24th Jun2016

West Week Ever: Pop Culture In Review – 6/24/16

by Will

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We’ve got a lot to talk about this week, so let’s get to it, shall we?

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On the movie front, the first thing that I watched was Focus, starring Will Smith and Margot Robbie. Smith plays a con man who takes Robbie under his wing from chump change jobs to the real money jobs. It was entertaining enough, but it just felt like another movie where Will Smith played a version of himself. He never really immerses himself in his roles. Each role is just an alternate timeline version of Will Smith. In this timeline, he wore really nice suits and had an S-Curl. Robbie was fine enough, but I don’t get why she’s the new It Girl. I guess I still need to see The Wolf of Wall Street for that. My problem with heist movies is that my brain doesn’t work fast enough to process what’s going on with the plan. I just blindly accept whatever they’re telling me, and then I end up overanalyzing it once the movie’s over. I’m basically the guy trying to figure out how the magic trick works. Anyway, it was engaging, but it’s also got some twists where you can’t really watch it a second time. Nothing on a “Keyser Soze” level, but I think a second viewing would be affected by what I know now, having already seen it. Anyway, it’s not a bad way to kill an hour and a half.

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Then, Lindsay and I watched The Good Dinosaur with the baby. Since she’s only 14 months old, she kinda watched it while busying herself by climbing on shit. I could think of much better names for this film. For example, it could’ve been called The Dinosaur King, since it’s really just a working class version of The Lion King. Or it could’ve been called Dino Falls, because it sounds like the name of a town, but it’s really because the main character, Arlo the dinosaur, spends a lot of time falling off shit. He falls off cliffs, mountains, etc. It seems like every 10 minutes, he’s getting back up from something, so at least he’s tenacious! Anyway, the story’s about Arlo, the weakest of a dino family, who ends up lost and has to find his way home. On the way, he befriends a caveboy who he initially thought was his enemy. Together, they protect each other in the treacherous environment. It’s got all the Disney tropes you love: dead father, inspirational ghost of dead father, gang of stupid, antagonistic predators. Seriously, the only thing missing was a catchy song or phrase to put on T-shirts (“Hakuna Matata” or “Ohana”, anyone?). Still, even though it’s not considered one of Pixar’s best, and I felt like I’d experienced that story before, I still really enjoyed it. To be honest, I think I liked it more than Inside Out. Maybe it was the hype surrounding that movie, but I just don’t get what you people saw in that film that was so emotional. I was far more touched by the friendship between Arlo and “Spot” than I was about anything going on in Riley’s life. So, you probably didn’t see it when it was in theaters (it was Pixar’s lowest-grossing film), but I think you should definitely check it out now that it’s On Demand and on DVD.

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Finally, I watched Sleeping With Other People, starring Jason Sudeikis and Alison Brie. Sudeikis and Brie lost their virginity to each other in college, and then meet up again almost 15 years later at a meeting for love addicts. It seems that neither has been able to have a successful relationship since college, and they sort of become each other’s support system. Meanwhile, everyone around them knows they ought to be together, but they just won’t pull the trigger. It was a funny movie, with a great cast of funny folks. The part that I loved was that many of them had worked together before, so I kept thinking of this as an extension of those other roles. For example, Brie’s character was cheating on her boyfriend with Adam Scott, so I kept thinking of those Smirnoff commercials with the two of them. Or Sudeikis’s business partner is played by Jason Mantzoukas , better known as “Rafi” on The League, and his character is married to Andrea Savage, who played Rafi’s girlfriend on The League. I love little things like that. Anyway, it’s a romantic comedy, so you know how it ends. Plus, Brie must’ve had a no-nudity clause in her contract, as there was a bra-on sex scene, so that was a bummer. Still, everyone’s got great chemistry, and I enjoyed it.

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On the stand-up comedy front, I was eagerly anticipating Big Jay Oakerson: Live At Webster Hall, which premiered last Friday night on Comedy Central. I’ve recently heard about folks getting too familiar with podcast hosts because they feel like they know them, and that’s exactly how I feel about Big Jay. Seeing as how I listen to him twice a week on The Bonfire, I guess I’m starting to think he’s my friend or something. Crazy, I know, but I do think we’d get along famously. Anyway, for that reason, I was really happy for him that his one-hour special was finally seeing the light of day. It was a great hour, and he’s truly is the master of crowd work. He doesn’t even have to prepare that much material because he just engages the audience, and he’s quick on his feet. It was definitely one of the better specials I’ve seen recently, but I might be biased since I’m a notch away from being a stalker here.

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Then, I caught Quincy Jones: Burning the Light on HBO. No, not that Quincy Jones. If you’re not familiar with Jones, he gained a lot of attention last year when he appeared on The Ellen DeGeneres Show. You see, he’s got terminal cancer, and only has about a year to live. He wanted to spend that time touring and doing comedy. Ellen hooked him up and got HBO to give him a one-hour special. He had some funny bits, but it felt like he was still workshopping some stuff. It wasn’t a tight hour, and his crowd work struggled a bit because of a weird audience. It almost felt like they were there out of charity, as they knew his situation, and would kind of laugh at stuff that wasn’t that funny. I feel like he probably could’ve had a strong half hour on, say, Comedy Central’s The Half Hour, but he’s not ready for a full hour yet. Sadly, time isn’t something that he has a lot of, so I guess he had to strike when the opportunity presented itself. It’s worth a watch, but go in knowing that it’s not going to be the most polished special you’ve seen.

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In DC movie news, the logo was revealed for the Justice League film. In order to curry favor with the press, director Zack Snyder invited basically every major news outlet to a site visit recently. Though the movie is only 30 days into a 100 day shoot, reporters got to tour the set and talk to Ben Affleck. And of course, all of the folks who were invited are now positive about the movie, saying that Ezra Miller’s Flash will be a surprising bright spot of the film. It seems the Snyders basically brought the press to them for their Apology Tour, but everyone’s drinking the Kool-Aid. An interesting tidbit came out of the visit: though originally reported as a two-part film, producer Deborah Snyder said that Justice League is ONE film. So, that now means that DC has an open release date in which they can slot something else. It’s also rumored that The Flash will be more of a team-up movie with Cyborg, making me think that the Cyborg movie might be inching its way off the table.

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In Power Rangers movie news, a PR alum comes home as Bryan Cranston has been cast as the Rangers’ mentor, Zordon. Cranston voiced a few of the monsters of the day back during the Mighty Morphin days. I wouldn’t call this a casting “coup”, but it really does come out of nowhere. Meanwhile, Lionsgate released the teaser poster for the film, and it’s the most Lionsgatey thing that Lionsgate ever Lionsgated. If you’re not familiar with Lionsgate’s output, their highest grossing movies are angsty young adult novel adaptations, like Divergent and The Hunger Games. And that seems to be the tone they’re going for here, which I was afraid of. It looks like the poster for a show that would air on The CW or Freeform. Yeah, I see the lightning bolt in the stars, but that’s not doing it for me. There’s gonna be problems marketing this film, as PR typically isn’t for the YA set, while this doesn’t look like something kids want to see. I know it’s just a teaser, but I’ll be interested to see how they handle the marketing going forward. Right now, this just looks like the back cover of an Abercrombie catalog…

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In Star Trek news, CBS/Paramount has issued official guidelines for fan film productions going forward. Ever since the drama with the Anaxar fan film, resulting in a lawsuit from CBS/Paramount, folks have wondered how fan films would be handled in the future. Well, now they know. And some folks are up in arms about the guidelines, but I’ve seen some pretty dreadful Trek fan films, and I know that CBS/Paramount are just trying to protect their IP. There are some interesting rules here, though. For example, no one who has ever appeared on Star Trek can be in your fan production, as it must be cast entirely with amateurs. So, no more Walter Koenig and Tim Russ cameos. And you can’t have Star Trek in your title, but you MUST include a subtitle that says “A Star Trek Fan Production”. And if there are commercially-available costumes or props, you can’t use bootleg versions, but must use the store-bought equivalent. So, no more homemade Starfleet costumes. These rules are really going to shackle the hands of fan film producers, but I think abiding by them will result in a higher quality product. I guess time will tell.

Things You Might Have Missed This Week

  • Fall Out Boy and Missy Elliott released “Ghostbusters (I’m Not Afraid)”. Ray Parker Jr’s career is rolling over in its grave!
  • It was revealed that season 3 of The Flash will loosely adapt the Flashpoint storyline from the comics
  • Sony revealed plans for the animated Ghostbusters: Ecto Force. The show will focus on a team of Ghostbusters in the year 2050. Yeah, not quite sure why they need a time jump, but it is what it is. It just has shades of Stargate Infinity and it makes me sad.
  • FX has renewed Archer for 3 more seasons, which is surprising since that show seemed to be winding down. One of these days, I’ll actually watch past season 1.

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      • The Ben 10 reboot will debut on Cartoon Network in North America in 2017, while Playmates now has the toy license. As you can tell from the art, this version seems to be targeting a slightly younger audience than the last show.
      • Jamie Chung has been cast as Valerie Vale for next season on Gotham. Apparently, shes Vicki’s aunt. This fucking show…
      • Former Wonder Woman star Lynda Carter has been cast as the President in the next season of Supergirl. And that’s STILL not enough to make me interested in that show.
      • After already renewing the show for a second season, HBO decided to cancel the low-rated Vinyl.
      • Maisie Richardson-Sellers has been cast as Vixen on Legends of Tomorrow, where she will play the grandmother of current Vixen Mari McCabe, played by Megalyn Echikunwoke
      • Comic writer Mark Millar announced ongoing series for Hit-Girl, as well as Kick-Ass: The New Girl. The latter will feature a young Black woman taking on the mantle of Kick-Ass. One day, I’ll actually get around to reading the finale of the last guy who wore the suit.

  • My pal Chris Piers is at it again with the Comic Tropes videos. This time, he tackles polarizing artist Rob Liefeld and an increasingly hot assortment of peppers. Check it out!

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This week, each day brought us more casting news about Spider-Man: Homecoming. At first, we learned comedian Hannibal Buress had joined the film. Then, Abraham Attah, from Beasts of No Nation, joined the cast. Then Bokeem Woodbine. Then Laura Harrier. And then Garcelle Beauvais. I joked on Twitter that the casting mandate for this movie is clearly “Get all the Blacks who aren’t already in that Black Panther movie!” So, if you’re a working Black actor in Hollywood, you probably had the West Week Ever. And if you didn’t, just sit by your phone. The call is coming!

 

17th Jun2016

West Week Ever: Pop Culture In Review – 6/17/16

by Will

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WWE Edit

 

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On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.

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Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.

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Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.

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In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”

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Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.

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In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!

Things You Might Have Missed This Week

  • Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
  • Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
  • After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
  • Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
  • John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
  • Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
  • Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.

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  • This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.

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There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.

Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.

10th Jun2016

West Week Ever: Pop Culture In Review – 6/10/16

by Will

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The only movie I watched this week was the world premiere of You’re F#@k’n Dead. Written and directed by my good friend, Jay Spence, it’s an homage to grindhouse cinema, with a hint of the supernatural. It follows brash Lexi, and her naive sister, Beth, as they end up in a strange town that isn’t quite what it seems. When they find out the true nature of the town, they find themselves in a fight for their lives. The film premiered Sunday night as the closing headliner at the DC International Fantastic Film Showcase at the AFI Silver Theatre and Cultural Center. Though I was a fan of Death Proof, I’d generally say this wouldn’t normally be my type of movie. That said, I really enjoyed it. It was great to see the fruition of my friend’s 4 years of hard work, and I’m really impressed by the finished product. It will be on DVD/Blu-Ray soon, but here’s the red band trailer, and if you want to know more, check out youredeadthemovie.com.

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In TV news, the former “Can You Hear Me Now?” Verizon Guy now works for Sprint. Huh. I guess some people might see this as a “heel turn”, but I couldn’t care less. I’ve got this weird thing where commercials don’t work on me. Like, if I see a commercial for something, it doesn’t make me want that item. Hell, commercials barely even register with me unless someone points one out to me. So, it’s odd to me that Sprint thinks getting this relic of a pitchman on their side is going to translate into people defecting from Verizon. I mean, if I remember correctly, people hated that guy ’cause he was annoying. If anything, I feel like this would drive more customers to Verizon from Sprint. But what do I know?

