26th Oct2016

Comical Thoughts – IDW Presents A Revolution You Can Skip

by Will



For some time now, IDW has been the comic home of Hasbro’s biggest properties, including G.I. Joe and Transformers. They recently added MicronautsRom: SpaceKnight and UK import Action Man to the mix. So, it seems like as good a time as any to gather them all under the same umbrella in a shared universe. The mechanism for doing this is the miniseries Revolution, which will also result in a long awaited M.A.S.K. spinoff series. While this all might sound good on paper, the execution of it has been horrible. The story runs in a 5-issue miniseries, combined with various one-shots for each property involved. So far, the first 3 issues have been released, as well as the one-shots for Rom, M.A.S.K., and Micronauts. By this point, I feel justified in saying that the story is confusing, ugly, and not well planned. Let’s take a closer look, shall we?


In the first issue, we learn that the Transformers depend on a mineral called Ore-13, which has recently become unstable and is exploding. The new Action Man is investigating a stockpile of it in Mt Olympus, where he discovers former G.I. Joe member Big Ben who’s not long for the world. Big Ben tells him that he was running a mission when he was ambushed by some Joes. He doesn’t know why his former teammates would attack him, but he managed to grab one of their dog tags before the rest of his crew was slaughtered. He says it seems like they were after the Ore-13, but Action Man is snatched away before the mountain explodes with Big Ben and the rest of the Ore-13. Well, apparently, the Transformers recently proclaimed that Earth would be joining the Cybertronian community, and the humans aren’t too pleased about that, as they see the Transfomers establishing themselves as our overlords. Enter G.I. Joe, who decide to attack the Transformers during a humanitarian mission. Things are pretty much at a stalemate until Rom the SpaceKnight comes out of nowhere and kills 4 Joes, including team founder Joe Colton. Since Rom looks more Cybertronian than human, the Joes assume he’s on the Transformers’ side. So, they take this as a declaration of war. We also get a back-story from Revolution #0, which introduces M.A.S.K.’s Miles “Mayhem” Manheim. They actually do something clever here by saying that he was a member of the original Action Team with Joe Colton. It appears he’s actually got Transformer Blitzwing in captivity, who he’s harvesting for parts and technology.


In the second issue, it’s the Transformers vs Rom, as they’re pissed at him for “blowing up their spot”. They had formed something of an uneasy alliance with the humans, and Rom’s actions had just undone that by murdering those Joes. Rom, however, insists that he murdered no humans. Rom tells them that he is hunting the Dire Wraiths, who have managed to infiltrate world governments. Meanwhile, we’re introduced to the M.A.S.K. team, and the new Black Matt Trakker. Aileron and Kup face off against the M.A.S.K. team, whose vehicles were built using Cybertronian technology, resulting in Kup being captured. Trakker, however, has second thoughts about what they’ve done when he realizes the Transformers are sentient, and more than mere machines. At the end, we find out that Micronauts’ Baron Karza is behind the unstable Ore-13, as he’s been stealing it via a transdimensional space bridge in order to save the Microspace. Um, OK.


The third issue brings a whole bunch of confusing Micronauts stuff, ’cause I know nothing about that franchise. It seems like the “heroes” of that world have formed an uneasy alliance with the villain Karza in order to save their universe. It’s Optimus Prime vs Rom because Rom’s mission is to defeat the Dire Wraiths, while Prime insists that Earth must be their primary concern. At the end of the day, Prime determines that, while Earth is important, the Microspace must also be preserved. Meanwhile, the autopsy results are in and the Joes realize their fallen friends weren’t human after all. Since they don’t know who they can trust, Scarlett puts in a call to “somebody we haven’t talked to in a while.” I think we all know who she means. Karza does some shit. Rom does some shit. And the issue ends with an entrance by Snake-Eyes.


Revolution M.A.S.K.: Mobile Armored Strike Kommand #1 is the only one-shot I’ve bought from the series. It introduces us to the rest of the M.A.S.K. team, as we watch as they’re recruited and how they handle basic training. We also get hints that some of them aren’t as virtuous as they should be, yet those personalities align with team leader Miles “Mayhem” Manheim. Nothing here is original. Some recruits die in training, as “collateral damage”. The team is tasked with an impossible rescue mission. You’ve seen all of this before. Yet, it’s a serviceable introduction to the team and franchise. That said, I think all of this could’ve been possible without it taking place within the clunky Revolution storyline, as nothing in the special ties into present events – it’s a prequel story.

So, what are my problems with the series? Well, first of all, it’s a terrible jumping-on point for new readers. There’s WAY too much backstory with the Transformers and G.I. Joe books for this to go smoothly. Now, IDW did release a The Road to Revolution discount trade paperback with 5 stories that they felt were crucial to making the story a richer experience, but there shouldn’t have been required reading. A successful crossover like this should be accessible to all. To give you an idea of the problems here, IDW has had the Transformers license for ELEVEN YEARS. They’ve had the G.I. Joe license for EIGHT YEARS. In that span of time, the G.I. Joe comic has been rebooted four times, while most of the early Transformers comics were just a series of miniseries. I was IDW’s Diamond brand manager at the time of the early Transformers books, and even I didn’t really know what was going on. For folks with a cursory knowledge of the brands, this series opens with a ton of questions: Why’s Soundwave with the good guys? Where’s Bumblebee? Why is Scarlett the team leader? Where’s Flint and Duke and the Joes people care about? What about Cobra?

Something like this seems like it would be better served by a reboot of the existing brands instead of trying to get them to mesh with the newcomers. It doesn’t feel like they’re bringing their truest, core representations to the party. G.I. Joe isn’t just the military, as it’s used here. Their primary mission was to fight Cobra. Without Cobra, what are they? Here, they’re a shoot first, ask questions later sort of organization, which doesn’t really line up with what we’ve known them to be. If they’d been the least bit diplomatic, then this whole battle wouldn’t have even taken place. Like, why is Scarlett so pissed? And Snake-Eyes is a lot less cool/mysterious when he’s TEXTING! What happened before this miniseries to make her like this? As a new-ish reader, I can’t help but feel that I’m missing a lot. This miniseries might be a rich experience for those who’ve been following the series recently, but it’s just not a fulfilling experience for casual readers.

Another problem is that it seems actual story is taking place in the one-shots, which isn’t how these things are done. One-shots in an “event series” are supplemental material, stories going at the periphery of the action. Here, though, you open up Revolution #3, and Rom is suddenly just chilling with the Transformers like the events of the past issue never happened, and there’s an editor’s note of “See Rom : Revolution #1.” NO! That’s not how you do this. Major team shifts, side switches, etc don’t happen in the one-shots. You leave the meat and potatoes for the main series.


Finally, the art’s just ugly. I’m not sure if IDW has a stable of “exclusive” artists, but you’d want the best on something this high profile. They do a capable job of handling the tech, such as the Transformers and the M.A.S.K. vehicles, but the humans are rough and inconsistent from panel to panel. They also look a bit cartoony for the subject matter. I realize all of these properties are toylines, but they’re being introduced in a story with some pretty high stakes. Imagine if Marvel’s Civil War had been drawn by an Archie artist. That’s what you’ve got here.


After saying all that, I’ll probably stick with it since there are only 2 core issues left. That said, it hasn’t been an enjoyable experience. If this had just been a one-off thing, I’d probably give it a pass. It’s not, though. This miniseries is meant to set up the future of the Hasbro properties at IDW, and that just doesn’t seem like a good thing at this point. This series is a mess, so it doesn’t make me too optimistic about the future. If you’re a die-hard Transformers or Joe fan, I guess you’ve got to read it, but if you’ve just got casual interest, this is a revolution you can skip.


21st Oct2016

West Week Ever: Pop Culture In Review – 10/21/16

by Will


WWE Edit


On TV, I caught the HBO series Insecure. Everyone’s talking about Westworld, but nobody’s really talking about this. Created by and starring Issa Rae of Awkward Black Girl fame, it follows a young Black woman who’s trying to find her way in an unfulfilling job and a dead-end relationship. It’s a cute show, but I could see myself getting bored with it the same way I got bored with the Awkward Black Girl webseries. According to the ratings, the show’s not doing all that well on HBO, with fewer than a half million people tuning in. Rae’s had this development deal with HBO for years, but I can’t help but think this show would do better on another network. In fact, it would be the PERFECT companion for Atlanta over on FX. Both Rae and Glover have been thrown into that “You aren’t Black enough/Why do you talk White?” camp at some point in their careers, yet now they’re some of the leading voices of the Black Millennial. Hell, the show might even do better on Starz, scheduled after Power. What I’m saying is that Sarah Jessica Parker’s Divorce is NOT the right lead-in for the show, as I’m sure Insecure isn’t retaining much of that audience.


In TV news, it was reported that Jason Segel is down for a How I Met Your Mother reunion. THIS is what’s known as a “slow news day”. I mean, the show basically JUST ended. Yes, I realize it’s been 3 years, but that’s still too early for us to be wondering where those characters ended up. I mean, I just got done being mad about that finale. I’m not ready to deal with Ted Mosby’s shit again this soon. Give it some time to settle. Maybe wait until you’ve got an idea that’s legen…wait for it… As for some HIMYM trivia, did you ever realize that Marshall and Lily don’t kiss that often? Apparently, Allyson Hannigan couldn’t stand Segel’s smoker breath, so she asked that they not kiss too much. I never realized that, but now I’ll be looking for it.


In comics news, it was reported that Justice League/Mighty Morphin Power Rangers would be launching as a miniseries next year. Personally, I think this is a horrible idea. I think it boils down to the fact that I have never really seen the Power Rangers as “superheroes”. They’re more like “global peacekeepers”, which makes them more like galaxy cops. Then again, the Green Lanterns are space cops and they’re considered superheroes, so what do I know? Hell, Batman just teamed up with the Teenage Mutant Ninja Turtles so it’s not like these crossovers have to “make sense”. Someone on Twitter pointed out that it’s really more of a cash grab since both have movies coming out next year. Adult Rangers fans, God bless ‘em, are happy about the news because it sort of lends some legitimacy to the Power Rangers brand. Justice League fans, however, are pretty much in “WTF?” mode. Morbid curiosity dictates that I check out the first issue, but I can’t say I’m excited for this. I’m not even cautiously optimistic about it.


There was also some drama in the art camp as J. Scott Campbell came under fire for a variant cover he did for Midtown Comics of upcoming Tony Stark replacement, Riri Williams. The biggest complaint is that he basically sexualized a 15 year old girl. Now, Campbell and I have had our differences – to the point that he’s blocked me on Twitter. Still, I have to give credit where it’s due, and I don’t see anything wrong here. He drew her based on how she’d been previously depicted: same hair, same shirt, same bare midriff, etc. Have you looked at a 15 year old lately? This is how a lot of them look. I see the curvature of the hip, but I’m not seeing Campbell’s version as “sexy”, per se. If anything, I’m more surprised that he drew a convincingly Black face. My biggest complaint about him is that he’s built a career on basically drawing the same female face and only changing the hair. In this case, I would’ve expected him to draw that same face and let the colorist handle the fact that it’s a Black character. No, he actually drew a serviceable Black teenager, so I’ll give him credit there. Some blame has to go to Marvel, as they knew what you get with a Campbell cover, but he’s nowhere near as brazen as, say, Frank Cho. Riri has some big shoes to fill, so Marvel’s going to have to be careful with how they handle her – especially with so many eyes on her debut. Anyway, last night Marvel and Midtown mutually agreed to kill the cover, with Campbell blaming “faux outrage” for the decision.


In toy news, Hasbro announced the creation of HasCon, which will be their own convention devoted to their brands, to be held in Rhode Island next fall. This had been rumored for some time, but now it’s a real thing. I understand branding and all, but “HasCon” is a terrible name. It’s not something that evokes fun. It sounds like something you’d hear in a disaster situation. “Mr. President, alert HasCon that the virus has gone airborne!” Anyway, some fans are upset because Star Wars and Marvel won’t be represented, but that shouldn’t come as much of a surprise since Hasbro doesn’t own those properties. I still think this could spell a resurgence for G.I. Joe, and maybe we’ll finally get that M.A.S.K. toyline reboot.


In wrestling news, everyone’s crush, British wrestler Paige, proposed to her boyfriend Alberto Del Rio. This is a dumb, dumb girl. I say “girl” because she’s 24, and I don’t really trust the judgment of anyone under the age of 25 – especially when they jump off shit for a living. The dude’s not even divorced yet, as his wife is claiming that he cheated on her WITH Paige, and then Paige went and did the dumbest thing you can do at her age – got his name tattooed under breast. This is all just a midlife crisis for Del Rio, but I really feel like Paige doesn’t realize how she’s squandering her opportunity with the WWE. Del Rio already left abruptly, and she’s on a suspension for violating the Wellness Policy, as well as claiming she needs neck surgery that WWE doesn’t think she needs. She’s even been removed from Raw’s opening sequence. She is NOT in good standing with WWE, so she should really be focusing on her career instead of this high school, lovey dovey shit. But hey, it’s her life.


In video game news, Nintendo announced the Nintendo Switch console. The benefit of the system is that you can take the home gaming experience with you, as the console undocks to become portable. The trailer shows people in a lot of public settings where you wouldn’t typically be playing video games anyway. So, it’s like, “thanks but no thanks”. I already think it’s weird when socially awkward folks whip out a DS in the middle of a party or while standing in line, but now they’re gonna have a whole, damn full-fledged console? Anyway, it looks cool in theory, but I don’t plan on buying one. Based on the trailer, it looks like it’s designed to make you anti-social in social environments.

