19th May2017

West Week Ever: Pop Culture In Review – 5/19/17 (Upfronts Edition)

by Will

 

Since this is my 4th annual network TV upfronts recap, we’re doing things a bit differently this week. So, sit back and hunker down, as this is gonna be a long one!

First up, I joined my buddy @ClassickMateria for the Classick Team-Up! Podcast last week, and the episode is now available to download. We chatted about Guardians of the Galaxy Vol 2, recent TV news, and everything else under the sun. Definitely check it out here!

Things You Might Have Missed This Week

  • Avi Kaplan quit the Grammy Award-winning a cappella group Pentatonix, because he missed his friends and family. I dunno about you, but I think that money could replace them!
  • Katy Perry has signed on as the first judge on ABC’s American Idol reboot, while there are reports that Idol finalist Chris Daughtry is in talks to join the show
  • The Big Bang Theory star Jim Parsons married his longtime partner, Todd Spiewak
  • The Flash cast member Keiynan Lonsdale came out as bisexual in an Instagram post
  • Hamilton‘s Daveed Diggs will star in TNT’s Snowpiercer pilot, based on the film, based on the French graphic novel
  • Conan O’Brien’s contract with TBS has been renewed through 2022, though no word on whether his show will switch to a weekly format as previously rumored.
  • DC stays losing, as actor Billy Crudup has left the Flash film, while it’s reported that Sam Raimi has turned down the director job
  • Power Rangers movie Black Ranger Ludi Lin has joined DC’s Aquaman film in the role of “Murk”, whoever that is…

  • Fox News personality, and former wife of California Lt Governor Gavin Newsom, Kimberly Guilfoyle has stated that she is currently being considered by the Trump Administration to replace Sean Spicer as White House Press Secretary. Gee, wonder what they see in her…
  • After 9 seasons, this weekend’s season finale will by Bobby Moynihan’s final episode of Saturday Night Live, as his series Me, Myself, and I was picked up at CBS.

  • LEGO Marvel Superheroes 2 was announced, but it won’t be on the Xbox 360, so it means nothing to me
  • In the Live Stage Show on TV department, Fox announced that they will air A Christmas Story Live in December, followed by Rent Live later in the season. Meanwhile, ABC will air The Wonderful World of Disney: The Little Mermaid Live in October

I covered a ton of renewals and cancellations that went down last week, but this week was no different, as the networks had to lock in their schedules for the fall. Here’s what’s been canceled/renewed since the last time we talked:

Cancellations

  • Shots Fired (Fox)
  • 2 Broke Girls (CBS)
  • Baby Daddy (Freeform)
  • The Great Indoors (CBS)
  • Criminal Minds: Beyond Borders (CBS)
  • Scream Queens (Fox)
  • The Odd Couple (CBS)
  • Training Day (CBS)
  • Ransom (CBS)

Renewals

  • Brooklyn Nine-Nine (Fox)
  • Speechless (ABC)
  • Fresh Off The Boat (ABC)
  • The Son (AMC)
  • The Exorcist (?! – Fox)
  • Timeless (uncanceled by NBC)
  • Law & Order: SVU (NBC)
  • Elementary (CBS)
  • The Amazing Race (CBS)
  • Quantico (ABC)
  • New Girl (abbreviated 8-episode final season, with 3 year time jump – Fox)
  • Code Black (CBS)
  • Arrested Development (Netflix)

courtesy of TVLine.com

So, as I pointed out up top, this was Upfronts Week for the major networks, where they unveil their fall schedules to reporters and critics. I’ve got to say that this upcoming season does very little for me. While last year’s presentations had me excited, this year’s stuff just looks like retreads of ideas we’ve already had or obvious film scripts that have been adapted for television. That’s something that you’re going to notice a lot this year: shows that would probably make decent movies, but aren’t something you’d want to check in on a weekly basis. The week started with NBC’s presentation, so let’s start with their new shows:

NBC

NBC renewed a big chunk of their schedule, and they’re holding a lot of their new shows for midseason (for which they didn’t give us trailers!), so there’s not a lot of new for the Fall.

The Brave – Formerly known as For God and Country, The Brave follows a multicultural team doing what I call “soldier shit”. That’s not to minimize what soldiers do; it’s just that there are certain things, like rescuing hostages, killing terrorists, etc, that are pretty much taken care of mainly by soldiers. Ya know, soldier shit. There are a lot of soldier shit shows coming this season, and this is merely one of them. We’re not necessarily in the most patriotic place right now, so I don’t know how these shows will fair. The trailer gives away the whole pilot, so do with that what you will. There’s an audience for this show, but I’m not it. Airing Mondays at 10, it’ll have a great lead-in in the form of The Voice, and its main competition in the timeslot will be Scorpion on CBS. By all accounts, it should have a fighting chance, so it’s The Brave‘s game to lose.

Law & Order True Crime: The Menendez Murders – I guess enough time has passed that this case is considered “sexy” now. Back in the early 90s, the Menendez Brothers killed their parents and it was a big deal. The brothers went to jail, where they started amassing groupies like they were in a boyband or something. I’m not even lying! Anyway, this is an anthology series, so it really doesn’t matter how it does. If it does well, we get another installment based on another real life crime. If it flops, then they can just act like it was a One & Done idea, and throw it out like all the other Law & Order spinoffs we’ve had over the years. It’s only 8 episodes long, and the timeslot goes to Chicago Med once it’s done. Anyway, it’s perched atop NBC’s newly rechristened Must See Thursday Night, with This Is Us as a lead-in, so they clearly expect big things from it. Its competition will be How To Get Away With Murder, which is by far the lowest rated of the ABC Shondaland dramas, and Shemar Moore’s S.W.A.T. over on CBS. I think it’ll do just fine.

Will & Grace – So, this show’s back. Yay? I really loved the show in its original run, but I didn’t need it back. And while I barely remember its series finale, I remember something about Will & Grace not having spoken to each other for 15 years. So, is that out the window now? Who cares, I guess. I mean, if they can bring Roseanne back with all its continuity issues (yeah, I’ll get to that), then they can pull this off. I just don’t really know what the endgame is here. I mean, besides the fact that we’re in the Trump Administration, has the world really changed that much to be reflected in this show? I mean, any rights Will or Jack were granted are basically about to be taken away any day now, but is the show even going to go there? I just don’t see the point of this one. But it’s only, like, 12 episodes and, like all of these revivals, they’ll play it coy on longevity until they see how the numbers look. It’s going up against Grey’s Anatomy, Gotham on its new night, Supernatural, and The Big Bang Theory. Now, from a socioeconomic demographic standpoint, W&G and TBBT are going after different audiences, but I feel like the W&G audience moved on to Grey’s. It’ll be interesting to see how this one plays out.

Let’s talk about some of NBC’s moves. Both Thursday night veterans Superstore and The Good Place are shifting to Tuesdays at 9 and 9:30. Now, they will have The Voice as a lead-in, but I feel like they should’ve stayed on Thursday if NBC really wanted to rebuild that night. I get that This Is Us is the breakout hit of the season, but that doesn’t mean it’s time to move it. It means it’s gonna be an uphill battle for NBC’s Tuesday comedies, as they’ll now be going up against Black-ish on its new night, as well as the Fox combo of Brooklyn Nine-Nine and The Mick. As far as Tuesday comedies go, somebody’s gonna have to flinch. The Fox shows don’t do all that well, but the NBC shows are kinda precious right now. They need to be nurtured, which is what leaving them on Thursday would’ve done. The Blacklist, meanwhile, moves to Wednesdays at 8, where it’ll go up against the moved Riverdale and Empire. I think they all have different audiences, though, so it shouldn’t take too much of a hit. Thursday got blown up, with Great News getting the post-Will & Grace slot mainly because Tina Fey. And This Is Us on its new night will now go up against Scandal *in its final season*. The balls on NBC! I get that it’s their chance to install a show that could take over Thursday once Scandal is done, but this is a risky move. Meanwhile, Blindspot and Taken are moving to Fridays where they’ll die because they’re both bubble shows that were narrowly renewed in the first place.

Fox

Next up, we’ve got Fox, where a WHOLE lot of shows are moving around. As for their new shows, they all look like interesting movies, but they just don’t grab me enough to want to be a regular viewer. Fox is really good about that. I remember loving Lethal Weapon this season, and then I didn’t watch a single episode after the pilot. I see a lot of that happening this season.

Ghosted – Wow, where to begin? Two regular guys are kidnapped and recruited by a top secret organization that investigates the supernatural. As for casting, you can’t really go wrong with Craig Robinson and Adam Scott. This show is basically Hot Tub Time Machine 3, with more of a supernatural twist. The problem, however, is that’s exactly what this should have been: a mid-budget theatrical release that later finds its audience when it airs monthly on FX. This isn’t a weekly series, regardless of the fact that Robinson and Scott have fanbases. It’s slotted between The Simpsons and Family Guy, which sounds like a good thing, but that’s where middling comedies go to die. This season alone, that slot killed Son of Zorn and Making History. Now, it doesn’t really fit anywhere else on Fox’s schedule, as its “out there” nature makes it more at home with the animation stuff than, say, with New Girl and The Mick. So, that rules out Tuesday nights, which is the only other place Fox does comedies. Another problem is that Fox Sunday night just hasn’t been strong since they abolished the Animation Domination block. The Simpsons is a decent performer, and they keep it around to break records, while Family Guy is a shell of its former self, yet they don’t want to be the network that canceled it TWICE. Last Man on Earth is constantly a show on the bubble. Sunday nights need a shot in the arm, but this isn’t the show to do it. I don’t see this one having legs.

The Gifted – This is the one everyone’s got their eyes on. A spinoff of the X-Men films, this show follows a family on the run when they discover that their kids are mutants. It doesn’t help that their dad is a former mutant hunter, so it’s his employers who are after them. I mean, it looks OK, but I didn’t wet my pants or anything. It’ll be really hard to do anything mind-blowing with a weekly TV budget, but the pilot was directed by Bryan Singer, so that’s gonna put butts in seats. Hell, if Gotham is going into season 4 (now on Thursdays at 8), I think this thing can survive. It’s probably pretty expensive, but Fox has been wanting to expand their comic offerings (after all, Black Lightning was originally meant for them), so this will be a good fit for the post Lucifer slot. Speaking of Lucifer, I never thought I’d see the day when a show about The Devil would air during the 8 PM hour (its new timeslot). I wonder how they feel about that in the Bible Belt. After all, I originally said they weren’t gonna let the show survive, and here it is entering season 3. I sure called that one wrong!

The Orville – I love the idea here, as it’s basically Galaxy Quest: The Series. I mean, it’s clear Seth MacFarlane has an affinity for Star Trek, even if he’s spent more time reenacting the Star Wars saga on Family Guy. I’d love for this show to work, but I’m sure it’s on the expensive side. Now, Seth’s got a relationship with Fox, but I wouldn’t be surprised if they canceled it. It looks like the kind of show Fox loves to cancel. Now, it’s going up against Scandal and This Is Us, but I don’t think they share an audience. However, Arrow has been moved to Thursdays at 9, which I feel is its closest competition, as far as the male 18-49 demographic is concerned. There’s no way it wins its timeslot, so the question is what will Fox consider a “success” as far as its ratings go?

So, Fox’s moves are interesting. Lethal Weapon moves to Tuesday at 8, where it’ll go against The Voice, NCIS, and The Flash. It won’t win the timeslot, but maybe it can take some of The Flash‘s audience away from it. The Mick nows leads into Brooklyn Nine-Nine, as it’s now the stronger comedy, while Nine-Nine narrowly got renewed. On Wednesday, they moved Empire to 8, hoping it’ll be a good lead-in for Star. I honestly don’t think Star is a winner, and I think the only reason it got renewed was because A) it was created by Lee Daniels and B) its initial run was too short for them to gauge whether or not it was a success. For people looking for a nighttime soap as sudsy as Empire, they’re probably gonna choose the Dynasty reboot over on The CW, airing at the same time as Star. Meanwhile, Gotham moves to Thursday at 8, where it’ll go against The Big Bang Theory and Grey’s Anatomy. I think its biggest threat, however, comes in the form of Supernatural, now at 8 over on The CW.

Fox’s midseason bench doesn’t look too strong. I’ll take a quick look at those shows:

LA To Vegas – It’s a show about the antics of a flight crew that handles the weekend LA to Vegas route. I don’t care who’s producing the thing, this is gonna be just another forgotten Fox sitcom.

The Resident – Another “young doctor doesn’t play by the rules” show. It’s got Emily VanCamp, so that’s a plus. It could work. It looks very “Fox”.

ABC

ABC didn’t really do anything too drastic, with only a couple of new shows and a few moves.