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There was also a lot of news in the world of DC Entertainment television. First off, it was announced that Superman would be appearing in season 2 of Supergirl, and casting is underway. A lot of folks are lobbying for Smallville‘s Tom Welling to get the part, but I really don’t want that to happen. I know Smallville had its fans, and it lasted 10 years, but I don’t think its quality is on par with the current Berlantiverse shows, so I’d rather forget it than have some unofficial link to it. Plus, I feel like Welling left the role before he could fall victim to the Superman Curse. He probably avoided it because he never put on the suit. Anyway, Superman will be joined by other DC characters, such as Snapper Carr and Detective Maggie Sawyer. Meanwhile, it’s rumored that Calista Flockhart’s Cat Grant might be bumped to recurring character status.

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Meanwhile, it was reported that Legends of Tomorrow would be adding Vixen to the cast next season, but there’s a catch – it won’t be the same character that has been portrayed by Megalyn Echikunwoke on both Arrow and the Vixen animated series. Mari McCabe is a Detroit hero who derives her powers from an animal totem. So, it appears this new character will be a Vixen, but not the Vixen, as Echikunwoke will still be voicing her version of the character in the animated series (her film commitments are keeping her from joining Legends of Tomorrow). I’m not usually one to bark up this tree, but I hope the new Vixen is also a person of color. I mean, we have so few heroes, it’d kinda suck to lose one. Plus, with the departure of Hawkgirl, the team could use the diversity in the form of a woman of color. The character was popular, with some folks saying she deserves her own show, but I say “hold onto your horses” on that one. Let’s let the character grow and develop before putting that weight on her shoulders.

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We also got our first look at character designs for Justice League Action, the new DC animated series coming to Cartoon Network. Based on a presentation at the Kre8tif Conference in Malaysia, the show will include characters like Firestorm, Mr. Terrific, Lobo, Blue Beetle, Big Barda, and Harley Quinn (back in her jester costume). Kevin Conroy and Mark Hamill are coming back, so I guess reports of their retirement had been premature. I don’t love the character designs, but it’s clear this show is geared towards the younger set. The show will consist of 11-minute episodes, like most current Cartoon Network shows, and no premiere date has been announced yet.

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In video game and toy news, the sets for LEGO Dimensions Year 2 were revealed, and they are amazing. LEGO Mr. T!!! Not only will there be an A-Team set, but there will also be sets for The LEGO Batman Movie, Sonic The Hedgehog, Knight Rider (!), The Goonies, Mission Impossible and more. I will most definitely be getting the A-Team and Knight Rider sets.

Things You Might Have Missed This Week

  • Teenage Mutant Ninja Turtles: Out of the Shadows underperformed over the weekend, only taking in $35 million, despite positive word of mouth
  • John Boyega has been cast as the lead in Pacific Rim 2, which will be directed by Steven S. DeKnight (Daredevil on Netflix)
  • The Injustice 2 video game was announced for a 2017 release. I love the first one, even though I’m not that good at it.

    • Comedy Central announced that Rob Lowe would be the guest at their next roast. Look for a lot of jokes about his sex tape with that underage girl. Oh, you didn’t know about that?
    • It was reported that Mel Gibson is working on a sequel to The Passion of the Christ. The timing is perfect, as Jim Caviezel is gonna need work soon.
    • My pal, Chris Piers, got DRUNK X-Amining the comic tropes of Chris Claremont’s X-Men run. If you’re an X-Men fan, this is a MUST WATCH!

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I’d have to say that Awesome Con stole the week. Kicking off last Friday, the show set up at the Walter E. Washington Convention Center in downtown DC, and ran through Sunday. I decided to check it out with my good pal Classick Materia of CSPN Media. We had a great time walking up and down aisles, meeting our favorite comic creators, and chowing down on convention center burrito bowls. Most of the experience was covered on the latest episode of the Classick Team-Up Podcast, so be sure to check that out. Still, there were a few things that didn’t make it into the podcast.

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Classick and I got split up at one point, and I found myself at the Aftershock Comics table in front of writer Paul Jenkins. If you’re not familiar with him, he wrote Wolverine: Origin back in 2001 that finally revealed the character’s history. He also co-created Marvel character The Sentry. Anyway, as I walked up to his table, he was scanning the side of a juice box with his phone. He noticed me, and immediately went into infomercial mode, telling me about this great new app that’s been helping him lose weight. Turns out it was My Fitness Pal, which I’ve already been using for the past 6 months. I told him this, but he glossed right over it, as he demonstrated how easy it was to simply scan the barcode and have the app input all of the nutritional information. He told me that he’d cut out sugar and bread, and that the weight was just falling off. He said that it’s not just about what you eat, but also when you eat it. He was like a born again Christian with this thing! We never even talked about his comics. He signed my copy of Replica that I had coincidentally purchased from a dollar box earlier in the day, and sent me on my way. Great guy, but such an odd experience.

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Next up, I met Tom King, who’s currently writing The Sheriff of Babylon, as well as starting on the Batman title. As I went up to his table, I told him that I was a big fan, and he said that he recognized me. I didn’t think we had met, but then remembered I had met him at NYCC last year. Still, there’s no way he remembered me, and I’m sure he says this to all the boys. Anyway, the con had been selling an exclusive cover of Batman: Rebirth #1, but it was the same cover as the normal book, only it had “Awesome Con” on it – for TWENTY dollars. Fuck that noise! I went back to the Big Planet Comics booth, and picked up a copy of the regular edition for $3. I promptly went back over to King, and had him sign it. I also told him that I enjoy The Sheriff of Babylon although I have no clue what the Hell is going on. Like, the characters are interesting and compelling, but I’m totally lost on the plot. I mean, I couldn’t even really explain it to you, except for the fact that it’s set in post-Saddam Iraq. He laughed and said that he had just been thinking about possibly including a recap in an upcoming issue, just to make sure everyone was on the same page with the story. I told him I was looking forward to his Batman run, and went on my way. Really nice guy!

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While walking around, Classick and I started talking about Doctor Who, trying to figure out what the appeal is about that franchise. He said that it was the scarves. I said it was the dildos. Sure, they may call it a “sonic screwdriver”, but I wasn’t born yesterday! That’s a fancy space dildo. So, as we laughed about this, an idea hatched in my head. I’d like to introduce you to my new Tumblr, Scarves and Dildos: The Magical World of Doctor Who.

Anyway, for more tales of our time at the con, check out the podcast. In any case, I think the show set the tone for the week, and that’s why Awesome Con had the West Week Ever.

20th May2016

West Week Ever: Pop Culture In Review – 5/20/16 (Upfronts Edition)

by Will

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ladykillers

On the movie front, this week I watched The Ladykillers, from the Coen Brothers. If you’ve never seen it, it’s a 2004 remake of a 1955 British film, where a band of criminals plot to rob a riverboat, using an old lady’s basement as their base of operations. When the lady discovers their plan, and doesn’t agree with it, they decide the only option is to kill her. It’s funny because I know I’ve seen this film before, but I can’t remember why or when. I usually don’t include rewatches in my reviews, but it wasn’t until the end that I realized, yes, I’ve seen this movie. It’s got a great ensemble with Tom Hanks, Marlon Wayans and JK Simmons. Hanks’ character steals the show as the creepy, yet educated, southern gentleman ringleader of the bunch. One thing I found interesting: the kindly old lady is Black, uber religious, and prides herself on the fact that she sends $5 to Bob Jones University every month. Now, Bob Jones is a pretty racist institution. Founded in 1927, it didn’t admit Blacks until 1975, and had a ban on interracial dating until 2000 (!). It seems odd to me that she’d be funneling her money there. And it’s not a case of colorblind casting, as the character is clearly meant to have always been a kindly old Black church lady. I just found that odd. Anyway, if you’re looking to kill some time, it’s a cute little movie.

cloverfield

I also caught 10 Cloverfield Lane. It’s shrouded in mystery, so I won’t give too much away. Watching it, though, I realized that it’s really just a dramatic adaptation of The Unbreakable Kimmy Schmidt: A girl gets kidnapped and taken to a bunker where she’s told the world has ended outside. Only instead of The Reverend there’s John Goodman. It was pretty suspenseful, and it was interesting to see how it tied into the whole Cloverfield universe. They’re clearly building something big here, and I’m eager to see what the next installments bring.  I actually had the ending spoiled for me by a coworker back when it came out, but that didn’t hinder my enjoyment. I definitely recommend this movie.

jerrod

On the television front, I caught the HBO stand-up special Jerrod Carmichael: Love at the Store. Now, like me, you’re probably more familiar with Carmichael as the star and creator of The Carmichael Show. That said, I didn’t know anything about his stand-up. I’ve already mentioned that Jerrod is probably my least favorite character on his own show, so imagine my surprise when his special actually really spoke to me. He said a lot of stuff that would probably be considered controversial, but it was hilarious. There were even some bits where the audience seemed scared to go along with him. He goes into a few things like how talent trumps morals, which is why Michael Jackson still probably got into Heaven. You could see where a lot of the material from the sitcom came from, as it was derived from his stand-up act. I had just seen the episode earlier that evening where his father says that he tolerates road rage from folks in expensive cars because they’re clearly important and have places to be. That same joke was used in the special. Anyway, this special gave me a newfound respect for Carmichael that I didn’t necessarily have before. I’ve always enjoyed the show, but his character just wasn’t very likable. This special showed me that that’s not what he’s about, and he’s just not warm and fuzzy, but he is pretty smart. I highly recommend checking it out.

bargatze

I also watched the stand-up special Nate Bargatze: Full Time Magic. I really like Bargatze, as he’s got a sort of Southern everyman vibe to him, but he’s not country like the Blue Collar Comedy guys. He plays it pretty safe, and I’d say he’s family friendly. He’s got a funny bit about trying to fight his wife’s ex-boyfriend on a boat. I’ve been watching a lot of guys doing the Asshole Comic thing lately, like Tosh and Jeselnik, so this was a welcome reprieve from that. Funny stuff from a nice guy. Check it out!

1893

I don’t normally do food and beverage reviews because I don’t have the most refined palette, but when I tried Pepsi’s 1893, I knew I HAD to talk about it. Marketed as “a bold spin on an original cola”, it’s…interesting. I didn’t hate it, but I didn’t just love it either. Like, if it were on tap at a restaurant, I wouldn’t order a refill. It’s good in one dose. In a lot of ways, it’s the Arch Deluxe of cola. Anyone remember the Arch Deluxe? If not, it was an attempt by McDonald’s to make a sophisticated “adult” burger since most of their fare had been seen as something for kids. It had peppercorns, and Dijon sauce, and a whole bunch of other nonsense. Needless to say, it didn’t last. The commercial has the footnote that 1893 doesn’t contain alcohol, but they’re clearly marketing it as an “adult” drink. I mean, the commercial even features a Soda Sommelier (that’s a fancy word for “wine dude”). In fact, if you go to the website, it has recipes for cocktails where you use the soda as a mixer. I also tried the Ginger Cola variant, and no me gusta! At first, it started out tasting like Holiday Spice Pepsi, but then the ginger overpowered everything. After a few sips, I felt like I was drinking straight cologne out of that can. So, at the end of the day, 1893 is NOT a thirst quencher. If anything, Pepsi’s just trying to get into the mixology business by tying into their preexisting brand.

ghostbusters

A new Ghostbusters trailer was released this week, and it’s miles above what we got before. I think this movie could be pretty funny, as I always trust Paul Feig, but I fear the well’s been poisoned on this one. There’s just SO. MUCH. BACKLASH. And it’s gotten ugly. It didn’t help that the “Angry Video Game Nerd” James Rolfe posted a video about how he wouldn’t be filming a video reviewing the movie. Huh? What a bunch of wasted effort! It’s funny because his own film, Angry Video Game Nerd: The Movie, is probably the worst piece of shit I’ve ever seen. Ever. Anyway, he’s now the figurehead of the Anti-Ghostbusters 2016 crowd, and he’s amassing followers quicker than Rocky did during that Philly jog. Now, we’ve got folks claiming the haters are sexist, while the haters are defending their right to hate without sexism coming into play. Then Patton Oswalt got involved, and folks started making jokes about his recently deceased wife. Like I said, ugly. At this point, however, I do kinda wish they hadn’t called it Ghostbusters because there are going to be comparisons and expectations. I’d rather it thrive or fail on its own merits, and not by how it didn’t live up to some 30 yr old movie that a bunch of folks seem to think is infallible.

