16th Sep2016

West Week Ever: Pop Culture In Review – 9/16/16

by Will


WWE Edit


I didn’t really watch anything this week, but I did kick things off by checking out Monday Night Raw, live in Baltimore. Here’s my recap of the event. No, don’t act like you already read it. I track these things! Go ahead – I’ll wait.


Well, this could be called The Week of Delays, as two pretty big projects just got shuffled down the release schedule. First up, Marvel’s Civil War II is now running so late that the final issue isn’t set to hit stores until December 28th, 2016. Yup, their “summer event” will now be cleaning up after Santa’s reindeer. This shit is getting out of hand. A similar thing happened with Secret Wars, where the final issue shipped after all the All New, All Different Marvel titles that were meant to spin out of the event started hitting shelves. It really took the wind out of that story’s sails. It was like, “Guess Doom doesn’t die since he’s now co-starring in Invincible Iron Man.” In that situation, another issue was added late in the process just like they did here. The writers always spin it as “I came up with a better ending, and Marvel was so gracious to allow me to write the best story that I can.” Well, why couldn’t you plot that shit out better in the beginning? It’s funny books, not rocket science. A lot of folks act like we should just shut up and let them write the best story that they can, but we all know that’s not it. Nothing ever ends with Marvel. It’s all just set up for the Next Big Thing. Marvel is 4-color blue balls. With DC, at least shit is wrapped up til the next Crisis. With Marvel, however, you end up just letting one event feed into the next, with little to no payoff. It’s the print equivalent of watching this gif :




Elsewhere in the world of failed deadlines, it was announced that Star Trek Discovery is delayed until May 2017 on CBS All Access. It’s not really a surprise, seeing as how it’s September and they haven’t even announced a cast yet. It’s just one more way CBS/Paramount screwed the pooch when it came to Star Trek‘s 50th anniversary. I was talking to some friends online this week about Trek‘s 25th anniversary. They actually *cared* back then. I remember that Star Trek was EVERYWHERE, and the movies were being played at the Smithsonian Museum of Air and Space. In fact, that’s how I first saw Star Trek IV: The Voyage Home. There were trading cards, WITH HOLOGRAMS! Sure, that’s all very 90s, but where’s my Star Trek mobile game (no, Star Trek Online doesn’t count)? Where’s my Star Trek cross-promotion with Pokemon Go or Angry Birds or some shit? Instead, we’ve just got some weird Quicken Loans commercials. Anyway, it’s probably a smarter move to wait til May because then the show won’t have to compete with the regular broadcast networks. If it premieres during May sweeps, then the rest of the series will roll out over the summer, competing against less prestigious summer series. So, it might be a smart TV decision, even if it rubs fans the wrong way. In the meantime, as a consolation prize, the streaming spinoff of The Good Wife will now debut in February, which is earlier than its originally planned premiere. Whatever.


Speaking of TV, this was the kickoff of syndication week in most markets. That’s when your local CW’s evening schedule gets shuffled so you get one less episode of Mike & Molly but one more episode of something, like, Anger Management. I used to LOVE this week, as I grew up watching syndicated TV. Everything I watched came on five days a week, which is how I ended up watching every episode of most of those shows. Something odd happened this week, however: nothing changed. It’s no secret that TV shows aren’t lasting as long these days. It used to be that 5 seasons or 100 episodes would get you to syndication. Then they lowered it to 80 episodes. Then Community went into syndication in its third season. The model got desperate, so it took what it could get. Anyway, on my local CW affiliate, nothing changed. Wait, one thing changed: The Bill Cunningham Show ceased production, and it’s been replaced by The Robert Irvine Show, sandwiched between two episodes of Maury. Other than that, though, no new shows, no new timeslots, same old shit. I actually do the math in my head to figure out when these things should be hitting. By all reasoning, New Girl should’ve hit syndication this fall. Sure, it’s syndicated on basic cable, but I’m talking about free TV here. Meanwhile, as episode orders have decreased, it’s getting harder for shows to hit that magic number. Take The Carmichael Show, for example. It will have to air for TEN YEARS in order to get enough episodes for the “classic” 5 days a week syndication model. Now, it could do into weekend syndication, which would require fewer episodes. Maybe airing late Saturday night opposite SNL or something. Still, as a TV guy, this sort of stuff both intrigues and worries me. There aren’t a lot of evergreen syndicated hits. Sure, Friends and Seinfeld are still airing to this day, but do you really think Modern Family or The Middle have that kind of staying power?

One of my favorite songs at the moment is Blake Shelton’s “She’s Got A Way With Words”. Rumored to be about his ex wife, Miranda Lambert, it features some clever wordplay about how he feels about her. The chorus goes:

She put the “her” in “hurt

She put the “y” in “try”

She put the “S-O-B” in “sober”

She put the “hang” in “hangover”

She put the “ex” in “sex”

She put the “low” in “blow”

She put a big “F-U” in my “future”

Yeah, she’s got a way, she’s got a way with words

Well, I knew that country music was full of a bunch of conservative prudes, so I was surprised that last line about “F-U” made it into the song. So, imagine my surprise as I’m singing along the other day, and discover there’s a new radio edit. They’ve replaced that stanza with “She put the ‘S-O-L’ in ‘solo’.” What the fuck? I Googled the song to see if anyone else was talking about it, but there’s no outrage. I even tweeted at Blake himself, asking why he let his label release that neutered thing. Why aren’t more people mad about this?! Stupid Clear Channel. I mean iHeart Media. Ugh!

Things You Might Have Missed This Week

  • 12 year old Grace VanderWaal won America’s Got Talent by singing with her ukulele. America lost their mind over her, like she’s the next Jewel, but I think she’s a cubic zirconia
  • Timbaland got fired as the musical supervisor for Empire, to be replaced by Rodney “Darkchild” Jerkins and Ester Dean. So, they’re basically going from the sound of 2008 to the sound of 2000. Whoever’s at fault here, I wonder if it’s too late to ‘pologize…
  • As a surprise to no one who saw the post credits scene in X-Men: Apocalypse, Mr. Sinister will be the villain of Wolverine 3 (Why isn’t it actually called Wolverin3?) Anyway, there’s absolutely no way they can screw that up. Nope, nada, no way
  • Saturday Night Live hired SEVEN new writers and three new featured players for the upcoming 42nd season, which premieres October 1st. Don’t get too happy. Kyle Mooney’s still there.


  • Zack Snyder revealed the Tactical Batsuit from Justice League. Is it supposed to look like Nite Owl from Watchmen? This is where I feel like Mattel got involved and said “Help us sell some shit!”


  • Do you see this shit? This isn’t fan-made! This is something Marvel officially released. Do you see Ghost Rider up there in the corner? Scowling Coulson? And Daisy/Skye as the Not Black Widow? I can’t take anything seriously on this teaser poster for Agents of S.H.I.E.L.D. – which premieres next Tuesday in its new timeslot.


  • Lady Gaga announced that her next album would be released on October 21st, and would be called Joanne – which is her middle name, as well as the name of her aunt. I dunno, y’all, but I’m expecting to be disappointed by this one


So, for the past four weeks, I’ve actually been watching a certain reality show with my mom. Since y’all are cool and hip, I’m sure you’ve never heard of it, but I’m ’bout to give ya some schoolin’! The show is called Better Late Than Never, and it’s an NBC show that follows four senior citizens as they travel through Asia. It’s an American remake of the South Korean show Grandpas Over Flowers. These are no ordinary senior citizens, however. Nope, they’re Henry “The Fonz” Winkler, Bill Shatner, boxing great and grill mogul George Foreman, and NFL legend Terry Bradshaw. To round out the group is 30 year old comedian Jeff Dye, who kind of acts like a chaperone for the guys. Sure, they’re all rich, but the point of the trip was for them to basically backpack so they could get the true cultural experience.

Throughout the trip, you really get to know the guys, and in a lot of ways, you feel for them. For example, Shatner’s 84 years old, but he said that the older he gets, the more he feels death approaching, and the more he is afraid of dying. Here’s Captain James Tiberius Kirk who’s afraid of the grim reaper. After all he’s done and seen, wouldn’t necessarily expect that. I mean, at least I wouldn’t. I really saw a vulnerability in Shatner here, and while everyone who’s worked with him seem to have horror stories, he really seemed to gel well with the rest of the guys.

The show is basically a travelogue as seen through the eyes of some grumpy old men. But they also know how to have some fun. Bradshaw will jump at anything that involves singing and/or karaoke, as he’s actually released several albums. Winkler approached everything wide-eyed, with a positive attitude. Foreman was shy, but had an inner child he was dying to let out. They ate exotic foods, like chicken vagina and live octopus. They participated in a water festival in Thailand, and robot fights in Japan. They stayed in a luxurious hotel in Hong Kong (so, they kinda broke the rules on this one, but Shatner said he didn’t know if he would ever see Hong Kong again, so he’d like to know that he did it the “right” way). Now that I think of it, I keep coming back to Shatner. I hope he’s OK. While he seemed to truly enjoy the experience, there was a sort of pall hanging over him. He’s a man searching for something, and I hope he finds it.

Anyway, it’s a great binge, as it’s only 4 one-hour episodes, and they’re all On Demand now. The season (series?) finale aired this week, and I really hope it gets a second season. Sure, they could switch up the cast, but these guys have great chemistry. And I think a Europe is the prime location for a second season. Anyway, it was fun watching The Fonz ride an elephant, and George Foreman knocking out Captain Kirk, and Terry Bradshaw get a tattoo for his birthday. Oh, and then the whole gang starred in a music video with K-Pop sensation Girls’ Generation. Despite their age, they all discovered that they’re still kids at heart, and that you’re never too old to experience new things. It’s a really fun show, and it’s fun for the whole family! Anyway, I thoroughly enjoyed all four weeks of the show, so that’s why Better Late Than Never had the West Week Ever.

14th Sep2016

Ooh Baby I Like It Raw: My First Live Wrestling Experience

by Will


I suffer from the fact that I belong to too many fandoms. Throughout my life, I’ve found myself “retiring” from some in order to join others. Just as I consider myself a retired Trekkie, the same could be said for my membership in the wrestling fandom. I’ve loved wrestling since I was a kid, but I never really glommed onto it like some folks did. I have the distinction of missing, basically, every important movement in the industry. I didn’t have cable growing up, so I missed the Monday Night Wars. I completely missed the Attitude Era. I’ve never seen John Cena in his prime. No, my wrestling fandom occupied the quieter spaces, such as when The Undertaker became the American Badass or when Too Cool were tearing up the tag team division. Of course, I couldn’t ever be considered a “true” fan, however, because I had never been to a live show. Well, that all changed Monday night as a friend and I made the trek to the Royal Farms Arena in Baltimore to attend a taping of WWE Monday Night Raw.

First of all, let me just say that it was a dream come true. I’d always wanted the live WWE experience, but had never really had the chance to attend.  I will say, however, that the WWE cameramen are frickin’ magicians for making such a small area look huge on television. For example, the ring was a lot smaller than I expected it to be, but the biggest surprise was how short the entrance ramp was. On TV, that thing looks to be about 30 feet long, when it’s really about 10. So, when Undertaker makes those long, dramatic entrances, he’s probably moving about as fast as that sloth from the Zootopia trailer.  It’s also odd how quiet the match is since you can’t hear the commentators. Instead, you just hear the ring noises and the chants from the crowd (early on, they tried to get a “CM PUNK!” chant going, but most folks weren’t having it).


When we first got in, they were filming a match for WWE Superstars, with Darren Young and Neville vs Titus O’Neil and Curtis Axel. I didn’t know who any of those guys were. Well, no, that’s not exactly true. I knew them from the toy aisle. After all, the inability to find a Neville figure kept me from trying to complete the Paul Bearer Build A Figure. And until my friend, John, reminded me, I had completely forgotten that Young had come out as the first openly gay professional wrestler last year. I also didn’t realize that Axel was Mr. Perfect’s son. Seems like he should be playing off that legacy more instead of doing whatever it is his gimmick’s supposed to be.  Anyway, I didn’t even know what was going on because they were playing with my sense of “normalcy”in the WWE. I mean, since Young and O’Neil are both Black, I was sure they were partners in the match. Well, imagine my surprise as I witnessed the Black on Black crime of Young kicking O’Neil in the face! No, these dudes were NOT on the same team. After that, my brain and sense of everything I thought I knew about wrestling were so screwed up that I can’t even tell you who won. It didn’t matter, though, as Raw was hitting in the next 60 seconds.

The show started with a recap of the rise of Kevin Owens. I’m not sure I like that guy. I know he’s risen from the indies, but he looks like the grown up version of every childhood bully. Still, folks seem to like him – especially now that he’s the WWE Universal Champion. Anyway, that would all have to wait for later in the show. No, to kick things off, there would be a Triple Threat Match between Sasha Banks, Dana Brooke, and Bayley – the winner of which would face WWE Women’s Champion Charlotte for the title in 2 weeks at Clash of Champions.


