oh, and she’s a bad ass motherfucker. She can do ALL the things, and that’s kinda why I hate her. This is about to get dicey, so strap in. Ya see, a lot of people are going to say that I don’t like her just because she’s queer. There aren’t a lot of prominent queer characters in comics, so I understand her importance to representation. That said, she’s guilty of what I call the “Queer Eye-ification of Pop Culture”.

Let’s take a trip back to 2003, shall we? Bravo introduced the reality show Queer Eye for the Straight Guy, where 5 queer men (don’t say “gay”, because a couple of them were bi) gave schlubs makeovers. Carson changed their clothes, Kyan changed their hair, Ted changed their food, Tom changed their furnishings, and Jay…well, Jay taught them how to open CDs. No, that really happed. The principal underlying theme, however, was basically “Look, queer people are better than you in every single way! They dress better, they cook better, they have better hair, and better décor. What’s wrong with you, straight people? Why do you suck so much?“ For a while, that approach kinda worked. The show was a hit. Then I think folks got tired of the formula. We got it. They were all great at shit, but they stopped being relatable. After all, they were experts, and not just regular guys.

That’s my problem with America. She’s too good. She does it all. What are her weaknesses, her faults, her fears? I didn’t get that from her. Instead, she seems to have this false bravado of being the baddest bitch on the block, and that just doesn’t appeal to me. Is that what queer readers want? Do they want a character who seems to suffer from doing-too-much-itis? Or do they want a relatable character, like a queer Peter Parker who’s an amazing hero, but still has everyday problems? As a cis, straight male, I can’t answer that. I know what I think I would want, and this ain’t it. The market will dictate whether or not I’m wrong. Instead of the whole “Queer people are the awesomest”, maybe the more realistic approach is “Queer people are just like everyone.” I know I’m veering dangerously close to the camp of folks who say things like “Well, why isn’t there a White History Month?” I’m not trying to take anything from queer identity, but the way it’s expressed here contributes to why I don’t like that character. I fear this overcompensation is a trope commonly used as a “foot in the door” technique to get some folks to accept uncomfortable ideas, but I feel it does the queer community a disservice by reinforcing stereotypes/setting up unreal expectations.

Following this thinking leads me to the new Champions comic, which is downright irresponsible in its storytelling. Back during Civil War II, the young members of the Avengers became disenchanted with the elder members because they didn’t feel the team was doing enough to really change the world, instead spending more time in-fighting in the hero community. So, they quit the team before that story even wrapped up. As Champions picks up, Ms. Marvel reaches out to Nova (Sam Alexander – gotta specify, since there are two now) and Spider-Man (Miles Morales – gotta specify since there are two now) to convince them that they should be out doing the stuff that the Avengers refuse to do. They go on a mini recruitment drive, which results in the Hulk (Amadeus Cho – gotta specify since…you get it by now), and Viv Vision joining the team.

Champions is the wrong name for this book. Honestly, it should be the New Warriors, because they are TOTAL social justice warriors. I normally don’t even dip my toe into those labeled waters, but that’s exactly what this book is about. Ms. Marvel has created a team of other teens who do nothing but seek social justice. When older Marvel fans say that they’re tired of the diversity push, I have to believe that this is the book they’re talking about.

I say they’re irresponsible because they tackle concepts that can’t be solved by punching, yet that’s exactly how they try to solve them. They went to the Middle East to stop an extremist Muslim group from killing women who were just trying to learn. They went to a small town to face off against a racist sheriff who bombed the local mosque. Instead of facing villains, all of their “foes” are systemic issues that aren’t easy fixes. Somehow, though, they manage to “fix” things in 22 pages. To use old slang, these kids are cruising for a bruising. There’s a reason the Avengers don’t handle these sorts of things, mainly because they’re old and wise enough to know there are no easy fixes. Racism ain’t Galactus. There’s nothing to punch. The only reason I would stick with the book is that there’s GOT to be a reckoning coming to teach them a lesson. The last time a team of teens was this irresponsible resulted in the destruction of the town of Stamford, Connecticut. I HAVE to believe the Champions exist only to set up some post-Secret Empire event.

The sad thing about all of this is that I like these characters. I’ve been a Miles Morales booster since day one, and I loved Sam Alexander’s Nova from the outset. I was late to the Kamala Khan party, but she’s cool, too. I don’t like how Amadeus Cho’s Hulk is painted as a green Bro in the book, but I’m really behind on his title, so maybe that’s who he is now. And I haven’t read The Visions yet, so I don’t know anything about Viv. All that said, I’d hate to see anything bad happen to any of these guys, but that seems to be the path they’re on. It just seems like such mishandling of some great concepts. From when I was reading Captain America: Sam Wilson, the big takeaway was that there are some things you can’t fight head-on, but it seems like the Champions are gonna have to learn that the hard way.

So, I guess I did have thoughts about Marvel’s diversity after all. Is it killing books? Not necessarily. It’s just not being done well. Feels tokeny. There are a lot of great female-led books right now, like the afore-mentioned Gwenpool and Jessica Jones (which I’ll talk about another time since this has already gotten way longer than I initially expected). But the minority portrayals aren’t that strong. I’ve still got a LOT more to read, though, so maybe it gets better? We’ll just have to see.

07th Apr2017

West Week Ever: Pop Culture In Review – 4/7/17

by Will

 

So, last night I became the last person in America to see Get Out. As I joked on Twitter, I’m totally getting a divorce now. No, I kid, I kid. Like everyone said, it’s really good, though it may be a tad overrated. Just a tad. Unless you’ve been living under a rock, Get Out is the story of Black man Chris Williams who joins his White girlfriend Rose Armitage on a visit to her parents’ home for the weekend. And then crazy shit starts to happen. I can see what the appeal of the film is. I really can. But I’ve got to level with you: this movie hit a little too close to home. Yeah, I know that one Black reader I have is like “That’s what you get for datin’ them White girls!” No, seriously, I probably would’ve ended up just like Chris. First of all, I have a thing for Allison Williams. Even as bitchy, self-centered Marnie on Girls, I still have a thing for her. When her father fell from grace, I just wanted to tell her everything would be all right. So I would’ve taken the bait. In addition to that, I’ve dated that kind of family. Yes, in those cases, you’re dating the whole family. They had the same socioeconomic status as the Armitages, their friends were the same way, with the same weird questions. Sometimes you don’t realize how Black you are until that’s ALL you are to some folks. What some folks saw as just fun entertainment is something that I kinda lived. They’d do weird shit, where I felt like they were testing me. I remember the first time I went to stay for the weekend, they put me in a room with, like, three Rolexes just laying about like they were nothing. No, I don’t think they would’ve killed me, but I can totally see how something like this could happen. Meanwhile, I’m here thinking that I need to get me a friend as good as TSA Rod. I’ve got a lot to unpack from that movie right now. I’d love to have a conversation with Jordan Peele, ’cause that movie came from a place of experience. I wonder if I’d ever see it again, or if it’s like Bamboozled, where it’s just gonna make me hate White people for a while. Naw, I can’t hate y’all. You’re the only ones who read my site!

In movie news, it was reported that Seth Rogen and Evan Goldberg are set to produce a film based on the Image comic Invincible. I used to read the series back when I worked at Diamond and got the hardcovers for free, and I really loved it. It follows Mark Grayson, who’s half human and half Viltrumite. His father, who’s full Vultrimite, is the hero known as Omni-Man, and Mark seems to have inherited a lot of his powers. Mark becomes the hero Invincible and a bunch of other stuff happens. Hey, what do you want from me? I only read the first 48 issues, and that was, like, 7 years ago. The thing I like about the series is that Mark is allowed to grow and change. People die and stay dead. In comics, there’s always the approach where they give the semblance of change without actual change, but that’s not how Invincible works. I mean, he’s currently married with a kid, and they haven’t resorted to having the Devil erase it all, unlike some heroes… Anyway, I like the idea of a movie, but I don’t know if Rogen and Goldberg are the guys to do it. After all, they’re the team behind AMC’s Preacher – a show that I’ve yet to really hear anything good about. Mainly, I heard season one was just boring. So, I guess we’ll just have to see what they bring to the table.

In other movie news, Scarlett Johansson’s live action Ghost In The Shell adaptation bombed, and the congregation rejoiced. There was a lot of controversy surrounding the film because it was felt that the main character, played by Johansson, was whitewashed. They felt she should’ve been portrayed by an Asian actress, and even the studio is now saying the movie failed to meet expectations due to the whitewashing controversy. I’m really not educated enough to weigh in on this one. I mean, I’d always heard that Japanese identity politics went a little deeper than we might think, which is why their cartoon characters always have blue hair and shit, but never really look Asian. But again, before I say something uninformed, I’m gonna bow out of this one. For a better understanding of the controversy, check out my friend Jenn’s post on the film.

Speaking of outrage, there was a Pepsi commercial that ruffled some feathers this week. I’d post the video, but Pepsi is trying to scrub all reference to the thing. In it, Kendall Jenner breaks away from a fashion shoot to join a peaceful protest, capping it off by offering a stern looking cop a Pepsi. He accepts, takes a swig, and everyone rejoices. The problem, however, is that the ad was kind of tone deaf. It seemed to trivialize the act of protesting, and to add insult to injury, it installed a pretty White girl as the face of the protest. Now, I saw the thing, and it was hamfisted, but I’m not sure it was worth all the threaded tweets and thinkpieces that it generated. Like, I get why folks didn’t like it, but I’m not sure I’m “woke” enough to see the whole matter. Anyone wanna weigh in on this one?

In television news, Disney Channel officially ordered Raven’s Home to series. Serving as the sequel to That’s So Raven, it features Raven Symone reprising her role as Raven Baxter, only now she’s the divorced mom of twin tweens. She also lives with her best friend, Chelsea, who’s ALSO a divorced single mom. Things start to get crazy, though, when Raven’s kids start to exhibit her psychic powers. See, that was always my thing with that show. Sure, I was too old for it when it was a hit, but I love a good tween TV show. That said, I feel like Raven and her friends could’ve had zany adventures without the whole psychic powers gimmick. I mean, the kids of iCarly didn’t need superpowers in order to be entertaining. The psychic stuff made it too much like a mystical tween Three’s Company which, on paper, sounds perfect, but isn’t that great in execution. Anyway, I just typed all this to justify posting a pic of costar Anneliese Van Der Pol. This whole thing just sounds like Fuller House with powers. I’ve got no nostalgia for the original show, so I doubt I’ll be checking this out.