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There was a LOT of news over at DC Entertainment this week. First off, they debuted that boring logo that you see above this paragraph. Ugh! Why? I said it on Twitter, and it got a bunch of likes and RTs, so it must be true: DC is like the insecure kid who changes just to fit in with the cool kids. This is their 3rd logo change in 10 yrs. That’s a brand problem. They had a logo that worked for THIRTY YEARS in the form of the “DC Bullet”. Then, for no real reason other than “change”, they adopted the “spin” logo in 2005. I liked that logo because it was something of a natural evolution of the bullet. Then, when “The New 52” happened, we got the “peel” logo which, as my pal Dean pointed out, kinda looked like a penis head. I did not like the peel, but I did like how it was customized for each property. There was a different one for Gotham, Arrow, etc. Now, we get…this. They’re trying to say it’s like a throwback logo, but it really isn’t. It’s just underwhelming. And for what? “Rebirth”? We don’t even know what this whole initiative is yet, but it’s important enough to change the brand again? I just don’t buy it. And I don’t see this logo having much staying power.

Meanwhile at DC, it was announced that Chief Creative Officer Geoff Johns and Warner Bros Executive VP Jon Berg will co-run a new division called DC Films. So, basically these two guys are the Kevin Feige of the DC Cinematic Universe. Yup, it takes two guys at DC to do the same job as one at Marvel. OK. Anyway, the reaction to this has been mixed. Some feel like this is a great move, as it might wrest some control away from Zack Snyder, who’s seen as a detrimental force behind the scenes. Others, however, who think Johns is the worst thing to happen to comics, believe that this is just another bad move from a poorly run company. I’m kind of in the middle. I like Johns, and I feel like he longs for the days of the Silver Age of comics. After all, he’s spent the better part of his career trying to take things back to the way they were. That said, I don’t know what I expect him to do for the movies. After all, he was heavily involved in Green Lantern, and look how that turned out. He’s no Greg Berlanti, so I haven’t learned to just trust everything he’s involved with onscreen. I hear they’re already developing a Harley Quinn spin-off of Suicide Squad, which was never on their production slate, so it’s clear they’ve pretty much thrown out that “roadmap”. So, maybe Johns is what’s needed to right the ship, and get things on track. Or maybe he’s just another distraction. I guess time will tell.

the-order

It wouldn’t be a West Week Ever without a Power Rangers update. No, this time I’m not talking about the upcoming movie. Instead, I want to introduce you to The Order. It’s a crowdfunded film that stars nothing but former Power Rangers actors as mercenaries who turn on each other. And it looks dreadful. On the plus side, it kinda looks like something Asylum would put out. On the negative side, it’s more Dead 7 than it is Sharknado. Reading interviews with the writers, it seems like they got inspired by the Power/Rangers dark fan film that came out last year, and decided “We could do that”. Unfortunately, there are no powers or cool helmets. Instead, there are a whole bunch of prop guns and scowling actors. Oooh, they’re so edgy! I can’t figure out what’s more astounding, though: the fact that they assembled this many former PR actors OR the fact that Jason David Frank isn’t involved. Check out the trailer here.

Things You Might Have Missed This Week

  • It was announced that Chris Hardwick will be hosting the Preacher after show, Talking Preacher. It should have been called Preaching to the Choir
  • The fifth Transformers film will be called Transformers: The Last Knight. But Michael Bay is still involved, so it’ll just be another 2 hours of nondescript metal things hitting each other.
  • At their network upfronts, CBS debuted the trailer and logo for the upcoming Star Trek series

    • Joining the new Star Trek series, CBS announced a spin-off of The Good Wife that will only air on the streaming CBS All Access service
    • Justin Timberlake released a SECOND video for “Can’t Stop The Feeling”. And people wonder why the music industry is broke…
    • If you hate the idea of an all-Black Uncle Buck reboot, then you’re really gonna hate the Latino One Day at a Time reboot being developed at Netflix
    • Kevin Smith is in talks to develop a TV series based on 80s cult film The Adventures of Buckaroo Banzai Across the 8th Dimension
    • This promotional video for Xavier’s School for Gifted Youngsters was released in conjunction with the release of X-Men: Apocalypse. If you want a real surprise, call the number in the ad.

chap report

There’s been a LOT of TV news in the past week, but we’ll all remember “Bloody Thursday”. I had the pleasure of discussing that day of massive cancellations with Corey over at The Chap Report. Check out our episode here.

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I hate to break it to ya, but nothing really “won” the week. There was, however, a lot of TV news as the broadcast networks had their upfront presentations where they presented their fall schedules. I usually post the trailers, but the networks tend to make them private on a whim, so just look for them on YouTube. So, I thought I’d leave you with a few thoughts on what was revealed (I left out midseason shows, as we don’t know where they’ll be scheduled at this time):

ABC: Kinda surprised about the Secrets and Lies situation. I mean, when was the last time that a renewed show sat on the bench for an entire season? It was renewed in May 2015, but the second season won’t debut until fall? This ain’t the UK. We don’t take those kinds of breaks here. Were there production issues? Conviction looks good. Very ABC, even though it’s not a Shondaland series. Too bad we lost Agent Carter and Atwell’s accent, but I think it’ll be a winner. The Middle loses its Wednesday perch, but I think it can hold its own anchoring Tuesday night. Plus, it’s been living on borrowed time for the past 2 seasons, anyway. American Housewife is…interesting. Katy Mixon and Diedrich Bader as your leads? This looks like the kind of show ABC tries and ultimately fails with. It’s Trophy Wife meets Suburgatory, both cancelled. I also think moving Fresh Off the Boat to 9 is a bad move, as it’s a family favorite. Maybe it’ll regain the 8:30 slot once Housewife fails. They say moving Agents of S.H.I.E.L.D. to 10 will allow them to make it an edgier show. Hell, if it becomes a better show, I’m all for it. Speechless is ABC’s second new comedy about a special needs kid (Housewife being the other), but Minnie Driver doesn’t have the best TV track record. Still, it looks like it has a lot of heart, and it can’t do better than being sandwiched between The Goldbergs and Modern Family. Designated Survivor looks interesting, but I think everyone just wants Jack Bauer back. I like Kiefer, and it looks like his character went to Cornell, so I give this one season. I don’t think it’s gonna be a runaway smash. I could be wrong, though. It’s gonna be my ABC wild card. Notorious has the benefit of being the meat in a Shondaland sandwich, as it gets Scandal‘s timeslot while Kerry Washington’s pregnancy progresses. It doesn’t look that good, though, and we all know it’s just keeping Scandal‘s seat warm. I think I’d rather this timeslot go to Conviction, as it just seems like a worthier show for TGIT placement.

CBS: Supergirl‘s gone, and Scorpion moves to 10, so Monday night is about comedies again. The Big Bang Theory does its annual Monday residency until Thursday Night Football ends. We also get the new Kevin James show Kevin Can Wait. It’s the kind of title I’d have come up with, but riddle me this: why not just bring back The King of Queens? Everyone loves revivals these days, and the entire cast is available right now. Anyway, CBS knows what it’s doing with this one. Erinn Hayes is great, and I genuinely think the public likes Kevin James. This thing’ll get 7 seasons, easy. I’m amazed Two Broke Girls is still on, but I also think it’s the wrong lead-in for The Odd Couple. Its humor is a bit raunchier, but I feel like CBS just didn’t know where to put Couple – especially since its renewal was reportedly a last minute decision. Bull looks really good. Michael Weatherly has a built-in fan base from all those years on NCIS (and Dark Angel), so I’m sure CBS is hoping they come over and check out this show. I wonder, however, how many folks would be turned off if they knew the show was based on the early career of Dr. Phil. Yeah, that Dr. Phil. Anyway, it’s in the middle of an NCIS sandwich, so that should help ratings. I don’t typically watch procedurals, but I think I’ll check this out. The Great Indoors just looks like Scruffy Jeff Winger hates Millennials. I don’t really see it lasting, but I like McHale’s smarminess, so I’ll check it out. Pure Genius is an interesting case. I watched the trailer waiting for the other shoe to drop, and when it did, it still didn’t really sway me. I don’t like the lead, and I wonder how he tested in focus groups. I get what they’re trying to do here, but I don’t know about this one. This is gonna be my CBS wild card. MacGyver just feels like a lazy nostalgia grab. I don’t like the lead, as he’s got a punchable face and needs a haircut. All that aside, there are major production issues with this show behind the scenes, as it was reported they’re basically throwing out the entire supporting cast and starting over. CBS felt they had something with the MacGyver name, but it doesn’t seem like they really know what they want to do with it. This feels rushed into production, similar to Fox’s Touch from a few seasons ago.

Fox: Only Fox would pick up a show like Son of Zorn. I know they did it because it’s from Lord & Miller, but this show is just too weird to work. A live action/animation hybrid? Nah, son. It’d probably be just as funny if they had done the whole thing as animation, but I just don’t see an audience flocking to this. Scream Queens is back, and scheduled against CBS’s newcomer, Bull. Queens didn’t have the best ratings this season, but got renewed because Ryan Murphy. That said, I don’t know if it’s gonna win its timeslot. Lethal Weapon gets Rosewood‘s former timeslot, leading into Empire. Now, the trailer for this adaptation looks very Fox, but it could’ve been called Fastlane 2016 and they wouldn’t have had to change a thing. I don’t know if its connection to a film franchise helps it or hurts it. I’m making this my Fox wild card. Rosewood moves to Thursday, opposite Grey’s Anatomy on ABC, and The Big Bang Theory (after Thursday Night Football ends) on CBS. Bye bye, Rosewood. Somebody at Fox thought they were being cute scheduling The Exorcist after Hell’s Kitchen, but that’s a terrible pairing. It would’ve made more sense to pair it with Lucifer. Anyway, it’s Fox, so The Exorcist is totally getting cancelled.

NBC: Timeless just looks like Legends of Tomorrow without a tie to a preexisting universe. It also looks expensive. It’s scheduled against ABC’s Conviction and CBS’s Scorpion, so it might not get trounced in the ratings like it would if it were going against TGIT or an NCIS. I’m giving out my NBC wild card early to this one. Every so often, NBC needs that show that tugs on the heartstrings. They had Friday Night Lights, and then they had Parenthood. Now, they have This Is Us. It’s got a strong cast, and I can see it attracting an audience. It’s got some steep competition in that Tuesday 9 PM timeslot, but I think it offers something none of those other shows do. Blindspot moves to Wednesday at 8, possibly to the detriment of Lethal Weapon and Arrow, as I see them having some audience overlap. Superstore moves to Thursday at 8, which is a risky move. It’s nice to see NBC trying to rebuild that Thursday comedy block, but that show’s not strong enough to go against the juggernaut that is The Big Bang Theory. Still, it offers a single cam alternative, so it might survive. Maybe. It’s followed by The Good Place, starring Kristen Bell and Ted Danson. So, a woman wakes up in Heaven and realizes she’s not supposed to be there. Might be an interesting movie, but I don’t see it working as a series. I feel like American pop culture is going through something of a secular awakening right now, and these “spiritual” shows just don’t work, even if they’re quirky (see this season’s Angel from Hell). I’d like to see it survive, but I don’t think it does. Plus, the world needs Kristen Bell free to make movies. I see they’re sticking with the Nick Cannon-hosted Caught on Camera where Undateable used to air. Bad move, NBC.