Charlotte is one mannish looking chick, but you haven’t really lived until you’ve done the Flair “Wooo!” with a couple thousand other people.  I get the feeling she really wouldn’t be much without her father’s (Ric Flair) involvement. She’s kinda riding on the coattails of the limo riding son of a gun. Sasha lost the title to Charlotte back at SummerSlam, after a botched slam that looked like it might’ve been career-ending. Instead, Banks showed up on Raw last week, saying that she had some bad news for Charlotte: she would be taking back her title at Clash of Champions. Well, it’s TV, and WWE still has two more weeks to fill, so general manager Mick Foley decided there should be this three-way match between friends Banks and Bayley against Brooke.  Going into it, you knew that Banks would secure her title shot at Clash, but they still had to make it look like it was in jeopardy. This is where it was funny to watch the difference between seeing it live and seeing it on TV. In a real fight, you’d probably just all attack each other at once, but this was a carefully planned ballet. Banks would get knocked out of the ring, and then she’d just chill on the floor for about 10 minutes, DOING NOTHING. I mean, she kinda straightened out her hair and groomed herself, but she was clearly waiting for her cue to come back in the ring. The ladies gave it their all, and I was actually pretty impressed by Dana Brooke. She didn’t have the typical build of a WWE female wrestler, and she seems like she could be a dominating force if they remain committed to developing her. I still don’t get the hype about Bayley, as last night wasn’t too strong a showing from her. Anyway, Banks won like you knew she would, but they’ll probably throw some monkey wrench into things next week.

Next up, Bo Dallas went up against some dude who must’ve won a contest or something. I figure he was from a local promotion, like MCW, but he was clearly a nobody meant to job this match. I don’t know much about Dallas other than what I learn on TMZ, but the crowd didn’t seem to like him. There were lots of chants of “Let’s go, Jobber!” Anyway, I think the match was probably about the same length as CM Punk’s UFC debut the other night.

Next up, there was a Best of Seven Series between Cesaro and Sheamus. I didn’t really know who I was rooting for in this match, as I’ve never really liked Sheamus, but Cesaro looks like the dude who’s banging your recently divorced mom. The problem with the match, however, was that they went into it with a record of 3-1, in Sheamus’s favor. So, there are 7 matches, 4 of which had already been fought, so simple math and logic dictated that Cesaro HAD to win just to keep the series interesting. That said, considering this was match 5 of the series, both of them were just kind of phoning it in. I’m sure match 7 will knock it out of the park, but this match just felt like they were going through the motions. And, of course, Cesaro won.

Then, we had Alicia Fox vs. Nia Jax. Fox seems ghetto fabulous with her weave, while Jax is really just built like someone’s fat mom. She’s kinda like if Chyna and Luna Vachon were spliced together. Before coming out, Jax was talking about how she planned to beat on Fox, and GOD did she deliver. She swung her around by her hair, slamming her into the barricades. Finally, she speared Fox through a barricade and basically left her for dead.  A bunch of officials came out to check on Fox, but Jax eventually got tired of waiting around and simply walked back up the ramp to the backstage area. After about 5 minutes, the officials were able to help Fox up and walk her to the back.


Next up, we had the New Day. I’d heard so much about them that I was glad to actually see them live. They’re interesting to me, though. They straddle a very thin line between entertaining geeks and Sambo caricatures for the modern age.  They started out by talking a lot of trash about Gallows and Anderson’s performance last week. Well, of course, Gallows and Anderson came out, and they had a non-title bout. I really thought New Day were going to pull this one off, but since they didn’t stand to lose their tag team titles, I guess all bets were off. They got manhandled! I was begging Kofi Kingston to make a tag, but he just couldn’t get back to his side of the ring. It was kinda sad to see the once boisterous trio have their asses handed to them like that.

The next bout was WWE jingoism at its best. Out came Jinder Mahal, who was a brown dude talking about how he’d found “inner peace”. I know my WWE enough to know that we’re supposed to hate the brown foreign guy – ESPECIALLY the day after 9/11. As my friend was wondering who would end up fighting Mahal, out ran Jack Swagger. That’s a name I hadn’t heard in years, as I really thought he’d been released or something. Apparently he’s got some patriotic “We The People” gimmick now. Well, this triggered chants of “USA! USA!” from the crowd, as everyone was boosting Swagger as the hero. Well, let me remind you that it was September 12th and not the 11th. Had this match happened at Backlash the night before, then Swagger would HAD to have won. But it’s September 12th, baby – back to business as usual. Despite having found peace, Mahal thoroughly beat up Swagger.

Next up, we had Enzo and Big Cass going up against the Shining Stars. While I’d heard of the former, I’d never heard of the latter. Again, based on WWE’s history, it was kinda obvious which way this was gonna go. Were folks gonna root for the fun guidos from Jersey or the brown guys from Puerto Rico? I was amazed, though, by the pop that Enzo and Big Cass got. They were truly…electrifying. The crowd knew every word to every part of their promo, and you can’t teach that! I was telling John that I felt Enzo was really just an evolution of Scotty 2 Hotty, but Too Cool never got anywhere near the amount of adoration from the crowd as these guys did. Still, the Shining Stars cheated and got the win.


Finally, it was time for the main event: Universal Champion Kevin Owens vs Roman Reigns. Owens was already slated to defend his title against Seth Rollins at Clash of Champions, but if Reigns managed to win, the there would be a Triple Threat title match at Clash. Now, I’d heard that Reigns is kind of a polarizing figure in the world of wrestling, but it was completely different thing to experience it live. He was booed just as much as he was cheered.  The crowd broke out into the opposing chants of “Let’s go, Roman!/Roman sucks!” As I said earlier, I’m still not sure I’m sold on Owens yet. After all, I never watched NXT, and I barely ever watch Raw anymore (3 hours of wrestling is too much damn wrestling on a weekly basis. Especially now that SmackDown Live means there are 5 hrs of wrestling on TV in a 24 hr span of time), so I don’t know much about the guy. I just don’t like his look. Still, Owens is pretty good on the mic, so that was entertaining. When it comes to wrestling, though, his moves just seem sort of sloppy to me – especially the Cannonball. Anyway, both guys gave as well as they got, and it was a decent match. Before the match, however, Mick Foley warned Seth Rollins not to interrupt the match, so I spent most of the time watching the backstage area, waiting for the Rollins run-in. And I wasn’t disappointed! Rollins ran in to disrupt the match, and he was quickly followed by Foley and some officials. They led Rollins out, at which point Foley surprised everyone by saying “Restart the match!” And this is when things got GOOD. What had merely been a decent match then became a great match, as both were fighting like they had something to prove. And the near-pins were incredible. There was a point at which you could tell that they were both even surprised the match was still going. And then Rusev ran out. While Reigns was distracted by Rusev’s appearance,  Owens came up behind him and got the pin for the win. Meanwhile, Rusev’s valet (and wife) Lana came out with his US Championship belt, and just stood there, pointing, as Rusev beat the shit out of Reigns. I had no complaints about that at all. After the live broadcast ended, the crowd broke into a chant of “Thank you, Rusev!”, which prompted him to find a mic and yell back “I don’t need your support!” Meanwhile, Reigns took his sweet time getting up, and slowly made his way out of the ring and up the ramp.


In all, it was a great show. Had this been the last Raw before Clash of Champions, I’m interested enough that I’d probably watch the PPV. Knowing, however, that they still have another week to screw things up makes it less of a “must see” thing for me. I will say that I was disappointed that Stephanie McMahon and Triple H weren’t there, but apparently Stephanie was in Singapore speaking at a conference (kayfabe?). I thoroughly enjoyed my first Raw experience and I’m dying to go again. It might have been my first time, but it certainly won’t be my last.


09th Sep2016

West Week Ever: Pop Culture In Review – 9/9/16

by Will


WWE Edit

Welcome to the 1,000th post at WilliamBruceWest.com! Well, technically, I hit 1,000 posts years ago, but when I switched over from Blogger to WordPress, I deleted several hundred posts. So, this is post 1,000 for version 2.0 of the site. Anyway, if this were a comic book, it’d have a holographic cover and it would feature a reprint of my first issue in the back. But it’s not a comic book, so you’re just gonna get some ramblings and some pictures I stole from bigger websites. You’re lucky I even wrote anything considering how few of you read last week’s post. I’ve really gotta stop writing on holiday weekends!



Speaking of holiday weekends, last week some friends and I took in the Baltimore Comic Con. It was pretty much what you’d expect from the show. It wasn’t the best BCC, but it was made better by the company I kept.


I will say, however, one thing stood out to me. You see, WWE Hall of Famer Sunny (AKA Tammy Sytch) was a guest on behalf of MCW Wrestling. Now, let’s talk a bit about Sunny, shall we? In her heydey (circa 1994), she was the valet of the Bodydonnas, a fitness-themed duo of heels. That didn’t last long, but her Bodydonnas partner, Chris Candido, was also her boyfriend, so she went wherever he went. They next went to ECW, which is where Sunny’s drug problems really started to surface. After leaving there, they ended up in WCW – also leaving once her drug problems arose again. Candido died in 2005, and then the shit really hit the fan. On top of the drugs, she ended up posing nude for the adult site, Wrestling Vixxxens, which she later said she regretted. Well, she must not have regretted it too much, as last January, she signed with Vivid Entertainment and released Sunny Side Up: In Through The Backdoor – full-fledged porn-o-graphic moving picture! She was even trying to sell her Hall of Fame ring. Rough times…

OK, so let’s fast forward to last Saturday. She was sitting at a table, charging the “Virgil standard” of $20 per picture. Now, she doesn’t look anywhere near as good as she did in 1994. I mean, who does? Still, she’s kept it fairly tight, considering all her life’s been through. But it was weird watching guys have her take pictures with their sons, like it was some sort of rite of passage or something. I mean, we’re not talking about Trish Stratus here, as Sunny never really did anything notable in the ring. She was basically known for being hot and doing porn. And somehow that got her into the WWE Hall of Fame. Anyway, the whole thing was just weird to me.


In movies, I watched Independence Day: Resurgence with my buddy Keith after the con. If you’ve been hiding under a rock, it’s 20 years after the first movie, and the aliens are back for revenge. Apparently, the mothership from the first movie sent off a distress signal that has finally been picked up by an alien queen. Man, that movie should’ve been called Nepotism Day. I say that because EVERYONE already knew EVERYONE. I’m not even talking about the characters from the first movie who have returned. Even the new characters somehow know everyone else. There are no introductions in this movie. It’s basically, “Hey, it’s been awhile.” Will Smith’s character got killed off on the movie’s promotional website, so his son takes the lead in this installment. Somehow, though, he already knows President Whitmore’s daughter (who was recast because they didn’t feel Mae Whitman was “Hollywood Hot” enough) AND new movie hero Liam Hemsworth. He also knows the new President (Sela Ward), while Hemsworth somehow knows Jeff Goldblum’s David Levinson. None of this is really explained. We’re basically expected to just accept that they all met each other over the past 20 years. In fact, the only character that is even somewhat introduced is Angelababy’s Lt Lao, who was clearly crammed in for the lucrative Chinese marketplace.

Another thing is that the deaths are meaningless. In the first movie, when the world capitals and landmarks were destroyed, you kinda felt something (possibly because we hadn’t seen anything like that before). This time around, though, instead of a destructive laser beam, the aliens basically use gravity to pick up one side of the planet (people, cars, buildings) and drop it on the other side of the planet. Visually, it was…interesting, but it felt empty. The movie requires a LOT of suspension of disbelief. The worst part, though, is how it ends in a Super Mario Bros-esque fashion, setting up a sequel that will never come, based on the box office results of this installment.

There’s a subplot of the movie that focuses on Not John Oliver and an African warlord. You see, the Africans fought a ground war against the aliens for the next ten years after the first movie. That would’ve been a MUCH better movie than what we got. Hell, this movie would’ve been better had it just focused on Not John Oliver and the warlord, killing aliens. They were, by far, the most interesting part of the film. If you didn’t see this movie, you definitely didn’t miss anything.


Speaking of space stuff, Star Trek celebrates its 50th anniversary this week. The franchise has had a profound impact on my life, but I find myself speechless when it comes to any kind of tribute. I’ve often referred to myself as a “retired Trekkie”, but it’s all still in my heart. Still, I couldn’t let the occasion pass without at least mentioning it. To get my thoughts on the franchise, check out my most recent podcast appearance with the guys over at Nerd Lunch, and check out this classic post from the archives, where I wonder why anyone would want to join Starfleet.

Things You Might Have Missed This Week

  • It was confirmed that Joe Manganiello will play Deathstroke in Ben Affleck’s solo Batman film
  • Greg Berlanti’s Black Lightning has been picked up for a pilot at Fox, which sucks because there’s no way Fox is gonna play ball with The CW for a crossover.
  • Lil Wayne may have retired from hip hop over Twitter. I hope that means he’s going to devote all his free time to pouring champagne on phones.
  • Shailene Woodley said she’s not interested in doing Divergent as a TV show, which is probably music to the ears of the folks financing the thing
  • This week saw the Comedy Central Roast of Rob Lowe, which actually just featured everyone ganging up on Ann Coulter
  • MTV announced Wonderland, a September 15th-premiering live music show. I tend to hate when people cite the whole “Remember when MTV used to play videos?”, but it is strange that this is “news” considering this is what they should be doing.


  • Freddie Prinze Jr and Rachael Leigh Cook hung out, and apparently this WASN’T taken in the unemployment line. Good for them!
  • Lady Gaga finally released her new single “Perfect Illusion”. The only illusion here is that she thought this was a worthy comeback song.


One thing took me by surprise this week. When I first heard of FX’s Atlanta, I had no interest in it whatsoever. My first thought was “Oh, Donald Glover’s being weird again.” After all, this is the dude who left Community and then had a mini breakdown as to whether or not he’d made the right choice. This was the dude who desperately wanted to be taken seriously as rapper Childish Gambino, despite the terrible name. This is the guy who, in recent years, always looks like he needs a sink and a washcloth. So, what could Donald Glover possibly have to offer that I would want? Well, it turns out he had something I didn’t even know I needed.

