29th Jul2016

West Week Ever: Pop Culture In Review – 7/29/16

by Will

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The Equalizer is what Rod from The Black Guy Who Tips Podcast would call “An Impossible White Man” movie. That’s when a (usually) White male protagonist gets away with a whole lot of crazy, death-defying shit that no one should be able to survive. There’s a caveat, though, that this doesn’t only apply to White males, despite its name. For example, ScarJo’s Lucy could be considered an Impossible White Man role. It’s more about branding than accuracy. Anyway, in The Equalizer, Denzel Washington plays a former black ops dude who’s trying to live a quiet life working at a Home Depot (they don’t call it Home Depot, but I know one when I see it!). He lives a meticulous, almost OCD life, dining at the same diner, bringing his own teabags, and placing his utensils in a certain manner. Another regular at the diner, played by Chloe Grace Moretz, happens to be a Russian prostitute, and when she gets roughed up by her pimp, Denzel comes out of retirement to exact revenge – not just on her pimp, but on the whole Russian organized crime establishment! The crazy thing to me is that the mob didn’t even kill Moretz – they just beat her up, yet Denzel proceeds to leave a trail of bodies for a girl he barely even knows. The action in it is insane, so I’ve got to hand it to Denzel, who’s no spring chicken. Anyway, it’s definitely worth checking out, even though they’re apparently making a totally unnecessary sequel.

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I’ve wanted to see The Bronze since the moment I first heard of it. It stars, and was written by, Melissa Rauch, who you wouldn’t know as Bernadette from The Big Bang Theory because I’m sure you’re too cool to watch that show. Anyway, Rauch plays Hope Ann Greggory, a foulmouthed Bronze medalist gymnast from the 2004 Rome Olympics who is still milking what’s left of her fame in her small town of Amherst, Ohio. She became a hometown darling for winning the medal despite being injured, Kerri Strug style. Now, 12 years later, she’s got no job, still lives with her postal worker father, and steals money from his mailbag. She cruises around town, blasting hip hop while going to the mall to pressure folks into giving her free stuff. Long story short, her life is going nowhere. Meanwhile, Maggie, a young promising local gymnast is headed to Nationals, and she just may make the town forget all about Hope. Feeling threatened, Hope wants nothing to do with Maggie. That is until Hope’s former coach commits suicide. In her suicide note, she promises Hope $500,000 if she’ll agree to coach Maggie all the way up to the championships. Suddenly Hope has a purpose, even if it’s just so she can get that money. At first, Hope tries to sabotage Maggie until former beau/rival Winter Soldier Sebastian Stan comes along and tries to steal her away from Hope so that he can coach her. Hope gets no money if this happens, so she decides to take the training seriously and actually train Maggie for success. I won’t spoil the ending for ya, but I’d highly recommend watching it if only so you can see that crazy ass gymnastic sex scene between Rauch and Stan. Trust me when I say you’ve never seen anything like it. While it may not have been as bust-a-gut hilarious as I thought it would be (it is kinda dark after all), I still really enjoyed it and felt it could easily become a quotable cult hit. My favorite lines include “Absence makes the dick grow harder. You better not have gotten any clit jizz in my car!” and “This is what I wear. THIS IS WHAT HEROES WEAR!” Anyway, if you ever get the chance to watch this, check it out.

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I love The Lonely Island. I love their albums, I love their digital shorts, and I love their movies. Though it bombed in theaters, Hot Rod is hi-larious, so I had nothing but high hopes for Popstar: Never Stop Never Stopping. In the film, the Lonely Island guys were once a boyband called StyleBoyz. Eventually, they had a disagreement that caused them to break up, and Andy Samberg’s Conner4Real became a Justin Bieber-esque solo artist. His debut album was called Thriller, Also and it sold 4 million copies. Now, as the movie starts, it’s on the eve of the release of his second album, CONNquest. He partners with a company called Aquaspin that’s going to package his album with their home appliances, so his music will be coming out of refrigerators, microwaves, etc. Well, this plan fails miserably, as some folks even see it as a violation of privacy. His album tanks, and the film follows Conner as he deals with all of that. At the end of the day, it feels like a REALLY long SNL Digital Short, and it’s completely built on its cameos. Like, it’s sort of amazing how many music stars they got to agree to be in this movie – some of whom I didn’t even know had a sense of humor, like Nas. And if you follow The Lonely Island, then you already know some of the cameos you’re gonna get (hint: “Dick in a Box” and “Jack Sparrow”). While I didn’t laugh as much as I did at Hot Rod, it was still pretty funny, and I think I got exactly what I was expecting. Also, I’ve given him some shit online for taking terrible TV roles (all of his shows get cancelled), but Tim Meadows playing a parody of boyband manager Johnny Wright is probably my favorite Meadows role since The Ladies Man. Oh, and look for the brief cameo by original Black Ranger Walter Emmanuel Jones! Anyway, I definitely recommend this movie.

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So I saw Batman: The Killing Joke in the theater on Monday as part of a Fathom Event. There had been a lot of controversy surrounding the movie, as it’s based on a controversial story. If you’ve never read it, The Joker cripples and sexually assaults Barbara Gordon and then shows the pictures to her father in an attempt to drive him insane. To further the controversy, however, in order to pad out the story to a feature-length movie, the writers added some additional material – including a scene where Batgirl and Batman have sex on a rooftop. A lot of folks took issue with this because they believe that Batman serves as a father figure to the other members of the Bat Family. I actually disagree somewhat. I think he’s a father figure to Robins, but Batgirl is a different story. Plus, there’s already a precedent for a relationship between the two, as this was established in The Animated Series/Batman Beyond continuity. In fact, it was the relationship between Bruce and Barbara that drove Dick away, causing him to establish the Nightwing identity. Further along, in Batman Beyond 2.0, the comic that is set in this continuity, Barbara becomes pregnant by Bruce, but loses the baby after an attack. So, as you can see, Bat Banging happens.

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Anyway, the first 25 minutes feel like a tacked on “This is why you should care about Barbara Gordon/Batgirl, so when we cripple her, it’ll matter to you” prologue. It honestly does feel like a lost episode of The Animated Series, even though it’s a slightly different animation style. It’s got the same voice actors, and even the Batmobile from The New Batman Adventures. It’s generally an unspoken rule that every artist/designer does their own take on the Batmobile, so it’s almost like they went out of their way to make it feel familiar. An up and coming mobster takes a shine to Batgirl and makes her chase him around the city. Meanwhile, Batman isn’t treating her like an equal partner, so she’s actually welcoming the attention from the mobster. It all culminates in that rooftop sex scene, which then results in her deciding to hang up the cape and cowl. Again, it’s a good “lost” episode, but it’s almost superfluous to what’s to come in the rest of the movie. The writers probably felt like the prologue would strengthen Batgirl’s character, but it actually does the opposite. She comes off as an annoying single gal from a romantic comedy who can’t understand why Batman won’t see the potential in her. She even comes with her own stereotypical gay best friend, to whom she complains about the lack of attention from Batman.

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The rest of the film plays out like the comic you probably know and hate. The sad thing, though, is that Barbara Gordon is nowhere near as important to The Killing Joke as The Killing Joke is to Barbara Gordon. What I mean is that the story changes the character (almost) irreparably, while she contributes very little to the story itself. Her attack is simply a mcguffin used to break her father. It really doesn’t matter that she’s Batgirl, as it’s not like her crippling happened “in the line of duty”. I mean, her attack doesn’t even spur her father OR Batman to action. The story ends on a joke, for God’s sake, which I’ve always felt somewhat belittles what happens to her. There’s no reason to strengthen Batgirl/Barbara as she doesn’t leave the story a hero. Contrary to how it’s been sold over the years, it’s not Barbara Gordon’s story. She’s just collateral damage in a different matter altogether. I mean, Batman tries to reason with the same guy who has killed one partner and maimed another. The story has never made a ton of sense to me, but it’s always lauded because “Alan Moore”. Anyway, if you want to see a faithful adaptation that brings the story “to life”, this was a pretty good adaptation. The new material is unnecessary, but the stuff you’re familiar with is still familiar here. It’s worth seeing, if only for the discussion it’s bound to trigger. If you want to read more of my thoughts on the film, I was invited by the kind folks at Action A Go Go to write a review, so check it out!

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On TV, I caught the lackluster return of MADtv, now airing during prime time on The CW. A Dora parody in 2016? And it really botched the political stuff, which should be left to SNL. Elizabeth Warren as a Def Jam comic? It all just felt so dated. Like, it would’ve been out of place during the original run of the show, let alone the reboot. Their makeup person should be fired. If anyone’s gonna be a breakout star from this incarnation, it’ll probably be Michelle Ortiz. She kicked off the show with a prayer to the dark lord Satan, and then starred in the aforementioned Dora sketch. Will Sasso came back to do his Kenny Rogers impression, which is hella dated. When’s the last time anyone talked about Kenny Rogers? And it was kinda cheap that they used a “classic” sketch with Key & Peele. At this point, the show feels more like a summer burn-off than a promising debut. I know it’s just the first episode, but I wouldn’t be surprised if it got canceled after these 8 episodes, to merely become a footnote on a Wikipedia page.

In TV news, #DontCancelGirlMeetsWorld was trending earlier this week. As the story goes, the cast of Girl Meets World filmed the 3rd season finale this week, and there’s no official word on whether the show will be renewed. Star Rowan Blanchard sounded kinda bleak with the following tweet:

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I don’t really know what the ratings situation is, but I don’t think folks have anything to worry about…yet. You see, I’m fairly certain the show will be back for a 4th season because Disney likes to get as close to 100 episodes as they can. There are already 58 episodes of the show, but they’ve been doing 30-episode seasons lately. So, the good news is that they still have a ways to go. The bad news, however, is that it’ll probably be done after episode 100. Again, Disney doesn’t like to do more than 100 because it’s just not profitable for them after that point. Even Jessie got 98 episodes, and it was nowhere near as beloved as GMW. The thing to point out is that, barring a time jump, we’ll never get to see Riley and the gang graduate. She’ll never get to meet the World to which the show is meant to introduce her. Anyway, according to the pic above, the season appears to be going out with a bang, with a mega reunion of the Boy Meets World cast – including BOTH actresses who played little sister Morgan. I feel like the show gets way too heavyhanded at times, but I’d be sad to see it go. Still, it opened the doors for other revivals, like Fuller House, so who knows what we’ll end up with next. Perfecter Strangers? Just The Eleven of Us?

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In other TV news, it was announced that the new Star Trek series would be called Star Trek: Discovery. The show will air on CBS All Access in the US, and on Netflix everywhere else. Why couldn’t it be on Netflix EVERYWHERE?! I mean, who doesn’t have Netflix? Anyway, the show will be set on the U.S.S. Discovery, NCC-1031, in the prime timeline (not the J.J. Abrams “Kelvin” timeline of the recent movies). I know it’s the future and all (so the holiday probably doesn’t even exist anymore), but someone better make a joke about how it’s basically the “USS Halloween”. Anyway, we were introduced to the ship in a teaser video that debuted at SDCC. I hate the design of this ship. The saucer is fine, but the secondary hull is way too angular. If you know your Trek, it kinda reminds me of an IDIC. As I said on Twitter, it looks like that Star Trek pizza cutter that ThinkGeek’s always trying to get people to buy.