Ten Days In The Valley – Kyra Sedgwick plays a workaholic TV writer whose daughter goes missing. So, the show revolves around the hunt, and the fact that she can’t trust anyone around her, yadda yadda yadda. ABC probably feels like Sedgwick was quite the “get” after her critically acclaimed run on The Closer, but I just don’t know about this show. There’s nothing special about it. Sure, there will be twists and turns, but the fact that you can already predict those twists is what’s working against the show. Airing Sunday at 10, its only scripted competition, however, will be Madam Secretary over on CBS. I don’t think Madam is gonna destroy it, but I simply think this show is going to struggle to both find an audience and also keep that audience engaged. And what would a season 2 look like? I don’t think this is a winner.

The Good Doctor – Fresh off A&E’s Bates Motel, Freddie Highmore stars as a young surgeon with autism. It’s from the creator of House, so you kinda know what you’re gonna get there. Ya know, he’s a miracle doctor who doesn’t do shit by the book. I really like the cast, with Richard Schiff (The West Wing), Hill Harper (CSI: NY), and Antonia Thomas (Misfits). I probably won’t watch it, but it could find an audience. The trick will be whether it genuinely portrays what it would be like to be an autistic surgeon. A lot of special interest groups will probably be keeping a close eye on this one, and I think a lot of people will be talking about it. Scheduled Monday at 10, its main competition is Scorpion and The Brave. I think it’ll do fine.

The Mayor – A young rapper decides to run for mayor in order to get attention on his mixtape. Then he wins, and has to figure out how to actually be mayor. This sounds terrible. This is the kind of thing that would’ve gone straight to DVD starring fat Anthony Anderson back in 2001. I think the network was just desperate to get into bed with Daveed Diggs because of his Hamilton pedigree. While it will have Black-ish as its lead-in, it’s slotted where Imaginary Mary and The Real O’Neals went to die. Just like Tuesday 10 PM is the Death Slot, 9:30 isn’t much better. This thing simply doesn’t have legs. I just hope it lasts long enough for the rapper and Lea Michele to become a couple.

The Gospel of Kevin – This looks like a reboot of Highway to Heaven. Jason Ritter plays Kevin Finn, who supposedly “isn’t a good guy”, even though the trailer doesn’t elaborate on why someone would think that. Anyway, one night he discovers a meteor, which actually contains an angel, played by comedian Cristela Alonzo. She’s gonna be his spirit guide, as he travels to country to gain his powers and change the lives of others. Yeah, it’s in the Tuesday Night Death slot, so that’s certainly a strike against it. Typically, new shows in the Tuesday 10 PM slot fail for ABC. Agents of S.H.I.E.L.D. only survived because it was a veteran, and even it got banished to Friday. Nothing can survive at in that slot, for whatever reason, and I don’t see Kevin bucking that trend. This thing is simply too high concept, and I’m not sure America’s ready for another angel show right now. This one doesn’t have a prayer.

Let’s talk about ABC’s moves. Shark Tank moves to Sundays at 9. I don’t know about that one. I know they’re rebranding Friday nights, but now it’ll be going up against football and NCIS: LA. I think this is only temporary, as it’ll eventually find a new home on the schedule – perhaps Tuesdays at 10? One that’s kinda controversial in my mind is the Minority Block they’ve created on Tuesday night. Things kick off with the struggling Hecks of The Middle, who’re then followed up by the Asians of Fresh Off The Boat, and the Blacks of Black-ish and The Mayor. I haven’t seen something this calculated since the days of UPN. Still, I guess we should just shut up and be glad for the representation. It’s weird because ABC’s Wednesday night is their comedy crown jewel, though they’re clearly trying to take back Tuesday. It’s just a question now of how they’re branding those nights. I get that they don’t want to move Modern Family, but Black-ish benefited from the 9:30 Wednesday timeslot because, even though they were different races, the Dunphys and the Johnsons occupied the same socioeconomic class. That’s got to translate into some sort of data for ad buyers. I guess you could say Black-ish “graduated” if they feel it can survive without Modern Family protecting it, but I hate that its old timeslot was given to American Housewife, which I’m kinda surprised was renewed. On Friday, Once Upon A Time moves from Sunday, while Agents of S.H.I.E.L.D. will take over the 9 PM slot once Inhumans ends its run. A lot of folks feel like this is the death knell for both shows, since a move to Friday is always seen as a death sentence. I’ve never understood that, though, because if nerds truly have no lives, then shouldn’t they be home to watch these shows? Anyway, these shows are still on the air because they perform well on DVR/internationally, so their ratings clearly aren’t the only deciding factor.

Oddly enough, ABC’s most interesting new shows are being held for midseason. Since they won’t show up until January, I’m only gonna do some quick drive-by thoughts on them:

Alex, Inc – Zach Braff quits his successful job to start a podcast company. This is gonna look so dated when we look back on it, kinda like Selfie (remember that show?). It’s apparently going into the Sunday at 10 slot, so I guess Ten Days In The Valley will have wrapped by then. CBS will still probably have Madam Secretary, but Sunday Night Football will be over, so it’ll be interesting to see what NBC puts against it.

The Crossing – Steve Zahn is a small town cop who gets pulled into a mystery when a bunch of refugees from the future (!) wash up on his beach. I know I said I don’t like saga shows, but I really liked this trailer, and I can’t wait to see what this show is all about.

Deception – a cool as shit illusionist helps the FBI solve crimes. It’s SUCH a procedural, and there’s the whole will they/won’t they trope between him and the lady agent, but I don’t care. It looks so slick! I can’t wait.

For the People – A new Shondaland show about young sexy lawyers doing young sexy lawyer shit. It’ll be right at home in TGIT, especially once Scandal ends and frees up a slot.

Splitting Up Together – This is a movie, not a show! It’s good to see Jenna Fischer again, and I’ve loved Oliver Hudson since Rules of Engagement. It’s basically about a married couple trying to manage a “conscious uncoupling” while keeping their sanity. And there’s the slight hint that they may realize new things about each other and want to stay together. I have no idea how this is gonna go, but I’ll check it out.

Let’s revisit that Tuesday night situation, though, shall we? I feel like Black-ish is only keeping that slot warm for Roseanne‘s 8-episode run that debuts in 2018. They wouldn’t use it to kick off the night, as Roseanne‘s blue collar humor doesn’t necessarily translate at that hour, and I hardly see them bumping Modern Family on Wednesday night. So, I could see Roseanne returning to her Tuesday 9 PM roost of yesteryear. By this point, of course, The Mayor will already have been canceled, but Roseanne pairs better with The Middle than with Black-ish. I see a lot of comedy moves coming midseason for ABC.

CBS

CBS is “America’s Most Watched Network”, so they’re not making too many moves. Let’s take a look at their new shows.

Wisdom of the Crowd – Jeremy Piven, with a fresh set of hair plugs, stars as a software developer who creates a crowdsourcing app to help solve the murder of his daughter. Sounds a lot like Person of Interest, right? I mean, didn’t they have a machine that predicted crimes or some shit? I dunno. I never watched it. I just know it starred Jesus after he couldn’t get any work anywhere. Anyway, you should really watch this trailer because it contains stuff that is totally possible, and I’m not sure that’s such a good thing. It’s probably where society is heading, but the idea of crowdsourcing evidence to solve crimes just sounds like there are SO many things that could go wrong. As you see in the trailer, they’re gonna play the long game with the case surrounding Piven’s daughter, as that takes a backseat to the app being used to help the cops solve other crimes. CBS audiences are older and not very tech savvy. They don’t like when their shows get too “techy”. Sure, Person of Interest lasted 5 seasons, but take a look at Pure Genius from just this season. It was about a young tech billionaire who was gonna use cutting edge technology to cure all the world’s diseases. It was canceled after its initial 13 episode order. I know Piven can be polarizing, so I just don’t know about this one. Luckily, it’s scheduled Sunday at 8, with no scripted competition other than The Simpsons, so it should have room to breathe.

9JKL – HATE the title. It sounds like text speak or some shit. Instead, it’s about 3 apartments. Recently divorced actor Mark Feuerstein moves into apartment 9K, which happens to be between his parents, Elliot Gould and Linda Lavin, in 9J and his brother and his family in 9L. So, it’s a multigenerational, multi camera sitcom, starring a bunch of folks who tend to star in shows that are canceled. Again, I think the title hurts it, but it’s the kind of show that CBS could take or leave. The Big Bang lead-in should definitely help it, but the true test will be when Bang moves back to Thursday. I don’t think it’ll be a breakout hit, as it’s not exactly reinventing the wheel, but it might end up on the bubble and eke out a second season if CBS doesn’t have a deep bench next pilot season.

Me, Myself, and I – Oh, boy. Where to start with this? OK, we follow the main character at 3 different points in his life: age 14, when he meets the love of his life, age 40, when he’s newly divorced and trying to put his life back together, and age 65 when he’s reunited with the love from age 14. This show is doing A LOT! The casting is what makes it, though. The kid is a newcomer, but I think audiences will take to him like they did Sean Giambrone as Adam Goldberg. The 40 year old is a hapless loser, played capably by SNL‘s Bobby Moynihan. Meanwhile, the 65 year old is played by Night Court great John Larroquette. Oh, and Jaleel White must’ve spent all his Urkel money, ’cause he plays the 40 year old’s best friend. For me, the casting is what sells this show. I really want it to succeed ’cause I like everyone involved. It’s just going to be tricky to navigate 3 different time periods, and is there some sort of master 7-season plan where everything converges? I’m really pulling for this one, but its quirkiness asks a lot of its audience – especially since it’s going to dance around CBS’s Monday schedule for the first few months.

SEAL Team – More soldier shit, and this time the team is led by the sidekick from Bones, while taking assignments from Don Draper’s “third” wife. It’s the familiar trope of “They do such terrible shit out there that it’s hard for them to adjust to civilian life when they’re home.” Out of the three soldier shit series debuting this season, however, I think this one has the best chance of renewal based on the fact that it appeals to the NCIS/CSI sensibilities of CBS’s built-in audience. Fun fact: the lead role was originally going to Jesus himself, Jim Caviezel, but was recast when Caviezel left the project over creative differences. He might’ve brought the Person of Interest audience with him, but seeing as how Bones ran for 12 years (and don’t forget Angel), Boreanaz probably has a deeper fanbase.

Young Sheldon – This is such an interesting experiment: a single camera prequel to an aging multi camera sitcom. I know CBS wants to keep The Big Bang Theory machine chugging along, especially considering it’ll most likely be done in two years. I just always felt like a Sheldon was a Less Is More kind of character. I don’t need to know about his childhood because I get enough of a glimpse from his anecdotes. I feel like the audience that enjoys him actually enjoys Jim Parsons’s portrayal of him, rather than the character himself. On his own, Sheldon is kinda unlikeable, due to his lack of social skills and decorum. Since he’s on the spectrum, however, that’s all forgiven. Now, I think Iain Armitage does a pretty capable job of being a young Sheldon, but he’s also very off-putting to the viewer. I’m not sure anyone is going to root for him. Instead, you kinda feel sorry for the people in his orbit: his family, his teachers, etc. They simply live in a different world than he does. I will say that Zoe Perry does an amazing job portraying a younger version of Sheldon’s mom, played by her real-life mom, Laurie Metcalf. One of the biggest complaints about The Big Bang Theory is that its humor kinda appeals to the lowest common denominator. It might be a show about smart people, but it’s not necessarily a smart show. That said, the single camera format tends to be used for smart shows, i.e. Modern Family, Arrested Development, etc. Will the traditional TBBT audience migrate over to this new show and format? I’ll be very interested to see how this does.

S.W.A.T. – Ah, the show based on the movie based on the show. I wasn’t sure about this at first. I honestly didn’t see Shemar Moore as a leading man. I mean, he couldn’t even carry Soul Train back in the day, so how could he headline his own series? Anyway, the captain from Stargate Universe shoots a kid, and gets fired (can you believe that justice?!), so his S.W.A.T. unit is handed over to Shemar Moore. Now Moore’s forced to police the inner city neighborhood in which he grew up. There’s gonna be a lot of Black Lives Matter vs Blue Lives Matter stuff going on here. What happens where you’re both? The show is executive produced by Justin Lin (Star Trek Beyond, Fast & Furious 6), but something about this feels like a late 90s NBC show instead of a 2017 CBS series. The same way we may not be patriotic enough for soldier shit shows right now, I’m not sure this is the show that’s gonna redeem cops in a lot of folks’ eyes. It kinda fits CBS’s demographic, but they don’t do so well with the TV shows based on movies (Training Day, Rush Hour). It’s going against How To Get Away With Murder, which is the lowest rated of the Shondaland dramas, but it’s also going against NBC’s Law & Order Menendez spinoff. Even with limited competition, I don’t think this one gets a second season.

And while this isn’t going on the main network, it’s still a CBS show. Star Trek: Discovery. All I can say is “NO!” “NO! NO! NO! NO! NO!” I don’t know what I wanted, but this wasn’t it. I know some folks are so desperate for new Trek, but I want it to make sense, and I want it to be good. I knew a prequel was the wrong move because technology has come so far, so you can’t help but make it look better than The Original Series, though it should look less advanced due to when it’s set. A lot of people are gonna “cape” for it because it has a strong, Black woman as the protagonist, but those people can’t see the forest for the trees. Everything about this looks wrong to me. It’s funny that so many of us were wondering how we were gonna pirate this show, but after seeing this, I have no interest. It looks like a well-made fan film. Pass.