In other TV news, Freeform has ordered New Warriors to series, featuring fan favorite character Squirrel Girl. I’ve got to admit that I know next to nothing about that character except that she was the nanny to Jessica Jones and Luke Cage’s daughter, Dani. I know she was a Great Lakes Avenger, but she was never a New Warrior. Still, they’ve been trying to find a vehicle for that character FOREVER, so I guess they finally figured it out. Based on how WB/DC has handled Powerless, I’m not too eager to see another comedy set in a comic book universe. The one bright spot in the whole thing is that Kevin Biegel is rumored to be the showrunner. Not only does he follow me on Twitter, but he’s the creator of the Fox series Enlisted (which I loved), and he co-created Cougar Town. Knowing that, I think the show is in good hands. I still feel weird about being a 35 year old man watching Freeform. It’s like you’re paying for The CW. The news, however, makes me sad that The Middle is still going. If you didn’t know, a few years ago, when it looked like the writing was on that wall for that show, Eden Sher had a meeting with Marvel. While we don’t really know what was discussed, her name was thrown around in the same discussions of Squirrel Girl. With The Middle already renewed for next season, though, that takes her out of the running. Sucks because I think Sher’s perky, Sue Heck personality would be perfect for Squirrel Girl.

Things You Might Have Missed This Week

  • Barry Manilow came out as gay, which makes me realize that he’s actually been singing about Man D all these years…
  • Speaking of gay, on Doctor Who it was revealed that The Doctor’s latest female companion, Bill, is gay. I mean, her name is “Bill”, so, surprise?
  • NBC ordered 2 additional episodes of the Will & Grace revival, bringing the total up to 12.
  • Also in the Department of Things We Don’t Need, there are apparently outlines for 14 more Transformers movies


I’ve written about my love of The Undertaker a few times here on the site. Basically, he’s a relic of a bygone era in professional wrestling – an era of kayfabe, when enemies wouldn’t fly on the same planes together, or be seen hanging out together at IHOP. He’s from a time when people had flashy names and in-ring gimmicks to set them apart. The industry has changed a lot since then, but you could always depend on Taker. If I were to be a professional wrestler tomorrow, my in-ring name would be Bruce Williamson. That’s how they do it now. Other business ventures came along, like Total Divas, which even further blurred the lines between real and fake, but you could always depend on Taker.

In recent years, he’s basically been a part-timer. Ever since The Streak was broken, there wasn’t really much need for him to be around. The mystique was kind of gone by that point. But, like clockwork, he still showed up to Wrestlemania and did his job. In my heart, I knew the end was near. I’d always said that, given some advance warning, I’d even try to attend his final show. He means that much to me. Well, I didn’t even get to watch his final appearance, which was last Sunday at Wrestlemania 33. The card looked weak, and I felt I had better shit to do. Little did I realize I’d be missing history in the making. The Undertaker jobbed to Roman Reigns, narrowly missing out on his 100th pay per view victory. While the rumors of retirement had been floating for years, no one was ready for what would happen next. He donned his signature coat, gloves, and hat, and took one last look at the crowd. Then, he removed them, placed them in a pile in the center of the ring, and walked away. He kissed his wife, pretty much breaking character, and proceeded to walk up the ramp, where he was lowered until he disappeared. As the crew dismantled the ring, they refused to move his belongings – a gesture of respect to the man who brought us all nearly 30 years of entertainment. I hate that I wasn’t there, but I especially hate that I didn’t even watch it. Sure, in this technological age we can always find what we’re looking for, but I feel like I let him down. He doesn’t know me, doesn’t give a shit about me, but I know him, and I thank him. So, with that in mind, Mark Calaway, AKA The Undertaker had the West Week Ever.

03rd Mar2017

West Week Ever: Pop Culture In Review – 3/3/17

by Will

Sometimes life gets in the way, and you just can’t get a post out on time. That’s what happened last week, but I’m here now, so let’s get on with the pop culture, shall we?

First, I guess we’ve gotta talk about the Oscars, huh? I didn’t watch them. I don’t really do awards shows anymore unless someone’s getting slimed, so this wasn’t exactly my cup of tea. The big moment of the night, however, came at the end when La La Land was mistakenly announced as the winner for Best Picture when it actually lost to Moonlight. And social media went wild! It’s been a crazy few weeks, as the Best Picture predictions had come down to those two films, but neither of them really appealed to me. I’m probably more likely to see Moonlight than La La Land, as the latter just doesn’t sound interesting to me. But having seen neither of them at the time of the awards, I really didn’t have a dog in that fight. I figure they gave the award to Moonlight to shut us up for a few years about #OscarsSoWhite. I mean, racism’s over now, right? Does Hallmark sell cards for that? A “So Glad Your Racism Cleared Up” card?

Anyway, from one controversy to another. I’ve never understood people’s disdain for The Big Bang Theory. It’s not reinventing the wheel or anything, but I find it to be an enjoyable half hour every week. I think people got too comfortable with their single cam Arrested Development and Modern Family that they just couldn’t deal with a multicam, studio audience sitcom anymore. OK, cool. But as the mainstream response to Arrested Development showed us, not everyone wants their shit to be smart. Sad, but true. For all the people loudly calling The Big Bang Theory “blackface for nerds” (which is itself offensive, and clearly exhibits a lack of understanding of blackface), it’s still the number 1 show on television. So, just like Trump voters, your friends and neighbors are watching and enjoying it in secret. And with those ratings come big paydays. The 5 principal actors on the show currently make $1 million an episode, while Mayim Bialik and Melissa Rauch make $250,000 per episode. Considering their roles have expanded greatly since joining the show in season 3, it can be argued that they deserve pay more inline with their costars. Well, the 5 principals (Galecki, Parsons, Cuoco, Helberg, and Nayyar) have each offered to give up $100,000 per episode so that money will be freed up for their costars to get raises. I don’t care how you feel about the show, but that’s pretty cool move on their part. Sure, they’re making a fuckton of money, but this is something they didn’t have to do. They realized they’re stronger as a unit, and they’re making moves to preserve it. Not everyone in this situation would do this. While The Simpsons has had negotiation shakeups in recent years, the last time a cast really came together like this was when the Friends stars negotiated for season 10. If CBS and the studio don’t agree to these terms, however, they’ve got an ace up their sleeve.

What started as a mere rumor is now actually gearing up to film a pilot: a prequel of The Big Bang Theory, focusing on Dr. Sheldon Cooper as a child. It’s being reported that Iain Armitage of HBO’s Big Little Lies is being courted for the role of Sheldon. The most interesting casting, however, concerns Sheldon’s mother. You see, on The Big Bang Theory, his mother is played by Roseanne‘s Laurie Metcalf. Well, Metcalf’s real life daughter, Zoe Perry, seems to be the frontrunner for the role of young Sheldon’s mom. So, daughter will be playing mom’s younger self. My head hurts! Anyway, I kinda love when Hollywood does stunt casting shit like that. Now, CBS hasn’t placed a formal pilot order yet, and I feel like a decision is hinging on how these contract negotiations turn out. I mean, The Big Bang Theory is an aging sitcom in its 10th season, and a renewal would only be for 2 more years. CBS has got to start thinking about the future, but this is clearly a franchise they’d like to keep around in some capacity sheerly for the ratings it brings in. So, it looks like y’all might be hating The Big Bang Theory for many years to come! Or it could just fall apart like How I Met Your Dad did (which, oddly enough, is being revived by the This Is Us team at the moment). Only time will tell.

Just as I like something you hate, I also hate something you all seem to be excited about: ABC’s Marvel’s Inhumans. As the show that I’m almost sure will be the nail in the coffin for Marvel’s Agents of S.H.I.E.L.D., I just don’t see how this is a good idea. Marvel keeps trying to “make ‘fetch’ happen” when it comes to the Inhumans because they want their own robust mutant franchise, but nobody gives a shit. At least, I didn’t think so. However, with each casting announcement, y’all seem to get more and more giddy. Last week, they announced that Iwan Rheon of Misfits/Game of Thrones fame had been cast as Maximus. Anton Mount, from Hell On Wheels, has been cast as the Inhuman king Black Bolt, while Graceland alum Serinda Swan has been cast as Queen Medusa. Finally, Lost/The Night Shift alum Ken Leung was announced yesterday as Karnak. That’s great. Actors are working. I still have no faith in the show, however.

It’s no secret that The Inhumans were Marvel CEO Ike Perlmetter’s pet project because he wanted a stable that Marvel could exploit where they still owned all the media rights. As far as he was concerned, the Inhumans should be the new X-Men. In the comics, they’ve received quite a push over recent years, but it feels more like Marvel is shoving them down our throats than actually giving the audience what it wants. That’s why, once Marvel Studios’ Kevin Feige wrested control of the film division away from Marvel, the announced but delayed Inhumans film was demoted to a TV series. They’re really trying to make this a production, by releasing the first two episodes in theaters in IMAX, but it just feels desparate. Nobody cares, dude. The numbers on Agents of S.H.I.E.L.D. right now are terrible, and I’d be really surprised if it got renewed. Considering it’s the show that introduced the Inhumans to the MCU, and has had them as something of a plot device since that introduction, yet it’s done nothing for the ratings, I don’t think the Inhumans are ready to stand on their own just yet. The argument could be made that the audience didn’t like how AoS was handling the Inhumans, and that they actually wanted the Royal Family Inhumans, which this new series is giving us. OK, but I still don’t see how that’s gonna be cool on a weekly TV budget. Then again, I never found the Inhumans to be the least bit interesting, so this project just isn’t design to appeal to me at this point. I honestly don’t know what they could announce to get me excited about an Inhumans series.