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When it comes to Marvel, I guess I ought to do an SDCC wrap-up. Let’s see…OK, Brie Larson was confirmed as Captain Marvel. Yay? I mean, I have no real opinion on that casting one way or another. Folks seem to like her, so I guess it’s a good choice. I just don’t know that much about Captain Marvel. I was more of a fan before she was promoted to Captain. We also got the full trailer for Luke Cage, as well as teaser trailers for Iron Fist and The Defenders. A friend on Twitter said “You know it’s a Marvel Netflix show when there’s a fight in a hallway”, and that’s exactly how I felt watching the Cage trailer. People like to say the Marvel movies are too formulaic now, but I feel that way about the Netflix shows. I haven’t even touched Daredevil season 2 yet because I’m just sort of tired of their whole gritty thing. We didn’t see enough of Iron Fist to really make an opinion, but at least it didn’t trigger the cries of “He should’ve been Asian!” like I thought it would. I don’t know if folks have moved on from that or if they were just too overwhelmed by all the other SDCC news to even think about it. I know folks don’t like to “count” the Fox stuff, but we got a trailer for the X-Men related show, Legion. It actually looks intriguing, but I’m not sure I’m ready for yet another Marvel show that’s only tangentially related to a movie franchise (looking at you, Agents of S.H.I.E.L.D.).We also got a trippy new Doctor Strange trailer, but that movie’s just not registering for me. I don’t like the magical side of the Marvel Universe, so there’s really nothing to lure me in at this point. I mean, I’ll see it but, as the kids say, I’m not “hype” for it. And there was supposedly some footage of Spider-Man fighting Vulture, but that’s not a sentence that fills me with excitement. I always felt Vulture was, like, a 3rd-tier Spider-Man villain, so I don’t care who’s playing him because it’s going to take a lot of convincing for me to take him seriously. I don’t mean to sound so “meh” about Marvel’s showing, as there was some notable stuff there. I just felt like the presentation was more of the same.

Things You Might Have Missed This Week

  • Netflix has ordered a second season of one of my favorite shows of 2015: Scrotal Recall. Since the title is off-putting, however, the show will be renamed Lovesick.
  • The Vampire Diaries will end after season 8. With it and Teen Wolf gone, how will our teenage daughters embrace their desire to bang monsters?!

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  • Speaking of Teen Wolf, we got our first look at Tyler Hoechlin as Superman on Supergirl next season. Yeah, not feeling it. He looks like some dude off Tindr who went to a Halloween party dressed as Superman. He’s not built enough.
  • Ghost Rider Robbie Reyes will be appearing on Agents of S.H.I.E.L.D. next season. As someone on Twitter said, he’ll probably just be a guy in a leather jacket who has smoke come out of his ears one episode. TV budgets!
  • Thor: Ragnarok will officially incorporate aspects of the Planet Hulk storyline into the movie, with Hulk’s armor on display at SDCC
  • In Guardians of the Galaxy Vol 2, Kurt Russell will officially be playing Star-Lord’s dad in the form of Ego The Living Planet
  • Reportedly, a reboot of The Rocketeer is being developed with a Black woman as the title character.
  • Apparently the human stars of Sesame Street have been let go as the show heads in a new direction. I figured Elmo had taken out a hit on them years ago, so I was surprised to learn they were even still around.
  • Viacom announced that VH-1 Classic will be rebranded as MTV Classic on Monday. The network will air 90s programming, like Daria, Beavis & Butthead and, most importantly, music videos!

Links I Loved

The Wedding Crasher of Lincoln, Neb. – The New York Times

I Need To Move: A Pokémon Go Sob Story – The Workprint

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I never thought I’d be saying this, but I think that DC “won” SDCC. They definitely brought their “A” game on all fronts. For the TV shows, we got new trailers showing the effects of “Flashpoint” on the cast of The Flash, while also showing Oliver putting together a new team on Arrow. Speaking of the TV shows, it was announced that Katie Cassidy scored one of those “Berlantiverse” series regular contracts like Wentworth Miller and John Barrowman got. So, even though Laurel’s “dead”, she’ll now be able to pop up wherever she pleases, including The Flash and Legends of Tomorrow.

On the movie front, they made one final push for Suicide Squad with a “remix” trailer that they showed in Hall H. I hate to say it, but I think they’re wearing me down. I had said I had no plans to see it in the theater, but now I have a morbid curiosity about it. We also got the trailer for The LEGO Batman Movie, which was exactly what I thought I was gonna get when I watched LEGO DC Comics: Batman Beleagured. That movie was a toyetic disappointment, but this looks hilarious. I love Will Arnett’s Batman because he has this comedic douchebaggery to him that just makes everything he does funnier. I can’t wait for that to come out.

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Now for the big boys. I did not like Batman v Superman: Dawn of Justice. I still haven’t seen the Ultimate Edition, so maybe I’ll change my mind. Or just lose more hours of my life. Still, that movie soured me on the Zack Snyder DC Cinematic Universe. It made me not want to see Suicide Squad, and it made me fear for what a full scale Justice League movie would entail. Then I saw the footage they revealed at SDCC. The movie’s only been filming for a few weeks, but it already looks really good. Hell, it looks great. I didn’t hate Ezra Miller as Barry Allen as much as I thought I would. I was thoroughly impressed by Cyborg’s appearance onscreen. I liked the humor, as the tone didn’t seem as dark of Dawn of Justice, even though they’re supposedly facing a bigger threat. It was kinda weird seeing Bruce Wayne in the Nick Fury recruitment role, as Batman isn’t exactly a “joiner” unless it’s his own Bat Family. Still, I can buy it, and roll with what they’re trying to do. I am actually looking forward to Justice League, which is not something I could’ve said back in March.

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The true gem of all the trailers, however, was the Wonder Woman trailer. It’s funny – Whenever people talk about the fact there’s a Wonder Woman movie coming, someone tends to always chime in with “It’s about time”. I also roll my eyes at this person because I never really saw the potential of a Wonder Woman film. I’m the guy who points out there are very few “definitive” Wonder Woman comic runs. To me, she hadn’t “earned” a movie, so there was no “about time” about it. Then I saw the trailer from SDCC, and I thought aloud “It’s about time”. I would never call myself a “Wonder Woman fan”, but I’m trying to learn more about her so I can indoctrinate my daughter at an early age, and WW is the gateway drug (kinda like how every early ’00s article about comics said you should introduce your girlfriend to comics by having her read Blankets). I went from casual fan to “OH MY GOD WHERE CAN I BUY TICKETS?!” in the span of that trailer. It’s amazing how we were all against Gadot when she was first cast, and now I can’t imagine anyone else in the role. I did, however, kinda dislike how the lasso was animated, but maybe it’ll look better on the big screen. Anyway, I feel like DC ruled Hall H this year – something that’s usually a notch on Marvel’s belt. For this reason, I think DC Entertainment had the West Week Ever.

22nd Jul2016

West Week Ever: Pop Culture In Review – 7/22/16

by Will

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On the movie front this week, all I watched was The Night Before. In case you forgot about it, it’s the film where Det. Robin John Blake, Falcon, and Green Hornet have a crazy adventure on Christmas Eve because of some weed they got from General Zod. Yeah, I’m a comic book kid, so that’s the lens through which I saw this movie, at least at the beginning. Once that wore off, I took it for what it was, which was a laugh riot. I know Seth Rogen is polarizing, kinda like Will Ferrell, but I thought this movie was hilarious.

I’d never seen Anthony Mackie in anything not a Marvel movie, so it was nice to see he’s got comedic chops. Rogen delivered what you’d expect from him (including the obligatory cameo from his bromantic partner, James Franco), and Joseph Gordon-Levitt was good as the straight man. When they were in college, Gordon-Levitt’s parents were killed by a drunk driver at Christmas, so his friends, Mackie and Rogen, start a tradition where they hang out every Christmas as his new family. Well, fourteen years have passed, and things have changed. Rogen is married with a baby on the way, Mackie is a successful NFL player, while Gordon-Levitt is just sort of coasting through life, with a dead end job and a recently failed relationship. With everything changing, Mackie & Rogen decide that this is going to be the last Christmas they uphold their tradition, but aren’t quite sure if Gordon-Levitt can handle it. Meanwhile, they score invitations to The Nutcracker Ball, which is this insane Christmas party they heard about years ago and always wanted to check out. Throw in some drugs, Ilana Glazer, some dick pics, and subtle Home Alone references, and you’ve got yourself The Night Before. Again, I really enjoyed this movie, even though The Nutcracker Ball was something of a disappointment. I mean, it had been built up as this sort of tribute to Bacchus, but all it ended up being was a bar party with a Miley Cyrus cameo. Anyway, I can totally see making this a part of my Christmas movie rotation.

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In movie news, they’re already talking about Star Trek 4 set in the Kelvin Timeline. Now, the fact that they want to continue the franchise isn’t much of a surprise, but it is interesting considering there is basically no hype for Star Trek Beyond, which officially opens today. I mean, this is the movie opening during the Star Trek franchise’s 50th anniversary, and nobody seems to care about this thing unless they’re already a Trekkie/Trekker. The movie doesn’t seem to be tracking that well for the average theatergoer. Anyway, they’re saying that Chris Hemsworth will reprise his role of Captain Kirk’s father from the 2009 film, albeit with more screen time this go ’round. On the one hand, I get it, but on the other I don’t. Sure, he’s Thor and he just had a turn in Ghostbusters, but Hemsworth is far from a “bankable star”. Blackhat bombed, The Huntsman: Winter’s War bombed. He’s one more bomb away from being the next Jai Courtney. It’s not unusual for a studio to get a jump on planning a sequel, but I really think they’re going to be disappointed by this weekend’s Beyond box office, making them rethink plans for the next one.

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In other movie news, it’s being reported that the finale of the Divergent film series will skip theaters entirely, and be reformatted into a TV series. The Divergent Series: Ascendant was supposed to open in theaters next summer, but the box office reaction to the last film, Allegiant, wasn’t so positive. At this point, it’s not even clear if the film’s cast would be included in this TV adaptation, or if there would be a new cast entirely. Franchise star Shailene Woodley said that she doesn’t know what’s going on. I have no clue what this franchise is about, as I’m not a 14 year old girl. Since it’s based on a young adult novel, I take it to be about a strong, courageous young girl who will lead them all. Only they’re not hungry in this one, right? I dunno, man. Anyway, this is the second time in recent months that a film sequel was reported to be retooled for television, as Kevin Smith said the same thing was happening with the sequel to Mallrats. I know the television landscape is changing, but this still feels like something of a vote of no confidence.

