13th Jun2017

Toy Biz Hotline Bling: I Used To Call You On My Wall Phone

by Will

If you’ve been to this site before, you were probably brought here for my weekly pop culture news review, West Week Ever, that I post every Friday. It didn’t always used to be like that, though. No, I used to write about anything that popped into my mind, as you’ll see in my archives. Over my time online, however, I’ve found that anything I can do, a lot of other folks can do better. When it comes to the nostalgia game, no one does it better than Matt over at Dinosaur Dracula. So, imagine my surprise when something popped into my head that he hadn’t covered yet! That’s right, kids – today we’re gonna talk about the Toy Biz Hotline.

A few days ago, I saw that a Facebook friend had shared the video for a Knight Rider hotline where you’d call and K.I.T.T. would tell you a story. Considering William Daniels actually respects himself, it was more likely the chance to hear a randomization of pre-recorded dialogue from a K.I.T.T. impersonator. One of the perks of calling the hotline, however, was that you’d receive a free “Wuppie”, which is basically a cotton ball with googly eyes and feet. You’d be surprised how many hotlines used the promise of a Wuppie to lure kids into calling.

If you’re a youngin’, then let me educate ya on something: the 80s were chock full of these hotlines, mainly because we didn’t have the Internet yet and unscrupulous business folks learned how to monetize that thing hanging on your wall in the kitchen. To put it in 2017 terms, 900 numbers were the “in app purchases” of the 1980s. While they were required to tell kids to get their parents’ permission, these hotlines were designed to trick kids into racking up high phone bills – ya know, so they could talk to Santa and get a toy cotton ball.

While we were obsessed with our phones in a different way than we are today, I can assure you that not everything was designed to make a dollar. Before you could tweet your displeasure at a company account, you used to have to call them. That’s right, you had to be indignant and ask an employee, “What’s the number for corporate?!” Remember, you couldn’t Google that shit yet. If they weren’t too busy using that slide thingy to process a credit card transaction, they would take out a Lisa Frank pen and write down a number for you. If you were lucky, that number would connect you to a phone system that MIGHT eventually lead to a real person on the other end. Basically, customer service was handled solely by phone. Some companies, instead of just waiting around for complaints, decided to be proactive with their customer service hotlines. That’s what brings us to Toy Biz.

http://thecomicscode.weebly.com/x-men-toy-biz.html

“But what’s a Toy Biz, Uncle Will?” Well, back in the late 80s/early 90s, all comic book-based action figures briefly came from the same company! I’ll let you catch your breath there for a minute, as I know that’s a crazy notion in today’s competitive world. Not only did Toy Biz land the license for 1989’s Batman (for which they produced an assortment of a whopping THREE figures), but they also handled DC Comics Super Heroes, based on Kenner’s old Super Powers molds. Then, shifting into the 90s, they dropped DC in favor of the Marvel license when Marvel CEO Ike Perlmutter bought the company. We initially got a Marvel Super Heroes series, but their real claim to fame was the 8,000 X-Men figures they would go on to produce. I’ve always said that nobody mines a property quite like Playmates, but Toy Biz was a close second.

This was probably the first toy line to teach me about waves, meaning that the toys were released in batches at a specific time.  Most toys don’t include an “evergreen” line of toys that you can always find on shelves at any time. They used to differentiate the multiple iterations of a character by Roman numeral. So, “Wolverine” eventually gave way to “Wolverine XVII”. For example, if Wolverine II came out in September of 1994, then you’re probably not gonna be able to find him on shelves in October of 1995, because Wolverine III will be out by then. How would you know which figures were supposed to be in stores, without your parents wasting all their gas driving around? That’s where the Toy Biz hotline came in.

 

Listed on the cardbacks of all Toy Biz figures was a hotline that you could call that served as Toy Biz’s customer service line: 1-800-634-7539. While I guess you could call them to let them know your Colossus had two left legs, that’s not why people called it. No, the hotline had a prerecorded message where an emotionless male voice rattled off the names of the figures in the latest wave, in many cases mispronouncing them because they couldn’t give two shits about what they were actually saying. So, you’d get them just putting two words together, like “Omega Red”, but you’d also get mistakes like them calling the X-Men villain “Mag-NET-o”, instead of “Mag-NEAT-o”. I can’t speak for other folks, but I didn’t care! My best friend, Brett, and I used to call that number ALL THE TIME. It was the centerpiece of our sleepovers. It was like “So, should we call the number?” as if we were discussing digging out one of our dad’s old Playboy stash.

From what I could gather, it seemed like the message was updated about every 6 months or so. As the Toy Biz catalog increased, the message got longer. There was the X-Force subset, and the Hulk series, the Fantastic Four series, and more. If you wanted to, you could just listen to the dude drone on for a good 30 minutes. I have to admit, though, that once Power Rangers mania hit, I left Toy Biz in the past. So, I missed the evolution of the basic figures into the dynamic, articulated sculpting of the Marvel Legends that soon dominated Toy Biz’s offerings.

The hotline also had an answering machine portion, where you could ask questions about the toys. You were told to leave your name, number, and address, and they would get back to you. To date, I don’t know a single person who ever heard back from them. According to this article, it doesn’t seem like anyone heard back from them.

Since most of Toy Biz’s output was Marvel figures, it made all the sense in the world for them to change the name to Marvel Toys in 2007 – only to give up the Marvel license to Hasbro later that year.

So, we were left with a Marvel toy company that couldn’t make Marvel toys, and the company circled the drain as it cranked out Lord of the Rings and Total Nonstop Action Wrestling figures. The hotline remained a fixture on Marvel Toys packaging through the release of 2007’s Legendary Comic Book Heroes line. By this point, they had established a website, but were still advertising the number as the best way to reach them. In 2008, with no fanfare, the Marvel Toys website was taken down, signaling the end of the hotline and the company itself. Nowadays the number belongs to a DirecTV promotions department.

Despite what the ladies of LiveLinks would have you believe, the age of the interactive hotline is over. The Internet came along with its promises of instant gratification and all the correct AND fake news that you could want. Still, there was something quaint about the “personalized” experience of calling a hotline. Sure, we knew the messages were prerecorded, but that didn’t matter to us. When calling that hotline, we felt like we were getting insider information. We could go back and tell the news to our friends who lacked phone privileges. “Wolverine VII? Yeah, he’s not out yet, but Black Tom Cassidy is. Oh, you don’t know who that is? Well, I can’t help you there.” The Toy Biz hotline: Building fandom snobs before the Internet.

So, am I alone in remembering this? Do any of y’all have fond memories of dialing up this number? Share your memories in the comments!

09th Jun2017

West Week Ever: Pop Culture In Review – 6/9/17

by Will

 

In an interesting shake-up over at CBS, Erinn Hayes has been let go from her role as wife to Kevin James in Kevin Can Wait. They say that the show is going in a new direction, which necessitated the firing. But here’s where it gets interesting. Leah Remini, who played James’s wife on King of Queens, popped up in the season finale as James’ former cop partner. Well, just before announcing Hayes’s departure, CBS announced that Remini would be joining the show next season as a series regular. Now, if you’ve never seen Kevin Can Wait, Kevin James plays a former NYC cop who tries to figure out how to adjust to his recent retirement. Based on the season finale, though, it seems like James’s character might be coming out of retirement. It’s just a strange move, seeing as how the show ended the season as the #1 new comedy on network TV – hardly a situation that necessitated a retooling of the show. Part of what critics praised was Hayes’s portrayal of James’s wife of 20 years. How do you just gloss over that relationship? I mean, they’ve gotta kill her off, but unless you do a time jump, you’ve gotta slog through all the grief stuff, which doesn’t lend itself well to a multicam comedy. And if they’re gonna fast track a relationship between James and Remini, will the audience accept it? It really feels like they blew a sure thing and, if they wanted to recreate The King of Queens, thy should’ve just revived The King of Queens! I’ve said that online since Kevin was announced!

Speaking of Remini, I’m starting to think she’s a Scientology double agent. Bear with me here: Scientology is a well-connected organization in Hollywood that allegedly has the power to ruin your career with the information that they have on their members. If you ever leave the church, you’re pretty much done. Just look at the list of former Scientologists. On that list, Remini and Jeffrey Tambor are the one ones who even have a semblance of a steady career right now, and Tambor kinda skirted the issue by saying he never really joined the church. Remini, however, joined up as a child, and was a HUGE booster of the church. Then, in 2013, she turned on the church – not for its negative views on homosexuality (which is why Crash director Paul Haggis left) or its alleged illegal activities. No, she left because she got her feelings hurt after leadership clapped back at her. At Tom Cruise’s wedding to Katie Holmes, Remini asked why church leader David Miscavige’s wife wasn’t in attendance, and they basically told her she didn’t have clearance for that info (formal speak for “Nunyo Biznazz”). She didn’t trust that answer, and went further to file a missing persons report on Mrs. Miscavige. Then, she made it her mission to publicly discredit Miscavige, criticizing his leadership, citing reports of abuse in the Sea Org, and more. She went straight to the TOP with her blame game, yet NOTHING has happened to her. In fact, it’s probably rejuvenated her career. She got a successful show on A&E called Leah Remini: Scientology and the Aftermath, where she’s basically telling all their secrets. When the show debuted, the church issued a statement attacking her. Yet, she’s working more now than she was before. So, there’s two things happening here: either Scientology isn’t as powerful and litigious as we’ve been led to believe OR they’re in on it. It’s yin and yang. Every action has an equal and opposite reaction. While Scientology has its critics, it never really had an enemy before. Why not create one where they could control the narrative? It’s like learning that Captain America has secretly been Hydra the whole time. Long story short, I’m not entirely convinced she’s left the church, especially over something as trivial as what’s reported to have started the whole thing. And she’s laughing all the way to the bank.