Looking at CBS’s moves, they really played it safe. On Sunday, NCIS: Los Angeles and Madam Secretary both move back an hour, filling the slot left by Elementary (coming back midseason), and making room for Wisdom of the Crowd. At this point, CBS is the only network with scripted drama on Sunday night, so I think they’ll do fine. Monday is in constant flux, depending on whether or not its football season. When the season starts, The Big Bang Theory will kick off the night, before it eventually moves back to Thursday, ceding its timeslot to Kevin Can Wait (which will start the season at 9 PM prior to the move). Once football ends, Superior Donuts will return to take the 9:30 slot occupied by new comedy Me, Myself, and I (which will shift to 9 PM). Whew! See, that’s CBS’s big problem: they move their “iffy” shows around so much that they can’t find an audience. 2 Broke Girls was all over the schedule this season before it got the chop. Even if folks don’t watch TV live anymore, these moves make them forget a show even comes on anymore. On Wednesday, Criminal Minds shifts to 10 to make room for David Boreanaz’s Seal Team. Thursday and Friday remain pretty much the same. Like I said, other than the Monday kerfuffle, CBS played it pretty safe while introducing more new shows that the other networks.

The CW

Finally, we come to The CW where moves abound. First, however, let’s look at the new shows.

Valor – More soldier shit, only this time it’s with overacting pretty people and a dash of PTSD. It falls into the category of something I’d watch as a movie, but I just don’t like getting on board “saga” shows these days because they have so many layers, and run the risk of being canceled before answering all, or any, of their questions. If they’re smart, this is a one season storyline, and then they’ll have to reinvent the show for season 2. That said, from what I see, I don’t think they need to be rushing to figure out a second season quite yet. Airing Monday at 9, it’ll probably get trounced by The Gifted over on Fox, as they both seem to be male-skewing shows, and I see Fox winning this round. I also don’t feel like Supergirl is the proper lead-in series, but they seem committed to keeping her kicking off Monday nights.

Dynasty – I’m too young to have watched the original, but this reboot is The CW’s bread and butter. I don’t know if the characters or plot points are the same, but it’s rich, pretty White people doing trifling shit to each other. And it’s by the producers of The O.C. and Gossip Girl? Yeah, they’ll get a good 4-5 seasons out of this. This isn’t the first franchise The CW has resurrected, as they also did it with 90210 and Melrose Place. The latter didn’t go so well for them, but the former was a reliable staple of their schedule for 5 seasons. I can definitely see the same here.

Black Lightning – It looks like your standard Berlantiverse show, even if it takes place in its own universe. The question is whether or not “The Community” is going to support it. People always plead for diversity, but then they don’t show up when it’s time. If you put out a Black Lightning comic right now, it would not sell. It just wouldn’t. So, will White audiences want to watch a show about a Black inner city vigilante trying to clean up the streets – especially when there’s no lure of a crossover with the shows they already love? It’s being held for midseason, so maybe it’ll take over Legends of Tomorrow‘s timeslot once it airs its unusual number of episodes (seriously, they have, like 16-episode seasons over there for whatever reason). Here’s the kicker, though: according to the network, the show won’t take place in the established Arrowverse, mainly due to logistics. It will be filmed in Atlanta, while the other shows film in Vancouver. As such, they’re also not planning a 5-way crossover between the shows. That last part makes me kinda glad, as I didn’t really think they tuck the landing with this season’s 4-way “Invasion” crossover. People might come out for this, but they might not. I really don’t know which way the wind blows with this one.

Life Sentence – This is a movie, not a TV series. A young girl who thought she was dying finds out she’s cured and now has to learn how to live her life. I’d like it to survive, as it’s co-executive-produced by Bill Lawrence of Scrubs fame, but this has as much staying power as this season’s No Tomorrow. Oh, you never even heard of No Tomorrow? It was about a young woman who thinks the world is going to end, so she has to learn to live life to its fullest in the time that she has left. Yeah, kind of the reverse of this. It got canceled after its initial 13 episodes. Anyway, it’s cute and quirky, but I figure there’s enough there for about 90 minutes – not a full season. Anyway, it’s pretty clear why they’re holding this lil midseason.

Now, let’s talk about the moves because they are drastic. Riverdale moves from Thursday to Wednesday at 8, pitting it against Empire, The Blacklist, Survivor, and The Goldbergs. The show has a following, though, so I really don’t think this move will hurt it too much. If anything, it’ll give White folks a sudsy alternative to Empire at the same time. On Thursday, Supernatural moves to 8, while Arrow, ceding its timeslot to Riverdale, now occupies Thursday at 9 – pitting it against This Is Us, The Orville, and the final season of Scandal. Poor fucking Arrow. That is not an enviable place to be, but DVR might help it. If it gets absolutely killed, six seasons was a good run. I think it’ll make it to seven, but this move does it absolutely no favors. On Friday, Crazy Ex-Girlfriend moves to 8, while Jane the Virgin moves from Monday at 9 to Friday at 9. Online buzz is what keeps Crazy on the air, so maybe they’re hoping that’ll be the case for Jane? I know Jane has a fanbase, and Supergirl wasn’t the most logical lead-in for it, but Friday is always such an uncomfortable situation.

Anyway, after all of this, I think ABC has the best new offerings, though they’re holding most of them til midseason. I feel like NBC has the most stable schedule, and they’re taking the fewest risks, but CBS has more new Fall shows that I’m genuinely curious about. So that’s why CBS won the upfronts and had the West Week Ever.

12th May2017

West Week Ever: Pop Culture In Review – 5/12/17

by Will

In movie news, it was reported by Hellboy creator Mike Mignola that there will be an R-rated Hellboy reboot film. Hellboy: Rise of the Blood Queen will star Stranger Things‘s David Harbour in the title role, and will be directed by Neil Marshall (The Descent). As most fans were holding out for a Hellboy 3, this news came as quite a surprise. Still, it won’t star Ron Perlman, nor will it be directed by Guillermo Del Toro, so folks are a bit hesitant. I think Harbour will be good in the role, and I remember enjoying The Descent, so I think the franchise is in good hands if the intent is to scare the audience.

We got a trailer for Blade Runner 2049, which did absolutely nothing for me. Back when I was in college, I did a summer in London where I was supposed to be learning about globalization. Instead, the professor had us watch Blade Runner. I still don’t know how the two topics tied together. Anyway, I hated that movie. It tried too hard. Like Peter Griffin describes The Godfather, it insists upon itself. It wants to be so deep and mysterious, with its whole “Is Decker a Replicant?” thing. I just wasn’t a fan. So this sequel isn’t exactly on my Must Watch list, which is a shame seeing as how I’ve loved Ryan Gosling since Breaker High. Yup, even in Young Hercules. Some folks seem excited for this film, though, so good for them I guess.

Over on cable, shows are playing musical chairs. The Untitled Black-ish Spinoff that we talked about last week may now be moving to Freeform It seems that the audience that tuned in were a bit lower than what ABC would like to see for a Wednesday night, but the demographics are perfect for the show to be on Freeform. Meanwhile, fantasy series The Shannara Chronicles is moving from MTV to Spike TV (which will soon be rebranded as The Paramount Network). I never watched Shannara, but it didn’t seem like the kind of thing that belonged on MTV, except for the fact that it starred pretty teens. I’m not even sure Spike is the right home for it, either, but maybe this is a hint as to how they’re planning to use The Paramount Network.

Speaking of cable, out of nowhere it was announced that Donald Glover would be the showrunner for a Deadpool animated series on FXX. Yeah, that Donald Glover. It’s odd that we’re not getting season 2 of Atlanta until 2018 at the earliest because of his other commitments, but he’s gonna have time to do this? He’ll be running the show with his brother Stephen, but it still sounds like a tall order. I’d rather have Atlanta. Plus, this just feels like it’s gonna be Marvel’s Archer. 10 episodes have been ordered for a 2018 debut.

On basic TV, Modern Family scored a 2-season renewal, with the grown-up cast members getting a raise from $350,000 to $500,000 an episode. The contract negotiations came down to the wire, but in the end ABC was able to keep its Wednesday night lynchpin. I honestly feel like this show should’ve ended 3 years ago. I stopped being able to really relate to them when I realized they whole upper middle class status made their lives unrealistic. They never seem to have money problems, they can take trips and do whatever they want. It’s funny – the same reasons I hate Roseanne (they were so damn poor) is what I feel are missing from Modern Family. Plus, there’s the elephant in the room in the form of Ariel Winter. Unless you’ve been living under a rock, she has grown up into what some might call “hot as shit”, yet they still frump her up on the show because her character, Alex, is supposed to be mousy next to Sarah Hyland’s Haley. If they really want to make these final (yes, I’m calling it: final) two seasons interesting, they will address this fact, and force Haley to realize she’s no longer the “hot daughter”. That might actually make me watch the show again.

Meanwhile, The CW officially ordered Black Lightning to series. This would typically be seen as good news, but I can’t help but feel like the Berlantiverse is too big and unwieldy at this point. Whenever a new show is introduced, the existing shows suffer. Everyone loved Arrow until The Flash came along. Then, they loved The Flash, yet felt Arrow had slipped. Then Supergirl and Legends of Tomorrow debuted, and The Flash suffered while Supergirl was praised. This has been something of a rebuilding season across the board. Supergirl had to adjust to a network switch, while Legends saw an increase in quality. Arrow saw a return to form, while The Flash is doing whatever it’s doing over there. Flashpoint or some shit. The point is that the existing shows are finally heading in the right direction, but that doesn’t mean it’s time to introduce a new hero. In fact, I feel like Legends should be a proving ground. If a member of that team becomes a breakout fan favorite, then they get a spinoff. I’d be fine with Black Lightning as a member of the Legends, but I don’t know if there’s enough meat on that bone for him to have his own series. And can you imagine the FIVE-WAY crossover we’re gonna end up with next season?! I was already disappointed by this season’s uneven four-way, but to add another show to that? Sure, it’ll be a weeklong event, but it isn’t necessary.

With the network Upfront presentations looming over the horizon, this is the time of year when your favorite show either gets another lease on life or it gets the chop. Here’s the movement from the past 24 hrs:

Cancellations

  • Timeless (NBC)
  • Rosewood (Fox)
  • Last Man Standing (ABC)
  • Son of Zorn (Fox)
  • Making History (Fox)
  • APB (Fox)
  • Sleepy Hollow (Fox)
  • The Catch (ABC)
  • Imaginary Mary (ABC)
  • Powerless (NBC)
  • The Real O’Neals (ABC)
  • Secrets & Lies (ABC)
  • Dr. Ken (ABC)
  • American Crime (ABC)
  • Frequency (The CW)
  • No Tomorrow (The CW)

Renewals

  • iZombie (The CW)
  • The Originals (The CW)
  • Blindspot (NBC)
  • 13 Reasons Why (Netflix)
  • Taken (NBC)
  • Last Man On Earth (Fox)
  • Gotham (Fox)
  • The Blacklist (NBC)
  • American Gods (Starz)
  • The Goldbergs (ABC)
  • Black-ish (ABC)
  • American Housewife (ABC)
  • Designated Survivor (ABC)
  • Agents of S.H.I.E.L.D. (ABC)
  • Once Upon A Time (ABC)
  • Great News (NBC)
  • The Bachelor (ABC)
  • Dancing with the Stars (ABC)
  • Shark Tank (ABC)
  • Chicago Med (NBC)
  • Chicago PD (NBC)
  • Chicago Fire (NBC)

Song of the Week

I’m trying something new. Every week, I’m gonna share a song/video that I discovered that week. Today, I give you Midland’s “Drinkin’ Problem”. Yes, it’s country, but I love the sound, as it’s more of a bluesy 70s song than straight up country, and I LOVE the video.

Things You Might Have Missed This Week

  • Kelly Clarkson is reportedly in talks to be a judge on the revived American Idol on ABC. Seems like those talks were too late, though, as she has officially signed on as a coach on the next season of The Voice
  • Fox officially ordered X-Men tie-in The Gifted to series
  • Speaking of X-Men, Maisie Williams of Game of Thrones will play Wolfsbane in the New Mutants film. She will be joined by Magik, played by Split‘s Anya Taylor-Joy.
  • IM Global and Rebellion are teaming up to produce a live action Judge Dredd TV series, called Judge Dredd: Mega City One
  • Scandal will reportedly end after its upcoming 7th season
  • Direct from The LEGO Movie, Unikitty will be getting her own cartoon on Cartoon Network
  • Time to spot the pineapple, as Psych: The Movie will premiere on USA in December

So last Thursday night I saw Guardians of the Galaxy Vol 2. I didn’t mention it in last week’s post because I’m trying to switch things up. It’s unrealistic of me to expect that all of you are able to see a film on opening night, and I also feel like you’re less likely to read my post if you think I might spoil something. So, I figured it best to sit on it a week so we’d all be on the same page. Anyway, what did I think of the film? I LOVED IT! I might even love it more than the original.