Things You Might Have Missed This Week

  • Leo DiCaprio is producing a Captain Planet movie that picks up years after the show, where a washed-up Captain Planet needs the Planeteers more than ever. OK, whatever…
  • The Walking Dead was renewed for season 8, so there’s no end in sight for it or the comic it’s based on
  • CBS granted full season orders to freshman shows Bull, MacGyver, and Kevin Can Wait. They also canceled summer series BrainDead and American Gothic
  • Speaking of CBS, they’re developing popular app Candy Crush into a game show. Personally, I’d rather have a Fruit Ninja show, but I bet Asian groups would lose their shit
  • Max Steel became one of the biggest bombs ever, taking in just over half a million dollars on opening day
  • Billy Bush and NBC parted ways, with Bush receiving a $10 million payout. Man, NBC sure has a funny idea of what “punishment” is…
  • After 30 years, MetLife is dumping Snoopy and the rest of the Peanuts characters from its marketing campaign.
  • Bob Dylan won the Nobel Prize, but won’t answer his phone for them to get it to him.


Programming Note: If you notice, I never really talk about comics or graphic novels that I’ve read in West Week Ever – mainly because I’ve got separate columns for that. Yup, Adventures West Coast is my graphic novel review column, while Comical Thoughts is where I discuss monthly comics that I’ve read. They’ve been gathering dust for over a year or so, but I dusted off Adventures West Coast this week with my review of Grant Morrison’s Wonder Woman: Earth One Vol 1 (check it out if you missed it the other day). My goal is to have a comic post every Wednesday – either an AWC or a CT post, but I can’t do that if you’re not reading them. So, if you’re interested and like what you see, click and click often. AND SHARE!

The X-Men movies get a bad rap as a franchise. Despite creative high points like X2: X-Men United and X-Men: Days of Future Past, fans choose to remember the low points, such as X-Men: The Last Stand and X-Men Origins: Wolverine. When you break down the 9 movies that comprise the franchise, it’s about a 50/50 when it comes to whether or not they were “good” movies. Then the Marvel Cinematic Universe came along and changed folks’ idea of what a shared comic book universe is supposed to look like. Suddenly, X2 was no longer good enough and Fox needed to “give the X-Men back to Marvel!”

I’ve never thought the situation was that dire when it came to the X-Men movies. I like that there’s some MCU competition out there, as the Fox movies basically have a different tone to them. You actually feel like things are at stake in X-Men movies, not sure if they are going to be able to save the day at the end. The audience loves RDJ and Chris Evans, so you know Cap and Iron Man aren’t ever in any real danger, but Anna Paquin? She could easily die. In Avengers, we never really saw what would happen to Earth if they had failed to defeat the Chitauri, since that would never happen. In Days of Future Past, however, we saw what happens when the X-Men lose, and it ain’t pretty. Well, yesterday we got the trailer for the third and final Wolverine movie, titled Logan, and we see that the future can be bleak in more ways than one.

In the trailer, we see the near future, where mutants aren’t as prevalent, and Logan’s healing factor isn’t working so well anymore. A young girl needs saving, and Professor X, now old and sickly, believes that Logan is the man to do the saving. Set to the Johnny Cash version of “Hurt”, the trailer is evocative of similar media like The Road or The Last of Us. It’s just Wolverine and a young girl trying to survive. Hell, I don’t even know if Professor X is really even there or if he’s just something that Logan sees. I wouldn’t put it past them. What we get, though, is a story that seems like it has weight. It has finality to it. Jackman may come back in future X-Men movies, but this sure doesn’t feel like it. This is it. And the thing at stake is the reputation of the X-Men movie franchise. Following the success of Deadpool, the movie is rated R, so hopefully Wolverine can finally cut loose like we’ve been expecting for the past 17 years. I think this is gonna be good. I think it’s gonna be really good. And that’s why the Logan trailer had the West Week Ever.

07th Oct2016

West Week Ever: Pop Culture In Review – 10/7/16

by Will





So, I surprised even myself by going to see Miss Peregrine’s Home for Peculiar Children. This movie wasn’t even really on my radar, but my friend, Jenn, was in town and she wanted to see it. She knew her husband back home would have no interest in it, but I was a more willing accomplice. This was the first time in a LONG time that I’ve gone into a movie knowing absolutely NOTHING about it. The most I knew was I was pretty sure it was based on a YA novel. Other than that, I didn’t know a thing.

Well, the movie’s about Jacob Portman, who’s really close to the grandfather who used to tell him fantastic tales about the other children at the orphanage where he grew up. Now, about to turn 18, Jacob visits his grandfather only to find him dying in the woods. He tells Jacob to go to the orphanage and that he would learn the truth. Somehow Jacob’s psychiatrist convinces his parents to take him to Wales to visit this orphanage, and that’s when the craziness starts. All those stories that his grandfather had told were true! Those strange kids really lived at the orphanage. There’s a girl who’s lighter than air and has to wear lead shoes so she doesn’t float away. There’s a little girl with a monster mouth in the back of her neck. There’s an invisible boy. There’s a girl who can control plant life. And more! And they’re all cared for by Miss Peregrine, this sexy schoolmarm type (played by Eva Green) who has the power to control time. It turns out they’re all something called Peculiars, and Jacob’s grandfather had been killed by an evil Peculiar. Apparently, there are evil Peculiars who were trying to figure out how to live forever, but the experiment turned them into monsters. The only way to get back to their human form was for them to eat the eyeballs of other Peculiars. Anyway, the evil Peculiars are led by Samuel L. Jackson who hunts down Peculiars for their eyes so he could heal his friends. Yeah, this is some patented Tim Burton freaky shit, and the monsters are nightmare-inducing. Some fool had their baby in the theater, so I can only imagine those future therapy bills.


Right now, Tim Burton has been getting a lot of flack for the lack of diversity in his films, but I’m not sure it’s really warranted. He tends to be an auteur of “Weird White People” films to the point where I think diversity would be out of place. He’s still the man who gave us Billy Dee Williams as Harvey Dent, and he created a the Sam Jackson role here just so he could work with him, as the novel plays out slightly differently. So, I’m not about to grab my pitchfork just yet. Anyway, Miss Peregrine’s has been described as “Harry Potter meets X-Men“, and I think that’s probably an accurate assessment. If you like either of those properties, then check this out.


On TV, I finally watched the pilot for MacGyver. I was never a fan of the original, as the only episode I ever saw was the series finale (I used to be a series finale whore; I’d watch the final episode of anything). All I know is that Angus MacGyver worked for the Phoenix Foundation and he could do amazing things with stuff just found lying around. What I remember from the old series finale (and bear with me, as it’s been about 25 years), but MacGyver met the son he never knew he had. So, I was kinda hoping this series would pick up on that thread, and we’d be watching the son’s adventures, also keeping the door open for appearances by Richard Dean Anderson. But that was not to be, as this is a complete reboot. Now, I wondered how amazing MacGyver would seem in a 21st century world, as we live with smartphones and lifehacks, so a lot of what RDA did back in the day wouldn’t seem so spectacular these days. Surprisingly, it still works. I was really worried about this show, as CBS completely threw out the original pilot and most of the supporting cast. It was a concept they were committed to without any real proof that it would work. So far, though, I think it works. It’s your typical, formulaic CBS one-hour procedural. I thought MacGyver was kinda smug with a punchable face (like Lucas Till), but I got used to him over the course of the hour. I’m not sure I’ll watch it every week, as I’d rather watch Shark Tank, but I wouldn’t mind watching it if my TV somehow got stuck on CBS.


Also on TV, I caught the premiere of Conviction on ABC. Starring Agent Carter herself, Hayley Atwell, it’s about a former First Daughter who’s kind of a fuck up. She gets arrested for cocaine possession, but instead of sending her up the river (jeopardizing her mother’s Senate campaign), she’s offered the job as the head of the Conviction Investigation Unit. They investigate convictions that should probably be overturned, and they do it with such…wait for it…conviction. The supporting cast is serviceable, including Iceman Shawn Ashmore and Deacon’s wife from King of Queens (I know I wasn’t the only one who recognized her!). It was a basic paint-by-numbers legal procedural, with the crew saving the day in the last five minutes. If it aired on CBS, they simply would’ve called it C.I.U. and kept it moving. But I guess ABC wanted to really wanted to go with the bold title, and it works. Still, I’m not sure this is destination television. Every member of the team has a backstory and, while I’d love to see how some of them play out, I’m not sure I’ve got the conviction to stick with this show. Atwell’s cute and all, but she’s not playing Peggy Carter, and I don’t really buy her as an extreme version of Jenna Bush. You know they’re always gonna win, so I don’t really know what the draw is except to find the answers to those backstories.


I just mentioned Iceman and that reminded me that the poster for the third Wolverine film, now called Logan, debuted this week. Based on the color palette and the child’s hand, it feels almost like they’re trying to evoke something like The Road. It’s been rumored that the film would be based on the “Old Man Logan” storyline, in which an older Wolverine has to cross what’s left of the country, in a world in which the heroes lost. The problem with that, however, is that most of the important characters of that storyline are not characters to which 20th Century Fox has the rights. So, it looks like they’re doing their own take on things. Reportedly, Logan is set in 2024, in a world where mutant births are declining, while the government is training young mutants to be soldiers. Oh, and Wolverine clone X-23 might be the child holding Logan’s hand. Now, while I’d love to see an older Wolverine in a dystopian future, I’m not quite sure such a thing would fit tonally with the rest of the franchise. The problem with the Wolverine films is that they’ve never been great. They don’t take any chances, and they’re serviceable at best. I don’t hate X-Men Origins: Wolverine as much as most, but even The Wolverine played it pretty safe with its Wolverine In Japan story. I’d love for this to be a departure from those movies, but it certainly won’t make for a balanced trilogy. Still, Jackman should go out on a high note, so if this is the way for them to do that, then I’m all for it.


In other movie news, we got our first look at the Red Ranger’s Power Sword from the upcoming Power Rangers film. It looks like a fancy razor from Gillette or a futuristic writing pen. But a sword, it is not. There will be other movie reveals this weekend at New York Comic Con, including the debut of the trailer. There will also be an exclusive Movie Red Ranger Legacy figure, which looks kinda horrible. I really want to like this movie, but nothing about it has me excited. I know you have to reimagine things to appeal to a new audience, but I feel like they’re losing sight of what Power Rangers is.  This is just starting to look like a team full of Guyvers.


Speaking of Power Rangers, it was announced that former Green/White/Red/Black/All Time Greatest Ranger, Jason David Frank, will be playing Bloodshot in a webseries based on the Valiant comic properties. It’s not a huge surprise because the guys behind it are Bat In The Sun, who JDF has worked with in the past. In the role of Ninjak will be Arrow‘s Deadshot, Michael Rowe. I knew Valiant was trying to do something live action with their properties, but I thought it would actually be something cinematic. You say “webseries” to me, and it just makes my penis soft. Anyway, JDF will also be at New York Comic Con doing signings to promote the project.


I can’t really let this week go without talking about the whole Kim Kardashian thing. If you were unaware, Kim was robbed at gunpoint in a Paris hotel by a group disguised as police. She was bound and gagged and put in the bathtub. Obviously frightened, she said that she feared they were going to rape her. In the end, they stole millions of dollars worth of stuff from her, including her $4 million engagement ring. And then the jokes started.

Look, I get it: the Kardashians put themselves in the spotlight, so people feel they’re fair game. Still, this is the kind of occurrence that you shouldn’t wish on ANYONE. Sure, people like to think “Well, who cares? They’re rich and famous simply for being famous.” As radio host Bobby Bones put it, we’re all rich to someone. And don’t give me that whole “They’re famous for being famous thing” because that was pretty much the description of Donald Trump until recently, and look where that got him.

I’ve never really understood Kardashian hate, and I guess I’ve become something of a Kardashian apologist. It takes too much energy to hate someone who really doesn’t even give a shit about you. And people like to slut-shame her about being famous for a sex tape, but from the public’s perspective, Taylor Swift has been with WAY more men than Kim, and nobody says shit about that. And I’ll bet there’s a sex tape of her out there somewhere the same way Jennifer Lawrence can’t seem to stop taking nude selfies that end up getting hacked. At the end of the day, Kim Kardashian is still a person and, contrary to what some folks are saying, didn’t deserve to have that happen to her, nor is it funny. If you’re laughing about that whole ordeal, get your life right. I can’t imagine what she went through, and I hope it doesn’t have any long-term effects on her.

Things You Might Have Missed This Week

  • Netflix’s The Punisher announced three new cast members, including Ebon Moss-Bachrach from Girls as Frank Castle’s ally Micro.
  • Speaking of Marvel Netflix shows, it was announced that Iron Fist will debut on 3/17/17. Happy St. Patrick’s Day, muthatruckas!
  • It was also announced that BOOM! will publish an ongoing WWE comic book. So, I figure half the book will be nothing but ads for The Network or Connor’s Cure.
  • Despite the fact that director David Ayer claimed the theatrical cut was his final version, an extended cut of Suicide Squad will be released on Blu-Ray on December 13th – because 10 extra minutes are gonna make folks like that movie (for the record, I already liked it).
  • Alec Baldwin made his debut as Donald Trump on the season premiere of Saturday Night Live. Hosted by Margot Robbie, it was one of the best episodes in YEARS.
  • Based on how they’ve painted him as an emasculated wimp, I would bet money that President Kiefer’s wife eventually has an affair on Designated Survivor – perhaps with her husband’s Chief of Staff. They might save that for season 2


Luke Cage won the week. The Marvel Netflix series debuted last Friday, and was so popular that it BROKE Netflix. Spinning out of Jessica Jones, Luke Cage focuses on a nigh invulnerable man with bulletproof skin, forced to survive in a world that fears and hates him. Or I guess it does. I haven’t watched it yet. I still need to watch Daredevil season 2 because I wanna watch them in order, so I probably won’t get to Luke Cage til around Christmas. Still, it was on everyone’s lips, and the thinkpieces runneth over. Everyone had something to say about the series, and I feel like it has even stolen the thunder of Marvel’s upcoming Dr. Strange film. Once I watch the series I’ll have more to say, but I think it’s safe to say that Luke Cage had the West Week Ever.