Created by, and starring, Glover Atlanta is about Earnest Marks who’s a Princeton dropout who just can’t seem to catch a break. He’s moved back home to Atlanta, but he’s got no money, he has a baby daughter, and he’s in a pseudo-relationship with the girl’s mother, though she’s starting to see other people. He really doesn’t think his ship is gonna come in until he finds out that his cousin is an up and coming rapper named Paper Boi. “Earn” decides that he’s going to manage his cousin, which will change both of their lives. Of course, nothing like that is going to go smoothly. Earn and Paper Boi get involved in a shooting, and Earn finds himself in lockup while Paper Boi starts to question whether he’s as “of the streets” as his music portrays him to be.

It was such an engaging hour, and it left me begging for more. If I could binge the whole season right now, that’s exactly what I’d be doing. I mean, there’s a mystical aspect to it, while there’s also this anxious sadness that I haven’t felt since Breaking Bad. It’s like you know something bad is coming (I feel it involves Paper Boi getting shot), but you kinda just want it to hurry up and get it over with. Sure, Mr. Robot causes anxiety, but it’s wrapped up in so much mindfuckery that it never really settles. Here, though, the suspense is palpable. You want the characters to win, but you also know it’s not going to be an easy road. Plus, at the end of the day what, exactly, would “winning” look like? I look forward to seeing all of this play out, and that’s why Atlanta had the West Week Ever.

12th Aug2016

West Week Ever: Pop Culture In Review – 8/12/16

by Will

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WWE Edit

*Varnell Hill voice* “DID YOU MISS ME?!”

Yeah, very few people are gonna get that reference, but I did take a week off to recharge the batteries, so I hope somebody noticed.


So I watched Sharknado: The 4th Awakens, and I think it’s time to declare this franchise dead. It was cute in the beginning, in that “so bad it’s good” kind of way, but it has simply overstayed its welcome. When I reviewed the last installment, I mentioned how it lost most of its spark halfway through, and I just wanted it to end. Well, I felt that way from minute one of this one.

First off, it’s set five years after the last one and, for the life of me, I couldn’t remember a single thing that happened in the last one. All I remembered was that they pulled a “Jason Todd” and let the audience decide if Tara Reid lived or died. Other than that, I couldn’t remember how many kids Finn was supposed to have, I couldn’t remember if this sexy sidekick was the same sexy sidekick from the past movies – it was a mess. And the movie doesn’t do a good job of catching you up because it’s stringing along the drama of the “Did Tara Reid survive?” mystery. Turns out Finn’s son is now coming home from deployment, and he’s got a new, Black wife in tow. I emphasize her race because it kinda becomes important down the road. They’re meeting in Las Vegas for a family reunion when the first Sharknado in 5 years hits. You see, In Living Color‘s Tommy Davidson plays an Elon Musk analogue who has created these towers that prevent tornadoes from forming. Because of them, there haven’t been any Sharknadoes since the events of the last movie. For some reason, though, the Vegas tower failed, and we ended up with the first Sharknado in years. And luckily, Finn Shepard and family were there to fight them off.

Meanwhile the Sharknado then goes on to become an Oilnado and then a Firenado and a Nukenado. Yeah, they blew their wad on potential spinoffs all in this one movie. And then my brain just stopped processing what it was seeing. I only made sense of bits and pieces after that point. Tara Reid did live, but only because her dad, played by Gary Busey, had turned her into a cyborg. Oh, and it’s clear that Busey and Reid were never in the same room during their scenes, so I wonder what that was all about. Then Davidson blows up the Grand Canyon in an attempt to curb the Sharknado. Yeah, I really don’t think the US Government would just be cool with Elon Musk blowing up the Grand Canyon, but what do I know? Then, as they all retreat back to Finn’s farm, Black wife (I don’t think she even had a name) gets killed by a shark and NOBODY notices! Her own fucking husband doesn’t even mention her ever again in the film. It’s almost like they added her in post-production, and then just said “Fuck it!” Like, it’s amazing how he NEVER stops to wonder what happened to her, nor does any other member of the cast. Then, Tommy Davidson jumps out of a plane in a squirrel suit, so he can do something on a cliff to stop the Sharknado, but then the cliff falls into the ocean. Oh, and then Finn fights the Sharknado in a really shitty mech suit, but ends up being eaten by a shark. And the oldest son gets eaten by a shark. And the sexy cousin gets eaten by a shark. But wait! The youngest kid – all of five years old – pulls a tiny chainsaw out of a stone, King Arthur style, and uses it to cut into all the sharks and save his family. So, at the end of the day, the only people who actually died were Black wife and Black Tommy Davidson. Fuck this movie. Oh, and there’s a weird cameo by Steve Guttenburg to remind you that Lavalantula is still a thing and that, yes, they take place in the same universe. It must’ve been messed up with editing, as he gives them a car, named Christine, that is built up to be this amazing thing, which they then abandon while being chased by a ball of twine covered in sharks. Again, fuck this movie.

aquaman momoa

In movie news, it was announced that the main villain in Aquaman will be Black Manta. Congratulations, DC – you chose the only villain he has to headline his movie. As I joked on Twitter, in the sequel, Aquaman will face an oil spill. There will be no third movie, as he will have vanquished all of his foes. Meanwhile, Aquaman star Jason Momoa is being eyed to star in the reboot of The Crow. My problem with this is that Momoa keeps taking on these franchise reboot roles (like Conan The Barbarian) when his star power isn’t strong enough for a franchise to rest on his shoulders. Now, it’s not like The Crow is gonna break the bank anyway, but it just doesn’t seem like a good fit.



Ghostbusters is expected to take an estimated $70 million loss, putting any sequel plans in jeopardy. The fact that it didn’t open in China REALLY hurt it. I mean, China saved Warcraft. Imagine what it could’ve done here. Sure, it would’ve been renamed to something like Lady Ghost Killers, but the money would’ve been great.

Killam and Pharoah

There was quite the shakeup at Saturday Night Live this week, as it was announced that 6-year veterans Taran Killam and Jay Pharoah wouldn’t be returning for season 42. At first, I figured this was just a case of the actors wanting to move on to other things, but then it was revealed that Killam’s contract simply wasn’t renewed. Huh? Really, Lorne?! I mean, I get the thing with Pharoah – he’s a great impressionist, though the show struggled to find any way to use them. Sure, he did Ben Carson, but that impression made no sense, plus it’ll be obsolete very soon. Killam, though, is quite the utility player. I’d say he’s basically the male Kristen Wiig, but I don’t think anyone hates him the way that some hated Wiig. His departure will be a huge blow to the show. However, when God closes a door, He opens a window – one for Jon Rudnistsky to jump out of! The featured player will also not be returning next season, and I can’t say that I’m too disappointed. He brought very little to the show during his freshman season, and he just had too much of a guido bro vibe to him for me to be able to take a shine to him.

luke cage

We got a full trailer for the Luke Cage Netflix series. *Yawn* It’s funny – it’s the new “cool kid” thing to say you’re tired of the Marvel movie formula, but the minute you say that about the Netflix shows, suddenly you’ve gone too far. Well, I’m tired of the Netflix shows. Ooh, it’s gritty. Ooh, there’s another fight in a hallway. I LOVED Daredevil season 1 and, though it took me a few months to get through, I thoroughly enjoyed Jessica Jones. That said, I still haven’t seen Daredevil season 2, and I’m not really in any rush (after all, I’ve still got 2 seasons of Bojack Horseman and one of Kimmy Schmidt to finish). So, just add Luke Cage to the pile of “I’ll get to it”, but I don’t plan to binge on it when it hits Netflix on September 20th.


Not to be outdone by Marvel, DC had a bunch of TV news during The CW’s presentation at the Television Critics Association press tour. First off, we got our first look at the new Vixen on Legends of Tomorrow. Also, it was reported that Sarah Grey has been cast as Stargirl on the show, while Friday Night Lights alum Grey Damon has been cast as Mirror Master on The Flash. They also announced Freedom Fighters: The Ray, which is an animated series that will debut on The CW Seed streaming platform. He will be the first ever gay superhero to lead a series and, like with Vixen, the plan is for him to eventually cross over into the live action shows, with the voice actor portraying him. Finally, it was announced that Dolph Lundgren will play the Big Bad in Oliver’s flashbacks this season, as it documents his time with the Bratva. Also, this will be the final season of Ollie’s flashbacks, as the show will catch up to real time.


We also got some news about Star Trek: Discovery. It turns out the show will be set ten years prior to Kirk’s mission, and is set in the prime (Shatner) timeline. The lead will be a female, who may not be entirely human, but also won’t be a captain. The show might also feature Spock’s mother, Amanda Grayson (played by Winona Rider in 2009’s Star Trek), as producer Bryan Fuller is fascinated by the character. There will be robots and a gay character, and the main cast will consist of about seven characters. As we already knew, it won’t be episodic in nature, but rather a tight 13-episode story unfolding throughout the season. Finally, the ship’s design is based on Ralph McQuarrie’s illustrations from an abandoned 70s Star Trek film called Planet of the Titans.


Over on Twitter, I had my most popular tweet in years, which resulted from casually flipping through Olympics coverage. Sure, I know a lot of y’all have gone viral, so this is nothing to you, but let me have this!

Things You Might Have Missed This Week

  • Despite getting a logo and James Bobin as director, Jonah Hill is now saying that the Men in Black/21 Jump Street crossover, MIB 23, will probably never happen.
  • Criminal Minds star Thomas Gibson has been suspended for a couple of episodes for kicking a writer onset. I bet he didn’t pull that kind of shit on Dharma & Greg!
  • As the writing was on the wall when costar Nicole Byer got her MTV show, Loosely Exactly Nicole, Fox has officially cancelled The Lonely Island’s Party Over Here sketch show.


  • We got our first look at the cast for The BBC’s Are You Being Served? one-off anniversary special. It looks like a group of friends dressed up for a costume party and the one Black guy had to be Mr. Lucas. For some reason, though, the special actually calls him a “Mr. Lucas-like character” named Mr. Conway. The special will air in September, and we’ll have to pirate it over here.


  • We got another fake-out *NSYNC reunion, as the guys reunited for JC Chasez’s 40th birthday. I still hate that JC’s solo album tanked. He’s a better singer than JT, but he never seemed comfortable in the spotlight, and lacked JT’s charisma. Oh, what might have been…
  • Though I’m sure you’ve never seen it, Powers has been cancelled by Playstation Network after 2 seasons.
  • To beef up the CBS All Access portal, a “special edition” of Big Brother will stream on the site later this Fall. The network insists, however, that this shouldn’t be considered season 19 of the show.
  • If you’re just dying for news on Spider-Man: Homecoming, some dude named Michael Chernus has been cast as The Tinkerer. Yeah, whatever.
  • VH1 is developing Martha and Snoop’s Dinner Party, which is exactly what it sounds like: Martha Stewart and Snoop Dogg hosting dinner parties for their celebrity friends
  • Arianna Huffington will step down as editor-in-chief of The Huffington Post. I wonder if it’ll change its name. Ya know, ’cause that worked so well for Topless Robot…
  • Apparently Vin Diesel and The Rock got into it on the set of Fast 8. It was probably an argument over which one of them was more racially ambiguous.
  • According to reports, Donald Glover is the frontrunner to play young Lando Calrissian in the young Han Solo film. I dunno, but I don’t think Glover has the swagger of a young Billy Dee Williams.


So, I vowed not to see Suicide Squad in theaters. I said I was done with the DC Cinematic Universe until Justice League. Well, last night I saw Suicide Squad. I even paid for it. And ya know what? I really liked it. It’s not amazing, but it’s an enjoyable popcorn flick. I don’t know what movie everyone else saw, ’cause a lot of folks were just dying to issue their hot takes about how DC has failed again. If you compare them to Marvel, sure they’ve got a ways to go. But I thought it was a lot better than Dawn of Justice, and I was pleasantly surprised by it considering I did not go into it with an open mind.

First of all, let’s get the Marvel comparison out of the way. It’s unfortunate that DC has to be compared to Marvel, but we do it with the comics, so we’re gonna do it with the movies. There’s something to remember, though: not all Marvel is created equal. There’s Marvel Studios Marvel, which can give you a gem like Captain America: The Winter Soldier, but can also give you a dud like Thor: The Dark World. Then, there’s Fox Marvel, which can give you something as great as X2: X-Men United, but can also turn around and give you Elektra (No, I’m not going to use Fantastic Four as an example because, as weak as they may be, I actually liked those movies). With the world building that Marvel Studios has done, however, it means the best Fox movie still only lines up to a mediocre Marvel Studios film. There’s a certain tone and use of budget that tends to go into a Marvel Studios film. Take Ant-Man for example. While a Marvel Studios film, it really didn’t feel on that level. Don’t get me wrong – I enjoyed it and watch it every time it comes on Starz, but tonally it feels like a really strong Fox Marvel movie. So that’s kinda where Suicide Squad is. No, it’s not a Marvel Studios film, but it could hold its own as a decent Fox Marvel film and I think that says a lot. For one thing, I think we got too used to the Nolanverse, so we expect that from DC all the time. The aesthetic of this film is somewhere between Burton and Schumacher. Once you embrace that, you’re in for an entertaining ride.

What’s it about? Well, in light of Superman’s death in Dawn of Justice, the government realizes that they need something to be able to handle metahuman threats. Enter Amanda Waller, the director of ARGUS, who decides to form Task Force X – a team comprised of the worst of the worst bad guys. They’ll be sent on missions from which not all of them will return, but in exchange for their service, they get time knocked off their prison sentences. For their first mission, the team consists of Deadshot, Harley Quinn, Captain Boomerang, Katana, Diablo, Killer Croc, and Slipknot, led by uber soldier Rick Flagg. They think they’re being tasked to extract a hostage from a terrorist attack, but they find out they’re in for more than they bargained for.