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In Power Rangers news, we got our first look at the Rangers in their suits, with retractable visors. I’m just really not feeling the look of these things. I get that they’re going more “alien” with the designs, but that doesn’t work for me. The thing with Sentai is that you can really only deviate so much from certain tropes before things start looking like Chinese knockoffs that you find in an airport gift shop. I think there’s a certain level of camp inherent to the brand that this movie isn’t really embracing. Instead of Power Rangers, it’s starting to just look like Tattooed Teenage Alien Fighters From Beverly Hills with a bigger budget. Some folks still can’t get over the molded breasts on the female Rangers’ suits, but I haven’t gotten to that point yet. While somewhat distracting, I feel like there are bigger potential issues with this film right now.

Power Coins

We also got our first look at the movie power coins, which some folks are jokingly calling “cookie morphers”. I HATE these things. They’re so nondescript. It’s been pointed out that the green coin is in Rita’s staff, furthering the rumors of her connection to the Rangers, but I think they could’ve done something more here. Maybe they weren’t going to be standard “coins”, like we’re used to seeing, but they could’ve been something that looks better than flattened rock with some color dashed on it. They’re clearly not making this movie for fans, but for the general public. After all, most PR fans I know are saying they’re “cautiously optimistic”, but nobody is just jumping at what they’ve seen so far. That’s the smart play – make it for the man on the street. But just don’t expect the fans to automatically glom onto something that doesn’t feel right.

 

Things You Might Have Missed This Week 

  • It was a big week for Hollywood breakups, as Diane Kruger and Joshua Jackson broke up after 10 years together, while Lady Gaga and Taylor Kinney called off their engagement after 5 years together.

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    • We got our first look at the character designs for the DuckTales reboot heading to DisneyXD next year. I don’t hate them, but they’ll take some getting used to. LOVE the new Webby, though.
    • Though I don’t know anyone who watches it, I’m sure someone will be saddened by the announcement that MTV’s Teen Wolf will be ending after season 6.
    • Apparently Mattel has snatched the Jurassic Park toy license away from Hasbro. I’m sure all that Jurassic World shit that went to clearance didn’t help Hasbro’s cause.
    • Speaking of Mattel, what should come as a surprise to no one, Matty Collector is gone. The Masters of the Universe Classics line will be fulfilled by Super7 going forward, while Matty Collector has opened up “The Vault” to clear out all MOTUC product.

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  • In Pokémon GO, I took over my first gym! I promptly lost it about an hour later…

  • Chris Piers (@chrispiers) is at it again with the Comic Tropes, this time examining the tropes of Frank Miller.
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Ya know what? I think Ghostbusters had the West Week Ever. Sure, nobody really talked about it after Monday, as the attention turned to the online harassment of film costar Leslie Jones (poor thing!), and then to the Republican National Convention. We ain’t got time for politics on here, so the RNC certainly didn’t have the West Week Ever. No, Ghostbusters opened to a respectable $46 million, making it a record for both Paul Feig and Melissa McCarthy (it beat the $39 million debut of their collaboration The Heat). It did not, however, beat The Secret Life of Pets, nor does it seem like it’ll be released in China, where movies go to make back their budgets and then some. Still, it did well enough for Sony that they’re already discussing a sequel and, while it wasn’t a $100 million blockbuster, the “haters” didn’t win, as the film did find an audience. So, with all of that in mind, and the sheer fact that nothing else great has happened so far this week, Ghostbusters had the West Week Ever.

01st Jul2016

West Week Ever: Pop Culture In Review – 7/1/16

by Will

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In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.

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Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.

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On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.

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In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.

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In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.

Things You Might Have Missed This Week

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    • We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
    • Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
    • Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
    • Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
    • Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
    • The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.

  • My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!

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It was a great week if you were  a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.

20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

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I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

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On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

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I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

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It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

chap report

There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

13th May2016

West Week Ever: Pop Culture In Review – 5/13/16

by Will

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they live

On the movie front, I traveled back to 1988 and finally watched They Live. Yeah, I know it’s something of a cult classic, but I’d never gotten around to seeing the thing in its entirety. “Rowdy” Roddy Piper stars as a drifter who stumbles upon a pair of magic sunglasses that reveal the world has been overrun by aliens. They hide subliminal messages in marketing and advertising, convincing humans to “Obey” and “Consume”. In humanity’s quest to acquire more money and status, we ignore the conquest going on around us. Piper and his reluctant partner, in the form of Keith David, decide to stick it to the aliens and take back the night. Why am I even summarizing this film, when everyone reading this is probably more than familiar with it?  Anyway, I really liked it, but I feel like it was too short. Maybe it’s because we currently live in a 2.5 hour action movie society, and I’m spoiled. It’s probably great that the movie was made when it was, as it would’ve been completely different if made today. We would’ve gotten some drawn out origin of the aliens, and then we would be forced to believe that this manual laborer had the computer skills to hack them and take them down. For this film, all it took was a gun and a satellite dish. And what was up with Meg Foster’s eyes?! Was she blind? I’ve never seen eyes like that in nature before. Anyway, it’s a good 80s romp, but it’s just as poignant today as it was when it was released. Maybe even more so. Anyway, I’m sure there’s some unnecessary 21st century update sitting on some producer’s desk as we speak.

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Next up, I watched Ted 2 and I really don’t get why it bombed so hard in theaters. I thought the film was just as hilarious as the first one, though not necessarily as good. In this film, teddy bear Ted and human Tami-Lynn decide to have a baby in order to repair their struggling marriage (’cause THAT works…), but their attempt at adoption fails when the courts decide that Ted is property and not a person. He loses his job, the marriage is annulled, and his credit cards are cancelled, so Ted and his Thunder Buddy, John, set out to prove that Ted is, in fact, human. The movie’s basically like a live action Family Guy, and even reuses a few gags from the show. Maybe America just needs a break from Seth MacFarlane. I mean, first A Million Ways To Die In The West bombed, and then this. MacFarlane just isn’t having a lot of luck at the box office, and the first Ted‘s success is starting to look like a fluke. The film’s got some fun in-jokes and cameos from folks like Michael Dorn, Patrick Warburton, and Nana Visitor. Which reminds me: is Michael Dorn OK? Like, has he been sick? ‘Cause he’s lost a LOT of weight, and not in a good way. Anyway, I think this is the first film to promote New York Comic-Con as a big deal. Sure, there are films that showcase SDCC, but this movie put NYCC on the national stage. Anyway, I feel kinda bad for the MacFarlane empire at the moment. This movie underperformed, and then we got the terrible Bordertown and an unmemorable season of Family Guy (which, conspicuously enough, hasn’t been renewed for next season yet). If you’re a MacFarlane fan, you’ve got to see this film. If not, then you should probably just keep moving.

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I also finally caught Creed. What a great film! Seriously, it was uplifting and inspiring in all the right ways. Apollo Creed’s illegitimate son seeks out Rocky Balboa to train him to become a fighter outside of his father’s shadow. Michael B. Jordan is just so cool, and great in the role. Director and writer Ryan Coogler did a great job capturing the underlying Rocky themes of redemption and perseverance. It was a great “passing the torch” film, and while I’d welcome a Creed sequel, I’m also fine with it being the coda to the Rocky franchise. I’ve got nothing snarky to say. Just see this movie!

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Sadly, I also saw Zoolander 2. I LOVED the first Zoolander, but this movie joins Anchorman 2 in the disappointing “Too Little, Too Late” bin. Seriously, 15 years for a sequel?! The movie is pretty dreadful, and doesn’t really gain any sort of spark until Will Ferrell’s Mugatu reappears halfway into the film. The film kicks off with a break-neck montage to show us what Zoolander’s been up to since 2001. The Center for Kids Who Can’t Read Good and Wanna Learn To Do Other Stuff suffered a structural catastrophe, collapsing into the ocean, killing Zoolander’s wife, Matilda. Derek, then a widower and single parent, has his son taken away from him by Child Protective Services, and he decides to live life as a “hermit crab”. Derek’s brought out of retirement when his son is kidnapped by Mugatu in order to sacrifice him for some mystical fashion ritual. It’s a really crazy plot, but that’s kinda par for the course when it comes to Zoolander films. It’s got a lot of fun cameos, and it features SNL‘s Kyle Mooney in a role where I don’t totally hate him. Like Anchorman 2, it was nice to see the gang back together, but the magic just isn’t there anymore. It had a very lackluster start, but it just barely sticks the landing. You can skip this one.

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On TV, I caught the Comedy Central stand-up special Nikki Glaser: Perfect. She talks a lot about sex. A LOT. It’s not that that’s a bad thing. She does it in a funny, self-deprecating kind of way. The problem, though, is the same problem I had with Tosh’s last special: I didn’t watch it when it premiered, so I’d already heard all the jokes on Comedy Central Radio by the time I got around to watching it. Not Glaser’s fault, by any means.

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In television news, NBC has officially picked up the DC/Warner Bros series Powerless, which stars Vanessa Hudgens as an insurance agent who handles claims after superhero battles. It’s a workplace comedy set in the DC Universe, and is set to showcase some lower-rung DC heroes. NBC had success with The Office, so they’re going back to the well, but this sounds like a terrible show. Also, I feel it’s way too similar to Damage Control, which is the company in the Marvel Universe that handles repairs after superhero battles. Not coincidentally, a Damage Control show has been rumored to be in development at ABC, but DC and NBC beat them to the punch. Anyway, the show also features Danny Pudi and Alan Tudyk. To me, Tudyk is something of a modern-day Ted McGinley, so I’m not sure that bodes well for this series.

RIP Shows

There was a LOT of TV news last night, as the culling began in preparation for the network upfronts next week. On the ABC front, Marvel’s Agent Carter has been cancelled, as well as 8-season stalwart Castle. Meanwhile, the Agents of S.H.I.E.L.D. spin-off Marvel’s Most Wanted will not be going ahead at the network. The Muppets has also been canceled after a lackluster first season that required a midseason retooling. Musical Galavant has also been canceled after 2 seasons. In a somewhat surprising move, ABC also canceled the cult favorite Nashville, as well as freshman drama The Family. Over at Fox, Second Chance has been canceled, meaning it won’t be getting, well, a second chance. As a dagger through my heart, Fox also canceled comedies The Grinder and Grandfathered. I kinda bailed on the former (even though I really enjoyed it), but I really felt the latter had grown into something special, with a lot of heart. Oh well, I guess it means Stamos will be more of a presence in season 2 of Fuller House now. Seth MacFarlane’s Bordertown also got the axe. Meanwhile, it’s official, as Supergirl will be moving to The CW in the fall. The Archie series Riverdale has been ordered to series, while Containment has been canceled. Also, NBC has ordered Chicago Justice to series, therefore basically handing their network to Dick Wolf.

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If you watched last night’s Legends of Tomorrow, then you’ll understand why Wentworth Miller won’t be a series regular next season. Instead, he’s entered into an interesting deal with Warner Bros TV that essentially makes him a regular in the “Berlantiverse”, not tied to one particular show. His talents will primarily be spread across Flash and Legends next year, but he could even appear on Arrow or Supergirl. I guess WB realized they had something special on their hands with that character and, while I’m sad to see he won’t be part of the Waverider crew next year, I am glad to see it’s not the end of the road for Leonard Snart.


