19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

12th May2017

West Week Ever: Pop Culture In Review – 5/12/17

by Will

In movie news, it was reported by Hellboy creator Mike Mignola that there will be an R-rated Hellboy reboot film. Hellboy: Rise of the Blood Queen will star Stranger Things‘s David Harbour in the title role, and will be directed by Neil Marshall (The Descent). As most fans were holding out for a Hellboy 3, this news came as quite a surprise. Still, it won’t star Ron Perlman, nor will it be directed by Guillermo Del Toro, so folks are a bit hesitant. I think Harbour will be good in the role, and I remember enjoying The Descent, so I think the franchise is in good hands if the intent is to scare the audience.

We got a trailer for Blade Runner 2049, which did absolutely nothing for me. Back when I was in college, I did a summer in London where I was supposed to be learning about globalization. Instead, the professor had us watch Blade Runner. I still don’t know how the two topics tied together. Anyway, I hated that movie. It tried too hard. Like Peter Griffin describes The Godfather, it insists upon itself. It wants to be so deep and mysterious, with its whole “Is Decker a Replicant?” thing. I just wasn’t a fan. So this sequel isn’t exactly on my Must Watch list, which is a shame seeing as how I’ve loved Ryan Gosling since Breaker High. Yup, even in Young Hercules. Some folks seem excited for this film, though, so good for them I guess.

Over on cable, shows are playing musical chairs. The Untitled Black-ish Spinoff that we talked about last week may now be moving to Freeform It seems that the audience that tuned in were a bit lower than what ABC would like to see for a Wednesday night, but the demographics are perfect for the show to be on Freeform. Meanwhile, fantasy series The Shannara Chronicles is moving from MTV to Spike TV (which will soon be rebranded as The Paramount Network). I never watched Shannara, but it didn’t seem like the kind of thing that belonged on MTV, except for the fact that it starred pretty teens. I’m not even sure Spike is the right home for it, either, but maybe this is a hint as to how they’re planning to use The Paramount Network.

Speaking of cable, out of nowhere it was announced that Donald Glover would be the showrunner for a Deadpool animated series on FXX. Yeah, that Donald Glover. It’s odd that we’re not getting season 2 of Atlanta until 2018 at the earliest because of his other commitments, but he’s gonna have time to do this? He’ll be running the show with his brother Stephen, but it still sounds like a tall order. I’d rather have Atlanta. Plus, this just feels like it’s gonna be Marvel’s Archer. 10 episodes have been ordered for a 2018 debut.

On basic TV, Modern Family scored a 2-season renewal, with the grown-up cast members getting a raise from $350,000 to $500,000 an episode. The contract negotiations came down to the wire, but in the end ABC was able to keep its Wednesday night lynchpin. I honestly feel like this show should’ve ended 3 years ago. I stopped being able to really relate to them when I realized they whole upper middle class status made their lives unrealistic. They never seem to have money problems, they can take trips and do whatever they want. It’s funny – the same reasons I hate Roseanne (they were so damn poor) is what I feel are missing from Modern Family. Plus, there’s the elephant in the room in the form of Ariel Winter. Unless you’ve been living under a rock, she has grown up into what some might call “hot as shit”, yet they still frump her up on the show because her character, Alex, is supposed to be mousy next to Sarah Hyland’s Haley. If they really want to make these final (yes, I’m calling it: final) two seasons interesting, they will address this fact, and force Haley to realize she’s no longer the “hot daughter”. That might actually make me watch the show again.

Meanwhile, The CW officially ordered Black Lightning to series. This would typically be seen as good news, but I can’t help but feel like the Berlantiverse is too big and unwieldy at this point. Whenever a new show is introduced, the existing shows suffer. Everyone loved Arrow until The Flash came along. Then, they loved The Flash, yet felt Arrow had slipped. Then Supergirl and Legends of Tomorrow debuted, and The Flash suffered while Supergirl was praised. This has been something of a rebuilding season across the board. Supergirl had to adjust to a network switch, while Legends saw an increase in quality. Arrow saw a return to form, while The Flash is doing whatever it’s doing over there. Flashpoint or some shit. The point is that the existing shows are finally heading in the right direction, but that doesn’t mean it’s time to introduce a new hero. In fact, I feel like Legends should be a proving ground. If a member of that team becomes a breakout fan favorite, then they get a spinoff. I’d be fine with Black Lightning as a member of the Legends, but I don’t know if there’s enough meat on that bone for him to have his own series. And can you imagine the FIVE-WAY crossover we’re gonna end up with next season?! I was already disappointed by this season’s uneven four-way, but to add another show to that? Sure, it’ll be a weeklong event, but it isn’t necessary.

With the network Upfront presentations looming over the horizon, this is the time of year when your favorite show either gets another lease on life or it gets the chop. Here’s the movement from the past 24 hrs:

Cancellations

  • Timeless (NBC)
  • Rosewood (Fox)
  • Last Man Standing (ABC)
  • Son of Zorn (Fox)
  • Making History (Fox)
  • APB (Fox)
  • Sleepy Hollow (Fox)
  • The Catch (ABC)
  • Imaginary Mary (ABC)
  • Powerless (NBC)
  • The Real O’Neals (ABC)
  • Secrets & Lies (ABC)
  • Dr. Ken (ABC)
  • American Crime (ABC)
  • Frequency (The CW)
  • No Tomorrow (The CW)

Renewals

  • iZombie (The CW)
  • The Originals (The CW)
  • Blindspot (NBC)
  • 13 Reasons Why (Netflix)
  • Taken (NBC)
  • Last Man On Earth (Fox)
  • Gotham (Fox)
  • The Blacklist (NBC)
  • American Gods (Starz)
  • The Goldbergs (ABC)
  • Black-ish (ABC)
  • American Housewife (ABC)
  • Designated Survivor (ABC)
  • Agents of S.H.I.E.L.D. (ABC)
  • Once Upon A Time (ABC)
  • Great News (NBC)
  • The Bachelor (ABC)
  • Dancing with the Stars (ABC)
  • Shark Tank (ABC)
  • Chicago Med (NBC)
  • Chicago PD (NBC)
  • Chicago Fire (NBC)

Song of the Week

I’m trying something new. Every week, I’m gonna share a song/video that I discovered that week. Today, I give you Midland’s “Drinkin’ Problem”. Yes, it’s country, but I love the sound, as it’s more of a bluesy 70s song than straight up country, and I LOVE the video.

Things You Might Have Missed This Week

  • Kelly Clarkson is reportedly in talks to be a judge on the revived American Idol on ABC. Seems like those talks were too late, though, as she has officially signed on as a coach on the next season of The Voice
  • Fox officially ordered X-Men tie-in The Gifted to series
  • Speaking of X-Men, Maisie Williams of Game of Thrones will play Wolfsbane in the New Mutants film. She will be joined by Magik, played by Split‘s Anya Taylor-Joy.
  • IM Global and Rebellion are teaming up to produce a live action Judge Dredd TV series, called Judge Dredd: Mega City One
  • Scandal will reportedly end after its upcoming 7th season
  • Direct from The LEGO Movie, Unikitty will be getting her own cartoon on Cartoon Network
  • Time to spot the pineapple, as Psych: The Movie will premiere on USA in December

So last Thursday night I saw Guardians of the Galaxy Vol 2. I didn’t mention it in last week’s post because I’m trying to switch things up. It’s unrealistic of me to expect that all of you are able to see a film on opening night, and I also feel like you’re less likely to read my post if you think I might spoil something. So, I figured it best to sit on it a week so we’d all be on the same page. Anyway, what did I think of the film? I LOVED IT! I might even love it more than the original.

I’d say that this is probably the most emotional MCU film, as it’s more about family and belonging than it is about Infinity Stones and Winter Soldier. Star Lord’s story really hit home as a fellow child of the 80s, raised by his mom, who also didn’t have his father in his life. Now, instead of being a god, my dad simply died. But I’m sure I probably also wished Michael Knight was my dad at some point in my childhood.

What’s the movie about? Well, the Guardians are split up after a caper gone wrong. Half of the crew stays behind to fix their ship, while the other half go off with Star-Lord’s long lost father, Ego. But all is not as it seems with Ego. And that’s about all I’ll say about that. I can’t think of a single that I didn’t like about the film. Actually, scratch that. There was one thing: The Watchers. They just looked hokey, and I would’ve been fine if they’d never been introduced in the MCU. That kind of stuff belongs in the Fantastic Four Fox movies, but I like to think the MCU is more grounded than that. Their appearance looked and felt cheap to me, but luckily it’s only for a split second, unless you count their after credits appearance, too. Maybe it’s just because I typically hate most things about Cosmic Marvel, but the Guardians movies have slowly brought me around.

Internationally, the film has already crossed the $500 million mark, so I think it’s safe to say it’s success. They’re already talking about Vol 3 which, supposedly, will set up the next decade of the MCU. While I’m not entirely sure how I feel about that (again, I’m not a huge fan of Space Marvel), I’m eager to see how they pull it off. For all these reasons, Guardians of  the Galaxy Vol 2 had the West Week Ever.

28th Apr2017

West Week Ever: Pop Culture In Review – 4/28/17

by Will

So the big media news this week was the announcement of the DC Comics streaming service, which will be the home of the long-delayed live action Titans series, as well as the third season of the Young Justice cartoon. Other than that, very little else is known about the service. Most fans suspect that it’ll have the entire DC library, including animated films, older cartoons like Justice League, and live action series not currently on The CW/Fox. That’s a bit ambitious, though.