I’d say that this is probably the most emotional MCU film, as it’s more about family and belonging than it is about Infinity Stones and Winter Soldier. Star Lord’s story really hit home as a fellow child of the 80s, raised by his mom, who also didn’t have his father in his life. Now, instead of being a god, my dad simply died. But I’m sure I probably also wished Michael Knight was my dad at some point in my childhood.

What’s the movie about? Well, the Guardians are split up after a caper gone wrong. Half of the crew stays behind to fix their ship, while the other half go off with Star-Lord’s long lost father, Ego. But all is not as it seems with Ego. And that’s about all I’ll say about that. I can’t think of a single that I didn’t like about the film. Actually, scratch that. There was one thing: The Watchers. They just looked hokey, and I would’ve been fine if they’d never been introduced in the MCU. That kind of stuff belongs in the Fantastic Four Fox movies, but I like to think the MCU is more grounded than that. Their appearance looked and felt cheap to me, but luckily it’s only for a split second, unless you count their after credits appearance, too. Maybe it’s just because I typically hate most things about Cosmic Marvel, but the Guardians movies have slowly brought me around.

Internationally, the film has already crossed the $500 million mark, so I think it’s safe to say it’s success. They’re already talking about Vol 3 which, supposedly, will set up the next decade of the MCU. While I’m not entirely sure how I feel about that (again, I’m not a huge fan of Space Marvel), I’m eager to see how they pull it off. For all these reasons, Guardians of  the Galaxy Vol 2 had the West Week Ever.

05th May2017

West Week Ever: Pop Culture In Review – 5/5/17

by Will

In TV news, we got the first trailer for Marvel’s The Defenders series on Netflix. I dunno, y’all. I’ll be the first person to tell you that I’m behind on these shows. At this point, I’ve only seen Daredevil season 1 and Jessica Jones. No DD S2, no Luke Cage, and no Iron Fist. Sorry, kids, but there just aren’t enough hours in the day. Daredevil was a worthy bingeing experience, as each episode ended on a cliffhanger that MADE you have to check out the next episode immediately. Jessica Jones, not so much. It took me about 3 months to get through that show. Now, I enjoyed it, but it didn’t demand that I consume it immediately. I’m eager to catch Luke Cage, but I wanna go in order, so that means I’ve got to meet the Punisher and Elektra first in Daredevil season 2. So, even though The Defenders comes out in August, I’ll be lucky if I get to it in 2017. Anyway, I told you all that to make you see that my level of enthusiasm for this probably isn’t as high as yours because I’m so far behind. That said, I thought this trailer looked hokey as Hell. The scene where Murdock comes into Jessica’s interrogation felt like a bad fan film. Shit, the whole thing felt like a bad fan film. Remember when Playstation Network aired that Bendis Powers show? Yeah, it looks like that. Something about the cinematography of it all. And then they had to do another goddamn hallway fight. WE GET IT ALREADY! I just don’t know about this one right now..

In other TV news, there are talks of a Roseanne revival, with ABC and Netflix interested bidding on the project. Laurie Metcalf, Aunt Jackie herself, reported that contracts have been worked out, so now they’re just trying to sell the series. Right now, Roseanne (does she currently have a last name?), John Goodman, and Sara Gilbert would star, while Metcalfe says she’s on board in some capacity. It’ll be interesting to see how they pull this off, ya know with Dan being dead and all. Still, it ended with one of the most maligned series finales in television history, and they’ve got a chance to basically erase it. How many shows can say that? Anyway, I was never a huge Roseanne fan. They were just so poor and depressing. Are they gonna lose the bike shop? Are they gonna lose the loose meat restaurant? Is Fisher gonna stop beating up Jackie? I know their struggles resonated with certain folks, but not me. I actually liked the Lottery Season because I could say “Thank God their lives aren’t such shit anymore!” Anyway, I’d bet money on this happening, so it’s now just a matter of where it’s gonna air. The big question is in which “universe” it will be set. After all, the finale basically laid out that everything since about season 4 of the show had been a lie, since Darlene actually ended up with Mark, Becky was the one with David, Jackie was a lesbian, etc. So, would we get the “true” Roseanne, or just more of what we’re used to? And with Mark dead, and David on The Big Bang Theory, I don’t really expect much from those characters anyway. I guess we’ll just have to wait and see.

I was on my own last weekend, so I took the time to watch TV and catch up comics. Well, I didn’t really watch TV, but it was on in the background. It provided the soundtrack to my comic time. What did I watch? CMT – Country Music Television. Yeah, yeah, you hate country. I don’t care. I grew up on it, so it has a special place in my heart. Anyway, when I saw Brad Paisley’s new video for “Last Time For Everything”, I KNEW I had to share it with y’all. This thing is a love letter to children of the 80s, complete with tracking/tape distortion lines. I don’t wanna spoil anything, so just check it out. Don’t worry – the song’s not about drankin’, or a dead dog, or his wife left him; it’s just a song about appreciating things when you have them because they won’t always be there.

The backdoor pilot for the Black-ish spinoff aired this week. Oh, you don’t know what a “backdoor pilot” is? It’s when an established show gives up one of its episodes to try to launch a new show. Since it already has a built-in audience, it kinda tricks viewers into watching a new show that they otherwise wouldn’t have checked out. Married…with Children had, like, 4 of them. Anyway, in Black-ish, Zoey went off to check out college, made a new best friend, and pissed off the Black Student Union. The whole episode was kinda hokey, but it worked. Chris Parnell was the spineless dean, which is basically every Chris Parnell character these days. And I love how they worked Deon Cole’s Charlie into the plot. If the spinoff gets picked up (I mean, why wouldn’t it?), I hope he gets a bigger role there than he has on Black-ish. If Black-ish is a modern-day Cosby Show, then this is its A Different World. And there ain’t nothing wrong with that, really.

If you like useless gimmick items as much as I do, then make sure you pick up your Frork from McDonalds today. To celebrate the release of their three new Signature Crafted Recipes (Pico Guacamole, Sweet BBQ Bacon, and Maple Bacon Dijon), they’re releasing a utensil that they know nobody needs, but hey, why not? The Frork is basically a fry holder, where the fries act as the tines of the fork. In the infomercial, complete with Anthony Sullivan appearance, they claim the Frork will help you scoop up the toppings that fall off your overflowing sandwich. I swear Anthony Sullivan killed Billy Mays ‘so he’d get ALL that sweet infomercial work. But I digress…If you would like a Frork, check this link to see if one of your local McDonalds locations is giving them out today.

Things You Might Have Missed This Week

  • HBO has hired writers for FOUR potential Game of Thrones spinoffs. So, get ready for Match of Chairs, Bout of Seats, Mother of Dragons and, my personal favorite, Tits & Swords.
  • Warner Bros has pushed back its theatrical animated Scooby-Doo film two years to 2020.
  • Girl Meets World is officially dead, as creator Michael Jacobs was unable to find a new home for the series.
  • While this news is about a month old, FXX has decided against a fourth season of Man Seeking Woman, which wrapped up its 3rd season in March. The season finale was a fitting series finale, so I ain’t mad.
  • Hot on the heels of its premiere, Hulu has renewed The Handmaid’s Tale for a second season.
  • Surprising no one, Fox canceled the freshman drama Pitch, about the first female major league baseball player. Following on their heels, NBC canceled the Wizard of Oz update Emerald City.
  • It was reported that Gabriel Luna’s Ghost Rider will be returning to Agents of S.H.I.E.L.D. for the season finale

  • Speaking of Marvel TV, we got our first cast picture from Inhumans. KILL IT! KILL IT WITH FIRE!

  • We also got our first look at the cast of Marvel’s Runaways on Hulu. They look like the comic, but I still hate that they aged Molly. I like her more as a precocious child to balance them out.
  • A strike by the Writers Guild of America, which would’ve affected all corners of entertainment, was narrowly averted at the 11th hour
  • Morning Joe hosts Joe Scarborough and Mika Brzezinski revealed that they’re engaged. Man, they shit in the company ink! That’s the saying, right?

The biggest TV news of the week was that Ryan Seacrest was announced as Kelly Ripa’s permanent cohost on what will now be called Live with Kelly & Ryan. This bothered me so much! First of all, I was really kinda hoping an underdog, like Fred Savage, would get it. And if they had to go with a media person, they had Anderson Cooper and Andy Cohen on the list. But Seacrest?! The dude’s empire is based in LA and, yes, he has an empire. He’s a modern-day Merv Griffin, producing Keeping Up With The Kardashians, Shades of Blue, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest. He also has a daily syndicated radio show, On Air With Ryan Seacrest, as well as hosts the weekly American Top 40 countdown. With all that going on, you’d think he’d stay in LA instead of taking a job from a New Yorker. Instead, iHeartMedia has built a radio station in the ABC Studios building so that he can do his radio show immediately after taping Live. The plan is for him to stay in New York Monday-Thursday to film Live, he’ll pretape Friday’s show on Thursday, and then he’ll spend Friday-Sunday in LA.

But that’s not ALL the Seacrest news this week. You see, talks of an American Idol revival have heated up again. I wrote about it a few weeks ago, when NBC and Fox were both interested in the show – NBC especially because they could, then, reduce The Voice to one cycle a year. Those talks fell through, but now it appears that ABC has gotten into the game, with one stipulation: there’s no Idol without Seacrest, so the show would have to move to New York so he could continue to host. The show’s production company, Fremantle, insists that it stays in LA. ABC wants to announce it during the May upfronts, which occur in two weeks, for a Fall 2018 premiere (yeah, it ain’t gonna be ready by this Fall). So here’s the plan on how that would work: Fremantle wants to air Idol on Sunday nights from LA, where Seacrest would then fly to NYC after the show in order to make it in time to film Live Monday morning. After filming Monday’s Live, he would then fly back to LA for the Idol results show. Once that’s over, he would fly back to NYC in time for Tuesday’s Live. My God! The live portion of Idol is only 10 weeks, but that is a grueling schedule that I wouldn’t wish on anyone. So far, however, it seems that ABC’s plan would be to air Idol on Mondays, to go head to head with The Voice, so this plan wouldn’t work.

Say what you will about Seacrest, but I’ve always admired the dude’s work ethic. He doesn’t seem to know the word “no”, and he’s constantly building his brand. With the exception of the short-lived On Air With Ryan Seacrest TV show (which is conveniently missing from his Wikipedia entry), he doesn’t really fail at anything. I guess hard work and determination really can take you places. I’ll tell ya, back when he was hosting Click and Gladiators 2000, I had NO CLUE he would become as big as he is. He makes me wanna go out and get 3 more jobs. Then again, I wouldn’t have his net worth of $330 million, but it’d be a start. Anyway, for taking all the jobs, while growing in power, Ryan Seacrest had the West Week Ever.

28th Apr2017

West Week Ever: Pop Culture In Review – 4/28/17

by Will

So the big media news this week was the announcement of the DC Comics streaming service, which will be the home of the long-delayed live action Titans series, as well as the third season of the Young Justice cartoon. Other than that, very little else is known about the service. Most fans suspect that it’ll have the entire DC library, including animated films, older cartoons like Justice League, and live action series not currently on The CW/Fox. That’s a bit ambitious, though.

I’m reminded of how the concept of UPN was introduced to the public, with ads that touted all of the classic television that Paramount had given us over the years: Family Ties, Cheers, Star Trek – did this mean that this new network would become the exclusive home for those shows? No, it instead meant we were to brace ourselves for Love Boat: The Next Wave and Shasta McNasty. I get that same feeling here. DC has a great slate of animated films, and some classic animated series, but I think this might end up the hub for newer, untested properties. Take the Titans show for instance. TNT passed on that thing. TNT! They know drama! Sure, it’s produced by Greg Berlanti, but I feel like if it had any real promise, it wouldn’t be relegated to a digital platform that’s not Hulu or Netflix. Same with Young Justice. Sure, it had a following, and the reasons for its cancellation vary depending on who you ask, but expecting the fans to shell out for yet another streaming service isn’t exactly a gesture of goodwill. I’m not paying CBS to watch Star Trek, and I ain’t paying DC for this until I get some more details. Right now, though, it’s a typical DC announcement, where they rushed to announce before a lot of key aspects were in place.

Speaking of DC, NBC basically cancelled Powerless this week by removing all upcoming episodes from their schedule. It’s not a big surprise, as the entire cast deserved better than that show had to offer. In all honesty, I feel like the ties to the DC Universe actually hurt it. If they wanted to do the whole Workplace Comedy Set In A Comic Universe thing, then it probably would’ve worked better with generic superheroes and villains created just for the show. Sure, they mentioned Batman, and the Wayne family plays a pivotal role (which I also had problems with), but they showed Crimson Fox TWICE. CRIMSON FOX! Just mentioning Superman or Wonder Woman isn’t enough. Hell, they can mention those characters on The Middle and it wouldn’t violate any rights or copyright laws. No, this was a big case of Show, Don’t Tell and the show never really had a strong hand when all the cards were on the table. At least this frees up Ron Funches and Danny Pudi for bigger and better things.