The CW: Supergirl makes its debut on the network, but keeps its 8 PM timeslot. This is great for fans of the DC shows, as they know they’re always kicking off their respective nights. It sucks, however, for Crazy Ex-Girlfriend, which gets shipped off to Friday night. On Tuesday, iZombie is being held til midseason to give No Tomorrow a shot. This is another quirky show, kinda like NBC’s The Good Place, but I just don’t see it lasting. Honestly, though, if they wanted to give it a better chance at survival, it should probably be paired with Ex-Girlfriend instead of The Flash. On Wednesday, Arrow leads into Frequency, which is an adaptation of a 16 year old movie. I want to say this is a dumb idea, but it kinda feels very CW to me. I wouldn’t be surprised if this show lasted a good 4 seasons (see Beauty and the Beast). Supernatural moves to Thursday at 9, while The 100 is held til midseason. Honestly, it really doesn’t matter where you put Supernatural, as it’s been living on borrowed time for about 3 years, plus its audience will find it. The CW did some interesting scheduling because it’s like they’re determined to have a DC show on every night, even if that’s not in the best interest of their shows. I’d have blown up the schedule a bit more. Leave Jane the Virgin on Monday, but pair it with Frequency. Then, on Tuesday, I’d schedule Crazy Ex-Girlfriend leading into No Tomorrow. On Wednesday, I’d give you the DC 1-2 punch of The Flash leading into Arrow. Thursday would be Supergirl leading into Legends of Tomorrow. Friday would be The Vampire Diaries leading into Supernatural. I honestly think that’s a stronger schedule, even if you’re dishing out double doses of DC shows two nights in a row. But they don’t pay me to make these decisions…

So, there ya have it – the fall 2016-2017 broadcast schedule. There’s nothing I’m really jazzed about this season, but there are a few shows where I’m curious to see how they fare. What do y’all think? Let me know in the comments!

22nd Apr2016

West Week Ever: Pop Culture In Review – 4/22/16

by Will

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trainwreck

I finally caught the comedic hit Trainwreck, and I thought it was…decent. Written by and starring Amy Schumer, Amy knows how to screw, but she doesn’t know how to love (that really should’ve been the tagline). Raised by her father to believe that monogamy isn’t realistic, adult Amy tries to avoid any sort of commitment or intimacy in her relationships. That is, until she meets a particular sports doctor, played by Bill Hader. Since last summer, I’ve heard how laugh-out-loud funny this film was, but I’m not sure I saw the same movie. It has some great moments, especially any scenes containing John Cena and Lebron James (who’s a surprisingly good actor for an athlete. Those guys are usually wooden onscreen). Directed by Judd Apatow, it follows several Apatow tropes, in that it’s slightly too long, and the message is basically “Grow the fuck up!” I don’t really see what it is about Hader’s character that makes Amy think he’s The One. He’s a nice enough guy, but he’s not charismatic or all that interesting. He’s a bit of a square, so when Amy chooses him, it’s almost like she’s settling. I wasn’t fully paying attention, though, so I’ll probably watch it again to see if I’m being unfair. At the moment, though, I don’t really get the hype behind the movie, other than the fact that it was written by a popular female comedian whose star is on the rise. Outside of that, it’s a pretty formulaic, by the numbers romcom.

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On HBO, I caught the Clarence Thomas/Anita Hill drama Confirmation. Focusing mainly on Thomas’ confirmation hearings for the Supreme Court, it followed all the parties involved after Anita Hill came forward with allegations that Thomas had been sexually inappropriate with her ten years prior. I think everyone went into the film with their biases intact, but even though I believe Hill, I felt the movie was really skewed towards Thomas. The entire time, he maintained that these were baseless allegations, and there were scenes where it felt like he was to be seen as the victim here. One thing I did learn was that Thomas’ wife looks like a Shoney’s night manager – ya know, the kind who won’t accept your coupons? Yeah, that one. Anyway, when women come forward with these sorts of allegations, there are people who don’t believe them, and that was definitely covered here. Also, Joe Biden, portrayed by Greg Kinnear, didn’t come away from the film looking like the best guy. In the end, as anyone who knows history already knows, Thomas was confirmed, though the damage to his reputation had been done. 25 years later, and he’s still sitting pretty on the Supreme Court, while Hill is a footnote in American history. So, who really won here? The movie seems to imply that Hill won by coming forward, and opening the doors for more women in Congress and other high ranking positions. It seems like a last minute Hail Mary play, however, by a film that didn’t feel like it was on her side for most of the time. I’d love to know how other folks felt who watched it.

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On TV, I finally finished Fuller House, and I LOVED it. Sure, critics hated it, but the original wasn’t really beloved by critics, either. There were times I tried to watch it stoically, and then felt a smile creep across my face. Sure, it’s cheesy, but it’s a type of humor that’s missing from most modern sitcoms (especially considering most modern sitcoms are single cam, with a faux documentary being filmed). I loved seeing the old cast, I love the new kids, I love the crazy love triangle. To me, season 2 can’t come fast enough.

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This week also saw the season finales of two shows about hipster girls in NYC. First up, Girls wrapped up its fifth season, and I thoroughly enjoyed the two episodes that capped off the season. I tend to like Hannah the least of all of the titular girls on the show, but I really kinda felt for her in the finale. I started to really understand where she’s coming from, and didn’t hate her guts. She’s just a twenty-something, trying to do the best that she can. In the past, I thought she represented this sort of dangerous, arrested development. She wasn’t an adult, but rather just a big girl (which could be said for most twenty-somethings). The problem, though, was that she was OK with that. She never really seemed to be aspiring to anything greater. She was just a quitter at everything she tried, because she didn’t like the rules or whatever. The season ended with her in a different sort of place, though, so I’m interested to see where she goes in the sixth, and final, season of the show.

broad city

Meanwhile, Broad City wrapped up its third season with the girls taking a Birthright trip to Israel. I never thought I’d say this, but out of the two female-centric Millennial shows on cable, I think I enjoyed Girls more than I enjoyed Broad City this year. It used to be that Broad City was kinda quirky, but it still boiled down to the friendship between Abbi and Ilana. This season, though, Ilana turned into a cartoon character, and her “lesbianic” undertones toward Abbi got cranked up to 11. In the past, it was implied that Ilana had a crush on Abbi, but this year she wanted to be her full on wife, getting threatened whenever a dude came into the picture who might affect what they have. Ilana went from a delightful character to an annoyance for me. I figure we’ve probably only got another 2 or so seasons of Broad City left, as the girls’ other projects, like Time Traveling Bong, are getting off the ground. Here’s hoping they make the most of the time they’ve got left.

THREE S COMPANY

In movie news, there are talks that New Line is trying to acquire the rights to Three’s Company. Right now, the writers of He’s Just Not That Into You are attached, so this thing will probably be TURRIBLE. If you’re not familiar with it, Three’s Company was an ABC hit that ran from 1977-1984, starring John Ritter as an aspiring chef who lives with two girls. Since that was frowned up during that era, they told the landlord that he was gay so that he’d be OK with the living arrangement. It’s one of my favorite TV shows, but this sounds like a bad idea. I do, however, think it’d work as a rebooted television series, which I wrote about a few years ago. Here’s hoping this reboot talk gets me some website hits!

hasbro

In other movie news, it was reported that author Michael Chabon (The Adventures of Kavalier and Clay) and comic writer Brian K. Vaughan (Y: The Last Man) have joined the writers room for Hasbro’s shared cinematic universe. Damn, talk about a waste of talent! These guys are the real deal, and they’re being used to figure out how G.I. Joe is gonna mesh with ROM: The Space Knight?! Hasbro must’ve REALLY backed up a Brink’s truck.

I can’t wait for The Founder, starring Michael Keaton as Ray Kroc – the founder of McDonald’s. Though, the story isn’t so cut and dried, as this movie explores. After all, Kroc was just a milkshake machine salesman, while the McDonald brothers created the brand. And then Kroc stole it from them by franchising it. As a lifelong fat kid, McDonald’s means a lot to me, so this is basically my The Social Network.

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In TV drama, it was announced that Michael Strahan would be leaving Live! with Kelly and Michael and joining Good Morning America full time. This seems like a network decision, as both shows are owned by Disney and they wanted more for Strahan, but Kelly Ripa is PISSED! She feels like Strahan betrayed her, and she’s now refusing to show up for work until he’s gone. This is going to be somewhat hard, as he’s not scheduled to leave until September. *Looks at calendar* It’s now APRIL. I feel like the lawyers are gonna get involved before this goes on too long, but I imagine it’s going to get uglier before it gets better. I feel like this is a great opportunity, though, because they can now just hire Neil Patrick Harris to be Kelly’s cohost. The word on the street is that he was one of the favorites for the job the last time that it was available, but he was still doing How I Met Your Mother, and couldn’t do that commute. Now that HIMYM has ended, and Best Time Ever got canceled, the timing is perfect.

rita repulsa

In Power Rangers news, we got our first look at Elizabeth Banks as villain Rita Repulsa. I’m not so sure about this. On the one hand, it looks like a combination of Mighty Morphin Power Rangers henchwoman Scorpina, mixed with Power Rangers Turbo villain Divatox. I can see those influences. And the green color kinda makes sense as to why she’ll be so obsessed with the Green Ranger once he’s inevitably introduced. Still, it’s odd to me that there are no callbacks to the original design. No pointy boobs, no headdress, nothing. She’s just Generic Space Villainess. If anything, it just makes me nervous about what the Ranger suits are gonna look like. To me, it’s pretty risky because if you deviate too much from the pattern, then they look like those bootleg action figures you’ve been finding in dollar stores for the past 20 years. I get this is something of a “reboot”, but there still needs to be ties to the original property, for both casual and hardcore fans. Is it enough that it’s a bunch of teens fighting an evil space alien? It might as well be Tattooed Teenage Alien Fighters From Beverly Hills: The Movie. Or Superhuman Samurai Syber-Squad: The Movie. There are things that make Power Rangers special, and I’m not seeing them yet in what we’ve seen from this adaptation.

Things You Might Have Missed This Week

  • Season 2 of Mr. Robot premieres July 13th on USA
  • Carrie-Anne Moss is joining season 2 of AMC’s HUMANS
  • After 30 years, Dr. Drew Pinsky is leaving the Loveline radio show. It’s unclear if the show will continue with a new host
  • Robert Downey Jr. will appear as Iron Man in Spider-Man: Homecoming

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I guess, looking back on the week, Harriet Tubman was cock of the walk. Who’da thunk an abolitionist would be making news in 2016? Anyway, it was announced that Tubman will soon adorn the $20 bill, moving Andrew Jackson to the back of the bill. Originally, the plan was to remove Alexander Hamilton from the $10 bill, but the popularity of the Broadway (and Pulitzer prize winning) show, Hamilton, stopped that plan in its tracks. Now, Millennials will be even more insufferable about that show, AND tickets will be even harder to get, but I digress…According to history, Jackson was a bad man, sending the Native Americans off on the Trail of Tears. Why? Because he wanted their land for plantations. Way to go, dude! Anyway, the idea of putting a woman on some paper American currency gained steam last year when a young girl named Sofia sent a letter to President Obama urging him to do so. Well, this week, little Sofia got a birthday surprise when it was announced that the design will be made public in 2020. Tubman will be the first Black person on American currency, and the first woman in over a century. So, in light of this development, Harriet Tubman had the West Week Ever.

15th Apr2016

West Week Ever: Pop Culture In Review – 4/15/16

by Will

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So, I did something kinda special this week, in that I attended a live taping of the Jeopardy Teen Tournament. Until I pass that online test, it’s as close as I’m gonna get to being a contestant, so it was a pretty cool experience. Taped at DAR Constitution Hall on Tuesday, I was present for the filming of 3 episodes of the tournament. Pictures and social media weren’t allowed, ’cause they didn’t want anyone spoiling the winners. As you can see, I didn’t heed their warning, but I at least waited until taping was done. They film the show with the commercial breaks, so that’s when host Alex Trebek comes out and answers questions from the audience. Here’s some tidbits that I learned:

  • Alex has 55 suits in his show wardrobe
  • They film 46 days a year, on Tuesdays and Thursdays
  • Alex’s true first name is George. George Alexander Trebek
  • Alex’s favorite movie is 1941’s How Green Was My Valley.
  • I was present for the filming of episodes 7,356 through 7,358
  • Alex said that he really enjoyed Hamilton, even though he doesn’t like “that music”
  • In what seemed like hometown pandering, Alex said that his favorite NFL team of the last 30 years was the Washington Redskins. Then, things took a turn as he added that he’s never had a problem with the team name. He said that it was never meant as a negative, but as something positive. Uh-oh…
  • Then he tried to turn things around by saying that his favorite book is called The Divide, by Matt Taibbi. It documents the Wealth Gap, and how there have been no prosecutions in recent major Wall Street crimes, while we continue to incarcerate minorities for minor offenses. This garnered applause from the audience. Not from me. I’m on to you, Trebek!