In other Marvel TV news that I couldn’t give two shits about, there’s been a ton of casting news for Fox’x untitled mutant-centered pilot. Yeah, I’m being contrarian, but I just don’t see this being great. First, it’s on Fox. This is the kind of show they pick up solely to cancel. Second, it’s gonna be expensive, which is why Fox will not hesitate to cancel it. Third, I still remember the Generation X TV movie/pilot and Mutant X. Fourth, it’s gonna be directed by Bryan Singer – a man who, despite 16 years of familiarity with the X-Men franchise, really needs to go somewhere and take a seat. Anyway, Jamie Chung has been cast as Blink, which won’t cost too much as they really just have to come up with a cool-looking, yet affordable, portal effect. Yesterday, it was announced that True Blood‘s Stephen Moyer and Angel‘s Amy Acker had been cast as the leads. The show follows the Stewart family, who are forced to go on the run from the government when they discover their kids are mutants. They link up with an underground network of mutants, and ugh, I’m exhausted already. So, they’re basically on the run the whole time? And you’re gonna be holding out hope for some kind of mutant of the week cameo, who’ll be someone they’d never put in a movie. Or maybe it would be. It’s not like the X-Men franchise has ever given a fuck about continuity. Since this is still at the pilot stage, I’m not gonna let it get my blood pressure up until it’s officially ordered to series.

Across the aisle over at DC, they announced a Nightwing movie, to be directed by The LEGO Movie‘s Chris McKay. If you don’t know who Nightwing is, here’s a crash course: remember how Batman has a sidekick named Robin? Well, the very first Robin, Dick Grayson, grew up, got sick of Batman’s shit, and struck out on his own as the hero Nightwing. That pretty much catches you up. Right now, DC is that deadbeat dad who makes a bunch of promises that he can’t keep. “Sure, I’ll be at your dance recital!” and then he shows up when it’s over, and the janitor is collecting chairs. They need to stop being so future-focused, and deal with the now. Word on the street is that Wonder Woman has problems, The Batman seems to be falling apart, and they still have to promote Justice League. Worry about 2017, and stop making all these promises for tomorrow. Anyway, I’ve seen an online campaign about how they should keep Nightwing’s Romani origins (for the uninformed, they’re what we call “gypsies”, even though we’re, like, not really supposed to use that term anymore. Whatever) in the film. Apparently, this is important for Romani representation and whatnot, but it’s kinda tough to swallow since some of the same folks saying this also come from the camp that said Nightwing should show up in the DCEU and be cast with an Asian actor. I’d be fine with Asian Nightwing, as I honestly don’t see what his Romani origin brings to the table. Like, it’s nice trivia, but does it lend itself to his character? As long as he’s a former circus brat who flips off shit, he’s Nightwing. Maybe I’m being glib, but I just don’t really see the argument here.

I was kinda worried about the DuckTales reboot when we saw the character designs. I was also confused as to why they went for “names”for the voice cast, when there are perfectly capable voice actors working out there. Then they released the trailer for the show yesterday, and I am worried no more. While the animation style took me a few seconds to get used to, I really like what’s going on here. Apparently, Disney does too, as the show has already been renewed for season 2, before the show has even premiered.

We also got a new Guardians of the Galaxy Vol 2 trailer. As far as I’m concerned, I don’t need to see single bit more of footage. I’m already a guaranteed ticket sale, so I really hope they don’t spoil us with drips and drabs for the next few months. I’m excited. My body is ready. Don’t overdo it.

Things You Might Have Missed This Week

  • You’ll soon be able to get all your diarrhea in one place, as Burger King owner Restaurant Brands International (what a lame name!) is buying Popeyes Louisiana Kitchen for a reported $1.8 billion.
  • Agents of S.H.I.E.L.D. kicked off what may be its last storyline, “Agents of HYDRA”, just before going on hiatus for the month of March
  • Cloverfield director Matt Reeves has signed on to direct and produce The Batman, presumably still starring Ben Affleck
  • I can’t stand the dude, but I know some of y’all like him: Chris Hardwick will be getting a new weekly talk show, Talking with Chris Hardwick, which will air on AMC as a year-round extension of his Talking Dead show.
  • The Nintendo Switch comes out today, so brace yourselves for socially awkward people playing it in public places.
  • Fox renewed freshman series The Mick (yay!) and Lethal Weapon for second seasons.
  • After nine seasons, SNL cast member Bobby Moynihan might be leaving the show, as he’s currently up for the lead in the CBS pilot Me, Myself & I.
  • Scientology traitor Leah Remini is set to star in NBC’s What About Barb? pilot, itself a gender swapped reboot of the Bill Murray/Richard Dreyfuss film What About Bob?
  • For its 9th season, RuPaul’s Drag Race will be moving from Logo TV to VH1. Considering this was Logo’s last bit of original programming, I wouldn’t be surprised if Viacom phased out the channel in its upcoming reprioritization.
  • Dr. Julian Bashir himself, Alexander Siddig (or Siddig El Fadil for you old heads), will be joining Gotham as R’as Al Ghul. Nope, still not gonna watch that show.
  • Soap opera Days of Our Lives was renewed for a record 52nd season, as cast member Arianne Zucker (who was at the heart of the Billy Bush/Donald Trump scandal) has announced she’s leaving the show.

So I saw Logan last night. It’s funny – I’ve been looking forward to the film since seeing the first trailer, but last night I had a sense of dread. I mean, the movie looked so…heavy. And was I ready to see Hugh Jackman give up a role he’s portrayed for the past 17 years? It all felt so final, and I wasn’t sure I was ready to say goodbye. Leaving the movie, my friend “Special Forces” said “That was damn near perfect”, and I have to agree with him.

Now, it’s easy to get caught up in the comic book movie hype. I mean, even I’ve come on here fawning over the latest Marvel film, only to see its flaws once the hype dies down. I can admit Age of Ultron was something of a chore to get through. And while The Winter Soldier was something of an MCU masterpiece, I’m afraid to revisit Civil War for fear of realizing it didn’t live up to its predecessor. The Fox X-Men films have established an even lower bar of quality, so you basically go into those now with lowered expectations. Logan, however, is a film that I don’t think I’ll have regrets about in the future.

First of all, it’s not a “comic book movie”. If anything, it’s an indie drama whose characters are taken from comic books. As much as folks wanted this to be the cinematic version of the now classic “Old Man Logan” storyline, this film has no real source material other than the characters. It doesn’t devolve into standard superhero hokeyness. It eschews every opportunity to turn into a “comic book movie”, as any opening for that is quickly supplanted with high intensity violence. There’s no Stan Lee cameo, there’s no post credits scene, and there are no costumes. Director James Mangold knew what he wanted to do, and he knew the tropes to avoid in order to be successful. The violence – my God, I lost track of how many times I gasped “Jesus Christ!” during the +2 hours. It earned its R rating and then some.

I won’t get into plot details, as I want you to see it for yourself. It truly is a beautiful movie, which isn’t something you’d typically say about a film with Marvel roots. Dafnee Keen as Laura is incredible, both in how she emotes, as well as her action scenes. It’s also a fitting coda to Jackman’s turn as Wolverine. I don’t know if he’ll ever come back. I mean, he says he’s done, but you can’t count anyone out in the world of comics. Then again, this ain’t a comic book movie. So, if this is it, he’s going out on a Hell of a note. He leaves behind one totally imbalanced trilogy, as the first film is maligned, the second film was serviceable, but this one is quite the mea culpa for all we’ve had to put up with over the past almost two decades. People are talking about award potential, and while it’s certainly good enough, I’m not holding my breath. It might win an Oscar for sound mixing or something, but I’m scared those folks won’t appreciate it for what it truly is. Logan is a moving experience, and it deserves all the praise the early reviews have been giving it. That’s why I have no hesitation in saying that Logan had the West Week Ever.

17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

10th Feb2017

West Week Ever: Pop Culture In Review – 2/10/17

by Will

Last night, my friend Mike and I went to check out The Lego Batman Movie. Seeing as how we were the only two people in the theater, I’m not quite sure what its weekend box office is gonna look like. I bet John Wick: Chapter 2 takes #1, since that’s where everyone seemed to be heading. Anyway, I LOVED the film. First up, it considers EVERYTHING canon. If you saw it onscreen, then it happened in that universe. The whole thing is kind of surreal, as the movie focuses on Batman’s loner status, while also confronting his complicated relationship with The Joker. On the Batman Beyond cartoon, there’s an episode where old Bruce Wayne and his protege, Terry McGinnis, go to a Batman-themed musical. Bruce can’t get over how goofy the whole thing seems, but I feel like this film is the movie version of that musical. It doesn’t have the camp of the ’66 show, but it’s a movie that never really takes itself seriously. I loved the liberties they took, like making Jim and Barbara Gordon people of color (voiced by Hector Elizondo and Rosario Dawson). It doesn’t hurt the story any, while bringing some diversity to the Lego world. I also liked how it tied in concepts from The Lego Movie, such as the fact that Batman is a Master Builder. I’m not going to spoil the movie for you, but I feel like it’s strong until the middle of the second act, at which point it switches from a Lego Batman movie to a Lego Dimensions movie. Trust me, you’ll understand when you see it, and I think you’ll agree that the story gets a bit weaker at that point. In any case, I can’t wait for it to hit Blu Ray, so I can rewatch it a thousand times to catch all the Easter eggs.

This week, we got a trailer for a new season of Arrow. Wait, what? That was actually for Iron Fist? Huh. Yeah, I was really underwhelmed by that trailer. Finn Jones doesn’t seem like a great actor, there’s not a lot of Kung Fu on display, and it seems like it’s more focused on corporate takeover, as Danny Rand tries to reclaim his family’s business. Since it’s a Netflix Marvel show, there’s also Rosario Dawson and another damn hallway fight. I welcome the former, but I’m SO over the latter. I’ll get around to watching it, but the days of me binge-watching a Marvel season the weekend of its release are long gone. Considering I still need to watch Daredevil season 2 and Luke Cage, I’ll be lucky to get around to it in 2017. That said, I know a lot of y’all will binge it that day, and will tell me if it sucks or not.