No, the movie’s not perfect by any means. I could’ve completely done without Killer Croc and even Katana. Rick Flagg has a “midcard wrestler who’ll never get a shot at the title” vibe to him. And, as someone on Twitter pointed out, this was Enchantress most of the time:

leo dancing

There’s no real way the Squad could’ve handled a threat like they did in the film, but whatever. It’s a movie, so I’ll go with it. I just felt like it was too “otherworldly” to be something they could handle. And the third act has a decidedly Ghostbusters (1984) feel to it, effects-wise, which seemed kinda cheesy in 2016.

Still, there was a lot to like. LOVED Margot Robbie’s Harley, which was surprising since I feel a little of that character goes a long way. With the cosplay onslaught, we’re living in the middle of Harlegeddon, yet I still didn’t get tired of seeing Robbie’s portrayal onscreen. I felt she nailed that character. I even liked My Chemical Romance Joker. It’s the first time that I was actually scared of him, and believed that he was a crazy fuck who could do something like kill a Robin. I’m gonna level with ya: Jack Nicholson never did anything for me. I know, I know. He’s supposed to be the cinematic gold standard, but I was too young, and I’d been raised on Cesar Romero. Say what you will about how corny Batman ’66 was, there was still something kinda menacing about Romero that I never quite saw in Nicholson. He had crazy eyes! Ledger came close to approximating what I felt I had read in the comics, but Leto kinda did right by me. Plus, if you’ve been reading comics lately, then *spoiler alert* you know that there are apparently three Jokers. Yeah, whatever. Anyway, I feel like Leto earned his spot as one of the three. I was picking up what he was putting down. Will Smith was spectacular, and I say that as a guy who’s not necessarily a Will Smith fan. I kinda cheered in my heart when he died in I Am Legend. That’s where I stand on The Fresh Prince, so I was equally surprised by his performance. But the true standout, though, HAS to be Viola Davis as Amanda Waller. Ho Lee Shit! I grew up with “stout” Amanda Waller, so I wasn’t too happy when they hotted her up in The New 52. When she appeared on Arrow, again, she was the svelte Amanda Waller. No, I needed someone who could convincingly be referred to as “The Wall”. In my mind, Marsha Warfield was always the perfect person to play Waller (has anyone seen her lately? Someone should probably check in on her!). Then Davis came along and showed me there were other options. No, she doesn’t have the weight, but she’s hella imposing, and such an amazing character. I’d watch 2 hours of just her, but there’s no way they could sell that, so they had to give us Suicide Squad instead. Whatever. I’ll take it. She is cold blooded, and I loved every minute she was onscreen.

cw heroes

Can we talk about something, though? It’s going back to the Marvel/DC comparisons. I’ve come to realize that I don’t want world building from the DC movies. I’d kinda like them to all be standalone. My biggest issue with Dawn of Justice was that I felt that, tonally, it was the wrong cornerstone on which to build a cinematic universe. As a movie on its own, though, it was more serviceable. In this movie, I would’ve been completely fine if some rando had been playing Batman instead of Affleck. Having Affleck there did absolutely nothing for me. I don’t want their movies connected because I don’t need another Marvel. I’ve got a Marvel. What I need is a DC. Sure, they think they’re doing something different by basically starting with the Justice League and branching out, but it’s still a shared universe, and I don’t think that’s playing to their strengths. If I want a shared DC Universe, I’ll just stick with watching their TV shows.

Despite all the “haters” and poor word of mouth, the movie still managed to pull in $160 million over its first five days in the US. Still, I think it’s made DC a bit more gun shy about developing projects with other characters, as they instead announced that Man of Steel 2 is now in active development. Folks claim they’re tired of always getting Batman and Superman stuff, but when given something different, they say they don’t want it. Or, in this case, they say they don’t want it, but they go see it anyway. Like I did. Anyway, I can admit when I’m wrong, and I feel like I was wrong about this movie. Sure, it’s not gonna win any awards other than, maybe, an MTV Movie Award, but it’s still pretty entertaining. If you’re on the fence, give it a shot and decide for yourself. In any case, the movie’s box office broke a bunch of records, so I’m saying Suicide Squad had the West Week Ever.

29th Jul2016

West Week Ever: Pop Culture In Review – 7/29/16

by Will

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WWE Edit


The Equalizer is what Rod from The Black Guy Who Tips Podcast would call “An Impossible White Man” movie. That’s when a (usually) White male protagonist gets away with a whole lot of crazy, death-defying shit that no one should be able to survive. There’s a caveat, though, that this doesn’t only apply to White males, despite its name. For example, ScarJo’s Lucy could be considered an Impossible White Man role. It’s more about branding than accuracy. Anyway, in The Equalizer, Denzel Washington plays a former black ops dude who’s trying to live a quiet life working at a Home Depot (they don’t call it Home Depot, but I know one when I see it!). He lives a meticulous, almost OCD life, dining at the same diner, bringing his own teabags, and placing his utensils in a certain manner. Another regular at the diner, played by Chloe Grace Moretz, happens to be a Russian prostitute, and when she gets roughed up by her pimp, Denzel comes out of retirement to exact revenge – not just on her pimp, but on the whole Russian organized crime establishment! The crazy thing to me is that the mob didn’t even kill Moretz – they just beat her up, yet Denzel proceeds to leave a trail of bodies for a girl he barely even knows. The action in it is insane, so I’ve got to hand it to Denzel, who’s no spring chicken. Anyway, it’s definitely worth checking out, even though they’re apparently making a totally unnecessary sequel.


I’ve wanted to see The Bronze since the moment I first heard of it. It stars, and was written by, Melissa Rauch, who you wouldn’t know as Bernadette from The Big Bang Theory because I’m sure you’re too cool to watch that show. Anyway, Rauch plays Hope Ann Greggory, a foulmouthed Bronze medalist gymnast from the 2004 Rome Olympics who is still milking what’s left of her fame in her small town of Amherst, Ohio. She became a hometown darling for winning the medal despite being injured, Kerri Strug style. Now, 12 years later, she’s got no job, still lives with her postal worker father, and steals money from his mailbag. She cruises around town, blasting hip hop while going to the mall to pressure folks into giving her free stuff. Long story short, her life is going nowhere. Meanwhile, Maggie, a young promising local gymnast is headed to Nationals, and she just may make the town forget all about Hope. Feeling threatened, Hope wants nothing to do with Maggie. That is until Hope’s former coach commits suicide. In her suicide note, she promises Hope $500,000 if she’ll agree to coach Maggie all the way up to the championships. Suddenly Hope has a purpose, even if it’s just so she can get that money. At first, Hope tries to sabotage Maggie until former beau/rival Winter Soldier Sebastian Stan comes along and tries to steal her away from Hope so that he can coach her. Hope gets no money if this happens, so she decides to take the training seriously and actually train Maggie for success. I won’t spoil the ending for ya, but I’d highly recommend watching it if only so you can see that crazy ass gymnastic sex scene between Rauch and Stan. Trust me when I say you’ve never seen anything like it. While it may not have been as bust-a-gut hilarious as I thought it would be (it is kinda dark after all), I still really enjoyed it and felt it could easily become a quotable cult hit. My favorite lines include “Absence makes the dick grow harder. You better not have gotten any clit jizz in my car!” and “This is what I wear. THIS IS WHAT HEROES WEAR!” Anyway, if you ever get the chance to watch this, check it out.

pop star

I love The Lonely Island. I love their albums, I love their digital shorts, and I love their movies. Though it bombed in theaters, Hot Rod is hi-larious, so I had nothing but high hopes for Popstar: Never Stop Never Stopping. In the film, the Lonely Island guys were once a boyband called StyleBoyz. Eventually, they had a disagreement that caused them to break up, and Andy Samberg’s Conner4Real became a Justin Bieber-esque solo artist. His debut album was called Thriller, Also and it sold 4 million copies. Now, as the movie starts, it’s on the eve of the release of his second album, CONNquest. He partners with a company called Aquaspin that’s going to package his album with their home appliances, so his music will be coming out of refrigerators, microwaves, etc. Well, this plan fails miserably, as some folks even see it as a violation of privacy. His album tanks, and the film follows Conner as he deals with all of that. At the end of the day, it feels like a REALLY long SNL Digital Short, and it’s completely built on its cameos. Like, it’s sort of amazing how many music stars they got to agree to be in this movie – some of whom I didn’t even know had a sense of humor, like Nas. And if you follow The Lonely Island, then you already know some of the cameos you’re gonna get (hint: “Dick in a Box” and “Jack Sparrow”). While I didn’t laugh as much as I did at Hot Rod, it was still pretty funny, and I think I got exactly what I was expecting. Also, I’ve given him some shit online for taking terrible TV roles (all of his shows get cancelled), but Tim Meadows playing a parody of boyband manager Johnny Wright is probably my favorite Meadows role since The Ladies Man. Oh, and look for the brief cameo by original Black Ranger Walter Emmanuel Jones! Anyway, I definitely recommend this movie.


So I saw Batman: The Killing Joke in the theater on Monday as part of a Fathom Event. There had been a lot of controversy surrounding the movie, as it’s based on a controversial story. If you’ve never read it, The Joker cripples and sexually assaults Barbara Gordon and then shows the pictures to her father in an attempt to drive him insane. To further the controversy, however, in order to pad out the story to a feature-length movie, the writers added some additional material – including a scene where Batgirl and Batman have sex on a rooftop. A lot of folks took issue with this because they believe that Batman serves as a father figure to the other members of the Bat Family. I actually disagree somewhat. I think he’s a father figure to Robins, but Batgirl is a different story. Plus, there’s already a precedent for a relationship between the two, as this was established in The Animated Series/Batman Beyond continuity. In fact, it was the relationship between Bruce and Barbara that drove Dick away, causing him to establish the Nightwing identity. Further along, in Batman Beyond 2.0, the comic that is set in this continuity, Barbara becomes pregnant by Bruce, but loses the baby after an attack. So, as you can see, Bat Banging happens.


Anyway, the first 25 minutes feel like a tacked on “This is why you should care about Barbara Gordon/Batgirl, so when we cripple her, it’ll matter to you” prologue. It honestly does feel like a lost episode of The Animated Series, even though it’s a slightly different animation style. It’s got the same voice actors, and even the Batmobile from The New Batman Adventures. It’s generally an unspoken rule that every artist/designer does their own take on the Batmobile, so it’s almost like they went out of their way to make it feel familiar. An up and coming mobster takes a shine to Batgirl and makes her chase him around the city. Meanwhile, Batman isn’t treating her like an equal partner, so she’s actually welcoming the attention from the mobster. It all culminates in that rooftop sex scene, which then results in her deciding to hang up the cape and cowl. Again, it’s a good “lost” episode, but it’s almost superfluous to what’s to come in the rest of the movie. The writers probably felt like the prologue would strengthen Batgirl’s character, but it actually does the opposite. She comes off as an annoying single gal from a romantic comedy who can’t understand why Batman won’t see the potential in her. She even comes with her own stereotypical gay best friend, to whom she complains about the lack of attention from Batman.


The rest of the film plays out like the comic you probably know and hate. The sad thing, though, is that Barbara Gordon is nowhere near as important to The Killing Joke as The Killing Joke is to Barbara Gordon. What I mean is that the story changes the character (almost) irreparably, while she contributes very little to the story itself. Her attack is simply a mcguffin used to break her father. It really doesn’t matter that she’s Batgirl, as it’s not like her crippling happened “in the line of duty”. I mean, her attack doesn’t even spur her father OR Batman to action. The story ends on a joke, for God’s sake, which I’ve always felt somewhat belittles what happens to her. There’s no reason to strengthen Batgirl/Barbara as she doesn’t leave the story a hero. Contrary to how it’s been sold over the years, it’s not Barbara Gordon’s story. She’s just collateral damage in a different matter altogether. I mean, Batman tries to reason with the same guy who has killed one partner and maimed another. The story has never made a ton of sense to me, but it’s always lauded because “Alan Moore”. Anyway, if you want to see a faithful adaptation that brings the story “to life”, this was a pretty good adaptation. The new material is unnecessary, but the stuff you’re familiar with is still familiar here. It’s worth seeing, if only for the discussion it’s bound to trigger. If you want to read more of my thoughts on the film, I was invited by the kind folks at Action A Go Go to write a review, so check it out!

MAD TV New Cast

On TV, I caught the lackluster return of MADtv, now airing during prime time on The CW. A Dora parody in 2016? And it really botched the political stuff, which should be left to SNL. Elizabeth Warren as a Def Jam comic? It all just felt so dated. Like, it would’ve been out of place during the original run of the show, let alone the reboot. Their makeup person should be fired. If anyone’s gonna be a breakout star from this incarnation, it’ll probably be Michelle Ortiz. She kicked off the show with a prayer to the dark lord Satan, and then starred in the aforementioned Dora sketch. Will Sasso came back to do his Kenny Rogers impression, which is hella dated. When’s the last time anyone talked about Kenny Rogers? And it was kinda cheap that they used a “classic” sketch with Key & Peele. At this point, the show feels more like a summer burn-off than a promising debut. I know it’s just the first episode, but I wouldn’t be surprised if it got canceled after these 8 episodes, to merely become a footnote on a Wikipedia page.