In other TV news, Tia and Tamera Mowry (yeah, they got married and have new hyphenated last names, but I ain’t got time for all that) are trying to get a Sister, Sister revival off the ground. And I don’t know anyone who wants this. If you were cool back in the 90s you probably never watched Sister, Sister, where a set of adopted twins didn’t realize they were twins until a chance meeting in a department store, a la The Parent Trap. Then they all move in together. It was the definition of “mediocre”, yet once ABC canceled it, it gained a new life over on The WB. The most memorable thing about it was that Marques “Batman” Houston, of the R&B group Immature/IMx, played their annoying neighbor Roger (kinda like a watered down Steve Urkel), and they’d constantly yell “Go home, Roger!” at him. Other than that, it was just a bunch of zany, mistaken identity twin shit – stuff that I’d hope adult Tia and Tamera had outgrown by now. What’s the story to tell? They both get divorced, and move in together with their kids? Sorry, Kate & Allie, Getting By, and the upcoming Raven’s Home have already covered that old chestnut. Are they single in the city, doing the same twin shit? Not interested. I don’t have a lot of faith in this one getting picked up, though, because they’re far behind where they need to be. Right now, they say they’re looking for a show runner to guide the project, but then they’d have to find a network. Sister, Sister was NO Full House, so I doubt Netflix would be interested. If anything, the only place I’d put it right now would probably be Freeform, even though the twins are slightly older than the target demo of that channel. Let this just be a lesson that not everything needs to be revived.

In other television news, DC’s Legends of Tomorrow has cast Tala Ashe as Muslim “hacktivist” Zari Adrianna Tomaz for season 3. She’s a computer whiz from 2030, so basically the team’s got their own Oracle/Felicity now – not that they really need it, with Gideon and all. Anyway, in comics Tomaz is actually an Egyptian who uses the Amulet of Isis to transform into the hero Isis. Before the New 52 reboot of the DC Universe, Isis was an important character in the weekly series 52, as she was in a relationship with Black Adam, and her brother, Osiris, was eaten by Sobek. Oh, and she had a cheesy TV show in the 70s. None of that’s gonna be in the Legends, I’m sure. Given the current political climate, and how loaded the name “Isis” is right now, I doubt they’ll actually ever call her that onscreen, either.

Song of the Week

Today I give you “Vampires”, by The Midnight. My pal and thrifting partner, “Special Forces”, and I decided that this is the official theme song for Thrift Justice should it ever become a real show. Synthwave AND saxophone?! I wanna direct Skinemax movies just so I can score them with this entire album. So sexy. Right now, Thrift Justice is a USA drama circa 1990, and I ain’t got no problems with that!

Things You Might Have Missed This Week

  • Modern Family‘s Sarah Hyland will guest star on Freeform’s Shadowhunters, which kinda sounds like a step back
  • Speaking of Freeform, they’ve ordered a pilot for an American adaptation of UK hit Misfits. The network is a good home for something like this, but I’m still pissed over the American adaptation of Skins, so…
  • Rudy Huxtable herself, Keshia Knight Pulliam, escorted TV dad Bill Cosby to the first day of his rape trial. Whatever. Call me when Lisa Bonet shows up.
  • In next level pettiness, Taylor Swift put her entire catalog back on Spotify at midnight – at the very moment Katy Perry released her album “Witness”
  • According to Dan Aykroyd, Paul Feig blew his chance at a Ghostbusters sequel because he overran his budget on unnecessary reshoots. Sony refuted the figures Aykroyd presented, saying the estimates were off by about NINETY percent. Woo!
  • Jennifer Connelly will join Daveed Diggs in TNT’s Snowpiercer pilot, playing the person who makes the daily announcements on the train. Exciting!
  • Tom Cruise revealed that the title of the Top Gun sequel will be Top Gun: Maverick. I wonder if John McCain has any feelings about that. Coherent feelings, not ramblings about the Diamondbacks…
  • Speaking of Cruise, his The Mummy reboot opens today, and reviewers have called it “the worst Tom Cruise movie ever”. Wow.
  • Singer/actress/sister of Ray J Brandy was found unconscious on a Delta flight, and the doctor who came to her rescue was reportedly Kim Kardashian’s uncle! Considering Ray J put that family on the map, I figure it’s time the Kardashians did something to return the favor.
  • Gotham stars Morena Baccarin and Ben McKenzie got married. Knowing that show, it’ll probably revealed that they’re Bruce’s real parents or some shit. It’s not like it pays attention to any of the rest of the lore, so why not?
  • Fox canceled 24 Legacy after a low-rated single season, but they’re still committed to the 24 brand. They’re reportedly developing an anthology series to take the show back to its real-time roots
  • Like Peter denied Jesus, Jerry Seinfeld denied THREE requests for a hug from Kesha. I don’t blame him!
  • In one of the strangest deals I’ve ever heard of, Epix has inked a deal to stream its content directly to 2018 Honda Odyssey  minivans
  • Sony will begin selling clean versions of some of their hit movies. If you’ve ever accidentally bought a clean version of an album from Walmart, you can see why this decision might anger some folks
  • Hank Williams Jr is back singing the opening to Monday Night Football for the first time since 2011. I guess all his rowdy friends will be over after they finish burning a few more crosses…
  • George and Amal Clooney welcomed twins Ella and Alexander
  • Former Power Rangers director/producer/fight coordinator Koichi Sakamoto will direct the upcoming Ultraman Geed series, focusing on the son of the evil Ultraman Belial. Yeah, those words mean something to someone out there.
  • Newcomer Blu Hunt has been cast as Danielle Moonstar in the upcoming New Mutants spinoff of the X-Men films.
  • A live action adaptation of Cowboy Bebop is being developed, and my heart weeps. As one of the few anime series I’ve watched, and loved, I kinda hope this dies in development hell
  • Hackers released 8 stolen episodes of ABC’s upcoming game show, Funderdome, and nobody cared.
  • Donald Glover will be retiring her Childish Gambino hip hop persona after his next album.

  • We got our first poster for the Black Panther film.

Last week I gave my opinions and feelings on the movie. This week, I’m just gonna stick to the facts:

  • 92% on Rotten Tomatoes
  • $103 million opening weekend domestic box office
  • $220 million opening weekend global box office
  • Third highest opening for a DC film
  • Most successful female-directed film
  • Mot expensive female-directed film, with a budget of $150 million
  • Most tweeted about movie of 2017, with 2.19 million tweets
  • Won Best In Show and Best Fantasy/Adventure at the Golden Trailer Awards
  • Last Saturday, Wonder Woman Day was celebrated at comic shops around the world

You’ve seen it by now, right? RIGHT?! Then, what are you waiting for? For these reasons, and more, Wonder Woman once again had the West Week Ever.

02nd Jun2017

West Week Ever: Pop Culture In Review – 6/2/17

by Will

Whoo boy! This is gonna be a controversial one this week, but I’ve got some stuff to get off my chest.

First up, there was controversy surrounding the new Wonder Woman film (in theaters now!). Theater chain Alamo Drafthouse announced women-only screenings for the film, where proceeds would go to women’s charities, including Planned Parenthood. Originally planned to be 5 screenings at the Austin and Brooklyn locations, tickets sold out instantly and more screenings were added. According to Alamo, the screenings were meant to be a celebration of “Girl Power”, and were only open to those who identified as women. Now, this isn’t the first time Alamo has done special screenings, as they have screenings for active military members, as well as for children with special sensory needs.  I’ve also heard other explanations, like the screenings give women a safe space to watch the film without having it mansplained to them the entire time. But, of course, the social media shitstorm started. A lot of folks who might be considered Men’s Rights Activists felt that this was discrimination, and that they should retaliate with all-male screenings of the next Star Wars movie.

As Twitter was dead over the holiday weekend, I tweeted that the backlash to the screening was stupid, but the screening itself is also kinda stupid. Now, hear me out: I see both sides of the issue here. Alamo wanted to make a fun exclusive event to celebrate the release of a movie starring a female superhero. That doesn’t happen every day, so it was a cause to celebrate. I’m not “butthurt” over the idea. That said, Alamo had to know they’d get this kind of reaction, as this kind of thing is somewhat of a slippery slope. “How is it a slippery slope, Will?” So glad you asked! Let’s, for a moment, propose a different kind of screening. Let’s say it was a Black Only screening of Get Out. I mean, it had a similar pedigree in that it was a Black horror/suspense film from a Black director – something that also doesn’t happen every day. You’d better believe people would have a problem with that! Sure, it could be spun as a celebration “for the culture”, meant to foster community and whatnot, but White people would shit ALL the bricks! So, as this has been great publicity for both Wonder Woman and Alamo Drafthouse, they knew exactly what they were doing when they set out to do this. In the long run, this isn’t gonna hurt Alamo or Wonder Woman one bit, but let’s not act like this was some kind of altruistic celebration of sisterhood. This was Shrewd Marketing 101.

