04th Aug2017

West Week Ever: Pop Culture In Review – 8/4/17

by Will

In movie news, Sharknado 5: Global Swarming premieres this Sunday, and The Hollywood Reporter had a great article about the history of the franchise. For one thing, Donald Trump was originally approached to play the President in Sharknado 3: Oh Hell No!, but his people were stalling because he was mulling a run for the actual presidency. When the producers moved on to cast Mark Cuban, Trump got pissed and his people threatened to sue (on what grounds, nobody knows). Also, the production was renamed to Dark Skies because the name Sharknado was turning off potential actors. To the cast’s chagrin, however, it was changed back to Sharknado at release.

The main takeaway from the article is the pay situation. In the beginning, star Ian Ziering was offered $100,000 to do the first film. He reportedly only took it because his wife was pregnant and he needed to keep up his SAG membership for the health insurance. Over time, however, his pay ballooned and he currently makes about $500,000 a film – which, as folks point out, is more than the $300,000 Gal Gadot reportedly made to star in Wonder Woman. This really shouldn’t come as a surprise, though. For one thing, superhero films kinda pay on the low-ish side because there are so many moving parts. The pay tends to start low and then grows over time. By the third or fourth movie, the stars are, then, basically too expensive to keep, so it becomes renegotiation or reboot time. Plus, as I said on Twitter, washed up TV star in a “water cooler” franchise outranks unproven movie star in unstable cinematic universe. Yes, Wonder Woman was a great film, but to say that Gadot deserved more money is simply Monday morning quarterbacking. Nobody was worried about her pay before the film came out because, frankly, nobody gave a shit about her. She’ll eventually make her money, while Ziering will be begging for a Sharknado revival, as the series is clearly on its last legs based on the ratings. Sharknado is a funny thing because the social media impressions actually outnumber its ratings. So, folks feel the need to talk about Sharknado even if they’re not watching Sharknado.

The real crime about pay, though, is that Tara Reid only makes about $125,000 to Ziering’s $500,000 (his salary is about 1/6th the budget of Sharknado 5). When she spoke up about it, they created a poll to the public following Sharknado 3, asking whether or not her character should die. Lucky for her, the fans wanted her back (Production company Asylum claims the poll and her request were unrelated, but we aren’t stupid here).

Anyway, I’m sure I’ll watch even though the last installment was a chore to get through. The franchise really peaked at Sharknado 2: The Second One, but they generate buzz, so they keep coming. I’m still pissed about the last movie, where Ziering’s character, Finn, has a Black daughter-in-law who gets killed by a shark. Not only does the family not react, but she’s never mentioned again. It’s clearly the result of some terrible editing, but I can’t tell if they edited out reactions to her death OR if they edited in the character after the movie was basically done. I figure we’ll get to 6 and then they’ll have to think of something else. It’s too bad the Lavalantula franchise hasn’t enjoyed the same buzz, as I enjoy those pseudo Police Academy reunions.

In TV news, a LOT of folks are upset about that Confederate show that I mentioned last week, even calling for a boycott of HBO. Some folks have reminded the boycotters that their actions would hurt other Black shows on the network, like Insecure and Ballers. Instead, they encouraged that folks make their voices heard directly to HBO, using the hashtag #NoConfederate during its most watched hour last week, Game of Thrones. Well, in seeming retaliation for the show, producer Will Packer and The Boondocks creator Aaron McGruder are creating Black America for Amazon. Whereas Confederate would follow a United States on the brink of its 3rd Civil War, Black America would follow an alternate reality where freed Blacks were given Alabama, Louisiana, and Mississippi as reparations, and the sovereign nation of New Colonia is formed. Meanwhile, its neighbor to the north, The United States, is in a bad state of affairs.  New Colonia is about to become a world power, while the US is slipping. Due to their proximity, their fates are tied together, but clearly the Black folks are doing better than everyone else.

Is it wrong that I have no interest in either show? I mean, I have no desire to see slavery still going in Confederate, but the whole premise of Black America just sounds like it’s doing too much, and feels more reactionary than anything. I mean, why didn’t we hear about this project before Confederate was announced? And the problem is that both projects are so far in their infancy that they won’t be happening any time soon, if they happen at all. I know the announcement appeased a lot of the anti-Confederate crowd, but neither sounds like a “good” show from what we’ve heard, and I almost feel like they take us away from having the race dialogue that a lot of folks feel we so sorely need as a country. What are y’all’s thoughts on these shows?

In other TV news, it was announced that ABC’s The Middle would be ending after its upcoming 9th season. This elicited to a lot of responses of “That show’s still on?”, and I immediately understood why Trump won. As the title suggests, the show focused on a middle class family, in the middle of the country, as they struggle to make it through. Over the past 8 years, they have been emblematic of the types of voters who feel their voices aren’t being heard as their situations get tighter. That’s the show’s audience, even though they’re not the glamorous demographic that Madison Avenue covets. I actually really enjoy the exploits of the Heck family, but I understand that the show’s not “hip” or “cool”, so it flew under a lot of folks’ radar. The upcoming Roseanne revival has been described as focusing on the Conners as they try to make their way in Trump’s America, but I’d argue that The Middle did it first, and will probably be looked upon as the most accurate depiction when the dust settles.

Across the dial, it was finally confirmed that Erinn Hayes’s character on CBS’s Kevin Can Wait will, in fact, be killed off. The show will pick up after some time has passed, paving the way for Kevin James to reunite with his The King of Queens costar Leah Remini. I understand shows sometimes need a retool, but all evidence was pointing to the show as a moderate success. The only sticking point was Remini guested in the season finale, and suddenly everyone wanted that chemistry back. To me, I’m good. I still have 8 seasons of The King of Queens to look back on (I don’t count that last season because it felt like they hated each other by that point, surprising me that they’d reunite. To me, this is almost like Martin Lawrence and Tisha Campbell doing a new show together). Hayes will bounce back, as she’s already been cast in Amazon’s The Dangerous Book for Boys, but I still don’t feel like the show did her right.

In comics news, it was revealed that the Milestone comic line’s reboot has been stalled because the creators behind it were trying to cut out the estate of co-creator Dwayne McDuffie. If you’re not familiar, the Milestone line was comprised of a bunch of minority-focused superhero books from the early 90s. There was Hardware (Black Iron Man), Rocket (Black Captain Marvel?), Blood Syndicate (Black…I dunno. I didn’t read that one). Oh, and Static (Black Lightning Jr, basically). The original creators were Dwayne McDuffie, Denys Cowan, Derek T. Dingle, and Michael Davis (if we ever meet, ask me my Michael Davis stories. Dude is crazy, but I ain’t putting that stuff in writing for him to find it).

A few years back, they announced a revival of the Milestone brand, but Davis had been cut out and replaced by former BET head Reginald Hudlin. They kept saying an announcement was forthcoming, while Davis took to the internet saying it’ll never happen. He was hurt he’d been left out of something he’d had a hand in creating, but he also knew there were roadblocks that the group wouldn’t be able to get over.

Well, this week, McDuffie’s widow sued the group because his estate had been left out of recent negotiations, as Cowan, Dingle, and Hudlin were going to create a new entity to cut out McDuffie’s stake. There’s a lot of potential in the franchise, with recent cries for representation in fantasy media, but I’d like to go on record and say that those books just weren’t very good. They were just Black characters the same quality of the Image output of the time. I used to read Hardware and that book, ugh…Maybe they’ve got some fresh new takes on the characters, but I don’t think they’re even interested in comics at this point. They just want to control the intellectual property. Anyway, for all McDuffie did in the comic industry, it seems like he was constantly screwed over, even in death. I hope his estate is at least getting some money for the use of Damage Control (which he created) in Spider-Man: Homecoming, but I know it was work-for-hire blah blah blah. Anyway, here’s hoping Mrs. McDuffie gets what she’s owed.

Things You Might Have Missed This Week

  • Divergent franchise sequel, Ascendant, is now being developed as an ongoing TV series for Starz
  • The Black-ish spinoff, college-ish will now known as grown-ish
  • Vin Diesel is reportedly working on a Miami Vice reboot on NBC for the 2018-2019 season. I really hope they set it in the 80s. Otherwise, it’s just gonna be nothing but Pitbull and Flo Rida cameos…
  • The Will & Grace revival has already been renewed, despite the fact it hasn’t aired yet. It was also revealed that it will ignore the series finale, just like Roseanne…
  • Late 90s MTV staple, Total Request Live (TRL) will return in October, with FIVE hosts. I guess they’re trying to bring back that VJ position again.
  • Speaking of MTV, hot on the heels of removing gendered categories, MTV has changed the coveted Video Music Award from the Moon Man to the Moon Person. It will be able to use any space bathroom that it chooses.
  • Soap actor Hartley Sawyer will recur as The Elongated Man this season on The Flash
  • Speaking of the Arrowverse, the next 4-show crossover will take place over two nights this season, November 27th and 28th
  • Apparently hot ass Scientologist Catherine Bell from JAG has been on a show on Hallmark Channel called Good Witch for the past three years. Who knew? Anyway, it’s been renewed for a fourth season
  • Aussie actress Teagan Croft cast as Raven in the Titans series
  • Amazon is adding Carsey-Werner shows such as Roseanne, 3rd Rock from the Sun, A Different World, Cybill, Grace Under Fire, and Grounded for Life to its streaming library
  • Pacific Rim: Uprising‘s release has been moved from Feb 23 to March 23
  • Hasbro has called off talks to buy Lionsgate. In other news, apparently Hasbro was trying to buy Lionsgate.
  • Agent Carter‘s Hayley Atwell will reportedly join Ewan McGregor in Disney’s Christopher Robin 
  • Formerly a staple of Baltimore Comic Con, the Harvey Awards will move to New York Comic Con in 2018
  • They’ll be calling it Hawaii Five-WHOA, as Joey Lawrence is slated to guest star on the CBS series this season
  • Because he’s never turned down a job, Nick Cannon will host Lip Sync Battle Shorties, a kid-centered spinoff of Lip Sync Battle to air on Nickelodeon
  • During the 2017 Teen Choice Awards, Fox will experiment with 6-second commercials. This is how that subliminal programming shit starts!
  • Remembering where he came from, Kenan Thompson (who’s also now the longest-standing SNL cast member) is reportedly developing a live action sketch show for kids.
  • Transformers spinoff, Bumblebee, will open against Aquaman on December 21st, 2018
  • Blumhouse Television is bringing horror reality show Scare Tactics back to TV
  • Due to how he perceives Starz doesn’t appreciate his show, 50 Cent has threatened to snatch Power off the network.
  • Pokemon: I Choose You will get a two-night theatrical run in November. I’m not telling you the dates because the movie is a retelling of Ash & Pikachu’s meeting, yet it removes Brock and Misty from the story. Fuck this movie!

So, there was some crazy stuff in the comic industry this week, as a picture of of some women Marvel editors brought out the crazies. It all started with this pic:

Marvel editor Heather Antos and some other female editors got together for milkshakes, and based on the hashtag, it was to honor recently deceased former Marvel secretary “Fabulous Flo” Steinberg. A seemingly innocent thing, right? Well, here was the reaction on social media:

Wow, right? From dudes making inappropriate sexual remarks to folks blaming this on Social Justice Warriors, a certain corner of the internet lost its mind over some damn milkshakes.

But then came the backlash to the backlash. Fans and creators started posting pics in solidarity with the ladies.

The support even came from the “Distinguished Competition”, as they tweeted the following pic:

What started out as a snake bed for trolls turned into a show of solidarity that not only shed light on what women editors face on a daily basis, but also seemed to strengthen some relationships “across the aisle”. I mean, this is the best Marvel/DC crossover since Amalgam! As I said on Twitter, when history classes look back on this period in time, they will see that it was not blockbuster events but milkshakes that saved the comic industry. That’s why female comic editors had the West Week Ever.

 

By the way, I’m apparently 16 years old because I just signed up for Sarahah. So, swing by and leave me some anonymous comments. Oh, and please don’t make me cry!

28th Jul2017

West Week Ever: Pop Culture In Review – 7/28/17

by Will

One of the best discoveries I’ve made has been the digital subchannel Heroes & Icons. If you’re a cord cutter, then get yourself an antenna and check this thing out. My favorite aspect of it, however, is the fact that it runs a 5-hour Star Trek block six nights a week. Star Trek at 8, Star Trek: The Next Generation at 9, Star Trek: Deep Space Nine at 10, Star Trek: Voyager at 11, and Enterprise at 12. Sunday through Friday. And on Sundays they actually kick things off with Star Trek: The Animated Series at 7. I’ve pretty much watched nothing but Star Trek for the past 2 weeks. I’ve been reacquainted with favorite episodes, like TNG‘s “Chain of Command” and DS9‘s “Far Beyond the Stars”. I’ve discovered some hidden gems, like TOS‘s ” The Cloud Minders”. I’ve even discovered that I don’t hate Voyager or Enterprise as much as I thought I did.

I don’t talk about this too much, but the first 12 years or so of my life were comprised of pretty much NOTHING but Star Trek. From 1987-94, my favorite show on television was The Next Generation. When DS9 debuted, I expected it to continue my love affair, but it felt too preachy with its Space Holocaust allegory. It was in the later seasons, once the Dominion War began, that it actually ensconced itself as my favorite iteration of the franchise. By the time Voyager debuted, I had discovered comics, and they became my new mistress. While I watched about 4 hours of TNG a day in high school (Channel 20 REALLY loved playing TNG), my heart didn’t have room in it for a new Trek, so I “No time for love, Dr. Jones”‘ed Captain Janeway and her crew. Enterprise debuted when I was in college, and  I was simply too busy worried about other shit to watch Captain Quantum Leap and his crew. Plus, due to some kind of contractual fallout, Ithaca didn’t get UPN. So, since the finale of DS9, my Trekkerdom lay dormant.