In TV news, #DontCancelGirlMeetsWorld was trending earlier this week. As the story goes, the cast of Girl Meets World filmed the 3rd season finale this week, and there’s no official word on whether the show will be renewed. Star Rowan Blanchard sounded kinda bleak with the following tweet:


I don’t really know what the ratings situation is, but I don’t think folks have anything to worry about…yet. You see, I’m fairly certain the show will be back for a 4th season because Disney likes to get as close to 100 episodes as they can. There are already 58 episodes of the show, but they’ve been doing 30-episode seasons lately. So, the good news is that they still have a ways to go. The bad news, however, is that it’ll probably be done after episode 100. Again, Disney doesn’t like to do more than 100 because it’s just not profitable for them after that point. Even Jessie got 98 episodes, and it was nowhere near as beloved as GMW. The thing to point out is that, barring a time jump, we’ll never get to see Riley and the gang graduate. She’ll never get to meet the World to which the show is meant to introduce her. Anyway, according to the pic above, the season appears to be going out with a bang, with a mega reunion of the Boy Meets World cast – including BOTH actresses who played little sister Morgan. I feel like the show gets way too heavyhanded at times, but I’d be sad to see it go. Still, it opened the doors for other revivals, like Fuller House, so who knows what we’ll end up with next. Perfecter Strangers? Just The Eleven of Us?


In other TV news, it was announced that the new Star Trek series would be called Star Trek: Discovery. The show will air on CBS All Access in the US, and on Netflix everywhere else. Why couldn’t it be on Netflix EVERYWHERE?! I mean, who doesn’t have Netflix? Anyway, the show will be set on the U.S.S. Discovery, NCC-1031, in the prime timeline (not the J.J. Abrams “Kelvin” timeline of the recent movies). I know it’s the future and all (so the holiday probably doesn’t even exist anymore), but someone better make a joke about how it’s basically the “USS Halloween”. Anyway, we were introduced to the ship in a teaser video that debuted at SDCC. I hate the design of this ship. The saucer is fine, but the secondary hull is way too angular. If you know your Trek, it kinda reminds me of an IDIC. As I said on Twitter, it looks like that Star Trek pizza cutter that ThinkGeek’s always trying to get people to buy.


When it comes to Marvel, I guess I ought to do an SDCC wrap-up. Let’s see…OK, Brie Larson was confirmed as Captain Marvel. Yay? I mean, I have no real opinion on that casting one way or another. Folks seem to like her, so I guess it’s a good choice. I just don’t know that much about Captain Marvel. I was more of a fan before she was promoted to Captain. We also got the full trailer for Luke Cage, as well as teaser trailers for Iron Fist and The Defenders. A friend on Twitter said “You know it’s a Marvel Netflix show when there’s a fight in a hallway”, and that’s exactly how I felt watching the Cage trailer. People like to say the Marvel movies are too formulaic now, but I feel that way about the Netflix shows. I haven’t even touched Daredevil season 2 yet because I’m just sort of tired of their whole gritty thing. We didn’t see enough of Iron Fist to really make an opinion, but at least it didn’t trigger the cries of “He should’ve been Asian!” like I thought it would. I don’t know if folks have moved on from that or if they were just too overwhelmed by all the other SDCC news to even think about it. I know folks don’t like to “count” the Fox stuff, but we got a trailer for the X-Men related show, Legion. It actually looks intriguing, but I’m not sure I’m ready for yet another Marvel show that’s only tangentially related to a movie franchise (looking at you, Agents of S.H.I.E.L.D.).We also got a trippy new Doctor Strange trailer, but that movie’s just not registering for me. I don’t like the magical side of the Marvel Universe, so there’s really nothing to lure me in at this point. I mean, I’ll see it but, as the kids say, I’m not “hype” for it. And there was supposedly some footage of Spider-Man fighting Vulture, but that’s not a sentence that fills me with excitement. I always felt Vulture was, like, a 3rd-tier Spider-Man villain, so I don’t care who’s playing him because it’s going to take a lot of convincing for me to take him seriously. I don’t mean to sound so “meh” about Marvel’s showing, as there was some notable stuff there. I just felt like the presentation was more of the same.

Things You Might Have Missed This Week

  • Netflix has ordered a second season of one of my favorite shows of 2015: Scrotal Recall. Since the title is off-putting, however, the show will be renamed Lovesick.
  • The Vampire Diaries will end after season 8. With it and Teen Wolf gone, how will our teenage daughters embrace their desire to bang monsters?!


  • Speaking of Teen Wolf, we got our first look at Tyler Hoechlin as Superman on Supergirl next season. Yeah, not feeling it. He looks like some dude off Tindr who went to a Halloween party dressed as Superman. He’s not built enough.
  • Ghost Rider Robbie Reyes will be appearing on Agents of S.H.I.E.L.D. next season. As someone on Twitter said, he’ll probably just be a guy in a leather jacket who has smoke come out of his ears one episode. TV budgets!
  • Thor: Ragnarok will officially incorporate aspects of the Planet Hulk storyline into the movie, with Hulk’s armor on display at SDCC
  • In Guardians of the Galaxy Vol 2, Kurt Russell will officially be playing Star-Lord’s dad in the form of Ego The Living Planet
  • Reportedly, a reboot of The Rocketeer is being developed with a Black woman as the title character.
  • Apparently the human stars of Sesame Street have been let go as the show heads in a new direction. I figured Elmo had taken out a hit on them years ago, so I was surprised to learn they were even still around.
  • Viacom announced that VH-1 Classic will be rebranded as MTV Classic on Monday. The network will air 90s programming, like Daria, Beavis & Butthead and, most importantly, music videos!

Links I Loved

The Wedding Crasher of Lincoln, Neb. – The New York Times

I Need To Move: A Pokémon Go Sob Story – The Workprint


I never thought I’d be saying this, but I think that DC “won” SDCC. They definitely brought their “A” game on all fronts. For the TV shows, we got new trailers showing the effects of “Flashpoint” on the cast of The Flash, while also showing Oliver putting together a new team on Arrow. Speaking of the TV shows, it was announced that Katie Cassidy scored one of those “Berlantiverse” series regular contracts like Wentworth Miller and John Barrowman got. So, even though Laurel’s “dead”, she’ll now be able to pop up wherever she pleases, including The Flash and Legends of Tomorrow.

On the movie front, they made one final push for Suicide Squad with a “remix” trailer that they showed in Hall H. I hate to say it, but I think they’re wearing me down. I had said I had no plans to see it in the theater, but now I have a morbid curiosity about it. We also got the trailer for The LEGO Batman Movie, which was exactly what I thought I was gonna get when I watched LEGO DC Comics: Batman Beleagured. That movie was a toyetic disappointment, but this looks hilarious. I love Will Arnett’s Batman because he has this comedic douchebaggery to him that just makes everything he does funnier. I can’t wait for that to come out.


Now for the big boys. I did not like Batman v Superman: Dawn of Justice. I still haven’t seen the Ultimate Edition, so maybe I’ll change my mind. Or just lose more hours of my life. Still, that movie soured me on the Zack Snyder DC Cinematic Universe. It made me not want to see Suicide Squad, and it made me fear for what a full scale Justice League movie would entail. Then I saw the footage they revealed at SDCC. The movie’s only been filming for a few weeks, but it already looks really good. Hell, it looks great. I didn’t hate Ezra Miller as Barry Allen as much as I thought I would. I was thoroughly impressed by Cyborg’s appearance onscreen. I liked the humor, as the tone didn’t seem as dark of Dawn of Justice, even though they’re supposedly facing a bigger threat. It was kinda weird seeing Bruce Wayne in the Nick Fury recruitment role, as Batman isn’t exactly a “joiner” unless it’s his own Bat Family. Still, I can buy it, and roll with what they’re trying to do. I am actually looking forward to Justice League, which is not something I could’ve said back in March.


The true gem of all the trailers, however, was the Wonder Woman trailer. It’s funny – Whenever people talk about the fact there’s a Wonder Woman movie coming, someone tends to always chime in with “It’s about time”. I also roll my eyes at this person because I never really saw the potential of a Wonder Woman film. I’m the guy who points out there are very few “definitive” Wonder Woman comic runs. To me, she hadn’t “earned” a movie, so there was no “about time” about it. Then I saw the trailer from SDCC, and I thought aloud “It’s about time”. I would never call myself a “Wonder Woman fan”, but I’m trying to learn more about her so I can indoctrinate my daughter at an early age, and WW is the gateway drug (kinda like how every early ’00s article about comics said you should introduce your girlfriend to comics by having her read Blankets). I went from casual fan to “OH MY GOD WHERE CAN I BUY TICKETS?!” in the span of that trailer. It’s amazing how we were all against Gadot when she was first cast, and now I can’t imagine anyone else in the role. I did, however, kinda dislike how the lasso was animated, but maybe it’ll look better on the big screen. Anyway, I feel like DC ruled Hall H this year – something that’s usually a notch on Marvel’s belt. For this reason, I think DC Entertainment had the West Week Ever.

22nd Jul2016

West Week Ever: Pop Culture In Review – 7/22/16

by Will

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WWE Edit


On the movie front this week, all I watched was The Night Before. In case you forgot about it, it’s the film where Det. Robin John Blake, Falcon, and Green Hornet have a crazy adventure on Christmas Eve because of some weed they got from General Zod. Yeah, I’m a comic book kid, so that’s the lens through which I saw this movie, at least at the beginning. Once that wore off, I took it for what it was, which was a laugh riot. I know Seth Rogen is polarizing, kinda like Will Ferrell, but I thought this movie was hilarious.

I’d never seen Anthony Mackie in anything not a Marvel movie, so it was nice to see he’s got comedic chops. Rogen delivered what you’d expect from him (including the obligatory cameo from his bromantic partner, James Franco), and Joseph Gordon-Levitt was good as the straight man. When they were in college, Gordon-Levitt’s parents were killed by a drunk driver at Christmas, so his friends, Mackie and Rogen, start a tradition where they hang out every Christmas as his new family. Well, fourteen years have passed, and things have changed. Rogen is married with a baby on the way, Mackie is a successful NFL player, while Gordon-Levitt is just sort of coasting through life, with a dead end job and a recently failed relationship. With everything changing, Mackie & Rogen decide that this is going to be the last Christmas they uphold their tradition, but aren’t quite sure if Gordon-Levitt can handle it. Meanwhile, they score invitations to The Nutcracker Ball, which is this insane Christmas party they heard about years ago and always wanted to check out. Throw in some drugs, Ilana Glazer, some dick pics, and subtle Home Alone references, and you’ve got yourself The Night Before. Again, I really enjoyed this movie, even though The Nutcracker Ball was something of a disappointment. I mean, it had been built up as this sort of tribute to Bacchus, but all it ended up being was a bar party with a Miley Cyrus cameo. Anyway, I can totally see making this a part of my Christmas movie rotation.

Daddy Kirk

In movie news, they’re already talking about Star Trek 4 set in the Kelvin Timeline. Now, the fact that they want to continue the franchise isn’t much of a surprise, but it is interesting considering there is basically no hype for Star Trek Beyond, which officially opens today. I mean, this is the movie opening during the Star Trek franchise’s 50th anniversary, and nobody seems to care about this thing unless they’re already a Trekkie/Trekker. The movie doesn’t seem to be tracking that well for the average theatergoer. Anyway, they’re saying that Chris Hemsworth will reprise his role of Captain Kirk’s father from the 2009 film, albeit with more screen time this go ’round. On the one hand, I get it, but on the other I don’t. Sure, he’s Thor and he just had a turn in Ghostbusters, but Hemsworth is far from a “bankable star”. Blackhat bombed, The Huntsman: Winter’s War bombed. He’s one more bomb away from being the next Jai Courtney. It’s not unusual for a studio to get a jump on planning a sequel, but I really think they’re going to be disappointed by this weekend’s Beyond box office, making them rethink plans for the next one.


In other movie news, it’s being reported that the finale of the Divergent film series will skip theaters entirely, and be reformatted into a TV series. The Divergent Series: Ascendant was supposed to open in theaters next summer, but the box office reaction to the last film, Allegiant, wasn’t so positive. At this point, it’s not even clear if the film’s cast would be included in this TV adaptation, or if there would be a new cast entirely. Franchise star Shailene Woodley said that she doesn’t know what’s going on. I have no clue what this franchise is about, as I’m not a 14 year old girl. Since it’s based on a young adult novel, I take it to be about a strong, courageous young girl who will lead them all. Only they’re not hungry in this one, right? I dunno, man. Anyway, this is the second time in recent months that a film sequel was reported to be retooled for television, as Kevin Smith said the same thing was happening with the sequel to Mallrats. I know the television landscape is changing, but this still feels like something of a vote of no confidence.

ranger movie suits

In Power Rangers news, we got our first look at the Rangers in their suits, with retractable visors. I’m just really not feeling the look of these things. I get that they’re going more “alien” with the designs, but that doesn’t work for me. The thing with Sentai is that you can really only deviate so much from certain tropes before things start looking like Chinese knockoffs that you find in an airport gift shop. I think there’s a certain level of camp inherent to the brand that this movie isn’t really embracing. Instead of Power Rangers, it’s starting to just look like Tattooed Teenage Alien Fighters From Beverly Hills with a bigger budget. Some folks still can’t get over the molded breasts on the female Rangers’ suits, but I haven’t gotten to that point yet. While somewhat distracting, I feel like there are bigger potential issues with this film right now.