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On the movie front this week, I watched the documentary All Things Must Pass: The Rise and Fall of Tower Records. I used to LOVE Tower when I was in high school, because it was the local retail establishment that was open the latest. Bored at home at 11:30? Let’s go to Tower! As a devoted fan of the import maxi single, Tower was my saving grace for obscure pop tracks that no one knew about in America. When Tower closed, it’s like I lost a friend. So, I heard about this documentary when it was in the Kickstarter phase, but I remember thinking “This thing probably won’t get funded.” Well, color me wrong, as the finished product is now available for viewing! Directed by Colin Hanks, the doc follows the creation of the successful music chain in California, and its gradual spread to Japan and across the rest of North America. The biggest issue with the film, however, is that it’s not balanced very well. The majority of it focuses on the rise of the brand, while the “fall” really just occupies the last half our or so. I think part of that, however, may be due to the fact that the demise happened so quickly. Basically, Tower couldn’t brace itself against digital music, along with discount stores like Target and Best Buy selling CDs, and they didn’t survive. To my surprise, however, there are still 85 Tower locations in Japan. I must go to Japan! If you want to see a bunch of old people talk about how they smoked “doobies” at work, this is the documentary for you. It’s really more about the culture of the store than it is about the state of music during the store’s rise, so you’ve really got to care about Tower in order to enjoy it. I do, though, so I did. Your mileage may vary.

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Then, I caught the film CHAPPiE, by District 9‘s Neill Blomkamp. Reuniting with District 9‘s star, Sharlto Copley, Blomkamp seems to be telling a tale about what it means to be “alive”. At the beginning of the film, the Johannesburg government has resorted to using robots on their police force, greatly curbing the amount of crime in the city. One particular robot, Unit 22, seems to be somewhat accident prone and, after being damaged irreparably, is slated for destruction. Meanwhile, the robots’ creator, Deon, wants to test out a new AI program that will give robots sentience. After he’s turned down by his boss, he steals Unit 22 and uploads the program. At the same time, a trio of criminals (played by rap-rave group Die Antwoord) kidnap Deon and Unit 22 because they need help with a heist. They rename Unit 22 “Chappie”, and try to train him to be a real gangsta. During all this, Chappie seems to be able to isolate his own consciousness through a special helmet, and begins to believe he can transfer his consciousness into another body before his battery dies. This shit really gets weird. I won’t spoil any of it, but it basically asks the questions “What is life” and “Can you live forever?” When I first saw the trailer, I thought it was just another crappy Hugh Jackman robot movie, but it turned out to be so much more than that. I highly recommend checking it out.

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I also caught another documentary called Unhung Hero, which I’d heard about on a radio show that I love (The Bonfire on Comedy Central Radio). Comedian Patrick Moote proposed to his girlfriend during a UCLA basketball game, but she turns him down on the kisscam. Not only did the video go viral, but she later tells him that she couldn’t marry him because his penis was too small. So, he embarks upon an international journey to find out what is “small” when it comes to penises, and is there a “cure”? It’s really kinda heartbreaking to see him explain to his parents why his girlfriend left him. He even consults old girlfriends to see if they also felt the same way. He tries pills, pumps, and exercises to make his penis bigger. He, then, travels the world to see if there’s any hope for reversing his penile fortune. He eventually ends up in Papua New Guinea where he’s about to have some oil injected into his penis to make it bigger. Does he go through with it? Moote seems like a really good dude, but I almost wonder if he was ready for marriage at the time of the proposal. He’s got a lot going on in his head, and one almost wonders if she did him a favor by turning down the proposal. By the end of the film, and the journey, he seems to have come to a better understanding and appreciation of himself. If you’re at all curious about all this, it’s currently available to stream on Netflix.

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On TV, I caught the premiere of The Detour on TBS. Airing Monday nights in the old Angie Tribeca timeslot of 9 PM, the comedy was created by The Daily Show contributors Jason Jones and Samantha Bee. It’s loosely based on their own experiences on family vacations, and it follows a family that abruptly decides to drive to Florida for their vacation instead of flying, and the problems that arise from doing so. In the course of things, they wreck their car, we find out why they had to drive, and more. It was really enjoyable, and was renewed for a second season before Monday’s official premiere.

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In TV news, The CW has ordered 8 episodes of MADtv, which shouldn’t come as much of a surprise, seeing as how the network aired the 20th anniversary special and airs old episodes on The CW SEED streaming site. From what we know, the show will feature new and returning cast members (mainly in guest host capacity). This is good news and bad news. The good news is that I’m glad the brand is alive again. There was a window of time where MADtv was edgier and funnier than Saturday Night Live, though a lot of people would hate to admit this. I feel like TV needs good sketch comedy these days, and the arrival of dreck like Party Over Here made me appreciate what we’d lost. Now the bad news. This show belongs in late night in order for it to hit on all cylinders. Unfortunately, The CW doesn’t program nights or weekends. In case you weren’t aware, The CW is only Monday through Friday, 8 PM to 10 PM. The rest of the time belongs to the local affiliates. So, late night Saturday is off limits, though it’d be the perfect place for the show. At the moment, I’m scared we’ll get some neutered version that ends up airing after The Flash or something. There are worse fates, but I don’t think this is a recipe for success.

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In other television news, it’s rumored that the new Star Trek series will actually take place in the classic continuity, and not the JJ Abrams “NuTrek” universe. According to sources close to the production, it will be set between the events of The Undiscovered Country and The Next Generation. Eh. On the one hand, I’m glad we’re not in the Abramsverse. On the other, I really wanted something set post-TNG, to see how The Federation has recovered from the events of the Dominion War. I still don’t plan to pay for CBS All Access, though, so I’m either not watching it or pirating it.

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In movie news, Sony had some big announcements at Cinema Con 2016. First up, they confirmed the existence of the Men In Black/21 Jump Street crossover originally revealed from the Sony email hack. Officially called MIB 23, Jonah Hill and Channing Tatum are reported to be returning, though original directors Phil Lord and Chris Miller are being replaced by James Bobin. Also, they revealed that the upcoming standalone Spider-Man film will officially be called Spider-Man: Homecoming. Some folks hate the title, but I don’t. It’s not the strongest choice, but it does refer to the fact that Spidey’s basically back in the MCU fold, so I’m fine with it.

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The first image of Scarlett Johansson from Ghost in the Shell hit the web yesterday, and people are LOSING THEIR SHIT. Mainly, it’s the minority set, wondering why the lead character has been “whitewashed” and isn’t Asian like in the original anime. First off, they need a big star to sell a movie that’s not necessarily a guaranteed American blockbuster. I get that Scarlett has star power. Still, I’m not even sure why we’re making this movie in America. As far as anime goes, it’s one of the more well-known franchises, but it’s still not a “household name”. Sure, folks will come out and see it because it’s a ScarJo movie, but why not give us that Black Widow movie? Or, God forbid, Lucy 2? Why go for a franchise that has to be “westernized” in order to make it successful when that’s going to detract from the source material? Could it have been made with an Asian lead? Of course. Should it have been made with an Asian lead? Probably. Would it make as much money? Unless they’re flying from trees and shit, I highly doubt it.

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In Power Rangers news, they unveiled the logo for the upcoming film yesterday. Meh. I think it’s too generic. It has no WOW or pizzazz. There are a couple of things I don’t like about it. First of all, I don’t like Saban’s insistence on putting his name in the title. He doesn’t carry the clout of a Marvel or DC, so branding it “Saban’s Power Rangers” means nothing to the man on the street. There’s the argument that “You’ve got to start somewhere”, but I just think it’s more of a ego move than a branding opportunity. Also, there’s already a Power Rangers font, which has been used for the past 23 years. Sure, this is a chance to breathe new life into the franchise, but you don’t mess with the classics. Compare the new logo to the logo for the original Mighty Morphin Power Rangers: The Movie:

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The new one looks so flat in comparison, even though it’s “cleaner”. At least you’ll be able to differentiate the TV toys from the movie toys on shelves, but that’s about the only benefit I can see from this new logo.

Things You Might Have Missed This Week

  • Elizabeth Banks is attached to direct a reboot of Charlie’s Angels.
  • Warner Bros finally confirmed that they are in talks with Ben Affleck for a solo Batman film
  • A new trailer was released for Suicide Squad, cementing my resolve to not see this movie in the theater
  • Reportedly, Warren Beatty is working on a script for Dick Tracy 2. I’ve been hearing this same rumor for the past 25 years.
  • James Cameron announced that there will be four Avatar sequels. OK, sport.
  • Dustin “Screech” Diamond was released early from jail on Monday.
  • Benedict Cumberbatch will voice The Grinch in an unnecessary 2017 reboot

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I guess you could say it’s been a Marvelous week. At the beginning of the week, it was reported that Natalie Portman wouldn’t be coming back for Thor: Ragnarok, but Creed costar Tessa Thompson has been cast in a mysterious role. According to rumors, she may be portraying the character Valkyrie. The movie also features Bruce Banner/The Hulk, so I figure we’ll see what they’re up to while the rest of the Avengers are Civil Warring each other.

Then, on Tuesday, we got the first teaser trailer for Doctor Strange, starring Benedict Cumberbatch. Now, I have a confession to make: I don’t like mystical Marvel. I probably hate it even more than I hate space Marvel. There’s just something about it that I never really took to. That said, I saw glimpses of the first Iron Man movie in that teaser, and that’s the movie that kicked off this whole Marvel Cinematic party. So, if this movie can recapture even a small bit of what made Iron Man special, then we might have a winner. Now, there is some controversy over the whitewashing of The Ancient One by casting Tilda Swinton, but I don’t even know what to make of that. Yeah, the character probably should’ve been portrayed by an Asian actor, and is Tilda Swinton, perfect androgyny aside, the right choice for that character? Who knows, but I guess I’ll wait to see the movie before I pass judgement. A lot of folks thought the trailer was kinda “meh”, but it definitely got me interested, which is something I was not prior to seeing it. I’d been telling folks that I was cashing out on the MCU after Civil War because I just don’t care about Doctor Strange or Black Panther, but now I’m intrigued.

Meanwhile, the embargo was lifted on Captain America: Civil War, and the early word is very positive. Some are saying it might be Marvel’s best movie yet. I’m kicking myself because Marvel chose 25 cities in which to have an advance screening last night (and DC was on the list), but I completely missed the boat on trying to get passes. If any of you reading this happened to see the film last night, I hate you.

So, between those 3 tidbits, as well as the announcement of the Spider-Man film title, everything was coming up Marvel this week. That’s why Marvel had the West Week Ever.

08th Apr2016

West Week Ever: Pop Culture In Review – 4/8/16

by Will

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First up, I watched Dead 7 last Friday night. If y’all remember, it’s the zombie western starring former boyband members. Written by Backstreet Boys’ Nick Carter, it also starred Howie Dorough (BSB), AJ McLean (BSB), Joey Fatone (*NSYNC), Chris Kirkpatrick (*NSYNC), and Jeff Timmons (98 Degrees). This movie was a MESS. Now, I do have a confession to make: I forgot it was coming on until some folks tweeted me about it, so I missed the first 25 minutes. So, once I turned it on, I was LOST! I don’t know why people were zombies or “copperheads”, I’m still not clear why copperhead teeth are used as currency, and I don’t get why they were so hellbent on killing MadTV‘s Debra Wilson. All I know is that the acting was HORRIBLE (UPDATE: After writing this, I went back and watched the first half hour. Yup, still lost). This being an Asylum film, I expected something “so bad it’s good”, like the tongue in cheek Sharknado franchise. Instead, they played this pretty straight, which was to its detriment. Sure, Fatone’s Whiskey Joe was basically comic relief, but he really didn’t fit the tone of the rest of the movie. The best part of the movie was the end, where everyone was dead except Nick Carter’s wife (What? You weren’t gonna watch it!). So, hopefully that means they can’t try to make a sequel. At the end of the day, it just felt like a bad April Fool’s joke. Still, we did get a decent collaboration track out of it:

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Next up, I watched the DC Animated feature Justice League vs Teen Titans and I must say that it’s my favorite DC “vs” movie that I’ve seen this year. Basically a sequel to both Batman: Bad Blood and Justice League: Throne of Atlantis, it brings together the Batman and Justice League goings on of the DC Animated Original Movie universe. Fresh off the events of Bad Blood, Batman feels Damian needs to learn to be a team player, so he has Nightwing take him to join the Teen Titans. In this incarnation, the team is Raven, Beast Boy, and Blue Beetle, mentored by Starfire. Of course, Damian doesn’t really take to being on a team, but when Raven’s father Trigon possesses members of the Justice League, the team comes together. I didn’t like this as much as I did the Batman films, as I don’t know much about the DCAO Justice League, never having seen War or Throne of Atlantis. I don’t know much about that incarnation of the team, so I don’t care that much about them. I’m invested in the development of Damian, and it was great to see something of a crush develop between him and Raven (something we haven’t seen before), so I probably would’ve liked it more had it just been a Teen Titans movie.  I did like how they managed to get Cyborg on the team even though he’s technically a Justice Leaguer. To be honest, I fell asleep on it, but that’s probably because I was really tired. The same thing happened when I watched Superman/Batman: Public Enemies. So, I had to watch it twice. Still, that might’ve been one time too many. It’s not bad, but it’s certainly not as exciting or action packed as the other Damian-centric Batman animated films. There’s also a post-credits stinger that makes me interested in what’s coming next. It’s not the best DC animated movie, but there are worse ways to kill 80 minutes.