But when I say “I’ve forgotten more than you’ll ever know”, that’s primarily about Star Trek. I had several editions of the Star Trek Encyclopedia, I had the Technical Manual, the Technical Journal, the Star Trek Chronology. All of it. I’ve got the figures, and the role play toys. I even created my own uniform for Halloween back in the 90s. I was all Trek, 24/7, and you couldn’t tell me shit. Over time, though, that trivia got overwritten by X-Men 1st appearance notations and the names of TNBC actresses. What I’m saying, though, is that Heroes & Icons brought it all rushing back. It’s like I’m 15 again, blowing the evening watching Star Trek episodes I’ve already seen hundreds of times already. It’s also given me new perspectives on things that completely went over my head when I was younger. For example, Sisko is the Bajorans’ Space Jesus, and that’s pretty heavy. Even he doesn’t believe it, but in the end, yup it turns out he’s Space Jesus. I’ve also got thoughts on the current state of the franchise, too.

At SDCC, we got the above trailer for Star Trek: Discovery, which will air in North America on CBS All Access (yes, Dean, I know you’ll say All Anal Access because it sucks that we have to subscribe to another service just to watch this thing). I had no interest in this show because everything I heard about it didn’t sound like Star Trek. Now, though, the more they try to sell it as a bunch of new ideas, the more it just sounds like DS9. It’s gonna be Trek with interpersonal conflict. Great. I can get down with that. Its aesthetic seems more like late-era Stargate than Trek, though – especially those Klingon designs. There are certain things, though, that still feel like they miss the mark.

Take for example the fact that the show will feature the first same-sex couple on a Star Trek series, played by Rent‘s Anthony Rapp and My So Called Life‘s Wilson Cruz. Yeah, I get that representation is important, but it bothers me that this is being done in a prequel series, set before the events of the original Star Trek. With the exception of Enterprise, this is the series that takes place the closest to our timeline, so it’s really not much of a leap to think that same-sex couples exist. Ya know what would’ve meant more to me (as a straight, cis male who really doesn’t have a dog in the race but is still opinionated)? If the show had actually been a post-Dominion War, sequel series to TNG/DS9/Voyager, and it featured a same-sex couple. Science fiction tends to go 2 ways: it’s either dystopian or it’s about HOPE. As it stands, from what we’ve seen, same-sex couples are pretty much nonexistent in the 24th century. Yeah, I’m sure they exist, but we never saw them. It seems like it would be a testament to how enduring they are to see them that far in the future as opposed to just a couple of hundred years from now, when Discovery is set.

I could also be politicizing this for my own agenda, as I really want to know what happened after the war ended. Sure, there are books and stuff, but those things aren’t canon. I feel there are so many stories to tell from that era, and I’d love to see the franchise move forward instead of dance between the raindrops of continuity in the past. It feels like they’re stalling, which is how it felt with Enterprise and even the Kelvin movies. Someone, somewhere out there has got to have a great idea as to how to move the franchise forward and I hope CBS/Paramount finds them sooner rather than later.

SDCC Bullet Points

The bulk of San Diego Comic Con took place over the weekend, and here’s some stuff that debuted:

  • Michelle Pfeiffer is Hank Pym’s lost wife, Janet Van Dyne, in Ant-Man and The Wasp
  • The Captain Marvel film will be set in the 90s, and introduce the Skrulls to the MCU. Oh, and Nick Fury will have 2 eyes

  • We got this trailer for Ready Player One, which was hella polarizing. It seems a lot of folks hated the book on which it’s based. If you ask me, it just looks like a cinematic version of this commercial:

  • Comic creator Frank Miller, of 300 and Sin City fame, is writing a Superman: Year One story with art from John Romita Jr. Nothing about that sentence makes me want to open my wallet.

  • We got a new trailer for X-Men spinoff, The Gifted. I’m actually surprised they used established mutants like Polaris and Thunderbird. And is that actually Fenris?! I want to like this, but it just looks so…Fox.

  • We got a new trailer for The Defenders on Netflix. I get that this is the culmination of all the Marvel Netflix shows, but it didn’t do much for me since I’ve only seen 2 out of 5 seasons so far. There’s no way I’ll get caught up by this premiere date, but I’m sure it’ll mean more to me once I’m up to date. Kinda tired of the hallway fight trope, though.

  • Legends of Tomorrow is such a fun show. It started kinda dry, but got so much better last year. It reminds me of a syndicated Saturday afternoon show, but in a good way.

  • This Justice League trailer did very little for me. It’s like, sure, Wonder Woman’s cool, but we JUST saw her. Aquaman seems cool, but he’s not really “Aquaman”. I’ll see it, but I ain’t looking forward to it. No, for me, November belongs to:

  • An elementary school friend and her husband did a Saga cosplay and KILLED IT!

Things You Might Have Missed This Week

  • We’ll have to wait a bit longer for our annual dose of Abbi and Ilana, as Comedy Central has moved the Broad City season 4 premiere from August 23rd to September 13th
  • A few months ago, it was reported that Amy Schumer would be starring in a Barbie movie. Well, I made fun of that, she blocked me on Twitter, and then eventually dropped out of the role. Now they’re reporting that Anne Hathaway is up for the role, which is somehow more bewildering than the Schumer choice…
  • Justin Bieber cancelled the rest of his Purpose world tour because he was “committing his life to Christ”. This pissed off his crew, as they were left without jobs. He, then, proceeded to run over a paparazzo with his truck while leaving church. I swear, you can’t make this shit up!
  • Amazon’s Jeff Bezos has replaced Bill Gates as the richest man in the world.
  • Beginning September 29th, Hulu will begin streaming the Warner Bros shows that comprised ABC’s TGIF lineup, including Perfect Strangers, Family Matters, Full House, Hangin’ With Mr. Cooper, and Step By Step. Meanwhile, Netflix is feverishly developing Perfecter Strangers, Family Still Matters, Chillin’ With Mr. Cooper, and Step By Step By Step.
  • I haven’t seen a non-country music video in years, but apparently they still make them, as Katy Perry will host the 2017 MTV Video Music Awards
  • Speaking of the VMAs, following the lead of the MTV Movie Awards, they’re doing away with the gendered categories Best Male/Best Female Artist, to be replaced by Artist of the Year. Also, in a bit of pandering,  they’ve created the Best Fight Against the System, for those artists who have called for folks to #RESIST and all that.
  • Though I felt its farcical nature wore a bit thin during its first season, TBS’s Angie Tribeca has been renewed for season 4.
  • Smallville‘s Tom Welling is joining Fox’s Lucifer and *yawn* that’s really all there is to say about that.
  • Netflix has ordered 20 episodes of the animated series Disenchantment from The Simpsons creator Matt Groening. It will features the voices of Nat Faxon, Eric Andre, and Abbi Jacobson. Apparently it’s about elves and trolls and shit. Not really my bag, baby.
  • Person of Interest‘s Michael Emerson has been cast in a mysterious role for Arrow‘s 6th season. So, he’s probably Deathstroke’s accountant or something.
  • Because SyFy just doesn’t care anymore, and because they need something to air between Sharknados, Wynonna Earp has been renewed for a 3rd season.
  • The Wonder Woman sequel has a release date of December 13th, 2019
  • Apple discontinued the iPod Nano and Shuffle models, as they are the last remaining models that cannot run iOS apps.
  • Current Superman Henry Cavill grew a mustache for his role in Mission Impossible 37: Mission Harder, which will have to be digitally removed for Justice League reshoots. Ya know, the movie where he’s supposed to be dead, but is actually the worst kept secret in Hollywood.
  • Lionel Richie and Charlie Puth are in talks to join ABC’s American Idol reboot as judges. Yeah, that’s funny. Unless they’re coaching the contestants on how to get caught cheating while dancing on the ceiling, I’m not sure what Richie’s old ass brings to the table. And Puth is simply too new to be judging anybody.
  • New James Bond film in 2019. Nobody knows who’s playing him or directing the thing, but it’s coming. Yesiree, Bob!
  • Since they’re handing out cinematic universes like chicken samples at a food court, the John Wick universe will be expanded by the female-focused film, Ballerina.
  • Michael Phelps raced a CGI shark and people felt betrayed. He’s the friggin’ son of Poseidon! He can’t race ACTUAL sharks! There would be civil unrest beneath the surface!

With DC being the political capital of the country, it’s hard for a news person to stand out because the place is crawling with them. That wasn’t true, however, for Jim Vance. Everyone knew him and the man was an institution. Coming to NBC4 in 1969, he was one of the first Black anchors in a major news market. He anchored for over 4 decades, ingraining himself into the families of those who watched him.

When I was a toddler, I was really into the local news (I’ve always said I’m regressing as I get older), and I could name every anchor on every local newscast. And this was a golden age of DC news. You had the great Glenn Brenner, you had Maury Povich before he became a talk show host, and you had Vance. There was something about him that made him seem like your aunt’s cool boyfriend. He was an old man with a hoop earring. We used to laugh about it, but secretly I was hating because I knew I’d never be able to pull that off at his age. He rode motorcycles and laughed inappropriately at news stories he found funny. He was a guy who made you glad to watch the news, especially as the cries of Fake News! grew louder.

Back in May, Vance announced that he had been diagnosed with cancer, and it advanced rather quickly. He passed away last Saturday morning, and the announcement touched all corners of the DC area (no, I’m not calling it the DMV!). It was touching to see all of the tributes to him on the local stations, from those who were colleagues and competitors. Last Saturday night, News4 spent the entire 11 PM news talking about Vance and what he meant to DC. This might sound crazy, but it was so refreshing to watch the news without a single drop of actual news being reported. No Trump b.s., no local murders, not even a weather report. Just 30 minutes about a man who we basically grew up with in our homes. I always kinda took him for granted because you just expected he would be there every evening, but I’ve certainly missed him since he’s gone. I know he won’t mean much to those of you outside the DC viewing area, but believe me when I say that everybody here knew who Jim Vance was, and we’re all going to miss him in one way or another. For that reason, Jim Vance had the West Life Ever.

 

21st Jul2017

West Week Ever: Pop Culture In Review – 7/21/17

by Will

I haven’t been doing such a great job with my movie tally for 2017. We’re more than halfway through the year, and I’ve barely watched anything. Well, I kinda made up for that last weekend, as I caught Keeping Up With The Joneses on HBO. This is one of those movies that came and went, and might find a fan base on TV, but will probably just be forgotten. If it should be remembered for anything, it’s that it features both Gal Gadot and Isla Fisher in lingerie. That’s about all it’s got going for it. What’s it about? Well, Isla Fisher and Zack Galifianakis star as a milquetoast suburbanite couple who become suspicious of their new neighbors, Jon Hamm and Gal Gadot. So, they’re pushed out of their comfort zone when they find out Hamm and Gadot are spies, and they get wrapped up in their latest mission. This is the kind of movie I would’ve killed a chunk of a Saturday afternoon on had it aired on Fox 5, but I can understand why nobody went to see it in theaters. Folks loved Don Draper, but for whatever reason, they have no desire to help along Jon Hamm’s movie career. And this was pre-Wonder Woman Gadot, so there was no heat on her yet. It doesn’t suck, but it’s got no Wow Factor either. Once it hits FX, it might be a good way to waste away a rainy Sunday afternoon.

I finally got around to watching The Nice Guys, too. I’d tried a few months ago, but I only got as far as the Ryan Gosling fully clothed in the bathtub scene, where I went, “What the eff am I watching?” I wasn’t ready for the absurd that night, but I was ready now. Like everyone had told me, it was really good. I still have trouble with heist/mystery films because my brain doesn’t work as fast as the film, so sometimes I have to reflect back on the thing when it’s over just to make sure I didn’t miss anything. Ryan Gosling is a private investigator who teams up with local tough guy Russell Crowe to track down a missing girl. Sure, there’s some stuff about porn, and the Detroit auto lobby, but that’s the gist of the movie. It’s got a precocious kid, a cool 70s aesthetic, and titties. Can’t really hate on any of that. Anyway, I could see this as one of those movies I drop everything to watch whenever I see that it’s on. If you haven’t seen it, definitely check it out.

My new favorite reality show debuted this week on Bravo, called A Night With My Ex. It’s just what the title says: a former couple spends the night together to see if the spark is still there and/or to reopen old wounds. In the premiere, 28 year old virgin Rachel is reunited to smarmy douchebag ex-boyfriend Fabian. They dated for four years, but he cheated on her with a sexy Tinkerbell at a Halloween party because he had a major case of blue balls. When the show starts, you don’t think Fabian is really that bad of a guy. He knows he made a mistake, and he even plans to propose to Rachel because he wants her in his life forever. But things go south quickly. He chastises her for scraping her plate with her fork as she eats, and he tries to make her give him a handjob once they’re in bed. All the while, she’s trying to actually apologize for basically pushing him to cheat by withholding sex, but he never lets her get a word out before saying/doing something stupid. Finally she declares that she deserves better than him, and basically laughs in his face when he proposes. That was some damn good television! If anything, I’d say the show is too short at 30 minutes, but they only spend one night together, and not the whole weekend, so I guess that’s all they could edit together. It’s a lot like MTV’s old show, The X Effect, only the couple’s current partners aren’t spying on the date like they were in that show. Anyway, it’s only been one episode, but I count me in for the next nine!

In TV news, it was announced that Game of Thrones showrunners David Benioff and D.B. Weiss have lined up their post-GoT project, Confederate, which is an alternate history series set prior to the United States’ 3rd Civil War. Well, this rang some alarm bells for some folks, as you can’t really get into the Confederacy and Civil War without dealing with slavery. And folks weren’t really happy about these White showrunners making what some considered to be “slavery fanfic”. What hasn’t been covered extensively, though, is that the project is really just coasting on the fact that the GoT showrunners are attached, but they’re not the only ones involved. Husband-wife team of Malcolm Spellman and Nichelle Tramble Spellman , who are Black, will be partners on the show along with Benioff and Weiss. Plus, the show it’s so deep in its infancy that there aren’t even character names or an outline yet. It was originally developed as a two-hour movie, but they decided it could be fleshed out and taken to television. There’s basically nothing on paper for it yet, though, so there’s not much for folks to be upset about at this stage other than mere speculation. The Spellmans acknowledge the criticism, but say that they’d rather it had followed the premiere of the show instead of starting now, as it’s being announced. At this point, I think it’s safe to say that this criticism will go into shaping the show going forward, so we may never get what they originally intended to put out.