I loved Kingsman: The Secret Service, so I am ALL IN for Kingsman: The Golden Circle. To be honest, I’m probably looking more forward to this than Star Wars Episode 8. Apparently, Kingsman is forced to team up with their American counterpart, Statesman, so it should be interesting to see how the teams play off each other. And I’m really hoping for some extreme American stereotypes. Based on Channing Tatum’s cowboy agent, I don’t think I’ll be disappointed.

In other movie news, Seth Rogen and Billy Eichner are rumored to be up for the roles of Pumbaa and Timon in Disney’s live action adaptation of The Lion King. I like both of these guys, but I really don’t even know why this movie is being made. I mean, sure, putting The Lion King on something is basically the same as printing money, but the recent debut of  the lackluster The Lion Guard showed that there’s a limit to how much you can mine from the property. I haven’t seen the live action adaptation of The Jungle Book, but I guess this will be like that? I mean, the whole thing is animals. How are they gonna do this? Maybe I’m overthinking it, but it just feels like Disney is out of ideas for the moment.

We got a trilogy, y’all! In a surprise move, M. Night Shyamalan tweeted that Glass would be released on January 18th, 2019, serving as the sequel to both Unbreakable and Split. I really enjoyed both of these movies, and it feels like M’s finally got his groove back, so this should be good.

In news that will only matter to you if you’re a Cornell alum, all-male a cappella group The Cayuga’s Waiters have been kicked off campus for hazing. And let me tell you, this couldn’t have happened to a shittier group of douchebags. When people think of a cappella, they always think of lame kids who probably did show choir in high school. And, in most cases, they’d be correct. The Waiters, however, were cut from different cloth. Originally a subset of the Cornell University Glee Club, they were basically a lewd fraternity that occasionally sang songs. Around 25 years ago, one of them wrote “We Didn’t Go To Harvard”, a parody of Billy Joel’s “We Didn’t Start The Fire”, and they’ve pretty much been coasting on that ever since. Their offstage behavior rivaled that of actual rock stars. For example, they got kicked out of a charity concert when one of their members reportedly peed in the corner of the stage. And while there were a few good guys in that group, the core members were THE WORST. They were basically a singing Duke rape scandal waiting to happen. According to news reports, the hazing included making new members take naked ice baths and having them rub IcyHot on each others’ balls. Considering they got shut down, I’m thinking there was more serious stuff that the paper couldn’t print, like elephant walks or something. Anyway, good riddance to bad rubbish. Bet they wish they’d gone to Harvard now!

Things You Might Have Missed This Week

  • Captain America: The First Avenger director Joe Johnston will direct The Chronicles of Narnia: The Silver Chair
  • Sony has given the Masters of the Universe film a December 18th, 2019 release date, but McG is no longer attached to direct. None of this matters, though, ‘cause this movie is never getting made.
  • Speaking of Sony, they’ve reportedly fired Dr Luke, and I HAVE SO MANY THOUGHTS ABOUT THIS! But there’s no way I’m putting them in a blog post, for them to be dissected and taken out of context.
  • One of the former Bachelors killed a dude. Nah, I don’t know his name or care enough to look it up. Bachelors are just as replaceable as Duggar kids. He will be forgotten again soon enough
  • Jeff Goldblum will reportedly return to the land of dinosaurs in the Jurassic World sequel.
  • Riverdale’s Reggie Mantle will be recast prior to season 2, as actor Ross Butler is committed to Netflix’s 13 Reasons Why, which is close to being renewed for a second season
  • Star Wars Episode IX’s release date has been revealed as May 23rd, 2019, which shifts the franchise’s releases out of the month of December

  • Darius “Eddie Winslow” McCrary posted the above pic, asking folks if they’d want a Family Matters reunion. Considering they both look like shit here, I’m leaning towards “no”

  • Speaking of TGIF reunions, Perfect Strangers stars Bronson Pinchot and Mark Linn-Baker reunited for Chiller Theatre Expo last weekend in New Jersey. Cousin Larry has aged appropriately, but Balki clearly discovered Crossfit/discount mail-order steroids.
  • Jeb Bush and Derek Jeter are in a group trying to buy the Miami Marlins. Hey, it’s better than ending up on Dancing with the Stars!
  • Next fall, Steve Harvey’s TV talk show, Steve Harvey, will move to Los Angeles, and will take on a new format as Steve.
  • With this week’s series finale of Bates Motel, A&E announced they’re abandoning scripted television and moving to a reality show model.

Maybe it’s just the mood I’m in this week, but nothing really had the West Week Ever. Try harder next week, America!

21st Apr2017

West Week Ever: Pop Culture In Review – 4/21/17

by Will


Star Wars Celebration (I can’t say that without thinking of Dave Chappelle’s Rick James yelling “It’s a celebration, bitches!”) happened in Florida last weekend, and we got our first teaser trailer for Star Wars: The Last Jedi. Folks seemed to like it alright. I’ve never claimed to be the biggest Star Wars fan, but nothing about this really gave me a Force Boner or anything. That’s probably because Rogue One left such a bad taste in my mouth. Anyway, I’m sure I’ll see it, but it’s not really on my radar.

In other movie “news”, we got the track listing for Awesome Mix Vol 2 from Guardians of the Galaxy Vol 2., which comes out today. Is it just me, or is it weird that Mama Quill gave Peter mixtapes of all the songs that played while she was banging dudes in Camaros? Come on – she was totally that chick! Anyway, there are no real surprises here, as it seems to be in-line thematically with the first volume. Personally, I’m ecstatic that “Come A Little Bit Closer” will be introduced to a new generation, as I’m a huge fan of Jay and the Americans (check out “Cara Mia” if you’ve never heard it).

This rumor came out a few weeks ago, but it kinda floated under my radar: apparently Warner Bros wants to release 4 Batman-centered films in 2019 to commemorate the 80th anniversary of Detective Comics. This slate would include Nightwing, Gotham City Sirens, the Joss Whedon Batgirl, and the oft-delayed The Batman. Nice idea, but there’s no way this happens. DC just doesn’t have its shit together enough to pull this off. Marvel could do it, but they would’ve been planning it since 2012. It’s already 2017 and they expect to crank out 4 movies in 2 years? Shit ain’t happening.

Bring on the teen angst train, as we’ve got two more comic-based series just dripping with it! First up is Cloak and Dagger on Freeform, which looks like the Freeformiest show that ever Freeformed. It’ll be right at home between the show about the deaf girl and the show about the foster kids. I’ve never been a huge Cloak and Dagger fan, but the series follows teen runaways Tandy Bowen and Tyrone Johnson, who were kidnapped and injected with an experimental drug. The drug left Tandy (Dagger) with “light daggers”, while Tyrone (Cloak) has a mystical cloak that transports people and things to a dark dimension. Oh, and there’s that sweet, sweet interracial love/Jungle Fever aspect to things. Based on the trailer, it’s gonna focus more on the love thing than the power thing, which is understandable since powers are expensive on a weekly TV budget. I haven’t heard if this is actually considered part of the MCU, but it’s nice to see the Roxxon sign at the end, so there are clear ties to the universe itself.

The angst doesn’t end there, though, kids! We also got a trailer for Syfy’s Krypton series (which has since been yanked down) – ya know, the one that nobody asked for. It’s hard for me to get excited about Krypton when very little about that planet has ever seemed appealing. It’s most recently been painted as a cold, stoic, science-based society. And since they don’t have our sun, it means they’re powerless. Here’s what I don’t get about the trailer: the show takes place approximately 200 years prior to Man of Steel (I guess making it the first series to be an official part of the DCEU), but the monologue is of Kal El’s grandfather leaving a message for him. Um, how does he KNOW his grandson’s name is Kal El if he hasn’t been born yet? Anyway, it’s about Grandpa El, who happens to be a sexy, CW-ish twenty something, trying to restore honor to the disgraced House of El. The effects look nice (AKA expensive), but nothing about this show makes me want to see it.

There’s some laughter coming from a different comic-based series, however, in the form of Freeform’s New Warriors. I mentioned it a few weeks ago, but it’s been confirmed that Kevin Biegel of Enlisted/Cougar Town will be the showrunner, and we got a confirmation of the roster. Led by Squirrel Girl (who has never been a New Warrior in the comics, but I won’t harp on that), the team is comprised of Speedball, Night Thrasher, Microbe, Mister Immortal, and Debrii. I’m familiar with career Warriors Speedball and Night Thrasher, but I don’t know anything about the others. Considering Mr. Immortal and Squirrel Girl are Great Lakes Avengers characters, this is something of a hybrid team.

I’m the furthest thing from a foodie, but I love a good dairy-based gimmick drink, and this week featured TWO of them! First up, I’d read online that Burger King had been testing a Froot Loops Shake at certain East Coast locations, with plans to roll it out nationally today. Well, I traveled around until I found one that had it early (well, I didn’t travel too far – it was down the street from my apartment), as I had to see what the fuss was all about. I had heard it described as made from vanilla soft serve, with Froot Loops pieces, topped off with a sweet, syrupy drizzle. Sounds exotic, right? WRONG. Whoever thought of this probably got a bonus for the idea, but it lacks in the execution. It’s basically a vanilla shake with edible confetti in it. From Loops don’t really have a strong fruity flavor to them, so it’s not like it’s rubbing off into the soft serve. And when you do get some Froot Loop chunks through the straw, they just taste like flavorless corn cereal. I didn’t taste any kind of drizzle, and I kept waiting for the WOW to kick in. It never did. I drank this so that you don’t have to and, trust me, you really don’t have to.

Next up was the Starbucks Unicorn Frappuccino. I hadn’t even heard of the thing until Wednesday morning, when everyone and their mom was talking about it. Looking at it, I was reminded of the Birthday Cake Frappuccino that comes out in March (I remember this because it was out at the time Evie was born). I LIVED on those things for the two weeks or so that they were in stores, so I was expecting this to be more of the same. I wasn’t sure what flavor this one was supposed to be, but there were certainly visual similarities. Anyway, after dinner Wednesday night, I snuck off to the corner Starbucks to try it out. You’ve heard of a Butterface, right? Well, this is a Buttertaste. It looks cool and everything, but the taste…THE TASTE! Its marketing emphasizes that it magically changes flavors while you drink it, but I could never really nail down what those flavors were supposed to be. There was a pervasive muskiness to it, making me feel like I’d basically sucked off a real unicorn. Of course, that would be silly – everyone knows you’ve got to buy a unicorn dinner before it lets you do that! Then, near the end, the muskiness gives way to a hyper berry taste, reminiscent of the Blue Raspberry that candy scientists seemed to have discovered in 1992. At no point in the drink was it what I would call “enjoyable”, and even the whipped cream on top was disappointing. As far as I’m concerned, this drink can fuck off back to Narnia where it came from.

Things You Might Have Missed This Week

  • Bill O’Reilly was fired from Fox News following sexual harassment allegations. See, if he’d told Billy Bush he only grabbed ‘em by the pussy, he’d be President by now!
  • Nintendo officially ended production on the NES Classic, followed by rumors that an SNES Classic is coming later this year
  • Anna Boden and Ryan Fleck were announced as the directors for Captain Marvel. I’ve never seen anything they’ve done (Half Nelson, episodes of Billions, and The Affair), so I’ve got no real opinion right now
  • Speaking of Marvel films, Black Panther wrapped production this week, as Hollywood braces for the return of every living Black actor
  • Will Smith is in talks to take on the classic Robin Williams role of The Genie in Guy Ritchie’s live action Aladdin adaptation. Obviously, Jaden Smith will probably get the role of Aladdin.
  • Stranger Things co-star Shannon Purser came out as bisexual on Twitter. Well, she’s bisexual in real life. She just used Twitter to announce it.
  • Director James Gunn announced that Guardians of the Galaxy 3 would be the final iteration of this lineup of the team
  • Black-ish was sold into off-network syndication, launching in Fall 2018
  • Jane The Virgin’s Gina Rodriguez will voice Carmen Sandiego in a new animated series coming to Netflix
  • Steve Harvey will host a revival of Showtime At the Apollo for Fox
  • Fate of the Furious debuted to $532 million internationally, beating the record-setting $529 million earned by Star Wars: The Force Awakens
  • With its original pilot rejected by Fox a few years ago, Joe Hill’s comic Locke & Key will have a new pilot filmed for Hulu
  • The X-Files has been renewed for a 10-episode 11th season. I couldn’t even make it through the last 6-episode batch they gave us, so I think this is a pass for me.

For the past 6 seasons, I have pretty much hate-watched HBO’s Girls. I hated Lena Dunham’s dumpy, Play-Doh body which was constantly on nude display. I hated all of her character Hannah’s “problems”. I hated her boyfriend Adam. I had convinced myself that I was really just watching, hoping that the characters would eventually be hit by a truck or something. Then, this season came along. Even through all my hate, I had to admit that this was a pretty strong season. From Hannah’s odd interaction with a bestselling author to Marnie finally realizing she sucks at life, there were some great episodes of television to be found in this season of the show. I was also forced to admit things about myself.