14th Sep2016

Ooh Baby I Like It Raw: My First Live Wrestling Experience

by Will


I suffer from the fact that I belong to too many fandoms. Throughout my life, I’ve found myself “retiring” from some in order to join others. Just as I consider myself a retired Trekkie, the same could be said for my membership in the wrestling fandom. I’ve loved wrestling since I was a kid, but I never really glommed onto it like some folks did. I have the distinction of missing, basically, every important movement in the industry. I didn’t have cable growing up, so I missed the Monday Night Wars. I completely missed the Attitude Era. I’ve never seen John Cena in his prime. No, my wrestling fandom occupied the quieter spaces, such as when The Undertaker became the American Badass or when Too Cool were tearing up the tag team division. Of course, I couldn’t ever be considered a “true” fan, however, because I had never been to a live show. Well, that all changed Monday night as a friend and I made the trek to the Royal Farms Arena in Baltimore to attend a taping of WWE Monday Night Raw.

First of all, let me just say that it was a dream come true. I’d always wanted the live WWE experience, but had never really had the chance to attend.  I will say, however, that the WWE cameramen are frickin’ magicians for making such a small area look huge on television. For example, the ring was a lot smaller than I expected it to be, but the biggest surprise was how short the entrance ramp was. On TV, that thing looks to be about 30 feet long, when it’s really about 10. So, when Undertaker makes those long, dramatic entrances, he’s probably moving about as fast as that sloth from the Zootopia trailer.  It’s also odd how quiet the match is since you can’t hear the commentators. Instead, you just hear the ring noises and the chants from the crowd (early on, they tried to get a “CM PUNK!” chant going, but most folks weren’t having it).


When we first got in, they were filming a match for WWE Superstars, with Darren Young and Neville vs Titus O’Neil and Curtis Axel. I didn’t know who any of those guys were. Well, no, that’s not exactly true. I knew them from the toy aisle. After all, the inability to find a Neville figure kept me from trying to complete the Paul Bearer Build A Figure. And until my friend, John, reminded me, I had completely forgotten that Young had come out as the first openly gay professional wrestler last year. I also didn’t realize that Axel was Mr. Perfect’s son. Seems like he should be playing off that legacy more instead of doing whatever it is his gimmick’s supposed to be.  Anyway, I didn’t even know what was going on because they were playing with my sense of “normalcy”in the WWE. I mean, since Young and O’Neil are both Black, I was sure they were partners in the match. Well, imagine my surprise as I witnessed the Black on Black crime of Young kicking O’Neil in the face! No, these dudes were NOT on the same team. After that, my brain and sense of everything I thought I knew about wrestling were so screwed up that I can’t even tell you who won. It didn’t matter, though, as Raw was hitting in the next 60 seconds.

The show started with a recap of the rise of Kevin Owens. I’m not sure I like that guy. I know he’s risen from the indies, but he looks like the grown up version of every childhood bully. Still, folks seem to like him – especially now that he’s the WWE Universal Champion. Anyway, that would all have to wait for later in the show. No, to kick things off, there would be a Triple Threat Match between Sasha Banks, Dana Brooke, and Bayley – the winner of which would face WWE Women’s Champion Charlotte for the title in 2 weeks at Clash of Champions.


Charlotte is one mannish looking chick, but you haven’t really lived until you’ve done the Flair “Wooo!” with a couple thousand other people.  I get the feeling she really wouldn’t be much without her father’s (Ric Flair) involvement. She’s kinda riding on the coattails of the limo riding son of a gun. Sasha lost the title to Charlotte back at SummerSlam, after a botched slam that looked like it might’ve been career-ending. Instead, Banks showed up on Raw last week, saying that she had some bad news for Charlotte: she would be taking back her title at Clash of Champions. Well, it’s TV, and WWE still has two more weeks to fill, so general manager Mick Foley decided there should be this three-way match between friends Banks and Bayley against Brooke.  Going into it, you knew that Banks would secure her title shot at Clash, but they still had to make it look like it was in jeopardy. This is where it was funny to watch the difference between seeing it live and seeing it on TV. In a real fight, you’d probably just all attack each other at once, but this was a carefully planned ballet. Banks would get knocked out of the ring, and then she’d just chill on the floor for about 10 minutes, DOING NOTHING. I mean, she kinda straightened out her hair and groomed herself, but she was clearly waiting for her cue to come back in the ring. The ladies gave it their all, and I was actually pretty impressed by Dana Brooke. She didn’t have the typical build of a WWE female wrestler, and she seems like she could be a dominating force if they remain committed to developing her. I still don’t get the hype about Bayley, as last night wasn’t too strong a showing from her. Anyway, Banks won like you knew she would, but they’ll probably throw some monkey wrench into things next week.

Next up, Bo Dallas went up against some dude who must’ve won a contest or something. I figure he was from a local promotion, like MCW, but he was clearly a nobody meant to job this match. I don’t know much about Dallas other than what I learn on TMZ, but the crowd didn’t seem to like him. There were lots of chants of “Let’s go, Jobber!” Anyway, I think the match was probably about the same length as CM Punk’s UFC debut the other night.

Next up, there was a Best of Seven Series between Cesaro and Sheamus. I didn’t really know who I was rooting for in this match, as I’ve never really liked Sheamus, but Cesaro looks like the dude who’s banging your recently divorced mom. The problem with the match, however, was that they went into it with a record of 3-1, in Sheamus’s favor. So, there are 7 matches, 4 of which had already been fought, so simple math and logic dictated that Cesaro HAD to win just to keep the series interesting. That said, considering this was match 5 of the series, both of them were just kind of phoning it in. I’m sure match 7 will knock it out of the park, but this match just felt like they were going through the motions. And, of course, Cesaro won.

Then, we had Alicia Fox vs. Nia Jax. Fox seems ghetto fabulous with her weave, while Jax is really just built like someone’s fat mom. She’s kinda like if Chyna and Luna Vachon were spliced together. Before coming out, Jax was talking about how she planned to beat on Fox, and GOD did she deliver. She swung her around by her hair, slamming her into the barricades. Finally, she speared Fox through a barricade and basically left her for dead.  A bunch of officials came out to check on Fox, but Jax eventually got tired of waiting around and simply walked back up the ramp to the backstage area. After about 5 minutes, the officials were able to help Fox up and walk her to the back.


Next up, we had the New Day. I’d heard so much about them that I was glad to actually see them live. They’re interesting to me, though. They straddle a very thin line between entertaining geeks and Sambo caricatures for the modern age.  They started out by talking a lot of trash about Gallows and Anderson’s performance last week. Well, of course, Gallows and Anderson came out, and they had a non-title bout. I really thought New Day were going to pull this one off, but since they didn’t stand to lose their tag team titles, I guess all bets were off. They got manhandled! I was begging Kofi Kingston to make a tag, but he just couldn’t get back to his side of the ring. It was kinda sad to see the once boisterous trio have their asses handed to them like that.

The next bout was WWE jingoism at its best. Out came Jinder Mahal, who was a brown dude talking about how he’d found “inner peace”. I know my WWE enough to know that we’re supposed to hate the brown foreign guy – ESPECIALLY the day after 9/11. As my friend was wondering who would end up fighting Mahal, out ran Jack Swagger. That’s a name I hadn’t heard in years, as I really thought he’d been released or something. Apparently he’s got some patriotic “We The People” gimmick now. Well, this triggered chants of “USA! USA!” from the crowd, as everyone was boosting Swagger as the hero. Well, let me remind you that it was September 12th and not the 11th. Had this match happened at Backlash the night before, then Swagger would HAD to have won. But it’s September 12th, baby – back to business as usual. Despite having found peace, Mahal thoroughly beat up Swagger.

Next up, we had Enzo and Big Cass going up against the Shining Stars. While I’d heard of the former, I’d never heard of the latter. Again, based on WWE’s history, it was kinda obvious which way this was gonna go. Were folks gonna root for the fun guidos from Jersey or the brown guys from Puerto Rico? I was amazed, though, by the pop that Enzo and Big Cass got. They were truly…electrifying. The crowd knew every word to every part of their promo, and you can’t teach that! I was telling John that I felt Enzo was really just an evolution of Scotty 2 Hotty, but Too Cool never got anywhere near the amount of adoration from the crowd as these guys did. Still, the Shining Stars cheated and got the win.


Finally, it was time for the main event: Universal Champion Kevin Owens vs Roman Reigns. Owens was already slated to defend his title against Seth Rollins at Clash of Champions, but if Reigns managed to win, the there would be a Triple Threat title match at Clash. Now, I’d heard that Reigns is kind of a polarizing figure in the world of wrestling, but it was completely different thing to experience it live. He was booed just as much as he was cheered.  The crowd broke out into the opposing chants of “Let’s go, Roman!/Roman sucks!” As I said earlier, I’m still not sure I’m sold on Owens yet. After all, I never watched NXT, and I barely ever watch Raw anymore (3 hours of wrestling is too much damn wrestling on a weekly basis. Especially now that SmackDown Live means there are 5 hrs of wrestling on TV in a 24 hr span of time), so I don’t know much about the guy. I just don’t like his look. Still, Owens is pretty good on the mic, so that was entertaining. When it comes to wrestling, though, his moves just seem sort of sloppy to me – especially the Cannonball. Anyway, both guys gave as well as they got, and it was a decent match. Before the match, however, Mick Foley warned Seth Rollins not to interrupt the match, so I spent most of the time watching the backstage area, waiting for the Rollins run-in. And I wasn’t disappointed! Rollins ran in to disrupt the match, and he was quickly followed by Foley and some officials. They led Rollins out, at which point Foley surprised everyone by saying “Restart the match!” And this is when things got GOOD. What had merely been a decent match then became a great match, as both were fighting like they had something to prove. And the near-pins were incredible. There was a point at which you could tell that they were both even surprised the match was still going. And then Rusev ran out. While Reigns was distracted by Rusev’s appearance,  Owens came up behind him and got the pin for the win. Meanwhile, Rusev’s valet (and wife) Lana came out with his US Championship belt, and just stood there, pointing, as Rusev beat the shit out of Reigns. I had no complaints about that at all. After the live broadcast ended, the crowd broke into a chant of “Thank you, Rusev!”, which prompted him to find a mic and yell back “I don’t need your support!” Meanwhile, Reigns took his sweet time getting up, and slowly made his way out of the ring and up the ramp.


In all, it was a great show. Had this been the last Raw before Clash of Champions, I’m interested enough that I’d probably watch the PPV. Knowing, however, that they still have another week to screw things up makes it less of a “must see” thing for me. I will say that I was disappointed that Stephanie McMahon and Triple H weren’t there, but apparently Stephanie was in Singapore speaking at a conference (kayfabe?). I thoroughly enjoyed my first Raw experience and I’m dying to go again. It might have been my first time, but it certainly won’t be my last.


15th Jul2016

West Week Ever: Pop Culture In Review – 7/15/16

by Will

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WWE Edit

First off, I just want to thank everyone for the support last week. Between your comments, your emails, you sharing the post, etc, it really meant a lot to me. These are scary times, and I just had to get it out there that I’m scared, too. Plus, blogging’s cheaper than therapy! Anyway, I was amazed that it resounded with so many folks, and if you’re out there scared, too, at least you know you’re not alone. We’ll all get through this together. So, this week we’re back to business as usual.


On the movie front, the only thing I saw this week was Southpaw. I try not to spoil things on here, in case you wanna see it for yourself, but I’m going to have to go all out on this one. Originally developed as a starring vehicle for Eminem, Jake Gyllenhaal stepped in when Em decided he wanted to focus on his music. Anyway, Gyllenhaal plays Billy Hope (the great White hope, get it?), a former kid from the system, who’s now the world boxing champion. His record is 43 & 0, but he’s challenged by up and comer Miguel Escobar, who’s pretty convinced he can beat Hope. He keeps taunting him in public situations, and Hope wants the fight, but his manager, 50 Cent, won’t let him fight Escobar because he secretly believes Escobar would win, and that’s just not good for business. Meanwhile, Hope’s rock is his wife, Maureen, played by Rachel McAdams. They met in the orphanage when they were 12 and have been together ever since. So, one night, they go to a charity dinner, and as they’re leaving, there’s Escobar with his taunting again. Hope’s got a short fuse, so a fight breaks out, and in the ensuing chaos, one of Escobar’s entourage member’s gun goes off, killing Maureen. And that’s when Hope just goes to shit. Remember Rocky V, when Rocky came home to find out he’d lost everything? This is basically that, but times 10.

Hope loses all his money, his crew, his title, and then they take his daughter away and put her in the very system he and Maureen had escaped from. Before she died Maureen told him that it would all dry up, and all he’d have left is her and their daughter. That his entourage wouldn’t stick around, and she was basically right. So, Hope has to get his life right so he can get his daughter back, and he seeks out Forest Whitaker to train him. Remember how Adonis Creed basically ran down Rocky until he agreed to train him? This was like that, but sadder. Forest doesn’t want to do it, and has his own shit going on, trying to keep kids off the street. Anyway, Hope gets a job in the gym, cleaning bathrooms or whatever, and then trains when he’s not working. He gets to a point where he’s invited to fight in a local charity fight, which he ends up winning. All of a sudden, here’s 50 Cent (who’s now repping Escobar), who says he can get Hope’s suspension lifted if he’d be willing to face Escobar in a “Revenge Match”. He’s got 6 weeks to get his shit together, and then they fight. And it’s a close one. But of course Hope wins, and gets his daughter back. And everyone lives happily ever after. But wait!