We got a new trailer for Marvel’s Inhumans. Still looks like garbage. I’ve loved Iwan Rheon since Misfits, but I can’t follow him here. This just looks so bad. Look, I’m gonna watch it, but I really don’t see how there’s any damn way I’m paying for an IMAX ticket to see it in theaters.


We also got a new teaser for The Defenders, which teases the Punisher series at the end. People are going nuts online about this thing because it’s narrated by Stan Lee, but I actually think he’s tonally wrong for this clip. When I think of Stan, I think of his marquee, larger than life characters – NOT the street-level vigilantes. I almost feel like it would’ve been better narrated by Bendis or Brubaker, but they don’t have the recognition factor that Stan has. I get that. Still, it just feels like a hollow waste of a cameo.

 Things You Might Have Missed This Week
  • The good Lord answered my prayers, as Chris Hardwick and Comedy Central have “mutually decided” to end @midnight. I won’t miss his smarmy face or those stupid hashtag games.
  • I guess the third time’s the charm, as Paige Davis will start her 3rd hosting stint on Trading Spaces when it returns to TLC later this year
  • Ed Sheeran was on Game of Thrones this week, and I guess some folks didn’t like that. I dunno. I kinda couldn’t care less about Sheeran or GoT, but folks were hatin’!
  • Meanwhile, it was reported that Lena Dunham will join American Horror Story for season 7, and folks lost their shit about that, too. Apparently she’ll only be in one episode, but that was enough for some folks to claim they weren’t gonna watch anymore.
  • Transformers: Titans Return will debut in November as an animated micro series on the Go90 app, featuring the voices of Green Ranger Jason David Frank and the original Rodimus Prime himself, Judd Nelson.
  • MTV is in talks to reboot Teen Wolf before this iteration’s final season has even concluded. Slow it down!
  • Sega broke up with Archie Comics over Twitter, thereby ending the Sonic The Hedgehog comic after 24 years of publication
  • Seacrest IN! Ryan Seacrest has officially signed on to host ABC’s revival of American Idol. I feel like I’ve written this sentence 3 times in the past already, but now it’s for real for real.
  • Coming as no real surprise since The Vampire Diaries ended, The CW announced that its spinoff, The Originals, will end after its upcoming season.
  • In an odd choice, the directors of the original Catfish documentary (the movie, not the show) are in talks talks to helm a Mega Man film that will be produced by Masi Oka of Heroes fame.
  • Words with Friends is being developed into a television game show. Ya know, so it’s basically the Scrabble game show being rebooted.
  • Meanwhile on Black Twitter, R. Kelly is allegedly running a sex cult, Usher paid a woman $1.1 million for her to keep quiet about the fact that he gave her herpes, and Kevin Hart allegedly got caught cheating on his pregnant wife. I’m just waiting for some crazy Steve Harvey news to round out the week.
  • At San Diego Comic Con, MGM announced Stargate Origins, which appears to be a prequel webseries that will run on the Stargate Command website this fall.
  • Shazam! will be the next DC film to go into production, following Justice League and Aquaman, but it’s unclear if Dwayne “The Rock” Johnson will co-star as Black Adam.
  • There might soon be a new Cutco salesman on the block, as OJ Simpson has been granted parole from the armed robbery that landed him in prison nine years ago. The Juice is almost loose!

I love those weeks when the West Week Ever recipient presents itself early in the week, ’cause it’s pretty much smooth sailing after that. This was one of those weeks, as history was made across the pond. The Doctor Who franchise is over 50 years old, but every time the Doctor regenerates (a clever in-story mechanism for recasting the actor), he just turns into another White dude. That’s pretty much been the unending pattern since 1966, when the first regeneration occurred. Folks have been saying it’s time for a change, and they were hoping we’d either end up with a Doctor of color (with The IT Crowd‘s Richard Ayoade coming up in a lot of the discussions) or a woman Doctor. Well, half of them got their wish, as Attack the Block‘s Jodie Whittaker was announced as the 13th Doctor. And, as you’re probably not surprised, folks lost their shit.

We’re always taught the the Brits are so proper and upstanding, but the comments sections of several sites proved that they can troll with the best of them. At the end of the day, it’s a bunch of folks who are afraid of change. A friend of mine, however, did point out that the victors in these circumstances also tend to trigger the backlash against themselves. For example, it would be one thing if this was seen as a bold move forward for a progressive franchise. The problem, however, is that some people take it too far, and get on the “I’m savoring these fanboy tears” soapbox, making it about something that it really didn’t need to devolve into. Sometimes the winners can suck just as much as the losers in these scenarios. This can be seen as a “win” for some without it being a “loss” for someone else. How about framing it as a win for everyone? Nah, the internet doesn’t really work like that.

I have never gotten into the Doctor Who franchise because it just seems so daunting. Sure, folks claim you really only have to start with the Eccleston season, but when I get into something, I go ALL IN. To me, that’s like telling someone they can start Star Trek with The Next Generation (which I’d probably do, since I hate The Original Series, even though I’d still feel like I was cheating them out of an experience). I feel like I’d have to watch all 54 years of the show, which is impossible because those seasons ain’t streaming anywhere, and a good chunk of them have been lost to time. It’s a franchise that cannot be wholly consumed! I hate mysteries that can’t be solved. Still, I can respect a longstanding institution, and I understand when change is a big deal. It’ll be interesting to see how fans take to the new Doctor, but the one thing to remember is that she’ll probably do it for 2 years, and then regenerate into another old White guy (the Doctor role has the retention rate of a community college). So, everyone gets their wish! I am kinda curious about the next season, though, as rumor has it Kris Marshall (Colin: God of Sex from Love Actually) is going to be the Doctor’s next companion. I loved that dude!

Anyway, I know which side of history I want to be on, and it’ll be interesting to see this all play out. The way the franchise works, we won’t see her until the Christmas special, and then won’t see her again until late 2018 at the earliest. So, folks have got some time to get used to the idea. Still, I think it goes without saying that Jodie Whittaker had the West Week Ever.

07th Jul2017

West Week Ever: Pop Culture In Review – 7/7/17

by Will

I took last week off, but I hope y’all had a great 4th of July weekend. Life’s still kinda kicking my ass, so this’ll be an abridged edition this week.

I finally got around to watching a movie! It’s been on my list since I first heard it was in pre-production, and I’m amazed it took me this long to watch it, considering my love for the source material. The Founder stars Michael Keaton as Ray Kroc, the “founder” of McDonald’s who really just stole the concept from the McDonald Brothers. A down-on-his-luck shake machine salesman, Kroc happens upon the fledgling McDonald’s restaurant in Southern California. Knowing a good thing when he saw it, he pretty much insisted on becoming a part of the operation, mainly focused on franchising the business. And that’s when things get interesting. I LOVE McDonald’s. You can hate me all you want, but like Jim Gaffigan says, “Everyone has their own McDonald’s”. Mine just happens to be the actual company. I don’t know enough about the history of the company to know how factual an account the movie was, but it was sure damn entertaining. Keaton is amazing in it, and I feel like anyone would enjoy the movie even if they think they don’t give a rat’s ass about McDonald’s as a company. I highly recommend this film.

We finally got our first trailer for Marvel’s Inhumans, and now I realize why they were so hesitant to release it. MY GOD THIS LOOKS TERRIBLE! It looks like Into The Badlands – a show that I hate because people fawn over it when it looks like something that would’ve aired after Xena on Saturday afternoons 20 year ago. Yeah, I even told one of the Badlands creators that when he confronted me over my “appraisal” on Twitter. Badlands is a bad show, but it gets “diversity points”, so folks give it a pass. This show doesn’t even get diversity right, so it’s really just a shitshow in the making. I hate hate HATE that this is considered an official part of the MCU, even if it’s just a part of the never-referenced TV wing. Anyway, this trainwreck debuts in IMAX on September 1st, but will officially air on ABC beginning September 22nd.

Speaking of diversity points, CBS lost all of theirs when they let the Asians go from Hawaii Five-O last weekend. Daniel Dae Kim and Grace Park both left the show after salary negotiations broke down as they requested pay equal to their costars. I’ve never seen more than 15 minutes of that show, but I know the dude from Lost seemed pretty important to things. He was basically the White guys’ interpreter to all things native. CBS has claimed that they offered them sizable increases, which weren’t deemed acceptable to Park and Kim. Now the Five-O showrunner, Peter Lenkov, is now joining the side of the network, saying that CBS made “generous offers” to the stars, yet they decided not to renew their contracts.

This has turned into a discussion of race in Hollywood and how things still aren’t equal across the board. I’m a big fan of billing. Billing is important, and should go to the most well-known star. It’s the reason all the ’89 Batman posters say “Jack Nicholson” first. Dude was a bigger star. Now, I didn’t watch Lost and I didn’t watch Battlestar Galactica, but I still recognize Kim and Park from those shows. Maybe it’s just because I’m a geek and folks were always talking about those shows. The show’s star, Alex O’Loughlin? I can’t name a thing he’s been in. Don’t know that dude from Adam. And the other lead? James Caan’s kid? Whatever. Y’all mean you couldn’t pony up the cash to keep Lost Dude and Battlestar Girl? We’re not talking about big names here so, unless there was a favored nations clause where O’Loughlin would have to get a raise if they got raises, thereby thwarting the whole “equality” thing, I don’t see what the problem was. As has been pointed out, all O’Loughlin and Caan had to do was stand in solidarity with their costars and this would’ve been a non-issue. Word on the street it O’Loughlin is quitting at the end of the season anyway, so it’s not like we’re talking another 5 years here. He couldn’t keep his ego in check for a season? Nah, for too many folks, as long as they’ve got theirs, they don’t care if you’ve got yours.

We also got a trailer for Pitch Perfect 3, forcing me to reiterate that NOT EVERYTHING NEEDS TO BE A TRILOGY. I know everyone involved likes money, but sometimes there are natural, built-in ends to things. That thing was a 2-movie franchise and that’s it. Don’t forget – I lived that life. I was in the same competition the Bellas won in the first film (we came in 2nd), and I experienced the aca-graduation blues that the girls experienced in the second film. That’s pretty much it. There’s nowhere else to go. I mean, sure there are some random outlier outcomes. One of my groupmates is a hit producer in Asia now. Another is a pretty big pop star in Hong Kong. The rest of us? Dead-end jobs and bills. I used to occasionally do karaoke, but even that got to be too depressing. That shit is fun while it lasts, and then you’ve got to move on. So, in that vein, I can understand the plot of the 3rd movie, with the girls wanting to have one last hurrah, but I don’t really understand the concept of putting them on a USO tour. Is that something the troops wanna see? Has Pentatonix been dropped into the theater of war? It just seems kinda farfetched to me, and I was fine with how things were left in the last movie. Sure, I’ll see it, but it won’t be in a theater.

Things You Might Have Missed This Week

  • Hide grandma’s wallet – QVC is buying out Home Shopping Network.
  • After 3 seasons, The Carmichael Show has been canceled by NBC. I really wish someone else would snatch it up, as it’s a smart show
  • Netflix has renewed Dear, White People for a 2nd season. Meanwhile, they canceled Girlboss after one season. Reed Hastings giveth and he taketh away.
  • Speaking of Netflix, hearing the cries of fans, Sense8 will officially conclude with a 2-hour finale special
  • Netflix also renewed one of my favorite original shows, F is For Family, for a 3rd season.
  • Apparently a series based on the popular Step Up film series, called Step Up: High Water, will premiere on YouTube Red, where absolutely NOBODY is gonna watch it.
  • Fuller House season 3 will coincidentally premiere on the 30th anniversary of Full House, September 22nd.
  • Make your vacations weird again, as Cirque du Soleil has purchased Blue Man Group.
  • Patton Oswalt is engaged to 80s actress Meredith Salenger. Ya know, the same Patton whose wife died last year. I guess we all grieve in our own ways…
  • Lack of interest brought down The House, which bombed at the box office last weekend. It was reportedly Will Ferrell’s lowest live-action opening for a major studio.
  • Nick Fury will reportedly be making his MCU return in 2019’s Captain Marvel
  • HBO is reportedly getting the True Detective band back together, with a 3rd season to star Mahershala Ali
  • Nixing speculation that she was still up for the White House Press Secretary job, Kimberly Guilfoyle has reupped her contract with Fox News
  • Rob Lowe and his sons will chase the supernatural in The Lowe Files, and I literally cannot wait.
  • New game show, Snap Decision, premieres August 7th. Hosted by David Allen Grier, the show breaks precedent because it will debut on GSN and in syndication on the same date.

  • The world’s leading (and only) bar scientist favorited my tweet this week

We’re gonna do something different here this week. Usually, if you’ve been paying attention to the week’s news, you can at least try to figure out who or what had the best week. Some weeks it’s harder to choose something than others. Then I remembered, “Will, this is YOUR site.” After all, this is all pop culture through my lens, so it’s my rules. So, sometimes I might choose something that meant a lot to me that week, while you were none the wiser. But I bring it up on the site so that we’re all on the same page. And that’s the kind of pick I have this week.

After watching The Founder, I was left thinking, “Michael Keaton is a goddamn national treasure”. After watching Spider-Man: Homecoming last night (yeah, we’ll talk about it next week, when more of y’all have had a chance to see it), I was thinking “Why have we been sleeping on Keaton the past 20 years?” I mean, with the exception of The Other Guys, I honestly hadn’t seen a Michael Keaton movie since probably Batman Returns, and yet Birdman is the one considered his “comeback vehicle”. In The Founder, he really made you feel for a traveling salesman who was at the end of his rope. After a string of laughable failures, he finally found something to which he could hitch his wagon: McDonald’s. And while he also had to prove this to everyone in his sphere of orbit, most importantly he had to prove this to himself. He really needed a win, and Keaton did such a great job conveying that.