First off, I always knew I liked Shoshana because she had enough sense to know that she deserved better than the friends with which she’d found herself. And I definitely missed her once she decided to finally distance herself from them.  I also realized there was much more to the Ray character and, while they didn’t exactly put a bow on it, I’m glad they led us to believe that he had found a happy ending. Even a character as originally unlikable as Elijah had some strong development this season, and he was truly missed in the finale, even though this chapter of his story had come to a close. As I already admitted in my Get Out review, I had to come to terms with my crush on Allison Williams and, by extension, Marnie Michaels. Yeah, she sucked at life, but she seemed like the one out of the four who had Tony Starked her way into that situation; she was the cause of her own problems. Once she began to realize that, the character held more promise. And I realized I hated Jessa because she reminded me too much of girls I’d hooked up with in college: damaged, tattooed, pseudo-junkies who are lucky to still be alive. And I guess Hannah reminded me of girls I’d hooked up with post college. Yeah, I hated a lot about Girls because, I guess, I hated a lot about myself.

This Sunday saw the series finale of the show, and I wasn’t quite sure I was ready for it. After a season that had given us a pregnant Hannah, but also showcased the dissolution of the group’s friendship, I didn’t really know how they could “end” the story. I was further distraught when I read an article last week saying that Jessa and Shosh’s final appearances had been in the penultimate episode that had just aired. While I would miss them in the final half hour, I had to admit that their chapters had also come to a close.

When we get to the finale, there’s a five-month time jump, where Marnie and Hannah are living in a remote house upstate, raising Hannah’s baby, Grover. Yes, that’s what she named him. Anyway, it was 30 minutes about what it means to be happy, but also what it means to be an adult and a parent. I like to think that Hannah finally grew up once she realized that Grover wasn’t another problem that she could simply run away from. The entire episode, she’s freaking out because Grover won’t breastfeed, but in the final seconds he finally takes to her breast. The look on her face is a mix of relief and maturity. It was then that I realized the show had to end at that point, as Hannah was no longer a girl. The entire series had been about millennial drama, as they skirted adulthood, but those times were over. The title Girls no longer applied to Hannah because she was now a Woman, with all the responsibilities that entailed. I used to worry about Hannah, and I sure as Hell worried about Grover when we learned she was pregnant. After Sunday’s finale, though, I think they’re gonna be OK. It was a finale that I had to give some thought to, but it didn’t leave me unfulfilled like Don Draper creating a Coke jingle only to end up hocking tax prep software six months later. For this reason, Girls had the West Week Ever.

14th Apr2017

West Week Ever: Pop Culture In Review – 4/14/17

by Will

I was going to skip this week, with it being a holiday weekend and all, but then I realized that this would be the last post written from the WilliamBruceWest.com HQ of the past 6 years. So, simply to commemorate that, you get a quick post.

I didn’t watch any movies this week (dumb, since I need to clear off a 90% full DVR by Tuesday), but I did catch the HBO stand-up special Pete Holmes: Faces and Sounds. Holmes has recently become one of my favorites, as I’ve really been digging his HBO comedy Crashing, which seems to be loosely based on the early days of his stand-up career. He’s at a point now in his career where he seems to be a lot more comfortable onstage. And he cusses a lot more. Something about him reminds me of a modern-day John Ritter – it’s not the physical comedy, but it’s written all over his face. He genuinely just comes off like a good guy that you could have around your mom. I think that’s part of his appeal. Anyway, it’s a pretty good hour, so check it out if you’re looking for a new stand-up special to watch.

In movie news, Jonah Hex/Thanos will now be adding Cable to his resume. In a surprise casting move, Josh Brolin has been cast as the time-traveling hero in the Deadpool sequel. This, supposedly, won’t affect filming of Avengers: Infinity War because most of his work on that movie will be motion capture. Still, it’s odd to see another comic book movie actor jump across the studio aisle. We’ve seen two actors jump from Fox to the MCU (Chris Evans and Michael B. Jordan), but you never see them go the opposite direction. I guess he’ll do OK, but I was hoping for someone like Ron Perlman or Stephen Lang. Personally, I’d be more impressed if they’d cast his father, James Brolin.

I didn’t catch the Rick & Morty 3rd season premiere when it was posted online on April Fools Day, but luckily Adult Swim aired it every night last week. It was so good to have the show back, even though I’m not entirely sure I know what was going on. As some folks have said, I really wouldn’t be surprised if it turned out that was justa “bonus”episode, and not the actual premiere. If it was real, it definitely set up an interesting new family dynamic. Of course all anyone can talk about, however, is the McDonald’s Mulan Sauce. Apparently, back when Mulan came out, McDonald’s had a special Szechuan sauce for their McNuggets. It was only for a limited time, as those things are wont to be, but now it’s been thrust back into the spotlight thanks to the episode. Fans of the show are trying to get McDonald’s to bring the sauce back, to coincide with the release of the upcoming live action Mulan film (despite the fact that Disney ended their relationship with McDonald’s a few years ago in an attempt to disassociate themselves with unhealthy eating). Already, though, I’ve seen some thinkpieces about how the sauce is cultural appropriation and all that so, basically, welcome to 2017.

In comics news, the X-Men were the source of controversy this week after the artist on X-Men Gold, Ardian Syaf, snuck some incendiary references into the background of his art in the first issue of the book. I don’t have a religious studies degree, so I can’t really get into the minutiae. Basically, though, he slipped in some references to the Qua’ran that are anti-Christian and anti-Jewish. Sure, he can have his beliefs and all, but you don’t sneak that stuff into a corporate comic book. Marvel said that he was going to be disciplined, and later in the week he was fired from the book. Syaf immediately went online and basically said “My career is over”. I kinda wanted to feel bad for him ‘cause he almost seemed suicidal, and I wasn’t sure he initially understood the magnitude of what he had done. In follow up interviews, however, he didn’t really seem to back down. As controversial as he might be right now, it’ll be a major PR opportunity when some publisher, like Dynamite Entertainment, eventually gives him work again.

On the music front, it’s no secret that I’m a huge boyband guy. That said, I never really got into One Direction. It’s not that I was old when they came out, but more of a case where they didn’t have any Max Martin songs. Coming from the late 90s/early 00s era, I feel like you HAVE to have Max Martin songs in order to have hits. I mean, they still had their share of earworms, like “That’s What Makes You Beautiful”, but I never glommed onto them that much. So, when they broke up to pursue solo careers, I wasn’t expecting much – which is why I was surprised to find that I really like “The Sign of the Times”, which is the debut single from Harry Styles. I had the thing looped all day last Friday and, while I’m not sure if it’s a “hit”, I’m really digging what’s going on here. I wonder how the 1D fans are gonna take it. I mean, they’ll eat it up because they love Harry, but it’s not like the 1D songs that they’re used to. You’d expect him to bust out of the gate with something bombastic, but instead he went with something chill and melodic. Anyway, I’m looking forward to hearing the rest of the album when it hits on May 12th.

Things You Might Have Missed This Week

  • Grace and Frankie has been renewed by Netflix for a 4th season. And I think my wife is the only person I know who’s happy about that. Anyway, Lisa Kudrow is joining the cast.
  • Jude Law has been cast as young Dumbledore in the Fantastic Beasts sequel
  • There’s a Fear Factor reboot coming to MTV, which will be hosted by Ludacris

    • We got a new Justice League poster. Um, OK. I don’t want to hate the DCEU but they make it so easy
    • The Get Down’s Shameik Moore has been tapped to voice Miles Morales in the upcoming animated Spider-Man film
    • John Ridley produced Guerrilla, a miniseries about the Black Power movement, and included basically no Black women in it. Good luck with that, my dude.
    • TLC are back. Well, T and C; you’d need a necromancer to get L back. Anyway, the single “Way Back” debuted on radio this week. It’s nothing special, really.
    • Sam Elliott has signed on to star in The Man Who Killed Hitler and Then The Bigfoot, which is a Must See based on the title alone

    • This looks fun. Not “see it in a theater” fun, but fun nonetheless.
    • This Fall, NBC’s Dateline will become a weekday syndicated true crime series, which will probably end up replacing former correspondent Chris Hansen’s Crime Watch Daily. Coldblooded!


Thor: Ragnarok’s teaser trailer hit this week and it was amazing. Now, keep in mind that the Thor movies are lower on the MCU scale, so it’s not like it had to do much heavy lifting to blow our minds. We’re at a point where we just don’t expect that much from the Thor films. Still, it looks like Guardians of the Galaxy 1.5, and that’s exactly what people love about it. After the departure that was Thor: The Dark World, we’re back to a Thor tale that feels epic and world-spanning. And the Hulk cameo! Anyway, I could ramble about it, or you could just watch it for yourself. All I know is that the Thor: Ragnarok teaser trailer had the West Week Ever.

And if you’re jonesing to read some more, be sure to check out my comic post from this week: Comical Thoughts: The One Where Our Hero Read 30 Marvel Comics In One Night!

07th Apr2017

West Week Ever: Pop Culture In Review – 4/7/17

by Will

 

So, last night I became the last person in America to see Get Out. As I joked on Twitter, I’m totally getting a divorce now. No, I kid, I kid. Like everyone said, it’s really good, though it may be a tad overrated. Just a tad. Unless you’ve been living under a rock, Get Out is the story of Black man Chris Williams who joins his White girlfriend Rose Armitage on a visit to her parents’ home for the weekend. And then crazy shit starts to happen. I can see what the appeal of the film is. I really can. But I’ve got to level with you: this movie hit a little too close to home. Yeah, I know that one Black reader I have is like “That’s what you get for datin’ them White girls!” No, seriously, I probably would’ve ended up just like Chris. First of all, I have a thing for Allison Williams. Even as bitchy, self-centered Marnie on Girls, I still have a thing for her. When her father fell from grace, I just wanted to tell her everything would be all right. So I would’ve taken the bait. In addition to that, I’ve dated that kind of family. Yes, in those cases, you’re dating the whole family. They had the same socioeconomic status as the Armitages, their friends were the same way, with the same weird questions. Sometimes you don’t realize how Black you are until that’s ALL you are to some folks. What some folks saw as just fun entertainment is something that I kinda lived. They’d do weird shit, where I felt like they were testing me. I remember the first time I went to stay for the weekend, they put me in a room with, like, three Rolexes just laying about like they were nothing. No, I don’t think they would’ve killed me, but I can totally see how something like this could happen. Meanwhile, I’m here thinking that I need to get me a friend as good as TSA Rod. I’ve got a lot to unpack from that movie right now. I’d love to have a conversation with Jordan Peele, ’cause that movie came from a place of experience. I wonder if I’d ever see it again, or if it’s like Bamboozled, where it’s just gonna make me hate White people for a while. Naw, I can’t hate y’all. You’re the only ones who read my site!

In movie news, it was reported that Seth Rogen and Evan Goldberg are set to produce a film based on the Image comic Invincible. I used to read the series back when I worked at Diamond and got the hardcovers for free, and I really loved it. It follows Mark Grayson, who’s half human and half Viltrumite. His father, who’s full Vultrimite, is the hero known as Omni-Man, and Mark seems to have inherited a lot of his powers. Mark becomes the hero Invincible and a bunch of other stuff happens. Hey, what do you want from me? I only read the first 48 issues, and that was, like, 7 years ago. The thing I like about the series is that Mark is allowed to grow and change. People die and stay dead. In comics, there’s always the approach where they give the semblance of change without actual change, but that’s not how Invincible works. I mean, he’s currently married with a kid, and they haven’t resorted to having the Devil erase it all, unlike some heroes… Anyway, I like the idea of a movie, but I don’t know if Rogen and Goldberg are the guys to do it. After all, they’re the team behind AMC’s Preacher – a show that I’ve yet to really hear anything good about. Mainly, I heard season one was just boring. So, I guess we’ll just have to see what they bring to the table.

In other movie news, Scarlett Johansson’s live action Ghost In The Shell adaptation bombed, and the congregation rejoiced. There was a lot of controversy surrounding the film because it was felt that the main character, played by Johansson, was whitewashed. They felt she should’ve been portrayed by an Asian actress, and even the studio is now saying the movie failed to meet expectations due to the whitewashing controversy. I’m really not educated enough to weigh in on this one. I mean, I’d always heard that Japanese identity politics went a little deeper than we might think, which is why their cartoon characters always have blue hair and shit, but never really look Asian. But again, before I say something uninformed, I’m gonna bow out of this one. For a better understanding of the controversy, check out my friend Jenn’s post on the film.