First off, I have to believe there’s a director’s cut out there somewhere that fills in a lot of the holes in this movie. For instance, they completely DROP the whole thing about Maureen getting murdered. Like, there’s no investigation or anything. Escobar helps his boys smuggle the gun out of the benefit, but nothing ever becomes of that. It’s just gone. Meanwhile, the only Black dude in Hope’s entourage also had a gun, which he had drawn at the moment of the shooting. The cops end up taking him down, assuming he was the shooter. Nothing ever happens with that. The last we see of him, the cops are holding him down. Did he get released? Is he doing time for a murder he didn’t commit? Did Hope even try to help his boy out?

Next, Hope knew his boys weren’t shit. They disappeared the minute things went south. Maureen told him that was going to happen. Yet, when he makes his comeback in the Revenge Match, they’re right back in his corner. Like, he totally took them back, even though they weren’t there when he needed them most. You’d think he would’ve replaced that entourage with Forest and the guys at that gym, but the old gang is right back there, cheering in his corner. That’s not how that’s supposed to work. That’s like if the other reindeer went right back to treating Rudolph like shit on December 26th.

Also, I don’t feel like Hope should’ve won. I think it should’ve been close, but if you’re gonna steal that much from the Rocky franchise motif, then you’ve gotta let the dude lose, but still learn something from the experience. It’s wrapped up in too nice of a bow that he wins, especially since he was gonna get a payout either way – which would’ve been enough to start a new life with his daughter.

It’s not a bad movie, but it’s not a great movie either. Gyllenhaal does a Hell of a job with what he’s got to work with, but there’s not a whole lot there. Hope isn’t terribly likable, but you’re to root for him because he made it out of the system and he really loves his wife. But he’s not the lovable, semi-retarded pugilist that Rocky was. Do I recommend it? Yeah, sure. But since I just told you the whole thing, I doubt you’ll want to spend the 2 hours on it.


On TV, Mr Robot came back for season 2 this week. About 5 minutes into the episode, I was quickly reminded of the anxiety that the last season put me through. I really don’t know if I’ve got it in me to stick with this show. I’m already tired of the whole Christian Slater is actually Elliot, but he’s really his dad who lives in his head, and is probably also that Tyrell Wellick dude. The premiere picks up where last season left off, right after the big fsociety hack sent the world into a financial crisis. For one thing, I kinda expected more chaos. Sure, some folks’ mortgage payments have disappeared, but it seems like life is pretty much carrying on as usual. I kinda expected a dystopia like we saw in Dark Angel after the EMP went off. No cars, everyone riding bicycles, people dressed in rags. Nope, pretty much business as usual. Maybe future episodes will delve deeper into how the world has been affected, but I just didn’t feel it – even when they had cleverly edited President Obama into the whole thing. I already bailed on Wayward Pines because I didn’t feel like it needed a second season. I don’t want to have to do that here.


In comic news, Marvel released Civil War II #3 this week, which featured the death of a HUGE character. I dunno, man. I haven’t even bought it yet. Yeah, I know who died, but I haven’t been this uninterested in a comic death in a long time. There was a local midnight opening for the book, and usually I’m all about that, but I just couldn’t be bothered. I’m about 3 months behind on Marvel books, so it wouldn’t have made much sense to me anyway. Wanna know what happened? Highlight this text: Hawkeye kills Bruce Banner before he can Hulk out and kill a bunch of people.

Now, this leads me to ask several questions, but I’m sure they’ll all be answered OR ignored in upcoming issues. I’m just sick of death having NO meaning in comics. I know it has basically become a trope at this point, but if they’re going to do this, I wish they’d at least acknowledge it in story. For example, in X-Factor, there was a long-running background story where Siryn was waiting for her father, Banshee, to return from the dead. After all, every other fallen comrade she’d had had returned, so why not him? And characters kept trying to convince her he was really gone, but she wasn’t buying it. And then he came back. Sure, it wasn’t a straight road, but he came back in some not-dead form. I’d kinda like more of that. You know, I’m not stupid. I’d actually be fine with a storyline that says “Wolverine is in a coma, and we don’t know if he’ll wake up.” We know he will, because that’s like printing money, but at least we know that he’ll be back in action when they need him most. I don’t need *DEATH* to be this storytelling device to get your point across. Shit, tell me that Superman went to Europe to find himself, and these 4 guys are gonna take his place. You don’t have to keep playing the Death Card, comic publishers. This stunt is really on its last legs. Sure, it gives the mainstream media something to talk about for a day, but actual comic fans are tired. There is next to no goodwill left when it comes to this.

marvel now

Speaking of Marvel, they released a catalog of their Marvel NOW! 2016 books, and there were some surprises. First of all, a few books that basically JUST launched are being relaunched. These include The Ultimates, Hawkeye, Nova, Invincible Iron Man and Captain Marvel. I swear, for a character they claim to want to push into the limelight, Marvel makes it really hard to follow Captain Marvel’s series. They launch, end, relaunch, then get collected in random formats. I seriously hope they get this straightened out before her movie comes out. Anyway, there are some interesting moves, as there’s no more flagship Amazing Spider-Man. Instead, we get Amazing Spider-Man: Renew Your Vows, seemingly picking up where the Secret Wars miniseries left off, and The Clone Conspiracy, which it turns out is its own series and not just the name of a storyline. So, it looks like ASM is going on hiatus for a bit – a series that has already been relaunched twice in the past 2 years. Also, Marvel really seems to love stoking the fires of the “Marvel hates the X-Men because they don’t own the film rights” conspiracy, as all the X-Books are missing except for the newly launching Death of X series. No more All-New Wolverine, Old Man Logan, Extraordinary X-Men, All-New X-Men, Uncanny X-Men, Yo Mama’s X-Men. All gone. These are probably just another case of a temporary hiatus, as they don’t want Death of X to be overshadowed as the “event” they’re purporting it to be. I really don’t know what Marvel is doing here. They tend to only think of the short term instead of playing the long game. Sure, these things get them some attention but, just like the death thing, fans are getting tired of these practices. And to look at some of these upcoming books – SlapstickSolo? I feel like the 90s are upon us again, and that doesn’t bode well for the business side of things.


In toy news, Mattel made an interesting decision. According to Action Figure Insider, they’ve decided to offer up their San Diego Comic-Con exclusives online via the Matty Collector site instead of selling them at the show. Now, of course some fans are excited about this, but it just leads me to wonder what exactly is going on over at Mattel. A couple of years ago, I mentioned how Scott “ToyGuru” Neitlich had left the company to go work for Jakks Pacific, making those 31″ figures that nobody buys from Walmart (apparently, he just got hired by Jada Toys, working on those metal Funko Pop wannabes that nobody buys from Target). Anyway, since he left, Matty Collector, and the Mattel output as a whole, has just been a disappointment. There have been rumors that nobody’s steering the ship over there. Now comes this SDCC news. There’s usually a big to-do, with a booth and a lottery to get the chance to buy the exclusives. Instead, folks who have preordered the toys can still pick them up at the show, but they’ve got to go to the Marriott next door to the con to get them, like a seedy drug deal. Anyway, the sale begins July 18th, and you can buy the following items:

Barbie® Amazon Princess Wonder Woman™ Doll ($80)

DC Comics™ Multiverse Wonder Woman™ Figure + Invisible Jet ($15)

Ever After High® Cedar Wood® SDCC 2016 Exclusive Marionette Doll ($30)

He-Man and the Masters of the Universe® She-Ra® ($75)

Hot Wheels® Star Trek™: ’64 Buick Riviera & Spock 1:64 Figure ($20)

Monster High® Ghostbusters Frankie Stein® Doll ($25)

Thomas & Friends™/DC Super Friends™ MINIS ($19.99)

ThunderCats™ WilyKit & WilyKat™ 2-Pack ($60)


In Power Rangers movie news, Lionsgate released these character posters yesterday. I swear, this movie is shaping up to be something I’d have no interest in seeing if it weren’t named Power Rangers. Some folks have said that they like the David Bowie vibe to these, but it’s just not Power Rangers to me. This is gonna be your typical Lionsgate young adult novel adaptation, without the necessary camp that’s inherent to the franchise. I know things have to evolve, but I just don’t know if this is the direction I’d have taken things.


Nintendo announced the upcoming release of the NES Classic Mini. Scheduled to hit stores in November (just before Christmas. Smart!), the tiny console will come loaded with 30 original NES games, including Super Mario Bros 1-3, Pac-Man, The Legend of Zelda and more. The system will retail for $60, but doesn’t contain physical media, so there aren’t going to be any more games than the 30 that come with it. Some fans are disappointed by this, as they’d like to be able to play their old games on modern televisions (the NES Mini will have HDMI outputs). It’s a cute idea and all, but it seems just like the Atari and Sega versions that hit stores years ago. It’s hardly a new concept, but Nintendo has brand loyalty, so I know some nostalgia gamers will be all over this. If I find it on sale or something, I might bite, too.

My buddy Chris is at it again – this time he’s got a friend with him, and they’re checking out the tropes of the Teenage Mutant Ninja Turtles comic. And then they actually have to watch Teenage Mutant Ninja Turtles III: Turtles In Time. Check it out!


Last week, I had the pleasure of joining the Nerd Lunch guys to talk about Star Trek. We discussed where it’s been, where it is now, and where we think it’s going. Enterprise, TNG, Kelvin Timeline – it’s all there! I even say some controversial stuff about The Beatles. You know you want to check it out!


Pokémon GO. Pokémon Mother Effing GO. Where do I even begin? This game has taken the country by storm. It just hit North America on July 6th, and has already surpassed Twitter in amount of daily users. You’re either playing the game or complaining about others playing the game. Either way, it has somehow entered your world in the past week. There are no divisions when it comes to this thing, as it’s crossing all social and color lines. It’s like that episode of The Next Generation, “The Game”, where Wesley Crusher and Ashley Judd have to break the crew’s addiction to virtual reality. To paraphrase Usher, “We’ve got it bad”.

What is Pokémon GO? I had a friend ask me that on Facebook, and I tried to explain it the best that I could. I won’t go over that here, as I’m sure you all know how it works by now. There are little things about the game I find interesting, however. It’s funny to me that most of the gyms are churches, so we’re basically battling tiny demons for the right to possess churches. And then we force evolution on them to make them more powerful so they can take over even more churches. If you’re an Evangelical preacher, I just wrote Sunday’s sermon for you. You’re welcome. They say that the game is actually causing an increase in folks visiting houses of worship, but I’m sure they’re just grabbing Pokéballs and then it’s “Seacrest out!” The Episcopal Diocese of Washington actually sent an email yesterday, instructing parishes as to how they could encourage “Poké Pilgrims” and welcome them to their congregations. Look for more stuff like this, as corporations and the like decide they want to get in on the action. These are the glory days of GO, y’all. We’ll look back on these days when we’re drinking Pokémon GO Slurpees at the local 7-11.

I never thought I’d play the game. I was prepared to be a hater like I tend to be, but then I downloaded it on a whim. I was hooked instantly. I haven’t been this into a computer game since Farmville, and I lost a lot of Facebook friends over that (Sorry for all the requests! The game made it look like you were actually playing). Since Monday, I’ve caught 144 Pokémon and I got spoiled because I won my very first gym battle. Conservatives LOVE to say “Pokémon GO has achieved what Michelle Obama spent years trying to do.” No, not really. I drive to Pokéstops. Is that cheating? Maybe, but when there’s a dearth of Pokéstops nearby, you do what you gotta do. Anyway, I’m still a fat ass, so nice try, conservatives. There’s something unsettling, though, about slowly cruising by a park after dark so you can get more Pokéballs – especially in today’s political climate. Please, Lord, don’t let me get killed over some tiny computer demons! I mean, folks are getting robbed, they’re walking off cliffs. It’s chaos out there, but it’s also really fun.

I’ve noticed a glitch in the game. I mean, it’s new and really popular, so it’s bound to be buggy. My issue is that I try to play on the sly when I’m in public. I’m still kinda ashamed to be playing it, when all the folks around me are 13 year old boys. There was a group of teens hanging outside the Korean church (the local gym), and I was scared to go down there because they were just that right age to be unmercifully vicious. Anyway, the game seems to hate sunlight. I can’t tell you how many Pokémon I’ve tried to catch while on the move outside, only for the Pokémon to pop out of the ball and I have to recatch it.  Multiple times. It has something to do with the game not properly syncing with the servers (which are regularly down for the count), but I have the most trouble with this on sunny days. Anyone else experience this?

Anyway, I’ve rambled enough. You’d have to be a fool not to realize that Pokémon GO had the West Week Ever.



01st Jul2016

West Week Ever: Pop Culture In Review – 7/1/16

by Will

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WWE Edit


In the world of movies, Lindsay and I watched Big Hero 6. It’s been on the DVR for, like, a year, so it felt like it was finally time to climb that mountain. I’m honestly not sure what took so long as, on paper, it’s my cup of tea. I mean, it’s an animated Marvel/Disney collaboration. That should be a no-brainer. If you haven’t seen it, Hiro Hamada is a teen prodigy who has graduated high school by the age of 13. Instead of using those smarts constructively, however, he spends his time competing in illegal robot fights. That all changes, though, when Hiro’s brother, Tadashi, takes him to his college to show him the inventions he and his friends have been working on. At that moment, Hiro decides he MUST get into that school. And then some other stuff happens that I don’t want to spoil for you. If you know your Disney movies, you can probably figure it out. It just hit me: ya know why I never really wanted to see this film? It’s for that reason right there. The trailers couldn’t really get into the plot because it would spoil the stuff I can’t tell you about. So, they just showed this kid with a lovable marshmallow-looking robot in a police station, and that’s really all you have to go on. That robot is Baymax, who’s Tadashi’s crowning achievement. He’s a health bot that activates whenever someone says “Ow!’ Anyway, some stuff happens and everyone becomes a superhero. I really liked this movie. I mean really liked it. That said, the ending is kind of funny to me because I feel like Baymax would’ve saved more lives in his original capacity as a health bot than as a superhero, but what do I know? At least it sets things up for further adventures, which we’ll see in the Big Hero 6 TV series that premieres on Disney XD next year.