See? I toldja this would be a controversial one, and I’m just getting started!

Let’s visit the world where Hollywood and politics intersect. You see, comedienne Kathy Griffin posted a photo of herself holding what was meant to be Donald Trump’s severed head. AND PEOPLE LOST THEIR MINDS! Trump, himself, even took time off from golfing and nudging his way to the front of photo ops to tweet about it, saying that it had affected his 11 year-old son, Barron, who apparently thought the photo was real. The backlash was strong against Griffin, who apologized hours later, but still ending up losing her Squatty Potty endorsement, as well as her CNN New Year’s Eve gig with Anderson Cooper. A lot of people seem to be in agreement of the backlash, but I’m gonna take a different approach: I don’t think the photo was that bad.

There are so many things to unpack here, so bear with me as I try to navigate through all of it. Societies have a history of burning politicians in effigy as a form of protest so, while extreme, how is this any different? Had she actually decapitated the man, and was brandishing his severed head on social media as some sort of trophy, that would’ve been too far. Like it or not, this was “art”, and you don’t really get to judge art. It can make you uncomfortable but at least it triggered some sort of opinion or emotion, which means it did its job.

I also feel like this is a situation where folks are more upset by the messenger than the message. Kathy Griffin isn’t taken seriously. We’ve put her in this box along with Andy Dick and several other unpredictable, slightly unstable comedians who at one time did a stint on an NBC sitcom. We don’t expect anything “deep” from her, because we’ve already written her off. She knows this, as she’s in on the joke. I mean, her reality series was called My Life On The D-List, so she knows she’s not a top-tier celebrity. Still, she has a team behind her, as everyone in Hollywood does, and they all decided that this was something she was going to do. Maybe she felt it’d just blow over because of her lessened celebrity status, or maybe it’s doing just what she thought it would. A friend and I were talking about it the other night, and he’s the one who made me realize it was the messenger we were blaming here. After all, if Samantha Bee had done this, liberals would be creaming their jeans about how daring and smart it was. Why? Because that’s what people expect of her. Griffin made the simple mistake of veering out of her lane, and that’s how we got to where we are now.

Now, let’s look at the photographer, Tyler Shields, whose work tends to push boundaries like this. For him, this was just another Tuesday photoshoot, and this isn’t the first time that Griffin has worked with him. I mean, just look at some of his work above. He likes weird shit, but again, it’s art and we don’t really get to police it.

Meanwhile, there’s the whole thing about Barron thinking the photo was real. That poor, poor boy. To quote Hank Hill, “That boy ain’t right”, and the family either refuses to acknowledge it or is dealing with it in secret. On the one hand, I guess I have to commend the fact that we’ve “grown” to the point of saying “Kids are off limits”, but I find it convenient that we’re adopting that stance now. Where was that when comedians were calling little Chelsea Clinton a “dog” every chance they got? Where was that when Sasha and Malia had to see the stuff folks said about them and their family? It’s a shame that Barron doesn’t know the difference between a photo and reality but, as one Tweeter put it, it wouldn’t be an issue if Donald actually lived with his son. But I digress. I think this whole thing has been blown way out of proportion to dominate the news cycle. After all, last weekend it was looking like Jared Kushner was in the hot seat, and then next thing you know, it’s Kathy Griffin this, and covfefe that.

Where to next? Oh yeah, remember Mary Kay Letourneau? She was one of the first stories of teachers sleeping with their students to hit the news. Back in the late 90s, Letourneau fell in love with her student, 12 year old Vili Fualaau, and ended up getting impregnate by him. She was convicted of child rape, served 3 months in jail, and THEN got caught having sex with Fualaau in her car just two weeks after her release. And she got pregnant again. She served 6 years that time, but married Fualaau when she got out. And they lived happily ever after…until May 9th of this year, when Fualaau filed for legal separation from Letourneau. Now 33, perhaps Letourneau simply got too old for him at 55. But the plot thickens! Yesterday, that bastion of journalistic integrity, The New York Post, reported that the separation was really just something of a scam. You see, Fualaau wants to get a license to sell pot, but he knows they’ll do a background check before granting it to him, and it wouldn’t look good to be married to a registered sex offender. He claims they’re still in love and this is just a business arrangement. So, while he awaits his pot license, he’s working as a DJ in Washington state. Too bad she couldn’t fuck some ambition into him all those years ago! Fun fact: one of Letourneau’s brothers is a foreign policy adviser to the president. He’s clearly been doing a heck of a job lately!

Still here? OK, then let’s talk about some pop culture stuff. Someone at NBC must’ve read my Upfronts post, as they just announced changes that perfectly mirror my suggestions. This Is Us will no longer be moving to Thursday, and will stay put on Tuesday nights. Meanwhile, the comedies planned for Tuesday, Superstore and The Good Place, are moving to Thursday to join Will & Grace and Great News for a 2-hour comedy block. This is how it alway should’ve been, and I’m not quite sure what’s going on at NBC. From the cancellation/uncancellation of Timeless to this new schedule scramble, it makes you wonder who’s at the wheel over there. Still, I think these are smart moves, so hopefully they’ll work out in the long run.

The hardest working man in Hollywood, Ryan Seacrest, is developing a new show. Best.Cover.Ever. will air on YouTube and will feature people singing cover songs, vying for the chance to sing a duet with the original artist of the song they sang. Hosted by Ludacris, the show will feature Demi Lovato, Jason Derulo, and Backstreet Boys to start out. Contestants are asked to upload videos of covers of “Trumpets”, “Confident”, and “As Long As You Love Me”. The artists will each choose two finalists, who will be the contestants actually featured on the show. The winner gets to duet with the original artist for an exclusive YouTube performance. It’s an interesting concept, and it requires a partnership with a streaming service to work, but I’m still not sure it’s going to be successful. I’m also surprised that it’s not on YouTube Red, where they can charge for it. After all, nobody really talks about the offerings on YouTube Red, but this is the kind of thing that could get folks talking and maybe boost subscriptions. I’m a sucker for “As Long As You Love Me”, so I’ll be keeping tabs on this just to see how it fares.

Major news in the world of pop music this morning, as will.i.am confirmed that Fergie has left the Black Eyed Peas to focus on her solo career. The news isn’t exactly a surprise, as last week it was announced that she was leaving the band’s label, Interscope, to start her own label, Duchess Music, over at BMG. It’s still a pretty big deal, though, as she’s been with the band for the past 15 years. Still, I feel like their time has come and gone. They showed up, gave the world a suitable soundtrack replacement for Jock Jams, and left their mark. However, will.i.am says they’re still together, recording new music to celebrate their 20th anniversary as a band. To be honest, I thought they were gonna be done in 2008, when they released The E.N.D., but it proved successful enough, with the hits “Boom Boom Pow” and “I Gotta Feeling”, that they just kept trucking along. Now there are rumors swirling that Nicole Scherzinger might replace Fergie in the group, which would be her third time in a group, after Eden’s Crush and The Pussycat Dolls. I swear, Scherzinger must have a tail or something, because there’s some sort of defect that’s preventing a label from being able to package her as a solo act. Always a bridesmaid…Anyway, let’s pour one out for The Duchess and her tenure with Your Grandma’s Favorite Rap Group.

Netflix founder and CEO Reed Hastings recently said that he felt Netflix should be canceling more shows. In his mind, they have too many hits, which results in creators taking fewer chances and not “swinging for the fences”. The successful shows are basically taking real estate from potential new hits. Now, it being the internet, there’s no “real estate”, per se, but it’s still marketing dollars, bandwidth, etc. It used to be that you could count on a Netflix series getting at least 2 seasons, but they just killed that with the cancellation of The Get Down after its first season. Yesterday, they followed the trend and canceled the sci fi series Sense8 after its second season just debuted last month. If the axe is swinging, I’m worried about the shows that aren’t generating a ton of buzz right now, like F is for Family and the adaptation of Dear White People. Kind of a weird problem to have, though: too much success might be making them complacent. It’ll be interesting to see how this affects the Marvel shows, as well as the Netflix perennials like House of Cards and Orange is the New Black.

There was a scary moment last weekend at Phoenix Comicon, when police arrested a man who reportedly had three handguns, a shotgun, knives, pepper spray, and throwing stars, and had a reminder on his phone that said “Kill JDF.” That’s right, folks – his plan was to kill the Greatest Power Ranger of All Time, Jason David Frank, as well as some police officers. Sidebar: can you imagine being so absentminded that you need to set a phone reminder to make sure you remember to murder your target?! Anyway, the reason police were able to capture 31 year old Mathew Sterling was because he had told his plan to some chick on social media, who then tipped off the police. Anyway, JDF continued with the convention as if nothing had happened, claiming that he wasn’t going to let fear govern his life. Meanwhile, the convention cracked down on prop weapons and banned them from the show. In fact, if you were getting your Saba or Dragon Dagger swords signed by JDF that weekend, he was posting on social media that you would have to leave them in their boxes. This has caused other conventions to look at their own weapons policies, so look for some changes coming up on the con circuit.

Song of the Week

This week, I give you “You Look Good”, but Lady Antebellum. This is just such a funky song, and could’ve been a contender for Song of the Summer had they waited a bit longer to release it. Anyway, it’s like the 2017 offspring of Santana and Rob Thomas’s “Smooth”. I really dig it, and I think you will, too.