Speaking of outrage, there was a Pepsi commercial that ruffled some feathers this week. I’d post the video, but Pepsi is trying to scrub all reference to the thing. In it, Kendall Jenner breaks away from a fashion shoot to join a peaceful protest, capping it off by offering a stern looking cop a Pepsi. He accepts, takes a swig, and everyone rejoices. The problem, however, is that the ad was kind of tone deaf. It seemed to trivialize the act of protesting, and to add insult to injury, it installed a pretty White girl as the face of the protest. Now, I saw the thing, and it was hamfisted, but I’m not sure it was worth all the threaded tweets and thinkpieces that it generated. Like, I get why folks didn’t like it, but I’m not sure I’m “woke” enough to see the whole matter. Anyone wanna weigh in on this one?

In television news, Disney Channel officially ordered Raven’s Home to series. Serving as the sequel to That’s So Raven, it features Raven Symone reprising her role as Raven Baxter, only now she’s the divorced mom of twin tweens. She also lives with her best friend, Chelsea, who’s ALSO a divorced single mom. Things start to get crazy, though, when Raven’s kids start to exhibit her psychic powers. See, that was always my thing with that show. Sure, I was too old for it when it was a hit, but I love a good tween TV show. That said, I feel like Raven and her friends could’ve had zany adventures without the whole psychic powers gimmick. I mean, the kids of iCarly didn’t need superpowers in order to be entertaining. The psychic stuff made it too much like a mystical tween Three’s Company which, on paper, sounds perfect, but isn’t that great in execution. Anyway, I just typed all this to justify posting a pic of costar Anneliese Van Der Pol. This whole thing just sounds like Fuller House with powers. I’ve got no nostalgia for the original show, so I doubt I’ll be checking this out.

In other TV news, Freeform has ordered New Warriors to series, featuring fan favorite character Squirrel Girl. I’ve got to admit that I know next to nothing about that character except that she was the nanny to Jessica Jones and Luke Cage’s daughter, Dani. I know she was a Great Lakes Avenger, but she was never a New Warrior. Still, they’ve been trying to find a vehicle for that character FOREVER, so I guess they finally figured it out. Based on how WB/DC has handled Powerless, I’m not too eager to see another comedy set in a comic book universe. The one bright spot in the whole thing is that Kevin Biegel is rumored to be the showrunner. Not only does he follow me on Twitter, but he’s the creator of the Fox series Enlisted (which I loved), and he co-created Cougar Town. Knowing that, I think the show is in good hands. I still feel weird about being a 35 year old man watching Freeform. It’s like you’re paying for The CW. The news, however, makes me sad that The Middle is still going. If you didn’t know, a few years ago, when it looked like the writing was on that wall for that show, Eden Sher had a meeting with Marvel. While we don’t really know what was discussed, her name was thrown around in the same discussions of Squirrel Girl. With The Middle already renewed for next season, though, that takes her out of the running. Sucks because I think Sher’s perky, Sue Heck personality would be perfect for Squirrel Girl.

Things You Might Have Missed This Week

  • Barry Manilow came out as gay, which makes me realize that he’s actually been singing about Man D all these years…
  • Speaking of gay, on Doctor Who it was revealed that The Doctor’s latest female companion, Bill, is gay. I mean, her name is “Bill”, so, surprise?
  • NBC ordered 2 additional episodes of the Will & Grace revival, bringing the total up to 12.
  • Also in the Department of Things We Don’t Need, there are apparently outlines for 14 more Transformers movies


I’ve written about my love of The Undertaker a few times here on the site. Basically, he’s a relic of a bygone era in professional wrestling – an era of kayfabe, when enemies wouldn’t fly on the same planes together, or be seen hanging out together at IHOP. He’s from a time when people had flashy names and in-ring gimmicks to set them apart. The industry has changed a lot since then, but you could always depend on Taker. If I were to be a professional wrestler tomorrow, my in-ring name would be Bruce Williamson. That’s how they do it now. Other business ventures came along, like Total Divas, which even further blurred the lines between real and fake, but you could always depend on Taker.

In recent years, he’s basically been a part-timer. Ever since The Streak was broken, there wasn’t really much need for him to be around. The mystique was kind of gone by that point. But, like clockwork, he still showed up to Wrestlemania and did his job. In my heart, I knew the end was near. I’d always said that, given some advance warning, I’d even try to attend his final show. He means that much to me. Well, I didn’t even get to watch his final appearance, which was last Sunday at Wrestlemania 33. The card looked weak, and I felt I had better shit to do. Little did I realize I’d be missing history in the making. The Undertaker jobbed to Roman Reigns, narrowly missing out on his 100th pay per view victory. While the rumors of retirement had been floating for years, no one was ready for what would happen next. He donned his signature coat, gloves, and hat, and took one last look at the crowd. Then, he removed them, placed them in a pile in the center of the ring, and walked away. He kissed his wife, pretty much breaking character, and proceeded to walk up the ramp, where he was lowered until he disappeared. As the crew dismantled the ring, they refused to move his belongings – a gesture of respect to the man who brought us all nearly 30 years of entertainment. I hate that I wasn’t there, but I especially hate that I didn’t even watch it. Sure, in this technological age we can always find what we’re looking for, but I feel like I let him down. He doesn’t know me, doesn’t give a shit about me, but I know him, and I thank him. So, with that in mind, Mark Calaway, AKA The Undertaker had the West Week Ever.

31st Mar2017

West Week Ever: Pop Culture In Review – 3/31/17

by Will

So, as a week has passed, I find I’ve got some more thoughts on Power Rangers. I watched it again (don’t ask me how), and I actually liked it a lot better. The first viewing is pretty jarring, but once you know what you’re getting yourself into, it’s easier to let go and let Zordon.

Something about it struck me, though: the teens have an odd bloodlust thing going on. They’re really jonesing to kill something/somebody. When they first encounter Alpha, and don’t realize he’s “one of the good guys”, Zack’s immediate response is “We could kill it”. Not “Hey, we should run” or “We need to get away from it”. It was basically “We could end its life”. And while I know kids shows have to use language like “destroy” or “eradicate” or anything that’s not “kill”, I’m not used to applying “killing” to the world of Power Rangers. Even Zordon says that Rita must be “stopped”, and the kids immediately take that as “We have to kill Rita.” Hold your horses, hoss! I know they live in some little podunk fishing town, but have these kids killed before? Will they kill again?!

Also, Brian Tyler’s score needs to be applauded. It’s one basic theme that’s repeated throughout the film, but I didn’t realize how epic it was until the second viewing. Sure, it’s not “Go Go Power Rangers” or any of the show’s songs from Ron Wasserman, but it really conveys that superhero aesthetic the movie is going for.

It’s not all sunshine and roses in the world of Power Rangers, however. First up, original Green Ranger Jason David Frank was apparently kicked out of the premiere of the film because he took out his camera to film the audience’s reaction to his onscreen cameo. If you’re not familiar with his antics, his lives his life online. He thinks he’s giving a ton of access to his fans, so he basically vlogs EVERYTHING. Signings, convention panels, etc. He was a web series called My Morphing Life, so I assume  he was trying to get footage for that. Well, security did what the original 5 Power Rangers couldn’t do, and that was defeat the Green Ranger. They escorted him out and he didn’t even get to see the mid credit scene. They tried to take his phone, which he wasn’t about to let them do, so he yelled “It’s morphin time” and proceeded to beat up a bunch of middle aged men. Well, I don’t know about that last part, but it’s still fun to imagine.

Next up, murderous Wild Force Red Ricardo Medina Jr has been sentenced to 6 years in jail for the 2015 stabbing death of his roommate. Earlier this month he pleaded guilty voluntary manslaughter, and he got the maximum sentence for that charge. While I poke fun at it, the whole matter kinda sucks. I mean, he claims it was in self defense. In this crazy country, if he’d shot the guy, we probably wouldn’t even be having this discussion. Instead, he had to go and use a sword, and the American legal system just isn’t built for that. Here’s hoping he gets off early for good behavior or something.

There was a Justice League trailer released last Saturday, and that’s all I have to say about that. No, I guess I have more to say. Look, if the DCEU movies still get you hard, then more power to you. I’ve been fooled enough by those films to know that they’re more than likely not going to be my cup of tea. I felt like I was in Bizarro World, though, as everyone seemed to love the trailer but hate Cyborg. I was the opposite. I just can’t get excited about these things anymore, but I thought Cyborg looked cool. I’ve been told the CGI is outdated, but I’d rather he look like that than just a Black guy in a silver suit. Anyway, Snyder makes long-form stylized music videos. That’s what Watchmen was, and Dawn of Justice was a darker version of that. Here, it’s business as usual for him.

Speaking of DC movies, apparently Joss Whedon is in talks to write, produce and direct a Batgirl movie. Ya know, until he drops out. I’ve never worshipped at the altar of Joss, as I can see the holes in his whole gimmick. He’s always the go-to guy for “strong, female characters”, but I feel like it’d make more sense to just hire a woman instead of hiring a man who seems to understand women. I think DC is just trying to hedge their Bat bets because they know Affleck has one foot out the door. DC is the KING of announcing shit with nothing to back it up. The only time the MCU did that was with Inhumans, but DC has promised Green Lantern Corps, Black Adam, and  Cyborg films – all of which seem to be in Development Hell. To me, this is just another empty promise. DC is the dad who makes a ton of empty promises because he’s scared you love mom’s new boyfriend (Marvel) more than him. And they’re right. Have people forgotten all the Wonder Woman drama? People act like this is a major heel turn, with Whedon “defecting” from Marvel to DC, but I think the Russo Bros effectively swept away any influence folks thought Joss had on the MCU. Age of Ultron was a bore of a chore, so I’m not exactly jazzed about him crossing the aisle. I also don’t like the idea of a standalone Batgirl film that didn’t organically evolve from an existing Batman franchise. The Batman is falling apart, and instead of fixing that, they move on to Batgirl? Get your shit together, DC!

In the world of TV, Katie Cassidy is reportedly returning to Arrow next season as a series regular. Instead of playing Laurel Lance, however, she’ll be reprising her Earth 2 identity as villain Black Siren. If you remember, she crossed over into our world this season, and Oliver’s determined to rehabilitate her. I’m bored just thinking about it. However, if you know anything about the Arrowverse, you know that “series regular” doesn’t mean much. After all, Willa Holland is a series regular, and we’ve seen Thea how much this season? And Cassidy already had that exclusive Berlantiverse contract this season that yielded few results. I guess we’ll have to wait and see how much exposure she actually gets.

Speaking of the Arrowverse, we finally got our first look at Cress Williams as Black Lightning in the pilot being filmed by The CW. Fox passed on this a few months ago, so naturally The CW came to the rescue. Personally, I don’t think that universe needs a fifth show. They always add a show to the detriment of another. Arrow suffered when Flash came along, Flash suffered when Supergirl and Legends of Tomorrow came along. Supergirl‘s still getting used to its new home, while Legends is only just starting to get good. I think they should focus on what they have instead of trying to expand right now. Someone online said that Black Lightning was corny, but so was Static and folks are always claiming they wanna see that character make a comeback. Sure, Black Lightning hails from a different era, and I really hope they just call him Lightning, kinda like how Ollie was just The Arrow in the beginning. The only important storyline I remember featuring Black Lightning was when he was chosen to be the Secretary of Education under the Luthor Administration. Other than that, his daughters have had more page time than he has in recent years. I’d be all for the character joining the Legends team, but I don’t know if there’s enough meat on that bone for a series. And knowing The CW, they’re gonna green light it anyway – not even stopping to think how a failure would devalue the brand.

Things You Might Have Missed This Week

  • The Big Bang Theory scored a 2-season renewal, which will take it through season 12. Suck it, haters!
  • Han Solo is not the character’s real name. His birth name was Handsome Solowitz, but his manager made him change it
  • Adam Sandler inked a deal for another 4 Netflix movies. When, exactly, did he officially become the White Tyler Perry?
  • In the upcoming film, Jumanji will now be a video game console and not a board game. As someone who never saw the first film, and has never played many board games, this doesn’t bother me in the least
  • The upcoming Astonishing X-Men comic series will feature a different artist every issue. All I know is that each issue better be a self-contained, done-in-one affair, or this is gonna get messy!
  • TLC is planning to bring back Trading Spaces. Paige Davis better return to host, or GTFO.
  • Jack the Ripper time travel drama Time After Time has been canceled by ABC
  • Bones ended its 12-year run, making it the longest-running Fox drama
  • AMC has renewed sci fi android drama HUMANS after a blink-and-you-missed-it second season.
  • Jordan Peele is being sought after to direct the live action Akira movie. Seems like an odd choice, but I guess he can write his own ticket after Get Out‘s success.
  • Mindy Kaling announced that her series, The Mindy Project, would end after its next season on Hulu.
  • In music news, I’ve just discovered a new Chinese boyband called Acrush. There’s a catch, however – it’s actually made up of androgynous girls! CRAZY!


Did you see that? I’m just glad Spider-Man is in the MCU now. Nobody does a shared universe like Marvel, so it’s nice to see him come home. It still feels like it’s an Ultimate Spider-Man movie, what with Gank…”Ned Leeds”. Seriously, why would Marvel go to the trouble of clearly putting Miles Morales’ best friend Ganke in the movie but then call him one of the Hobgoblins? Am I really supposed to expect this kid to become Hobgoblin down the road, a few sequels from now? It almost feels like fanservice to give him that name, to make fans wonder what might happen in the future, while never actually delivering it.