Then, I watched Keanu. God, was that a disappointment. Colloquially known as “The Key & Peele Movie”, it stars the comedy duo as cousins who get wrapped up in the drug trade while trying to get back the cat that had been stolen from one of them. But it’s so much more involved than that. You see, the cat originally belonged to a Mexican drug lord, but it escaped when said drug lord was killed by The Allentown Boys (assassins also played by Key & Peele). The cat, then, ends up on the doorstep of Rell (Peele), who takes him in and names him “Keanu”. After a guy’s night with his cousin Clarence (Key), Rell returns home to find that Keanu’s been stolen. So, they set out to find Keanu, and somehow end up in the drug trade because the local gangsters think they’re the Allentown Boys. Meanwhile, the Allentown Boys are trying to track down the guys who’ve been pretending to be them. I guess? There’s no real motivation behind the Allentown Boys. They’re just these supernatural killing machines. The whole movie’s just doing too much. And it’s nowhere near as funny as what you’d come to expect from Key & Peele. It has its moments, but then there’s a lot of weird stuff going on, like how the movie is really just one big George Michael music video. As much as it pains me to say it, I do not recommend this movie.


On the stand-up comedy front, I caught Deon Cole: Cole Blooded Seminar, which premiered Saturday on Comedy Central. If you’ve seen him on Black-ish or Angie Tribeca, then you know that Cole is HILARIOUS. A former writer for Conan, he’s clearly a funny guy, but I feel like his strengths are outside of stand-up. To say that I prefer his acting doesn’t mean he’s a bad comic, though, and he’s got some funny bits in this special. His writing credits give him crossover appeal, but don’t expect something like you’d get from W. Kamau Bell or someone like that. He’s definitely a Black Comic, and that’s what you get here. Cole actually took over the Comedy Central Radio Drive Home on Friday, where he played some of his favorite stand-up acts. His influences range from Earthquake and Corey Holcomb to Steven Wright and Ellen DeGeneres. He’s got eclectic taste, and that comes across in his stand-up. Anyway, tl;dr it’s definitely worth checking out.



In comics news, Marvel spoke to Fast Company about an upcoming publishing initiative called “Divided We Stand”. Based on the promo art above, it appears to be The Old Farts vs The Young Upstarts. I really hope it’s not some generational disagreement, like Gen X vs Millennials. It’s also been pointed out that the “old” grouping tends to be less diverse than the “new” grouping. According to Editor-In-Chief Axel Alonso, everyone featured in the teaser images is there with a purpose, be it an upcoming solo book or an integral role in an established book. I’m reminded of one of the last storylines in the Ultimate Marvel Universe, called “Divided We Fall”. While most folks had checked out of those books by that point, there was some really daring storytelling going on, as Captain America was elected President of the United States, mutants were placed on a reservation, and an actual Civil War broke out, with part of the country wanting to secede. It was hastily wrapped up, as Marvel had to get the universe ready for Ultimate End to coincide with Secret Wars, but if this even comes close to what that was, we might be in for an interesting ride. Anyway, the article stresses that the art doesn’t necessarily mean that there’s a storyline coming, pitting both groups against each other. After all, we’re just getting into Civil War II, so it’s not like they could go back to that well so soon. But this could be an indication as to how they’re handling the Marvel brand for the foreseeable future. It’s worth noting that there are some important characters missing, like Tony Stark, Peter Parker, or Sam Wilson. Peter might be busy with the whole “Clone Conspiracy” storyline, but I am curious about Tony and Sam. I guess we’ll just have to wait and see.


Wonder Woman vs Doomsday_embed

Superman vs Bizarro_embed

In toy news, we’re getting another series of LEGO DC Super Heroes Mighty Micros, coming in January 2017. The sets will be on display later this month at San Diego Comic-Con. It seems kind of interesting that Wonder Woman would come with Doomsday, but I guess they’re trying to capitalize on that pairing from Dawn of Justice (which seems to be the only scene that everyone unanimously enjoyed). As a big fan of the Mighty Micros line, I can’t wait for these, but I still with they came with regular minifigures; instead of the normal legs, they use the stubby Hobbit legs that don’t have leg joints. I’m not sure if this decision was based on a licensing agreement or what, but I’d like to be able to get regular DC minifigures without having to buy big ass expensive sets to get them. Anyway, here’s hoping we also get another series of the Marvel Mighty Micros, as well.

Things You Might Have Missed This Week

CW DC Promo Group

    • We got a new promo image for the CW’s DC lineup this fall. Kinda hate how Supergirl is the focal point, seeing as how this is all “The House That Arrow Built”, but I understand why. Plus, it’s just better symmetry to have her in the middle instead of Ollie.
    • Wreck-It Ralph 2 was announced, with a release date of March 9th, 2018. One of these days, I’ll finally get around to watching the first one. Fun fact: Brave made more money domestically, yet this is the one that gets the sequel!
    • Captain America: Civil War will be released on DVD/Blu-Ray on September 13th.
    • Preacher has been renewed for a second season on AMC. Quite the feat, considering it was on against Game of Thrones.
    • Backstreet Boys hinted that they might be in the studio with country duo Florida Georgia Line. This is kinda funny, seeing as how FGL have recently started singing “Everybody (Backstreet’s Back)” at their shows.
    • The J.J. Abrams Star Trek universe has officially been named the Kelvin Timeline, based on the fact that Kirk’s dad commands the U.S.S. Kelvin at the beginning of the first movie. In the real world, Henry Kelvin was Abrams’ grandfather, and has been incorporated into several Abrams projects as Easter eggs.

  • My buddy Chris is at it again with his Comic Tropes video series. This time around, he takes a swing at the tropes of comic writer Brian Michael Bendis, while getting drunk on cider. Check it out!


It was a great week if you were  a woman and/or person of color in Hollywood, as the Academy of Motion Picture Arts & Sciences sent out 683 invitations to new members. 46 percent of those invites went to women, while 41 percent went to people of color. If you’ll remember, the Academy, which votes on the Oscars, came under fire this year due to the #OscarsSoWhite hashtag on social media. It was felt that the Academy needed diverse voices, as the films being nominated seemed to represent only a particular segment of the films that were being released. The 683 invites set a record, and they went out to folks like Idris Elba and John Boyega. It’s a funny mix, however. I mean, for every Oscar Isaac and Chadwick Boseman, they also sent invitations to Kate Beckinsale and Marlon Wayans. Tom Hiddleston and Michael B. Jordan? Yup, but you also got Morris Chestnut and Vivica A. Fox. Brie Larson and Rachel McAdams? Sure, but you’re also getting Michelle Rodriguez and Daphne Zuniga. So, if it’s diverse voices that folks wanted, it’s diverse voices they’re gonna get! Still, this initiative seems to move the makeup of the Academy closer to “a jury of one’s own peers”, so maybe the Oscar votes will start to represent what regular people liked instead of being limited to the whims of the stodgy old guard. So, if you were one of the 683 people invited to join the Academy, you’re probably having the West Week Ever.

17th Jun2016

West Week Ever: Pop Culture In Review – 6/17/16

by Will

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WWE Edit



On the movie front, I watched a lot of Lego specials this week. First up was Lego DC Comics: Batman Be-Leaguered, featuring the Justice League trying to recruit the Caped Crusader. Now, my first issue is that I never saw the preceding movie, Lego Batman: The Movie – DC Super Heroes Unite. So, I was unaware that there was a different portrayal of Lego Batman out there. I was expecting the same depiction that we got in The Lego Movie. So, I was majorly disappointed when this wasn’t that guy. The biggest issue, however, was that it’s really just a 22-minute commercial designed to sell toys. I mean, most children’s cartoons are that, but this was just brazen about it. All of the vehicles showcased in the special are existing Lego sets, and the only thing missing from the show was having the Lego set number flash onscreen whenever a set appeared. It was the most toyetic thing I’ve seen in the past 20 years. The animation just felt like cut scenes from the Lego Batman games. And to make matters worse, it’s just a poorly written show. It’s got none of the heart of The Lego Movie, and in the end *SPOILER ALERT* it turns out that Bat Mite was the “villain” behind everything. You can’t take anything seriously when Bat Mite is involved. It was just a big waste of time.


Next up, I watched Lego DC Comics Super Heroes: Justice League: Attack of the Legion of Doom. THIS is what I wanted. I don’t watch the Lego TV shows, like Chima and Ninjago, so I have no idea of their quality, but this actually reminded me of The Lego Movie. They actually took advantage of the fact that the world was made of bricks, so when a car exploded, it reverted to a pile of bricks. That kind of detail is what was missing in Be-Leaguered. Anyway, the movie is basically an arms race to see who can get Martian Manhunter on their side to tip the scales in the battle between the Justice League and the newly formed Legion of Doom. Also, the movie focuses on Cyborg, as he struggles to fit in as the rookie of the team. He’s young and optimistic, so he pretty much serves as the Emmitt of the movie. Plus, it really made me appreciate Cyborg as a character. I have been vocal in my opposition to his promotion to the Justice League in the New 52 DC Universe. I felt that he was more important and effective as the big brother of the Teen Titans than he has ever been as the junior member of the Justice League. This movie, however, really made me root for him, and I kinda wanna seek out Justice League comics that focus on his role as the new kid on the block. It also didn’t hurt that Cyborg was voiced by Khary Payton, who also voices him on Teen Titans/Teen Titans Go! Of course there were some toyetic aspects (like the Batman vs Gorilla Grodd Lego set was on display), but I felt they were more spread out as this special had more time to work with, clocking in at 72 minutes. Anyway, this was really entertaining, and I’d definitely recommend it.

GMW High Schoolers

Girl Meets World came back about a week ago, and now the gang’s in high school. If I thought this show got heavyhanded last season, I had no clue what I’d be in for this year. First off, it pisses me off that Zay isn’t a regular cast member now, considering he’s one of “the gang”. Anyway, the focus of the premiere was that the kids were supposedly “kings” in middle school, but are nobodies in the big world of high school. I’m not so sure they were kings. I mean, Riley’s dad was their teacher and they pretty much got away with anything. Riley’s dad is still their teacher, but they’re all in a new environment. The oddest part, though, is that they’ve got these 30 year olds playing high school students, who are determined to make Riley and her friends learn their place in the new pecking order. Now, I’m used to older people playing high school students, but this is just absurd. One dude looks like Jason Segel’s less successful younger brother. Meanwhile, I’m starting to feel like the show should actually focus on Riley’s little brother Augie, and his friend Ava. Her parents are going through a divorce, and Augie’s her support system. They’re probably the best actors on this show, and I find that situation more compelling than the whole “High school is scary” plotline. Anyway, I’m gonna try to stick with this show, but I really miss the zaniness of iCarly.


In Marvel news, it was reported that Donald Glover has joined the cast of Spider-Man: Homecoming. Of course, since the #DonaldGloverforSpiderman social media campaign, everyone wants him to be Miles Morales. There’s no way 32-year old Glover is gonna play Morales on the big screen. There’s been a lot of misinformation surrounding the casting of this movie, as a few weeks ago, folks were saying that Michael Barbieri had been cast as Ganke – who happens to be Miles’ best friend. Of course, that’s been debunked by the director, but it didn’t stop of from getting a few weeks worth of “Why is Ganke white?/Why is Ganke in this movie?” tweets. People are gonna speculate all they want, but it doesn’t change the fact that Glover will probably just be playing something like “Mike, the Pizza Delivery Guy”. Or “Jack, Who Works In I.T.”


Meanwhile, in DC TV news, it was reported that Nick Zano is joining the Legends of Tomorrow team as Dr. Nate Heywood, the grandson of Commander Steel of the Justice Society of America. In the comic, Heywood becomes Citizen Steel, so it’s pretty likely he’ll don some sort of heroic identity here, as well. The biggest news, however, is that Teen Wolf’s Tyler Hoechlin has been cast as Superman on Supergirl. That casting was FAST! I don’t watch the show, so I don’t really care, but it seems like that’s the sort of thing that has to be earned. You don’t just play your Superman card in season 2. That must’ve been a requirement for renewal: Superman MUST show up or no season 2. Anyway, folks seem to like the show, so I hope his arrival doesn’t derail it.



In comic news, we finally got character sketches from the new M.A.S.K. series, as we got quite the surprise: Matt Trakker is Black now! And of course, some people were pissed off about this. Look, I also grew up with a Matt Trakker who looked like a cartoon John Tesh, but that appearance didn’t have any impact on his character. Changing him here isn’t going to make him any less Matt Trakker, even if they do seem to be going to a more diverse, Fast and the Furious-esque team makeup. To me, Duke from G.I. Joe and Matt Trakker were kinda the same person, so at least this will make them visibly different. All I know is that I’m now a Hell of a lot more interested in checking it out than I was before. Yay, representation!

Things You Might Have Missed This Week

  • Orphan Black has been renewed for a fifth, and final, season. One day, I’ll actually start watching that show.
  • Kevin Smith has reported that Mallrats 2 will no longer be a movie, but will instead be a 10-episode television series. Since the move from movie to show, there is no news on casting or potential networks.
  • After Hulkamania ran wild on it in the courtroom, Gawker Media has filed for Chapter 11 bankruptcy protection
  • Larry David is coming back for a 9th season of Curb Your Enthusiasm. I really hope it doesn’t focus on David’s renewed career portraying Bernie Sanders, but it probably will.
  • John Stamos has joined Scream Queens as a series regular. I swear, that man works like he’s got several secret, illegitimate children to support.
  • Wilmer Valderrama has joined the cast of NCIS. Yeah, I don’t even know what to make of that.
  • Helen Mirren has entered the “Fuck It” stage of her career, by reportedly signing on to star in Fast 8.