I’m reminded of how the concept of UPN was introduced to the public, with ads that touted all of the classic television that Paramount had given us over the years: Family Ties, Cheers, Star Trek – did this mean that this new network would become the exclusive home for those shows? No, it instead meant we were to brace ourselves for Love Boat: The Next Wave and Shasta McNasty. I get that same feeling here. DC has a great slate of animated films, and some classic animated series, but I think this might end up the hub for newer, untested properties. Take the Titans show for instance. TNT passed on that thing. TNT! They know drama! Sure, it’s produced by Greg Berlanti, but I feel like if it had any real promise, it wouldn’t be relegated to a digital platform that’s not Hulu or Netflix. Same with Young Justice. Sure, it had a following, and the reasons for its cancellation vary depending on who you ask, but expecting the fans to shell out for yet another streaming service isn’t exactly a gesture of goodwill. I’m not paying CBS to watch Star Trek, and I ain’t paying DC for this until I get some more details. Right now, though, it’s a typical DC announcement, where they rushed to announce before a lot of key aspects were in place.

Speaking of DC, NBC basically cancelled Powerless this week by removing all upcoming episodes from their schedule. It’s not a big surprise, as the entire cast deserved better than that show had to offer. In all honesty, I feel like the ties to the DC Universe actually hurt it. If they wanted to do the whole Workplace Comedy Set In A Comic Universe thing, then it probably would’ve worked better with generic superheroes and villains created just for the show. Sure, they mentioned Batman, and the Wayne family plays a pivotal role (which I also had problems with), but they showed Crimson Fox TWICE. CRIMSON FOX! Just mentioning Superman or Wonder Woman isn’t enough. Hell, they can mention those characters on The Middle and it wouldn’t violate any rights or copyright laws. No, this was a big case of Show, Don’t Tell and the show never really had a strong hand when all the cards were on the table. At least this frees up Ron Funches and Danny Pudi for bigger and better things.

I loved Kingsman: The Secret Service, so I am ALL IN for Kingsman: The Golden Circle. To be honest, I’m probably looking more forward to this than Star Wars Episode 8. Apparently, Kingsman is forced to team up with their American counterpart, Statesman, so it should be interesting to see how the teams play off each other. And I’m really hoping for some extreme American stereotypes. Based on Channing Tatum’s cowboy agent, I don’t think I’ll be disappointed.

In other movie news, Seth Rogen and Billy Eichner are rumored to be up for the roles of Pumbaa and Timon in Disney’s live action adaptation of The Lion King. I like both of these guys, but I really don’t even know why this movie is being made. I mean, sure, putting The Lion King on something is basically the same as printing money, but the recent debut of  the lackluster The Lion Guard showed that there’s a limit to how much you can mine from the property. I haven’t seen the live action adaptation of The Jungle Book, but I guess this will be like that? I mean, the whole thing is animals. How are they gonna do this? Maybe I’m overthinking it, but it just feels like Disney is out of ideas for the moment.

We got a trilogy, y’all! In a surprise move, M. Night Shyamalan tweeted that Glass would be released on January 18th, 2019, serving as the sequel to both Unbreakable and Split. I really enjoyed both of these movies, and it feels like M’s finally got his groove back, so this should be good.

In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters have been kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags. When people think of a cappella, they always think of lame kids who probably did show choir in high school. And, in most cases, they’d be correct. The Waiters, however, were cut from different cloth. Originally a subset of the Cornell University Glee Club, they were basically a lewd fraternity that occasionally sang songs. Around 25 years ago, one of them wrote “We Didn’t Go To Harvard”, a parody of Billy Joel’s “We Didn’t Start The Fire”, and they’ve pretty much been coasting on that ever since. Their offstage behavior rivaled that of actual rock stars. For example, they got kicked out of a charity concert when one of their members reportedly peed in the corner of the stage. And while there were a few good guys in that group, the core members were THE WORST. They were basically a singing Duke rape scandal waiting to happen. According to news reports, the hazing included making new members take naked ice baths and having them rub IcyHot on each others’ balls. Considering they got shut down, I’m thinking there was more serious stuff that the paper couldn’t print, like elephant walks or something. Anyway, good riddance to bad rubbish. Bet they wish they’d gone to Harvard now!

Things You Might Have Missed This Week

  • Captain America: The First Avenger director Joe Johnston will direct The Chronicles of Narnia: The Silver Chair
  • Sony has given the Masters of the Universe film a December 18th, 2019 release date, but McG is no longer attached to direct. None of this matters, though, ‘cause this movie is never getting made.
  • Speaking of Sony, they’ve reportedly fired Dr Luke, and I HAVE SO MANY THOUGHTS ABOUT THIS! But there’s no way I’m putting them in a blog post, for them to be dissected and taken out of context.
  • One of the former Bachelors killed a dude. Nah, I don’t know his name or care enough to look it up. Bachelors are just as replaceable as Duggar kids. He will be forgotten again soon enough
  • Jeff Goldblum will reportedly return to the land of dinosaurs in the Jurassic World sequel.
  • Riverdale’s Reggie Mantle will be recast prior to season 2, as actor Ross Butler is committed to Netflix’s 13 Reasons Why, which is close to being renewed for a second season
  • Star Wars Episode IX’s release date has been revealed as May 23rd, 2019, which shifts the franchise’s releases out of the month of December

  • Darius “Eddie Winslow” McCrary posted the above pic, asking folks if they’d want a Family Matters reunion. Considering they both look like shit here, I’m leaning towards “no”

  • Speaking of TGIF reunions, Perfect Strangers stars Bronson Pinchot and Mark Linn-Baker reunited for Chiller Theatre Expo last weekend in New Jersey. Cousin Larry has aged appropriately, but Balki clearly discovered Crossfit/discount mail-order steroids.
  • Jeb Bush and Derek Jeter are in a group trying to buy the Miami Marlins. Hey, it’s better than ending up on Dancing with the Stars!
  • Next fall, Steve Harvey’s TV talk show, Steve Harvey, will move to Los Angeles, and will take on a new format as Steve.
  • With this week’s series finale of Bates Motel, A&E announced they’re abandoning scripted television and moving to a reality show model.

Maybe it’s just the mood I’m in this week, but nothing really had the West Week Ever. Try harder next week, America!

14th Apr2017

West Week Ever: Pop Culture In Review – 4/14/17

by Will

I was going to skip this week, with it being a holiday weekend and all, but then I realized that this would be the last post written from the WilliamBruceWest.com HQ of the past 6 years. So, simply to commemorate that, you get a quick post.

I didn’t watch any movies this week (dumb, since I need to clear off a 90% full DVR by Tuesday), but I did catch the HBO stand-up special Pete Holmes: Faces and Sounds. Holmes has recently become one of my favorites, as I’ve really been digging his HBO comedy Crashing, which seems to be loosely based on the early days of his stand-up career. He’s at a point now in his career where he seems to be a lot more comfortable onstage. And he cusses a lot more. Something about him reminds me of a modern-day John Ritter – it’s not the physical comedy, but it’s written all over his face. He genuinely just comes off like a good guy that you could have around your mom. I think that’s part of his appeal. Anyway, it’s a pretty good hour, so check it out if you’re looking for a new stand-up special to watch.

In movie news, Jonah Hex/Thanos will now be adding Cable to his resume. In a surprise casting move, Josh Brolin has been cast as the time-traveling hero in the Deadpool sequel. This, supposedly, won’t affect filming of Avengers: Infinity War because most of his work on that movie will be motion capture. Still, it’s odd to see another comic book movie actor jump across the studio aisle. We’ve seen two actors jump from Fox to the MCU (Chris Evans and Michael B. Jordan), but you never see them go the opposite direction. I guess he’ll do OK, but I was hoping for someone like Ron Perlman or Stephen Lang. Personally, I’d be more impressed if they’d cast his father, James Brolin.

I didn’t catch the Rick & Morty 3rd season premiere when it was posted online on April Fools Day, but luckily Adult Swim aired it every night last week. It was so good to have the show back, even though I’m not entirely sure I know what was going on. As some folks have said, I really wouldn’t be surprised if it turned out that was justa “bonus”episode, and not the actual premiere. If it was real, it definitely set up an interesting new family dynamic. Of course all anyone can talk about, however, is the McDonald’s Mulan Sauce. Apparently, back when Mulan came out, McDonald’s had a special Szechuan sauce for their McNuggets. It was only for a limited time, as those things are wont to be, but now it’s been thrust back into the spotlight thanks to the episode. Fans of the show are trying to get McDonald’s to bring the sauce back, to coincide with the release of the upcoming live action Mulan film (despite the fact that Disney ended their relationship with McDonald’s a few years ago in an attempt to disassociate themselves with unhealthy eating). Already, though, I’ve seen some thinkpieces about how the sauce is cultural appropriation and all that so, basically, welcome to 2017.