In Homecoming, Keaton plays Adrian Toomes, better known as the Vulture (though he’s never called that by name in the film). Not unlike Alfred Molina’s Dr. Octopus, he’s something of a sympathetic villain. Were it not for the fact that comic book franchises deal in the good/bad binary, you could almost relate to him and understand where he’s coming from. He’s a modern-day working class guy who feels ignored by the fat cats up on high. He doesn’t have evil goals. He simply wants to provide for his family, and he has a code of honor that dictates he must do whatever it takes to make good on that promise. I felt that Keaton did a great job expressing the plight of the working man. Sure, he got to utter some cheesy villain dialogue, but that simply comes with the territory. If you stopped for a minute, and ignored the fact that Spider-Man HAS to win, you realize that Toomes is actually kind of on to something. Again, though, I’ll get into more Homecoming thoughts next week.

My pal Chad pretty much swears by Michael Keaton as his favorite actor – a lot of that having to do with his immense love of 1989’s Batman. I’ve gotta say, I was never a huge fan of Keaton’s Batman, and when Chad would laud Keaton’s praises, I wasn’t really seeing it. I see it now, though. I have seen the light and I am healed! Dear Hollywood, more Michael Keaton, please! He pretty much impressed me on two different cinematic fronts this week, and that’s why Michael Keaton had the West Week Ever.

23rd Jun2017

West Week Ever: Pop Culture In Review – 6/23/17

by Will

 

It’s gonna be a quick one this week, as I’ve got too much real life stuff going on. Plus, there was a lot of little news, but no big whammy.

Last Saturday I took in Awesome Con which, in its fifth year, was being held at the Washington Convention Center. Normally I’m all about con reports. You’ll see my cosplay pics, and hear about all the stuff I bought. Not so much this time around. I don’t know what it was, but it didn’t feel very Awesome this year. I hate cons that are filled to capacity (like NYCC), but I felt like this one could’ve been better attended. Sure, there were a lot of folks there, but I still bet they fell short of the numbers that had been expected. No cosplay really caught my eye. There were only, like, 7 comic vendors. The show really doesn’t seem to know if it’s a pop culture con, like a Wizard World show, or if it’s a comic-con for the DC area, rivaling Baltimore’s.

It wasn’t all bad, though. I got to hang out with my buds @KeithDavidsen and @ClassickMateria, plus I had a great conversation with 2/3 of the 3 Black Geeks Podcast. Oh, and I totally gushed over Christopher Hastings, who currently writes I Am Groot and The Unbelievable Gwenpool for Marvel. I’ve been a fan of his since his indie series, The Adventures of Dr. McNinja, and I’m a huge Gwenpool fan. I pretty much went just to meet him, and he was totally gracious and nice. Meanwhile, I was gonna confront Scott Snyder and get him to sign my Dark Days: The Forge book. And then ask him why he blocked me on Twitter. But the stars were not aligned, as his line was capped before I got there. I suppose it was for the best. So, while lacking in awesome, there’s still room for improvement, and I’m sure I’ll be right back there next year.

While a lot of folks are getting excited about it, I have some problems with the way Netflix’s The Defenders series is being marketed. Something seems off with the tone of everything. See that poster above? As I remarked on Twitter, it looks like a TV Guide ad for a show Fox canceled in 1994. I can hear the promo now: “The Defenders, followed by an all-new New York Undercover. Thursday, at 8/7 Central.” There’s nothing about it that *pops*, and it just looks so pedestrian. Are they a rag tag group of NYC street-level heroes, or is it a coming of age drama about 3 guys and a girl trying to make it in New York City? I still have 3 more seasons of Marvel Netflix shows to catch up on before I can even watch this, so maybe I’m not the target audience. It’s just all so formulaic now, though. “Hey, look – a hallway fight!”

We finally got a premiere date for the long-delayed Star Trek: Discovery, bowing September 24th at 8:30 on both CBS and CBS All Access. What’s with the 8:30 start time, though? I guess we’ll get some kind of half-assed, 30-minute Trek retrospective before the show. And, taking a page from cable shows, the season will be split in two, with the first 8 episodes airing in the fall, while the remaining 7 will air starting in January. I couldn’t be less excited for this show. So many damn hoops to jump through, so many broken promises regarding its premiere date. At this point, I honestly wouldn’t be surprised if they requested a blood sample before allowing you to watch it. That’s how crazy this has become. What was once thought to become the most pirated series of all time, I’m now starting to think most of us aren’t even gonna bother.

I had no clue that Phil Lord and Chris Miller were the directors on the Han Solo film (how’d I miss that?), and I would’ve told anyone who’d listen that they were a terrible choice – which is why I’m not surprised that they were fired this week, citing “creative differences”. Sure, The Lego Movie was great. The Jump Street franchise was great. But I don’t see them fitting into the “Star Wars vision” that Kathleen Kennedy clearly has. They would’ve given us something great and entertaining, but I don’t know if it would’ve been a “Star Wars movie”. Then again, I’m not the biggest Star Wars fan, so what do I know. I’d like to think there’s room to do a lot of stuff in that franchise, but I just don’t see their style fitting into what’s already been established. And then Ron Howard was announced as their replacement. I really don’t know how I feel about this. I mean, gifted director, but this seems sort of out of his wheelhouse. Any of y’all have strong thoughts either way?

Meanwhile, somebody needs to make up their mind about whether these Spider-Man spinoffs are gonna be set in the MCU or not. We were basically told that only Spider-Man was crossing over, and even that’s been threatened as a possible one-time deal. But then Amy Pascal did a press junket earlier this week, where she danced around the matter, saying that the Spider-Man spinoffs would build upon the world that is being carefully crafted, leading some to believe they might actually be set in the MCU. That’s how some folks saw it. I just saw it as Pascal trying to keep her job. I guess time will tell. Meanwhile, Spider-Man Homecoming 2 is already being discussed (which I hope is called Spider-Man: Sadie Hawkins Dance), and there will reportedly be a cameo by another MCU character who’s not Iron Man. Keep it in your pants, boys. Let’s see how this one does first, OK?

Song of the Week

Yup, it’s a Taylor Swift song, but it’s NOT sung by Taylor. She gave this song to Little Big Town, who have ridden it to #1. It’s got her trademark juvenile lyrics, but I still think it’s beautiful. I kinda wish I didn’t know she wrote it, but I think that was part of the push that got it to #1. Anyway, here’s “Better Man”.

Things You Might Have Missed This Week

  • Shonda Rhimes had to fail eventually, which is why her summer Shakespeare series, Still Star-Crossed, has been moved to Saturday after 3 low-rated episodes. Stick a fork in that turkey!
  • Speaking of dead shows, CMT couldn’t make the numbers work to revive Last Man Standing, so the sitcom is officially dead
  • Dule Hill’s real-life fiancee, Ballers actress Jazmyn Simon, will play Gus’ love interest in the Psych reunion movie
  • Apparently Nickelodeon is prepping a one-hour reunion, called Rocko’s Modern Life: Static Cling. I didn’t have cable growing up, but I know this means something to some of you.
  • Virginia Madsen won’t be back for season 2 of Designated Survivor. I was kinda hoping she and Kiefer would bang, so now I have the sads…
  • Six cast members are out at Taken, amid a major shake-up prior to season 2. I guess you could say they didn’t have the right set of skills.
  • They’re teasing a Downton Abbey movie for 2018. I hope it’s called Downton Abbey: Matthew’s Revenge!
  • There are rumors that Damon Lindelof is in talks to do a Watchmen TV series for HBO. That network is really into dongs lately, so I guess this is a perfect fit.
  • Daniel Henney is shifting his Criminal Minds: Beyond Borders character over the main Criminal Minds series, following the former’s cancellation. Remember that when your CBS-watching grandpa asks you where he’s seen that “Oriental fella” before…
  • The CW is interested in a Supernatural spinoff called Wayward Sisters, which would star recurring guest star Kim Rhodes. I don’t watch Supernatural, but she was Zack & Cody’s hot mom, so I’m a supporter of giving her more work!
  • After a thorough investigation, Warner Bros found no evidence of misconduct on the set of Bachelor In Paradise, and production has resumed on the season. Now it’ll probably be the most-watched season of the show, but there’s no way they saw that coming, right? Right?
  • As a reward for being the #1 daytime drama for the past 28 (!) consecutive years, CBS has renewed The Young and the Restless for another three seasons
  • NBC is scrambling to do some damage control, as Megyn Kelly’s highly publicized interview with Sandy Hook truther Alex Jones was beaten by a rerun of America’s Funniest Home Videos. That’s right, it was beaten by a show that’s been rendered virtually obsolete since the proliferation of the Internet
  • Heroes is coming to Crackle on July 13th. You know, that free streaming network that nobody watches? So, if you’re still itching to save the cheerleader, there ya go.
  • The sequel to Jurassic World will be called Jurassic World: Fallen Kingdom. Meh. That shit ought to be called Jurassic Galaxy. Take those dinos into space already!
  • Daniel Day-Lewis has quit acting, meaning we’ll never get to see him in the Fast and the Furious franchise like we’d always dreamed!
  • Fresh off his mistrial, Bill Cosby plans to give speaking engagements where he will instruct folks how to dodge sexual assault charges. I couldn’t make this shit up! “If you put the pudding pop in the Jello, make sure you’re not caught on any Kodak film!”
  • Transformers 5: Bad Touch had the lowest opening day box office for the franchise, with $15.7 million.
  • In the ultimate Fuck yo’ Father’s Day move, Beyonce’s dad announced to the world, via tweet, that her twins had arrived. I hear he was dragged away by wraiths soon afterward.
  • Adam West’s unaired episode of Powerless can now be seen on DC All Access, as well as Hulu.

No one had the West Week Ever this week. As Nina Simone sang, “It be’s that way sometimes”. I do have a correction from last week, though. Like I said up top, I’ve got some real world stuff going on and I wasn’t really thinking clearly. I inducted Adam West into the West Week Ever Hall of Fame, when my pal @zacshipley pointed out that a better honor was staring me right in the face: that honor should be called the West Life Ever. So, the post has since been corrected and, going forward, that is what will be bestowed upon those greats that we’ve lost along the way. Adam West had the West Life Ever.

02nd Jun2017

West Week Ever: Pop Culture In Review – 6/2/17

by Will

Whoo boy! This is gonna be a controversial one this week, but I’ve got some stuff to get off my chest.

First up, there was controversy surrounding the new Wonder Woman film (in theaters now!). Theater chain Alamo Drafthouse announced women-only screenings for the film, where proceeds would go to women’s charities, including Planned Parenthood. Originally planned to be 5 screenings at the Austin and Brooklyn locations, tickets sold out instantly and more screenings were added. According to Alamo, the screenings were meant to be a celebration of “Girl Power”, and were only open to those who identified as women. Now, this isn’t the first time Alamo has done special screenings, as they have screenings for active military members, as well as for children with special sensory needs.  I’ve also heard other explanations, like the screenings give women a safe space to watch the film without having it mansplained to them the entire time. But, of course, the social media shitstorm started. A lot of folks who might be considered Men’s Rights Activists felt that this was discrimination, and that they should retaliate with all-male screenings of the next Star Wars movie.

As Twitter was dead over the holiday weekend, I tweeted that the backlash to the screening was stupid, but the screening itself is also kinda stupid. Now, hear me out: I see both sides of the issue here. Alamo wanted to make a fun exclusive event to celebrate the release of a movie starring a female superhero. That doesn’t happen every day, so it was a cause to celebrate. I’m not “butthurt” over the idea. That said, Alamo had to know they’d get this kind of reaction, as this kind of thing is somewhat of a slippery slope. “How is it a slippery slope, Will?” So glad you asked! Let’s, for a moment, propose a different kind of screening. Let’s say it was a Black Only screening of Get Out. I mean, it had a similar pedigree in that it was a Black horror/suspense film from a Black director – something that also doesn’t happen every day. You’d better believe people would have a problem with that! Sure, it could be spun as a celebration “for the culture”, meant to foster community and whatnot, but White people would shit ALL the bricks! So, as this has been great publicity for both Wonder Woman and Alamo Drafthouse, they knew exactly what they were doing when they set out to do this. In the long run, this isn’t gonna hurt Alamo or Wonder Woman one bit, but let’s not act like this was some kind of altruistic celebration of sisterhood. This was Shrewd Marketing 101.

See? I toldja this would be a controversial one, and I’m just getting started!

Let’s visit the world where Hollywood and politics intersect. You see, comedienne Kathy Griffin posted a photo of herself holding what was meant to be Donald Trump’s severed head. AND PEOPLE LOST THEIR MINDS! Trump, himself, even took time off from golfing and nudging his way to the front of photo ops to tweet about it, saying that it had affected his 11 year-old son, Barron, who apparently thought the photo was real. The backlash was strong against Griffin, who apologized hours later, but still ending up losing her Squatty Potty endorsement, as well as her CNN New Year’s Eve gig with Anderson Cooper. A lot of people seem to be in agreement of the backlash, but I’m gonna take a different approach: I don’t think the photo was that bad.

There are so many things to unpack here, so bear with me as I try to navigate through all of it. Societies have a history of burning politicians in effigy as a form of protest so, while extreme, how is this any different? Had she actually decapitated the man, and was brandishing his severed head on social media as some sort of trophy, that would’ve been too far. Like it or not, this was “art”, and you don’t really get to judge art. It can make you uncomfortable but at least it triggered some sort of opinion or emotion, which means it did its job.

I also feel like this is a situation where folks are more upset by the messenger than the message. Kathy Griffin isn’t taken seriously. We’ve put her in this box along with Andy Dick and several other unpredictable, slightly unstable comedians who at one time did a stint on an NBC sitcom. We don’t expect anything “deep” from her, because we’ve already written her off. She knows this, as she’s in on the joke. I mean, her reality series was called My Life On The D-List, so she knows she’s not a top-tier celebrity. Still, she has a team behind her, as everyone in Hollywood does, and they all decided that this was something she was going to do. Maybe she felt it’d just blow over because of her lessened celebrity status, or maybe it’s doing just what she thought it would. A friend and I were talking about it the other night, and he’s the one who made me realize it was the messenger we were blaming here. After all, if Samantha Bee had done this, liberals would be creaming their jeans about how daring and smart it was. Why? Because that’s what people expect of her. Griffin made the simple mistake of veering out of her lane, and that’s how we got to where we are now.