Power Coins

We also got our first look at the movie power coins, which some folks are jokingly calling “cookie morphers”. I HATE these things. They’re so nondescript. It’s been pointed out that the green coin is in Rita’s staff, furthering the rumors of her connection to the Rangers, but I think they could’ve done something more here. Maybe they weren’t going to be standard “coins”, like we’re used to seeing, but they could’ve been something that looks better than flattened rock with some color dashed on it. They’re clearly not making this movie for fans, but for the general public. After all, most PR fans I know are saying they’re “cautiously optimistic”, but nobody is just jumping at what they’ve seen so far. That’s the smart play – make it for the man on the street. But just don’t expect the fans to automatically glom onto something that doesn’t feel right.


Things You Might Have Missed This Week 

  • It was a big week for Hollywood breakups, as Diane Kruger and Joshua Jackson broke up after 10 years together, while Lady Gaga and Taylor Kinney called off their engagement after 5 years together.


    • We got our first look at the character designs for the DuckTales reboot heading to DisneyXD next year. I don’t hate them, but they’ll take some getting used to. LOVE the new Webby, though.
    • Though I don’t know anyone who watches it, I’m sure someone will be saddened by the announcement that MTV’s Teen Wolf will be ending after season 6.
    • Apparently Mattel has snatched the Jurassic Park toy license away from Hasbro. I’m sure all that Jurassic World shit that went to clearance didn’t help Hasbro’s cause.
    • Speaking of Mattel, what should come as a surprise to no one, Matty Collector is gone. The Masters of the Universe Classics line will be fulfilled by Super7 going forward, while Matty Collector has opened up “The Vault” to clear out all MOTUC product.


  • In Pokémon GO, I took over my first gym! I promptly lost it about an hour later…

  • Chris Piers (@chrispiers) is at it again with the Comic Tropes, this time examining the tropes of Frank Miller.


Ya know what? I think Ghostbusters had the West Week Ever. Sure, nobody really talked about it after Monday, as the attention turned to the online harassment of film costar Leslie Jones (poor thing!), and then to the Republican National Convention. We ain’t got time for politics on here, so the RNC certainly didn’t have the West Week Ever. No, Ghostbusters opened to a respectable $46 million, making it a record for both Paul Feig and Melissa McCarthy (it beat the $39 million debut of their collaboration The Heat). It did not, however, beat The Secret Life of Pets, nor does it seem like it’ll be released in China, where movies go to make back their budgets and then some. Still, it did well enough for Sony that they’re already discussing a sequel and, while it wasn’t a $100 million blockbuster, the “haters” didn’t win, as the film did find an audience. So, with all of that in mind, and the sheer fact that nothing else great has happened so far this week, Ghostbusters had the West Week Ever.

15th Jul2016

West Week Ever: Pop Culture In Review – 7/15/16

by Will

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WWE Edit

First off, I just want to thank everyone for the support last week. Between your comments, your emails, you sharing the post, etc, it really meant a lot to me. These are scary times, and I just had to get it out there that I’m scared, too. Plus, blogging’s cheaper than therapy! Anyway, I was amazed that it resounded with so many folks, and if you’re out there scared, too, at least you know you’re not alone. We’ll all get through this together. So, this week we’re back to business as usual.


On the movie front, the only thing I saw this week was Southpaw. I try not to spoil things on here, in case you wanna see it for yourself, but I’m going to have to go all out on this one. Originally developed as a starring vehicle for Eminem, Jake Gyllenhaal stepped in when Em decided he wanted to focus on his music. Anyway, Gyllenhaal plays Billy Hope (the great White hope, get it?), a former kid from the system, who’s now the world boxing champion. His record is 43 & 0, but he’s challenged by up and comer Miguel Escobar, who’s pretty convinced he can beat Hope. He keeps taunting him in public situations, and Hope wants the fight, but his manager, 50 Cent, won’t let him fight Escobar because he secretly believes Escobar would win, and that’s just not good for business. Meanwhile, Hope’s rock is his wife, Maureen, played by Rachel McAdams. They met in the orphanage when they were 12 and have been together ever since. So, one night, they go to a charity dinner, and as they’re leaving, there’s Escobar with his taunting again. Hope’s got a short fuse, so a fight breaks out, and in the ensuing chaos, one of Escobar’s entourage member’s gun goes off, killing Maureen. And that’s when Hope just goes to shit. Remember Rocky V, when Rocky came home to find out he’d lost everything? This is basically that, but times 10.

Hope loses all his money, his crew, his title, and then they take his daughter away and put her in the very system he and Maureen had escaped from. Before she died Maureen told him that it would all dry up, and all he’d have left is her and their daughter. That his entourage wouldn’t stick around, and she was basically right. So, Hope has to get his life right so he can get his daughter back, and he seeks out Forest Whitaker to train him. Remember how Adonis Creed basically ran down Rocky until he agreed to train him? This was like that, but sadder. Forest doesn’t want to do it, and has his own shit going on, trying to keep kids off the street. Anyway, Hope gets a job in the gym, cleaning bathrooms or whatever, and then trains when he’s not working. He gets to a point where he’s invited to fight in a local charity fight, which he ends up winning. All of a sudden, here’s 50 Cent (who’s now repping Escobar), who says he can get Hope’s suspension lifted if he’d be willing to face Escobar in a “Revenge Match”. He’s got 6 weeks to get his shit together, and then they fight. And it’s a close one. But of course Hope wins, and gets his daughter back. And everyone lives happily ever after. But wait!

First off, I have to believe there’s a director’s cut out there somewhere that fills in a lot of the holes in this movie. For instance, they completely DROP the whole thing about Maureen getting murdered. Like, there’s no investigation or anything. Escobar helps his boys smuggle the gun out of the benefit, but nothing ever becomes of that. It’s just gone. Meanwhile, the only Black dude in Hope’s entourage also had a gun, which he had drawn at the moment of the shooting. The cops end up taking him down, assuming he was the shooter. Nothing ever happens with that. The last we see of him, the cops are holding him down. Did he get released? Is he doing time for a murder he didn’t commit? Did Hope even try to help his boy out?

Next, Hope knew his boys weren’t shit. They disappeared the minute things went south. Maureen told him that was going to happen. Yet, when he makes his comeback in the Revenge Match, they’re right back in his corner. Like, he totally took them back, even though they weren’t there when he needed them most. You’d think he would’ve replaced that entourage with Forest and the guys at that gym, but the old gang is right back there, cheering in his corner. That’s not how that’s supposed to work. That’s like if the other reindeer went right back to treating Rudolph like shit on December 26th.

Also, I don’t feel like Hope should’ve won. I think it should’ve been close, but if you’re gonna steal that much from the Rocky franchise motif, then you’ve gotta let the dude lose, but still learn something from the experience. It’s wrapped up in too nice of a bow that he wins, especially since he was gonna get a payout either way – which would’ve been enough to start a new life with his daughter.

It’s not a bad movie, but it’s not a great movie either. Gyllenhaal does a Hell of a job with what he’s got to work with, but there’s not a whole lot there. Hope isn’t terribly likable, but you’re to root for him because he made it out of the system and he really loves his wife. But he’s not the lovable, semi-retarded pugilist that Rocky was. Do I recommend it? Yeah, sure. But since I just told you the whole thing, I doubt you’ll want to spend the 2 hours on it.


On TV, Mr Robot came back for season 2 this week. About 5 minutes into the episode, I was quickly reminded of the anxiety that the last season put me through. I really don’t know if I’ve got it in me to stick with this show. I’m already tired of the whole Christian Slater is actually Elliot, but he’s really his dad who lives in his head, and is probably also that Tyrell Wellick dude. The premiere picks up where last season left off, right after the big fsociety hack sent the world into a financial crisis. For one thing, I kinda expected more chaos. Sure, some folks’ mortgage payments have disappeared, but it seems like life is pretty much carrying on as usual. I kinda expected a dystopia like we saw in Dark Angel after the EMP went off. No cars, everyone riding bicycles, people dressed in rags. Nope, pretty much business as usual. Maybe future episodes will delve deeper into how the world has been affected, but I just didn’t feel it – even when they had cleverly edited President Obama into the whole thing. I already bailed on Wayward Pines because I didn’t feel like it needed a second season. I don’t want to have to do that here.


In comic news, Marvel released Civil War II #3 this week, which featured the death of a HUGE character. I dunno, man. I haven’t even bought it yet. Yeah, I know who died, but I haven’t been this uninterested in a comic death in a long time. There was a local midnight opening for the book, and usually I’m all about that, but I just couldn’t be bothered. I’m about 3 months behind on Marvel books, so it wouldn’t have made much sense to me anyway. Wanna know what happened? Highlight this text: Hawkeye kills Bruce Banner before he can Hulk out and kill a bunch of people.

Now, this leads me to ask several questions, but I’m sure they’ll all be answered OR ignored in upcoming issues. I’m just sick of death having NO meaning in comics. I know it has basically become a trope at this point, but if they’re going to do this, I wish they’d at least acknowledge it in story. For example, in X-Factor, there was a long-running background story where Siryn was waiting for her father, Banshee, to return from the dead. After all, every other fallen comrade she’d had had returned, so why not him? And characters kept trying to convince her he was really gone, but she wasn’t buying it. And then he came back. Sure, it wasn’t a straight road, but he came back in some not-dead form. I’d kinda like more of that. You know, I’m not stupid. I’d actually be fine with a storyline that says “Wolverine is in a coma, and we don’t know if he’ll wake up.” We know he will, because that’s like printing money, but at least we know that he’ll be back in action when they need him most. I don’t need *DEATH* to be this storytelling device to get your point across. Shit, tell me that Superman went to Europe to find himself, and these 4 guys are gonna take his place. You don’t have to keep playing the Death Card, comic publishers. This stunt is really on its last legs. Sure, it gives the mainstream media something to talk about for a day, but actual comic fans are tired. There is next to no goodwill left when it comes to this.

marvel now

Speaking of Marvel, they released a catalog of their Marvel NOW! 2016 books, and there were some surprises. First of all, a few books that basically JUST launched are being relaunched. These include The Ultimates, Hawkeye, Nova, Invincible Iron Man and Captain Marvel. I swear, for a character they claim to want to push into the limelight, Marvel makes it really hard to follow Captain Marvel’s series. They launch, end, relaunch, then get collected in random formats. I seriously hope they get this straightened out before her movie comes out. Anyway, there are some interesting moves, as there’s no more flagship Amazing Spider-Man. Instead, we get Amazing Spider-Man: Renew Your Vows, seemingly picking up where the Secret Wars miniseries left off, and The Clone Conspiracy, which it turns out is its own series and not just the name of a storyline. So, it looks like ASM is going on hiatus for a bit – a series that has already been relaunched twice in the past 2 years. Also, Marvel really seems to love stoking the fires of the “Marvel hates the X-Men because they don’t own the film rights” conspiracy, as all the X-Books are missing except for the newly launching Death of X series. No more All-New Wolverine, Old Man Logan, Extraordinary X-Men, All-New X-Men, Uncanny X-Men, Yo Mama’s X-Men. All gone. These are probably just another case of a temporary hiatus, as they don’t want Death of X to be overshadowed as the “event” they’re purporting it to be. I really don’t know what Marvel is doing here. They tend to only think of the short term instead of playing the long game. Sure, these things get them some attention but, just like the death thing, fans are getting tired of these practices. And to look at some of these upcoming books – SlapstickSolo? I feel like the 90s are upon us again, and that doesn’t bode well for the business side of things.


In toy news, Mattel made an interesting decision. According to Action Figure Insider, they’ve decided to offer up their San Diego Comic-Con exclusives online via the Matty Collector site instead of selling them at the show. Now, of course some fans are excited about this, but it just leads me to wonder what exactly is going on over at Mattel. A couple of years ago, I mentioned how Scott “ToyGuru” Neitlich had left the company to go work for Jakks Pacific, making those 31″ figures that nobody buys from Walmart (apparently, he just got hired by Jada Toys, working on those metal Funko Pop wannabes that nobody buys from Target). Anyway, since he left, Matty Collector, and the Mattel output as a whole, has just been a disappointment. There have been rumors that nobody’s steering the ship over there. Now comes this SDCC news. There’s usually a big to-do, with a booth and a lottery to get the chance to buy the exclusives. Instead, folks who have preordered the toys can still pick them up at the show, but they’ve got to go to the Marriott next door to the con to get them, like a seedy drug deal. Anyway, the sale begins July 18th, and you can buy the following items:

Barbie® Amazon Princess Wonder Woman™ Doll ($80)

DC Comics™ Multiverse Wonder Woman™ Figure + Invisible Jet ($15)

Ever After High® Cedar Wood® SDCC 2016 Exclusive Marionette Doll ($30)

He-Man and the Masters of the Universe® She-Ra® ($75)

Hot Wheels® Star Trek™: ’64 Buick Riviera & Spock 1:64 Figure ($20)

Monster High® Ghostbusters Frankie Stein® Doll ($25)

Thomas & Friends™/DC Super Friends™ MINIS ($19.99)

ThunderCats™ WilyKit & WilyKat™ 2-Pack ($60)


In Power Rangers movie news, Lionsgate released these character posters yesterday. I swear, this movie is shaping up to be something I’d have no interest in seeing if it weren’t named Power Rangers. Some folks have said that they like the David Bowie vibe to these, but it’s just not Power Rangers to me. This is gonna be your typical Lionsgate young adult novel adaptation, without the necessary camp that’s inherent to the franchise. I know things have to evolve, but I just don’t know if this is the direction I’d have taken things.