In comics news, the X-Men were the source of controversy this week after the artist on X-Men Gold, Ardian Syaf, snuck some incendiary references into the background of his art in the first issue of the book. I don’t have a religious studies degree, so I can’t really get into the minutiae. Basically, though, he slipped in some references to the Qua’ran that are anti-Christian and anti-Jewish. Sure, he can have his beliefs and all, but you don’t sneak that stuff into a corporate comic book. Marvel said that he was going to be disciplined, and later in the week he was fired from the book. Syaf immediately went online and basically said “My career is over”. I kinda wanted to feel bad for him ‘cause he almost seemed suicidal, and I wasn’t sure he initially understood the magnitude of what he had done. In follow up interviews, however, he didn’t really seem to back down. As controversial as he might be right now, it’ll be a major PR opportunity when some publisher, like Dynamite Entertainment, eventually gives him work again.

On the music front, it’s no secret that I’m a huge boyband guy. That said, I never really got into One Direction. It’s not that I was old when they came out, but more of a case where they didn’t have any Max Martin songs. Coming from the late 90s/early 00s era, I feel like you HAVE to have Max Martin songs in order to have hits. I mean, they still had their share of earworms, like “That’s What Makes You Beautiful”, but I never glommed onto them that much. So, when they broke up to pursue solo careers, I wasn’t expecting much – which is why I was surprised to find that I really like “The Sign of the Times”, which is the debut single from Harry Styles. I had the thing looped all day last Friday and, while I’m not sure if it’s a “hit”, I’m really digging what’s going on here. I wonder how the 1D fans are gonna take it. I mean, they’ll eat it up because they love Harry, but it’s not like the 1D songs that they’re used to. You’d expect him to bust out of the gate with something bombastic, but instead he went with something chill and melodic. Anyway, I’m looking forward to hearing the rest of the album when it hits on May 12th.

Things You Might Have Missed This Week

  • Grace and Frankie has been renewed by Netflix for a 4th season. And I think my wife is the only person I know who’s happy about that. Anyway, Lisa Kudrow is joining the cast.
  • Jude Law has been cast as young Dumbledore in the Fantastic Beasts sequel
  • There’s a Fear Factor reboot coming to MTV, which will be hosted by Ludacris

    • We got a new Justice League poster. Um, OK. I don’t want to hate the DCEU but they make it so easy
    • The Get Down’s Shameik Moore has been tapped to voice Miles Morales in the upcoming animated Spider-Man film
    • John Ridley produced Guerrilla, a miniseries about the Black Power movement, and included basically no Black women in it. Good luck with that, my dude.
    • TLC are back. Well, T and C; you’d need a necromancer to get L back. Anyway, the single “Way Back” debuted on radio this week. It’s nothing special, really.
    • Sam Elliott has signed on to star in The Man Who Killed Hitler and Then The Bigfoot, which is a Must See based on the title alone

    • This looks fun. Not “see it in a theater” fun, but fun nonetheless.
    • This Fall, NBC’s Dateline will become a weekday syndicated true crime series, which will probably end up replacing former correspondent Chris Hansen’s Crime Watch Daily. Coldblooded!


Thor: Ragnarok’s teaser trailer hit this week and it was amazing. Now, keep in mind that the Thor movies are lower on the MCU scale, so it’s not like it had to do much heavy lifting to blow our minds. We’re at a point where we just don’t expect that much from the Thor films. Still, it looks like Guardians of the Galaxy 1.5, and that’s exactly what people love about it. After the departure that was Thor: The Dark World, we’re back to a Thor tale that feels epic and world-spanning. And the Hulk cameo! Anyway, I could ramble about it, or you could just watch it for yourself. All I know is that the Thor: Ragnarok teaser trailer had the West Week Ever.

And if you’re jonesing to read some more, be sure to check out my comic post from this week: Comical Thoughts: The One Where Our Hero Read 30 Marvel Comics In One Night!

12th Apr2017

Comical Thoughts – The One Where Our Hero Read 30 Marvel Comics In One Night

by Will

So, a lot of people have thoughts on the recent remarks that Marvel Editor in Chief Axel Alonso made regarding diversity. Ultimately, he said that retailers and consumers didn’t seem to flock to the diversity push that Marvel was doing in their books. Fans came out in droves to dispute this, saying that there are other reasons that Marvel’s losing sales. Well, I’m not gonna contribute to that conversation – at least, not directly. You see, I’m about 6 months behind on Marvel books, so I’ve missed a lot of this diversity push. I mean, I go to the shop every Wednesday, and I’m buying a TON of books, but there are only so many hours in the week, so I just haven’t had the chance to read all of them. Oddly enough, I’m fairly current with a lot of the DC books I buy, mainly because they seemed to serve as better jumping-on points. I know everything happening in the Superman books and Teen Titans, but I only just read Civil War II, like, two weeks ago. Usually my Friday nights are consumed with me going on toy runs or napping, but the other day I said to myself, “Will, it’s time to read some Marvel.” I had a few thoughts on what I read, so I thought I’d share them here for anyone who’s curious.

First up, I read the full run of The Unbelievable Gwenpool to date. I read #1 when it came out, and then the book just went to the bottom of a large stack. That’s not to say I didn’t enjoy that first issue. I mean, it’s written by Christopher Hastings of the hilarious The Adventures of Dr. McNinja, so I already knew that I loved his style. The Gwenpool concept, on the surface, just sounds like a cash grab. Creating a Deadpool series used to be the equivalent of printing money (not so much anymore, looking at the sales for Deadpool and the Mercs for Money). Meanwhile, everyone and their mom seemed to love the idea of Spider-Gwen when she spun out of Spider-Verse. So, it was natural to put peanut butter in your chocolate by mixing the two.

Gwen Poole actually hails from our world, where all of the Marvel characters are just characters in comics books. By some mysterious means, she transports herself into the Marvel Universe, with her wealth of comic knowledge at her disposal. So, she knows everyone’s identities, all their power sets, etc. This is similar to the Deadpool thing where he thinks of himself as a character in a comic book. Once she gets to the MU, she sets herself up as a mercenary even though she’s not necessarily good at killing. She has limited hand to hand skills, and she’s not a great shot. But she’s pretty good at blowing shit up, which is what she does. The funny thing, though, is that they’ve never really explained why she’s a killer. Maybe it’s because she knows none of it is “real”, so it doesn’t matter if she kills somebody or not. After all, they’re just fictional characters to her. Anyway, after a botched mission, she finds herself working for M.O.D.O.K (Mental Organism Designed Only For Killing) and his gang of mercenaries, which includes Captain America foe Batroc The Leaper.

Anyway, I LOVE THIS BOOK! I’m quick to talk about things I don’t like, so I have to give equal credit to the things that I do like. I love the Gwenpool character, who’s really just a perky teenage girl who likes blowing stuff up. It’s kind of refreshing to meet a female character with an encyclopedic knowledge of comic book trivia, and it’s cool to see how she employs that in her series. I’ve been a big fan of Dr McNinja for years, so I knew Hastings wouldn’t disappoint and he surely didn’t! It’s a fun comic that really gives credence to the slang term “funnybook”. If you’re looking for fun in your comic reading, then definitely check this out. The sales on it aren’t so hot, making it seem like she should’ve been left to do cameos for a while before getting her own series. That said, she’s had 13 issues by now which, sadly, is an achievement in today’s comic landscape. Don’t let them cancel my Gwenpool! Buy this book today!

Next up, I finished the whatever volume it is for Invincible Iron Man. Ya know, the Bendis one, but the one before Civil War II. This series was kind of a waste, as it went nowhere. I’m not sure if plans got derailed because of CWII or what, but it’s odd that so many issues were devoted to one story that just dead ends. Madame Masque is caught stealing items from various Stark facilities, and when Tony goes after her, he finds she’s being chased by a group of cyber ninjas. That’s pretty much it. In the end, he never finds her and never solves that mystery. They do introduce a new cyberhacker Inhuman, though. Yay. Meanwhile, there’s a B-story of Stark trying to convince Mary Jane Watson to be his assistant/life coach. I’ve had my issues with Bendis, but I’ve got to say that this is him at his worst. Sure, there’s snappy dialogue, but not much else.

So, knowing that I needed to plod through my Iron Man backlog, I begrudgingly jumped into International Iron Man. This series made up for everything that was wrong with Invincible Iron Man. My only quibble is that, at 7 issues, it should have been an arc in Invincible Iron Man instead of its own standalone series. In the previous Iron Man series (the one after Superior Iron Man, but before the Bendis Invincible Iron Man), Tony discovered that Howard and Maria Stark were not his birth parents. In this series, Tony sets out to find his real parents, interspersed with flashbacks to the story of his first love, Cassandra, who was the daughter of arms dealers who were also business rivals of his father. Cassandra was in Tony’s life around the time that Howard died, so he finds it odd that she resurfaces, now an arms dealer herself, at the same time he’s searching for his birth parents. He thinks she knows something, but she’s not talking. In the end, Tony finds his mom, Amanda Armstrong, who’s basically Annie Lenox. No, I swear Maleev used Lenox as the model for Armstrong. The last two issues tell the story of Tony’s parents’ love affair, and it’s some damn good writing. This is Bendis at his best. I want an Agents of S.H.I.E.L.D. arc of just this story (it’s good, but it’s not summer theatrical blockbuster good), but there’s no way they’d cover Stark stuff on TV. At the end, it says that the story will be continued in the next volume of Invincible Iron Man – ya know, the one starring Riri/Ironheart. So, I’m not quite sure how that’s gonna work. Is Amanda Armstrong going to be a supporting character in the book while her son spoiler alert is in a coma in S.H.I.E.L.D. custody? I haven’t read the Riri series yet (it’s in the pile), so don’t tell me what happens. Where Invincible left me disappointed, International proved to me that Bendis understands Tony Stark.