On the music front, Justin Timberlake released his first song since 2013 last Friday. Called “Can’t Stop The Feeling”, it’s from the soundtrack to the upcoming DreamWorks animated film Trolls. It’s already being called “the song of the summer”, but it’s only May so let’s not get carried away. Still, any chance to see Ron Funches and Anna Kendrick dance (for different reasons, of course!), is a good thing. It’s a fun little ditty, so check it out.

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In the world of video games, Disney Infinity has been discontinued, and Disney is exiting the game publishing industry. Reportedly, they’re taking a $147 million loss, which is surprising considering the platform featured Star Wars and Marvel characters in addition to Disney ones. I mean, if you can’t make money with Marvel and Star Wars right now, you’re doing business wrong. Anyway, I never trusted any of those “figurine switcheroo” games because they just seem like cash grabs. Skylanders seemed kinda groundbreaking, but then we ended up with Infinity, LEGO Dimensions, and amiibo – not to mention Hasbro’s own failed Playmation platform. Are they in the game industry or the collectible figure industry? Because it doesn’t seem like you can successfully be in both for long.

Things You Might Have Missed This Week

  • It was reported that Alden Ehrenreich has been cast as Han Solo in the Star Wars character’s solo film. Never heard of him, but good for him!
  • Ben Affleck was named an executive producer on the Justice League film, amid rumors that Zack Snyder and Warner Bros are currently fighting over the project.
  • Sharon and Ozzy Osbourne split up after 33 years together, after Sharon allegedly caught Ozzy having an affair with a celebrity hairstylist
  • Victoria “Posh Spice” Beckham admitted that her mic was never on during Spice Girls performances
  • The Superman prequel Krypton has been ordered to pilot at SyFy. Seriously, though – who gives a shit about Krypton?
  • After 30 years with the company, Steve Lombardi, also know as the Brooklyn Brawler, was released by WWE.
  • Gentlemen, start your engines! Topanga’s back on the market! Danielle Fishel has divorced her husband after 2 years of marriage
  • Chris Evans is reportedly dating Jenny Slate. I’m not sure which one I’m more jealous of!
  • CSI: Cyber was cancelled by CBS, ending the CSI franchise for the foreseeable future

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I had the pleasure of joining @TimDogg98, @ClassickMateria, @Agent_70, @Roddykat, and @blackastronaut1 for a special treasury edition of The Comic Book Chronicles, as we discussed Captain America: Civil War. It was a fun chat, so be sure to check it out.

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It’s currently the #1 movie in the WORLD. It opened in the US to $179 million last weekend. It introduced the man on the street to Black Panther. It’s loved by almost everyone. And I’ve gotten 2 podcast appearances out of the whole thing. I won’t get into story beats, as not everyone’s seen it, plus I’ve already discussed it ad nauseam on the aforementioned podcasts. So, I think it’s fair to say that, for the second week in a row, Captain America: Civil War had the West Week Ever.

15th Apr2016

West Week Ever: Pop Culture In Review – 4/15/16

by Will

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So, I did something kinda special this week, in that I attended a live taping of the Jeopardy Teen Tournament. Until I pass that online test, it’s as close as I’m gonna get to being a contestant, so it was a pretty cool experience. Taped at DAR Constitution Hall on Tuesday, I was present for the filming of 3 episodes of the tournament. Pictures and social media weren’t allowed, ’cause they didn’t want anyone spoiling the winners. As you can see, I didn’t heed their warning, but I at least waited until taping was done. They film the show with the commercial breaks, so that’s when host Alex Trebek comes out and answers questions from the audience. Here’s some tidbits that I learned:

  • Alex has 55 suits in his show wardrobe
  • They film 46 days a year, on Tuesdays and Thursdays
  • Alex’s true first name is George. George Alexander Trebek
  • Alex’s favorite movie is 1941’s How Green Was My Valley.
  • I was present for the filming of episodes 7,356 through 7,358
  • Alex said that he really enjoyed Hamilton, even though he doesn’t like “that music”
  • In what seemed like hometown pandering, Alex said that his favorite NFL team of the last 30 years was the Washington Redskins. Then, things took a turn as he added that he’s never had a problem with the team name. He said that it was never meant as a negative, but as something positive. Uh-oh…
  • Then he tried to turn things around by saying that his favorite book is called The Divide, by Matt Taibbi. It documents the Wealth Gap, and how there have been no prosecutions in recent major Wall Street crimes, while we continue to incarcerate minorities for minor offenses. This garnered applause from the audience. Not from me. I’m on to you, Trebek!

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On the movie front this week, I watched the documentary All Things Must Pass: The Rise and Fall of Tower Records. I used to LOVE Tower when I was in high school, because it was the local retail establishment that was open the latest. Bored at home at 11:30? Let’s go to Tower! As a devoted fan of the import maxi single, Tower was my saving grace for obscure pop tracks that no one knew about in America. When Tower closed, it’s like I lost a friend. So, I heard about this documentary when it was in the Kickstarter phase, but I remember thinking “This thing probably won’t get funded.” Well, color me wrong, as the finished product is now available for viewing! Directed by Colin Hanks, the doc follows the creation of the successful music chain in California, and its gradual spread to Japan and across the rest of North America. The biggest issue with the film, however, is that it’s not balanced very well. The majority of it focuses on the rise of the brand, while the “fall” really just occupies the last half our or so. I think part of that, however, may be due to the fact that the demise happened so quickly. Basically, Tower couldn’t brace itself against digital music, along with discount stores like Target and Best Buy selling CDs, and they didn’t survive. To my surprise, however, there are still 85 Tower locations in Japan. I must go to Japan! If you want to see a bunch of old people talk about how they smoked “doobies” at work, this is the documentary for you. It’s really more about the culture of the store than it is about the state of music during the store’s rise, so you’ve really got to care about Tower in order to enjoy it. I do, though, so I did. Your mileage may vary.

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Then, I caught the film CHAPPiE, by District 9‘s Neill Blomkamp. Reuniting with District 9‘s star, Sharlto Copley, Blomkamp seems to be telling a tale about what it means to be “alive”. At the beginning of the film, the Johannesburg government has resorted to using robots on their police force, greatly curbing the amount of crime in the city. One particular robot, Unit 22, seems to be somewhat accident prone and, after being damaged irreparably, is slated for destruction. Meanwhile, the robots’ creator, Deon, wants to test out a new AI program that will give robots sentience. After he’s turned down by his boss, he steals Unit 22 and uploads the program. At the same time, a trio of criminals (played by rap-rave group Die Antwoord) kidnap Deon and Unit 22 because they need help with a heist. They rename Unit 22 “Chappie”, and try to train him to be a real gangsta. During all this, Chappie seems to be able to isolate his own consciousness through a special helmet, and begins to believe he can transfer his consciousness into another body before his battery dies. This shit really gets weird. I won’t spoil any of it, but it basically asks the questions “What is life” and “Can you live forever?” When I first saw the trailer, I thought it was just another crappy Hugh Jackman robot movie, but it turned out to be so much more than that. I highly recommend checking it out.

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I also caught another documentary called Unhung Hero, which I’d heard about on a radio show that I love (The Bonfire on Comedy Central Radio). Comedian Patrick Moote proposed to his girlfriend during a UCLA basketball game, but she turns him down on the kisscam. Not only did the video go viral, but she later tells him that she couldn’t marry him because his penis was too small. So, he embarks upon an international journey to find out what is “small” when it comes to penises, and is there a “cure”? It’s really kinda heartbreaking to see him explain to his parents why his girlfriend left him. He even consults old girlfriends to see if they also felt the same way. He tries pills, pumps, and exercises to make his penis bigger. He, then, travels the world to see if there’s any hope for reversing his penile fortune. He eventually ends up in Papua New Guinea where he’s about to have some oil injected into his penis to make it bigger. Does he go through with it? Moote seems like a really good dude, but I almost wonder if he was ready for marriage at the time of the proposal. He’s got a lot going on in his head, and one almost wonders if she did him a favor by turning down the proposal. By the end of the film, and the journey, he seems to have come to a better understanding and appreciation of himself. If you’re at all curious about all this, it’s currently available to stream on Netflix.

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On TV, I caught the premiere of The Detour on TBS. Airing Monday nights in the old Angie Tribeca timeslot of 9 PM, the comedy was created by The Daily Show contributors Jason Jones and Samantha Bee. It’s loosely based on their own experiences on family vacations, and it follows a family that abruptly decides to drive to Florida for their vacation instead of flying, and the problems that arise from doing so. In the course of things, they wreck their car, we find out why they had to drive, and more. It was really enjoyable, and was renewed for a second season before Monday’s official premiere.

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In TV news, The CW has ordered 8 episodes of MADtv, which shouldn’t come as much of a surprise, seeing as how the network aired the 20th anniversary special and airs old episodes on The CW SEED streaming site. From what we know, the show will feature new and returning cast members (mainly in guest host capacity). This is good news and bad news. The good news is that I’m glad the brand is alive again. There was a window of time where MADtv was edgier and funnier than Saturday Night Live, though a lot of people would hate to admit this. I feel like TV needs good sketch comedy these days, and the arrival of dreck like Party Over Here made me appreciate what we’d lost. Now the bad news. This show belongs in late night in order for it to hit on all cylinders. Unfortunately, The CW doesn’t program nights or weekends. In case you weren’t aware, The CW is only Monday through Friday, 8 PM to 10 PM. The rest of the time belongs to the local affiliates. So, late night Saturday is off limits, though it’d be the perfect place for the show. At the moment, I’m scared we’ll get some neutered version that ends up airing after The Flash or something. There are worse fates, but I don’t think this is a recipe for success.

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In other television news, it’s rumored that the new Star Trek series will actually take place in the classic continuity, and not the JJ Abrams “NuTrek” universe. According to sources close to the production, it will be set between the events of The Undiscovered Country and The Next Generation. Eh. On the one hand, I’m glad we’re not in the Abramsverse. On the other, I really wanted something set post-TNG, to see how The Federation has recovered from the events of the Dominion War. I still don’t plan to pay for CBS All Access, though, so I’m either not watching it or pirating it.

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In movie news, Sony had some big announcements at Cinema Con 2016. First up, they confirmed the existence of the Men In Black/21 Jump Street crossover originally revealed from the Sony email hack. Officially called MIB 23, Jonah Hill and Channing Tatum are reported to be returning, though original directors Phil Lord and Chris Miller are being replaced by James Bobin. Also, they revealed that the upcoming standalone Spider-Man film will officially be called Spider-Man: Homecoming. Some folks hate the title, but I don’t. It’s not the strongest choice, but it does refer to the fact that Spidey’s basically back in the MCU fold, so I’m fine with it.