Now, let’s look at the photographer, Tyler Shields, whose work tends to push boundaries like this. For him, this was just another Tuesday photoshoot, and this isn’t the first time that Griffin has worked with him. I mean, just look at some of his work above. He likes weird shit, but again, it’s art and we don’t really get to police it.

Meanwhile, there’s the whole thing about Barron thinking the photo was real. That poor, poor boy. To quote Hank Hill, “That boy ain’t right”, and the family either refuses to acknowledge it or is dealing with it in secret. On the one hand, I guess I have to commend the fact that we’ve “grown” to the point of saying “Kids are off limits”, but I find it convenient that we’re adopting that stance now. Where was that when comedians were calling little Chelsea Clinton a “dog” every chance they got? Where was that when Sasha and Malia had to see the stuff folks said about them and their family? It’s a shame that Barron doesn’t know the difference between a photo and reality but, as one Tweeter put it, it wouldn’t be an issue if Donald actually lived with his son. But I digress. I think this whole thing has been blown way out of proportion to dominate the news cycle. After all, last weekend it was looking like Jared Kushner was in the hot seat, and then next thing you know, it’s Kathy Griffin this, and covfefe that.

Where to next? Oh yeah, remember Mary Kay Letourneau? She was one of the first stories of teachers sleeping with their students to hit the news. Back in the late 90s, Letourneau fell in love with her student, 12 year old Vili Fualaau, and ended up getting impregnate by him. She was convicted of child rape, served 3 months in jail, and THEN got caught having sex with Fualaau in her car just two weeks after her release. And she got pregnant again. She served 6 years that time, but married Fualaau when she got out. And they lived happily ever after…until May 9th of this year, when Fualaau filed for legal separation from Letourneau. Now 33, perhaps Letourneau simply got too old for him at 55. But the plot thickens! Yesterday, that bastion of journalistic integrity, The New York Post, reported that the separation was really just something of a scam. You see, Fualaau wants to get a license to sell pot, but he knows they’ll do a background check before granting it to him, and it wouldn’t look good to be married to a registered sex offender. He claims they’re still in love and this is just a business arrangement. So, while he awaits his pot license, he’s working as a DJ in Washington state. Too bad she couldn’t fuck some ambition into him all those years ago! Fun fact: one of Letourneau’s brothers is a foreign policy adviser to the president. He’s clearly been doing a heck of a job lately!

Still here? OK, then let’s talk about some pop culture stuff. Someone at NBC must’ve read my Upfronts post, as they just announced changes that perfectly mirror my suggestions. This Is Us will no longer be moving to Thursday, and will stay put on Tuesday nights. Meanwhile, the comedies planned for Tuesday, Superstore and The Good Place, are moving to Thursday to join Will & Grace and Great News for a 2-hour comedy block. This is how it alway should’ve been, and I’m not quite sure what’s going on at NBC. From the cancellation/uncancellation of Timeless to this new schedule scramble, it makes you wonder who’s at the wheel over there. Still, I think these are smart moves, so hopefully they’ll work out in the long run.

The hardest working man in Hollywood, Ryan Seacrest, is developing a new show. Best.Cover.Ever. will air on YouTube and will feature people singing cover songs, vying for the chance to sing a duet with the original artist of the song they sang. Hosted by Ludacris, the show will feature Demi Lovato, Jason Derulo, and Backstreet Boys to start out. Contestants are asked to upload videos of covers of “Trumpets”, “Confident”, and “As Long As You Love Me”. The artists will each choose two finalists, who will be the contestants actually featured on the show. The winner gets to duet with the original artist for an exclusive YouTube performance. It’s an interesting concept, and it requires a partnership with a streaming service to work, but I’m still not sure it’s going to be successful. I’m also surprised that it’s not on YouTube Red, where they can charge for it. After all, nobody really talks about the offerings on YouTube Red, but this is the kind of thing that could get folks talking and maybe boost subscriptions. I’m a sucker for “As Long As You Love Me”, so I’ll be keeping tabs on this just to see how it fares.

Major news in the world of pop music this morning, as will.i.am confirmed that Fergie has left the Black Eyed Peas to focus on her solo career. The news isn’t exactly a surprise, as last week it was announced that she was leaving the band’s label, Interscope, to start her own label, Duchess Music, over at BMG. It’s still a pretty big deal, though, as she’s been with the band for the past 15 years. Still, I feel like their time has come and gone. They showed up, gave the world a suitable soundtrack replacement for Jock Jams, and left their mark. However, will.i.am says they’re still together, recording new music to celebrate their 20th anniversary as a band. To be honest, I thought they were gonna be done in 2008, when they released The E.N.D., but it proved successful enough, with the hits “Boom Boom Pow” and “I Gotta Feeling”, that they just kept trucking along. Now there are rumors swirling that Nicole Scherzinger might replace Fergie in the group, which would be her third time in a group, after Eden’s Crush and The Pussycat Dolls. I swear, Scherzinger must have a tail or something, because there’s some sort of defect that’s preventing a label from being able to package her as a solo act. Always a bridesmaid…Anyway, let’s pour one out for The Duchess and her tenure with Your Grandma’s Favorite Rap Group.

Netflix founder and CEO Reed Hastings recently said that he felt Netflix should be canceling more shows. In his mind, they have too many hits, which results in creators taking fewer chances and not “swinging for the fences”. The successful shows are basically taking real estate from potential new hits. Now, it being the internet, there’s no “real estate”, per se, but it’s still marketing dollars, bandwidth, etc. It used to be that you could count on a Netflix series getting at least 2 seasons, but they just killed that with the cancellation of The Get Down after its first season. Yesterday, they followed the trend and canceled the sci fi series Sense8 after its second season just debuted last month. If the axe is swinging, I’m worried about the shows that aren’t generating a ton of buzz right now, like F is for Family and the adaptation of Dear White People. Kind of a weird problem to have, though: too much success might be making them complacent. It’ll be interesting to see how this affects the Marvel shows, as well as the Netflix perennials like House of Cards and Orange is the New Black.

There was a scary moment last weekend at Phoenix Comicon, when police arrested a man who reportedly had three handguns, a shotgun, knives, pepper spray, and throwing stars, and had a reminder on his phone that said “Kill JDF.” That’s right, folks – his plan was to kill the Greatest Power Ranger of All Time, Jason David Frank, as well as some police officers. Sidebar: can you imagine being so absentminded that you need to set a phone reminder to make sure you remember to murder your target?! Anyway, the reason police were able to capture 31 year old Mathew Sterling was because he had told his plan to some chick on social media, who then tipped off the police. Anyway, JDF continued with the convention as if nothing had happened, claiming that he wasn’t going to let fear govern his life. Meanwhile, the convention cracked down on prop weapons and banned them from the show. In fact, if you were getting your Saba or Dragon Dagger swords signed by JDF that weekend, he was posting on social media that you would have to leave them in their boxes. This has caused other conventions to look at their own weapons policies, so look for some changes coming up on the con circuit.

Song of the Week

This week, I give you “You Look Good”, but Lady Antebellum. This is just such a funky song, and could’ve been a contender for Song of the Summer had they waited a bit longer to release it. Anyway, it’s like the 2017 offspring of Santana and Rob Thomas’s “Smooth”. I really dig it, and I think you will, too.

Things You Might Have Missed This Week

  • Hailee Steinfeld is in talks to star in the Transformers spinoff, Bumblebee
  • After 14 years off the air, MTV is bringing back the MTV Beach House this summer
  • WGN America has canceled slavery drama Underground after 2 seasons
  • There are reports that Steven Spielberg is gearing up for an Animaniacs reboot
  • Fresh off the recently canceled Powerless, Vanessa Hudgens was announced as a judge on the upcoming season of So You Think You Can Dance
  • Scott Pelley is out as the anchor of CBS Evening News, and will return to 60 Minutes in a full-time capacity
  • A Sin City TV series is in the works
  • Universal is reportedly interested in Dwayne “The Rock” Johnson for the role of The Wolfman in their Dark Universe franchise
  • Speaking of Dark Universe, I called it last week: Warner Bros may sue Universal over the Dark Universe title. According to official documents, however, it appears Universal may have had the name first.
  • Charlie Heaton, of Stranger Things fame, is reportedly up for the role of Cannonball in the X-Men spinoff, New Mutants – which is now supposedly going to be a straight horror movie. Um, OK…
  • Speaking of New Mutants, Fox continues to mine Netflix shows, as 13 Reasons Why‘s Henry Zaga has been cast as Sunspot
  • Ben Stiller and Christine Taylor have split after 18 years together
  • The Ludacris-hosted Fear Factor reboot premiered on MTV this week
  • Tiger Woods was arrested for a DUI, even though he had no alcohol in his system and was found passed out in his car. He says it was the result of mixing prescription drugs, but the whole thing sound fishy

  • Sharknado 5: Global Swarming will premiere August 6th on SyFy, guest starring Charo, Fabio, Tony Hawk, and Chris Kattan. This thing is one Ted Lange appearance away from becoming a Love Boat reboot
  • Thanks to an article on Slate, we now know to pronounce the “T” in Gal Gadot’s name.

I had absolutely no desire to see Wonder Woman. While she was my favorite part of of Dawn of Justice, I just wasn’t jazzed about the idea of her starring in a World War I period piece. I mean, we already got that movie, and it was called Captain America: The First Avenger (before you history buffs come out of the woodworks, I know that movie was set in WWII: War Harder). I wasn’t looking forward to DC’s lackluster attempt at a retread of that. So, imagine my surprise when I found myself in the theater on opening night. And then imagine my surprise when the movie ended, and I realized that I LOVED it!

It might be premature to say that Warner Bros has finally righted the DCEU ship, but Wonder Woman is definitely a step in the right direction. My buddy Chad predicted that it would be the new gold standard in comic book movies, and while I don’t think it quite achieves that, it’s definitely the gold standard for the DC Universe. It’s one of the rare comic book movies where I left and didn’t really have any issues with plot holes. It was such a joy to watch, thanks to the acting of Gal Gadot. First of all, she’s so goddamn beautiful that it should be illegal for the camera to be trained on her for prolonged periods of time. Seriously, I thought I was gonna have a seizure like those kids did from that Pokémon episode back in ’99. She does such a great job playing  up Wonder Woman’s sweet naiveté about “Man’s World”, but is also a commanding presence during the battles. It’s funny how when she was cast, we were all saying “She’s too small to be Wonder Woman”, but watching her onscreen, all those doubts slip away.

Now, as much as I loved it, it’s not a perfect film. It deftly straddles the line between “suspension of disbelief” and just plain hokey, but it sort of feels like a 90s comic book movie in that way. And while Patty Jenkins may have directed it, Zack Snyder’s fingerprints are ALL OVER IT (as he co-wrote it with Allan Heinberg). I swear, I think about 60% of it was pure green screen, as I sat there thinking to myself, “This is on a soundstage. That is on a soundstage. Oh, that’s definitely a sound stage.” At points (especially during the final act), it shifts into that “Snydervision” that most of the DCEU movies are in, where it just becomes a copper-tinted music video.

Plus, I’m still not sure about the shared universe nature of the DCEU. While Marvel has almost flawlessly built their world over the course of many films, it just feels so forced with the DC movies. Whereas the MCU feels organic, the DCEU feels copycat. The framing device of the movie is meant to sort of further that idea of a shared universe, but I’m not sure it works. To be honest, I’d probably enjoy it more if I knew nothing about Dawn of Justice or the fact that she’ll pop up in Justice League later this year. She’s strong enough to stand on her own, and the rest of the disappointing DCEU almost taints her.

All that said, it’s really a great cinematic debut for the character, and young girls finally have their own big screen hero. Not to give too much away, but as the film starts, Diana is a wide-eyed little girl, and I could see so much of the audience connecting with that. I thought of my own daughter, and the fact the she now has her own hero. I think that will mean a lot to folks. As far as I’m concerned, scrap Justice League and the rest of the solo films on DC’s slate, and rush Wonder Woman 2 into production stat! For these reasons, Wonder Woman had the West Week Ever.

02nd Dec2016

West Week Ever: Pop Culture In Review – 12/2/16

by Will

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WWE Edit

Since I basically took off the month of November I guess this has got to be good, huh? Recently, some online friends were discussing taking breaks from blogging, and one of them said that you don’t need to offer an explanation as to where you’ve been. After all, the world doesn’t revolve around your blog, so it’s kind of egotistical to think anyone cares where you’ve been. I get that, but I don’t really agree with it. When people come to expect something regularly, you do kind of owe them an explanation as to why you broke your “promise”, so to speak. Plainly put, something inside me is broken. Yeah, I’m basically stealing Selena Gomez’s speech from the American Music Awards, but that doesn’t make it any less true.

When I started West Week Ever, it was to celebrate the week that was in pop culture. But can you honestly cite anything that had a great week over the past month? And I’m not even really going to delve into the political landscape of things. I’ll save that for a podcast, where it’ll be harder for someone to cut and paste my words without context. No, nothing had the West Week Ever for the past few weeks. I try to go by the whole “The show must go on” mentality, but I just couldn’t do it. Contrary to popular belief, I don’t go into these posts to be negative, but sometimes that’s what comes out. I couldn’t be positive lately, though, and I saw no reason to put that off on you. I wanted Fantastic Beasts to fail. I want Agents of S.H.I.E.L.D.’s cancellation to be announced. I guess I’m one of those men who wants to watch the world burn. But I’m back in the saddle, trying to fight the good fight. Sometimes you’ve just got to take a step back and look at things, so that’s where I’ve been. So, ready to talk about pop culture? Let’s go!

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Seeing as how I usually enjoy the CW DC show crossovers, I’m sure some folks probably figured this year’s “Heroes vs Aliens” featuring the Dominators would get the West Week Ever this week. Well, I’m sorry to disappoint you, but I really didn’t care much for this year’s crossover. To start, I always thought it was a bit of heavy lifting by spreading it across 4 shows. The Berlanti Dilution Effect is full force on this one. Oh, you’ve never heard of the Berlanti Dilution Effect? It’s probably because I just named it. Basically, whenever the Berlantiverse adds a new show, it dilutes the quality of the preexisting shows, as everyone just seems spread too thin. Folks loved Arrow until The Flash came along. All of a sudden, it was the new hit show, while Arrow’s quality dropped. Then, last season, Supergirl and Legends of Tomorrow were introduced, while fans felt Flash’s quality dropped, and Arrow was damn near unwatchable. Fans seem to love Supergirl, while Legends is just kinda off to the side, not bad, but not great. Well, since Supergirl is the new kid on the block, I felt like she could’ve sat on the bench for this year’s crossover. This year should’ve just been Flash/Arrow/Legends, as they at least occupy the same universe. Adding Supergirl was just overstuffing the thing, and her addition didn’t really add much to things.