The interesting takeaway I had from the series, however, is that Tony Stark is a result of Nurture and not Nature. I mean, it was always assumed he was a genius because his father was a genius, and it was in his blood. Now that we know his real parents were just undercover S.H.I.E.L.D. agents, it becomes clear that Tony was a product of his environment and upbringing, rather than possessing some inherited genius. I’m curious to see if they’ll do anything with that going forward. Ya know, when he “wakes up”.

Ya can’t love everything, though, and that’s where America comes in. I HATED that comic. I hate the character. I don’t really know where she came from, as I wasn’t reading Young Avengers at that point, but I find her obnoxious to no end. If you’re not familiar, Miss America, AKA America Chavez, is from another dimension where she had two moms who sacrificed themselves to save creation. She has the power to punch star-shaped portals between dimensions, and she’s strong, and fast, and can fly. Basically, she can do everything but project energy. Oh, and she’s a bad ass motherfucker. She can do ALL the things, and that’s kinda why I hate her. This is about to get dicey, so strap in. Ya see, a lot of people are going to say that I don’t like her just because she’s queer. There aren’t a lot of prominent queer characters in comics, so I understand her importance to representation. That said, she’s guilty of what I call the “Queer Eye-ification of Pop Culture”.

Let’s take a trip back to 2003, shall we? Bravo introduced the reality show Queer Eye for the Straight Guy, where 5 queer men (don’t say “gay”, because a couple of them were bi) gave schlubs makeovers. Carson changed their clothes, Kyan changed their hair, Ted changed their food, Tom changed their furnishings, and Jay…well, Jay taught them how to open CDs. No, that really happed. The principal underlying theme, however, was basically “Look, queer people are better than you in every single way! They dress better, they cook better, they have better hair, and better décor. What’s wrong with you, straight people? Why do you suck so much?“ For a while, that approach kinda worked. The show was a hit. Then I think folks got tired of the formula. We got it. They were all great at shit, but they stopped being relatable. After all, they were experts, and not just regular guys.

That’s my problem with America. She’s too good. She does it all. What are her weaknesses, her faults, her fears? I didn’t get that from her. Instead, she seems to have this false bravado of being the baddest bitch on the block, and that just doesn’t appeal to me. Is that what queer readers want? Do they want a character who seems to suffer from doing-too-much-itis? Or do they want a relatable character, like a queer Peter Parker who’s an amazing hero, but still has everyday problems? As a cis, straight male, I can’t answer that. I know what I think I would want, and this ain’t it. The market will dictate whether or not I’m wrong. Instead of the whole “Queer people are the awesomest”, maybe the more realistic approach is “Queer people are just like everyone.” I know I’m veering dangerously close to the camp of folks who say things like “Well, why isn’t there a White History Month?” I’m not trying to take anything from queer identity, but the way it’s expressed here contributes to why I don’t like that character. I fear this overcompensation is a trope commonly used as a “foot in the door” technique to get some folks to accept uncomfortable ideas, but I feel it does the queer community a disservice by reinforcing stereotypes/setting up unreal expectations.

Following this thinking leads me to the new Champions comic, which is downright irresponsible in its storytelling. Back during Civil War II, the young members of the Avengers became disenchanted with the elder members because they didn’t feel the team was doing enough to really change the world, instead spending more time in-fighting in the hero community. So, they quit the team before that story even wrapped up. As Champions picks up, Ms. Marvel reaches out to Nova (Sam Alexander – gotta specify, since there are two now) and Spider-Man (Miles Morales – gotta specify since there are two now) to convince them that they should be out doing the stuff that the Avengers refuse to do. They go on a mini recruitment drive, which results in the Hulk (Amadeus Cho – gotta specify since…you get it by now), and Viv Vision joining the team.

Champions is the wrong name for this book. Honestly, it should be the New Warriors, because they are TOTAL social justice warriors. I normally don’t even dip my toe into those labeled waters, but that’s exactly what this book is about. Ms. Marvel has created a team of other teens who do nothing but seek social justice. When older Marvel fans say that they’re tired of the diversity push, I have to believe that this is the book they’re talking about.

I say they’re irresponsible because they tackle concepts that can’t be solved by punching, yet that’s exactly how they try to solve them. They went to the Middle East to stop an extremist Muslim group from killing women who were just trying to learn. They went to a small town to face off against a racist sheriff who bombed the local mosque. Instead of facing villains, all of their “foes” are systemic issues that aren’t easy fixes. Somehow, though, they manage to “fix” things in 22 pages. To use old slang, these kids are cruising for a bruising. There’s a reason the Avengers don’t handle these sorts of things, mainly because they’re old and wise enough to know there are no easy fixes. Racism ain’t Galactus. There’s nothing to punch. The only reason I would stick with the book is that there’s GOT to be a reckoning coming to teach them a lesson. The last time a team of teens was this irresponsible resulted in the destruction of the town of Stamford, Connecticut. I HAVE to believe the Champions exist only to set up some post-Secret Empire event.

The sad thing about all of this is that I like these characters. I’ve been a Miles Morales booster since day one, and I loved Sam Alexander’s Nova from the outset. I was late to the Kamala Khan party, but she’s cool, too. I don’t like how Amadeus Cho’s Hulk is painted as a green Bro in the book, but I’m really behind on his title, so maybe that’s who he is now. And I haven’t read The Visions yet, so I don’t know anything about Viv. All that said, I’d hate to see anything bad happen to any of these guys, but that seems to be the path they’re on. It just seems like such mishandling of some great concepts. From when I was reading Captain America: Sam Wilson, the big takeaway was that there are some things you can’t fight head-on, but it seems like the Champions are gonna have to learn that the hard way.

So, I guess I did have thoughts about Marvel’s diversity after all. Is it killing books? Not necessarily. It’s just not being done well. Feels tokeny. There are a lot of great female-led books right now, like the afore-mentioned Gwenpool and Jessica Jones (which I’ll talk about another time since this has already gotten way longer than I initially expected). But the minority portrayals aren’t that strong. I’ve still got a LOT more to read, though, so maybe it gets better? We’ll just have to see.

31st Mar2017

West Week Ever: Pop Culture In Review – 3/31/17

by Will

So, as a week has passed, I find I’ve got some more thoughts on Power Rangers. I watched it again (don’t ask me how), and I actually liked it a lot better. The first viewing is pretty jarring, but once you know what you’re getting yourself into, it’s easier to let go and let Zordon.

Something about it struck me, though: the teens have an odd bloodlust thing going on. They’re really jonesing to kill something/somebody. When they first encounter Alpha, and don’t realize he’s “one of the good guys”, Zack’s immediate response is “We could kill it”. Not “Hey, we should run” or “We need to get away from it”. It was basically “We could end its life”. And while I know kids shows have to use language like “destroy” or “eradicate” or anything that’s not “kill”, I’m not used to applying “killing” to the world of Power Rangers. Even Zordon says that Rita must be “stopped”, and the kids immediately take that as “We have to kill Rita.” Hold your horses, hoss! I know they live in some little podunk fishing town, but have these kids killed before? Will they kill again?!

Also, Brian Tyler’s score needs to be applauded. It’s one basic theme that’s repeated throughout the film, but I didn’t realize how epic it was until the second viewing. Sure, it’s not “Go Go Power Rangers” or any of the show’s songs from Ron Wasserman, but it really conveys that superhero aesthetic the movie is going for.

It’s not all sunshine and roses in the world of Power Rangers, however. First up, original Green Ranger Jason David Frank was apparently kicked out of the premiere of the film because he took out his camera to film the audience’s reaction to his onscreen cameo. If you’re not familiar with his antics, his lives his life online. He thinks he’s giving a ton of access to his fans, so he basically vlogs EVERYTHING. Signings, convention panels, etc. He was a web series called My Morphing Life, so I assume  he was trying to get footage for that. Well, security did what the original 5 Power Rangers couldn’t do, and that was defeat the Green Ranger. They escorted him out and he didn’t even get to see the mid credit scene. They tried to take his phone, which he wasn’t about to let them do, so he yelled “It’s morphin time” and proceeded to beat up a bunch of middle aged men. Well, I don’t know about that last part, but it’s still fun to imagine.

Next up, murderous Wild Force Red Ricardo Medina Jr has been sentenced to 6 years in jail for the 2015 stabbing death of his roommate. Earlier this month he pleaded guilty voluntary manslaughter, and he got the maximum sentence for that charge. While I poke fun at it, the whole matter kinda sucks. I mean, he claims it was in self defense. In this crazy country, if he’d shot the guy, we probably wouldn’t even be having this discussion. Instead, he had to go and use a sword, and the American legal system just isn’t built for that. Here’s hoping he gets off early for good behavior or something.

There was a Justice League trailer released last Saturday, and that’s all I have to say about that. No, I guess I have more to say. Look, if the DCEU movies still get you hard, then more power to you. I’ve been fooled enough by those films to know that they’re more than likely not going to be my cup of tea. I felt like I was in Bizarro World, though, as everyone seemed to love the trailer but hate Cyborg. I was the opposite. I just can’t get excited about these things anymore, but I thought Cyborg looked cool. I’ve been told the CGI is outdated, but I’d rather he look like that than just a Black guy in a silver suit. Anyway, Snyder makes long-form stylized music videos. That’s what Watchmen was, and Dawn of Justice was a darker version of that. Here, it’s business as usual for him.