MAD TV New Cast

  • This is the cast of The CW’s MadTV revival. Take a close look, as you might be looking at the next Key & Peele. Then again, you also might be looking at the next Artie Lange.


There’s a culture war going on in America, and the Broadway show Hamilton is at the forefront of it. Rich people have seen it, while poor people are clamoring to do so. It’s kinda like health insurance in that respect. The work of Lin-Manuel Miranda, the show focuses on founding father Alexander Hamilton’s life, from immigrant to duel casualty.

Now, I’ve been known to be something of a “hater” at times. Sometimes justified, sometimes not. So, I was not onboard this show. I mean, it was kinda deplorable to see folks obsessed over a show they’ll probably never see. Sure, the soundtrack went platinum, but that’s as close as many folks will ever get to Hamilton. Still, this week was all about Hamilton, as the show picked up 11 of the 16 awards it was nominated for at the 70th Annual Tony Awards on Sunday. So, I decided to see what all the fuss was about, and fired up the soundtrack on Spotify. And I LOVED it. Now, let me say that it didn’t move me as much as I was moved by Ragtime or Les Miz, but it’s a good soundtrack. A lot of repeating themes, but they’re strong and catchy, so it’s not much of a bad thing. A lot of people know I was an a cappella kid, but many don’t realize that I started as a theatre kid. So, I know my way around a Broadway soundtrack. Certain songs just stay with you, though, like the opening number “Alexander Hamilton” and “My Shot”. My favorites are probably “It’s Quiet Uptown” and the finale “Who Lives, Who Dies, Who Tells Your Story”. The latter is a sentiment that I think about often: who’s going to tell your story and what will they say? In my case, I hope they say “Yeah, he meant well.” Anyway, I’ll probably never see the show, but I still got the music, and that’s good enough for me (especially since Miranda is leaving the Broadway production on July 9th, so anything after that will be like a “second printing” to me anyway). So, for its 11 Tony wins, and for cracking my hard exterior, Hamilton had the West Week Ever.

10th Jun2016

West Week Ever: Pop Culture In Review – 6/10/16

by Will

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youre dead

The only movie I watched this week was the world premiere of You’re F#@k’n Dead. Written and directed by my good friend, Jay Spence, it’s an homage to grindhouse cinema, with a hint of the supernatural. It follows brash Lexi, and her naive sister, Beth, as they end up in a strange town that isn’t quite what it seems. When they find out the true nature of the town, they find themselves in a fight for their lives. The film premiered Sunday night as the closing headliner at the DC International Fantastic Film Showcase at the AFI Silver Theatre and Cultural Center. Though I was a fan of Death Proof, I’d generally say this wouldn’t normally be my type of movie. That said, I really enjoyed it. It was great to see the fruition of my friend’s 4 years of hard work, and I’m really impressed by the finished product. It will be on DVD/Blu-Ray soon, but here’s the red band trailer, and if you want to know more, check out youredeadthemovie.com.



In TV news, the former “Can You Hear Me Now?” Verizon Guy now works for Sprint. Huh. I guess some people might see this as a “heel turn”, but I couldn’t care less. I’ve got this weird thing where commercials don’t work on me. Like, if I see a commercial for something, it doesn’t make me want that item. Hell, commercials barely even register with me unless someone points one out to me. So, it’s odd to me that Sprint thinks getting this relic of a pitchman on their side is going to translate into people defecting from Verizon. I mean, if I remember correctly, people hated that guy ’cause he was annoying. If anything, I feel like this would drive more customers to Verizon from Sprint. But what do I know?

Noto Supes

There was also a lot of news in the world of DC Entertainment television. First off, it was announced that Superman would be appearing in season 2 of Supergirl, and casting is underway. A lot of folks are lobbying for Smallville‘s Tom Welling to get the part, but I really don’t want that to happen. I know Smallville had its fans, and it lasted 10 years, but I don’t think its quality is on par with the current Berlantiverse shows, so I’d rather forget it than have some unofficial link to it. Plus, I feel like Welling left the role before he could fall victim to the Superman Curse. He probably avoided it because he never put on the suit. Anyway, Superman will be joined by other DC characters, such as Snapper Carr and Detective Maggie Sawyer. Meanwhile, it’s rumored that Calista Flockhart’s Cat Grant might be bumped to recurring character status.


Meanwhile, it was reported that Legends of Tomorrow would be adding Vixen to the cast next season, but there’s a catch – it won’t be the same character that has been portrayed by Megalyn Echikunwoke on both Arrow and the Vixen animated series. Mari McCabe is a Detroit hero who derives her powers from an animal totem. So, it appears this new character will be a Vixen, but not the Vixen, as Echikunwoke will still be voicing her version of the character in the animated series (her film commitments are keeping her from joining Legends of Tomorrow). I’m not usually one to bark up this tree, but I hope the new Vixen is also a person of color. I mean, we have so few heroes, it’d kinda suck to lose one. Plus, with the departure of Hawkgirl, the team could use the diversity in the form of a woman of color. The character was popular, with some folks saying she deserves her own show, but I say “hold onto your horses” on that one. Let’s let the character grow and develop before putting that weight on her shoulders.


We also got our first look at character designs for Justice League Action, the new DC animated series coming to Cartoon Network. Based on a presentation at the Kre8tif Conference in Malaysia, the show will include characters like Firestorm, Mr. Terrific, Lobo, Blue Beetle, Big Barda, and Harley Quinn (back in her jester costume). Kevin Conroy and Mark Hamill are coming back, so I guess reports of their retirement had been premature. I don’t love the character designs, but it’s clear this show is geared towards the younger set. The show will consist of 11-minute episodes, like most current Cartoon Network shows, and no premiere date has been announced yet.

lego mr t

In video game and toy news, the sets for LEGO Dimensions Year 2 were revealed, and they are amazing. LEGO Mr. T!!! Not only will there be an A-Team set, but there will also be sets for The LEGO Batman Movie, Sonic The Hedgehog, Knight Rider (!), The Goonies, Mission Impossible and more. I will most definitely be getting the A-Team and Knight Rider sets.

Things You Might Have Missed This Week

  • Teenage Mutant Ninja Turtles: Out of the Shadows underperformed over the weekend, only taking in $35 million, despite positive word of mouth
  • John Boyega has been cast as the lead in Pacific Rim 2, which will be directed by Steven S. DeKnight (Daredevil on Netflix)
  • The Injustice 2 video game was announced for a 2017 release. I love the first one, even though I’m not that good at it.

    • Comedy Central announced that Rob Lowe would be the guest at their next roast. Look for a lot of jokes about his sex tape with that underage girl. Oh, you didn’t know about that?
    • It was reported that Mel Gibson is working on a sequel to The Passion of the Christ. The timing is perfect, as Jim Caviezel is gonna need work soon.
    • My pal, Chris Piers, got DRUNK X-Amining the comic tropes of Chris Claremont’s X-Men run. If you’re an X-Men fan, this is a MUST WATCH!


I’d have to say that Awesome Con stole the week. Kicking off last Friday, the show set up at the Walter E. Washington Convention Center in downtown DC, and ran through Sunday. I decided to check it out with my good pal Classick Materia of CSPN Media. We had a great time walking up and down aisles, meeting our favorite comic creators, and chowing down on convention center burrito bowls. Most of the experience was covered on the latest episode of the Classick Team-Up Podcast, so be sure to check that out. Still, there were a few things that didn’t make it into the podcast.


Classick and I got split up at one point, and I found myself at the Aftershock Comics table in front of writer Paul Jenkins. If you’re not familiar with him, he wrote Wolverine: Origin back in 2001 that finally revealed the character’s history. He also co-created Marvel character The Sentry. Anyway, as I walked up to his table, he was scanning the side of a juice box with his phone. He noticed me, and immediately went into infomercial mode, telling me about this great new app that’s been helping him lose weight. Turns out it was My Fitness Pal, which I’ve already been using for the past 6 months. I told him this, but he glossed right over it, as he demonstrated how easy it was to simply scan the barcode and have the app input all of the nutritional information. He told me that he’d cut out sugar and bread, and that the weight was just falling off. He said that it’s not just about what you eat, but also when you eat it. He was like a born again Christian with this thing! We never even talked about his comics. He signed my copy of Replica that I had coincidentally purchased from a dollar box earlier in the day, and sent me on my way. Great guy, but such an odd experience.


Next up, I met Tom King, who’s currently writing The Sheriff of Babylon, as well as starting on the Batman title. As I went up to his table, I told him that I was a big fan, and he said that he recognized me. I didn’t think we had met, but then remembered I had met him at NYCC last year. Still, there’s no way he remembered me, and I’m sure he says this to all the boys. Anyway, the con had been selling an exclusive cover of Batman: Rebirth #1, but it was the same cover as the normal book, only it had “Awesome Con” on it – for TWENTY dollars. Fuck that noise! I went back to the Big Planet Comics booth, and picked up a copy of the regular edition for $3. I promptly went back over to King, and had him sign it. I also told him that I enjoy The Sheriff of Babylon although I have no clue what the Hell is going on. Like, the characters are interesting and compelling, but I’m totally lost on the plot. I mean, I couldn’t even really explain it to you, except for the fact that it’s set in post-Saddam Iraq. He laughed and said that he had just been thinking about possibly including a recap in an upcoming issue, just to make sure everyone was on the same page with the story. I told him I was looking forward to his Batman run, and went on my way. Really nice guy!


While walking around, Classick and I started talking about Doctor Who, trying to figure out what the appeal is about that franchise. He said that it was the scarves. I said it was the dildos. Sure, they may call it a “sonic screwdriver”, but I wasn’t born yesterday! That’s a fancy space dildo. So, as we laughed about this, an idea hatched in my head. I’d like to introduce you to my new Tumblr, Scarves and Dildos: The Magical World of Doctor Who.

Anyway, for more tales of our time at the con, check out the podcast. In any case, I think the show set the tone for the week, and that’s why Awesome Con had the West Week Ever.

03rd Jun2016

West Week Ever: Pop Culture In Review – 6/3/16

by Will

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On the movie front, all I watched this week was The Intern. After the bad taste left in my mouth by X-Men: Apocalypse (HOW DOES THE FLYING GUY DIE IN A PLANE CRASH?!), I just needed a cute Nancy Meyers film to make me forget all that. In the film, Robert De Niro plays a 70 year old widower who’s hired to be the intern for Anne Hathaway, who’s the CEO and founder of a fast-growing online shopping site. The company decided to hire senior citizens because they felt that these people had valuable experience, and still had a few miles left on them. At first, Hathaway doesn’t want De Niro assigned to her because he’s too observant, and she’s a private person. Over time, though, they go through a lot together and become best friends. I know it sounds schmaltzy, but it was a cute movie. It’s probably considered a “chick flick”, though I don’t think that would be a fair label. In a lot of ways, you could almost consider this a sequel to The Devil Wears Prada, as Hathaway is essentially playing Andrea Sachs in the next phase of her career (yeah, I’ve also seen Prada, but that’s only because A) I love Anne Hathaway, and B) the novel was written by a Cornell alum). Anyway, if you’re looking for a movie that you and your girlfriend/wife/husband/partner/parole officer can watch together, I’d recommend it.


On TV, the biggest thing I watched the the DC SuperHero Girls special on Cartoon Network. If you’re not familiar with it, DC SuperHero Girls is a new initiative by DC Comics to introduce their properties to young girls. It’s comprised of online digital shorts, graphic novels, and an action figure/doll toyline. Instead of the usual digital shorts, this special was an hour long, and MAN was it boring! It followed Supergirl as she matriculates to SuperHero High, having arrived on Earth only 4 weeks prior. She wants to get the same training that her cousin had, so she enrolls and immediately befriends I.T. girl Barbara Gordon. At the end of the day, I just have to admit that it wasn’t made for me. I think we live in a time where most cartoons have several layers: they’re for kids, but they still have jokes and references that adults might get. That’s not the case here. This is full-on for little girls. It also does that whole thing where it disregards who’s “good” and who’s “bad”. For example, morally-questionable Amanda Waller is the principal of SuperHero High, while Flash villain Gorilla Grodd is the vice principal. Meanwhile, Granny Goodness, trainer of the Furies of Apokalips, is the head librarian. Sure, it works in the context of the show, but it doesn’t make a lick of sense to anyone with any familiarity with DC Comics. So, I guess it serves as a nice “gateway drug” for kids to get into DC characters, but those parents are gonna have some ‘splainin’ to do once those kids outgrow this show.

larson marvel

In Marvel movie news, it appears that Oscar winner Brie Larson (Room) is being eyed to star as Carol Danvers AKA Captain Marvel. I don’t know a ton about Larson, but I don’t hate this news. After all, it’s not like Longmire‘s Katee Sackhoff ever had a serious chance at the role, despite fan desire. I haven’t tried to fancast the role myself, but it’s certainly a better idea than the previous rumor that Chloë Grace Moretz (Kick-Ass) was interested in the role. Meanwhile, on the Fatman on Batman Podcast, Marvel Chief Creative Officer Joe Quesada seemed to confirm that Marvel Studios now has the rights to Namor: The Sub-Mariner. In the past, it was reported that these rights were actually being held up at Universal, along with the Hulk rights.