I also had another issue with the crossover: I don’t think Team Arrow should be fighting aliens. They’re too street-level for that. Now, they’ve dipped their toe into the supernatural with Damien Darhk and Ragman, but I’ve also felt those were creative missteps for the series. They should only be concentrating on street level threats, as something extraterrestrial is out of their wheelhouse. Plus, it’s no secret that Arrow is basically TV Batman, as a lot of Batman’s rogues and tropes have been added to the show. I don’t think Green Arrow should be fighting aliens as much as I actually don’t like Batman as a member of the Justice League. Bear with me a minute here. Prior to the New 52, about 10 years ago, the Bat books were united in the fact that they approached Batman as urban legend. He has more power as a mysterious being, whispered about amongst thugs and criminals than he does as a guy fighting next to Superman in broad daylight. I’m fine if Batman lends his support from the Watchtower, but he shouldn’t be a public face of the Justice League, as he really shouldn’t “exist” as far as the Man on the Street is concerned. I feel the same about the Green Arrow. That hero loses his clout if he’s seen running around with Flash and Supergirl, fighting aliens. He needs to stick to what he does best.

Now, for the crossover itself. I skipped the Supergirl episode because I really have no desire to get into that show, and the pertinent parts of the crossover were repeated in the next night’s Flash episode. Flash was just a little too cutesy for me, as everyone got acquainted, learning each other’s names and power sets, but they didn’t seem to be taking the threat seriously. Sure, there was some Flash stuff going on that didn’t make a ton of sense to folks, like me, who are still basically on season one of the show. They did a pretty good job, though, explaining Flashpoint and how it had affected things. They even threw in some development for the Legends crew, following up on Professor Stein’s visions. Outside of that, though, most of that episode was fluff. I mean, aliens KILL the president, and even it’s kinda treated as an afterthought. Then we got to the Arrow episode which was one big dream sequence. Sadly, this was also the show’s 100th episode, so I felt bad that it was “squandered” on a crossover. And of course I didn’t like the episode, as it featured all the non-metas on a friggin’ spaceship, IN SPACE! The Legends finale was just more of the same. Kara acting too cutesy, Team Arrow being USELESS against aliens, and there were too many characters without a use for most of them. There was just WAY too much going on, with a threat that wasn’t entirely credible, vanquished in a manner that also wasn’t too credible. I realize I’ve gotta suspend disbelief a bit, but COME ON! And the episode ends with a private press conference with Green Arrow, front and center, meeting the new goddamn President! THE PRESIDENT SHOULD NOT BE PUBLICLY ASSOCIATING WITH A VIGILANTE! It’s like Flashpoint has got them living in Trump’s America or some shit! Anyway, there was a pretty clever Brandon Routh/Superman Returns joke near the end, so I’ll give them credit for that one.

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In television news, it was announced that the long-gestating Inhumans film had been demoted to a television series to debut on ABC in 2017. In fact, the first 2 episodes will debut in IMAX in theaters. This whole thing is laughable to me, but not surprising if you understand the nuances of Marvel. The Inhumans were a pet project of Marvel CEO Ike Perlmutter, as Marvel didn’t have the film rights to the X-Men, so he saw the Inhumans as plug and play “freaks with powers” that Marvel Studios could exploit. And he basically forced this idea on Marvel Studios head Kevin Feige, who really wanted nothing to do with the project. That’s why it was put on Marvel’s film schedule, but kept getting shuffled further and further into the future. Well, after the somewhat ugly divorce between Marvel Studios and Marvel Television last year, Marvel Studios now reports directly to Disney, while Marvel Television is still under the Marvel umbrella. This also dissolved the “brain trust” of comic pros who had given input on the movies up to that point. So, this means there’s even less hope of Agents of S.H.I.E.L.D. ever truly aligning with the movies, but it also allowed Feige to get The Inhumans off his plate and pass the buck on to the TV division.

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Anyway, the show is supposed to focus on the Inhuman royal family, such as Black Bolt and Medusa, and I can’t think of anything I’d rather see less of. That franchise has never interested me, and the idea of it on a TV budget isn’t too impressive, either. In its defense, the season will only be 8 episodes long, so they can hopefully apply 22 episodes worth of budget to those 8 episodes. The unofficial cancellation of Conviction, however, has me hoping Marvel might start conversations with Hayley Atwell to bring Agent Carter back for one more season. Adding Ghost Rider to Agents of S.H.I.E.L.D. might’ve been a creative shot in the arm for the show, but it hasn’t moved the needle much in terms of ratings. So, the idea of a 5th season isn’t a guarantee at this point, despite the fact that ABC/Disney own the show. If it were up to me, I’d opt for more Agent Carter as a companion show to Inhumans and say adios to Agents of S.H.I.E.L.D.

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In other TV news, three cast members were announced for Star Trek Discovery. Most people are gonna say Crouching Tiger, Hidden Dragon’s Michelle Yeoh, but I’m gonna say Supercop 2’s Michelle Yeoh has been cast as Captain Georgiou of the starship Shenzhou. Meanwhile, Anthony Rapp of Rent fame will portray the Discovery’s science officer Lt. Stamets. Motion capture veteran Doug Jones will play science officer Lt. Saru, who will be a member of an alien species new to the Trek franchise. And none of these announcements do anything for me. Where’s the obligatory former Benson cast member? Plus, people mistakenly took the news of Yeoh’s casting to mean that she’s the lead, but she’s not, as it was already announced that the lead would not be a captain, and would be a member of the Discovery crew. So, Yeoh is really just more of a high profile guest star. Still, for a show that’s supposed to debut in May (formerly January), they sure seem to be dragging their feet with this casting process.

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In comic news, the rosters were revealed for the upcoming X-Men Gold and X-Men Blue series. Now, for fans of the 90s X-Men, those divisions were important because the adventures of the Gold team were featured in Uncanny X-Men, while the exploits of the Blue team were featured in the X-Men cartoon, as well as the “Adjectiveless” X-Men comic. Fans thought this would be a return to those days, but this week’s announcement dashed those hopes. X-Men Blue will focus on the time-displaced original teen X-Men, led by Magneto – a nod back to the 80s New Mutants era when Magneto served as their mentor. Meanwhile, the Gold team will be comprised of Storm, Old Man Logan, Rachel Grey, Nightcrawler, Colossus, and Kitty Pryde as leader. In a lot of ways, the current Gold team isn’t too different from the old one, as Storm and Colossus were on that team, while Nightcrawler, Rachel, and Kitty were in Excalibur at the time. I’ll probably grab the Gold book, as it seems the closest to the Extraordinary X-Men team – a book I’m already reading – plus I couldn’t give two shits about that time-displaced team. The Gold team also has the distinction of being written by Arrow co-creator Marc Guggenheim, whose work I like, while the Blue team is written by Cullen Bunn, whose indie leanings have left me somewhat disappointed. The biggest issue with the team division is that it leaves a LOT of mutants on the table without homes. Back in the day, while it could be argued that the Blue team was the more popular of the two, both had heavy hitters on their rosters. The “wealth” was spread evenly, so to speak. That doesn’t seem to be the case here. If anything, the Blue team is just a continuation of All-New X-Men, while the Gold team seems to be taking Extraordinary’s place. But where’s Magik? Beast? Am I missing their fates since I’m not reading Death of X or Inhumans vs X-Men? The whole thing just feels kind of lopsided, without a real “A” team in the mix. The Gold folks are classic characters, but lack a “wow factor”, while the Blue team just still feels like a gimmick all these years later.

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In movie news, we got the concept art of how Zordon’s assistant Alpha 5 may look in the upcoming Power Rangers movie. This is the stuff of nightmares, kids! Why does he have those floodlight eyeballs? Was his scanner not enough? And why do his arms go down to the floor? I hate everything I’ve seen about this film, but I’m hoping it succeeds just so they can hopefully build off of this for the sequel and make something good. Look, I understand the need to update things for a new audience, but this thing seems almost ashamed of its source material. So, that alienates the built-in fan base, while offering almost nothing to entice a new one. I really don’t know what this movie is doing.

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While we’re on the topic of Power Rangers, one aspect of the franchise that’s getting it right is the Mighty Morphin Power Rangers comic series from BOOM! There have been several Power Rangers comics over the past 20 years, and they all sucked. I know because I read the vast majority of them (One day I should write about the terrible Hamilton series where the Rangers and Zords just randomly change in the middle of the story). Anyway, for anyone who’ll listen, I’ve been telling them that the current series is better than it has any right to be. Between it and the Kimberly-centric Power Rangers: Pink spinoff, the creators are really mining the property without telling meaningless stories that “dance between the raindrops of continuity”. For example, we found out that Rita actually approached Zack to wield the green power coin before Tommy even came to town. And we also found out that Zordon reenlisted the help of the original Rangers even after they had officially left the team. But this week was this biggest shocker: in #9 of the comic series, we were introduced to a mysterious Ranger who seems to be drawing both green and white power from the Morphing Grid. Oh, and he’s evil and working with Rita. I used to be the guy who said “If it wasn’t in the show, it didn’t count”, but BOOM! is finding ways to tell interesting compelling stories while still honoring the continuity that we already know. If you’re a comic and Power Rangers fan, you should definitely be reading this series.

Things You Might Have Missed This Week

  • The season finale of HBO’s Insecure had many Black males joining #TeamLawrence and #LawrenceHive, sparking quite the divide on Black Twitter
  • Speaking of premium cable channels, Showtime announced that Masters of Sex would not be coming back for a 5th season. I guess they, uh, mastered the sex.
  • Full House creator Jeff Franklin actually purchased the San Francisco house that served as the exterior of the Tanner home
  • Billy Dee Williams will be the voice of Harvey Dent/Two-Face in The Lego Batman Movie, reprising his role from 1989’s Batman.
  • Quantico showrunner Josh Safran has said that the show will never feature a Muslim terrorist. That snickering you hear is coming from the producers of 24.
  • While promoting his new book, Saved By The Bell executive producer Peter Engel said that Zack and Kelly “weren’t built to last” and are probably divorced by now.
  • Good girls finish last, as Amazon has decided against a second season for Mad Men clone Good Girls Revolt

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When I first saw the ads for Search Party, I thought “What a dumb idea for a show.” It looked too hipster, and it starred the Great Value Ilana Glazer, Alia Shawkat, who you probably remember as Maeby from Arrested Development. I remembered reading about it, and wondered how exactly they could make a show out of that premise. Well, I can admit when I’m wrong, and BOY was I wrong!

If you’re not familiar, Search Party kicks off with the disappearance of a young woman. Dory (Shawkat) and her group of Millennial hipster friends kinda knew the girl in college, but they wouldn’t necessarily call her a “friend”. Then, she disappears, and they milk it for all it’s worth. They post updates on social media about how a piece of them is now missing, and they even attend a vigil for her upstate. Meanwhile, Dory is sort of lost in life, and she gloms onto the case with an unexpected fervor. Things really kick into high gear when she randomly sees the missing girl in a Chinese restaurant, yet no one will believe that she really saw her. Like they’ve been doing, Dory’s friends just believe she’s milking the whole thing for attention. Then crazy people come out of the woodwork, a private investigator appears, and a cult is even involved. I never saw any of this coming, but enjoyed every minute of it. It’s like a hipster Nancy Drew.

Airing on TBS, Search Party was sort of burned off at a pace of two episodes a night in Conan’s timeslot all last week. In addition to that, immediately following the premiere on Monday, all the episodes were made available On Demand. So, I can’t figure out if TBS was extremely proud of the show OR if they couldn’t be done with it fast enough. I’m not sure how these tactics helped ratings, but critics seemed to love the show. As some critics pointed out, it’s basically what Girls could’ve been, but wasn’t. The problem with Girls is that is filled with such unsympathetic characters who all suck at life. With Search Party, however, you can kind of relate to those characters and, if not, you at least know someone like them. You understand their insecurities and the ways in which they cope with them. Sure, they kinda suck at life, but they know it, and they want to NOT suck. That can’t be said for Hannah Horvath and her friends.

In many ways, it was a major coup for TBS to get this show. It probably would’ve been more at home on something like Netflix, and probably would’ve gotten more promotion. It’s SO bingeable, and you’re going to want to blow through the 10-episode series in one sitting. It’s that good. I didn’t even see some of the twists coming that it throws at you. And the ending was nothing like you’d expect. Oh, man do I wanna talk about that ending. I don’t know how they’d get a second season out of it, but I’d love to see that cast back together. If it’s just a one and done series, it does the job there, as well. It’s the perfect miniseries. And that’s why Search Party had the West Week Ever.

04th Nov2016

West Week Ever: Pop Culture In Review – 11/4/16

by Will

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WWE Edit

Earlier this week, I found myself having an impromptu Zac Efronathon, as I watched 2 of his comedies the same night. I used to think he was just some one-note himbo, but I think I really like that dude. He’s a funny guy, and he’s also beautiful (What? I have to give credit where it’s due!).