Speaking of DC movies, apparently Joss Whedon is in talks to write, produce and direct a Batgirl movie. Ya know, until he drops out. I’ve never worshipped at the altar of Joss, as I can see the holes in his whole gimmick. He’s always the go-to guy for “strong, female characters”, but I feel like it’d make more sense to just hire a woman instead of hiring a man who seems to understand women. I think DC is just trying to hedge their Bat bets because they know Affleck has one foot out the door. DC is the KING of announcing shit with nothing to back it up. The only time the MCU did that was with Inhumans, but DC has promised Green Lantern Corps, Black Adam, and  Cyborg films – all of which seem to be in Development Hell. To me, this is just another empty promise. DC is the dad who makes a ton of empty promises because he’s scared you love mom’s new boyfriend (Marvel) more than him. And they’re right. Have people forgotten all the Wonder Woman drama? People act like this is a major heel turn, with Whedon “defecting” from Marvel to DC, but I think the Russo Bros effectively swept away any influence folks thought Joss had on the MCU. Age of Ultron was a bore of a chore, so I’m not exactly jazzed about him crossing the aisle. I also don’t like the idea of a standalone Batgirl film that didn’t organically evolve from an existing Batman franchise. The Batman is falling apart, and instead of fixing that, they move on to Batgirl? Get your shit together, DC!

In the world of TV, Katie Cassidy is reportedly returning to Arrow next season as a series regular. Instead of playing Laurel Lance, however, she’ll be reprising her Earth 2 identity as villain Black Siren. If you remember, she crossed over into our world this season, and Oliver’s determined to rehabilitate her. I’m bored just thinking about it. However, if you know anything about the Arrowverse, you know that “series regular” doesn’t mean much. After all, Willa Holland is a series regular, and we’ve seen Thea how much this season? And Cassidy already had that exclusive Berlantiverse contract this season that yielded few results. I guess we’ll have to wait and see how much exposure she actually gets.

Speaking of the Arrowverse, we finally got our first look at Cress Williams as Black Lightning in the pilot being filmed by The CW. Fox passed on this a few months ago, so naturally The CW came to the rescue. Personally, I don’t think that universe needs a fifth show. They always add a show to the detriment of another. Arrow suffered when Flash came along, Flash suffered when Supergirl and Legends of Tomorrow came along. Supergirl‘s still getting used to its new home, while Legends is only just starting to get good. I think they should focus on what they have instead of trying to expand right now. Someone online said that Black Lightning was corny, but so was Static and folks are always claiming they wanna see that character make a comeback. Sure, Black Lightning hails from a different era, and I really hope they just call him Lightning, kinda like how Ollie was just The Arrow in the beginning. The only important storyline I remember featuring Black Lightning was when he was chosen to be the Secretary of Education under the Luthor Administration. Other than that, his daughters have had more page time than he has in recent years. I’d be all for the character joining the Legends team, but I don’t know if there’s enough meat on that bone for a series. And knowing The CW, they’re gonna green light it anyway – not even stopping to think how a failure would devalue the brand.

Things You Might Have Missed This Week

  • The Big Bang Theory scored a 2-season renewal, which will take it through season 12. Suck it, haters!
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it
  • Adam Sandler inked a deal for another 4 Netflix movies. When, exactly, did he officially become the White Tyler Perry?
  • In the upcoming film, Jumanji will now be a video game console and not a board game. As someone who never saw the first film, and has never played many board games, this doesn’t bother me in the least
  • The upcoming Astonishing X-Men comic series will feature a different artist every issue. All I know is that each issue better be a self-contained, done-in-one affair, or this is gonna get messy!
  • TLC is planning to bring back Trading Spaces. Paige Davis better return to host, or GTFO.
  • Jack the Ripper time travel drama Time After Time has been canceled by ABC
  • Bones ended its 12-year run, making it the longest-running Fox drama
  • AMC has renewed sci fi android drama HUMANS after a blink-and-you-missed-it second season.
  • Jordan Peele is being sought after to direct the live action Akira movie. Seems like an odd choice, but I guess he can write his own ticket after Get Out‘s success.
  • Mindy Kaling announced that her series, The Mindy Project, would end after its next season on Hulu.
  • In music news, I’ve just discovered a new Chinese boyband called Acrush. There’s a catch, however – it’s actually made up of androgynous girls! CRAZY!


Did you see that? I’m just glad Spider-Man is in the MCU now. Nobody does a shared universe like Marvel, so it’s nice to see him come home. It still feels like it’s an Ultimate Spider-Man movie, what with Gank…”Ned Leeds”. Seriously, why would Marvel go to the trouble of clearly putting Miles Morales’ best friend Ganke in the movie but then call him one of the Hobgoblins? Am I really supposed to expect this kid to become Hobgoblin down the road, a few sequels from now? It almost feels like fanservice to give him that name, to make fans wonder what might happen in the future, while never actually delivering it.

Anyway, every announcement about this film just gets better and better. For example, it was announced that it would officially introduce Damage Control to the MCU. In the comics, Damage Control was a construction firm co-owned by Tony Stark and Wilson Fisk (The Kingpin) that was tasked with rebuilding NYC after superhero battles. It’s such a logical concept, but something that gets lost in the suspension of disbelief that comics require. I’ve loved every appearance of Damage Control, so it’s nice that we’ll finally get to see them onscreen. They were actually mentioned in an episode of Agents of S.H.I.E.L.D., as a division of S.H.I.E.L.D. itself, so it’ll be interesting to see how the movie handles this.

Also, it was reported that Pepper Potts might be making her return to the MCU in the film. I tend to hate Gwyneth Paltrow, but I really like her take on Pepper, as she serves as a good match for Downey’s Stark. If this rumor pans out, I’ll be very happy.

At this point, the only thing I’m not looking forward to is The Vulture. I always thought he was a lame character, but here’s hoping Keaton can do something to make him interesting. I’m as eager for this film as I’m not eager for Justice League. I swear I’m not just some Marvel fanboy, as I’m currently reading more DC than Marvel. That said, Marvel simply makes better movies, and it appears this will be one of them. So, for those reasons, the Spider-Man: Homecoming trailer had the West Week Ever.

17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

18th Jan2017

West YEAR Ever: Pop Culture In Review – 2016

by Will

Thank 8 pound, 6 ounce newborn Baby Jesus that 2016 is over! I mean, I guess there was some good stuff peppered in there, but it was an overall rough year for a lot of people. I tried to keep my sanity here on the blog, but even I checked out for the month of November. Like Kenny Rogers told us, sometimes you’ve gotta know when to walk away. But I did make a return in December just to kick the year in the ass on its way out. So, besides celebrity deaths, what did 2016 bring us? Well, there was that week we were all mesmerized by Pokemon Go! Those were fun times. We got new X-Files episodes. Peyton Manning retired after winning the Super Bowl with the Denver Broncos. Atlanta and Luke Cage came along and entertained us on television. And things weren’t too shabby here on the blog either.

During Spring Break Week, I discussed several of the most underrated TV theme songs, including Webster, California Dreams, and Enterprise.

I also covered the worst Batman comic ever written, in the form of Just Imagine Stan Lee’s Batman

I did my annual Fall TV Upfronts post, where I discussed the upcoming fall lineups of the major broadcast networks.

A post that was several years in the making, I ranked the Hot Moms of Teen Shows over on The Robot’s Pajamas

I also did a guest post ranking the hottest Power Rangers Villains

It wasn’t all fun and games, though. The country was going through some dark stuff, and I’m particularly proud of this West Week Ever where I discussed the racial problems in the country.

I also experience my first live wrestling event as I attended a taping of WWE Monday Night Raw.

I brought back my graphic novel review column, Adventures West Coast, where I covered Wonder Woman: Earth One.

I also brushed off my Comical Thoughts column, where I discussed IDW’s disappointing Hasbro-centric Revolution event.

Finally, I closed out the year with a post that I’m particularly proud of, discussing the greatest problems facing comic retailers.

I saw about 13 fewer movies in 2016 than in 2015. It wasn’t for lack of trying, but there are only so many hours in the day. As you know, I’m not necessarily Mr. Movie, so I’m not even going to try to rank them. Here they are, simply in the order that I saw them. Wanna know my thoughts? Plug the title into the search box up on the top righthand corner!