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In other areas of nerddom, I finally watched Pacific Rim. My pal Keith came to town and insisted we watch it when he saw it had been on my DVR for the past year. Overall, I liked it a lot. I do have some questions, though. For example, why do they all keep saying “nucular”? I can’t trust my protection in the hands of someone who gets that wrong. Also, did they really think a WALL was gonna stop the Kaiju? The same Kaiju who routinely fuck up buildings made of WALLS?! Was Trump behind that plan? And something about Jaegers seems inefficient. I’m not sure if it’s the walking mechanism or what, but it seems like the pilots expend way too much energy to get those things going. Also, do you think the Chinese Jaeger was modified with the 3rd arm once a set of triplets was chosen to pilot it OR did they seek out a set of triplets to pilot their 3-armed Jaeger? Hated the post-credits scene, but overall, I really enjoyed the film. It’s something of a shame that a sequel is off the table for now, but maybe it’ll end up like Independence Day where we get a sequel in 20 years.

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On TV, I watched the premiere of Wynonna Earp on Syfy and BOY was I disappointed! To be honest, I didn’t even know they were making a show until I saw the commercial during Dead 7. Though I’m familiar with the comic of the same name, the development of this show really flew under the radar. Anyway, starring Canadian actress Melanie Scrofano, it’s about a rebellious chick who happens to be a descendant of legendary sheriff Wyatt Earp. She returns home when her uncle dies under mysterious circumstances, and has to retrieve Earp’s gun which, legend has it, can kill demons or something. The show was VERY Canadian – like, it’s not the kind of thing that deserves a prime timeslot, but would’ve been just fine as a Saturday afternoon syndicated series in the late 90s. While I grew to love Krysten Ritter’s portrayal of Jessica Jones, Scrofano’s Earp is closer to what I had in mind for the look and feel of that character. So, she’s basically Jessica Jones in a shitty vampire show. Or better yet, it’s Witchblade with a mystical pistol. Either way, I don’t think I’ll be tuning in again.

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I also caught the final 5 minutes of The Walking Dead. Now, let me be clear: I don’t watch the show, and I quit reading the comic at #50. To me, something like that needs an endgame, and interviews with creator Robert Kirkman made it clear that the thing is gonna run as long as he feels like it, with no real blueprint in mind. Ain’t nobody got time for that. Still, somebody was supposed to die, and I’m a sucker for those kinds of season finales. So, I turned off Girls and tuned into the end of the episode. Evil villain Negan was due to kill someone important, and I needed to see if he chose the same character he chose in the comics. I was kinda hoping he’d kill that Boondock Saints dude ’cause maybe he’ll stop being able to charge $300 for a picture at shitty comic cons. Well, the episode ended up not telling us who died. Nope, viewers have to wait until October to find out. And they lost their shit! I kinda thought it was funny, as it harkens back to the days of “Who Shot JR?” but viewers seem to feel like they’re owed something. Look, when a show cuts its teeth on dragging shit out (Glenn under the dumpster), then it doesn’t care about you. It’s doing what it’s doing for the sake of drama. I’m curious to see what the ratings will be like for the season premiere. Will they go up because folks want to find out who died, or will they go down because folks feel betrayed by the finale? I’m not gonna watch, ’cause I don’t care, and I’m sure someone will spoil it on Twitter so it’s not like I won’t be “in the know”.

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Arrow tugged at the heartstrings this week by killing off a main cast member (don’t worry – I’m not gonna spoil who it was). This season has really been aimless, and the death didn’t really help things. We knew that one was coming, due to the flash forward cemetery scene from the season premiere. The funny thing, though, is that the writers basically backed themselves into a corner. They knew that someone would die, but they hadn’t decided exactly who would die by the time the season began. They were just going to let the story dictate who would meet their fate. Well, lucky for them, drama erupted behind the scenes. According to rumors (I could’ve said “sources”, but who are we kidding?), this actor reportedly had some disagreements with star, Stephen Amell – which is supposedly the real reason Colton Haynes left the show. So, how long can Arrow survive if Amell is this difficult to work with? The show’s already been renewed for season 5, but they’re really going to need to work hard to return it to the quality that it once had. I never really liked the character who died, so I don’t think it’s gonna hurt the show much. In fact, it might be the first step on the road to making things better. Only time will tell.

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I also caught “Tran Dimensional Turtles”, which was an episode of the Teenage Mutant Ninja Turtles cartoon where the current incarnation of the team meets the original 80s team. It was…interesting. I haven’t watched the show since the first season, so I didn’t know all the stuff about Earth being devoured by a black hole or something and that the Turtles are now space faring. The whole episode featured the different teams bouncing between 2D and 3D, but the trick got old fast. Apparently, 80s Krang is the cousin of the Kraang Subprime from the new series – who wears Irma’s head on a pike? I’ve clearly missed a lot. Anyway, I liked this idea better when the 4Kids Turtles show did it as “Turtles Forever”.  Something this monumental needs to take place outside a standard 22 minute episode, and this should’ve been a bigger event.

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In the comic world, Black Panther #1 hit stores on Wednesday to rave reviews and critical acclaim. Written by noted author Ta-Nehisi Coates, with art by Brian Stelfreeze, the book focused on a king without a people. T’Challa, king of the African nation of Wakanda, and Black Panther to the hero set, is trying to unify his people after a string of disasters nearly tore the nation apart. A supernatural force, however, seems to be amplifying the citizens’ feelings of hate and fear, making T’Challa’s job much harder. I…didn’t enjoy this book. Let me say that I was initially looking for a quick, fun read and this was the wrong choice. I really didn’t know what was going on half the time. I think I need to give it another shot, but it didn’t immediately grab me. They do a decent enough job explaining all of the plights that Wakanda had experienced recently, but I still felt like I needed to come into the story with some prerequisite reading of which I was unaware. I actually recently read Coates’s Between the World and Me, so I’m familiar with his style, but I don’t know if I’m a fan yet. For this one, I may just wait for the trade. If I read it at all.

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In Marvel news, it was announced that Alfre Woodard will have a role in Captain America: Civil War, as the mother of a civilian who died during Avengers: Age of Ultron. So, basically she’s playing Miriam Sharpe. In the Civil War comic miniseries, the whole thing was kicked off after The New Warriors inadvertently caused an explosion at a Stamford, CT school, resulting in the deaths of several children. The mother of one of the children, Miriam Sharpe, became the face of the movement to require more regulation for super powered beings. So, it seems like Woodard may be playing the same role here, as I doubt they’d cast her as just a throwaway character. Here’s where things get interesting, though: She’s already been cast as Black Mariah in the Luke Cage Netflix series. So, we’ve got one actress playing two different characters in the MCU. I know the film division isn’t really paying attention to what the TV division is doing, but this is a bit much. Couldn’t they have cast Angela Bassett in one of those roles? They’re basically the same chick (Yes, I know she’s currently Amanda Waller, but my point stands)!

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In other Marvel news, it’s reported that a Cloak & Dagger series is being prepared for ABC’s Freeform (formerly ABC Family) network. So far, there’s no script, showrunner, actors, or anything attached, but the show is being developed to focus on a teenage Cloak & Dagger, as they deal with their powers and relationship. Freeform is the perfect place for show like this. I just hope it doesn’t have strong ties to the greater MCU because I really don’t want to have to watch it. I’ve never really been down with Cloak & Dagger, and I pretty much despise everything that comes on that channel. Speaking of Freeform, the same press release announced they have a late night show in development called Later Bitches. $20 says that name doesn’t make it to air.

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In DC news, Warner Bros announced a shift in their DC Cinematic Universe slate, as Wonder Woman has been moved up from June 23rd to June 2nd 2017. They also added two untitled DC films to the schedule for October 5th, 2018 and November 1st, 2019. One of these is probably the standalone Batman film that’s been rumored since before Dawn of Justice even premiered. The shift also bumped Andy Serkis’s The Jungle Book adaptation to 2018, which reminds me that it’s kinda foolish for there to be TWO Jungle Book adaptations released within two years of each other (Disney’s comes out next month). Unless one of these serves as the lead-in to the events of Tale Spin, I’m not interested.

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The Star Wars: Rogue One teaser debuted yesterday. It looked interesting. Female protagonist again. I’m not gonna “raise cane” about it, because representation is good. I am, however, still mad I got “bamboozled” out of my Black Jedi. I remarked that it kinda looks like “The Hunger Games In Space”, and that’s somewhat of the vibe I got from it. It’s not that it’s a young adult dystopia, but I feel like I’ve seen this Jyn character before in other movies. Anyway, I can’t say I’m jazzed about the film ’cause I’m just not a Star Wars person by default, but I might see it. I didn’t initially realize this was a prequel to A New Hope, so it’ll be interesting to see things from that frame of time. Still, it’s another movie with a Death Star. Take that however you will.

Remember Weekend At Bernies? Didn’t you wish Bernie had been used as a machine gun or a jet ski? Well, here’s Swiss Army Man! I can’t believe this is a real movie.

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In social media, I got a tweet favorited by the co-creator of Girls last Sunday. all I did was tweet a line of dialogue (with an errant comma), so it’s nothing to really write home about.

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So, last night saw the end of an institution, as American Idol signed off for the last time. After 15 seasons, and the creation of a handful of stars, the show is finally taking a rest. I think it’ll be back one day, but America simply isn’t as interested as it once was. After all, they’ve got Blake Shelton and Christina Aguilera spinning around in chairs to worry about. Even if you hate the show, you can’t deny the impact it has had on pop culture, for good or for bad. Kelly Clarkson has sold 25 million albums and won 3 Grammys. Carrie Underwood has sold 65 millions albums and has won 7 Grammys. And even “losers”, like Jennifer Hudson (won an Oscar and a Grammy) and Chris Daughtry (sold over 8 million albums), have done well for themselves. It made Simon Cowell and Ryan Seacrest (who unleashed the Kardashians on the world) household names, while it rejuvenated the career of Paula Abdul. Idol always struck that balance of making it about the contestants, while still making it about the judges (something The Voice has never pulled off). And there was a time when the Idol name meant something. People bought the CDs, and packed stadiums for the tours. Those days are long gone, but the show helped the music industry at a time when it desperately needed a shot in the arm. It made the consumer feel like she had power in the industry by putting success up to a vote. Sure, shows like Star Search had done this in the past, but that show never had as many eyes on it as American Idol. It was the number one show on television for the coveted 18-49 demographic for 8 consecutive years.

American Idol also has personal meaning for me, too. For example, I almost got to audition for the first season, but things got in the way. See, when my a cappella group performed at the ICCA Finals, we were invited to audition the next day. Nobody knew what the show was going to be, so there weren’t lines and folks camping out for auditions like they did in later seasons. They were approaching a cappella groups because they knew those folks had singing experience. The rest of my group, however, was all, “We have finals to study for.” Those guys had no ambition (which is exactly why they’re all successful doctors, lawyers, and engineers, but I digress…)! Later on in college, I was a finalist for Cornell Idol, which was our local campus take on the show. In recent years, I’ve gotten in my fair share of Twitter fights with former contestants, like Justin Guarini and Blake Lewis – not to mention all the grandma fans of Scotty McCreary and Taylor Hicks. You can say that Idol has orbited my extracurricular activities since it began.