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Anyway, first up was Mike and Dave Need Wedding Dates. When I first heard about this movie, I was convinced I’d actually see it in the theater, but that didn’t come to pass. I was really looking forward to it, but was too lazy to actually go see it. Oh well, that’s what DVDs/streaming are for! Zac Efron and Adam Devine play the title characters, who have a reputation for ruining family gatherings. Since they’re known to rile each other up, their father insists that they bring dates to their sister’s destination wedding in Hawaii. It’s their father’s hope that they’ll bring “nice girls” who will keep them in check. Well, not knowing how to find these girls, they post an ad on Craigslist, which gets thousands of replies from folks who just want a free trip to Hawaii. Eventually they end up on The Wendy Williams Show, and their episode is seen by two slackers played by Aubrey Plaza and Anna Kendrick. They decide to pretend they’re nice girls so they can get the trip. And hilarity ensues. As an R-rated raunch comedy, it was about what I expected, though it could’ve been better. Plaza has this weird pseudo-ghetto accent that I’m never really sold on, though I do feel like she manages to do the impossible: outshine Kendrick. None of that Pitch Perfect Kendrick magic is on display here, as she pretty much plays The Dumb One opposite Plaza as The Schemer. I’m still not sure if I’m down with Adam Devine’s whole thing or not. He’s a lot like Eric Andre in that he’s not a bad looking dude, but he goes out of his way to make himself look as annoying/unattractive as possible. I guess it’s good he’s found a niche. I wouldn’t say this movie is worth owning, but it’s definitely worth seeing. And make sure you see the real thing, and don’t wait for it to get neutered on FX.

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The Efronathon continued with the sequel Neighbors 2: Sorority Rising. Now, I have to admit that I remember very little about the first movie, but I didn’t really think the world of Neighbors had a rich continuity to it. Basically, I remembered the airbag gag, and that’s about it. Totally forgot that Dave Franco came out in the last film, which probably would’ve made me less confused by the beginning of this installment. Did you see the first movie? If not, here’s how it went: New parents Seth Rogen and Rose Byrne learn that the Delta Psi Beta fraternity has moved next door to them. They just want a quiet life to raise their newborn, while the frat brothers wanna do what frat brothers do: PARTY. So, a war breaks out between Rogen and the frat, led by Zac Efron. By the end of the film, the college shuts down the house, and it seems like Rogen and Efron are friends. Well, based on the age of Rogen and Byrne’s daughter, this movie takes place roughly two years later. Byrne is expecting their second child, and they’re selling their house to move out to the suburbs. After the sale, however, they enter escrow – meaning that they basically have to cross their fingers that nothing goes wrong for the next 30 days, or the sale won’t go through. Well, everything’s going smoothly until a sorority decides to set up in the old Delta Psi Beta house. And you basically get the same movie as the first, only the guys are replaced with girls. This one, however, kinda has a heavyhanded message about feminism that it’s trying to get across, but I’m not quite sure it sticks the landing. It’s funny, but I’m having trouble accepting that Chloe Grace Moretz has grown up; she’ll always be little Hit Girl to me. I didn’t talk too much about Efron’s role this time around because I don’t wanna give away the whole movie, but he’s just as good here as he was in Mike and Dave. Again, probably not worth owning, but it’s worth checking out.

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Finally, I went to see Doctor Strange last night. For the first time in a long time, a comic book movie didn’t get the West Week Ever. You see, I liked it, but I didn’t love it. I don’t know if it’s the fault of the film, however. At the end of the day, I just don’t like Mystical Marvel or Cosmic Marvel. I’d probably rank this film with the first Thor. Don’t get me wrong – it’s visually stunning, and probably the first Marvel movie that you NEED to see in 3D. At the same time, I felt it was a little on the short side and some extra time could’ve been used for character development. For example, I don’t think we see enough of civilian Stephen Strange, before all the mystical stuff happens. Then, when the mystical stuff does happen, it happens too quickly. We never really see him struggle to master his power. So, it’s definitely got pacing issues. I actually liked Tilda Swinton as The Ancient One, despite the whitewashing. The cape, though…I hated the cape. Also, Marvel keeps telling us “It’s all connected”, but they miss golden opportunities to link in the stuff that they claim is difficult to do. I mean, part of it takes place in a hospital in NYC. Claire Temple (Rosario Dawson’s character from the Marvel Netflix shows) also works in a hospital in NYC, so… Still, it’s got some cool Easter eggs if you’re paying close attention, and Strange seems like a cool addition to the MCU. I can’t exactly put my finger on it, but I needed more of something from this film that I didn’t get. It’s definitely worth seeing, but this isn’t the film that’s gonna sway the crowd that’s never been fans of the Marvel films.

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On the standup front, I caught Pete Davidson: SMD on Comedy Central. By now, you probably know the general bulletpoints for Davidson: he’s the youngest current SNL cast member at 22, he’s a stoner, and his firefighter dad died in 9/11. There have been a lot of really good interviews with him going around lately, like him talking about how he pretty much hates his life, but he’s trying not to blow this great opportunity that’s been given to him. Well, this one-hour special is more of that. To be honest, he’s not ready for an hour yet. He’s a pretty good storyteller, but he could do the same thing in the interviews instead of doing it onstage. It’s almost like the stage is therapy for him, but he just happens to have an audience. He’s not especially charismatic, nor does he work the crowd. Still, it could’ve been a lot worse. It wasn’t a bad special by any means, but it wasn’t especially polished. The production values were pretty low, but I guess they fit his brand, so to speak. If you like what he does on SNL, it’s worth checking out, but it doesn’t reinvent the wheel or anything.

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On TV, this week saw the season finale of Donald Glover’s exceptional Atlanta, which capped off a near perfect season of television. I really liked how cyclical the whole thing was. The episode, titled “The Jacket”, has Earn retracing his steps from the night before in order to find his jacket. As the episode starts, he wakes up in the aftermath of a party, with the host telling him that he has to leave. The host tells him, “We boys, but we ain’t boys. See, I know you, but at the same time, I don’t know you.” He’s basically saying that no matter how much you think you know a person, you can’t ever fully know what’s going on with them. And that’s proven to us by the final scene of the episode, as we learn we don’t know Earn as well as we thought we did. I’m really looking forward to the next season, which I hope isn’t derailed by filming on the Han Solo film.

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In music, Beyonce decided she wanted a challenge, so she showed up at the 50th anniversary of the Country Music Association Awards. And the kids on social media lost their shit. “She needs to stay in her lane! She’s not country music!” Oh, and she didn’t come alone: she brought country music black sheep The Dixie Chicks along for the ride. She basically showed up to the door and said, “These are my Plus Three”. Now, I’m not the biggest Beyonce fan in the world (frankly, I prefer her Destinty’s Child stuff), but it was kinda cool for her to use her clout to usher the Chicks back into the world of country. After all, not everyone has forgiven them for their jab against W all those years ago. With the exception of an International Artist Achievement Award in 2006, the Dixie Chicks haven’t won a CMA since 2002. I’d have preferred it if they’d done a Beyonce take on a Dixie Chicks song, instead of them serving as the backing band for one of her Lemonade songs, but she’s the Queen. I’ve hit that age where pop music bewilders me, but I know everyone on the country charts. I guess the CMAs have become my Grammys, but I’ve got to say that I was disappointed with about 80% of the live performances, as it seemed like nobody had showed up to soundcheck. Levels were off, tempos were off, folks were pitchy. It was a mess, and didn’t feel like a worthy tribute to the 50th anniversary of that institution.

Things You Might Have Missed This Week

  • CBS announced that the CBS All Access spinoff of The Good Wife would be called The Good Fight
  • Johnny Depp not only has a cameo in Fantastic Beasts and Where To Find Them, but he’ll also star in the sequel.. This isn’t good news, however, to those in the Amber Heard camp…
  • Since it’s just gonna become a full-on Batman adaptation, it was announced that Ra’s Al Ghul’s other daughter (and mother of Batman’s son) Talia will be appearing on Arrow this season.
  • It was revealed that Taylor Swift wrote “Better Man”, the latest single from country group Little Big Town. It’s not clear if it’s about Calvin Harris or Tom Hiddleston, though.
  • Lindsay Lohan now speaks with a really bad Boris & Natasha accent.
  • John Wick director David Leitch is considered the frontrunner to direct Deadpool 2. Meanwhile, in a show of solidarity with former director Tim Miller, composer Junkie XL is leaving the sequel.
  • Speaking of Tim Miller, he’s reportedly developing a Sonic the Hedgehog movie at Sony
  • DC stays losing, as director Rick Famuyima has left the film adaptation of The Flash, citing “creative differences”
  • The Nerd Lunch Podcast celebrated its 250th episode, and yours truly makes a cameo appearance!
  • We got a new Wonder Woman trailer yesterday, and my pals over at The Robot’s Pajamas have a great frame by frame breakdown.

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I’m not a sports guy, so I don’t really have a ton to say here. After I finished watching the CMAs the other night, I decided to turn on Game 7 of the World Series. I haven’t cared about baseball since about 1992, when I was in the prime of my baseball card collecting career. I did, however, know that the Cubs and the Indians are some of the losingest teams out there, so it was pretty awesome that they had made it this far. Immediately, I was riveted by the game, as I watched everything happen that could happen. Fatigued pitchers, sloppy bunts, and a rain delay. But I stuck it out until 1 AM to see the Cubs break a 108 year “curse”, winning the series. I don’t think anything topped that this week, so that’s why the Chicago Cubs had the West Week Ever.

28th Oct2016

West Week Ever: Pop Culture In Review – 10/28/16

by Will

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WWE Edit

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The only movie I watched this week was a documentary called Meet The Hitlers, which followed the lives of people who have the name “Hitler”. Surprisingly, the Austrian guy is the most likable person featured, while the New Jersey folks are the ones who turn out to be actual Nazis. The Austrian Hitler is a really sweet guy who was abandoned by his parents as a child and now has a lion tattooed on his bald head. Meanwhile, the New Jersey couple made the news because their Shop-Rite store refused to make a birthday cake for their young son, Adolf Hitler. Eventually, the state came and took their kids away. You wanna feel bad for them, ’cause nobody wants their kids taken away, but then you remember “Oh yeah – NAZIS!” Fuck ’em. Anyway, it was a way to kill 80 minutes, but I wouldn’t recommend it or anything. It’s got no real point to it. Part of it is devoted to a writer trying to track down Hitler’s last living relative, while the rest is just these slice of life stories of folks who share the name. It needed to decide what it was going to be, instead of this mish mash of whatever it is.

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In movie news, it Tim Miller stepped down as the director of Deadpool 2, which is already making fans worry about what’s going to happen with the film. Reportedly, he had creative differences with star Ryan Reynolds and, while reports claim the split is amicable, there are also claims that the two didn’t even speak to each other near the end of production of the first movie. It’s said that Miller really wanted to bring in Kyle Chandler for Cable, but Reynolds actually had casting power, and he really didn’t want Chandler. Later in the week, a petition started circulating to get Quentin Tarantino to direct the film, but I don’t think that’d be a good idea. Considering the way that Fox had no faith in the first film, cutting its budget and whatnot, you’d assume that the strife would’ve come from studio meddling. But it’s just a disagreement between star and director. It’s not like the movie is gonna fall apart, but folks will always wonder What Might’ve Been, just like with Edgar Wright’s Ant-Man.

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In other Marvel news, it was announced that season two of Jessica Jones would only feature women directors. While this may seem groundbreaking to some, Black Twitter was quick to point out that Ava Duvernay’s Queen Sugar did this first. Well, the BBC’s Call The Midwife was actually the first show to do this, so there! Anyway, I get that it is creating opportunity for women directors, but it feels kinda gimmicky. I mean, I didn’t know who directed the first season’s episodes and I liked them just fine. I almost feel like they’re begging a certain type of fan to come out and say “Season two sucked because of the women directors”.

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Speaking of that particular kind of fan, a bunch of them ran writer Chelsea Cain off Twitter this week because of some drama surrounding the Mockingbird comic. Basically, the final issue of the book featured the cover above, and that triggered the Men’s Rights activists, who don’t even seem to realize that the writer has no control over the cover. It’s believed that some of them were just looking for a target for their anger from last week’s Riri Williams cover controversy. If you remember, that ended up with Marvel cancelling the cover, and these folks feel like that was the wrong call. I’m just tired, man. I’m tired of shit like this. Like, I don’t even have any fight in me for something like this. I mean, who has the time or the energy? I’m not going to get too into it here, as I’ve just been hanging out on the periphery, and I can’t muster the desire to delve deeper into it. If you do a search for #IStandWithChelseaCain, you’ll find all you want to know. I just can’t believe that people get like this over funny books. I mean, I’m pretty passionate about them, but not to the point of running someone off social media. Also, I know enough about how the industry works that I know that the writer wouldn’t be the right target for my anger anyway. Nope, you channel that at the editor! I kid, I kid…

In TV, everything old is new again as we got news about 3 potential revivals that are in the works. First off, I have the misfortune of having a toddler who’s in love with a show that just ended production (Mickey Mouse Clubhouse), so I’m hoping she’ll be interested in the revival of The Muppet Babies that’s in the works for Disney Junior in 2018. I hope she can get over the weird CG animation style of the show, which is a lot more unsettling than Clubhouse‘s CG was.

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Meanwhile, Raven-Symone announced that she’s leaving The View to focus on a spinoff of That’s So Raven. Since everyone’s jumping on the Fuller House/Girl Meets World bandwagon, I guess this is as good a time as any. I always felt That’s So Raven was doing too much. If you’ve never seen it, Raven-Symone starred as Raven Baxter, who was your average teenage girl in high school. At least, that’s how I would’ve left it, but Disney had to go the extra mile. No, Raven also got these psychic visions that she couldn’t control. Usually they’d result in her messing up more than saving the day. They led to a lot of misunderstandings, basically making the show a tween Three’s Company. It led to the spinoff Cory In The House, where her little brother and dad move into the White House. Yeah, it wasn’t as successful as the original series. In any case, this new spinoff would focus on Raven as a divorced single mom of two teens – one of whom seems to have inherited her psychic gift. And I’m sure hilarity ensues. I never watched That’s So Raven because I was simply too old. TNBC had already wound down by that point, and I was busy with college. Still, it’s a smart move for these networks to revive shows that folks can watch with their kids, with a tie to something they, themselves, watched when they were kids. I like these Next Generation spinoffs. Keep ’em coming!

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Finally, based on the fan response from that viral video from a few weeks back, NBC is reportedly in early talks with the principal cast of Will & Grace about a revival of the series. Right now, it’s unclear as to how many episodes we’re talking about, as well as when they’d air. As y’all know, I loved that video, so I say “bring it on!”