Things You Might Have Missed This Week

  • Hailee Steinfeld is in talks to star in the Transformers spinoff, Bumblebee
  • After 14 years off the air, MTV is bringing back the MTV Beach House this summer
  • WGN America has canceled slavery drama Underground after 2 seasons
  • There are reports that Steven Spielberg is gearing up for an Animaniacs reboot
  • Fresh off the recently canceled Powerless, Vanessa Hudgens was announced as a judge on the upcoming season of So You Think You Can Dance
  • Scott Pelley is out as the anchor of CBS Evening News, and will return to 60 Minutes in a full-time capacity
  • A Sin City TV series is in the works
  • Universal is reportedly interested in Dwayne “The Rock” Johnson for the role of The Wolfman in their Dark Universe franchise
  • Speaking of Dark Universe, I called it last week: Warner Bros may sue Universal over the Dark Universe title. According to official documents, however, it appears Universal may have had the name first.
  • Charlie Heaton, of Stranger Things fame, is reportedly up for the role of Cannonball in the X-Men spinoff, New Mutants – which is now supposedly going to be a straight horror movie. Um, OK…
  • Speaking of New Mutants, Fox continues to mine Netflix shows, as 13 Reasons Why‘s Henry Zaga has been cast as Sunspot
  • Ben Stiller and Christine Taylor have split after 18 years together
  • The Ludacris-hosted Fear Factor reboot premiered on MTV this week
  • Tiger Woods was arrested for a DUI, even though he had no alcohol in his system and was found passed out in his car. He says it was the result of mixing prescription drugs, but the whole thing sound fishy

  • Sharknado 5: Global Swarming will premiere August 6th on SyFy, guest starring Charo, Fabio, Tony Hawk, and Chris Kattan. This thing is one Ted Lange appearance away from becoming a Love Boat reboot
  • Thanks to an article on Slate, we now know to pronounce the “T” in Gal Gadot’s name.

I had absolutely no desire to see Wonder Woman. While she was my favorite part of of Dawn of Justice, I just wasn’t jazzed about the idea of her starring in a World War I period piece. I mean, we already got that movie, and it was called Captain America: The First Avenger (before you history buffs come out of the woodworks, I know that movie was set in WWII: War Harder). I wasn’t looking forward to DC’s lackluster attempt at a retread of that. So, imagine my surprise when I found myself in the theater on opening night. And then imagine my surprise when the movie ended, and I realized that I LOVED it!

It might be premature to say that Warner Bros has finally righted the DCEU ship, but Wonder Woman is definitely a step in the right direction. My buddy Chad predicted that it would be the new gold standard in comic book movies, and while I don’t think it quite achieves that, it’s definitely the gold standard for the DC Universe. It’s one of the rare comic book movies where I left and didn’t really have any issues with plot holes. It was such a joy to watch, thanks to the acting of Gal Gadot. First of all, she’s so goddamn beautiful that it should be illegal for the camera to be trained on her for prolonged periods of time. Seriously, I thought I was gonna have a seizure like those kids did from that Pokémon episode back in ’99. She does such a great job playing  up Wonder Woman’s sweet naiveté about “Man’s World”, but is also a commanding presence during the battles. It’s funny how when she was cast, we were all saying “She’s too small to be Wonder Woman”, but watching her onscreen, all those doubts slip away.

Now, as much as I loved it, it’s not a perfect film. It deftly straddles the line between “suspension of disbelief” and just plain hokey, but it sort of feels like a 90s comic book movie in that way. And while Patty Jenkins may have directed it, Zack Snyder’s fingerprints are ALL OVER IT (as he co-wrote it with Allan Heinberg). I swear, I think about 60% of it was pure green screen, as I sat there thinking to myself, “This is on a soundstage. That is on a soundstage. Oh, that’s definitely a sound stage.” At points (especially during the final act), it shifts into that “Snydervision” that most of the DCEU movies are in, where it just becomes a copper-tinted music video.

Plus, I’m still not sure about the shared universe nature of the DCEU. While Marvel has almost flawlessly built their world over the course of many films, it just feels so forced with the DC movies. Whereas the MCU feels organic, the DCEU feels copycat. The framing device of the movie is meant to sort of further that idea of a shared universe, but I’m not sure it works. To be honest, I’d probably enjoy it more if I knew nothing about Dawn of Justice or the fact that she’ll pop up in Justice League later this year. She’s strong enough to stand on her own, and the rest of the disappointing DCEU almost taints her.

All that said, it’s really a great cinematic debut for the character, and young girls finally have their own big screen hero. Not to give too much away, but as the film starts, Diana is a wide-eyed little girl, and I could see so much of the audience connecting with that. I thought of my own daughter, and the fact the she now has her own hero. I think that will mean a lot to folks. As far as I’m concerned, scrap Justice League and the rest of the solo films on DC’s slate, and rush Wonder Woman 2 into production stat! For these reasons, Wonder Woman had the West Week Ever.

26th May2017

West Week Ever: Pop Culture In Review – 5/26/17

by Will

Here we are, on the verge of a 3-day weekend, which means nobody’s gonna read this thing. Still, “the show must go on”…

Well, the week was filled with spider news, as last Friday Sony announced that Tom Hardy will star in a Venom film. If you’re not “in the know”, Venom is a Spider-Man villain comprised of an alien symbiote suit and Peter Parker’s professional rival, Eddie Brock. Sadly, the film’s not meant to cross over with Spider-Man: Homecoming or any bit of Tom Holland’s portrayal. I’m starting to think Sony’s deal with Marvel Studios is actually a bad thing, as it seems like Spidey’s addition to the MCU is to the detriment of his expanded universe to which Sony still owns the rights. I don’t really care about a Venom without a Spider-Man. To add to that, yesterday, Sony announced a film starring Spider-Man supporting cast members Silver Sable and Black Cat, to be directed by Gina Prince-Bythewood (Love & Basketball). I really don’t think there’s much to say about these characters without the possibility of a Spider-Man cameo. I get where Sony’s coming from; they have all these characters, so they might as well do something with them. That said, earlier talks made it sound like they were building their own Spider-Man-centric film universe, but since the MCU deal went through, Spider-Man no longer seems to be part of the equation.

Meanwhile, the Licensing Expo was this week, and we got our first look at the poster for the animated Spider-Man movie, starring Miles Morales. Apparently it was created by a child. Maybe a Make-A-Wish kid? Seriously, that thing is terrible.

It wasn’t all bad Spider News, however, as we got the third trailer for Spider-Man: Homecoming. They’re basically giving away the movie at this point, but I’m still a guaranteed butt in a seat. A lot of people are having issues with it, but I kinda like that this is basically Iron Man 4. I really didn’t need a new Spider-Man, so throwing Tony Stark in there is a good way to get me interested. I mean, I liked Tobey Maguire. I liked Andrew Garfield. I’m sure I’ll like Holland, but I’m kinda tired of the Spider-Man revolving door. Now that he’s tied into the MCU, I hope the Holland casting sticks. Then again, we’ve had three Hulks already, so…

This poster, however, is horrendous, but endearingly so. I mean, it’s really bad Photoshop, but I still kinda like it. It’s busier than Times Square at rush hour, but I love it in all its ugliness. It looks like it should be airbrushed on a denim jacket at the mall.

Across the aisle, things aren’t going so well for the DC movie slate, either. First up, Doug Liman has dropped out of directing the Justice League Dark film due to his commitment to Lionsgate’s adaptation of the young adult series Chaos Walking. In case you didn’t know, Justice League Dark would focus on the more mystical DC Comics characters, like John Constantine, Zatanna, Deadman and others, battling supernatural threats – ya know, like the kind the Suicide Squad had no business fighting. I’ve got no interest in this, but that’s ’cause I don’t really like magic. If they manage to get Swamp Thing into the movie, though, I think it’ll increase its appeal. Right now, though, they’re just a bunch of magical nobodies coasting on the Justice League name which might not even hold any power if that movie fails this Fall.

In sadder news, Zack Snyder bowed out of Justice League post-production work to spend time with his family as they grieve the loss of his daughter, Autumn, to suicide. It was revealed that Joss Whedon was brought in to finish the film, which now has fans cautiously optimistic. Just last week, there were reports that there had been so many reshoots that the film was basically a different movie from what was originally shot. It’s possible, however, that these reshoots were part of Whedon’s plan. It’s really unfortunate what the Snyder family is going through, and it’s deplorable that some folks are making jokes about the situation.

In other movie news, it was revealed that Tom Cruise’s upcoming film, The Mummy, will kick off a Universal Monsters cinematic universe called Dark Universe. I bet they stayed up real late to think of that one! Anyway, Russell Crowe will portray Dr. Jekyll (who also appears in The Mummy), Javier Bardem will play Frankenstein’s monster, and Johnny Depp will play The Invisible Man. The next film in the franchise will be The Bride of Frankenstein, to be released on Valentine’s Day of 2019. Ya know what’s funny? DC’s Justice League Dark film was also going to be called Dark Universe. Somebody’s gonna have to lawyer up!

In TV news, it was reported that Hamilton scribe and star, Lin-Manuel Miranda, will voice Fenton Crackshell-Cabrera AKA Gizmoduck in the upcoming DuckTales reboot. Cabrera? Really? He’s even brown now to go along with the name change. I know some folks are gonna have an issue with this. Hell, I even kinda have an issue with it. But if they’re gonna inject some diversity into Duckburg, I guess I’d rather them do this than, say, Launchpad McQuack-Jenkins.