Nintendo announced the upcoming release of the NES Classic Mini. Scheduled to hit stores in November (just before Christmas. Smart!), the tiny console will come loaded with 30 original NES games, including Super Mario Bros 1-3, Pac-Man, The Legend of Zelda and more. The system will retail for $60, but doesn’t contain physical media, so there aren’t going to be any more games than the 30 that come with it. Some fans are disappointed by this, as they’d like to be able to play their old games on modern televisions (the NES Mini will have HDMI outputs). It’s a cute idea and all, but it seems just like the Atari and Sega versions that hit stores years ago. It’s hardly a new concept, but Nintendo has brand loyalty, so I know some nostalgia gamers will be all over this. If I find it on sale or something, I might bite, too.

My buddy Chris is at it again – this time he’s got a friend with him, and they’re checking out the tropes of the Teenage Mutant Ninja Turtles comic. And then they actually have to watch Teenage Mutant Ninja Turtles III: Turtles In Time. Check it out!


Last week, I had the pleasure of joining the Nerd Lunch guys to talk about Star Trek. We discussed where it’s been, where it is now, and where we think it’s going. Enterprise, TNG, Kelvin Timeline – it’s all there! I even say some controversial stuff about The Beatles. You know you want to check it out!


Pokémon GO. Pokémon Mother Effing GO. Where do I even begin? This game has taken the country by storm. It just hit North America on July 6th, and has already surpassed Twitter in amount of daily users. You’re either playing the game or complaining about others playing the game. Either way, it has somehow entered your world in the past week. There are no divisions when it comes to this thing, as it’s crossing all social and color lines. It’s like that episode of The Next Generation, “The Game”, where Wesley Crusher and Ashley Judd have to break the crew’s addiction to virtual reality. To paraphrase Usher, “We’ve got it bad”.

What is Pokémon GO? I had a friend ask me that on Facebook, and I tried to explain it the best that I could. I won’t go over that here, as I’m sure you all know how it works by now. There are little things about the game I find interesting, however. It’s funny to me that most of the gyms are churches, so we’re basically battling tiny demons for the right to possess churches. And then we force evolution on them to make them more powerful so they can take over even more churches. If you’re an Evangelical preacher, I just wrote Sunday’s sermon for you. You’re welcome. They say that the game is actually causing an increase in folks visiting houses of worship, but I’m sure they’re just grabbing Pokéballs and then it’s “Seacrest out!” The Episcopal Diocese of Washington actually sent an email yesterday, instructing parishes as to how they could encourage “Poké Pilgrims” and welcome them to their congregations. Look for more stuff like this, as corporations and the like decide they want to get in on the action. These are the glory days of GO, y’all. We’ll look back on these days when we’re drinking Pokémon GO Slurpees at the local 7-11.

I never thought I’d play the game. I was prepared to be a hater like I tend to be, but then I downloaded it on a whim. I was hooked instantly. I haven’t been this into a computer game since Farmville, and I lost a lot of Facebook friends over that (Sorry for all the requests! The game made it look like you were actually playing). Since Monday, I’ve caught 144 Pokémon and I got spoiled because I won my very first gym battle. Conservatives LOVE to say “Pokémon GO has achieved what Michelle Obama spent years trying to do.” No, not really. I drive to Pokéstops. Is that cheating? Maybe, but when there’s a dearth of Pokéstops nearby, you do what you gotta do. Anyway, I’m still a fat ass, so nice try, conservatives. There’s something unsettling, though, about slowly cruising by a park after dark so you can get more Pokéballs – especially in today’s political climate. Please, Lord, don’t let me get killed over some tiny computer demons! I mean, folks are getting robbed, they’re walking off cliffs. It’s chaos out there, but it’s also really fun.

I’ve noticed a glitch in the game. I mean, it’s new and really popular, so it’s bound to be buggy. My issue is that I try to play on the sly when I’m in public. I’m still kinda ashamed to be playing it, when all the folks around me are 13 year old boys. There was a group of teens hanging outside the Korean church (the local gym), and I was scared to go down there because they were just that right age to be unmercifully vicious. Anyway, the game seems to hate sunlight. I can’t tell you how many Pokémon I’ve tried to catch while on the move outside, only for the Pokémon to pop out of the ball and I have to recatch it.  Multiple times. It has something to do with the game not properly syncing with the servers (which are regularly down for the count), but I have the most trouble with this on sunny days. Anyone else experience this?

Anyway, I’ve rambled enough. You’d have to be a fool not to realize that Pokémon GO had the West Week Ever.



08th Jul2016

West Week Ever: Pop Culture In Review – 7/8/16

by Will

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WWE Edit

I really thought about skipping this week. I mean, a lot of y’all missed last week’s post (based on my stats), so it’d be “new to you”! The main reason I thought about skipping is that I just didn’t know if I could do this. I’ve always liked when, after a tragedy, late night comedy shows would “break kayfabe” and actually address the matter at hand. It’s funny because I recently tweeted that folks needed to stay in their lanes. For example, if you’re a retro pop culture blogger, it’s kinda jarring when you start screaming “BENGHAZI!” Well, I’m gonna veer out of my lane for a bit. You might hate it, or you might agree with it. At the end of the day I still got your click. No, this needs to be said.

There’s something wrong in this country. Honestly, there’s a lot wrong with this world, but I’m trying to localize it somewhat. It strikes me as odd that in the same week we celebrate “freedom” and “independence”, a lot of people out there are still in danger. They’re being hunted. When these police shootings really started booming, it was always argued that “Well, he did X to deserve this.” As none of us were there, we don’t know WHAT happened, but I find it hard to believe that he needed to be KILLED. The part that really gets to me is that this is being done by the people who are supposed to be protecting us. I mean, if we can’t trust them, then who can we trust?

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I don’t like to talk about race. Hell, I don’t like to even think about it. Call me naive but it boggles my mind that there’s a disparity between people based on the color of their skin! I mean, that’s so asinine, but it’s been going on since before I was born, and will probably continue after I’m gone. As I sit here, with my White wife and halfy baby (What? Don’t like “halfy”? Would “zebra cake” be better?), I tend to feel isolated from some stuff, while other times race is very obvious to me. I’ve had folks tell me I only got into Cornell because I was Black. I’ve had an ex-girlfriend’s grandfather proceed to wash his hands in front of me after shaking mine. I’ve had a racist call me a “nigger” MANY times and challenge me to a fight at a traffic light. I’ve had some “in your face” kinds of stuff, but I try to carry on. Still,  I’m tired. I’m tired and scared.


I like to drive around a lot. I drive just to waste gas. Sure, it’s usually for a toy hunt or something, but at the end of the day, I’m just wasting gas. I drive at all times of day or night. Why? Because I’m weird. But now I’m scared. Last night, after the news of the Philando Castile murder at the hands of police, I was at my mother’s house because I go over there every week to take her trash and recyclables to the curb. Well, I tend to also fall asleep when I’m there, waking up around 2 or so in the morning. And for the first time, I was scared to go home. I didn’t want to drive the 10 minutes home, risking my life in the process. I mean, here I am, driving my wife’s car, in the middle of the night. I could hear the pundits now “Why was he out that late?” and “Well, why was he in someone else’s car?” Do White people have to premeditately justify their murders? For all I know, maybe they do. Maybe it’s the fault of the “media”. All I do know is that I ain’t hearing about Conner and Troy getting shot by police, and when they do something wrong, I’m told of all their accolades and shown pictures of them in prep school blazers. I often think about which picture they’d use or which social media post will be taken out of context should I end up dead. That’s not how life’s supposed to be, right? Or is this just the sign of the times?

I’m so glad I don’t have a son right now. Like, really glad. I mean, I’d always wanted “one of each”, but I honestly don’t know how to raise a son in this world. I read Ta-Nehisi Coates’ Between the World and Me, hoping I would get some sort of insight on how that process goes. Sadly, he hadn’t really figured it out either. Sure, I’ve got a daughter but, at the moment, society just sees her as something to eventually fuck but not to kill. Yay?

I don’t want to live like this anymore. People say “Black Lives Matter”, and they’re immediately met with “All Lives Matter”. If that were true, we wouldn’t have had to drill it down to just Black people. I don’t doubt there’s shit you don’t wanna deal with while being White. You probably feel like we ask for too much, and other -isms are constantly trying to change your way of life. I can understand that. But can’t we just agree that Blacks don’t deserve to be MURDERED? BY THE FUCKING POLICE? Can’t we just do that?

What really scares me is how many of my White friends get silent on the matter. It’s like we’re cool until the shit goes down. I tend to live online, so I have a lot of friends that others would just consider “friends”. What I mean is that I don’t see these people often (in some cases we’ve never met), but I actually consider them important in my life. But what’s going to happen when/if something happens to me? Will they join the chorus of “Well, he shouldn’t have done X”? Really? You’ve known me on here for how many years, and you think I’d start shit with a cop? And that’s the problem: a lot of folks aren’t doing ANYTHING confrontational. They’re complying and cooperative, and they’re STILL getting killed. But to the All Lives Matter crowd, surely I had to have done something wrong, right?

We DESERVE to live and be protected. Our kids DESERVE to live and be protected. I DESERVE to live and be protected. But who’s watching out for us?

So, I guess you came here for some pop culture stuff, and “the show must go on”, so let’s get to it.


In comic news, Marvel announced that recently introduced character Riri Williams will be replacing Tony Stark as Iron Man at the end of Civil War 2. The character is a 15 year old accepted to MIT who manages to build her own War Machine armor. Oh, and she’s Black. So, you can guess where the comments sections went on this one.

The Invincible Iron Man comic is currently written by Brian Michael Bendis, whose writing I enjoy despite the fact that he was a douchenozzle to me one time. I do have a problem, however, as Bendis will be writing Riri, as well as Miles Morales. This means that two up and coming Black Marvel characters will be written by the same White guy. Now, I’m not saying that Black characters have to be written by people of color. I think everyone has experiences that can influence how they approach different characters (All Writers Matter. Heh). That said, it does occur to me that both characters are basically in their formative years, as both are around the same age. Adolescence is a challenging time, and when you add in minority identity development, it becomes even more complex. I think I’d feel better if a character who’s not quite sure where he/she fits into the world was written by someone who has known how it felt to not really know where they fit into the world. G. Willow Wilson, a Muslim, writes Ms. Marvel, and it seems like such a natural fit. Even though a convert, she has an understanding of what Kamala Khan’s life must be like. One day, however, some writer will come along who isn’t Muslim, but by then the groundwork will have been laid. I think I want a writer of color to lay the groundwork, and for Bendis to come along later. But she’s his creation, and he’s earned his place with Marvel, so I don’t see that happening.

I could very well be wrong, and I’m willing to admit that, but I just feel like Bendis has a monopoly on the young, cool Black characters at Marvel right now. He’s already created Riri, so it’s got that Bendis stamp on it, but maybe pass it off to David Walker or one of the few others that exist but I’m clearly forgetting. And where are the Black women writers? This would be a great book for them, as they’d bring different experiences to Riri. Anyway, I’ll be buying the book, as I like where it’s been going, but I won’t stop wondering what might’ve been.

In TV news, it was announced yesterday morning that Uncle Buck was cancelled by ABC. It’s not all that surprising because the show was clearly experiencing a Summer Burn Off, but I can’t help but feel that it might’ve had a shot at another season had it been named something else. At the end of the day, the nostalgia folks don’t like to have their properties co-opted, no matter how 3rd-tier they might be. We’re already seeing this with the upcoming Ghostbusters film, but I’m also reminded of the race-flipped Honeymooners that NOBODY went to see. And then they come along and do this to Uncle Buck. I think part of the issue is that White people had no real desire to see a race-flipped Uncle Buck because John Candy. Meanwhile, Black people don’t really have any affinity for the Uncle Buck “brand”. To us, John Candy was, and will always be, the dude from Cool Runnings. So, there really wasn’t an audience clamoring for it packaged this way. Had it been named any other thing, maybe it would’ve had a chance? Then again, it costarred James Lesure, who’s basically the Black Ted McGinley. Farewell, Uncle Buck. We hardly knew ye.


In movie news, it was announced that John Cho’s Hikaru Sulu will be the Star Trek franchise’s first gay character in the upcoming Star Trek Beyond. Sulu will also have a husband and a daughter. It’s reported that writer Simon Pegg and director Justin Lin made the decision as a nod to original Sulu actor George Takei who’s become quite the LGBT activist over the years. Now, I’ve got the same questions I had when Marvel did this with Iceman. If the Kelvin Timeline Sulu is gay, does that mean the “regular” timeline Sulu is also gay? I mean, we already met his daughter in Star Trek Generations, but we never got into his sexuality. I guess I’ll let the fanfic kids work that out. Anyway, in an interesting development, Takei has said that he’s actually disappointed in the move, as it’s not what Trek creator Gene Roddenberry originally intended. Reportedly, when Takei learned that Pegg and Lin wanted to reveal that Sulu was gay, he pleaded with them to create a new character instead. I get what he’s saying, but I’m pretty sure that very little of the Kelvin Timeline is what Roddenberry originally intended, so I think they get a pass here. Still, I’m not the This Is OK police, so it doesn’t really matter what I think.

Things You Might Have Missed This Week

  • Netflix has signed a deal to exclusively stream CW shows 8 days after the season finale airs.
  • Comic publisher Valiant racked up 50 Harvey Awards nominations, making some wonder if the system is broken. At the moment, nominations are voted on by comic industry professionals, but it seems odd that a company that hasn’t had an Eisner Award (basically the Oscars of comics) nomination in the past 2 years would rate so high at the Harveys. I tried to start the #HarveysSoValiant hashtag in protest, but it didn’t take.
  • BeFunky CollageTRHMTTMy pals over at The Robot’s Pajamas were kind enough to let me write about about the hottest moms on the shows that your kids love. I’m equal parts proud and ashamed of this post, so please validate me by checking it out!