Movies I Watched This Year

  1. Lucy
  2. Beauty Shop
  3. Bikini Spring Break
  4. Fifty Shades of Grey
  5. X-Men: Days of Future Past (The Rogue Cut)
  6. We Don’t Live Here Anymore
  7. Gone Girl
  8. Cloudy With A Chance of Meatballs 2
  9. The Martian
  10. Inside Out
  11. Sisters
  12. Batman: Bad Blood
  13. Son of Batman
  14. Batman vs. Robin
  15. The Hundred-Foot Journey
  16. Tomorrowland
  17. Deadpool
  18. San Andreas
  19. Diary of a Wimpy Kid: Rodrick Rules
  20. Autism In Love
  21. Cop Car
  22. Batman v. Superman: Dawn of Justice
  23. Dead 7
  24. Justice League vs. Teen Titans
  25. Pacific Rim
  26. All Things Must Pass: The Rise and Fall of Tower Records
  27. CHAPPiE
  28. Unhung Hero
  29. Trainwreck
  30. Confirmation
  31. The Boss
  32. Captain America: Civil War
  33. They Live
  34. Ted 2
  35. Creed
  36. Zoolander 2
  37. The Ladykillers
  38. 10 Cloverfield Lane
  39. X-Men: Apocalypse
  40. The Intern
  41. You’re F@#k’n Dead!
  42. LEGO DC Comics: Batman Be-Leaguered
  43. LEGO DC Comics Superheroes: Justice League: Attack of the Legion of Doom
  44. Focus
  45. The Good Dinosaur
  46. Sleeping with Other People
  47. Big Hero 6
  48. Keanu
  49. Southpaw
  50. The Night Before
  51. The Equalizer
  52. The Bronze
  53. Popstar: Never Stop Never Stopping
  54. Batman: The Killing Joke
  55. Sharknado: The 4th Awakens
  56. Suicide Squad
  57. The Day
  58. Kingsman: The Secret Service
  59. Independence Day: Resurgence
  60. Miss Peregrine’s Home for Peculiar Children
  61. Meet The Hitlers
  62. Mike and Dave Need Wedding Dates
  63. Neighbors 2: Sorority Rising
  64. Doctor Strange
  65. Rogue One: A Star Wars Story

 

West Week Ever Recipients of 2016 (with commentary)

1/8/16 – Fall Out Boy’s “Irresistible” video

I’m a huge boyband fan, so the news that one of my favorite bands (Fall Out Boy) had reimagined the It’s Gonna Be Me video by one of my favorite boybands (*NSYNC) definitely made my week. The sheer fact that it didn’t really move the world of pop culture, however, shows you how slow of a news week it was. There would be many weeks like this in 2016.

1/15/16 – Power Rangers

This was quite the week for the Power Rangers franchise. First off, it was revealed that Saban would be skipping the train-centric sentai series Ressha Sentai ToQger, and instead adapt Shuriken Sentai Ninninger as Power Rangers Ninja Steel. This announcement was almost a year to the date of the premiere of the show (scheduled to debut next Saturday), and we spent the next few months getting casting and toy news about the show. Meanwhile, the #0 issue of the Mighty Morphin Power Rangers comic was released by Boom! that week, setting up a series that is so much better than it has any right to be. I’ve written about it several times over the year, as I’m a big fan. And finally, former Wild Force Red Ranger actor Ricardo Medina was formally charged that week for killing his roommate with a sword. All in all, I think Power Rangers truly earned the West Week Ever that week.

1/22/16 – DC Entertainment

The Suicide Squad trailer was released this week, as well as the series premiere of Legends of Tomorrow. The Suicide Squad promotion machine would see its ups and downs over the year, the Legends premiere was fairly strong, even with a bunch of useless characters (I’m looking at you, Hawks). The show would get stronger in its second season, but this is where it all started. We also got a DC movie special hosted by Kevin Smith, giving us some Wonder Woman and Justice League footage. Marvel usually dominates the news cycle, but DC showed that they can also step up to the plate.

1/29/16 – The X-Files

When news of an X-Files revival hit, it was pretty big news. Then it launched, and it wasn’t exactly what folks were expecting. Clocking in at 6 episodes, only half of them focused on the conspiracy aspect of the show, plus they were aired out of order.  I went from really liking the premiere to completely forgetting it existed, in a very short amount of time. If it was going to get the WWE, it would had to have been this week of the premiere, as it ended with more of a whimper than a bang.

2/5/16 – UnderScoopFire Podcast

I appeared on the UnderScoopFire Podcast 8 times over the years, and had a great time on every one of them. Those guys are some of my good friends that I’ve met online, so of course I was sad to see it go. After 150 shows (give or take a few. Yeah, I’m not letting that go!), I think their swan song deserved the West Week Ever.

2/12/16 – Denver Broncos

I couldn’t give two shits about sports, but Lindsay’s from Denver, so we’re a Broncos household. So, everything was coming up Milhouse this week, as the Broncos won Super Bowl 50. Not only was it a nice, round, milestone number, but it also served as future Hall of Famer Peyton Manning’s final game. It was the perfect storybook ending that sports fans seem to love so much. So, yeah, they totally deserved the West Week Ever.

2/19/16 – Deadpool

Deadpool came out and blew away everyone’s expectations. I mean, this thing is getting nominated for awards. And not Razzies, too! Personally, I thought it was too gratuitous. I’ve gone over my reasoning before, so I won’t rehash that here. Still, it went on to become the second highest grossing superhero film of the year, just behind Captain America: Civil War. Totally deserved.

3/4/16 – Fuller House

After Girl Meets World came along, the runway was cleared for any and every nostalgic reboot to come along. And along came Fuller House. Every fan of TGIF awaited it with bated breath, hoping for the same mindless entertainment they got from the original show. And it did not disappoint! The second season just debuted a few weeks ago, and it’s already been picked up for a 3rd on Netflix. This show not only showed the power of Netflix as a home for original comedies, but also showed that old dogs still have some fight left in them. I think this was definitely the high point of that week.

3/11/16 – Jay Pharaoh

This was a slow week. Sure, Pharaoh did an amazing impersonation spree during that week’s Saturday Night Live Weekend Update. Like, it was AMAZING. And to pay him back, the show fired him at the end of the season. He’s OK, as he immediately booked a Showtime pilot, but the fact that this was the most noteworthy thing of the week shows how slow things were.

3/18/16 – Nothing

Some weeks you’ve just gotta call a spade a spade. Instead of insulting anyone’s intelligence, nothing had the West Week Ever.

3/25/16 – Wonder Woman

Like a lot of people, I did not like Batman v. Superman: Dawn of Justice. Like a lot of people, I also felt that Wonder Woman was the brightest spot in that dark film. Totally deserved

4/1/16 – Batman v. Superman: Dawn of Justice 

I may not have liked it. A lot of folks may not have liked it. But it made some money. A lot of money. And it was the true springboard to DC’s cinematic universe. So, for its money-making and its importance, I think it earned the West Week Ever. Just because I don’t like something doesn’t mean that it’s bad. It just wasn’t for me.

4/8/16 – American Idol

Idol‘s series finale aired that week, marking the end of a pop culture juggernaut. Unlike The Voice, Idol actually created household names. It gave us Kelly Clarkson, Clay Aiken, Carrie Underwood, and Fantasia. On the flip side, it also gave us William Hung, Taylor Hicks, and Daughtry. It spawned so many copycats, but it was the original recipe. Its influence may have waned in later years, but no one can deny what it was in its heyday. I think it’ll eventually come back, but this was when we said “Ta ta, for now.”

4/15/16 – Marvel

That week, we found out Natalie Portman wasn’t coming back for Thor: Ragnarok, we got a teaser trailer for Doctor Strange, an we learned that the new Spider-Man movie would be called Spider-Man: Homecoming. Marvel definitely dominated the news cycle that week.

4/22/16 – Harriet Tubman

While it was pretty monumental that a woman (a Black woman, mind you) would be adorning American currency, it doesn’t really move the pop culture needle that much. So, I ended up giving the West Week Ever to a dead woman – in a column that has a pretty strict No Death policy. This was kind of a slow week…

4/29/16 – Beyoncé

The singer dropped the surprise album Lemonade following their airing of her HBO special. One of the songs alluded to the possibility that her husband, Jay-Z, might have cheated on her. For the next week, everyone was pondering the identity of “Becky, with the good hair”. This is the kind of thing the drives pop culture. Totally deserved.

5/6/16 – Captain America: Civil War

I had seen the movie, and thought it was excellent.

5/13/16 – Captain America: Civil War

Then the movie made a lot of money. I mean, a fuckton of money.

5/20/16 – Nothing

It was just one of those weeks

5/27/16 – DC Universe: Rebirth #1

DC Comics lost a lot of fans after the New 52 event, in which they rebooted their universe. So, the Rebirth event was something of a mea culpa to those fans. More like a “Please come back! We promise to make stuff you’ll like again!” And for the most part it has worked. This special not only brought fan favorite Wally West back into the fold, but it also sort of introduced the Watchmen comic into the mainstream DC universe. We don’t yet know how that’s all going to play out, but this move helped DC to dominate more market share than Marvel for most of the year.

6/3/16 – Ecto-Cooler

I never really liked Ecto-Cooler. I mean, it tasted kinda like tropical piss, but I loved the fact that Slimer was on the box. That’s about where my nostalgia ended. But a lot of y’all out there LOVED that shit! So, when it was announced that Coca Cola was bringing it back in conjunction with the Ghostbusters movie, y’all started assembling street teams to track it down. I swear, if the 2016 election had been run in a manner similar to the vim and vigor displayed trying to track down green sugar water, I might actually have some hope for tomorrow!

6/10/16 – Awesome Con 2016

Slow week. Cool show, great company, but slow week.

6/17/16 – Hamilton

I discovered the Hamilton soundtrack the same week that it won 11 of the 16 Tony Awards for which it was nominated. We’ll talk more about the show later, but the West Week Ever was deserved, even if the wins did fall short of the Tony Award record.

6/24/16 – Black actors in Hollywood

This was more of a joke, as every Black actor in Hollywood was being cast in the upcoming Black Panther film. That trend has continued since this post. Still, slow news week.