Last night, Trent Harmon won the 15th and final season of American Idol and, based on recent years’ winners, you’ll probably never hear from him again. Still, the impact the Idol juggernaut has had can’t be denied. That’s why American Idol had the West Week Ever.

30th Mar2016

Just Imagine Stan Lee Wrote the Worst Batman Story Ever Published

by Will

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With all the talk about Batman v Superman over the past few days, it reminded me that it’s nowhere near the worst story told featuring the Caped Crusader. No, that honor belongs to Just Imagine Stan Lee’s Batman, published in September 2001 – making it the second worst thing to happen to America that month. If you’re unfamiliar with the book, let’s take a step back in time, shall we?

Stan-Lee

In 2001, DC Comics thought they had scored a major coup by getting Marvel Chairman Emeritus Stan Lee to agree to reimagine their most iconic characters in the Just Imagine… miniseries. This was pre-social media, but I remember the Wizard Magazine articles losing their shit about “STAN LEE’S GOING TO DC!” It was basically the geek equivalent of when LeBron left Cleveland for Miami. Although, it kinda wasn’t that special in hindsight. You see, Stan has spent the past 20 or so years as something of a whore, and this was really just the beginning of it. He was coming off the disastrous venture known as Stan Lee Media, where his most notable creations were Pam Anderson’s Stripperella and the Backstreet Boys’ The Backstreet Project (whose Burger King Kids Club figures still pop up in thrift stores to this day). Since that company bottomed out (and is actually still being fought over in court to this day), Stan hasn’t said “no” to anything where money was involved. Some projects have held more promise than others but, at the time, the Just Imagine… series was seen as this historic happening that had been 40 years in the making.

The idea for the Just Imagine… series was that it would pair Stan with some of the greatest working comics artists, like Jim Lee and the legendary Joe Kubert. Each comic would be a one-shot story, yet all 13 issues would tell an overarching story when read together. The series kicked off with Just Imagine Stan Lee’s Batman, teaming Stan up with the aforementioned Kubert. The 48-page “prestige format” (square bound) comic is certainly nothing that you’ve ever read before in a Batman comic, but it is something you’ve seen before. You see, that’s the biggest failing of the Just Imagine… series: there are no original ideas. To Stan, the best way to reimagine Batman is to simply combine Luke Cage and Spider-Man, and call it a day.

Wayne Williams (there’s that classic Stan Lee alliteration!) is a young, Black street-smart guy whose policeman father has just been killed. While taking care of his mother, Williams makes an enemy of the local gang leader who, then, frames him for armed robbery. Sent to prison for a crime that he didn’t commit, Williams uses his quest for vengeance as a motivator to hone his body and his mind. Over an undetermined amount of time, Williams’s weight training takes him from scrawny to buff – just in time for him to use his new found strength to thwart a prison riot. Following me so far? Nothing too crazy, right? OK, let’s continue.

JISL Batman

This is when the story just stops working for me, as each development is more outlandish than the next. While in prison, Williams befriends a bat who comes to visit his cell night after night for crumbs and food scraps. Williams keeps telling the bat that he’s his best and only friend, kinda like that movie/Michael Jackson song “Ben” about that rat. Well, when he’s pardoned for stopping the prison riot, Williams leaves prison with the bat as his pet. As a free man, Williams realizes that he’s going to need to make some money, and one night while watching pro wrestling, he decides that will be his ticket to success (sound familiar?). After all, he’d beaten up a few toughs in prison, and he had also learned to sew, so he’d be able to make his own costume. So, while he admitted that wrestling was “a phony crock”, he proceeds to make his career by ACTUALLY BEATING THE SHIT OUT OF WRESTLERS as, you guessed it, “Batman”! And nobody calls him on it! He gets in the ring, and attacks these performers, and the crowd just eats it up. He starts on the local indie circuit, but eventually works his way up to the point where he’s the most popular wrestler in the world – all to build a financial foundation to use in his quest for revenge. Since he never unmasks, nobody knows who he truly is, which allows him to just get more and more mysterious and popular. Can you imagine if Rey Mysterio Jr was only wrestling so that he could finance his quest for revenge? Well, this is that, only Williams basically has the career of Hulk Hogan, The Rock, and John Cena put together.

While Williams was in prison, however, he did have one friend: a former physicist named Frederick Grant, who had been imprisoned for sabotaging the equipment of a former employer who was poisoning a water supply. After Williams saved him from a prison bully, Grant was the one who originally encouraged him to hone his body and mind. So, once he’s made his nut on the wrestling circuit, Williams seeks out the released Grant, and asks him to be his partner. Anyway, in the time that Williams was in prison, the gang leader who framed him, Handz Horgum (there’s that alliteration again), has risen in the ranks from local tough to crime boss. He controls all the crime in Los Angeles, so Williams plans his attack. He gets Grant to beef up his armor, giving him the “powers” of a bat, like night vision and the ability to soar on wind currents. Williams starts beating up local toughs, working his way up to Horgum. So, here we have the world’s greatest wrestler, initiating a war on crime in the middle of Los Angeles, and nobody bats an eye. The news isn’t like, “Hey, John Cena just put a gang in traction today.” Anyway, he eventually catches up to Handz, kicks him off the top of a building, and then steals his girl. Yes, the “hero” kills the crime boss and starts scheming on how he can put Handz’s girl on his payroll just to keep her close.

Given only 48 pages, there’s only so much space with which Stan had to work. That said, I have some major problems with the story – namely that nothing Batman does is *heroic*.  It’s a quest for revenge and not justice. I can’t say it’s “justice” because his heart isn’t really in the right place. Sure, he’d be ridding the streets of a pretty bad guy, but his reasons are pretty selfish. He doesn’t think of all the lives he’d be saving by taking Handz off the street, or how it’s even the “right thing to do”. No, Williams is only pissed that Handz caused him to lose all that time in prison, and that his mother died before he could clear his name. At no point does he ever have a change of heart that “Hey, this hero thing is a good idea.” For intents and purposes, he could pretty much quit after killing Handz because that was always the endgame. In fact, when the story ends, you’re led to believe that he’ll continue fighting, as he mentions hiring Handz’s girl as the secretary for his whole “operation”, but there’s no indication as to why he’d keep going. After all, at no point in the story did he ever think of anyone but himself. It would make more sense if he just returned to the ring, and continued to rack up wrestling money. I kept waiting for the *superhero* to show up, and that never happens.

uslan

Well, I’ve clearly given more thought to this whole enterprise than it seems Stan did when he “wrote” it. I put that in quotes, because I wonder how much contribution he truly had to the story. After all, the credits list Batman film producer Michael Uslan as the one who was responsible for the plot of the story. That was surprising to me because, as the guy who’s written an autobiography called The Boy Who Loved Batman, you’d think Uslan would’ve delivered something with more respect for the character. Sure, this is a different take on things, and I’m not expecting Bruce Wayne here, but you’d still think Batman would be a little more heroic here. I don’t necessarily need him to inspire, as that’s more Superman’s bag. No, Batman operates out of the shadows, to rid the streets of crime and make the city a better place. Stan’s Batman operates out in the open, and his goal is only to get payback. But the major crime is how Stan basically just repurposed old ideas into something that came off like a polished turd. It’s kinda like if you submitted old homework to fulfill a new assignment, and still only managed to get a C. So, whenever you feel like you’ve experienced the worst Batman story ever, just imagine what Stan Lee’s Batman would look like, and you’ll instantly feel much better.

28th Mar2016

The Most Underrated Television Theme Songs: Webster

by Will

I’m not sure if this is gonna become a regular thing around here, but I’m kinda tired of just being “The West Week Ever Guy”, and I felt the need to stretch my legs a bit. Anyway, when driving, showering, etc, I tend to have random TV theme songs just jump into my head. As I’ve said before, TV raised me, so a lot of these songs hold a special place in my heart. Also, a lot of them simply don’t get enough credit in the world of pop culture. So, we’re gonna take a look at a few of these gems.

webster

Today, I had the theme song for Webster to pop into my head, and now I can’t get it out. Not familiar with the show? Well, did you ever watch Diff’rent Strokes? It’s basically the Great Value version of that show. Rich White folks adopting Black kids. Man, that was like an 80s yuppie’s dream, wasn’t it? Anyway, the show starred former NFL player Alex Karras and his real life wife Susan Clark as an upper-middle class couple that ends up taking in the Black child of one of Alex’s former teammates. But that’s not what the show was originally about. No, it was supposed to be a romantic comedy, called Another Ballgame, about the relationship between former jock Karras and socialite Clark, but ABC saw little Emmanuel Lewis is a Burger King commercial and became determined to put him in a show. So, they retooled the show, against Karras and Clark’s wishes (their production company was attached to the show), and shoved Lewis into the show as precocious little Webster. Oh, and they also changed the name of the show to Then Came You. If you listen to the theme, it’s right there in front of you. But ABC wasn’t done flexing their muscles. They wanted everyone to know the show was about Webster so, against Karras and Clark’s wishes AGAIN, they changed the name of the show to simply Webster.

All of that is kind of why I love this theme song, as it’s almost like someone didn’t get the memo from the network. First off, it’s just great 80s cheese. And, technically, the song isn’t even really about a kid who magically comes into their lives. Sure, it could be interpreted that way, but it’s really just about having your life blindsided by new love. It’s kinda like how Creed songs are about relationships, but really about God. The song still heavily references Then Came You, and the visuals focus on “Ma’am and George”, with Webster shoved in at the end.  It’s the perfect metaphor for what was going on behind the scenes.

These days, most folks only remember the show for its odd link to Star Trek: The Next Generation, but it lasted an impressive 6 seasons and 150 episodes (God, I love a nice round number like that!). Karras passed away in 2012, and Emmanuel Lewis hasn’t really been seen publicly since The Surreal Life. In today’s reboot happy culture, I’m kinda surprised this hasn’t been redone. I mean, I wouldn’t call it Webster, but I would replicate the concept under a different name – ya know, like how Step By Step was just The Brady Bunch: The Next Generation. It’d be about a couple of gentrifiers who somehow take in an inner city kid. Give me a call, Hollywood. Meanwhile, I’m gonna go listen to this theme song about 80 more times before the day is over.

18th Mar2016

West Week Ever: Pop Culture In Review – 3/18/16

by Will

BeFunky Collage318

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So, I didn’t watch any movies this week, but I did watch a TON of television, so that’s what we’ll be rambling about today.

flophouse

First up, I watched Flophouse on Viceland. First of all, why does Vice have a channel at all? If you’re not familiar with the brand, Vice began as a Canadian hipster culture magazine in the early 90s but eventually branched out into other media, including news specials on HBO. Well, at the end of February, Viceland took over what was formerly H2 in the United States, and is programmed under the creative direction of Spike Jonze. I ask why there’s a channel, though, because it seems like their target is specifically the audience that DOESN’T watch television. After all, they’re catering to hipster Millennials, who don’t own TVs, ’cause they’re poor and stuff.

Flophouse 2

Anyway, Flophouse. It’s a show where hipster, Millennial, “alternative” comics host stand-up shows in their houses. It might sound “intimate”, but it’s pretty grody, as these places look like crack dens. There are known comics in the audience, but the ones performing are basically up and comers. The brand of comedy, though, isn’t that funny. It’s observational. It’s hipstery. But I didn’t bust a gut or anything. If this is the future of stand-up, then comedy is pretty much doomed. For one thing, I’m a big fan of Comedy Central’s The Half Hour (formerly known as Comedy Central Presents), so I feel like 30 minutes is a good amount of time to let a comic shine. Still, since there are multiple comics per show, you don’t get that here. That’s fine. You can still have a solid 10-15 minute set. I didn’t see anyone on this show who had that. They pretty much show you one joke, and then you basically get a tour of how shitty the conditions are in the house.

It also doesn’t help matters that everything is censored on the show. I expect Vice productions to be edgy and all, so it’s kind of a pussy move when they can’t even say “shit” during a comedy show that airs at 10:30 PM (you can do this on TBS, Comedy Central, Adult Swim, and so on and so on). It just felt like the Vice brand was being neutered. Maybe this is a network thing from A&E, but it just feels like Vice should’ve found a broadcasting partner that would allow Vice to be Vice.