  • Speaking of Robot’s PJs, Chris is at it again with a new Comics Tropes video. This time, he celebrates America by checking out a vintage Captain America comic, and setting off some kick ass fireworks!

I don’t write much about wrestling these days, and I really don’t write about TNA wrestling. If you don’t know much about wrestling, there are basically two big companies: World Wrestling Entertainment (WWE) and Total Nonstop Action (TNA) – they’re the Marvel and DC of pro wrestling. Just like with comics, there’s a market share disparity, as WWE is everywhere, while TNA changes networks more than its fans change their underwear (ooh, sick burn!). TNA is really unstable, with reports of its demise surfacing on an almost weekly basis. Still, when you’re not the big dog in the yard, you can make some interesting creative decisions. And that’s exactly what they’ve done with the war between Matt and Jeff Hardy.

If you were a fan of WWE back during the early ’00s, then you know Matt & Jeff better as the Hardy Boyz or Team Xtreme (with Lita). They were highflyers who loved to jump off shit. They were basically backyard wrestlers who’d finally made it to the big time. And they were AWESOME. I loved Team Xtreme and all their moves, like the Twist of Fate and the 450° splash. Then life happened. Matt was dating Lita, Lita was having an affair with another wrestler named Edge, and then the whole thing became part of the ongoing TV storyline. The Hardys kinda fell from grace, but eventually resurfaced at TNA.

Some years passed, and I became more of a fair weather wrestling fan, so I missed a LOT of stuff. Anyway, recently Matt Hardy adopted this new persona with a janky accent and this streak in his hair. He became obsessed with defeating his brother, Jeff. Matt referred to Jeff as “Brother Nero” and made it his mission to take him out. What’s funny about the whole thing is that the storyline very much adheres to cartoon guidelines from the 80s. Like, did Matt want to KILL Jeff? Not sure. But I do know that he wanted to “delete” him, whatever that means. So, this week on TNA Impact Wrestling, we finally saw The Final Deletion. It’s so great, guys! It’s like Sharknado in a So Bad It’s Good kind of way. It felt like porn without the sex, which can be quite entertaining due to the bad acting and production values. I posted the “director’s cut” of the whole saga above, and I implore you to take the 17 minutes and check it out. Everything is great, from Matt Hardy’s weird persona, to the hapless gardener, to the drones, to the chaos of the battlefield. It’s just…I mean, if this is what TNA is gonna do every week, I will happily turn in my WWE fan card. Three hours of RAW and two hours of Smackdown are too much WWE anyway. After watching that video, I hope you will agree with me that The Final Deletion had the West Week Ever.

01st Jul2016

West Week Ever: Pop Culture In Review – 7/1/16

by Will

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WWE Edit


In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.


Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.


On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.



In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.


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In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.

Things You Might Have Missed This Week

CW DC Promo Group

    • We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
    • Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
    • Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
    • Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
    • Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
    • The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.

  • My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!


It was a great week if you were  a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.

24th Jun2016

West Week Ever: Pop Culture In Review – 6/24/16

by Will

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WWE Edit

We’ve got a lot to talk about this week, so let’s get to it, shall we?


On the movie front, the first thing that I watched was Focus, starring Will Smith and Margot Robbie. Smith plays a con man who takes Robbie under his wing from chump change jobs to the real money jobs. It was entertaining enough, but it just felt like another movie where Will Smith played a version of himself. He never really immerses himself in his roles. Each role is just an alternate timeline version of Will Smith. In this timeline, he wore really nice suits and had an S-Curl. Robbie was fine enough, but I don’t get why she’s the new It Girl. I guess I still need to see The Wolf of Wall Street for that. My problem with heist movies is that my brain doesn’t work fast enough to process what’s going on with the plan. I just blindly accept whatever they’re telling me, and then I end up overanalyzing it once the movie’s over. I’m basically the guy trying to figure out how the magic trick works. Anyway, it was engaging, but it’s also got some twists where you can’t really watch it a second time. Nothing on a “Keyser Soze” level, but I think a second viewing would be affected by what I know now, having already seen it. Anyway, it’s not a bad way to kill an hour and a half.


Then, Lindsay and I watched The Good Dinosaur with the baby. Since she’s only 14 months old, she kinda watched it while busying herself by climbing on shit. I could think of much better names for this film. For example, it could’ve been called The Dinosaur King, since it’s really just a working class version of The Lion King. Or it could’ve been called Dino Falls, because it sounds like the name of a town, but it’s really because the main character, Arlo the dinosaur, spends a lot of time falling off shit. He falls off cliffs, mountains, etc. It seems like every 10 minutes, he’s getting back up from something, so at least he’s tenacious! Anyway, the story’s about Arlo, the weakest of a dino family, who ends up lost and has to find his way home. On the way, he befriends a caveboy who he initially thought was his enemy. Together, they protect each other in the treacherous environment. It’s got all the Disney tropes you love: dead father, inspirational ghost of dead father, gang of stupid, antagonistic predators. Seriously, the only thing missing was a catchy song or phrase to put on T-shirts (“Hakuna Matata” or “Ohana”, anyone?). Still, even though it’s not considered one of Pixar’s best, and I felt like I’d experienced that story before, I still really enjoyed it. To be honest, I think I liked it more than Inside Out. Maybe it was the hype surrounding that movie, but I just don’t get what you people saw in that film that was so emotional. I was far more touched by the friendship between Arlo and “Spot” than I was about anything going on in Riley’s life. So, you probably didn’t see it when it was in theaters (it was Pixar’s lowest-grossing film), but I think you should definitely check it out now that it’s On Demand and on DVD.


Finally, I watched Sleeping With Other People, starring Jason Sudeikis and Alison Brie. Sudeikis and Brie lost their virginity to each other in college, and then meet up again almost 15 years later at a meeting for love addicts. It seems that neither has been able to have a successful relationship since college, and they sort of become each other’s support system. Meanwhile, everyone around them knows they ought to be together, but they just won’t pull the trigger. It was a funny movie, with a great cast of funny folks. The part that I loved was that many of them had worked together before, so I kept thinking of this as an extension of those other roles. For example, Brie’s character was cheating on her boyfriend with Adam Scott, so I kept thinking of those Smirnoff commercials with the two of them. Or Sudeikis’s business partner is played by Jason Mantzoukas , better known as “Rafi” on The League, and his character is married to Andrea Savage, who played Rafi’s girlfriend on The League. I love little things like that. Anyway, it’s a romantic comedy, so you know how it ends. Plus, Brie must’ve had a no-nudity clause in her contract, as there was a bra-on sex scene, so that was a bummer. Still, everyone’s got great chemistry, and I enjoyed it.

Big Jay Oakerson

On the stand-up comedy front, I was eagerly anticipating Big Jay Oakerson: Live At Webster Hall, which premiered last Friday night on Comedy Central. I’ve recently heard about folks getting too familiar with podcast hosts because they feel like they know them, and that’s exactly how I feel about Big Jay. Seeing as how I listen to him twice a week on The Bonfire, I guess I’m starting to think he’s my friend or something. Crazy, I know, but I do think we’d get along famously. Anyway, for that reason, I was really happy for him that his one-hour special was finally seeing the light of day. It was a great hour, and he’s truly is the master of crowd work. He doesn’t even have to prepare that much material because he just engages the audience, and he’s quick on his feet. It was definitely one of the better specials I’ve seen recently, but I might be biased since I’m a notch away from being a stalker here.


Then, I caught Quincy Jones: Burning the Light on HBO. No, not that Quincy Jones. If you’re not familiar with Jones, he gained a lot of attention last year when he appeared on The Ellen DeGeneres Show. You see, he’s got terminal cancer, and only has about a year to live. He wanted to spend that time touring and doing comedy. Ellen hooked him up and got HBO to give him a one-hour special. He had some funny bits, but it felt like he was still workshopping some stuff. It wasn’t a tight hour, and his crowd work struggled a bit because of a weird audience. It almost felt like they were there out of charity, as they knew his situation, and would kind of laugh at stuff that wasn’t that funny. I feel like he probably could’ve had a strong half hour on, say, Comedy Central’s The Half Hour, but he’s not ready for a full hour yet. Sadly, time isn’t something that he has a lot of, so I guess he had to strike when the opportunity presented itself. It’s worth a watch, but go in knowing that it’s not going to be the most polished special you’ve seen.


In DC movie news, the logo was revealed for the Justice League film. In order to curry favor with the press, director Zack Snyder invited basically every major news outlet to a site visit recently. Though the movie is only 30 days into a 100 day shoot, reporters got to tour the set and talk to Ben Affleck. And of course, all of the folks who were invited are now positive about the movie, saying that Ezra Miller’s Flash will be a surprising bright spot of the film. It seems the Snyders basically brought the press to them for their Apology Tour, but everyone’s drinking the Kool-Aid. An interesting tidbit came out of the visit: though originally reported as a two-part film, producer Deborah Snyder said that Justice League is ONE film. So, that now means that DC has an open release date in which they can slot something else. It’s also rumored that The Flash will be more of a team-up movie with Cyborg, making me think that the Cyborg movie might be inching its way off the table.


In Power Rangers movie news, a PR alum comes home as Bryan Cranston has been cast as the Rangers’ mentor, Zordon. Cranston voiced a few of the monsters of the day back during the Mighty Morphin days. I wouldn’t call this a casting “coup”, but it really does come out of nowhere. Meanwhile, Lionsgate released the teaser poster for the film, and it’s the most Lionsgatey thing that Lionsgate ever Lionsgated. If you’re not familiar with Lionsgate’s output, their highest grossing movies are angsty young adult novel adaptations, like Divergent and The Hunger Games. And that seems to be the tone they’re going for here, which I was afraid of. It looks like the poster for a show that would air on The CW or Freeform. Yeah, I see the lightning bolt in the stars, but that’s not doing it for me. There’s gonna be problems marketing this film, as PR typically isn’t for the YA set, while this doesn’t look like something kids want to see. I know it’s just a teaser, but I’ll be interested to see how they handle the marketing going forward. Right now, this just looks like the back cover of an Abercrombie catalog…


In Star Trek news, CBS/Paramount has issued official guidelines for fan film productions going forward. Ever since the drama with the Anaxar fan film, resulting in a lawsuit from CBS/Paramount, folks have wondered how fan films would be handled in the future. Well, now they know. And some folks are up in arms about the guidelines, but I’ve seen some pretty dreadful Trek fan films, and I know that CBS/Paramount are just trying to protect their IP. There are some interesting rules here, though. For example, no one who has ever appeared on Star Trek can be in your fan production, as it must be cast entirely with amateurs. So, no more Walter Koenig and Tim Russ cameos. And you can’t have Star Trek in your title, but you MUST include a subtitle that says “A Star Trek Fan Production”. And if there are commercially-available costumes or props, you can’t use bootleg versions, but must use the store-bought equivalent. So, no more homemade Starfleet costumes. These rules are really going to shackle the hands of fan film producers, but I think abiding by them will result in a higher quality product. I guess time will tell.

Things You Might Have Missed This Week

  • Fall Out Boy and Missy Elliott released “Ghostbusters (I’m Not Afraid)”. Ray Parker Jr’s career is rolling over in its grave!
  • It was revealed that season 3 of The Flash will loosely adapt the Flashpoint storyline from the comics
  • Sony revealed plans for the animated Ghostbusters: Ecto Force. The show will focus on a team of Ghostbusters in the year 2050. Yeah, not quite sure why they need a time jump, but it is what it is. It just has shades of Stargate Infinity and it makes me sad.
  • FX has renewed Archer for 3 more seasons, which is surprising since that show seemed to be winding down. One of these days, I’ll actually watch past season 1.


      • The Ben 10 reboot will debut on Cartoon Network in North America in 2017, while Playmates now has the toy license. As you can tell from the art, this version seems to be targeting a slightly younger audience than the last show.
      • Jamie Chung has been cast as Valerie Vale for next season on Gotham. Apparently, shes Vicki’s aunt. This fucking show…
      • Former Wonder Woman star Lynda Carter has been cast as the President in the next season of Supergirl. And that’s STILL not enough to make me interested in that show.
      • After already renewing the show for a second season, HBO decided to cancel the low-rated Vinyl.
      • Maisie Richardson-Sellers has been cast as Vixen on Legends of Tomorrow, where she will play the grandmother of current Vixen Mari McCabe, played by Megalyn Echikunwoke
      • Comic writer Mark Millar announced ongoing series for Hit-Girl, as well as Kick-Ass: The New Girl. The latter will feature a young Black woman taking on the mantle of Kick-Ass. One day, I’ll actually get around to reading the finale of the last guy who wore the suit.

  • My pal Chris Piers is at it again with the Comic Tropes videos. This time, he tackles polarizing artist Rob Liefeld and an increasingly hot assortment of peppers. Check it out!


This week, each day brought us more casting news about Spider-Man: Homecoming. At first, we learned comedian Hannibal Buress had joined the film. Then, Abraham Attah, from Beasts of No Nation, joined the cast. Then Bokeem Woodbine. Then Laura Harrier. And then Garcelle Beauvais. I joked on Twitter that the casting mandate for this movie is clearly “Get all the Blacks who aren’t already in that Black Panther movie!” So, if you’re a working Black actor in Hollywood, you probably had the West Week Ever. And if you didn’t, just sit by your phone. The call is coming!