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The first image of Scarlett Johansson from Ghost in the Shell hit the web yesterday, and people are LOSING THEIR SHIT. Mainly, it’s the minority set, wondering why the lead character has been “whitewashed” and isn’t Asian like in the original anime. First off, they need a big star to sell a movie that’s not necessarily a guaranteed American blockbuster. I get that Scarlett has star power. Still, I’m not even sure why we’re making this movie in America. As far as anime goes, it’s one of the more well-known franchises, but it’s still not a “household name”. Sure, folks will come out and see it because it’s a ScarJo movie, but why not give us that Black Widow movie? Or, God forbid, Lucy 2? Why go for a franchise that has to be “westernized” in order to make it successful when that’s going to detract from the source material? Could it have been made with an Asian lead? Of course. Should it have been made with an Asian lead? Probably. Would it make as much money? Unless they’re flying from trees and shit, I highly doubt it.

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In Power Rangers news, they unveiled the logo for the upcoming film yesterday. Meh. I think it’s too generic. It has no WOW or pizzazz. There are a couple of things I don’t like about it. First of all, I don’t like Saban’s insistence on putting his name in the title. He doesn’t carry the clout of a Marvel or DC, so branding it “Saban’s Power Rangers” means nothing to the man on the street. There’s the argument that “You’ve got to start somewhere”, but I just think it’s more of a ego move than a branding opportunity. Also, there’s already a Power Rangers font, which has been used for the past 23 years. Sure, this is a chance to breathe new life into the franchise, but you don’t mess with the classics. Compare the new logo to the logo for the original Mighty Morphin Power Rangers: The Movie:

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The new one looks so flat in comparison, even though it’s “cleaner”. At least you’ll be able to differentiate the TV toys from the movie toys on shelves, but that’s about the only benefit I can see from this new logo.

Things You Might Have Missed This Week

  • Elizabeth Banks is attached to direct a reboot of Charlie’s Angels.
  • Warner Bros finally confirmed that they are in talks with Ben Affleck for a solo Batman film
  • A new trailer was released for Suicide Squad, cementing my resolve to not see this movie in the theater
  • Reportedly, Warren Beatty is working on a script for Dick Tracy 2. I’ve been hearing this same rumor for the past 25 years.
  • James Cameron announced that there will be four Avatar sequels. OK, sport.
  • Dustin “Screech” Diamond was released early from jail on Monday.
  • Benedict Cumberbatch will voice The Grinch in an unnecessary 2017 reboot

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I guess you could say it’s been a Marvelous week. At the beginning of the week, it was reported that Natalie Portman wouldn’t be coming back for Thor: Ragnarok, but Creed costar Tessa Thompson has been cast in a mysterious role. According to rumors, she may be portraying the character Valkyrie. The movie also features Bruce Banner/The Hulk, so I figure we’ll see what they’re up to while the rest of the Avengers are Civil Warring each other.

Then, on Tuesday, we got the first teaser trailer for Doctor Strange, starring Benedict Cumberbatch. Now, I have a confession to make: I don’t like mystical Marvel. I probably hate it even more than I hate space Marvel. There’s just something about it that I never really took to. That said, I saw glimpses of the first Iron Man movie in that teaser, and that’s the movie that kicked off this whole Marvel Cinematic party. So, if this movie can recapture even a small bit of what made Iron Man special, then we might have a winner. Now, there is some controversy over the whitewashing of The Ancient One by casting Tilda Swinton, but I don’t even know what to make of that. Yeah, the character probably should’ve been portrayed by an Asian actor, and is Tilda Swinton, perfect androgyny aside, the right choice for that character? Who knows, but I guess I’ll wait to see the movie before I pass judgement. A lot of folks thought the trailer was kinda “meh”, but it definitely got me interested, which is something I was not prior to seeing it. I’d been telling folks that I was cashing out on the MCU after Civil War because I just don’t care about Doctor Strange or Black Panther, but now I’m intrigued.

Meanwhile, the embargo was lifted on Captain America: Civil War, and the early word is very positive. Some are saying it might be Marvel’s best movie yet. I’m kicking myself because Marvel chose 25 cities in which to have an advance screening last night (and DC was on the list), but I completely missed the boat on trying to get passes. If any of you reading this happened to see the film last night, I hate you.

So, between those 3 tidbits, as well as the announcement of the Spider-Man film title, everything was coming up Marvel this week. That’s why Marvel had the West Week Ever.

08th Apr2016

West Week Ever: Pop Culture In Review – 4/8/16

by Will

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First up, I watched Dead 7 last Friday night. If y’all remember, it’s the zombie western starring former boyband members. Written by Backstreet Boys’ Nick Carter, it also starred Howie Dorough (BSB), AJ McLean (BSB), Joey Fatone (*NSYNC), Chris Kirkpatrick (*NSYNC), and Jeff Timmons (98 Degrees). This movie was a MESS. Now, I do have a confession to make: I forgot it was coming on until some folks tweeted me about it, so I missed the first 25 minutes. So, once I turned it on, I was LOST! I don’t know why people were zombies or “copperheads”, I’m still not clear why copperhead teeth are used as currency, and I don’t get why they were so hellbent on killing MadTV‘s Debra Wilson. All I know is that the acting was HORRIBLE (UPDATE: After writing this, I went back and watched the first half hour. Yup, still lost). This being an Asylum film, I expected something “so bad it’s good”, like the tongue in cheek Sharknado franchise. Instead, they played this pretty straight, which was to its detriment. Sure, Fatone’s Whiskey Joe was basically comic relief, but he really didn’t fit the tone of the rest of the movie. The best part of the movie was the end, where everyone was dead except Nick Carter’s wife (What? You weren’t gonna watch it!). So, hopefully that means they can’t try to make a sequel. At the end of the day, it just felt like a bad April Fool’s joke. Still, we did get a decent collaboration track out of it:

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Next up, I watched the DC Animated feature Justice League vs Teen Titans and I must say that it’s my favorite DC “vs” movie that I’ve seen this year. Basically a sequel to both Batman: Bad Blood and Justice League: Throne of Atlantis, it brings together the Batman and Justice League goings on of the DC Animated Original Movie universe. Fresh off the events of Bad Blood, Batman feels Damian needs to learn to be a team player, so he has Nightwing take him to join the Teen Titans. In this incarnation, the team is Raven, Beast Boy, and Blue Beetle, mentored by Starfire. Of course, Damian doesn’t really take to being on a team, but when Raven’s father Trigon possesses members of the Justice League, the team comes together. I didn’t like this as much as I did the Batman films, as I don’t know much about the DCAO Justice League, never having seen War or Throne of Atlantis. I don’t know much about that incarnation of the team, so I don’t care that much about them. I’m invested in the development of Damian, and it was great to see something of a crush develop between him and Raven (something we haven’t seen before), so I probably would’ve liked it more had it just been a Teen Titans movie.  I did like how they managed to get Cyborg on the team even though he’s technically a Justice Leaguer. To be honest, I fell asleep on it, but that’s probably because I was really tired. The same thing happened when I watched Superman/Batman: Public Enemies. So, I had to watch it twice. Still, that might’ve been one time too many. It’s not bad, but it’s certainly not as exciting or action packed as the other Damian-centric Batman animated films. There’s also a post-credits stinger that makes me interested in what’s coming next. It’s not the best DC animated movie, but there are worse ways to kill 80 minutes.

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In other areas of nerddom, I finally watched Pacific Rim. My pal Keith came to town and insisted we watch it when he saw it had been on my DVR for the past year. Overall, I liked it a lot. I do have some questions, though. For example, why do they all keep saying “nucular”? I can’t trust my protection in the hands of someone who gets that wrong. Also, did they really think a WALL was gonna stop the Kaiju? The same Kaiju who routinely fuck up buildings made of WALLS?! Was Trump behind that plan? And something about Jaegers seems inefficient. I’m not sure if it’s the walking mechanism or what, but it seems like the pilots expend way too much energy to get those things going. Also, do you think the Chinese Jaeger was modified with the 3rd arm once a set of triplets was chosen to pilot it OR did they seek out a set of triplets to pilot their 3-armed Jaeger? Hated the post-credits scene, but overall, I really enjoyed the film. It’s something of a shame that a sequel is off the table for now, but maybe it’ll end up like Independence Day where we get a sequel in 20 years.

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On TV, I watched the premiere of Wynonna Earp on Syfy and BOY was I disappointed! To be honest, I didn’t even know they were making a show until I saw the commercial during Dead 7. Though I’m familiar with the comic of the same name, the development of this show really flew under the radar. Anyway, starring Canadian actress Melanie Scrofano, it’s about a rebellious chick who happens to be a descendant of legendary sheriff Wyatt Earp. She returns home when her uncle dies under mysterious circumstances, and has to retrieve Earp’s gun which, legend has it, can kill demons or something. The show was VERY Canadian – like, it’s not the kind of thing that deserves a prime timeslot, but would’ve been just fine as a Saturday afternoon syndicated series in the late 90s. While I grew to love Krysten Ritter’s portrayal of Jessica Jones, Scrofano’s Earp is closer to what I had in mind for the look and feel of that character. So, she’s basically Jessica Jones in a shitty vampire show. Or better yet, it’s Witchblade with a mystical pistol. Either way, I don’t think I’ll be tuning in again.

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I also caught the final 5 minutes of The Walking Dead. Now, let me be clear: I don’t watch the show, and I quit reading the comic at #50. To me, something like that needs an endgame, and interviews with creator Robert Kirkman made it clear that the thing is gonna run as long as he feels like it, with no real blueprint in mind. Ain’t nobody got time for that. Still, somebody was supposed to die, and I’m a sucker for those kinds of season finales. So, I turned off Girls and tuned into the end of the episode. Evil villain Negan was due to kill someone important, and I needed to see if he chose the same character he chose in the comics. I was kinda hoping he’d kill that Boondock Saints dude ’cause maybe he’ll stop being able to charge $300 for a picture at shitty comic cons. Well, the episode ended up not telling us who died. Nope, viewers have to wait until October to find out. And they lost their shit! I kinda thought it was funny, as it harkens back to the days of “Who Shot JR?” but viewers seem to feel like they’re owed something. Look, when a show cuts its teeth on dragging shit out (Glenn under the dumpster), then it doesn’t care about you. It’s doing what it’s doing for the sake of drama. I’m curious to see what the ratings will be like for the season premiere. Will they go up because folks want to find out who died, or will they go down because folks feel betrayed by the finale? I’m not gonna watch, ’cause I don’t care, and I’m sure someone will spoil it on Twitter so it’s not like I won’t be “in the know”.

arrow season 4

Arrow tugged at the heartstrings this week by killing off a main cast member (don’t worry – I’m not gonna spoil who it was). This season has really been aimless, and the death didn’t really help things. We knew that one was coming, due to the flash forward cemetery scene from the season premiere. The funny thing, though, is that the writers basically backed themselves into a corner. They knew that someone would die, but they hadn’t decided exactly who would die by the time the season began. They were just going to let the story dictate who would meet their fate. Well, lucky for them, drama erupted behind the scenes. According to rumors (I could’ve said “sources”, but who are we kidding?), this actor reportedly had some disagreements with star, Stephen Amell – which is supposedly the real reason Colton Haynes left the show. So, how long can Arrow survive if Amell is this difficult to work with? The show’s already been renewed for season 5, but they’re really going to need to work hard to return it to the quality that it once had. I never really liked the character who died, so I don’t think it’s gonna hurt the show much. In fact, it might be the first step on the road to making things better. Only time will tell.