7/1/16 – The 683 New Members of the Oscar Academy

Another joke. Due to the #OscarsSoWhite hashtag, signifying that the Academy was lacking in diversity, 683 people were invited to be members, bolstering the number of women and minorities. Still, slow news week.

7/8/16 – TNA’s The Final Deletion

Oh, man! This thing was incredible. They went on to milk it for the rest of the year, andI missed all subsequent installments. Still, this got me to pay attention to a wrestling promotion not owned by Vince McMahon, and for a brief moment, all wrestling eyes were on TNA to see what Matt Hardy would do next. Completely deserved.

7/15/16 – Pokemon GO!

This game came along and took the world by STORM. To say it was a success would be an understatement. It was envisioned to promote fitness, as kids would have to walk around to find perks and to get their eggs to hatch, but there were workarounds. Hell, I drove around looking for Pokestops. For about 4 weeks, this was all anyone could talk about. It was the Tamagotchi of a new generation, and I think, outside of all the political stuff, it’s one of the things we’ll remember most about 2016.

7/22/16 – Ghostbusters

It was a slow week, but Ghostbusters and the Republican National Convention were the only newsworthy events of the week. As much as we want to pile on that movie, it did take in a respectable $46 million, and it set a record for Paul Feig/Melissa McCarthy movies. I know a lot of folks don’t feel the movie’s deserving of any kind of accolades. As you saw above, I didn’t watch it, but I still think it’s not as bad as people would like me to believe. I swear, though, had they named it anything other than Ghostbusters, we’d still be talking about it.

7/29/16 – DC Entertainment

DC, back with their SECOND West Week Ever of the year? The word on the street was that they “won” San Diego Comic Con, with their new footage of Justice League, as well as the debut of the Wonder Woman trailer. Considering Marvel usually dominates SDCC, this was a feat worth acknowledging.

8/12/16 – Suicide Squad

The movie made $160 million in 5 days, which is nothing to sneeze at. Plus, I actually enjoyed it. I didn’t like it as a component of DC’s cinematic world building, but I liked it as a standalone thing on its own.

8/19/16 – Ryan Lochte

He was an Olympian at the center of a fake robbery attempt in a foreign country, who then fled to let his teammates take the fall. It’s the stuff of a great Aaron Spelling show. He had the West Week Ever simply because he got away with it.

8/26/16 – Guardians trailer

Slow news week, even if the trailer is pretty awesome. Billed as “Russia’s Avengers”, the English version of Guardians trailer started making the rounds because of its crazy action and gun-wielding bear man. Yeah, you’ve gotta see it to believe it. The movie might not even be released over here, and if it is, it’ll never get higher than cult status. Still, if you want to know what everyone was talking about that week, it was Guardians.

9/2/16 – Are You Being Served? one-off special

Some might say this was a slow news week, but I think this applied the West Week Ever to an international stage when I typically just focus on the US. After all, this special didn’t even air in America (nor has it since, nor do there seem to be plans to do so in the future), and I had to resort watching it on YouTube. Still, I grew up with Are You Being Served? and I was more than curious to see how an update of it might hold up. With a few small exceptions, it was pitch perfect, and definitely in the spirit of the original series. This one might’ve been a bit personal for me, but I think it was the best part of this particular week.

9/9/16 – Atlanta

The show just won the Golden Globe for Best Comedy Series. I think I called this one correctly.

9/16/16 – Better Late Than Never

Another personal one for me, but it’s my site, so whatever. I’m more than certain none of my friends were watching this show, but I watched it weekly with my mom and we enjoyed it. I wrote about it to get folks to seek it out, but I doubt that happened. Still, in a week when nothing happens, things like this are allowed to shine.

9/23/16 – Lindsay West

Mah wife. Running your first half marathon is pretty impressive. And nothing happened in the overall pop culture world. If you’ve followed West Week Ever since the beginning, you know that every so often some random person gets the honor. Hell, last year, my kid had the West Year Ever, so you never know where I might play that card.

10/7/16 – Luke Cage

It broke Netflix! So many people tuned in that Netflix couldn’t handle it. I still haven’t seen it, but I haven’t heard a bad thing about it other than the fact that it kinda drags in the middle – like most Marvel Netflix shows.

10/14/16 – Will & Grace

Considering I think I was the only one impressed by this Will & Grace special that was designed to get folks to get out and vote, I’m sure a lot of folks disagreed with this choice. Still, if you were a Will & Grace fan, then you can’t deny how great it was to see those characters in a way that felt like they’d never left us.

10/21/16 – Logan trailer

Can’t say much more because the movie’s not out yet, but we were ALL talking about this after it dropped, and it’s on most folks’ most anticipated movies of 2017 lists. I don’t think it’s going to disappoint.

10/28/16 – The Walking Dead

I don’t watch it, but I did tune into this episode just to watch a man die. Or two men. Whatever. All folks could talk about this week was whether or not the show had gone too far. The Walking Dead dominated the discussion, so this West Week Ever was well-deserved.

11/4/16 – The Chicago Cubs

Um, the “cursed” team won their first championship after 108 years. Yeah, this was deserved.

12/2/16 – Search Party

I don’t feel like a lot of my readers had seen the show when I wrote this, but I know a few who checked it out because I’d written about it. That’s why I do this, kids! It was one of my favorite shows of 2017, and if you haven’t checked it out yet, I’m not quite sure what you’re waiting for.

12/9/16 – Hamilton

Hamilton for the second time this year. The last time was for its Tony wins, but this one was two-fold: The Hamilton Mixtape was released and a beautifully pirated copy of the play was uploaded to YouTube. I watched it during the 5 days that it was allowed to stay on the site, and I can now die saying that I saw Hamilton. This was on the heels of a controversy where the cast members took a moment to address Vice President-Elect Mike Pence while he was taking in the show. For the next week, the conversation was whether or not they should’ve done that. So, it’s safe to say that Hamilton was on everyone’s lips around that time.

12/16/16 – WWE’s New Day

Yeah, then they lost two days after I posted this. I guess that’s how the cookie crumbles. Still, they deserved the West Week Ever for all they had put in leading up to this point.

12/23/16 – Rogue One: A Star Wars Story

It was the last thing to make a dent in pop culture before the clock ran out on 2016. A lot of folks are saying it’s one of their favorite Star Wars movies. I don’t really get that, but I’m happy for them if that’s the case. I thought it was entertaining, but I didn’t really like it. It’s hard to explain, and I’ve tried. Still, there’s no way anything else is going to take center stage when there’s new Star Wars to be consumed.

So, who had the West Year Ever? In the past, I’ve added up who had the most West Week Ever wins and then it’s a runoff. If we’re being honest, Death had the West Year Ever. There were SO many celebrity deaths this year, that it would take another post just to do a proper In Memoriam for everyone we lost. And of course, you have those guys who wanna “Neil deGrasse Tyson” everything by pointing out that people die all the time, or that the year is an arbitrary number. Whatever, asshole. That doesn’t help anybody, and it’s why you don’t get invited to many parties. Anyway, I don’t like to focus on death in West Week Ever -not because it’s morbid, but more because I feel like I’d have to acknowledge every celebrity death, even when I didn’t personally give a shit about that person. Ain’t nobody got time for that!

Doing the math, it’s a three-way tie between DC Entertainment, Captain America: Civil War, and Hamilton. DC Entertainment really stepped up this year, taking a good chunk of the comics market share away from Marvel, as well as by launching their cinematic universe. After years of being the joke of the industry, DC finally started pushing back. And the Rebirth initiative didn’t hurt things, either. Meanwhile, not everyone loved Civil War. I did, but even I’ll admit that it’s basically “Dawn of Justice Done Right”. They’re both superhero slugfests that surround the concept of dead moms. Some called it “Civil Bore”, but I don’t agree with that. Still, I have to kind of acknowledge that there is a divide out there. Finally, there’s Hamilton. It had a big year, but I don’t know if we’ll look back and say “Hamilton really came into its own in 2016.” If anything, that’s more likely to happen at a time when the show can more easily be consumed by the masses. So, Hamilton’s year may actually be ahead of it, but it’s not 2016. So, I think it’s pretty clear. 2016 was the year where retailers stopped buying everything Marvel was selling, and so did the fans. The quality of Marvel’s output was in question more this year than it was in recent years, yet people still seemed to be able to find positive things about the DC Universe. Meanwhile, their movies might not be your cup of tea, but they made money, and the critics haven’t deterred them from forging ahead. So, with that, I believe I simply have to admit that DC Entertainment had the West Year Ever.

13th Jan2017

West Week Ever: Pop Culture In Review – 1/13/17

by Will

In movie news, we got a trailer for CHiPs, starring Dax Shepard and Michael Peña. That’s right, the California Highway Patrol are gonna get their own film. And I couldn’t give two shits. I’ve probably seen 3 episodes of that show in my lifetime, so there’s no nostalgia factor for me there. I’m going into this the same way I went into Starsky & Hutch – another show I’ve never seen. I thought the trailer, however, was kinda funny. I’ve heard a lot of folks ragging on it, as they see it as the “21 Jump Street Model” being applied to the CHiPs franchise. I feel like, without it being a comedy, there’s not really much you can do with that concept. It’s cops on motorcycles. How do you add drama to that? One of them gets a flat tire? I like the fact that it’s a comedy, though the trailer is far from the funniest thing I’ve seen. There’s no way I’m setting foot in a theater to see it, but I’m totally gonna watch it, either via Redbox or “Other”. I mean, Peña is a national treasure. He’s great in everything he does, and I feel like the only reason he doesn’t get more accolades is due to his alleged ties to Scientology. Anyway, a CHiPs movie is coming. Tell your grandpa!