While we knew that Bobby Moynihan was leaving Saturday Night Live, just hours before the season finale it was revealed that Vanessa Bayer would also be leaving. Then, Monday morning, it was reported that Sasheer Zamata would also be leaving the show. I’m really gonna miss Vanessa, as she definitely grew on me. Her characters have this adorable aloofness to them that I’ve come to enjoy. She’s got a big future playing the best friend in romantic comedies ahead of her. Sasheer was simply underutilized. She was always in the background of sketches, or only had a line or two. I hear that she really shined in the writers room, coming up with sketches like Black Jeopardy. I feel like SNL will merely be a footnote on her resume, as she goes on to bigger things, like Noël Wells and Jenny Slate.

Last week, I had the pleasure of joining some of my favorite people on the Nerd Lunch podcast, where discussed some of the greatest pop culture deaths. Nobody was safe, from Santa Claus to Michael Knight! And I finally got to join my pal Vincent (@RobotsPJs) on a podcast, which has been years in the making. We had a great time, and I think you’ll have a great time listening to it, so check it out!

Song of the Week

This week, I’ve got “It Ain’t My Fault”, by Brothers Osborne. Not only are they local boys, but I love the fact that this song/video has layers. Read the title and then watch the video. They’re trying to tell us something – the same kind of thing that sank the Dixie Chicks all those years ago. My how times have changed!

Things You Might Have Missed This Week

  • Fresh off playing nurse Claire Temple in the Marvel Netflix shows, Rosario Dawson is in talks to play Dr. Cecilia Reyes in the X-Men spinoff film New Mutants. Just go to medical school already, Rosario!
  • Twin Peaks made its triumphant return for those of you who are fans. Based on the ratings, that’s not many of you…
  • The Get Down was canceled by Netflix after one season.
  • Chicago Justice was canceled by NBC after one season.
  • The Ben 10 reboot was renewed for a second season at Cartoon Network.
  • SpongeBob SquarePants was renewed for season 12 at Nickelodeon, taking it through its 20th anniversary.
  • Trial & Error was renewed for a second season at NBC.
  • The Black-ish spinoff, College-ish, received a 13-episode order on Freeform.
  • TruTV’s Impractical Jokers will enter national weekday strip syndication this Fall.
  • The bodies haven’t even gone cold and they’re already announcing a reboot of the Resident Evil franchise, this time produced by James Wan (Saw).
  • Tom Holland has been cast as young Nathan Drake in the film adaptation of the Uncharted video game.
  • In the realm of musical sequels that no one asked for, Mamma Mia: Here We Go Again! will be released July 20th, 2018.
  • Elizabeth Banks is producing a Charlie’s Angels reboot, scheduled to be released June 7th, 2019.
  • Tom Cruise announced that a Top Gun sequel is planned to begin filming next year. Fat Val Kilmer is waiting by the phone.
  • TJ Miller is leaving HBO’s Silicon Valley at the end of the season.

  • Surprising no one who’s been paying attention, Power Rangers continues the trend of just adding “Super” to the title of its latest incarnation’s second season with Power Rangers Super Ninja Steel
  • The Boss Baby 2 is a-coming, March 26th, 2021.
  • Sophia Bush is leaving Chicago P.D. after last night’s season finale


In the UK, there’s an annual event called Red Nose Day, where they’ve been raising money to end child poverty for nearly 30 years. Launched by the nonprofit Comic Relief, the event has since raised over $1 billion globally. The event came to the US in 2015, where you can buy a red nose at Walgreens for a dollar, with the proceeds going to the charity. One of the co-founders of Comic Relief happens to be Richard Curtis – writer and director of one of my favorite movies, Love Actually. Now, a lot of people hate the film because it gave way to Garry Marshall imitations like Valentine’s Day and New Years Eve. You know, those schlocky romantic comedies with an ensemble cast where all the storylines converge at some point. I don’t care, ’cause I happened to like those movies, too, but I especially like Love Actually.

Well, to celebrate this year’s Red Nose Day, Curtis reunited most of the cast of Love Actually to give us a 15-minute sequel to the film, called Red Nose Day Actually. We get to catch up on the characters 13 years later, and I have to say that I was smiling the entire time. It was great seeing those characters again, from Bill Nighy’s Billy Mack to Hugh Grant’s Prime Minister. I could’ve done without Rowan Atkinson’s meticulous shopkeeper, but it was even sorta nice seeing him again, too. You feel old as shit, though, when you see little Sam, who’s now 26 years old. I think his segment made me the happiest of all. Or maybe it was seeing Jamie and Aurelia and their kids. Or maybe it was seeing Martine McCutcheon again (why doesn’t she get more work stateside?!). I don’t know. I loved the whole damn thing.

The special originally aired in the UK in March for their Red Nose Day, but they’ve gone to great pains to keep it off the internet. Yesterday was the US’s Red Nose Day, and a new version of the short aired last night on NBC. Ya know, they should really have everyone celebrate on the same day worldwide, but what do I know? Anyway, I actually missed the NBC version because of things, but I was intrepid enough to find the UK version online. This morning, however, NBC posted it on their website so I was able to compare and contrast. The only real difference is that the UK version cut out the Laura Linney update, with Patrick Dempsey as her husband. It was a nice aside, but I guess British audiences don’t know who Dempsey is, so they didn’t miss out on much. Anyway, I wish more movies would give us short reunion updates, maybe on anniversary edition Blu Rays or something. It was nice to get just a taste of what everyone’s been up to, without them being burdened by a full film that would be more than likely fall short of the original. If you’ll excuse me, I’m gonna go watch this thing a few more times, but it’s safe to say that Red Nose Day Actually had the West Week Ever.

19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

31st Mar2017

West Week Ever: Pop Culture In Review – 3/31/17

by Will

So, as a week has passed, I find I’ve got some more thoughts on Power Rangers. I watched it again (don’t ask me how), and I actually liked it a lot better. The first viewing is pretty jarring, but once you know what you’re getting yourself into, it’s easier to let go and let Zordon.

Something about it struck me, though: the teens have an odd bloodlust thing going on. They’re really jonesing to kill something/somebody. When they first encounter Alpha, and don’t realize he’s “one of the good guys”, Zack’s immediate response is “We could kill it”. Not “Hey, we should run” or “We need to get away from it”. It was basically “We could end its life”. And while I know kids shows have to use language like “destroy” or “eradicate” or anything that’s not “kill”, I’m not used to applying “killing” to the world of Power Rangers. Even Zordon says that Rita must be “stopped”, and the kids immediately take that as “We have to kill Rita.” Hold your horses, hoss! I know they live in some little podunk fishing town, but have these kids killed before? Will they kill again?!

Also, Brian Tyler’s score needs to be applauded. It’s one basic theme that’s repeated throughout the film, but I didn’t realize how epic it was until the second viewing. Sure, it’s not “Go Go Power Rangers” or any of the show’s songs from Ron Wasserman, but it really conveys that superhero aesthetic the movie is going for.

It’s not all sunshine and roses in the world of Power Rangers, however. First up, original Green Ranger Jason David Frank was apparently kicked out of the premiere of the film because he took out his camera to film the audience’s reaction to his onscreen cameo. If you’re not familiar with his antics, his lives his life online. He thinks he’s giving a ton of access to his fans, so he basically vlogs EVERYTHING. Signings, convention panels, etc. He was a web series called My Morphing Life, so I assume  he was trying to get footage for that. Well, security did what the original 5 Power Rangers couldn’t do, and that was defeat the Green Ranger. They escorted him out and he didn’t even get to see the mid credit scene. They tried to take his phone, which he wasn’t about to let them do, so he yelled “It’s morphin time” and proceeded to beat up a bunch of middle aged men. Well, I don’t know about that last part, but it’s still fun to imagine.

Next up, murderous Wild Force Red Ricardo Medina Jr has been sentenced to 6 years in jail for the 2015 stabbing death of his roommate. Earlier this month he pleaded guilty voluntary manslaughter, and he got the maximum sentence for that charge. While I poke fun at it, the whole matter kinda sucks. I mean, he claims it was in self defense. In this crazy country, if he’d shot the guy, we probably wouldn’t even be having this discussion. Instead, he had to go and use a sword, and the American legal system just isn’t built for that. Here’s hoping he gets off early for good behavior or something.

There was a Justice League trailer released last Saturday, and that’s all I have to say about that. No, I guess I have more to say. Look, if the DCEU movies still get you hard, then more power to you. I’ve been fooled enough by those films to know that they’re more than likely not going to be my cup of tea. I felt like I was in Bizarro World, though, as everyone seemed to love the trailer but hate Cyborg. I was the opposite. I just can’t get excited about these things anymore, but I thought Cyborg looked cool. I’ve been told the CGI is outdated, but I’d rather he look like that than just a Black guy in a silver suit. Anyway, Snyder makes long-form stylized music videos. That’s what Watchmen was, and Dawn of Justice was a darker version of that. Here, it’s business as usual for him.