Tmnt_tdt

I also caught “Tran Dimensional Turtles”, which was an episode of the Teenage Mutant Ninja Turtles cartoon where the current incarnation of the team meets the original 80s team. It was…interesting. I haven’t watched the show since the first season, so I didn’t know all the stuff about Earth being devoured by a black hole or something and that the Turtles are now space faring. The whole episode featured the different teams bouncing between 2D and 3D, but the trick got old fast. Apparently, 80s Krang is the cousin of the Kraang Subprime from the new series – who wears Irma’s head on a pike? I’ve clearly missed a lot. Anyway, I liked this idea better when the 4Kids Turtles show did it as “Turtles Forever”.  Something this monumental needs to take place outside a standard 22 minute episode, and this should’ve been a bigger event.

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In the comic world, Black Panther #1 hit stores on Wednesday to rave reviews and critical acclaim. Written by noted author Ta-Nehisi Coates, with art by Brian Stelfreeze, the book focused on a king without a people. T’Challa, king of the African nation of Wakanda, and Black Panther to the hero set, is trying to unify his people after a string of disasters nearly tore the nation apart. A supernatural force, however, seems to be amplifying the citizens’ feelings of hate and fear, making T’Challa’s job much harder. I…didn’t enjoy this book. Let me say that I was initially looking for a quick, fun read and this was the wrong choice. I really didn’t know what was going on half the time. I think I need to give it another shot, but it didn’t immediately grab me. They do a decent enough job explaining all of the plights that Wakanda had experienced recently, but I still felt like I needed to come into the story with some prerequisite reading of which I was unaware. I actually recently read Coates’s Between the World and Me, so I’m familiar with his style, but I don’t know if I’m a fan yet. For this one, I may just wait for the trade. If I read it at all.

Alfre Woodard

In Marvel news, it was announced that Alfre Woodard will have a role in Captain America: Civil War, as the mother of a civilian who died during Avengers: Age of Ultron. So, basically she’s playing Miriam Sharpe. In the Civil War comic miniseries, the whole thing was kicked off after The New Warriors inadvertently caused an explosion at a Stamford, CT school, resulting in the deaths of several children. The mother of one of the children, Miriam Sharpe, became the face of the movement to require more regulation for super powered beings. So, it seems like Woodard may be playing the same role here, as I doubt they’d cast her as just a throwaway character. Here’s where things get interesting, though: She’s already been cast as Black Mariah in the Luke Cage Netflix series. So, we’ve got one actress playing two different characters in the MCU. I know the film division isn’t really paying attention to what the TV division is doing, but this is a bit much. Couldn’t they have cast Angela Bassett in one of those roles? They’re basically the same chick (Yes, I know she’s currently Amanda Waller, but my point stands)!

Cloak-and-Dagger

In other Marvel news, it’s reported that a Cloak & Dagger series is being prepared for ABC’s Freeform (formerly ABC Family) network. So far, there’s no script, showrunner, actors, or anything attached, but the show is being developed to focus on a teenage Cloak & Dagger, as they deal with their powers and relationship. Freeform is the perfect place for show like this. I just hope it doesn’t have strong ties to the greater MCU because I really don’t want to have to watch it. I’ve never really been down with Cloak & Dagger, and I pretty much despise everything that comes on that channel. Speaking of Freeform, the same press release announced they have a late night show in development called Later Bitches. $20 says that name doesn’t make it to air.

Wonder-Woman-Movie

In DC news, Warner Bros announced a shift in their DC Cinematic Universe slate, as Wonder Woman has been moved up from June 23rd to June 2nd 2017. They also added two untitled DC films to the schedule for October 5th, 2018 and November 1st, 2019. One of these is probably the standalone Batman film that’s been rumored since before Dawn of Justice even premiered. The shift also bumped Andy Serkis’s The Jungle Book adaptation to 2018, which reminds me that it’s kinda foolish for there to be TWO Jungle Book adaptations released within two years of each other (Disney’s comes out next month). Unless one of these serves as the lead-in to the events of Tale Spin, I’m not interested.

Rogue-One-A-Star-Wars-Story-logo

The Star Wars: Rogue One teaser debuted yesterday. It looked interesting. Female protagonist again. I’m not gonna “raise cane” about it, because representation is good. I am, however, still mad I got “bamboozled” out of my Black Jedi. I remarked that it kinda looks like “The Hunger Games In Space”, and that’s somewhat of the vibe I got from it. It’s not that it’s a young adult dystopia, but I feel like I’ve seen this Jyn character before in other movies. Anyway, I can’t say I’m jazzed about the film ’cause I’m just not a Star Wars person by default, but I might see it. I didn’t initially realize this was a prequel to A New Hope, so it’ll be interesting to see things from that frame of time. Still, it’s another movie with a Death Star. Take that however you will.

Remember Weekend At Bernies? Didn’t you wish Bernie had been used as a machine gun or a jet ski? Well, here’s Swiss Army Man! I can’t believe this is a real movie.

Jenni Konner

In social media, I got a tweet favorited by the co-creator of Girls last Sunday. all I did was tweet a line of dialogue (with an errant comma), so it’s nothing to really write home about.

American-Idol1

So, last night saw the end of an institution, as American Idol signed off for the last time. After 15 seasons, and the creation of a handful of stars, the show is finally taking a rest. I think it’ll be back one day, but America simply isn’t as interested as it once was. After all, they’ve got Blake Shelton and Christina Aguilera spinning around in chairs to worry about. Even if you hate the show, you can’t deny the impact it has had on pop culture, for good or for bad. Kelly Clarkson has sold 25 million albums and won 3 Grammys. Carrie Underwood has sold 65 millions albums and has won 7 Grammys. And even “losers”, like Jennifer Hudson (won an Oscar and a Grammy) and Chris Daughtry (sold over 8 million albums), have done well for themselves. It made Simon Cowell and Ryan Seacrest (who unleashed the Kardashians on the world) household names, while it rejuvenated the career of Paula Abdul. Idol always struck that balance of making it about the contestants, while still making it about the judges (something The Voice has never pulled off). And there was a time when the Idol name meant something. People bought the CDs, and packed stadiums for the tours. Those days are long gone, but the show helped the music industry at a time when it desperately needed a shot in the arm. It made the consumer feel like she had power in the industry by putting success up to a vote. Sure, shows like Star Search had done this in the past, but that show never had as many eyes on it as American Idol. It was the number one show on television for the coveted 18-49 demographic for 8 consecutive years.

American Idol also has personal meaning for me, too. For example, I almost got to audition for the first season, but things got in the way. See, when my a cappella group performed at the ICCA Finals, we were invited to audition the next day. Nobody knew what the show was going to be, so there weren’t lines and folks camping out for auditions like they did in later seasons. They were approaching a cappella groups because they knew those folks had singing experience. The rest of my group, however, was all, “We have finals to study for.” Those guys had no ambition (which is exactly why they’re all successful doctors, lawyers, and engineers, but I digress…)! Later on in college, I was a finalist for Cornell Idol, which was our local campus take on the show. In recent years, I’ve gotten in my fair share of Twitter fights with former contestants, like Justin Guarini and Blake Lewis – not to mention all the grandma fans of Scotty McCreary and Taylor Hicks. You can say that Idol has orbited my extracurricular activities since it began.

Last night, Trent Harmon won the 15th and final season of American Idol and, based on recent years’ winners, you’ll probably never hear from him again. Still, the impact the Idol juggernaut has had can’t be denied. That’s why American Idol had the West Week Ever.

29th Mar2016

The Most Underrated Television Theme Songs: California Dreams

by Will

californiadreams

Back in 1992, two shows premiered about beautiful people forming bands. One show aired on NBC Saturday mornings (California Dreams), while the other aired during primetime on Fox (The Heights). The Heights went on to have a number one single on the Billboard Hot 100, but then got canceled a week later. Meanwhile, California Dreams went on to enjoy 4 more seasons on the air, but never achieved the mainstream musical success that I felt it could’ve had. But first, let’s backtrack.

If you were too cool for school, then you probably didn’t watch NBC’s live action Saturday morning fare. After all, some folks think that Saved by the Bell killed Saturday morning cartoons (it didn’t; cable did that), while others simply didn’t like the hokey nature of the show. Well, after Saved by the Bell‘s success, executive producer Peter Engel was at it again with California Dreams. As it could pretty much be described as “Saved by the Bell with music”, I like to call it “Saved by the Bell if the Zack Attack didn’t suck” (C’mon, “Friends Forever” was some garbage and you know it!). Set in Southern California, the show initially focused on siblings Matt and Jenny Garrison, and their garage band, the California Dreams. During the first season, it was more of a family ensemble show, but NBC was all about the pretty teens, so they had the producers get rid of that family aspect when the second season rolled around. From that point on, the focus was on the band, its members, and their struggles to hit it big. Oh and, since they were high school students, there was plenty of homework and dating drama.

This might be sacrilege to some, but I’ve always loved California Dreams more than Saved by the Bell. Most of the “Engelverse” reused storylines, so they were basically telling the same stories, but I liked that you got an original song with most episodes of Dreams. Plus, I had a huge crush on Heidi Noelle Lenhart (the brunette). Based on when the show hit, it was a sound that was so indicative of the era. When it comes to California Dreams songs, they’re pretty much just Wilson Phillips songs. Now, personally, this was a point in my life when I was listening to country, so I didn’t really know this sort of stuff got airplay. Had I known, I would’ve been all over pop radio at the time. Still, there’s something sugary sweet about their sound. It’s soothing to me, and it doesn’t really carry much of a message. Sometimes you just wanna kick back and not think, and the Dreams excelled at that kind of song. Whether it was “Castles on Quicksand” or “Rain”, it was hard to be disappointed by a California Dreams song. That said, I think their best song is the theme song to the show. Even listening to it now, it takes me back to a better time.  For me, the early 90s were perfect. No bills, no puberty, no worries. Just close your eyes and listen:

Those harmonies! Smooth like butter. Most folks can rattle off “When I wake up in the morning, and the alarm gives out a warning…”, but they don’t know about this. I hear something like Wilson Phillips’ “The Dream Is Still Alive”, and wonder how that got airplay and the Dreams didn’t (that’s a “real world” California Dreams song if I’ve ever heard one). Was that just something the producers didn’t pursue with the show? They must not have, as you’ve never heard a California Dreams song on the radio and I think that’s a shame. With all of the throwaway pop groups of the 90s, like The Party, there was certainly a place on the radio for the California Dreams. But I guess it wasn’t meant to be.

Oh, and that other group I mentioned – their song didn’t suck, either. I actually really dig “How Do You Talk To An Angel”, so I’ll leave you with that, as something of a “bonus track”.