From what I’ve seen of their programming, I don’t see bright things ahead for the network, but we also live in a world where there’s a channel pretty much dedicated to a Vegas pawnbroker who gets shows for all of his friends, so what do I know?

POH

Speaking of comedy that wasn’t that funny, Party Over Here premiered Saturday night on Fox. I was excited about the show when I originally heard about it, as it was created by Paul Scheer and The Lonely Island. I actually didn’t even realize it was coming so soon, as it was just announced a few weeks back, so I figured it was coming in the Fall. Maybe they should’ve taken their time and waited on debuting it. Party Over Here is a sketch show, featuring an all female cast comprised of only 3 women, and it really wants to be the next Key & Peele. It’s got a long way to go. It’s packaged really well, with a lot of cool bumpers and interstitials, but there’s just nothing there. No substance. Remember how the original SNL cast were the Not Ready for Prime Time Players? These 3 women are the Not Ready for Late Night Saturday Players. Or the You’re Better Off Watching 1st Look Players. It was just the premiere, so maybe it needs time to bloom, but I don’t really see myself coming back. You see, it was designed to not compete with Saturday Night Live, as it airs 30 minutes before SNL since most Fox affiliates have a 10 PM broadcast. In the DC market, however, we have some News Edge garbage at 11, bumping Party Over Here to 11:30. When put up against SNL, it isn’t even a question as to which show I’m choosing. So, apparently, there’s a party over there, but I think I’m partied out.

the-carmichael-show

NBC is slowly trying to regain some footing in the world of the situation comedy, but they’re pretty hit or miss these days. Superstore has been renewed for a second season, but I don’t see that happening for Telenovela. One of last season’s surprise hits came back this week in the form of The Carmichael Show. Created by, and starring, stand-up comedian Jerrod Carmichael, it’s a multicamera family sitcom dealing with the issues of the times. And that’s probably my issue with the show: it’s always so damn heavy, as every episode seems like A Very Special Episode. Every episode tackles something controversial, be it whether or not you should still enjoy Bill Cosby’s work or whether or not cheating is tied to income level. There are still laughs to be had, but I find myself laughing at the stellar supporting cast including Loretta Devine and David Alan Grier. My least favorite character is probably Carmichael himself, as he comes across as this know-it-all, and I find myself wanting to see him get his comeuppance. I would love to have been in some focus groups for the show, as there had to be some notes about how unlikable he can be at times. But, it’s his show, so I don’t expect that aspect to change anytime soon. Still, if you long for the days of Fox’s Roc, where a Black family can still laugh amongst the tears, then you should probably check this out.

MDOT-Crowded

They’re not all winners at NBC, however, as Crowded had a 2-episode “sneak preview” this week. Starring Patrick Warburton, the show is about a married couple who try to keep their relationship strong when their Millennial kids move back in with them. I said it on Twitter, but I’ll say it again here: Somewhere around the mid-2000s, Patrick Warburton became king of the “Fuck It! Something’s Gotta Air In This Timeslot” sitcom. It means that there’s nothing really bad about the shows, but they’re just not that great, either. The best part about them is that they provide work to the many crew members behind the scenes, but they’re not really doing anything groundbreaking for the medium, either. At the same time, these shows tend to be able to fly under the radar. Their ratings are just high enough for them to regularly be renewed as midseason replacements, and then they somehow find their way into syndication. I mean, Rules of Engagement lasted SEVEN seasons, and you’re probably like “What’s that?” Exactly. If we were talking about 2007 CBS here, I’d say this show has a long life ahead of it. But NBC can’t really afford a show like this. Schedule space is too valuable (it and The Carmichael Show have been dumped off on Sunday night), and they’re looking for a quick turnaround. The show was created by Suzanne Martin, who also created Hot In Cleveland, making me think this show would probably be a better fit for TV Land. And while it’s always nice to see iCarly, Miranda Cosgrove’s role in this show is…strange. It’s like they’re trying to create a female Sheldon from The Big Bang Theory, and I’m not sure it works. To be honest, I find her whole “I’m really smart, but it keeps me from being able to relate to people in normal ways” shtick WAY more offensive than anything I’ve seen folks pull out the pitchforks for TBBT, but I digress. This is the kind of show that you leave on in the background, ’cause Dateline‘s coming up, but you’ll never actually learn any of the characters’ names.

In movie news, Sally Field has been making the rounds, talking about how she didn’t like the Amazing Spider-Man movies. Primarily, she’s saying that her character, Aunt May, wasn’t very three-dimensional, and that “you can’t put 10 lbs of shit in a 5 lb bag”. A lot of people are focusing on the “shit” in the phrase, and not the overall meaning. She’s saying that you can only work with what you’ve got, and if there’s no capacity for more depth, you can’t just shove it in there. She says that the only reason she took the role is because it was being produced by her friend Laura Ziskin who was battling cancer. They knew it would be Ziskin’s last movie, and since she had been Field’s first producing partner, Field wanted to be a part of her friend’s final production. Look, I get it. Personally, I don’t hate those movies. I don’t know what folks wanted, but apparently it wasn’t that. Fine. But I do have a problem when actors start shitting on past roles. The way it comes out is always on some platform, like Stern (which is where this interview took place), and it comes across like they’re trying to gain acceptance by saying “Look, I hate this thing you hate, too!” It’s somewhat cloying. But at the end of the day, they cashed a check. I get that people can change their minds, but the professional thing to do is to just keep it moving. You did a job, it may not have been your best job, but it (hopefully) won’t be your last. Learn from it, and move on.

apocalypse

We got another trailer for X-Men: Apocalypse yesterday. When did Three Trailers Per Movie become a thing? I remember, back in the day, seeing A trailer. That was it. Anyway, I thought that trailers were supposed to get better as they go along. Not this one. I’ve got to say that the last trailer for Apocalypse was much better than what we got yesterday. And it simply reminded me that casting Jennifer Lawrence was the worst thing to happen to the X-Men film franchise. Yup, even worse than Brett Ratner. I say that because they had no clue her star power was gonna rise the way it has, and that they’d have to accommodate her. She hates the blue paint, so now they keep her in her human form most of the time, even though HER CHARACTER RAILS AGAINST THE NOTION THAT MUTANTS SHOULD HAVE TO HIDE TO MAKE HUMANS COMFORTABLE. Plus, Mystique ain’t that important. She just isn’t. I’m so sick and tired of every movie being a dance of “Here’s Mystique and Magneto. Whose side are they on THIS time?” THERE ARE OTHER CHARACTERS. Personally, I don’t need Magneto in every film. I don’t care how charismatic you may feel his actor is (McKellan OR Fassbender). And I sure as Hell don’t need to see Mystique each time. The rest of the cast suffers as these “prequel” movies just push everyone to the side for the sake of the Erik/Raven/Charles Show. We finally get a movie with Apocalypse – something I never thought they’d be able to pull off since the first few movies were focused on “grounded” threats – and what does he do? He makes Magneto a Horseman. WHAT?! FOR WHY? I kinda want these movies to end. Singer seems pretty comfortable at the moment, and has basically said he’ll keep making them as long as Fox lets him, but I no longer look forward to an X-Men movie. You pretty much know what you’re gonna get. Same tone. Basically the same actors. You can set your watch to it. “There’s a new X-Men movie? Huh, it’s been two years already?” I’d love for someone to come in and shake up that franchise.

lobo

On the DC side of the aisle, it’s been reported that Wonder Woman screenwriter Jason Fuchs has been hired to write a script for Lobo. THIS IS A TERRIBLE IDEA! The only reason I can see for Warner Bros pushing this back into development is that they probably see the Lobo character as their own Deadpool, so they want some of that R-rated comic movie money. If you’re not familiar with the character, Lobo is a Czarnian bounty hunter who’s so badass that he killed the rest of his race. He’s really strong, he can regenerate body parts, and – due to the Comics Code Authority – called people “bastiches” a lot. He’s so 90s it hurts. His own creator, Keith Giffen, doesn’t understand why the character grew popular:
“I have no idea why Lobo took off… I came up with him as an indictment of the Punisher, Wolverine hero prototype, and somehow he caught on as the high violence poster boy. Go figure.”

I think I rubbed some folks the wrong way on Twitter when I said that most Lobo fans “rode the short bus”, but I don’t think I’m far off. IN MY EXPERIENCE, Lobo was the ultimate White juvenile delinquent power fantasy. He’s just a dude with an attitude problem who liked to destroy shit. Everyone I ever knew who called themselves “Lobo fans” were the kinda kids you needed to keep an eye on, ’cause they were torturing pets or bringing weapons to school. I don’t think this is what the DC Cinematic Universe needs, but hopefully it’ll be some kinda of offshoot that won’t be in the proper DCCU.

Things You Might Have Missed This Week

  • The trailer was released for Now You See Me 2. While I still haven’t seen the first one, I’m upset that this installment isn’t called Now You Don’t.
  • Fox has renewed Gotham for a third season. Next season, Not Batman will continue to be Not Batman by Not Batmanning. Meanwhile, his whole frickin’ rogues gallery is showing up early to the party.
  • The CW renewed ALL 11 regular series that they currently air (including DC’s Legends of Tomorrow) for next season, proving they did NOT have a deep bench when it came to pilots.
  • Marvel and Netflix announced that Luke Cage will premiere September 30th, 2016
  • Apparently, Indiana Jones and the Quest for the Last Depend is happening, with a 77 year old Harrison Ford. He clearly doesn’t enjoy working, so he must fucking HATE sitting at home with Calista Flockhart.
  • Pop TV has ordered a season of Hollywood Darlings, which will follow Full House‘s Jodie Sweetin, 7th Heaven‘s Beverly Mitchell, and Step By Step‘s Christine Lakin in a reality show as they juggle career, motherhood, and more. And considering it’s Pop, they’ll probably show up on TNA at some point.
  • After 2 episodes, ABC has cancelled Of Kings and Prophets. I called this almost a year ago. When are broadcast networks gonna learn they can’t have their own Game of Thrones due to standards and budget?

dead 7

I don’t like zombie movies and I don’t really like Westerns. But then I heard about Dead 7, and my mind started to change. It’s a zombie western starring 90s boyband members! Just watch!

I’ve known about this thing for a year, and I still don’t really even know what it’s about. Here’s what I do know:

  • It’s from Asylum, who also gave us Sharknado
  • It features members of Backstreet Boys, *NSYNC, one dude from 98 Degrees, and the 4 guys who’re still willing to admit they’re in O-Town
  • It premieres April 1st. Oh, PLEASE don’t be a cruel April Fool’s Day prank!

I will say that I’m kinda bummed it doesn’t include ALL the members of the groups (except Justin, ’cause, c’mon). Out of the Backstreet Boys, Kevin and Brian are the uber Christian ones, so I wonder if they didn’t want to be in something they wouldn’t show their kids. And from *NSYNC, I knew not to expect JC, but Lance didn’t wanna partake in the festivities? I mean, The Meredith Vieira Show just got canceled, so he basically just lost a job and gained some free time. Kinda surprised he passed on it. And while I didn’t expect the weird one from 98 Degrees (you know the one I’m talking about), the Lachey brothers ain’t really doing shit these days. And I’m ready for Ashley Parker Angel to finally just give in and return to O-Town. I mean, he really hasn’t done anything since his stint in Hairspray a decade ago.

longshot

Anyway, I love crap like this. It reminds me of Longshot, which was this really, REALLY bad movie thrown together by boyband mogul and Ponzi Scheme architect Lou Pearlman. The movie went by many names, including Jack of All Trades, but it featured cameos by anyone who was anyone in pop in 2001. You can still find it in FYE dollar bins to this day.

So, we’re at the end of this week’s post, so does that mean that the Dead 7 trailer actually had the West Week Ever? Could it be? No. It was a slow week for big news, but it wasn’t that slow. We got nothing from the trailer but a tease. If it’s anything close to Sharknado, it could be an instant cult classic, but we’ll just have to wait and see. For now, however, nothing had the West Week Ever *sad trombone*. It’s probably Daredevil season 2, but there’s no way I was staying up til 3 to watch that, so it’ll have to wait til next week, when it goes head to head with Batman v Superman: Dawn of Justice. Who will win?! Tune in next week to find out!

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