In other TV news, it’s rumored that NBC wants to spin Saturday Night Live‘s Weekend Update segment into a weekly 30-minute show. I guess they looked at John Oliver and Samantha Bee, and realized they might be leaving money on the table. Still, Jost and Che as “polarizing”, at best, and I’m not sure if that segment has the legs to air 30 minutes every week, in the same format. Plus, would it also remain a part of SNL, or would it be excised completely? I think this would’ve been a good idea in an election year, as there’s just so much news to cover, but now that all that is behind us, I’m just not sure this is going to work. And then what happens? If it does leave SNL, would it come crawling back next season, with its tail between its legs? The difference between Last Week Tonight/Full Frontal and Weekend Update is that those cable shows are actually smart, with smart hosts. Plus, they can get away with a bit more because cable. Weekend Update has gotten a lot more biting since Trump was elected, but is it too little, too late? Are the SNL writers up to the task of this project? I just feel like it’s a bad idea that will dilute the Weekend Update and SNL brands.

It was also announced that Viacom will be rebranding Spike TV as the Paramount Network. In my lifetime, I don’t think I’ve witnessed a network go through as many format changes as that one. As far back as I can remember, it was The Nashville Network. Then, to appeal to a wider audience, it became The National Network. Then, to appeal to dudebros, it became Spike TV. Now, I don’t even know who they’re targeting. I also don’t know why they chose this particular name. It’s like they have short memories or something. After all, there’s already been a Paramount Network. Sure, most of us referred to it as UPN and not the United Paramount Network, but that’s what those letters stood for. And it was the definition of “failed experiment”. Sure, it hobbled along for about 10 years, but its legacy is basically Star Trek: Voyager, America’s Next Top Model and Girlfriends. Outside of that, it gave us such critical darlings as Shasta McNasty, Homeboys In Outer Space, and The Secret Diary of Desmond Pfeiffer. Hey, let’s see how many shitty (that means all of them) UPN shows I can list without looking them up: DiResta, Legend, Platypus Man, Hitz, Good News, SparksDilbert, Marker, The Watcher, The Sentinel…yeah,that’s enough to make my point, which is you probably don’t remember any of these. UPN did NOTHING for the Paramount brand, and its effects are still being felt 11 years after its demise. So why, WHY would Viacom want to go down this road again? Anyway, the early plans for the rebranding call for the network to be a warehouse for hit Viacom programming from their other networks. It’s basically just gonna be the Now That’s What I Call Viacom Channel, posting the highlights from MTV, Nick, Nick Jr, etc. In fact, there are no concrete plans for the future of other Viacom networks, such as VH1, CMT, and TVLand, but reports say that there’s no immediate push to shut them down.

It was also rumored that there are already talks of an American Idol revival, but this time on NBC. Now, keep in mind the show just ended its run on Fox last year. The idea is that The Voice would be reduced to one cycle a year, and then they would slot Idol in one of its old slots. I feel like NBC sees the value in that show in that it actually creates household names – something The Voice has failed to do after 11 seasons. The focus is too much on the judges, and the winners have gone nowhere. Quick, name a winner of The Voice without looking it up. Hell, I watched the first season, and I can’t even remember that guy (I looked it up: Javier Colon. Who? Right). So, there’s definitely something to be gained from acquiring the franchise. That said, though, I also feel like a network only gets one of those shows. Fox had Idol, NBC had The Voice, ABC had Rising Star, and CBS had some show that got canceled that I forgot. Fox hurt Idol by double-dipping and picking up The X-Factor. That show never caught on in the US, and it hurt the Fox singing competition brand. If NBC picks up Idol, it’s going to do the same to The Voice. I mean, how much longer does America want to see Blake Shelton and Adam Levine bicker at each other? Sure, there’s a new dynamic now that Blake and Gwen Stefani are dating and both judges, but unless the show breaks them up, I don’t know how engaging that’s gonna be. And Miley Cyrus as a coach? Now, let me say that Bangerz was a great album. I’ve written about how awesome it was. But I don’t think Miley is established enough as a singer to be coaching anyone. She’s more known for her antics than her music. Then again, Paula Abdul was a has been, judging the talent of tomorrow, but that was intrinsic to the formula. Ultimately, America chose the Idol, and the show brought in established stars as coaches. The Voice has an unnecessary layer. They have talented judges, but then they also have the coaches, and then America. As Idol showed us, ANYBODY cane a judge, which is going to be an important thing for NBC to remember once it comes to for contracts to be renegotiated. Anyway, I think Idol needs to rest a few more years before they dust it off. It was once a powerhouse, but television AND music changed over time. Let the industry figure out its next steps before trying to reenter it.

I don’t know about you, but I grew up with women, which meant I did a tour of duty with soap operas. I started with Days of Our Lives back in the late 80s, then shifted to The Young and the Restless, and then shifted back to Days in the 00s. And besides Victor Newman, there is no soap villain quite as diabolical as Stefano DiMera. Well, the actor who portrayed him, Joseph Mascolo, died back in December, but his final filmed episode aired yesterday.  Although Mascolo had been battling Alzheimers for the past few years, he had portrayed the character for around 30 years. For some reason (I haven’t watched in a while), he was in prison (he’s killed/led to the death of a lot of folks. But they typically come back after contract negotiations), and at the end of the episode, he escapes! What a beautiful ending, knowing that he will be forever “in the wind”, as they can’t really catch him again unless they recast him. Seeing as how the rumor is Days is coming to an end this year, they won’t even have time to do that, with scripts written about 6 months in advance. So, here’s a toast to one of the greatest villains to ever grace the television set. You will be missed, you evil son of a bitch.

Let’s get a little controversial, shall we? This week, comedian George Lopez got in hot water for kicking a woman out of one of his shows when she objected to a racially-charged joke he told. Basically he said, “There are only two rules in the Latino family: Don’t marry somebody black and don’t park in front of our house.” Apparently, a woman gave him the finger after that joke, to which he began to tell her to “sit [her] fucking ass down or get the fuck out.” Now, comedians are on his side because they say he was just shutting down a heckler. Meanwhile, the general public is on her side because they’re offended by the joke, and don’t see why he had to kick her out for objecting. Here’s my take: First of all, he’s told variations of this joke for years. He used to joke about how his grandmother wouldn’t even want President Obama in her house. If you’re familiar with his material, then his joke the other night shouldn’t surprise you. Now, for the folks offended by the joke: was he wrong? All I know is my own life experience. I dated a Cuban, and as polite and Ivy League-educated as I could be, I was still the Black guy who could only illicit grunts from her father. And I don’t know anyone named Esmeralda Jenkins or Manuela Johnson. Growing up where I did, Black guys didn’t get Latinas or Asian girls. Those girls’ families weren’t gonna stand for that! So, this is one of those jokes that’s grounded in truth. It might rub some folks the wrong way, but it’s not necessarily untrue. Where I stand, I don’t think he really did anything wrong. After all, that’s how comedians handle folks who they feel are interrupting their show, and the joke itself was par for the Lopez course. I wouldn’t say it was “haha funny”, but it wasn’t wrong.

Things You Might Have Missed This Week

  • An animated series based on the Castlevania video game is coming to Netflix later this year. Hopefully it will star gay Simon Belmont from Captain N: The Game Master.
  • Kate McKinnon will voice Ms. Frizzle in Netflix’s reboot of The Magic School Bus
  • Speaking of Netflix, Love, The OA, and Trollhunters have all been renewed by the streaming service.
  • Queen of Soul, Aretha Franklin, announced that she’s retiring after her next album is released.
  • After 25 years over covering the Olympics, Bob Costas announced he’s handing the reins over to Mike Tirico
  • Entertainment newsmagazine show The Insider has been canceled after 13 seasons.
  • Formerly of USA’s Satisfaction, Blair Redford has been cast as the first mutant in Fox’s X-Men TV series
  • Not to be outdone by Beyoncé, it was announced that George and Amal Clooney are expecting twins. Those Hollywood In Vitro clinics are working overtime these days!
  • Speaking of babies, Jason Statham proved he’s the Transporter of Sperm, as he announced he’s expecting a baby with girlfriend Rosie Huntington-Whiteley

I don’t like Tom Brady. Don’t like a thing about him. I find it odd that you can be suspended for cheating AND win the Super Bowl in the same damn season. That said, that was a Hell of a comeback during Sunday’s Super Bowl LI. Somehow, the Atlanta Falcons blew a 25-point lead, allowing the New England Patriots to mount an amazing comeback and win their 5th Super Bowl title. It was the first Super Bowl to go into overtime. There was Edelman’s amazing catch. Some are calling it the most exciting game of football ever. But in the end there can only be one winner, and that was the Patriots. So, with that in mind, the New England Patriots had the West Week Ever.

27th Jan2017

West Week Ever: Pop Culture In Review – 1/27/17

by Will

In a move that should surprise absolutely no one, Star Trek Discovery is delayed, and will not make the previously-announced May premiere date. Keep in mind that this is actually the second postponement of the show, as it was originally slated to premiere this month. The fact that they were dragging their feet on casting convinced me that it wouldn’t make the May date, mainly because I didn’t think they could get the effects done in that amount of time. After all, they first announced they’d cast their lead exactly a month ago. Plus, it still seems like they’re trying to figure out how lead Sonequa Martin-Green is going to juggle roles on both Discovery and The Walking Dead. All I know is that the CBS All Access streaming service is basically dead on arrival, as it’s going to need more programming than just The Good Wife‘s spinoff, The Good Fight. The only way to really gain some sort of foothold would be if they took back the Trek shows from Netflix and made All Access the exclusive North American home of Star Trek (Discovery will already be exclusive to Netflix outside the US), but I don’t know if that’s something all parties would go for. Meanwhile, James Frain has been cast as Spock’s father, Sarek, for the series. I don’t know – the longer the show is delayed, the less I find I care about it.