18th Mar2016

West Week Ever: Pop Culture In Review – 3/18/16

by Will

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So, I didn’t watch any movies this week, but I did watch a TON of television, so that’s what we’ll be rambling about today.

flophouse

First up, I watched Flophouse on Viceland. First of all, why does Vice have a channel at all? If you’re not familiar with the brand, Vice began as a Canadian hipster culture magazine in the early 90s but eventually branched out into other media, including news specials on HBO. Well, at the end of February, Viceland took over what was formerly H2 in the United States, and is programmed under the creative direction of Spike Jonze. I ask why there’s a channel, though, because it seems like their target is specifically the audience that DOESN’T watch television. After all, they’re catering to hipster Millennials, who don’t own TVs, ’cause they’re poor and stuff.

Flophouse 2

Anyway, Flophouse. It’s a show where hipster, Millennial, “alternative” comics host stand-up shows in their houses. It might sound “intimate”, but it’s pretty grody, as these places look like crack dens. There are known comics in the audience, but the ones performing are basically up and comers. The brand of comedy, though, isn’t that funny. It’s observational. It’s hipstery. But I didn’t bust a gut or anything. If this is the future of stand-up, then comedy is pretty much doomed. For one thing, I’m a big fan of Comedy Central’s The Half Hour (formerly known as Comedy Central Presents), so I feel like 30 minutes is a good amount of time to let a comic shine. Still, since there are multiple comics per show, you don’t get that here. That’s fine. You can still have a solid 10-15 minute set. I didn’t see anyone on this show who had that. They pretty much show you one joke, and then you basically get a tour of how shitty the conditions are in the house.

It also doesn’t help matters that everything is censored on the show. I expect Vice productions to be edgy and all, so it’s kind of a pussy move when they can’t even say “shit” during a comedy show that airs at 10:30 PM (you can do this on TBS, Comedy Central, Adult Swim, and so on and so on). It just felt like the Vice brand was being neutered. Maybe this is a network thing from A&E, but it just feels like Vice should’ve found a broadcasting partner that would allow Vice to be Vice.

From what I’ve seen of their programming, I don’t see bright things ahead for the network, but we also live in a world where there’s a channel pretty much dedicated to a Vegas pawnbroker who gets shows for all of his friends, so what do I know?

POH

Speaking of comedy that wasn’t that funny, Party Over Here premiered Saturday night on Fox. I was excited about the show when I originally heard about it, as it was created by Paul Scheer and The Lonely Island. I actually didn’t even realize it was coming so soon, as it was just announced a few weeks back, so I figured it was coming in the Fall. Maybe they should’ve taken their time and waited on debuting it. Party Over Here is a sketch show, featuring an all female cast comprised of only 3 women, and it really wants to be the next Key & Peele. It’s got a long way to go. It’s packaged really well, with a lot of cool bumpers and interstitials, but there’s just nothing there. No substance. Remember how the original SNL cast were the Not Ready for Prime Time Players? These 3 women are the Not Ready for Late Night Saturday Players. Or the You’re Better Off Watching 1st Look Players. It was just the premiere, so maybe it needs time to bloom, but I don’t really see myself coming back. You see, it was designed to not compete with Saturday Night Live, as it airs 30 minutes before SNL since most Fox affiliates have a 10 PM broadcast. In the DC market, however, we have some News Edge garbage at 11, bumping Party Over Here to 11:30. When put up against SNL, it isn’t even a question as to which show I’m choosing. So, apparently, there’s a party over there, but I think I’m partied out.

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NBC is slowly trying to regain some footing in the world of the situation comedy, but they’re pretty hit or miss these days. Superstore has been renewed for a second season, but I don’t see that happening for Telenovela. One of last season’s surprise hits came back this week in the form of The Carmichael Show. Created by, and starring, stand-up comedian Jerrod Carmichael, it’s a multicamera family sitcom dealing with the issues of the times. And that’s probably my issue with the show: it’s always so damn heavy, as every episode seems like A Very Special Episode. Every episode tackles something controversial, be it whether or not you should still enjoy Bill Cosby’s work or whether or not cheating is tied to income level. There are still laughs to be had, but I find myself laughing at the stellar supporting cast including Loretta Devine and David Alan Grier. My least favorite character is probably Carmichael himself, as he comes across as this know-it-all, and I find myself wanting to see him get his comeuppance. I would love to have been in some focus groups for the show, as there had to be some notes about how unlikable he can be at times. But, it’s his show, so I don’t expect that aspect to change anytime soon. Still, if you long for the days of Fox’s Roc, where a Black family can still laugh amongst the tears, then you should probably check this out.

MDOT-Crowded

They’re not all winners at NBC, however, as Crowded had a 2-episode “sneak preview” this week. Starring Patrick Warburton, the show is about a married couple who try to keep their relationship strong when their Millennial kids move back in with them. I said it on Twitter, but I’ll say it again here: Somewhere around the mid-2000s, Patrick Warburton became king of the “Fuck It! Something’s Gotta Air In This Timeslot” sitcom. It means that there’s nothing really bad about the shows, but they’re just not that great, either. The best part about them is that they provide work to the many crew members behind the scenes, but they’re not really doing anything groundbreaking for the medium, either. At the same time, these shows tend to be able to fly under the radar. Their ratings are just high enough for them to regularly be renewed as midseason replacements, and then they somehow find their way into syndication. I mean, Rules of Engagement lasted SEVEN seasons, and you’re probably like “What’s that?” Exactly. If we were talking about 2007 CBS here, I’d say this show has a long life ahead of it. But NBC can’t really afford a show like this. Schedule space is too valuable (it and The Carmichael Show have been dumped off on Sunday night), and they’re looking for a quick turnaround. The show was created by Suzanne Martin, who also created Hot In Cleveland, making me think this show would probably be a better fit for TV Land. And while it’s always nice to see iCarly, Miranda Cosgrove’s role in this show is…strange. It’s like they’re trying to create a female Sheldon from The Big Bang Theory, and I’m not sure it works. To be honest, I find her whole “I’m really smart, but it keeps me from being able to relate to people in normal ways” shtick WAY more offensive than anything I’ve seen folks pull out the pitchforks for TBBT, but I digress. This is the kind of show that you leave on in the background, ’cause Dateline‘s coming up, but you’ll never actually learn any of the characters’ names.

In movie news, Sally Field has been making the rounds, talking about how she didn’t like the Amazing Spider-Man movies. Primarily, she’s saying that her character, Aunt May, wasn’t very three-dimensional, and that “you can’t put 10 lbs of shit in a 5 lb bag”. A lot of people are focusing on the “shit” in the phrase, and not the overall meaning. She’s saying that you can only work with what you’ve got, and if there’s no capacity for more depth, you can’t just shove it in there. She says that the only reason she took the role is because it was being produced by her friend Laura Ziskin who was battling cancer. They knew it would be Ziskin’s last movie, and since she had been Field’s first producing partner, Field wanted to be a part of her friend’s final production. Look, I get it. Personally, I don’t hate those movies. I don’t know what folks wanted, but apparently it wasn’t that. Fine. But I do have a problem when actors start shitting on past roles. The way it comes out is always on some platform, like Stern (which is where this interview took place), and it comes across like they’re trying to gain acceptance by saying “Look, I hate this thing you hate, too!” It’s somewhat cloying. But at the end of the day, they cashed a check. I get that people can change their minds, but the professional thing to do is to just keep it moving. You did a job, it may not have been your best job, but it (hopefully) won’t be your last. Learn from it, and move on.

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We got another trailer for X-Men: Apocalypse yesterday. When did Three Trailers Per Movie become a thing? I remember, back in the day, seeing A trailer. That was it. Anyway, I thought that trailers were supposed to get better as they go along. Not this one. I’ve got to say that the last trailer for Apocalypse was much better than what we got yesterday. And it simply reminded me that casting Jennifer Lawrence was the worst thing to happen to the X-Men film franchise. Yup, even worse than Brett Ratner. I say that because they had no clue her star power was gonna rise the way it has, and that they’d have to accommodate her. She hates the blue paint, so now they keep her in her human form most of the time, even though HER CHARACTER RAILS AGAINST THE NOTION THAT MUTANTS SHOULD HAVE TO HIDE TO MAKE HUMANS COMFORTABLE. Plus, Mystique ain’t that important. She just isn’t. I’m so sick and tired of every movie being a dance of “Here’s Mystique and Magneto. Whose side are they on THIS time?” THERE ARE OTHER CHARACTERS. Personally, I don’t need Magneto in every film. I don’t care how charismatic you may feel his actor is (McKellan OR Fassbender). And I sure as Hell don’t need to see Mystique each time. The rest of the cast suffers as these “prequel” movies just push everyone to the side for the sake of the Erik/Raven/Charles Show. We finally get a movie with Apocalypse – something I never thought they’d be able to pull off since the first few movies were focused on “grounded” threats – and what does he do? He makes Magneto a Horseman. WHAT?! FOR WHY? I kinda want these movies to end. Singer seems pretty comfortable at the moment, and has basically said he’ll keep making them as long as Fox lets him, but I no longer look forward to an X-Men movie. You pretty much know what you’re gonna get. Same tone. Basically the same actors. You can set your watch to it. “There’s a new X-Men movie? Huh, it’s been two years already?” I’d love for someone to come in and shake up that franchise.

lobo

On the DC side of the aisle, it’s been reported that Wonder Woman screenwriter Jason Fuchs has been hired to write a script for Lobo. THIS IS A TERRIBLE IDEA! The only reason I can see for Warner Bros pushing this back into development is that they probably see the Lobo character as their own Deadpool, so they want some of that R-rated comic movie money. If you’re not familiar with the character, Lobo is a Czarnian bounty hunter who’s so badass that he killed the rest of his race. He’s really strong, he can regenerate body parts, and – due to the Comics Code Authority – called people “bastiches” a lot. He’s so 90s it hurts. His own creator, Keith Giffen, doesn’t understand why the character grew popular:
“I have no idea why Lobo took off… I came up with him as an indictment of the Punisher, Wolverine hero prototype, and somehow he caught on as the high violence poster boy. Go figure.”

I think I rubbed some folks the wrong way on Twitter when I said that most Lobo fans “rode the short bus”, but I don’t think I’m far off. IN MY EXPERIENCE, Lobo was the ultimate White juvenile delinquent power fantasy. He’s just a dude with an attitude problem who liked to destroy shit. Everyone I ever knew who called themselves “Lobo fans” were the kinda kids you needed to keep an eye on, ’cause they were torturing pets or bringing weapons to school. I don’t think this is what the DC Cinematic Universe needs, but hopefully it’ll be some kinda of offshoot that won’t be in the proper DCCU.