Speaking of DC movies, apparently Joss Whedon is in talks to write, produce and direct a Batgirl movie. Ya know, until he drops out. I’ve never worshipped at the altar of Joss, as I can see the holes in his whole gimmick. He’s always the go-to guy for “strong, female characters”, but I feel like it’d make more sense to just hire a woman instead of hiring a man who seems to understand women. I think DC is just trying to hedge their Bat bets because they know Affleck has one foot out the door. DC is the KING of announcing shit with nothing to back it up. The only time the MCU did that was with Inhumans, but DC has promised Green Lantern Corps, Black Adam, and  Cyborg films – all of which seem to be in Development Hell. To me, this is just another empty promise. DC is the dad who makes a ton of empty promises because he’s scared you love mom’s new boyfriend (Marvel) more than him. And they’re right. Have people forgotten all the Wonder Woman drama? People act like this is a major heel turn, with Whedon “defecting” from Marvel to DC, but I think the Russo Bros effectively swept away any influence folks thought Joss had on the MCU. Age of Ultron was a bore of a chore, so I’m not exactly jazzed about him crossing the aisle. I also don’t like the idea of a standalone Batgirl film that didn’t organically evolve from an existing Batman franchise. The Batman is falling apart, and instead of fixing that, they move on to Batgirl? Get your shit together, DC!

In the world of TV, Katie Cassidy is reportedly returning to Arrow next season as a series regular. Instead of playing Laurel Lance, however, she’ll be reprising her Earth 2 identity as villain Black Siren. If you remember, she crossed over into our world this season, and Oliver’s determined to rehabilitate her. I’m bored just thinking about it. However, if you know anything about the Arrowverse, you know that “series regular” doesn’t mean much. After all, Willa Holland is a series regular, and we’ve seen Thea how much this season? And Cassidy already had that exclusive Berlantiverse contract this season that yielded few results. I guess we’ll have to wait and see how much exposure she actually gets.

Speaking of the Arrowverse, we finally got our first look at Cress Williams as Black Lightning in the pilot being filmed by The CW. Fox passed on this a few months ago, so naturally The CW came to the rescue. Personally, I don’t think that universe needs a fifth show. They always add a show to the detriment of another. Arrow suffered when Flash came along, Flash suffered when Supergirl and Legends of Tomorrow came along. Supergirl‘s still getting used to its new home, while Legends is only just starting to get good. I think they should focus on what they have instead of trying to expand right now. Someone online said that Black Lightning was corny, but so was Static and folks are always claiming they wanna see that character make a comeback. Sure, Black Lightning hails from a different era, and I really hope they just call him Lightning, kinda like how Ollie was just The Arrow in the beginning. The only important storyline I remember featuring Black Lightning was when he was chosen to be the Secretary of Education under the Luthor Administration. Other than that, his daughters have had more page time than he has in recent years. I’d be all for the character joining the Legends team, but I don’t know if there’s enough meat on that bone for a series. And knowing The CW, they’re gonna green light it anyway – not even stopping to think how a failure would devalue the brand.

Things You Might Have Missed This Week

  • The Big Bang Theory scored a 2-season renewal, which will take it through season 12. Suck it, haters!
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it
  • Adam Sandler inked a deal for another 4 Netflix movies. When, exactly, did he officially become the White Tyler Perry?
  • In the upcoming film, Jumanji will now be a video game console and not a board game. As someone who never saw the first film, and has never played many board games, this doesn’t bother me in the least
  • The upcoming Astonishing X-Men comic series will feature a different artist every issue. All I know is that each issue better be a self-contained, done-in-one affair, or this is gonna get messy!
  • TLC is planning to bring back Trading Spaces. Paige Davis better return to host, or GTFO.
  • Jack the Ripper time travel drama Time After Time has been canceled by ABC
  • Bones ended its 12-year run, making it the longest-running Fox drama
  • AMC has renewed sci fi android drama HUMANS after a blink-and-you-missed-it second season.
  • Jordan Peele is being sought after to direct the live action Akira movie. Seems like an odd choice, but I guess he can write his own ticket after Get Out‘s success.
  • Mindy Kaling announced that her series, The Mindy Project, would end after its next season on Hulu.
  • In music news, I’ve just discovered a new Chinese boyband called Acrush. There’s a catch, however – it’s actually made up of androgynous girls! CRAZY!


Did you see that? I’m just glad Spider-Man is in the MCU now. Nobody does a shared universe like Marvel, so it’s nice to see him come home. It still feels like it’s an Ultimate Spider-Man movie, what with Gank…”Ned Leeds”. Seriously, why would Marvel go to the trouble of clearly putting Miles Morales’ best friend Ganke in the movie but then call him one of the Hobgoblins? Am I really supposed to expect this kid to become Hobgoblin down the road, a few sequels from now? It almost feels like fanservice to give him that name, to make fans wonder what might happen in the future, while never actually delivering it.

Anyway, every announcement about this film just gets better and better. For example, it was announced that it would officially introduce Damage Control to the MCU. In the comics, Damage Control was a construction firm co-owned by Tony Stark and Wilson Fisk (The Kingpin) that was tasked with rebuilding NYC after superhero battles. It’s such a logical concept, but something that gets lost in the suspension of disbelief that comics require. I’ve loved every appearance of Damage Control, so it’s nice that we’ll finally get to see them onscreen. They were actually mentioned in an episode of Agents of S.H.I.E.L.D., as a division of S.H.I.E.L.D. itself, so it’ll be interesting to see how the movie handles this.

Also, it was reported that Pepper Potts might be making her return to the MCU in the film. I tend to hate Gwyneth Paltrow, but I really like her take on Pepper, as she serves as a good match for Downey’s Stark. If this rumor pans out, I’ll be very happy.

At this point, the only thing I’m not looking forward to is The Vulture. I always thought he was a lame character, but here’s hoping Keaton can do something to make him interesting. I’m as eager for this film as I’m not eager for Justice League. I swear I’m not just some Marvel fanboy, as I’m currently reading more DC than Marvel. That said, Marvel simply makes better movies, and it appears this will be one of them. So, for those reasons, the Spider-Man: Homecoming trailer had the West Week Ever.

24th Mar2017

West Week Ever: Pop Culture In Review – 3/24/17

by Will

What did I just watch? So much to unpack…

I wasn’t going to post this week because, outside of the 2-year renewal for The Big Bang Theory, nothing really happened. Then I walked out of Power Rangers, and I had to do something with my thoughts.

I think I liked it? I’m not even sure. I’ll say that I think I know Power Rangers, and whatever that was was NOT Power Rangers. When we first learned that Lionsgate was going to produce the film, I was worried that they would do to the franchise what they do to everything: make it an angsty young adult adaptation. After all, they gave us The Twilight Saga, The Hunger Games, and The Divergent Series. And I think it’s safe to say that Lionsgate “Lionsgated” all over this film. Like, the Ranger stuff is almost an afterthought. It’s really just an angsty film about 5 teens who don’t really fit in until they find each other. I’ve watched enough Degrassi and Skins to know this formula. The whole “My friends are my family” routine. I half expected Drake to show up in his wheelchair.

Who’s this movie for? It’s definitely not for the current audience of the TV show, which is fine because they have the show, so they don’t necessarily need the movie. That said, it’s kinda weird to think there’s a Power Rangers movie out there that you probably shouldn’t take your 8 year old to see. I don’t say that based on the content, either; I just feel an 8 year old would be bored to tears by 80% of this movie. Ultimately, it’s for that Lionsgate audience: teenagers. But are teens too cool for school to even go see this film? The trailers want to make you think it’s nonstop superhero action, and nothing could be further from the truth. I think if that audience actually gets into the theater, they’ll enjoy the film, but I’m not sure it’s been effectively marketed to them.

The reason I say it’s not Power Rangers is because the basic premise of the whole enterprise, from the beginning, was that five teenagers with attitude were recruited to save the Earth from evil space aliens. The catch, however, is that the teens have NEVER had attitude. They’ve been goody two shoes since Day One. Even when they’re not initially good, we eventually find out they’ve got hearts of gold. In this film, these teens definitely have attitude which, in some ways, might make it the most true Power Rangers incarnation yet. The question, though, is whether this is what we want. In a lot of ways, the movie made me appreciate the show more, for all its cheesy faults and camp.

I’m kind of all over the place right now, so here are some thoughts, in no particular order:

  • If there’s a sequel, I hope it’s just a day in the life of Billy. I loved that character. LOVED him. Hell, I even loved Zack. The rest? Whatever.
  • Zordon’s an asshole. Like, he served no purpose other than the fact that the mythos calls for a Zordon. He doesn’t impart any wisdom, doesn’t teach them how to use their powers, nothing. He’s just another disappointed father figure to a group whose cup runneth over with disappointed parental units.
  • How much did Krispy Kreme pay in order to figure into the plot as much as they did?
  • It really is The Breakfast Club Gets Powers
  • There’s some pretty heavy stuff here: Kim’s wrapped up in a revenge porn scheme, Jason’s a delinquent, Trini’s got her whole identity stuff going on, Billy’s on the spectrum, and Zack’s got a dying mom. That’s five whole episodes of Skins crammed into one movie.
  • When you get down to it, I found the characters interesting enough that I would’ve watched a movie about them without all the “gotta morph in order to save the world” stuff tacked on. Instead of giving me The Breakfast Club Gets Powers, just give me a reboot of The Breakfast Club
  • Bandai’s shifty, ’cause they’re selling a movie morpher that doesn’t even exist.
  • Cheap ass Saban gave us 15 seconds of the same damn theme from 22 years ago? He couldn’t even re-record it?
  • Wasn’t really buying Elizabeth Banks as Rita, especially during the final battle.
  • The beginning of the film seemed almost like it took visual cues from that Power/Rangers fan film from a few years back
  • Nice Mariner Bay/Reefside Easter egg
  • I don’t get Goldar here. He’s apparently just a bigger Putty, but made out of gold, though he doesn’t seem as mindless. But what is he? Just a controlled automaton? Loyal pet? They clearly have history, but nothing we saw in the movie’s opening flashback.
  • Not a fan of the barely discernible Bayformers Zords
  • Didn’t hate the suits as much as I thought I would, but it would’ve been nice to see more of them…
  • When the Rangers FINALLY morph and fight the Putties, my kingdom for a Mighty RAW song in that sequence! “Combat”, “5-4-1”, “We Need A Hero”, anything. I know those were cheesy songs from the show, but I really wanted to get into a mindset that Kanye’s “Power” didn’t accomplish.
  • As toyetic property, the goal is to make the audience want to go out and buy the toys after seeing the film. For me, the movie didn’t succeed on that level. And I’m not even sure the typical toy audience (kids, not grown-ups with disposable income) are even the target audience for this film.
  • Kinda interesting that they changed Angel Grove from picturesque coastal city to podunk fishing town from which folks can’t wait to escape