During the Television Critics Association winter press tour, The CW surprised everyone by announcing the early renewal of 7 shows, including Arrow, Legends of Tomorrow, Supergirl, The Flash, Supernatural, Crazy Ex-Girlfriend, and Jane the Virgin. This is a major win for Ex-Girlfriend, seeing as how it’s the lowest rated show on broadcast television. This will also be whopping season 13 for Supernatural, which I can’t even believe. I joked on Twitter that star Jensen Ackles must’ve made some kind of Faustian deal around season 5 that he can’t figure out how to get out of. Like, those dudes are completely typecast at this point, where they have nothing to look forward to other than a life on the convention circuit. But it’s good work if you can get it!

Anyway, the most surprising news was that The CW was resurrecting Constantine, starring Matt Ryan…as an animated series. Yes, Constantine will join Vixen as a CW Seed original webseries. Ugh. I’ve expressed my disdain for webseries in the past, but it’s not like I was gonna watch it anyway. I only liked Constantine in his cameo on Arrow, but never watched his series. And the Vixen CW Seed show was so forgettable that I can’t even remember if I finished both seasons. But who knows? Maybe this will be good? I’ll wait til someone I trust recommends it.

Surprising no one, it’s being reported that Girl Meets World is being shopped around to other platforms. In recent interviews, it was revealed that Disney Channel wouldn’t let the show explore some themes that the writers wanted, but I still think it got pretty heavy for Disney fare. Anyway, I wouldn’t be surprised if it ended up at Freeform or Netflix. It seems like everyone would be on board, and maybe it could last as long as its predecessor.

In the world of comics, it was announced that Brian Michael Bendis would be writing a Defenders comic, to be released around the time of the Netflix series of the same name. The series will feature Daredevil, Jessica Jones, Luke Cage, and Iron Fist. I feel this is bad news for writer David Walker, however, who happens to be writing the current Power Man and Iron Fist comic. Sure, there are multiple Spider books and multiple Iron Man books, but I just don’t see those guys carrying multiple books, especially considering the low sales on PM & IF. I don’t know if I’m looking forward to this or not. On the one hand, I love Jessica Jones and, besides Miles Morales, think she’s the greatest Bendis contribution to comics. I also love how he writes Luke Cage. He got his chops writing Daredevil, so he should be good there, too. At the same time, he’s not the writer he used to be, so I’m not sure if he’s got “It” right now. Still, I’m a dumb fanboy, so I’ll be checking it out when it hits stands.

Things You Might Have Missed This Week

  • The cast of Downton Abbey has been told to clear their schedules for a possible film. I still need to get past season 4, so I don’t even know what a movie would be about at this point.
  • Love Connection is returning to the airwaves, courtesy of Fox. Chuck Woolery, however, will be replaced by Bravo’s Andy Cohen.
  • Speaking of Fox, primetime soap Empire was renewed for season 4. I finally gave up on it this year, so good luck with that!
  • Breaking Baddie Gus Fring is rumored to be showing up on Better Call Saul next season.
  • American Horror Story has been renewed by FX for seasons 8 and 9. I’ve never seen any of them, but I know some of y’all liked the early seasons at least.
  • David Goyer and Justin Rhodes have been hired to write a Green Lantern Corps film, which will star Hal Jordan and John Stewart

  • This adorable 4-year old, Daliyah Marie Arana, has already read over 1,000 books and visited the Library of Congress as Librarian for the Day

  • Sky TV in the UK was going to air a special about Michael Jackson, but the episode has been cancelled after fan backlash when a photo of White actor Joseph Fiennes as Jackson was released

The 74th Annual Golden Globe Awards were held last Sunday, celebrating the best in television and film. Surprising everyone, freshman show (and former West Week Ever recipient) Atlanta won the Golden Globe for Best Musical or Comedy in Television. To top things off, though, its creator and star, Donald Glover, won Best Actor in a Comedy. It was well deserved, as the show was nearly perfect, and Glover was behind all of it. Well, Glover’s week got even better a few days later, as he inked an exclusive development deal with FX Productions. The only bad news was that FX announced season 2 of Atlanta will be delayed until 2018 because Glover’s so damn busy. After all, he’s got to film his Lando Calrissian scenes for the upcoming Han Solo film. So, I think it’s safe to say this was Donald Glover’s week, which is why he had the West Week Ever.

Programming Note: I’m skipping next Friday because it’s the inauguration, and I’m sure this post will be the last thing on your minds. BUT tune in next Wednesday for West YEAR Ever!

23rd Dec2016

West Week Ever: Pop Culture In Review – 12/23/16

by Will

Happy Birthday to me!!! Seriously, I should’ve just taken the week off, since A) it’s my birthday, B) I blew my blogging wad earlier this week, and C) nobody ever reads this thing on holiday weekends. So, brace yourself for the most phoned in West Week Ever you’ve ever seen!

Earlier this week, I posted The Greatest Threat To The Direct Market Comic Retailer IS The Direct Market Comic Retailer. Plainly put, comic retailers are their own worst enemy, but the industry also isn’t helped by the dinosaurs (both retailers and consumers) who refuse to grow with the times. There’s not really much more I can say that I didn’t say in the post, but check it out if you haven’t yet. It’s gotten some great feedback, and I’m pretty proud of it.

Justice League Action finally premiered last Friday as a “special” on Cartoon Network. I haven’t watched it yet, but it’s on my DVR. Look for a review next week. In the meantime, when looking for this image, I found a lot of YouTube clips using the word “FAIL” in regards to the series, so I guess folks aren’t liking it? Or maybe it’s the fact that it’s geared towards younger kids while older folks were probably hoping for a JL show like we had 10 years ago? Like I said, I’ll form an opinion by next week.

In Power Rangers news, Lionsgate continues to fail at properly marketing the film, as the toys keep revealing more than the studio. Earlier this week, a Toys “R” Us commercial online revealed the movie design for Rita’s henchman Goldar, and let’s just say it wasn’t pretty. It’s interesting that he shares similar design aspects to the Megazord, complete with wings and head shape. It just looks like someone poured melting gold on the Megazord. Is that what happened? After all, Rita’s suit is clearly a damaged Green Ranger suit, so is Goldar a damaged zord? Anyway, I’m hoping this is one of those designs that just doesn’t translate well to plastic, but will look better onscreen. Maybe? Hopefully?

I had the pleasure of joining my pal Corey Chapman for the latest episode of The Chap Report, where we discussed a LOT of politics. Like, a lot. If you only like me ranting about toys and comics, you’d probably best skip to halfway into the episode. Otherwise, enjoy as I talk about Russia, Trump, and Rogue One. Check it out here!

Things You Might Have Missed This Week

  • The old folks just don’t know when to quit, as we got word that both The Expendables 4 and Sex and the City 3 are happening. I’ve never seen any of The Expendables franchise, while I skipped out on SATC after the first one where we learned Miranda had let her bush become a forest. Poor Steve…
  • Journey, Electric Light Orchestra, Tupac, and some other folks will be inducted into the Rock & Roll Hall of Fame. Yeah, Tupac. I’m just happy about Journey and E.L.O.  Now, let’s just hope former Journey frontman Steve Perry shows up for the ceremony.
  • Seth MacFarlane’s unfortunately unfunny Patrick Stewart vehicle, Blunt Talk, has been canceled by Starz after 2 seasons.
  • Some chick named Camila Cabello left something called Fifth Harmony. I am old, and don’t know what either of those things are. No, I’m kidding. It’s a girl pop group, but I can’t name a single one of their songs. Anyway, the other 4 Harmonies will carry on, but that can only work for so long.
  • Blizzard confirmed that the character Tracer in the video game Overwatch is a lesbian, and a certain corner of fandom lost their shit. No, I’m not gonna say their name because they’re always searching for that kind of thing. Let’s just say it rhymes with Hamerhate.
  • Blac Chyna took her baby and left boyfriend/baby daddy Rob Kardashian. I feel bad for Rob, but that’s what you get for having a baby with a chick whose name makes her sound like a really racist supervillain.
  • The Ghostbusters 101 comic was announced, which will see the original Ghostbusters travel to an alternate dimension to team up with the 2016 “Answer The Call” Girlbusters.

So, I guess it’s pretty obvious that Rogue One: A Star Wars Story was the belle of the ball this week. I mean, I haven’t seen it, but people I trust saw it and really liked it. I hear there’s so many great characters, like Trixie Bang Bang, Gay Karate Man, and Sass Bot. To be honest, I’m in no real rush to see it. Just like I don’t like my Trek without an Enterprise (with DS9 as the exception), I don’t like my Wars without Skywalkers. I get that this sets up A New Hope and everything, but that just isn’t enough to get my butt in a theater seat right now. Still, it has made $290 million in the US at this point, and that’s nothing to shake a stick at. So, in a week where very little happened, nothing even came close to the status of Rogue One, and that’s why it had the West Week Ever.

Merry Christmas, Happy Hanukkah, Kickin’ Kwanzaa, and maybe I’ll see ya again before the new year!

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