Speaking of Netflix, they have ordered a reboot of early ’00s makeover show Queer Eye For The Straight Guy. Now, I used to love this show, but I also didn’t know any better. If you never saw the show, 5 gay guys would take some straight schlub and give him a lifestyle makeover to make him a better guy all around. Carson was the fashion guy, and he’d teach you to “zhuzh” your sleeves. Kyan was the hair guy, and he’d teach you how to manage your ‘do. Thom was the decorator, who’d make over your living space. Ted, currently the host of Chopped, was the food and wine guy. And Jai…cute, clueless Jai was the “culture” guy. He’d teach you clever ways to open a CD. No, I’m serious. They never really did find a way to use Jai to his fullest potential. Anyway, the whole show is predicated on the assumption that gays are better than straights in every way. They’re better dressers, eaters, groomers, decorators, and…CD openers. And that’s just a raging ball of stereotypes there. It was an interesting time, as the show kind of helped get gays into households that probably wouldn’t have otherwise accepted them, but there was something minstrelsy about the whole thing. I’d like to think we’ve come a long way since 2003, so the idea of this show being rebooted just sounds like a bad idea to me. Plus, they didn’t contact any of the original guys to come back, so it won’t even have a nostalgia factor to it. So far, everything I’ve read about the reboot seems to agree with me that it’s not a good idea, but what do I know? What do y’all think?

Fox has ordered an X-Men TV pilot, with Burn Notice‘s Matt Nix attached as showrunner. Apparently, it will focus on a family on the run and, based on Nix’s past experience, they’ll probably be assisted by a hot chick who could use a sandwich or three.  My biggest problem with the news, however, is that Bryan Singer will reportedly direct the pilot. Yes, he has experience with the X-Men film franchise, but it’s time for new voices. Plus, he shat the bed so badly with X-Men: Apocalypse that I feel like his mutant card should be revoked for a while. He’s been attached to the X-Men franchise for 17 years, but all of his contributions haven’t been great. I’d be fine with him as a consultant or even a producer, but I don’t think he needs to direct this thing. Then again, it’s just a pilot, so maybe it won’t even make it to series. Right now, critics are raving over FX’s Legion, which is loosely tied to the X-Men franchise, so maybe it’ll take center stage and the Nix show will be passed on.

Speaking of Singer’s X-Men franchise, with its wonky continuity, Hugh Jackman has been saying that Logan won’t be set in the common X-Men film timeline that we’re used to. Now, it’s not quite clear how we should take that, seeing as how the films don’t really adhere to a clear timeline, especially after the events of Days of Future Past. At this point, I hardly care. I just want a good movie. I mean, it’s set in the future, and for it to be “in continuity” would effectively be painting themselves into a corner. That’s why futures in comics are always “possible futures” because A) the future (hopefully) isn’t set in stone and B) it’d be bad for storytelling if they set out to say it was THE future. Anyway, we got the final trailer last week, which gave us a much better look at Laura/X-23. I’m really getting excited for March!

And while we’re talking about March movies, we FINALLY got the full trailer for Power Rangers, and it looked pretty good. To a lot of my friends, I’m “The Power Rangers Guy”, so they’re kinda curious to know what I thought about it. Let’s just say I’m cautiously optimistic. There’s a lot to hate in what we’ve seen, and I hated how most of the reveals we got came from the lackluster toyline than from actual footage. Now that we’ve seen footage, however, I think this could be something good. I still don’t think it’s going to beat Beauty and the Beast or anything, but it could turn out to be a pretty good popcorn movie. I like the design of Cranston as Zordon, I liked Bill Hader as Alpha, and the action looked pretty good. Still not sure about Goldar, and I’m actually kinda worried about Elizabeth Banks as Rita. Every time we’ve seen her, she seems to be chewing the shit out of the scenery, in an almost Divatox kind of way. But I guess we’ll just have to wait and see how it all shakes out.

It’s like they’re trying to completely throw away the West Year Ever honor I gave them, as DC Entertainment made some questionable moves. First up, it’s reported that they’re going back to square one on their Flash adaptation, so look for a delay to be announced any day now. Since losing director Rick Famuyiwa, Warner Bros has decided to take the film in a new direction while star Ezra Miller gets ready to film the sequel to Fantastic Beasts. Meanwhile, they announced that The Rock will star in a Black Adam movie, separate from the planned SHAZAM film, in which he’ll portray the villain. From day one, I’ve said that Johnson was a terrible choice for Black Adam because he’s the villain of the story, and there’s no one in Hollywood at the moment who’s charismatic enough to go toe to toe with him and have the audience root for him. Everyone LOVES The Rock, so who’s going to want to see him lose? If anything, he should’ve been cast as Captain Marvel himself, and then some lesser star could bulk up to play Black Adam. Right now, I feel like this movie is going to sit on a shelf until the fates align and Hollywood’s next It Guy reveals himself. Zac Efron? Could he be Captain Marvel? Could he successfully share the screen with Johnson? We’ll soon find out in Baywatch, but I worry that the film is never going to come together due to imbalanced casting.

Things You Might Have Missed This Week

  • Scarlett Johansson split from husband of two years, Romain Dauriac. I still haven’t forgiven her for hurting Ryan Reynolds. Then again, I haven’t forgiven him for hurting Alanis Morissette. They all mean so much to me.
  • Speaking of Alanis, her former manager admitted to stealing close to $5 million from the singer
  • Former star of Disney Channel’s Jessie, Debby Ryan, is rumored to have been cast as Dagger in Freeform’s Cloak & Dagger series based on the Marvel characters of the same name. Meanwhile, relative unknown Noah Gray-Cabey is rumored to have been cast as Cloak
  • Miles Morales, and not Peter Parker, will be the focus of the upcoming animated Spider-Man film. Know what would’ve made this news more awesome? If it was live action instead of animated. Oh well…
  • In a move that I’m sure was surprising even to its cast, ABC renewed The Middle for a 9th season. This is a bold move for a show that really seemed like it was packing up about 3 years ago.
  • Speculation abounds, as it was revealed that the next installment in the Star Wars film series is subtitled The Last Jedi
  • Now that SuperMansion is on Adult Swim, nobody is ever watching Crackle again since Jerry Seinfeld just inked a $100 million deal to move his Comedians In Cars Getting Coffee series to Netflix
  • Breakout new series of the season, This Is Us, scored a 2-season renewal from NBC
  • Speaking of NBC, after much back and forth, it was finally confirmed that Will & Grace will be returning with a 10-episode order.

This is going to be something of a “drive-by” West Week Ever. You see, I don’t really want to get political on here, as there’s enough of that online. That said, I think it’s going to be pretty hard not to be political in the near future. All I’m going to say is that I think the biggest pop culture “news” story of the week was the Women’s March on Washington. America Ferrera, ScarJo, and others spoke, while Madonna made a few controversial statements of her own. A lot of folks feel like performers should just perform and not have political views, but I think those people are going to be sorely disappointed for the foreseeable future. Personally, the march was good to me as it brought a lot of cool folks to town – many of whom I haven’t seen in quite some time. I’m not going to get into the particulars of it, as there are other places you can go for the full story. What I do know is that it set a record for Metro ridership, and the crowd dwarfed that of the inauguration that took place just a day prior. So, with that in mind, the Women’s March on Washington, as well as the various “sister marches”, had the West Week Ever.

23rd Dec2016

West Week Ever: Pop Culture In Review – 12/23/16

by Will

Happy Birthday to me!!! Seriously, I should’ve just taken the week off, since A) it’s my birthday, B) I blew my blogging wad earlier this week, and C) nobody ever reads this thing on holiday weekends. So, brace yourself for the most phoned in West Week Ever you’ve ever seen!

Earlier this week, I posted The Greatest Threat To The Direct Market Comic Retailer IS The Direct Market Comic Retailer. Plainly put, comic retailers are their own worst enemy, but the industry also isn’t helped by the dinosaurs (both retailers and consumers) who refuse to grow with the times. There’s not really much more I can say that I didn’t say in the post, but check it out if you haven’t yet. It’s gotten some great feedback, and I’m pretty proud of it.

Justice League Action finally premiered last Friday as a “special” on Cartoon Network. I haven’t watched it yet, but it’s on my DVR. Look for a review next week. In the meantime, when looking for this image, I found a lot of YouTube clips using the word “FAIL” in regards to the series, so I guess folks aren’t liking it? Or maybe it’s the fact that it’s geared towards younger kids while older folks were probably hoping for a JL show like we had 10 years ago? Like I said, I’ll form an opinion by next week.

In Power Rangers news, Lionsgate continues to fail at properly marketing the film, as the toys keep revealing more than the studio. Earlier this week, a Toys “R” Us commercial online revealed the movie design for Rita’s henchman Goldar, and let’s just say it wasn’t pretty. It’s interesting that he shares similar design aspects to the Megazord, complete with wings and head shape. It just looks like someone poured melting gold on the Megazord. Is that what happened? After all, Rita’s suit is clearly a damaged Green Ranger suit, so is Goldar a damaged zord? Anyway, I’m hoping this is one of those designs that just doesn’t translate well to plastic, but will look better onscreen. Maybe? Hopefully?

I had the pleasure of joining my pal Corey Chapman for the latest episode of The Chap Report, where we discussed a LOT of politics. Like, a lot. If you only like me ranting about toys and comics, you’d probably best skip to halfway into the episode. Otherwise, enjoy as I talk about Russia, Trump, and Rogue One. Check it out here!

Things You Might Have Missed This Week

  • The old folks just don’t know when to quit, as we got word that both The Expendables 4 and Sex and the City 3 are happening. I’ve never seen any of The Expendables franchise, while I skipped out on SATC after the first one where we learned Miranda had let her bush become a forest. Poor Steve…
  • Journey, Electric Light Orchestra, Tupac, and some other folks will be inducted into the Rock & Roll Hall of Fame. Yeah, Tupac. I’m just happy about Journey and E.L.O.  Now, let’s just hope former Journey frontman Steve Perry shows up for the ceremony.
  • Seth MacFarlane’s unfortunately unfunny Patrick Stewart vehicle, Blunt Talk, has been canceled by Starz after 2 seasons.
  • Some chick named Camila Cabello left something called Fifth Harmony. I am old, and don’t know what either of those things are. No, I’m kidding. It’s a girl pop group, but I can’t name a single one of their songs. Anyway, the other 4 Harmonies will carry on, but that can only work for so long.
  • Blizzard confirmed that the character Tracer in the video game Overwatch is a lesbian, and a certain corner of fandom lost their shit. No, I’m not gonna say their name because they’re always searching for that kind of thing. Let’s just say it rhymes with Hamerhate.
  • Blac Chyna took her baby and left boyfriend/baby daddy Rob Kardashian. I feel bad for Rob, but that’s what you get for having a baby with a chick whose name makes her sound like a really racist supervillain.
  • The Ghostbusters 101 comic was announced, which will see the original Ghostbusters travel to an alternate dimension to team up with the 2016 “Answer The Call” Girlbusters.