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Earlier this week, I posted a review of IDW’s Revolution event that you should check out if you haven’t already. Long story short, it’s not a very good effort on IDW’s part, but you’ll have to read the post in order to find out why.

Things You Might Have Missed This Week

  • Donald Glover was officially cast as a young Lando Calrissian in the Han Solo…solo movie
  • Cartoon Network renewed We Bare Bears for a 3rd season
  • ABC’s Notorious is the first unofficial cancellation of the fall season, as its episode order was cut to 10.
  • Twitter’s killing off Vine, as they couldn’t figure out how to monetize 6 second increments
  • God Particle was revealed as the next film in the Cloverfield universe. The goal is to release a Cloverfield movie ever year
  • Deciding he had too much on his plate, Bryan Fuller stepped down as showrunner of Star Trek Discovery. Considering they haven’t even announced a cast, I wouldn’t be surprised if there was another delay.

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I haven’t seen folks fret over a season finale so much since “Who Shot Mr. Burns?” When Negan showed up in last season’s finale of The Walking Dead, he was determined to make his mark by offing a fan favorite character. This was to show that he meant business! Grrr! Well, the show returned this week, and he killed not just one, but TWO fan favorite characters, and people LOST. THEIR. SHIT. It sparked a discussion as to whether the show had gone too far. I don’t watch the series, but I tuned in to see who died, and I can’t remember seeing that kind of gore before on television (I’m not a horror guy, so maybe it was tame by those standards?). Some folks have even said that the gore was bordering on pornographic, while others have sworn off the show because it killed off one of the only bastions of hope in that universe. I don’t know whose side I’m on, really.

I used to read The Walking Dead in comic form. I wasn’t a monthly reader, but I had those hardcover editions that they’d put out every 12 issues. I immediately found myself engrossed in that world, and really started to care about the characters. Then I got to issue #48, which is where The Governor killed a character I’d really started to feel for. But it wasn’t just a death. He decapitates the character with a samurai sword. And it’s not one swift blow, so he had to hack at it until the head finally falls off. And at that moment, I thought “Fuck this book!” I stopped reading at that point because I had simply had enough. A few years later, #100 hit the stands, and I flipped through it because I’ve been trained that big round number comic issues usually have something special in them. Instead of them finding a cure for the zombies, or a cache of Twinkies from before the world went to shit, writer Robert Kirkman killed off another character that I’d grown to love back when I was still reading the book. In fact, the events of #100 are what was depicted onscreen last Sunday night. And at that moment, “Fuck this book!” crept up in me again. And I never looked back. That was over 4 years ago, and I haven’t been the least bit curious about what’s going on with Rick and the gang. That’s why Sunday didn’t really surprise me because I already knew it was coming. Still, I wasn’t prepared for how graphic it would be.

I’ve never had the least bit of interest in the television series, as that’s just not a world I want to see. It’s the same reason I read The Road, but didn’t watch The Road. When reading, you can kinda control the visuals and whatnot in your imagination, but for it to just be onscreen is sometimes too much for certain subject matter. There’s nothing positive in The Walking Dead. People say that the character that was killed was the last glimmer of hope in that world, but it still never paid off. Ya know why? Because there IS no hope in that world! There’s no endgame. It’s not like they’re gonna find a cure and everything is gonna go back to normal. They’re not gonna travel back in time and stop the zombies. That’s why I never understood the purpose of Fear The Walking Dead – you’re just seeing the lead up to the apocalypse. Those characters don’t win. Hell, they probably all end up dead before the events of The Walking Dead. I wish I could find the article so I could cite it, but I once read an interview with Kirkman where he said that he doesn’t really put much thought into who he’s going to kill off because he feels that, in an actual zombie apocalypse, the deaths would be pretty random, so he wants to adhere to that. That might sound impressive, but it also leads back to what I said above: there’s no endgame. He’s pretty much just going to write this thing until he gets tired. Superman doesn’t have to have an endgame. Spider-Man doesn’t have to have an endgame. The Walking Dead, though, can’t just meander for 50 years. It needs some sort of order that I don’t believe it has. And I, for one, am not willing to wallow in the muck waiting for that day to come.

Based on the thinkpieces I’ve read this week, a lot of people feel the same way that I do, only it’s in regards to the show and not the comic. But, “there’s no such thing as bad publicity”, so the fact that people are talking is exactly what AMC, Kirkman, Image, and everyone wanted. Whether you loved it or hated it, chances are you were watching and you had some thoughts about it. And that’s why The Walking Dead had the West Week Ever.

02nd Sep2016

West Week Ever: Pop Culture In Review – 9/2/16

by Will

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WWE Edit

It’s a holiday weekend and y’all never read this thing when that happens, so let’s keep it short and sweet today, shall we?

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In comic news, the Diamond Retailer Summit is currently happening, so some news is trickling out of there. In the Marvel camp, they revealed a Monsters Unleashed series. Whatever. They’d been teasing something called MU for weeks, first revealing Cullen Bunn was involved and then slowly revealed artists, such as Leinil Yu, Adam Kubert, and Greg Land. Well, today it was announced it was this monster shit. I know some people are into all that, but I’m not one of them, nor do I feel like such an announcement deserved all that fanfare. It’s making me think that Marvel’s cried “Wolf!” one too many times. It’s also odd to me that a monster series is coming out in January instead of October. Also, they announced that the follow-up to Death of X and Inhumans vs X-Men would be called ResurreXion. Yeah, you read that right. I’ll bet someone in Marvel’s marketing department got an erecXion when they came up with that one.

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Meanwhile, DC announced their first major Rebirth crossover in the form of Justice League vs. Suicide Squad. I can’t help but feel like this would’ve been better timed to coincide with the release of the film, but maybe its release will bolster the Blu Ray sales, while getting folks primed for Justice League. In the story, Batman decides to take down Amanda Waller’s Task Force X – much like *SPOILER ALERT* Batfleck threatened to do in the post-credits sequence of Suicide Squad. And like all comic book fights, I’m sure they’ll be forced to team up against a greater threat. Anyway, it’s expected that a new Justice League of America series will spin out of this event.

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Speaking of Batfleck, this week Ben Affleck “leaked” some footage of Deathstroke the Terminator. Originally a Teen Titans villain, it seems that Mr. Stroke has been promoted to the big leagues. At first, it was believed this might be Justice League footage, but now the word on the street is that Deathstroke will be the main villain of Affleck’s standalone Batman movie. Oh, and it’s rumored that Joe Manganiello will be playing Deathstroke. Not really excited about it at the moment, but I probably will be as we learn more.

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In TV news, it’s reported that Marvel is shopping around a comedy based on the New Warriors – but featuring Squirrel Girl. Now, this bothers me because Squirrel Girl was never in the New Warriors. Sure, I can understand creative liberties, but it seems like Marvel’s just desperate to create a Squirrel Girl vehicle and this is what they’ve come up with. First off, I don’t know if I like the Superhero Comedy genre for television. I think they should wait and see how DC’s Powerless (which looks horrid) does on NBC. Second, I’ve never really understood the whole Squirrel Girl thing. I get that she’s cutesy and all, but I’ve yet to read a comic where I’m like, “Wow! That Squirrel Girl!” Lately there’s been this movement to get Anna Kendrick cast as the character in the Marvel Cinematic Universe. Yeah, that’s nice and all, but I think that casting’s wrong. And there’s no way Kendrick is gonna do TV at this stage of her career. No, I think The Middle‘s Eden Sher is a much better choice. It was reported that she was having meetings with Marvel years ago, trying to figure out ways to get her into the MCU. Sadly, I think that ship might’ve sailed, as nobody expected The Middle to still be on at this point. At the moment, though, I’m hoping this project ends up with the same fate as Marvel’s Most Wanted.

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Meanwhile, in DC television world, Greg Berlanti is developing a Black Lightning show with the creators of Girlfriends/The Game, Mara Brock Akil and Salim Akil. I’m all for the Berlantiverse becoming more robust, but I always feel like the older shows suffer when he introduces a new one. I’d much rather they try to make Legends of Tomorrow a better show, and maybe add the character over there first. Black Lightning is an inner city teacher who has lightning powers, hailing from an age when all Black heroes had to have “Black” in their name. If this show gets off the ground, I’m sure it’ll end up being called something like Lightning. The funny thing is that he’s supposedly shopping it around to networks, like we all don’t already know it’s gonna end up on The CW.

 

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You know what really grinds my gears? Country radio (yes, some of us still listen to the radio) does this thing where they play a new single from an album, and then they ask listeners to call in and tell them what they thought of the song. Supposedly, if the response is predominantly negative, the song won’t be played anymore. Um, THAT’S NOT HOW THE INDUSTRY WORKS! If a song has been released as an official single, they pretty much HAVE to play it. Radio doesn’t have the power to make or break an artist anymore. There are people selling albums and touring who’ve never even been on the radio. The days of “If I spin your record, it’ll make you a star” are over. So I guess I wish country stations would cut the shit and stop making the audience think they have some power they don’t really have.

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Another thing I don’t like? An Adult Swim show called Million Dollar Extreme Presents: World Peace. I’ve tweeted before about how I don’t really like the show, but last week I found I’d attracted the wrong attention: fans of the show. Now, first let me explain who’s behind it: Million Dollar Extreme is a sketch comedy group comprised of Sam Hyde, Charls Carroll, and Nick Rochefort who specialize in making you uncomfortable. Just Google Sam Hyde. I’ll wait. Especially look up his TED Talk. Basically they’ve made a name for themselves as part of the alt-right movement that despises political correctness. So, they go completely in the opposite direction. They do shit in blackface, they mock the handicapped. It’s pretty bad. So, last week, I tweeted this to a friend:

MDE

And then I went to sleep. When I woke up, a bunch of their fans had sarcastically favorited the tweet, and were replying to us, saying stuff like “Yeah, but you’ll watch it and LIKE it”. I looked at these folks’ profiles, and they are NOT nice people. I thought I was gonna end up doxxed or something. Anyway, bottom line: don’t watch World Peace.

Things You Might Have Missed This Week

  • Image Comics will reportedly relocate from Berkeley, CA to Portland, OR
  • Netflix announced a second season of the show you’re all raving about, That’s Still So Raven. No, I kid. You’re getting more Stranger Things.
  • Jon Favreau will reprise his Happy Hogan role from the Iron Man movies in Spider-Man: Homecoming
  • Though I don’t know anyone who watches it, someone’s bound to be upset that Grimm will end after its next, abbreviated season
  • Pretty Little Liars will also end after its next season. Unless, you know, they’re lying about that…
  • The next season of Dancing with the Stars will feature Vanilla Ice, Babyface, Gov Rick Perry, Amber Rose and more. Still no word on which *stars* will be on the show
  • Chris Brown almost got killed by a SWAT team after pulling a gun on some chick who tried to steal his jewelry.
  • Disney Interactive shut down the Marvel: Avengers Alliance mobile game, which won’t be playable by the end of the month
  • Britney Spears released her 3rd “comeback” album, Glory. I’ve heard it, and I don’t think she’s back yet
  • Alison Brie and Marc Maron have been cast as the leads in Netflix’s series GLOW, based on the Gorgeous Ladies of Wrestling

aybs (1)

So, the only thing I really watched this week was the BBC Are You Being Served? special. Sure, it was a UK thing, but luckily I was able to find it on YouTube. I grew up watching the original show, so this was something that I HAD to see.

If you’re not familiar with it, Are You Being Served? was a Britcom set in a high end department store called Grace Brothers. The show particularly focused on the employees of the Men’s and Ladies’ departments, including Mr. Humphries, Mrs. Slocombe, and Captain Peacock. It had a very rigid class structure, where everyone was supposed to know their place and follow a certain chain of command. Captain Peacock was the snobbish “floor walker”, who kept everyone in line. Mr. Humphries was the butt of gay jokes because he was effeminate and lived with his mother. And Mrs. Slocombe was always talking about her pussy (Get your mind out of the gutter! It’s her cat!). The show ran for 13 years, but only has 70 episodes because, well, England. Once it ended, they even tried to “Golden Palace” it by moving the cast to a manor in which their pensions had been invested.

Anyway, in a celebration of British comedy, The BBC “revived” several shows by casting current actors in one-episode specials. This was especially necessary for AYBS?, seeing as how the entire cast is dead now (well, except for Mr. Spooner, but nobody gives a shit about him). Surprisingly, I didn’t know a single actor they cast in this thing. I always joke that there are only about 11 British actors, but I guess there are only 11 who’ve crossed over the pond. None of them, however, made it to this special. I felt the casting for everyone was pretty spot-on, though, especially Mr. Grainger and Mrs. Slocombe. I did, however, feel like they overdid it with Mr. Humphries. While he was effeminate in the original show, there was always a question of “Is he or isn’t he?” but here they just pretty much played him as humorously gay, which sort of took something away from the character.

When the episode starts, a young Black man named Richard Conway shows up for his first day as a member of the Men’s department staff. One thing I’m always curious about is race relations in other countries. While the episode was set in 1988, I was surprised that they never once referred to or joked about his race. Is this just not done in the UK? Or was it felt like that wasn’t the kind of humor you would expect from AYBS? I’d really love to know more about how they came to that decision, because an American show would’ve been ALL ABOUT the fact that he was this Black guy in a prim and proper establishment. It’d be called Homeboy In Knickers, and would air on UPN after Shasta McNasty.

Anyway, at the end of the day, it felt like a genuine “lost” episode of the show. It completely retconned the spinoff Grace & Favour, and it did some clever tinkering to get Mr. Grainger back in the mix. Basically 3 years have passed since the final episode, but things are pretty much like you remember them. There’s a Downton Abbey aspect to the show where it’s mired in class humor in a world that’s quickly changing. The crux of the episode is that the new Mr. Grace is determined to drag the store into the 20th century. It’s an interesting idea, and I’d actually love to see more of it. From what I’ve read, the special wasn’t well-received by the Brits, but I couldn’t have really asked for more. It didn’t swing for the fences by killing a major character, nor did it go for shock value. It tried to give you more of what you loved about the original show, and in that respect, I think it succeeded. That’s why the Are You Being Served? one-off special had the West Week Ever.

 

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