Again, I really wanted to love this movie, despite going in with low expectations. I can honestly say that it’s in my Top 3 of Power Rangers films. It’s not a bad movie, but it’s not what I would’ve wanted in a Power Rangers film. I plan to see it again with my friends Brandon and John, so maybe I’ll feel differently after repeat viewings. It’s funny – for years, I’ve recommended Power Rangers RPM to folks because it was “the Power Rangers we always wanted”. It was more mature than the previous incarnations, in part because Disney was basically done with the franchise and wasn’t paying attention. I’ve come to realize, however, that there’s a cap to how mature I wanted the show to actually get. If you’ve never seen RPM, the series begins with the annihilation of 99% of the world’s population by a rogue computer virus, with the survivors taking refuge in a domed city. The stakes were higher, which I liked, but I never really wanted to know more about the goings on in the lives of the Rangers themselves. I wanted their world to grow up, but didn’t necessarily want them to grow up with it. I still wanted my technicolored battles in the middle of the desert/quarry/”abandoned warehouse district”. This film, while making the Rangers grow up, doesn’t really place them in a believable world for the Ranger parts of the movie. The concept doesn’t feel completely fleshed out, Maybe this can be dealt with in a sequel, where more worldbuilding can take place.

So, I didn’t love it, but I didn’t hate it. I just don’t know how I feel about it, really. I’m not going to say it was bad, because I actually enjoyed most of the movie. I just don’t know if there was a seamless combination between the teen drama and the world saving. I know enough about Ranger fandom to know too many people would love to jump down my throat for not just loving it, but as I said in the beginning, there’s just so much to unpack here.

In other Power Rangers news, I had the pleasure of being interviewed by Traci Lee for NBC News, regarding the history of diversity in the Power Rangers franchise. Oddly enough, a lot of what I found fault with in the show was rectified by the movie. In any case, I really love how the article came out, so check it out if you haven’t done so yet.

Oh, and nothing had the West Week Ever. As the Nina Simone sang, “It be’s that way sometimes.”

17th Mar2017

West Week Ever: Pop Culture In Review – 3/17/17

by Will

 

Well, that was quick! I just discussed it two weeks ago, and Young Sheldon is skipping the pilot stage and has been ordered directly to series by CBS. If you don’t remember, this is the prequel to The Big Bang Theory, focusing on the childhood of Dr. Sheldon Cooper, played by Jim Parsons (who will also be an executive producer on the spinoff). This makes me wonder if the contract talks are falling apart with the principal cast of The Big Bang Theory. I mean, I can’t think of another instance when a show was on the air at the same time as its prequel. Prequel shows are a rare occurrence anyway; at the moment, I can only think of The Carrie Diaries, which premiered after Sex and the City had wrapped. They just don’t coexist with the “mothership” show, so it makes me wonder if CBS’s commitment to this spinoff spells the end for The Big Bang Theory. As I said last time, don’t rejoice too soon, as you’ll still have a Sheldon on your airwaves, even if in child form. Or the show could go out in a Joey-style whimper.

In movie news, desperate for a new hit franchise, Warner Bros is considering rebooting The Matrix, this time starring Michael B. Jordan. Hmm, yeah…This just isn’t necessary. I don’t worship at the altar of The Matrix like some cinephiles, but I can attest to the fact that it was a visual masterpiece regardless of what you thought of the story itself. The world of The Matrix is vast enough that you don’t really need a reboot. You could have additional movies set in the world that’s already been established. I think that’s what more people seem to be in support of, as opposed to a full-on remake. Jordan deserves a franchise, especially since Fant4stic Four didn’t really get off the ground, but I’m not sure if this is The One. Ha! See what I did there? Anyway, the Wachowskis aren’t yet involved, so I don’t even know what’s the point.

The Warner Woes carry over to the DC movies, as it was announced that The Batman is being rewritten from scratch, delaying shooting til 2018. I swear they’re just dragging it out until Affleck can find some way out of the project. If Justice League doesn’t garner some kind of critical acclaim, he’s out. Mark my words. Meanwhile, WB has pushed Aquaman from October 2018 to December 2018. The slot was previously being held by Fox’s Avatar 2, but since Cameron announced the movie wouldn’t be ready by 2018, Warners saw it as an opportunity to pounce. Right now, though, the general thought is that Aquaman is fucked if Disney decides to move the Han Solo film to a holiday release like Rogue One and The Force Awakens had.

Things You Might Have Missed This Week

  • Wreck-It Ralph 2 was announced, with a March 9th, 2018 release date. Oddly enough, the porn parody, also named Wreck-It Ralph, is already up to volume 29.
  • To keep up with the times (and lack of content), MTV is rebranding the MTV Movie Awards to the MTV Movie and TV Awards. This thing won’t even exist in 5 years at this rate…
  • The spinoff of legal drama The Good Wife, The Good Fight, has already been renewed for a second season on CBS All-Access. I guess they need something to keep the lights on until Star Trek: Discovery comes along.
  • The CW has renewed The 100 for a fifth season. I know one person who’ll be excited about that. Just one, though.
  • Over on cable, FX has renewed the X-Men-inspired Legion for a second season, while HBO has renewed Pete Holmes’s Crashing
  • For the first time ever, Saturday Night Live will air live nationwide for the final four episodes of the season. No more delay for the West Coast!
  • Aziz Ansari’s hit Netflix series, Master of None, returns May 12th.
  • Director Matthew Vaughn is rumored to be in talks to direct Man of Steel 2. Because the director of Kick Ass and Kingsman: The Secret Service is JUST what Superman needs…
  • After Avengers: Infinity War, the Russo Brothers will produce a TV series based on the Valiant Comics series Quantum and Woody
  • Former Power Rangers Wild Force Red Ranger actor Ricardo Medina Jr pleaded guilty to killing his roommate with a samurai sword. I thought he’d swear it was self-defense. Sentencing will occur on March 30th, meaning he can still see the Power Rangers movie!

Every week can’t be Earth-shattering, and this is one of the week’s the proved that. Looking around, the person who had the best week in pop culture had to have been Tyra Banks.

When the week began, it was announced that Tyra would be replacing Nick Cannon as the host of America’s Got Talent. Her selection seemingly came out of nowhere, as reports indicated Marlon Wayans and Brandon Mychal Smith were the frontrunners for the job. This will make her the fourth host of AGT, after Regis Philbin, Jerry Springer, and Cannon.

As the week wrapped up, it was announced that Tyra would be returning as the host/head judge of America’s Next Top Model. She left the show when it ended its run on The CW in 2015. The show was quickly snatched up by VH1, but retooled with Rita Ora taking over as host. Well, yesterday, Viacom released a statement that Banks would be returning, and “Bye, Felicia’d” Ora.

So, it appears America has a new mascot, and thy name is Tyra. For taking over two of the biggest present-day reality TV franchises, that’s enough to earn Tyra Banks the West Week Ever.

10th Mar2017

West Week Ever: Pop Culture In Review – 3/10/17

by Will

 

In movie news, a lot is going on with the Deadpool sequel. At the beginning of the week, it was reported that David Harbour of Netflix’s Stranger Things was being sought after for the role of Cable. While fans have wanted a bigger name, like Ron Perlman, Harbour is definitely gonna be cheaper, fitting right in with the movie’s budget. Meanwhile, it was reported that actress/singer Janelle Monae was the studio’s frontrunner for the role of Domino. Yesterday, however, Ryan Reynolds tweeted the above image, confirming that Atlanta‘s Zazie Beetz had gotten the role. I swear, with Donald Glover off Lando-ing in the Han Solo movie, and Zazie in Deadpool 2, Atlanta ain’t ever coming back. It’s already “on hiatus”, and I fear that it’s gonna be like Curb Your Enthusiasm – something Glover comes back to when he gets bored and has the time to do it. So, look for Atlanta season 2 in 2025.