So, I guess it’s pretty obvious that Rogue One: A Star Wars Story was the belle of the ball this week. I mean, I haven’t seen it, but people I trust saw it and really liked it. I hear there’s so many great characters, like Trixie Bang Bang, Gay Karate Man, and Sass Bot. To be honest, I’m in no real rush to see it. Just like I don’t like my Trek without an Enterprise (with DS9 as the exception), I don’t like my Wars without Skywalkers. I get that this sets up A New Hope and everything, but that just isn’t enough to get my butt in a theater seat right now. Still, it has made $290 million in the US at this point, and that’s nothing to shake a stick at. So, in a week where very little happened, nothing even came close to the status of Rogue One, and that’s why it had the West Week Ever.

Merry Christmas, Happy Hanukkah, Kickin’ Kwanzaa, and maybe I’ll see ya again before the new year!

09th Dec2016

West Week Ever: Pop Culture In Review – 12/9/16

by Will

 

 

In Marvel news, we got a new teaser trailer for Guardians of the Galaxy Vol. 2. Why are there so many teasers these days? We already got a short teaser that actually TEASED. Sure, this was only about 2 minutes long, but back in my day, that was the trailer! Anyway, enough old man ranting from me. It looks good. I love Baby Groot because he reminds me of my toddler. Other than that, I’ve got no real thoughts on it one way or another. I guess I’m looking forward to it? I mean, it’s not marked on my calendar like Logan, but I’ll get excited once it’s closer.

In movie news, it was announced that Amy Schumer was cast as Barbie in an upcoming live-action movie. Yup, that Barbie. And the universe laughed and laughed! Look, I’m probably being more cruel than I need to be, but there’s a reason for it: I discovered last week that she had blocked me on Twitter. Now, I can’t remember ever saying anything disparaging about her, and I say a lot of shit about a lot of people. I certainly don’t remember saying anything block-worthy. So, I’m a little butthurt about that, even though if I were a Black Twitter star, I’d put “Blocked by @amyschumer” in my Twitter bio like some sort of trifling badge of honor. I just don’t get this casting other than the fact that she’s blonde. It also doesn’t help that the movie is reportedly rated PG, so she can’t bring her typical brand of comedy to the mix. Wrong body type, wrong personality. Couldn’t they just put Amy Adams in a blonde wig? Isla Fisher? Is Heidi Klum too old? Katherine Heigl? This casting just seems uninspired. Schumer looks like Barbie after a lot of bad decisions – kinda like how Chelsea Handler looks like someone rode her hard and put her away wet. It’s more a case of Sony and Mattel trying to capitalize on her rising fame than actually trying to cast someone right for the role.

Also, the teaser trailer for The Rock’s Baywatch adaptation was released yesterday. As a lifelong Baywatch fan, I was already a lock for seeing it, but it seems like they’re using the 21 Jump Street formula, so now I’m definitely all-in. It’s basically “What if Ryan Lochte joined the Baywatch team?” I love everyone involved, from The Rock to Zac Efron to Alexandra Daddario. I can’t wait for Memorial Day weekend!

In the world of toys, unless you’ve been hiding under a rock, you know that the hot toys of the season are Hatchimals. Basically, it’s a real life Tamagotchi, as you buy an egg that eventually hatches into some electronic Furby-esque toy. They retail for about $70, but they’re being listed on the secondary market from $100-200. Earlier this week, I posted this article about author Sara Gruen who saw the popularity of the toy as an opportunity to raise money for a man serving a life sentence whom she feels has been wrongly accused of a crime. She won’t go into too much detail because there’s a documentary in the works about the whole thing, but she had contributed over $150,000 of her own money to his legal fees, and felt that reselling the popular toy might help put a dent in her debt (She fucking this dude? If I were her husband, I’d be asking a LOT of questions!). Anyway, she didn’t have any clue what she was doing, so she thought it was a good idea to pay 2X retail for 156 Hatchimals, putting her in about $20,000 of additional debt. She had the harebrained scheme to charge FOUR times retail to parents desperately searching for the toy in time for Christmas. OK, let’s look at where she went wrong.

To some, I might be considered a scalper. I, however, think of myself as more of a Collectibles Reallocation Specialist. I try to keep up with what’s hot and, if I come across any, I resell them at a premium. It sounds bad, but I did this to pay for my wedding and never really looked back. If you keep your finger on the pulse, and don’t risk too much money, you can do alright with it. The way I see it, you’re paying a premium for accelerated access. Most of the stuff I sell will become plentiful given time, but the desire to be the first person to post about it online/give your kid something to brag about at Show & Tell drives folks to pay crazy prices for things they could’ve waited on. I’m not a complete dick, though. Kids are my weak spot. You tell me it’s the only thing your kid wants for his birthday, and I cave. So, I’m pretty much just targeting adults because they’ve got the disposable income.

Anyway, I’ve monitored the Hatchimals thing, and considered picking one up if I ran across it. A friend of mine from college is looking for one for his daughter, and so far they’ve struck out. It feels really good to be that last minute Christmas Savior. Not Jesus, but something a few notches below Jesus, like Peter or Moses. Here’s how I would’ve played this whole thing. I would’ve bought 3 Hatchimals. One for my friend, one to definitely sell, and one to sit on. If the selling one went quickly, then the one I was sitting on would go in the chamber. And that’s it. It’s too close to Christmas to really move that many because your avenues are limited. If you were truly enterprising, I’d even say to buy a case. I’m not sure of the case quantity, but it’s probably about 6-8 in a case. With Craigslist, you could move that in time. Here’s where she messed up: she paid $140 for something that cost $70. There’s already no meat on that bone. Had she bought them at retail, she could’ve doubled her money. With what people have been willing to pay, that would’ve been a fine plan. But you NEVER pay more than retail in arbitrage! So, her plan was dead on arrival, mainly because too many people know the market. If the retail price of Hatchimals fluctuated, you’d have some wiggle room, but the MSRP is $69.99, and everyone knows it, so how do you expect someone to fork over a car payment of $280.00?

Remember how I said there were limited avenues? That’s because Amazon bans toy sellers during the holiday season unless they’re having their orders fulfilled by Amazon. Hell, I’ve been selling on Amazon for 4 years, and I still can’t sell during Christmas. So, that wasn’t gonna be an option for her. Then, she went to eBay, but they’re already onto the Hatchimal racket, so they’re now limiting people from listing more than one a week. At this rate, she can sell about 5 before Christmas (based on when she started), and the day after Christmas the other 151 are gonna be worthless because A) the big day is gone and/or B) stock will catch up with demand. She’s NEVER going to make her money back, so she needs to make peace with that now. If she doesn’t want to sit on these things, she needs to start charging MSRP and accept the fact that she’s going to lose half her investment. As we get closer to Christmas, she could even charge about $80-100, but she still has them listed on her site for the recently reduced price of $189. Plainly put, you’re not gonna make the kind of money she needs with TOYS, especially alone and without a distribution network. She would’ve been better off if she’d bought a house from a sheriff’s sale and flipped it. There have since been updates that she received death threats from people who feel like she’s responsible for ruining their kids’ Christmas, which is a bit extreme. Right now, rest in comfort with the fact that she’s in tremendous debt and a horrible businesswoman. She doesn’t need your death threats.

Things You Might Have Missed This Week

  • NBC aired Hairspray Live, or as I affectionately called it Kristin Chenoweth’s Titties Live. Anyway, nobody watched it compared to the other recent live play adaptations.

  • It was announced that Mariah Carey will host YouTube Red’s The Keys of Christmas special. Based on the poster, it should be called Mariah Carey’s Titties Wish You A Merry Christmas, featuring DJ Khaled and Some Dude
  • Reportedly Beyonce’s recording of “Daddy Lessons” with the Dixie Chicks was rejected by the Grammy Country Music Committee. They’ll rue this day when she summons the Phoenix Force to destroy their lives.
  • Candace Cameron Bure is leaving The View, as it has gotten too hectic filming in NYC, while filming Fuller House in LA.
  • Disney released a new teaser for the DuckTales reboot, announcing that it would debut on DisneyXD next summer.
  • The trailer for Spider-Man: Homecoming was released last night. It was OK. With the exception of Tony Stark, I didn’t see anything we haven’t seen before. I just hate how every time the franchise reboots, everyone’s like “They finally got it right!” Chill. They got it right in the past, too.

I have officially joined the Bourgeoisie! That’s right, kids – I’ve seen Hamilton. Before you get all excited for me, I didn’t actually go to Broadway and see the show. No, some intrepid soul decided to post a near perfect copy of the show on YouTube, which ended up being snatched down yesterday. Sure, it may lack the “theatre experience”, but if you’ve seen ticket prices AND know of the lack of availability for tickets to the show, then you realize this experience was just as good. In fact, based on the vantage point of the person who filmed it, it’s actually better than what you’d probably be able to afford. I mean, these were GOOD seats. I can imagine someone sneaking their phone in the show like Rerun when he was taping that Doobie Bros concert. Before I get into my thoughts on the show, however, let’s take a trip down memory lane for a minute, shall we?