Things You Might Have Missed This Week

  • The trailer was released for Now You See Me 2. While I still haven’t seen the first one, I’m upset that this installment isn’t called Now You Don’t.
  • Fox has renewed Gotham for a third season. Next season, Not Batman will continue to be Not Batman by Not Batmanning. Meanwhile, his whole frickin’ rogues gallery is showing up early to the party.
  • The CW renewed ALL 11 regular series that they currently air (including DC’s Legends of Tomorrow) for next season, proving they did NOT have a deep bench when it came to pilots.
  • Marvel and Netflix announced that Luke Cage will premiere September 30th, 2016
  • Apparently, Indiana Jones and the Quest for the Last Depend is happening, with a 77 year old Harrison Ford. He clearly doesn’t enjoy working, so he must fucking HATE sitting at home with Calista Flockhart.
  • Pop TV has ordered a season of Hollywood Darlings, which will follow Full House‘s Jodie Sweetin, 7th Heaven‘s Beverly Mitchell, and Step By Step‘s Christine Lakin in a reality show as they juggle career, motherhood, and more. And considering it’s Pop, they’ll probably show up on TNA at some point.
  • After 2 episodes, ABC has cancelled Of Kings and Prophets. I called this almost a year ago. When are broadcast networks gonna learn they can’t have their own Game of Thrones due to standards and budget?

dead 7

I don’t like zombie movies and I don’t really like Westerns. But then I heard about Dead 7, and my mind started to change. It’s a zombie western starring 90s boyband members! Just watch!

I’ve known about this thing for a year, and I still don’t really even know what it’s about. Here’s what I do know:

  • It’s from Asylum, who also gave us Sharknado
  • It features members of Backstreet Boys, *NSYNC, one dude from 98 Degrees, and the 4 guys who’re still willing to admit they’re in O-Town
  • It premieres April 1st. Oh, PLEASE don’t be a cruel April Fool’s Day prank!

I will say that I’m kinda bummed it doesn’t include ALL the members of the groups (except Justin, ’cause, c’mon). Out of the Backstreet Boys, Kevin and Brian are the uber Christian ones, so I wonder if they didn’t want to be in something they wouldn’t show their kids. And from *NSYNC, I knew not to expect JC, but Lance didn’t wanna partake in the festivities? I mean, The Meredith Vieira Show just got canceled, so he basically just lost a job and gained some free time. Kinda surprised he passed on it. And while I didn’t expect the weird one from 98 Degrees (you know the one I’m talking about), the Lachey brothers ain’t really doing shit these days. And I’m ready for Ashley Parker Angel to finally just give in and return to O-Town. I mean, he really hasn’t done anything since his stint in Hairspray a decade ago.

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Anyway, I love crap like this. It reminds me of Longshot, which was this really, REALLY bad movie thrown together by boyband mogul and Ponzi Scheme architect Lou Pearlman. The movie went by many names, including Jack of All Trades, but it featured cameos by anyone who was anyone in pop in 2001. You can still find it in FYE dollar bins to this day.

So, we’re at the end of this week’s post, so does that mean that the Dead 7 trailer actually had the West Week Ever? Could it be? No. It was a slow week for big news, but it wasn’t that slow. We got nothing from the trailer but a tease. If it’s anything close to Sharknado, it could be an instant cult classic, but we’ll just have to wait and see. For now, however, nothing had the West Week Ever *sad trombone*. It’s probably Daredevil season 2, but there’s no way I was staying up til 3 to watch that, so it’ll have to wait til next week, when it goes head to head with Batman v Superman: Dawn of Justice. Who will win?! Tune in next week to find out!

11th Mar2016

West Week Ever: Pop Culture In Review – 3/11/16

by Will

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First of all, I want to thank y’all for all the shares last week, as we had our best traffic in quite some time. Let’s keep that up! Tell all your friends!

Man, some weeks there’s nothing to talk about, and then some weeks there’s a ton. This week is certainly the latter. Let’s get to it, shall we?

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On the movie front, I caught a documentary called Autism In Love, which focused on 4 folks on the Autism spectrum as they try to find companionship. The youngest guy was probably about 20, and he was being hard on himself because he’d paid a woman just so he could touch her butt. Then, there was a local couple who had met at an autism conference, and the guy was trying to figure out if he wanted them to get married or not. Finally, there was an older guy who’d found love, but his wife had been diagnosed with cancer and was living in a nursing home. It was interesting because it showed that their struggles to find love are just like anyone else’s. In some cases, their condition gets in the way, but most have learned to cope and still find ways to search for happiness. You can currently watch it on the PBS Independent Lens site, so check it out if you’re so inclined.

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Next up, I watched Cop Car, starring Kevin Bacon as a crooked sheriff. When 2 young boys go for a joyride in a police cruiser they find in the woods, Bacon sets out to track them down because he left a body in the trunk. It’s quite the thriller, and it moves fairly quickly. I just stumbled upon it on cable, and didn’t expect much from it, but it’s not bad at all. And the ending leaves you with questions, so watch it so we can discuss it!

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On Facebook, someone in a group mentioned a UK show called Desmond’s, which ran from 1989-1994, and was set in a barbershop. The whole thing kinda fascinated me because you don’t think of Black shows when you think of Britcoms (except for the exceptional Chef!). Plus, there are only 11 articles on Wikipedia about Black Britcoms, so they certainly aren’t common. Anyway, off to YouTube I went to see if I could find any episodes to watch. I couldn’t find the pilot, but I did find the pilot of another Black Britcom called The Crouches. Premiering in 2003, it focused on a working-class Black family, where the father works as a station attendant for the London Underground. In the first episode, the son rebels because he’d asked for a pair of Reeboks, but receives a pair of knock-offs because the family’s money is tight. It’s still funny to me that you can say “shit” and flip someone off on TV in the UK in 2003, yet still can’t do that here (on broadcast TV, at least). It was definitely no Cosby Show, but if I had to come up with an American equivalent, it was probably closer to The Parent’Hood from the WB. Seeing as how there are only 12 episodes (Thank you, shortened British TV seasons!), I’d love to watch the whole series, but they don’t seem to be online anywhere.

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In TV news, it was announced that WGN America has ordered a pilot based on the Vertigo series Scalped. I was a big fan of that comic during its run, and talk of a TV series has been going around for years. I was kinda hoping it would end up at a premium channel, though, as it needs that platform for the sex, violence and language. I’ve been meaning to do an Adventures West Coast review of the series, but it seems like most of my focus is on West Week Ever these days. If you’re not familiar with the series, Scalped follows Dashiell Bad Horse who’s a self-loathing Lakota who’s sent back to the reservation on an undercover mission to take down local crime boss Lincoln Red Crow. I remember not really liking the ending, but it probably won’t matter because nobody watches WGN America. They have some critically acclaimed shows (Salem, Manhattan, Underground), but I never hear anyone talk about those shows other than critics themselves. So, unfortunately, I’m not expecting big things, even though I have more invested in this than the upcoming Preacher adaptation.

In other TV news, Dos Equis has announced that they’re ending the Most Interesting Man in the World ad campaign. And how do they accomplish this? BY SENDING HIM TO MARS! I’m not even kidding. Apparently, space was awaiting him, so now I guess he’s the Most Interesting Man in the Galaxy now? I kinda wish they’d continue to make the commercials, ’cause I’d love to see him on a spaceship, just getting drunk off shitty Mexican beer. Imagine it – the commercials get worse and worse, as he gets drunker; drunken ramblings, like “I BANGED JACKIE KENNEDY WHILE MR ED WATCHED!” Apparently, the move is to attract younger customers, so I guess look for lowriders and bikinis in future ads. Anyway, stay thirsty, Most Interesting Man. Stay thirsty.

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There was a lot of legal stuff going on in the world of pop culture this week. First up, Terry Bollea, AKA Hulk Hogan, is currently suing Gawker Media for releasing his sex tape. Well, he was asked if it was true that he had a 10″ penis, which resulted in him snatching down the curtain of pro wrestling. It turns out that the character, Hulk Hogan, has a 10″ penis, but the performer, Terry Bollea, does not. Yes, this came out in court. So, does this mean he was always lying about his 24″ pythons, too?!

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In other legal drama, “Chumlee”, of Pawn Stars fame, was arrested this week in connection to a sexual assault investigation. Also known as Austin Russell, Chumlee’s house was raided and the cops found firearms and drugs. Chumlee’s prohibited from owning firearms, so that’s a no-no. In fact, they arrested him on NINETEEN drug charges, including possession of weed and meth. Kinda sucks, as he seemed like a sweet, though simpleminded, dude. Not surprised about the weed, but I never really pegged him for a meth head.

Two trailers came out yesterday concerning things that I love. First up, there’s The Lonely Island’s Popstar: Never Stop Never Stopping. If you’re not familiar with The Lonely Island, they’re Andy Samberg’s crew – best known for their SNL Digital Shorts. Well, in this film, Samberg appears to be a Justin Bieber-esque popstar in a hilarious takedown of the pop music industry. I love everything The Lonely Island has done, from their album Incredibad to their film Hot Rod. I am ALL IN for this.

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The trailer everyone was waiting for, however, was the final Captain America: Civil War trailer. If anyone was on the fence about this movie before the trailer, I thin they’re definitely chosen a side by now. It’s an exciting trailer, but I had an issue with it: I didn’t need to see Spider-Man. I know it’s to get folks jazzed about the film, and to let folks know “Yes, he’s in here”. After all, the Man on the Street isn’t as plugged into geek media as would like to believe, so I can see why his reveal might’ve been necessary for audience awareness. That said, can you imagine how huge that scene would’ve been had they held it until the film? Like @OAFE said on Twitter, I’d have been fine if we just got the “thwip” of his grabbing Cap’s shield, without getting the full shot of him. The thwip would’ve been more than enough. But here we are. I’m still #TeamIronMan all the way, and this trailer didn’t sway me from that.

Things You Might Have Missed This Week

  • Actress/singer Zendaya has been cast as mysterious character “Michelle” in the Spider-Man reboot film
  • Craig Robinson is joining Mr. Robot‘s second season in a recurring role
  • Supergirl has been renewed for a second season on CBS
  • Citing differencs with the studio on the direction the project was taking, Joseph Gordon-Levitt has left the Sandman adaptation.
  • Former J. Jonah Jameson actor, JK Simmons, has been cast as Commissioner Gordon in the Justice League film

Based on Twitter reaction, you’d probably expect that the Civil War trailer had the West Week Ever. That means that you clearly didn’t see Saturday Night Live last weekend. Yeah, I know it’s “cool” to hate the show. “It hasn’t been funny since *fill in year when you were 13*.” I get it. Still, every now and then something incredible happens on there that becomes the watercooler conversation the next week. A lot of folks were sharing the Trump racism sketch, but I actually had problems with that because SNL ignored the racism allegations before asking him to host, but now that it’s happened, they want to be “hip” and “edgy”. Why not call him a racist while you were smiling in his face a few weeks back, huh? But I digress. No, THIS was the best part of last week’s SNL:

That was INCREDIBLE, as my assessment of it got me 33 Likes on Twitter:

It’s a shame that SNL can’t figure out more to do with Pharoah, but I guess they can’t rely on impressions alone. I reviewed his standup special a few months back, and he’s got so much promise. I just wish he had a better showcase for it. In any case, for that amazing riff, Jay Pharoah had the West Week Ever.

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