In other movie news, the Valiant comic universe is getting closer to the big screen, as Dave Wilson has been tapped to direct the Bloodshot movie. Wilson comes from Blur Studio, known mainly for video game trailers, and co-founded by Deadpool director Tim Miller. If you don’t know anything about Bloodshot, you’re not alone. He looks like some kind of albino madman. From what I’ve read, he’s basically a zombie soldier who’s animated by nanites. I’ve never read a Bloodshot comic, though, so what do I know? Here’s where it gets interesting: there’s currently a webseries being made by Bat in the Sun called Ninjak vs The Valiant Universe. Starring Michael Rowe (Deadshot from the Arrowverse), the webseries pits the character of Ninjak against other characters in the Valiant Universe – where Bloodshot just happens to be portrayed by original Green Ranger, Jason David Frank. Now, JDF used to go to all of his convention appearances promoting the Power Rangers brand, but lately has been doing it dressed as Bloodshot. This project isn’t big enough to warrant that kind of dedication. No, I’m convinced he’s lobbying for the role in the big screen film. This is like when Sean Young used to go out in public dressed as Catwoman just so she’d get the role in Batman Returns. I don’t know whether to be impressed or saddened. I mean, he’s lobbying hard, but there’s no way he gets that role.

Though the news got sort of lost in the cycle last week, Nickelodeon announced that the new season of the 3D Teenage Mutant Ninja Turtles cartoon, premiering March 19th, would be its last. After five years, the show is ditching its serialized approach and is rebranding into an anthology format with the new title Tales of the Teenage Mutant Ninja Turtles. Once the series ends, a new 2D cartoon, Rise of the Teenage Mutant Ninja Turtles, is slated to premiere in 2018.

In other TV news, folks are wondering if Glenn Howerton is leaving It’s Always Sunny In Philadelphia. The show aired its 12th season finale this week, where we learned that Dennis had a son from a layover in North Dakota. At the end of the episode, he decides that he can’t carry on as he’d been doing the past 12 years, and that he needed to leave and go be with his son. This episode aired the same day it was reported that Howerton and Patton Oswalt had been cast as leads in an NBC pilot where Howerton plays an Ivy League professor who loses out on his dream job, and ends up teaching high school science. Currently known as AP Bio, the series is produced by Seth Meyers and Lorne Michaels, so I think it’s likely it’ll be picked up. Now, Kaitlin Olson currently juggles working on Sunny and The Mick, but Howerton has a bigger role on Sunny, as he also writes and produces. In an interview with Uproxx, though, Howerton said that he wasn’t sure if he was coming back. He said the decision doesn’t have anything to do with his relationships with the other cast members. Sunny still has two seasons ahead of it, but even Danny DeVito recently mentioned that he might be done soon, too. The show really matured this season, as a lot of plotlines came full circle. I don’t even know what they’ll do with 20 more episodes (their seasons tend to be 10 episodes long), but I definitely don’t know how they’d do it without the character of Dennis.

In comic news, Marvel announced that Astonishing X-Men would be returning in July, written by Charles Soule, with art by…unknown at the moment. If you remember, Astonishing X-Men debuted as a miniseries during the “Age of Apocalypse” story in the mid 90s, but its claim to fame was the ongoing series written by Joss Whedon in the early ’00s. This incarnation of the team stars Old Man Logan, Archangel, Rogue, Gambit, Mystique, Psylocke, Bishop, and Fantomex. This, combined with the previously announced X-Men Gold, just proves that Marvel is trying to initiate a 1991-style refresh of the X-Men franchise, and I am here for it! This Astonishing team is basically a refresh of the 90s Blue Team from “adjectiveless” X-Men, while the team in X-Men Gold is pretty much a refresh of the 90s Gold Team from Uncanny X-Men. I love the Old Man Logan character, though I fear he’s approaching typical Wolverine levels of overexposure. Meanwhile, it’ll be interesting to see how Bishop redeems himself considering he spent the bulk of the last Cable series trying to kill a little girl. And it’ll be an interesting dynamic between mother and daughter Mystique and Rogue, as well as starcrossed lovers Rogue and Gambit. I still hate Fantomex, though, and I wish Marvel would stop trying to make him “happen”. Anyway,  I don’t get excited for much, comic-wise, but I’m really looking forward to this book.

In sports news, Jay Cutler was cut from the Chicago Bears after 8 seasons. Now, if you know anything about me, you know I don’t give a shit about sports. Still, there’s a funny anecdote here. You see, when Lindsay and I first started dating, Cutler was the starting quarterback of her beloved Denver Broncos. She bought me my first NFL jersey, which happened to be a Cutler jersey. After all, there was no way he was going anywhere, right? Well, he got cut after that season, and I couldn’t really wear the jersey anymore. He ended up going to the Bears, who had the same color scheme. I thought that meant I could still wear the jersey, but apparently that doesn’t fly with sports fans. Anyway, he’s also married to Kristin Cavallari of Laguna Beach/The Hills fame, so I guess there’s your pop culture connection to justify my mention of him.

Things You Might Have Missed This Week

  • Director Joe Carnahan has exited the third Bad Boys film, Bad Boys For Life. Maybe I’ll get around to finally watching the first two before this thing gets made.
  • Jason Isaacs was cast as Captain Lorca in Star Trek: Discovery. I…don’t know who that is, so it’s done nothing to get me excited about this show.
  • It was a week packed with renewals, as One Day At A Time was renewed by Netflix, Riverdale was renewed by The CW, and Baskets was renewed by FX. I pretty much only have interest in one of those shows. Can you guess which one?
  • Emma Dumont was cast as Polaris in Fox’s untitled mutant series, which will be interesting since she’s Magneto’s daughter and all…
  • The embargo for reviews of Netflix’s Iron Fist was lifted, and they weren’t pretty. It seems the problems are with the structure and not necessarily the casting, so it looks like the folks lobbying for an Asian American lead dodged a bullet there.
  • Who knew Josh Radnor had been working since How I Met Your Mother ended? Well, he’s not anymore, as his PBS series Mercy Street was canceled yesterday.

Now, I know Logan had a great week. It came out to rave reviews, and it opened to $238 million worldwide. Still, I kinda got things off schedule. You see, it got the West Week Ever last week before it had even performed. I don’t really want to start this trend of the same thing getting the WWE two weeks in a row just because I just had to see it opening night, hours before pushing “Publish” on the next post. So, yeah, Logan had a great week, but it was the best thing I experienced last week. Now, I’m gonna talk about the best thing I experienced this week.

Since its debut in 2015, I’ve been a big fan of the FXX series Man Seeking Woman. Starring Jay Baruchel (you know who he is, even if you don’t know his name), it follows Josh Greenberg, a down on his luck Millennial who tries to navigate the waters of modern day dating. Like a less contrived version of How I Met Your Mother, the first two seasons saw Josh go on date after date, trying to find The One, but always coming up short. That all changed this season, however, as he met Lucy. He meets Lucy in the season premiere, marries her in the season finale, and their courtship fills out the middle. Lucy’s not only perfect for him, but she also helped the show take on a new direction. We started seeing things from a female perspective, as the show became as much about her as it was about Josh. We got to see her deal with having to give up her fun party life to settle down. We see her deal with the temptation of another possible suitor. But in the end, she chose Josh. This season, it was as much Man Seeking Woman as it was Woman Seeking Man.

This week saw the season finale of the show and, as I mentioned, it focused on Josh and Lucy’s wedding. The show hasn’t been picked up for a fourth season yet, and I’m hoping it doesn’t. As much as I’ve loved it, it has served its purpose. Over the course of 30 episodes, it set forth a goal and it achieved it. Sure, there are a lot of shows that evolved past their initial concept (looking at you, Cougar Town), and I’m sure the show could keep going as we see Josh and Lucy navigate married life, have a kid, etc. But I think I like it where things ended up. We don’t have to see all of that to know it happens, and I don’t think the show as a whole would be any stronger if we did see all that. Instead of overstaying its welcome, I’d prefer it take the British approach of “less is more”. Three seasons is a good run, and it did what it set out to do. It found Josh a woman. Now, if they did want to continue the show in some capacity, I would love if they flipped it to Woman Seeking Man. You see, every season, there’s one episode that stars Josh’s sister, Liz, as we get to see her life in contrast to Josh’s. While Josh is an unlucky in love office manager who lacks ambition, Liz is a driven workaholic attorney – who also happens to be unlucky in love. The Liz episodes tend to be the strongest of an already strong season, and it’d be great to see more focus on her. Josh and Lucy could still pop up as supporting characters, but the focus would now be on Liz.

With all of this gushing, I haven’t really explained what’s so great about the show. After all, it probably sounds like a run of the mill sitcom, but it’s far, far from that. There’s a streak of absurdity to the show that really lends to its tone. For example, in the pilot, Josh’s girlfriend, Maggie, leaves him to date Adolf Hitler. Last season, Liz had an affair with Santa Claus, while Josh dates a girl whose ex-boyfriend was Jesus Christ. Yeah, it’s not your run of the mill comedy. You’ve got to see it to fully experience it, but I don’t think you’ll be disappointed.

The season finale ends with a scene that brings the show full circle to the pilot. If there is another season, I hope they don’t fuck it up. If there isn’t, though, I love what they did, and how they did it. Everything was wrapped up with a nice bow, and it’s a strong series from beginning to end. That’s why Man Seeking Woman had the West Week Ever.

17th Feb2017

West Week Ever: Pop Culture In Review – 2/17/17

by Will

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

  • Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…
  • Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert
  • With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.
  • Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!
  • ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.
  • NBC renewed the wonderful Superstore for a 3rd season.
  • Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.
  • Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.
  • In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid
  • In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

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