Back when I was at Cornell, I was really obsessed with secret societies. There was one in particular that every Cornellian wanted to get into, and I made it a side project to get on their radar so I could be tapped. Well, senior year came, and the tap never did. I later found out that I’d been nominated for entry, but I guess I didn’t make the cut. Let me just say this: it was not an honor just to be nominated! Fast forward to some time later, when I was up there for an alumni function, and a friend of mine who had been tapped volunteered to give me a tour of their secret lair (apparently the society was OK with folks using their status to impress friends/troll for impressionable pussy). Tucked away in a Gothic tower, the meeting space he was allowed to show consisted of a stone room with a wooden table in the middle. No, nothing fancy like a Justice League table. This thing looked like it had been picked up off the side of the road. It looked like a Biblical jail or something. Needless to say, I was not impressed. Now, all of this isn’t to say that Hamilton disappointed me like that stone room did, but it is to point out that there’s power in mystery. Hamilton has the reputation that it does because people want to see it but can’t, which only makes them want to see it more. I can’t help but wonder if this YouTube leak was part of an alt-right revenge plot in conjunction with that whole Pence matter a few weeks back. They wanted folks to boycott the show, but seeing as how the vast majority of the population couldn’t get tickets anyway, I guess they decided the best revenge was to kill the mystique around the show, and disseminate it to the masses.

The mystique of not being able to see it certainly helps propel the Hamilton legend forward. I mean, as I was watching it, I spent the first 20 minutes vacillating between “I can’t believe I’m finally watching this!” and “Please, God – Don’t let YouTube snatch this down before I finish watching it!” I didn’t really get into the play until around the point of the song “You’ll Be Back”. I wonder if that’s the same way people feel in the actual audience these days, taken aback by the fact that they’re ACTUALLY seeing Hamilton.

First of all, let’s deal with the pros. It’s really good. I mean, really good. Way better than it has any right to be. On paper, it’s a lame idea from that teacher you used to have who tried to hard to look “cool” to his students. You know the one: “No, ‘Mr. Smith’ was my father. You guys can call me Mark. Anyway, today we’re going to discuss our founding fathers through the medium of rap!” Seriously, it sounds like a trainwreck waiting to happen. But Miranda pulls it off, amazingly so.

Next up is the music. It’s great and it gets in your head and won’t leave. Even before you know the words, you’ll still be humming the melodies. That’s, like, the main goal of any musical composition: for it to make a lasting mark, have an impact. Hamilton certainly succeeds here.

Finally, my favorite character is a foppish King George III played by Jonathan Groff. If you’ve heard the soundtrack, then you already know his songs are funny, but his portrayal is just so great. It has to be seen to get the full effect.

Now for the cons. A friend of mine online pointed out that he didn’t care if he never saw the show, as the whole thing is on the album, and he’s right. A lot of musicals are dialogue-dialogue-BREAK INTO SONG-dialogue, but this entire play is sung or rapped. There’s nothing that isn’t on the soundtrack. That’s good for those who’ll never see the show, but it seems like you’re almost losing out by attending the play, as it has nothing more to offer other than the “Experience!”

I hate to disappoint the lot of you, but this really isn’t a show that needs to be SEEN. It’s not a visually stunning show. I can’t decide if the choreography is understated or just lazy, but I was somewhat unimpressed. By this point, you already know what Lin-Manuel Miranda looks like, so if you just play the soundtrack, close your eyes, and picture him in Colonial Williamsburg, you’ve got the gist of the imagery. The only thing I actually enjoyed seeing was Groff’s King George dancing along in the background of songs.

At the end of the day, it’s an amazing feat of theatre, and I’m glad I saw it. I’m also glad I didn’t have to sell a kidney in order to do so. Considering that the rap approach to Hamilton has made theatre interesting to those who may not typically care for the medium, it’s shame that the show hasn’t been made more accessible. I mean, I understand the idea of wanting to remain the hot girl of the Great White Way, but there are a lot of folks who’d really appreciate it who aren’t going to get to see it. Last time I checked, the YouTube file had already been viewed over 300,000 times. That’s almost better than the ratings for Crazy Ex-Girlfriend (I kid, but they’re not much different!). Clearly there is an interested audience out there who simply can’t afford to see the show. Sure, they throw scraps to the proletariat, like the PBS special and The Hamilton Mixtape, but there is a clear class divide between those who can see the show and those who can’t. I think that’s part of the problem I’ve had with the Hamilton phenomenon: it takes the hip hop vehicle and uses it to entertain an audience outside the typical socioeconomic status that actually created hip hop. I don’t quite want to call it “cultural appropriation”, but it’s close. It’s a relatable story about life and legacy, and I think a lot of people would get something out of it. Anyway, if you ever get the chance to see the show, be it online or live, then definitely don’t miss out on the opportunity. Just don’t take out a second mortgage on your house or anything in order to do so. It just ain’t THAT deep.

Meanwhile, all the Hamiltonians were sitting by their iTunes last Thursday night, realizing they’d received volume 1 of The Hamilton Mixtape. Featuring covers and songs inspired by the show, fans are eating it up. I’ve only heard a few of the songs that leaked early, such as Kelly Clarkson’s version of “It’s Quiet Uptown”. I felt she took an emotional ballad and turned it into an overproduced mess that lacks nuance or dynamics. I can only hope the rest of the album is better than that example. Still, like I said, as with all thing Hamilton, fans are loving it. There was no better week to be a Hamilton fan, and that’s why they had the West Week Ever.

02nd Dec2016

West Week Ever: Pop Culture In Review – 12/2/16

by Will

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Since I basically took off the month of November I guess this has got to be good, huh? Recently, some online friends were discussing taking breaks from blogging, and one of them said that you don’t need to offer an explanation as to where you’ve been. After all, the world doesn’t revolve around your blog, so it’s kind of egotistical to think anyone cares where you’ve been. I get that, but I don’t really agree with it. When people come to expect something regularly, you do kind of owe them an explanation as to why you broke your “promise”, so to speak. Plainly put, something inside me is broken. Yeah, I’m basically stealing Selena Gomez’s speech from the American Music Awards, but that doesn’t make it any less true.

When I started West Week Ever, it was to celebrate the week that was in pop culture. But can you honestly cite anything that had a great week over the past month? And I’m not even really going to delve into the political landscape of things. I’ll save that for a podcast, where it’ll be harder for someone to cut and paste my words without context. No, nothing had the West Week Ever for the past few weeks. I try to go by the whole “The show must go on” mentality, but I just couldn’t do it. Contrary to popular belief, I don’t go into these posts to be negative, but sometimes that’s what comes out. I couldn’t be positive lately, though, and I saw no reason to put that off on you. I wanted Fantastic Beasts to fail. I want Agents of S.H.I.E.L.D.’s cancellation to be announced. I guess I’m one of those men who wants to watch the world burn. But I’m back in the saddle, trying to fight the good fight. Sometimes you’ve just got to take a step back and look at things, so that’s where I’ve been. So, ready to talk about pop culture? Let’s go!

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Seeing as how I usually enjoy the CW DC show crossovers, I’m sure some folks probably figured this year’s “Heroes vs Aliens” featuring the Dominators would get the West Week Ever this week. Well, I’m sorry to disappoint you, but I really didn’t care much for this year’s crossover. To start, I always thought it was a bit of heavy lifting by spreading it across 4 shows. The Berlanti Dilution Effect is full force on this one. Oh, you’ve never heard of the Berlanti Dilution Effect? It’s probably because I just named it. Basically, whenever the Berlantiverse adds a new show, it dilutes the quality of the preexisting shows, as everyone just seems spread too thin. Folks loved Arrow until The Flash came along. All of a sudden, it was the new hit show, while Arrow’s quality dropped. Then, last season, Supergirl and Legends of Tomorrow were introduced, while fans felt Flash’s quality dropped, and Arrow was damn near unwatchable. Fans seem to love Supergirl, while Legends is just kinda off to the side, not bad, but not great. Well, since Supergirl is the new kid on the block, I felt like she could’ve sat on the bench for this year’s crossover. This year should’ve just been Flash/Arrow/Legends, as they at least occupy the same universe. Adding Supergirl was just overstuffing the thing, and her addition didn’t really add much to things.

I also had another issue with the crossover: I don’t think Team Arrow should be fighting aliens. They’re too street-level for that. Now, they’ve dipped their toe into the supernatural with Damien Darhk and Ragman, but I’ve also felt those were creative missteps for the series. They should only be concentrating on street level threats, as something extraterrestrial is out of their wheelhouse. Plus, it’s no secret that Arrow is basically TV Batman, as a lot of Batman’s rogues and tropes have been added to the show. I don’t think Green Arrow should be fighting aliens as much as I actually don’t like Batman as a member of the Justice League. Bear with me a minute here. Prior to the New 52, about 10 years ago, the Bat books were united in the fact that they approached Batman as urban legend. He has more power as a mysterious being, whispered about amongst thugs and criminals than he does as a guy fighting next to Superman in broad daylight. I’m fine if Batman lends his support from the Watchtower, but he shouldn’t be a public face of the Justice League, as he really shouldn’t “exist” as far as the Man on the Street is concerned. I feel the same about the Green Arrow. That hero loses his clout if he’s seen running around with Flash and Supergirl, fighting aliens. He needs to stick to what he does best.

Now, for the crossover itself. I skipped the Supergirl episode because I really have no desire to get into that show, and the pertinent parts of the crossover were repeated in the next night’s Flash episode. Flash was just a little too cutesy for me, as everyone got acquainted, learning each other’s names and power sets, but they didn’t seem to be taking the threat seriously. Sure, there was some Flash stuff going on that didn’t make a ton of sense to folks, like me, who are still basically on season one of the show. They did a pretty good job, though, explaining Flashpoint and how it had affected things. They even threw in some development for the Legends crew, following up on Professor Stein’s visions. Outside of that, though, most of that episode was fluff. I mean, aliens KILL the president, and even it’s kinda treated as an afterthought. Then we got to the Arrow episode which was one big dream sequence. Sadly, this was also the show’s 100th episode, so I felt bad that it was “squandered” on a crossover. And of course I didn’t like the episode, as it featured all the non-metas on a friggin’ spaceship, IN SPACE! The Legends finale was just more of the same. Kara acting too cutesy, Team Arrow being USELESS against aliens, and there were too many characters without a use for most of them. There was just WAY too much going on, with a threat that wasn’t entirely credible, vanquished in a manner that also wasn’t too credible. I realize I’ve gotta suspend disbelief a bit, but COME ON! And the episode ends with a private press conference with Green Arrow, front and center, meeting the new goddamn President! THE PRESIDENT SHOULD NOT BE PUBLICLY ASSOCIATING WITH A VIGILANTE! It’s like Flashpoint has got them living in Trump’s America or some shit! Anyway, there was a pretty clever Brandon Routh/Superman Returns joke near the end, so I’ll give them credit for that one.