Across the aisle, there was also news from the DC Films camp, as Dope director Rick Famuyiwa has taken over for Seth Grahame-Smith as the director on The Flash. People seem excited by this news, but I’m not sure what to think. I mean, this would’ve been Grahame-Smith’s directorial debut, so he didn’t really have a cinematic track record to go on. That said, what I know about Famuyiwa is that he directed and scripted Dope (which I loved), while he also directed HBO’s Confirmation about the Clarence Thomas hearings (which I enjoyed). So, I’m not really sure what kind of sensibility he’s going to bring to the workd of The Flash. Seems almost out of his wheelhouse, but maybe I’ve just got him pegged in my mind as a certain type of director.


In comic news, IDW Publishing has announced “Revolution”, which will merge all of their Hasbro-based properties into a shared universe, not unlike the shared cinematic universe that is being created. IDW promises that this is not a reboot, and all of the events of the individual comics still happened, but now they will have effects on other books. This event will merge the worlds of Transformers, G.I. Joe, Micronauts, Action Man, and Rom: The Space Knight. The result of this event will be the debut of the M.A.S.K. comic that I talked about a few weeks ago. If they really wanted to impress me, though, they’d find a way to fit the Jem comic in there. Anyway, that promo image just looks like a mess. Total cacophony. I know a lot of folks love the Transformers comics, so for their sakes, I hope this works out.


In other comic news, this week saw the end of Hellboy’s journey, as Hellboy In Hell #10 was released on Wednesday. If you haven’t been keeping up with the Hellboy comic, the character died back in 2011 and has since been having adventures while fighting monsters and demons in Hell. I, for one, have not been keeping up with the book, so most of the recaps that I read didn’t make a lot of sense to me. That said, I’m sort of surprised this book isn’t getting more press. I mean, we live in a time when comic deaths are pretty much meaningless, but fans of Hellboy are calling this a beautiful and fitting ending. Creator Mike Mignola isn’t opposed to returning to the character at some point down the road, but for now he’s giving Hellboy a well-deserved rest.


In toy news, we got a look at the upcoming X-Men wave of Marvel Legends figures. Due to the contentious relationship between Marvel and X-Men licensees, a lot of people were afraid the wave would be cancelled after it debuted at Toy Fair back in February. The wave will include Deadpool, Cable, Kitty Pryde, Wolverine (Brown Costume), Jean Grey, Iceman, Havok, Rogue, and a Juggernaut Build-A-Figure. These are expected to be released this month, but with Hasbro’s distribution issues, I don’t expect to ever see these in stores.

It’s been a crazy week for me in social media. I woke up Sunday morning to this:


Yup, it’s really him – ya know, every red-blooded woman’s “hall pass”. At first, I figured he somehow knew I had a “halfy” kid, and was trying to get me to buy his book about halfy kids. Then, I found out he also followed some of my friends online. So, I’m not sure to what I owe this honor. So, my Verified followers now include Aaron Carter and Taye Diggs. Then this happened:


If you don’t know Aries, he’s best known as “The Black Guy from MADtv“. as he was on there for 7 seasons before Keegan Michael Key and Jordan Peele joined the show. Every now and then, he finds himself in a Twitter controversy, but I found myself watching a YouTube interview with him and he was really dropping some knowledge. Two hours later, I realized that I’ve underestimated him all these years. So, when I was done, I tweeted that I had just spent 2 hrs watching this interview series, and I woke up to find he’d followed me. Let’s see how long this lasts. But the craziness didn’t stop there!


My pal Chad had posted on Facebook that Honey Boo Boo’s mom, Mama June, would be appearing at the Baltimore Hustler Club. I thought it was a joke, so I tweeted about it. I didn’t think that A) she’d reply or B) it’d be true. I guess she’s gotta make that money, but the whole thought is just kinda sickening to me. I mean, I hope she’s not stripping! Maybe she’s just signing shit or something.


Later that night, I was watching my new favorite reality show, Single Dad Seeking, and I was tweeting about it. If you’ve never seen it, it’s a show on TLC that follows 5 single fathers as they look for love. One of the dads, Mike, is a roofer from Jersey, and he’s dating this chick named Valene. Valene’s hot, but doesn’t appreciate that she’s been thrown into this role of being a parent so early into the relationship. In the most recent episode, it was Mike’s kid’s birthday party and Mike had invited Valene. Mike’s ex (and baby mama) was there, and she’s just straight Jersey trash. She and her friend were talking shit about Valene, but Valene composed herself and handled it like a trooper. I tweeted the above, and didn’t expect to get a reply. I guess reality “stars” don’t have anything else to do when not filming, but it’s always weird when these people actually see what you’re saying about them.

pr movie

To top it all off, the official Instagram account of the Power Rangers movie followed me. You all may not Like my pics, but somebody out there clearly cares!

Things You Might Have Missed This Week

  • The Rock has signed on to play pulp hero Doc Savage, once he’s finished filming the 70 other movies to which he’s currently attached
  • The Batman v Superman: Dawn of Justice Ultimate Edition has been announced to hit HD Digital on June 28th, followed by a physical release on July 19th. This edition features 30 more minutes of torture, clocking in at 182 minutes, and will be rated R for “Really?!”
  • That dude from Hamilton will probably be leaving Hamilton, to no longer play Hamilton, when his contract ends on July 9th. He’ll, then, go on to costar in the Mary Poppins sequel with Emily Blunt
  • In leaked storyboards from the abandoned Spider-Man 4, it was revealed that Anne Hathaway would’ve been playing Felicia Hardy. Instead of sporting the alter ego of the Black Cat, she would’ve, instead, been a character named The Vulturess. Bullet dodged.
  • American Idol season 11 winner Phillip Phillips is currently being sued by Idol production company 19 Entertainment for breach of contract. They claim he owes them millions of dollars, but considering the fact that he’s only sold a million albums in the past 4 years, I’m pretty sure he ain’t got that money.

ecto cooler

Man, y’all went crazy for Ecto Cooler this week, didn’t you?! Hi-C Ecto Cooler was a mainstay in all of our lunchboxes, back when The Real Ghostbusters was tearing up the weekday afternoon AND Saturday morning airwaves. Then, it disappeared in 2001 once the Ghostbusters craze had all but dissipated. Yeah, I know it was originally one flavor, and then renamed to another flavor, but there are other pop culture bloggers out there who can give you a better rundown of its history than I can.

My relationship with Ecto Cooler was superficial at best. I never liked the flavor that much, but I liked it because it was the cool thing to like AND it had Slimer on the box. Once it disappeared, I really didn’t think much about it. To be honest, I’m more curious if people remember McCain’s Junior Juice. It came in a tiny box, and had a dapper frog on it. That shit was classy!

Anyway, fans of Ecto Cooler have been longing for its return and, in conjunction with the upcoming Ghostbusters reboot, they’re getting their wish. A few well-connected bloggers got a nice shipment from Coca-Cola to celebrate the return of the cherished beverage, but I guess mine got lost in the mail. Nope, not bitter at all. Anyway, the drink was set to be on shelves this past Monday. Though it’s odd that a release would be scheduled for a holiday, the Cooler fans took to the streets, scouring store after store for their light green nectar. As I said on Twitter, if the Ecto Cooler street teams were in charge of some voter registration drives, maybe we wouldn’t be in the shitstorm we’re in. Now, there are a lot of ways to read into that statement, but I’m just gonna say it’s a tribute to the organization of the Ecto Coolites. Yeah… Anyway, the stuff wasn’t on shelves when promised, so some folks have resorted to ordering it off Amazon, where it’s available to Prime customers. I don’t plan to join the reindeer games. It’s nice that folks are getting something they’ve wanted for years, but I just don’t love the taste enough to scour the globe. If I happen to find some in my travels, I’ll pick it up for old times’ sake, but for now, I’m gonna leave this to the professionals. In any case, Hi-C Ecto Cooler had the West Week Ever.

P.S. Let me know if any of you will be at Awesome Con tomorrow, as I’d love to meet up!

27th May2016

West Week Ever: Pop Culture In Review – 5/27/16

by Will


BeFunky Collage52716



So, the main movie that I watched this week was X-Men: Apocalypse. Where to even begin with this film? When I reviewed Batman v Superman: Dawn of Justice, I tried to be diplomatic. I never said that was a *bad* movie, but I simply said that it didn’t work for me. I can’t do that here, though. This was a bad movie. At the end of the day, it suffers from a failure to launch. It never feels like it builds to anything worthwhile. It has a decent 1st act, but an almost non-existent 2nd act, finished off with a rushed 3rd act.

I’ve already mentioned that I’m tired of the Erik-Charles-Raven Show, and this is just more of that. The other characters are never fleshed out, and just serve as window dressing for that trio. They are their comic counterparts in name only. Psylocke? Useless. Storm? Really doesn’t improve much on the Halle Berry incarnation, but that’s not the actress’s fault. She did the best she could with what she had. I’ve never seen Game of Thrones (outside of a supercut of all the sex scenes from the first 4 seasons), but I don’t know what it was about Sophie Turner that made Fox think she was the one to play Jean Grey. Sure, Famke Janssen was no Oscar winner, but she at least had a personality. Oscar Isaac is wasted as Apocalypse, as that character could’ve been played by almost anyone. He brought nothing to that role. Apocalypse’s motives aren’t all that clear to anyone unfamiliar with the character. Someone on Twitter mentioned that Hive on Agents of S.H.I.E.L.D. actually did Apocalypse BETTER than the actual Apocalypse did in this film, and I can’t disagree. Hive had a purpose, he had his own kind of “horsemen”, and he capably swayed the Inhumans to his cause. Apocalypse just goes around giving folks makeovers and amping up their power levels, but there’s no real indication as to WHY. Quicksilver’s great, and I’d watch a whole spin-off about him, even though that sounds like a terrible idea on paper.

Plus, where’s the “world that fears and hates them”? Since the events of Days of Future Past, where Mystique saved the President, the public seems to actually appreciate mutants. That’s not how that’s supposed to work. They should be terrified at the display of power they witnessed in DC. I mean, Nightcrawler walks through a mall, with no image inducer, and no one bats an eye!

It’s surprising to me that this was directed by Bryan Singer, because it felt like it was made by a first-time director with no familiarity with the characters. This is Singer’s 4th time at bat with this franchise, and he fails colossally. It’s funny because the film even makes a joke about how the 3rd movie is always the worst. There was a lot riding on this film, as it’s basically the 3rd movie in a second trilogy. Unless you’re a hardcore X-Men fan, you can skip this. In fact, you probably should just skip this.


Whew! So, what did I like this week? Well, I caught the Comedy Central stand-up special Dan Soder: Not Special. Formerly of MTV2’s Guy Code, I’m a big fan of Soder, as he’s the co-host of my favorite radio show, The Bonfire, on Comedy Central Radio. He had a great bit about how he used to think he was possessed by the Devil. It wasn’t a gut buster, but it was more of what I’ve come to expect from him. I enjoy listening to him and Big Jay Oakerson every Monday and Wednesday evening, and this was like a nice bonus episode of that. If you’re looking for a laugh, definitely check it out.

cap and bucky

To say it’s been quite a week for Captain America would be quite the understatement. When the week started, #GiveCaptainAmericaABoyfriend started trending on social media, as fans began to “ship” Captain America and Bucky. If you’re not familiar with shipping, it’s when fans desire that certain characters enter into a relationship. From how they were portrayed in Captain America: Civil War, some folks think there’s something between Steve and James that’s a bit more intense than mere friendship. Of course, everyone took a side in the matter. Even I was like, “No, that would change the character too much because he’s been depicted in relationships with women.” I’m all for representation when it makes sense, but this seemed like it was changing a character just for the sake of change. Why make Cap gay when there are actual gay Marvel characters who “get no shine”, as the young kids say? Then I read this. My pal Pete wrote a powerful piece on representation, and what a gay Cap would mean to him. And something happened that rarely happens: my mind was changed by something I read on the Internet. At the end of the day, I hate change. That’s something that I have to deal with, but I guess I can’t stand in the way of progress. I can understand what it would mean to LGBT folks to have a symbol like Cap on their side. And it doesn’t change anything he stands for. In fact, he would now stand for MORE. If he is gay, though, he can do a LOT better than Bucky! Anyway, I was dealing with my newfound enlightenment and then Wednesday morning happened.


The news cycle was supposed to belong to DC (we’ll get to that later), but Marvel just couldn’t let someone else have the spotlight. For the past couple of years in the comics, Steve Rogers has been depowered and advanced to his rightful age. Well, recently, he regained his Super Soldier Serum and returned to his normal self, reclaiming the mantle of Captain America, while still allowing Sam Wilson to ALSO be Captain America (yeah, that’s not gonna be confusing!). The first issue of his new series, Steve Rogers: Captain America was released Wednesday morning, with a major twist on the final page: Steve says “Hail, Hydra”, revealing that he is, and apparently always has been, an agent for his supposed greatest enemy. AND PEOPLE LOST THEIR SHIT!

It got to the point where the former Captain America writer, Ed Brubaker, was getting hassled, while the current writer, Nick Spencer, started receiving death threats. The Internet was basically divided into two camps: A) “Apparently you’ve never read a comic before, ’cause nothing’s ever permanent in comics” and B) “How dare Marvel invoke Nazis, considering they were actual bad people, and Captain America was the creation of two Jewish creators?” And both sides have their merits.

winter soldier

This storyline won’t matter in 2020, but maybe some new, cool supporting character will come out of it, like how we got the Winter Soldier a few years back during another storyline that could be considered a “gimmick”. I’ve always said that the current marketplace of licensing and lunchboxes kinda prevents major changes from happening to major characters, but some good can still come out of these stories.

At the same time, Nazis have been kinda neutered so much in pop culture that it’s easy to forget that these folks did some pretty fucked up shit. We live in a Call of Duty world, where you can log on and kill Nazis to your heart’s content, but that doesn’t change actual history. Just because the concept is toothless today doesn’t mean that it didn’t once carry some major weight. So, I can kinda see some folks getting offended by that. However, Cap’s been fighting Nazis for 75 years. Wasn’t it equally offensive that this comic book character was depicted fighting a real life foe that was out there eradicating people? I mean, if you’re really offended by the Nazi thing, then it seems like Cap just isn’t the right property for you. Nor is Call of Duty. Nor is The Producers. I get it. Nazis off limits.