Anyway, every announcement about this film just gets better and better. For example, it was announced that it would officially introduce Damage Control to the MCU. In the comics, Damage Control was a construction firm co-owned by Tony Stark and Wilson Fisk (The Kingpin) that was tasked with rebuilding NYC after superhero battles. It’s such a logical concept, but something that gets lost in the suspension of disbelief that comics require. I’ve loved every appearance of Damage Control, so it’s nice that we’ll finally get to see them onscreen. They were actually mentioned in an episode of Agents of S.H.I.E.L.D., as a division of S.H.I.E.L.D. itself, so it’ll be interesting to see how the movie handles this.

Also, it was reported that Pepper Potts might be making her return to the MCU in the film. I tend to hate Gwyneth Paltrow, but I really like her take on Pepper, as she serves as a good match for Downey’s Stark. If this rumor pans out, I’ll be very happy.

At this point, the only thing I’m not looking forward to is The Vulture. I always thought he was a lame character, but here’s hoping Keaton can do something to make him interesting. I’m as eager for this film as I’m not eager for Justice League. I swear I’m not just some Marvel fanboy, as I’m currently reading more DC than Marvel. That said, Marvel simply makes better movies, and it appears this will be one of them. So, for those reasons, the Spider-Man: Homecoming trailer had the West Week Ever.

24th Mar2017

West Week Ever: Pop Culture In Review – 3/24/17

by Will

What did I just watch? So much to unpack…

I wasn’t going to post this week because, outside of the 2-year renewal for The Big Bang Theory, nothing really happened. Then I walked out of Power Rangers, and I had to do something with my thoughts.

I think I liked it? I’m not even sure. I’ll say that I think I know Power Rangers, and whatever that was was NOT Power Rangers. When we first learned that Lionsgate was going to produce the film, I was worried that they would do to the franchise what they do to everything: make it an angsty young adult adaptation. After all, they gave us The Twilight Saga, The Hunger Games, and The Divergent Series. And I think it’s safe to say that Lionsgate “Lionsgated” all over this film. Like, the Ranger stuff is almost an afterthought. It’s really just an angsty film about 5 teens who don’t really fit in until they find each other. I’ve watched enough Degrassi and Skins to know this formula. The whole “My friends are my family” routine. I half expected Drake to show up in his wheelchair.

Who’s this movie for? It’s definitely not for the current audience of the TV show, which is fine because they have the show, so they don’t necessarily need the movie. That said, it’s kinda weird to think there’s a Power Rangers movie out there that you probably shouldn’t take your 8 year old to see. I don’t say that based on the content, either; I just feel an 8 year old would be bored to tears by 80% of this movie. Ultimately, it’s for that Lionsgate audience: teenagers. But are teens too cool for school to even go see this film? The trailers want to make you think it’s nonstop superhero action, and nothing could be further from the truth. I think if that audience actually gets into the theater, they’ll enjoy the film, but I’m not sure it’s been effectively marketed to them.

The reason I say it’s not Power Rangers is because the basic premise of the whole enterprise, from the beginning, was that five teenagers with attitude were recruited to save the Earth from evil space aliens. The catch, however, is that the teens have NEVER had attitude. They’ve been goody two shoes since Day One. Even when they’re not initially good, we eventually find out they’ve got hearts of gold. In this film, these teens definitely have attitude which, in some ways, might make it the most true Power Rangers incarnation yet. The question, though, is whether this is what we want. In a lot of ways, the movie made me appreciate the show more, for all its cheesy faults and camp.

I’m kind of all over the place right now, so here are some thoughts, in no particular order:

  • If there’s a sequel, I hope it’s just a day in the life of Billy. I loved that character. LOVED him. Hell, I even loved Zack. The rest? Whatever.
  • Zordon’s an asshole. Like, he served no purpose other than the fact that the mythos calls for a Zordon. He doesn’t impart any wisdom, doesn’t teach them how to use their powers, nothing. He’s just another disappointed father figure to a group whose cup runneth over with disappointed parental units.
  • How much did Krispy Kreme pay in order to figure into the plot as much as they did?
  • It really is The Breakfast Club Gets Powers
  • There’s some pretty heavy stuff here: Kim’s wrapped up in a revenge porn scheme, Jason’s a delinquent, Trini’s got her whole identity stuff going on, Billy’s on the spectrum, and Zack’s got a dying mom. That’s five whole episodes of Skins crammed into one movie.
  • When you get down to it, I found the characters interesting enough that I would’ve watched a movie about them without all the “gotta morph in order to save the world” stuff tacked on. Instead of giving me The Breakfast Club Gets Powers, just give me a reboot of The Breakfast Club
  • Bandai’s shifty, ’cause they’re selling a movie morpher that doesn’t even exist.
  • Cheap ass Saban gave us 15 seconds of the same damn theme from 22 years ago? He couldn’t even re-record it?
  • Wasn’t really buying Elizabeth Banks as Rita, especially during the final battle.
  • The beginning of the film seemed almost like it took visual cues from that Power/Rangers fan film from a few years back
  • Nice Mariner Bay/Reefside Easter egg
  • I don’t get Goldar here. He’s apparently just a bigger Putty, but made out of gold, though he doesn’t seem as mindless. But what is he? Just a controlled automaton? Loyal pet? They clearly have history, but nothing we saw in the movie’s opening flashback.
  • Not a fan of the barely discernible Bayformers Zords
  • Didn’t hate the suits as much as I thought I would, but it would’ve been nice to see more of them…
  • When the Rangers FINALLY morph and fight the Putties, my kingdom for a Mighty RAW song in that sequence! “Combat”, “5-4-1”, “We Need A Hero”, anything. I know those were cheesy songs from the show, but I really wanted to get into a mindset that Kanye’s “Power” didn’t accomplish.
  • As toyetic property, the goal is to make the audience want to go out and buy the toys after seeing the film. For me, the movie didn’t succeed on that level. And I’m not even sure the typical toy audience (kids, not grown-ups with disposable income) are even the target audience for this film.
  • Kinda interesting that they changed Angel Grove from picturesque coastal city to podunk fishing town from which folks can’t wait to escape

Again, I really wanted to love this movie, despite going in with low expectations. I can honestly say that it’s in my Top 3 of Power Rangers films. It’s not a bad movie, but it’s not what I would’ve wanted in a Power Rangers film. I plan to see it again with my friends Brandon and John, so maybe I’ll feel differently after repeat viewings. It’s funny – for years, I’ve recommended Power Rangers RPM to folks because it was “the Power Rangers we always wanted”. It was more mature than the previous incarnations, in part because Disney was basically done with the franchise and wasn’t paying attention. I’ve come to realize, however, that there’s a cap to how mature I wanted the show to actually get. If you’ve never seen RPM, the series begins with the annihilation of 99% of the world’s population by a rogue computer virus, with the survivors taking refuge in a domed city. The stakes were higher, which I liked, but I never really wanted to know more about the goings on in the lives of the Rangers themselves. I wanted their world to grow up, but didn’t necessarily want them to grow up with it. I still wanted my technicolored battles in the middle of the desert/quarry/”abandoned warehouse district”. This film, while making the Rangers grow up, doesn’t really place them in a believable world for the Ranger parts of the movie. The concept doesn’t feel completely fleshed out, Maybe this can be dealt with in a sequel, where more worldbuilding can take place.

So, I didn’t love it, but I didn’t hate it. I just don’t know how I feel about it, really. I’m not going to say it was bad, because I actually enjoyed most of the movie. I just don’t know if there was a seamless combination between the teen drama and the world saving. I know enough about Ranger fandom to know too many people would love to jump down my throat for not just loving it, but as I said in the beginning, there’s just so much to unpack here.

In other Power Rangers news, I had the pleasure of being interviewed by Traci Lee for NBC News, regarding the history of diversity in the Power Rangers franchise. Oddly enough, a lot of what I found fault with in the show was rectified by the movie. In any case, I really love how the article came out, so check it out if you haven’t done so yet.

Oh, and nothing had the West Week Ever. As the Nina Simone sang, “It be’s that way sometimes.”

17th Mar2017

West Week Ever: Pop Culture In Review – 3/17/17

by Will

 

Well, that was quick! I just discussed it two weeks ago, and Young Sheldon is skipping the pilot stage and has been ordered directly to series by CBS. If you don’t remember, this is the prequel to The Big Bang Theory, focusing on the childhood of Dr. Sheldon Cooper, played by Jim Parsons (who will also be an executive producer on the spinoff). This makes me wonder if the contract talks are falling apart with the principal cast of The Big Bang Theory. I mean, I can’t think of another instance when a show was on the air at the same time as its prequel. Prequel shows are a rare occurrence anyway; at the moment, I can only think of The Carrie Diaries, which premiered after Sex and the City had wrapped. They just don’t coexist with the “mothership” show, so it makes me wonder if CBS’s commitment to this spinoff spells the end for The Big Bang Theory. As I said last time, don’t rejoice too soon, as you’ll still have a Sheldon on your airwaves, even if in child form. Or the show could go out in a Joey-style whimper.

In movie news, desperate for a new hit franchise, Warner Bros is considering rebooting The Matrix, this time starring Michael B. Jordan. Hmm, yeah…This just isn’t necessary. I don’t worship at the altar of The Matrix like some cinephiles, but I can attest to the fact that it was a visual masterpiece regardless of what you thought of the story itself. The world of The Matrix is vast enough that you don’t really need a reboot. You could have additional movies set in the world that’s already been established. I think that’s what more people seem to be in support of, as opposed to a full-on remake. Jordan deserves a franchise, especially since Fant4stic Four didn’t really get off the ground, but I’m not sure if this is The One. Ha! See what I did there? Anyway, the Wachowskis aren’t yet involved, so I don’t even know what’s the point.

The Warner Woes carry over to the DC movies, as it was announced that The Batman is being rewritten from scratch, delaying shooting til 2018. I swear they’re just dragging it out until Affleck can find some way out of the project. If Justice League doesn’t garner some kind of critical acclaim, he’s out. Mark my words. Meanwhile, WB has pushed Aquaman from October 2018 to December 2018. The slot was previously being held by Fox’s Avatar 2, but since Cameron announced the movie wouldn’t be ready by 2018, Warners saw it as an opportunity to pounce. Right now, though, the general thought is that Aquaman is fucked if Disney decides to move the Han Solo film to a holiday release like Rogue One and The Force Awakens had.

Things You Might Have Missed This Week

  • Wreck-It Ralph 2 was announced, with a March 9th, 2018 release date. Oddly enough, the porn parody, also named Wreck-It Ralph, is already up to volume 29.
  • To keep up with the times (and lack of content), MTV is rebranding the MTV Movie Awards to the MTV Movie and TV Awards. This thing won’t even exist in 5 years at this rate…
  • The spinoff of legal drama The Good Wife, The Good Fight, has already been renewed for a second season on CBS All-Access. I guess they need something to keep the lights on until Star Trek: Discovery comes along.
  • The CW has renewed The 100 for a fifth season. I know one person who’ll be excited about that. Just one, though.
  • Over on cable, FX has renewed the X-Men-inspired Legion for a second season, while HBO has renewed Pete Holmes’s Crashing
  • For the first time ever, Saturday Night Live will air live nationwide for the final four episodes of the season. No more delay for the West Coast!
  • Aziz Ansari’s hit Netflix series, Master of None, returns May 12th.
  • Director Matthew Vaughn is rumored to be in talks to direct Man of Steel 2. Because the director of Kick Ass and Kingsman: The Secret Service is JUST what Superman needs…
  • After Avengers: Infinity War, the Russo Brothers will produce a TV series based on the Valiant Comics series Quantum and Woody
  • Former Power Rangers Wild Force Red Ranger actor Ricardo Medina Jr pleaded guilty to killing his roommate with a samurai sword. I thought he’d swear it was self-defense. Sentencing will occur on March 30th, meaning he can still see the Power Rangers movie!

Every week can’t be Earth-shattering, and this is one of the week’s the proved that. Looking around, the person who had the best week in pop culture had to have been Tyra Banks.

When the week began, it was announced that Tyra would be replacing Nick Cannon as the host of America’s Got Talent. Her selection seemingly came out of nowhere, as reports indicated Marlon Wayans and Brandon Mychal Smith were the frontrunners for the job. This will make her the fourth host of AGT, after Regis Philbin, Jerry Springer, and Cannon.

As the week wrapped up, it was announced that Tyra would be returning as the host/head judge of America’s Next Top Model. She left the show when it ended its run on The CW in 2015. The show was quickly snatched up by VH1, but retooled with Rita Ora taking over as host. Well, yesterday, Viacom released a statement that Banks would be returning, and “Bye, Felicia’d” Ora.

So, it appears America has a new mascot, and thy name is Tyra. For taking over two of the biggest present-day reality TV franchises, that’s enough to earn Tyra Banks the West Week Ever.

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