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In television news, it was announced that the long-gestating Inhumans film had been demoted to a television series to debut on ABC in 2017. In fact, the first 2 episodes will debut in IMAX in theaters. This whole thing is laughable to me, but not surprising if you understand the nuances of Marvel. The Inhumans were a pet project of Marvel CEO Ike Perlmutter, as Marvel didn’t have the film rights to the X-Men, so he saw the Inhumans as plug and play “freaks with powers” that Marvel Studios could exploit. And he basically forced this idea on Marvel Studios head Kevin Feige, who really wanted nothing to do with the project. That’s why it was put on Marvel’s film schedule, but kept getting shuffled further and further into the future. Well, after the somewhat ugly divorce between Marvel Studios and Marvel Television last year, Marvel Studios now reports directly to Disney, while Marvel Television is still under the Marvel umbrella. This also dissolved the “brain trust” of comic pros who had given input on the movies up to that point. So, this means there’s even less hope of Agents of S.H.I.E.L.D. ever truly aligning with the movies, but it also allowed Feige to get The Inhumans off his plate and pass the buck on to the TV division.

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Anyway, the show is supposed to focus on the Inhuman royal family, such as Black Bolt and Medusa, and I can’t think of anything I’d rather see less of. That franchise has never interested me, and the idea of it on a TV budget isn’t too impressive, either. In its defense, the season will only be 8 episodes long, so they can hopefully apply 22 episodes worth of budget to those 8 episodes. The unofficial cancellation of Conviction, however, has me hoping Marvel might start conversations with Hayley Atwell to bring Agent Carter back for one more season. Adding Ghost Rider to Agents of S.H.I.E.L.D. might’ve been a creative shot in the arm for the show, but it hasn’t moved the needle much in terms of ratings. So, the idea of a 5th season isn’t a guarantee at this point, despite the fact that ABC/Disney own the show. If it were up to me, I’d opt for more Agent Carter as a companion show to Inhumans and say adios to Agents of S.H.I.E.L.D.

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In other TV news, three cast members were announced for Star Trek Discovery. Most people are gonna say Crouching Tiger, Hidden Dragon’s Michelle Yeoh, but I’m gonna say Supercop 2’s Michelle Yeoh has been cast as Captain Georgiou of the starship Shenzhou. Meanwhile, Anthony Rapp of Rent fame will portray the Discovery’s science officer Lt. Stamets. Motion capture veteran Doug Jones will play science officer Lt. Saru, who will be a member of an alien species new to the Trek franchise. And none of these announcements do anything for me. Where’s the obligatory former Benson cast member? Plus, people mistakenly took the news of Yeoh’s casting to mean that she’s the lead, but she’s not, as it was already announced that the lead would not be a captain, and would be a member of the Discovery crew. So, Yeoh is really just more of a high profile guest star. Still, for a show that’s supposed to debut in May (formerly January), they sure seem to be dragging their feet with this casting process.

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In comic news, the rosters were revealed for the upcoming X-Men Gold and X-Men Blue series. Now, for fans of the 90s X-Men, those divisions were important because the adventures of the Gold team were featured in Uncanny X-Men, while the exploits of the Blue team were featured in the X-Men cartoon, as well as the “Adjectiveless” X-Men comic. Fans thought this would be a return to those days, but this week’s announcement dashed those hopes. X-Men Blue will focus on the time-displaced original teen X-Men, led by Magneto – a nod back to the 80s New Mutants era when Magneto served as their mentor. Meanwhile, the Gold team will be comprised of Storm, Old Man Logan, Rachel Grey, Nightcrawler, Colossus, and Kitty Pryde as leader. In a lot of ways, the current Gold team isn’t too different from the old one, as Storm and Colossus were on that team, while Nightcrawler, Rachel, and Kitty were in Excalibur at the time. I’ll probably grab the Gold book, as it seems the closest to the Extraordinary X-Men team – a book I’m already reading – plus I couldn’t give two shits about that time-displaced team. The Gold team also has the distinction of being written by Arrow co-creator Marc Guggenheim, whose work I like, while the Blue team is written by Cullen Bunn, whose indie leanings have left me somewhat disappointed. The biggest issue with the team division is that it leaves a LOT of mutants on the table without homes. Back in the day, while it could be argued that the Blue team was the more popular of the two, both had heavy hitters on their rosters. The “wealth” was spread evenly, so to speak. That doesn’t seem to be the case here. If anything, the Blue team is just a continuation of All-New X-Men, while the Gold team seems to be taking Extraordinary’s place. But where’s Magik? Beast? Am I missing their fates since I’m not reading Death of X or Inhumans vs X-Men? The whole thing just feels kind of lopsided, without a real “A” team in the mix. The Gold folks are classic characters, but lack a “wow factor”, while the Blue team just still feels like a gimmick all these years later.

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In movie news, we got the concept art of how Zordon’s assistant Alpha 5 may look in the upcoming Power Rangers movie. This is the stuff of nightmares, kids! Why does he have those floodlight eyeballs? Was his scanner not enough? And why do his arms go down to the floor? I hate everything I’ve seen about this film, but I’m hoping it succeeds just so they can hopefully build off of this for the sequel and make something good. Look, I understand the need to update things for a new audience, but this thing seems almost ashamed of its source material. So, that alienates the built-in fan base, while offering almost nothing to entice a new one. I really don’t know what this movie is doing.

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While we’re on the topic of Power Rangers, one aspect of the franchise that’s getting it right is the Mighty Morphin Power Rangers comic series from BOOM! There have been several Power Rangers comics over the past 20 years, and they all sucked. I know because I read the vast majority of them (One day I should write about the terrible Hamilton series where the Rangers and Zords just randomly change in the middle of the story). Anyway, for anyone who’ll listen, I’ve been telling them that the current series is better than it has any right to be. Between it and the Kimberly-centric Power Rangers: Pink spinoff, the creators are really mining the property without telling meaningless stories that “dance between the raindrops of continuity”. For example, we found out that Rita actually approached Zack to wield the green power coin before Tommy even came to town. And we also found out that Zordon reenlisted the help of the original Rangers even after they had officially left the team. But this week was this biggest shocker: in #9 of the comic series, we were introduced to a mysterious Ranger who seems to be drawing both green and white power from the Morphing Grid. Oh, and he’s evil and working with Rita. I used to be the guy who said “If it wasn’t in the show, it didn’t count”, but BOOM! is finding ways to tell interesting compelling stories while still honoring the continuity that we already know. If you’re a comic and Power Rangers fan, you should definitely be reading this series.

Things You Might Have Missed This Week

  • The season finale of HBO’s Insecure had many Black males joining #TeamLawrence and #LawrenceHive, sparking quite the divide on Black Twitter
  • Speaking of premium cable channels, Showtime announced that Masters of Sex would not be coming back for a 5th season. I guess they, uh, mastered the sex.
  • Full House creator Jeff Franklin actually purchased the San Francisco house that served as the exterior of the Tanner home
  • Billy Dee Williams will be the voice of Harvey Dent/Two-Face in The Lego Batman Movie, reprising his role from 1989’s Batman.
  • Quantico showrunner Josh Safran has said that the show will never feature a Muslim terrorist. That snickering you hear is coming from the producers of 24.
  • While promoting his new book, Saved By The Bell executive producer Peter Engel said that Zack and Kelly “weren’t built to last” and are probably divorced by now.
  • Good girls finish last, as Amazon has decided against a second season for Mad Men clone Good Girls Revolt

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When I first saw the ads for Search Party, I thought “What a dumb idea for a show.” It looked too hipster, and it starred the Great Value Ilana Glazer, Alia Shawkat, who you probably remember as Maeby from Arrested Development. I remembered reading about it, and wondered how exactly they could make a show out of that premise. Well, I can admit when I’m wrong, and BOY was I wrong!

If you’re not familiar, Search Party kicks off with the disappearance of a young woman. Dory (Shawkat) and her group of Millennial hipster friends kinda knew the girl in college, but they wouldn’t necessarily call her a “friend”. Then, she disappears, and they milk it for all it’s worth. They post updates on social media about how a piece of them is now missing, and they even attend a vigil for her upstate. Meanwhile, Dory is sort of lost in life, and she gloms onto the case with an unexpected fervor. Things really kick into high gear when she randomly sees the missing girl in a Chinese restaurant, yet no one will believe that she really saw her. Like they’ve been doing, Dory’s friends just believe she’s milking the whole thing for attention. Then crazy people come out of the woodwork, a private investigator appears, and a cult is even involved. I never saw any of this coming, but enjoyed every minute of it. It’s like a hipster Nancy Drew.

Airing on TBS, Search Party was sort of burned off at a pace of two episodes a night in Conan’s timeslot all last week. In addition to that, immediately following the premiere on Monday, all the episodes were made available On Demand. So, I can’t figure out if TBS was extremely proud of the show OR if they couldn’t be done with it fast enough. I’m not sure how these tactics helped ratings, but critics seemed to love the show. As some critics pointed out, it’s basically what Girls could’ve been, but wasn’t. The problem with Girls is that is filled with such unsympathetic characters who all suck at life. With Search Party, however, you can kind of relate to those characters and, if not, you at least know someone like them. You understand their insecurities and the ways in which they cope with them. Sure, they kinda suck at life, but they know it, and they want to NOT suck. That can’t be said for Hannah Horvath and her friends.

In many ways, it was a major coup for TBS to get this show. It probably would’ve been more at home on something like Netflix, and probably would’ve gotten more promotion. It’s SO bingeable, and you’re going to want to blow through the 10-episode series in one sitting. It’s that good. I didn’t even see some of the twists coming that it throws at you. And the ending was nothing like you’d expect. Oh, man do I wanna talk about that ending. I don’t know how they’d get a second season out of it, but I’d love to see that cast back together. If it’s just a one and done series, it does the job there, as well. It’s the perfect miniseries. And that’s why Search Party had the West Week Ever.

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