Personally, I believe that we should wait and see where the story is going. I mean, it’s kinda hard to write it off from the first issue. If it wasn’t your cup of tea, that’s fine, too. Everything can’t appeal to everyone. I know people look to him as a symbol, and can’t understand why he would side with his enemies, but there’s clearly something bigger at play. And it doesn’t behoove anyone to waste outrage at this point in the game.


Speaking of outrage, folks were up in arms in the toy community about a San Diego Comic-Con exclusive Teenage Mutant Ninja Turtles figure release. Created by NECA, there are 8 figures, split across 2 sets, designed after the classic TMNT video game. Based on the licensing rights, however, NECA is only allowed to sell these sets at SDCC; these will not be available in stores or at any other convention. Since not everyone can make it to the convention, fans are lamenting the fact that their only chance to get the figures will be by paying a markup on eBay. Or, as they’ve been saying, “The Scalp-Ors Win”. Maybe I feel this way because I’m not the biggest TMNT fan these days, but I kinda like that they’re exclusive to the con. Sure, it sucks for completists, but these things supposedly exist to make attending the con feel that much more special. It sorta takes away from the whole exclusivity when the items are sold on company sites a few weeks after the show. If I paid over $1,000 for an experience ($245 just for show admission), you better damn well believe I want to get something special out of it. And the way I see it, whatever fans end up paying on eBay is gonna seem like a steal compared to what it would actually cost to go to SDCC and get the figures themselves. All is not lost! Right now, NECA’s saying that these figures will be released in no other form, but it seems odd that they’d go to the trouble of new tooling for something that won’t hit mass market. Just doesn’t seem practical. Maybe they’re just saying this to hype up the exclusivity of the convention sets. I guess time will tell. Whatever. I feel like the fans who REALLY want the sets will find a way – even if they have to sell a kidney to do so.


These days, I’m only an occasional wrestling fan in that I don’t watch any of the shows or PPVs, but I still keep track of who’s in and who’s out. Everyone’s injured and the fans hate Roman Reigns. That about sums it up, right? Anyway, this week the WWE announced that their TV show SmackDown would be moving to Tuesdays, and switching to a live format (for the past 16 years, the majority of the episodes were pre-taped). The reason for this is because WWE is going back to a “brand extension” model. Used in the past, but abandoned in 2011, the brand extension involves a wrestler draft, determining which wrestlers will end up on Raw and which ones will end up on SmackDown. Seeing as how Raw has been the flagship since about 1997, that’s where you really want to be. SmackDown, though originally created to be “The Rock’s Show”, has settled into an existence as the mousy little sister in the company. If you ask me, however, SmackDown has outlived its usefulness.

When SmackDown debuted, what made it special was that it was 2 hours of wrestling programming on broadcast television. Originally airing on UPN, it provided a free alternative to the pay cable Raw. Since the end of the syndicated WWF Superstars and WWF Challenge, there was a void of broadcast wrestling that needed to be filled. And SmackDown filled this void  for 11 years, even past the merger of UPN and The WB, eventually landing on Fox’s short-lived MyNetworkTV. At its peak, it was the #1 program in Spanish-speaking households. Sure, the major stuff happened on Raw, but you still got recaps and some action on SmackDown. Then, after failing to really fit into MyNetworkTV’s plans, the show ended up on Syfy. This meant that both of WWE’s major shows were now on cable, with nothing being provided to those broadcast TV fans (with the exception of the severely short-lived WWE Saturday Morning Slam on The CW). Like the MyNetworkTV move, the move to Syfy made little sense, and the show was eventually moved to USA Network – the same network that serves as the home of Raw. So, what makes SmackDown special now? It also doesn’t help that WWE now has a streaming network for its programming. The popular NXT program, featuring up and coming developmental talent, is solely on the WWE Network, yet SmackDown is presenting a not-as-good-as-Raw product on USA. Why not swap them? Everyone knows SmackDown is the lesser-than, so give its USA timeslot to NXT, differentiating the offerings on USA. That still doesn’t solve the problem of a lack of WWE programming on broadcast TV.

I know a lot of folks have cable, but everyone doesn’t have cable – especially in the world of cord-cutting. What I propose is that WWE bring back WWE A.M. Raw, which was a Raw recap show that used to air late Saturday night/Sunday morning. It was an abridged version of that week’s Raw, focusing on the highlights. I say WWE should package that and sell it to CW affiliates to air on Saturday mornings/early afternoon – similar to when WWF Superstars used to air. It’s just editing existing footage, so there aren’t too many production costs involved, and I feel like there sorely needs to be wrestling on “UHF” channels like back in the old days. Sure, television is changing, but it wouldn’t hurt for WWE to have all their bases covered: cable, broadcast, and streaming.

Things You Might Have Missed This Week

  • In a conference call, Lionsgate CEO Jon Feltheimer announced that they may make up to seven Power Rangers films. Oy vey!
  • In other Power Rangers news, the new logo debuted for the upcoming Power Rangers Ninja Steel. I don’t know why these “reveals” are a big deal, seeing as how they’ve been using the same Power Rangers font since Zeo. The only thing that changes is the subtitle, and this one looks like bad Photoshop
    ninja steel
  • HBO insiders are implying that there probably won’t be a third season of True Detective. I missed the second season, but the first gave us a naked Alexandra Daddario, and for that I will always be grateful.
  • A new Star Trek Beyond trailer came out. It didn’t suck.
  • Michael Keaton has reportedly signed on to be the villain in Spider-Man: Homecoming. Most reports are saying he’s playing the Vulture, though I saw one mentioning Norman Osborn. I’d prefer Osborn.
  • Marvel announced that Creed‘s Tessa Thompson will be portraying Valkyrie in Thor: Ragnarok, and the Internet DIDN’T lose its collective mind! Jeff Goldblum, Karl Urban, and Cate Blanchett have also joined the cast
  • Amazon’s Man in the High Castle‘s production has been halted, as showrunner Frank Spotnitz suddenly left the project. It is NOT a good week for Nazis!
  • FX announced that The Americans will end after two more seasons. I really need to catch up on the show.
  • It’s rumored that Rob Lowe may be replacing Michael Strahan on Live! With Kelly and…I wanted NPH, but I don’t hate this idea.
  • Digital comics platform Comixology introduced Comixology Unlimited, which offers a limited “all you can read” service for non-Marvel and DC comics, at $5.99 a month. It’s unclear, however, how creators will be compensated. Right now, it seems like they’re just getting “exposure”.

No podcast appearances this week, but I did want to share some shows with you. First up, the No Topic Required Podcast is back up and running. They sort of took a break after episode #100, but it seems like Zack and Adam are back in the saddle. As the title suggests, there’s no specific topic for the podcast, but they cover everything from video games to movies to comic/toy controversies. I’ve been on a few times with them, and always have a great time. If you’re looking for a new show, check them out!

Also, one of my favorite discoveries is the Positively Nerdy Podcast. I can be kinda ornery on here, but I really do want the best from things. Ryan looks at all that’s good in geek culture, and he records so many different shows that he’s a podcasting machine! If you like comic reviews, he’s got them. If you like movies, he’s got the review show Ryan and Leah: At The Movies. If you want a quick listen, he’s got Nerdy Nuggets. He’s a great guy, and I really like everything he puts out. If you’re looking for the non-cynical side of fandom, I highly recommend that you check out Positively Nerdy.

Links I Loved

Ranking the Megazords – The Robot’s Pajamas

The Case Against Dan DiDio – The Savage Critics

How I Used Lies About a Cartoon to Prove History Is Meaningless on the Internet – Geek

DC-Comics-Rebirth (1)

Despite the Captain America hubbub, I really believe the comic news cycle belonged to DC Comics and DC Universe: Rebirth #1. I’ve been covering the lead-up on this site, but we finally got to see what it’s all about. Released midnight Wednesday, the comic sets the DC Universe on a new path, to recapture something that it had lost: hope. As many DC fans will tell you, the New 52 reboot drove away a lot of long-time readers, and it created a universe that was bleak and somewhat hopeless. Basically, it was a Zack Snyder movie in print. So, this was an attempt to win back those old fans.

Where to begin? Well, (and in case you didn’t know, this part’s gonna contain mad spoilers, but nothing you haven’t already seen spoiled by the mainstream media), the story focuses on original Kid Flash, Wally West, as he’s unhinged in time. We haven’t seen this character since the 2011 Flashpoint event that spawned the New 52, so it was the welcome return of a fan favorite hero. Wally visits several characters, like Batman and the original Johnny Thunder, in an attempt to warn them that some outside force has been influencing the timeline, resulting in a loss of memories and a 10-year span of time. He’s unable to reach any of them, and is continually sucked back into the Speed Force – the energy pool from which all DC speedsters draw their powers. Finally, he reaches out to his former mentor, Barry Allen/The Flash, who eventually remembers Wally and helps to rescue him from the Speed Force. Over the course of the story, we find out more tidbits and revelations. Apparently, there have been THREE different Jokers, which seems odd ’cause wouldn’t Harley realize she’s obsessing over three different dudes? Wonder Woman has a twin brother. Jackson Hyde/Kaladur’ahm/Aqualad made his post-Flashpoint debut. And, to the joy of many, Ted Kord made his post-Flashpoint debut as a mentor to Blue Beetle, Jaime Reyes. And to cap it off, we got a doozy of an ending: Dr, Manhattan, of the classic 80s comic Watchmen, was revealed to be the force that had altered the DC Universe’s timeline. Huh.

That ending is important because it’s the first time that the Watchmen characters have been incorporated into the mainstream DC Universe. The story is largely seen as a contributing factor in comics becoming dark and gritty, so it sort of makes sense that in order to find what’s lost, you return to where you last saw it. The happy-go-lucky, “heroic” DC existed prior to Watchmen, prior to Crisis on Infinite Earths. So, this sort of brings everything full circle. But what does it really mean? Are they blaming Alan Moore for the state that DC eventually found itself in? What’s to be gained by reclaiming that story and incorporating it into the mainstream? Alan Moore has notoriously dismissed any association with the story after he was screwed out of ownership. I feel like he wouldn’t necessarily agree with how they’re being used now, as that wasn’t his original intent. Still, they’re technically DC’s toys, so they can do with them as they please.

I went to a midnight release for the book, and couldn’t wait to get home and crack it open. When I was done, all I could say was “huh”. I didn’t hate it, but I didn’t love. I was really just confused. Why was The Comedian’s button in the Batcave? Like, it’s a great visual, but how would it even get there? And sure, it was great seeing Ted Kord, considering the last time we saw him was pre-Flashpoint, with a bullet in his head. It seems like DC did everything right to cater to those lost fans. They brought back dead/forgotten heroes, they tied the story back to a seminal classic, and it set the stage for things to come. From a lot of the folks I’ve been following online, they love this book. And, to me, that’s a problem.


The people who are really loving Rebirth #1 are in their 30s and 40s, and they’re saying “This reminds me of the DC I used to read.” That’s great for you, but bad for the industry. I’ve been reading comics for over 20 years, so I know the main tentpoles. The Dark Knight Returns, Watchmen, Crisis on Infinite Earths. I know what those did for the industry, and I know they’re basically revered, But I didn’t see anything about this comic that would necessarily appeal to a NEW reader.

Folks in their 30s and 40s have other priorities. They can’t be depended on to keep this hobby afloat. You need to reach out for NEW blood. Now, it can be argued that DC was trying that when they introduced the New 52 reboot, starting (most) books back at square one. At that point, Batman and Green Lantern were the only books that required prior knowledge in order to fully understand them. But for all their desire to start fresh, DC is consumed by this desire for “legacy”. Chief Creative Officer, and writer of Rebirth, Geoff Johns has said in interviews that this is what Rebirth is all about: regaining a sense of legacy. DC has a rich history, and I can understand the desire to capitalize on that, but they’re so busy reminding us of where they came from, that they don’t spend enough energy figuring out where they’re going.


Rebirth #1 is nothing but another self-referential circle jerk by DC, tied to a 30 year old story – WHICH, by the way, generated a movie that was polarizing at best. Had the Watchmen film been a huge critical and financial success, then maybe I’d understand this. After all, it was just released 7 years ago, so it would be somewhat fresh in folks’ minds. Instead, this book holds no real meaning to new comic fans. I’m of the argument that Watchmen is very much a “you had to be there” sort of read. I’m sure it was groundbreaking when originally released, and it changed the industry in such a way that a lot of folks only know a comic industry painted by the influence of the book. They have no clue that things don’t HAVE to be dark and gritty. Rebirth seems like an opportunity to introduce that concept to new fans, but instead it’s like DC crawling back to old fans like, “Are you still mad at me?”  If anything, it feels like this move was really just to sell more copies of Watchmen, as now the new fans are gonna go seek out that story in order to try to figure out what they just read, or why that ending should be seen as significant. That’s great for DC’s backlist, but it doesn’t necessarily mean anything for its future.


But I don’t want to sound like it’s all bad. I am eager to see where things go, and I would also like to see hope restored to the DC Universe. I can’t say I’ve really enjoyed the direction of the New 52, so if we can get back to a pre-Flashpoint tone, I’m all for it. When it comes to DC, though, I’m a ride or die bitch, so I’ll be with them if it succeeds, and I’ll be with them if it fails. I just wonder how many new fans are gonna be right there with me. In any case, it’s rare that DC Comics can dominate the news cycle, and also get folks excited about their product. So, with that in mind, DC Universe: Rebirth #1 had the West Week Ever.